Quotes and excerpts must be cited as follows: Oral history interview with Raquel Rabinovich, 2012 September 25 and October 9. Archives of American Art, Smithsonian Institution.
An interview of Raquel Rabinovich conducted 2012 September 25 and October 9, by James McElhinney, for the Archives of American Art, at Rabinovich's home, in Rhinebeck, New York.
Rabinovich speaks of growing up in Argentina; becoming aware of art; reproductions and books; European art; her Jewish heritage; her parents moving to Argentina before World War I; Jewish persecution; her parents' background; living in Cordoba; speaking Spanish and Yiddish growing up; quiet reflections; church; art exposure; traveling and moving to Paris; the influence of Ernesto Farina; Peron's dictatorship and rebellion; attending medical school and the call of art; political activities and spending time in jail; meeting Jose and moving to Scotland; Paris and exposure to artwork; teachings of Andre Lhote; her early works; abstraction; painting; the Mona Lisa; darkness and light; "The Dark is Light Enough"; exposure to literature and poetry; living in Copenhagen; meeting Jorge Luis Borges; the Book of Sand; her siblings; her children and her relationship to them; staying up to date with current events; libraries and a lack of books growing up; meditation; texture and the monochromatic works; interest in Jasper Johns' work; meeting Jasper Johns; living in New York; trip to Machu Picchu and spending the night outdoors; "Cloister, Crossing, Passageway 1.32"; glassworks and transparency; exhibiting artwork; her divorce; Rodolfo Mondolfo; environment and exposure; quiet contemplation; spending time with artwork; commissioned work near High Falls; "River Library"; libraries as places of knowledge; minimalism; the 1980s; her daughter's wedding and her relationship with Jose; stones; traveling to Nepal, Thailand, India, and Egypt; temples; Buddhism; "Chhodrtens"; garbhagrihas; NEA fellowship and residency in Paris; "Thrones for the Gods"; INTAR Gallery; "Gateless Gates"; artifacts; Pabhavikas sculpture; Charles Stein; Linda Weintraub; George Quasha; Station Hill Press; "Enfolded Darkness" and "Light Unworn". Rabinovich also recalls Baron Hughes, Beethoven, Lenin, Diego Velazquez, Andre Lhote, Mondrian, Picasso, Braque, David Levi Straus, Robert Kelly, Cezanne, Philip Pavia, Agnes Martin, Dorothea Rockburne, Barry Schwabsky, Bill Zimmer, Agnes Denes, Louisa Valenzuela, Julia Herzberg, and Marco Maggi.
Biographical / Historical:
Raquel Rabinovich (1929- ) is a painter and sculptor in Rhinebeck, New York. James McElhinney (1952- ) is a painter and educator from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York Search this
Sculptors -- New York (State) -- New York Search this
Landscape painting now from pop abstraction to new romanticism edited by Todd Bradway ; essay by Barry Schwabsky ; contributions by Robert R. Shane, Louise Sørensen, and Susan A. Van Scoy
On painting : prácticas pictóricas actuales ... más allá de la pintura o más acá / proyecto y comisariado general Omar-Pascual Castillo ; comisarios Mari Carmen Rodríguez, Miguel Pons ; [textos Omar-Pascual Castillo, Barry Schwabsky, David Barro, Kevin Power]
Title:
Prácticas pictóricas actuales ... más allá de la pintura o más acá
The papers of contemporary painter and author William Anthony measure 1.5 linear feet and date from 1956 to 2003. Found within the papers are scattered biographical materials; correspondence files; exhibition files; original art work; files of reproductions of his art work; a file for his book A New Approach to Figure Drawing; clippings; photographs; a recorded lecture and announcements of Anthony's slide talks.
Scope and Content Note:
The papers of contemporary painter and author William Anthony measure 1.5 linear feet and date from 1956 to 2003. Found within the papers are scattered biographical materials; correspondence files; exhibition files; original art work; files of reproductions of his art work; a file for his book A New Approach to Figure Drawing; clippings; photographs; a recorded lecture and announcements of Anthony's slide talks. This material offers a comprehensive record of the works and exhibitions of this prolific painter.
Series 9: Recorded Lecture and Announcements of Slide Talks, 1985-1990, undated (Box 2; 1 folder; Reel 5877 and unfilmed)
Biographical Note:
American painter William Graham Anthony was born on September 25, 1934 in Fort Monmouth, New Jersey. While majoring in history at Yale University, Anthony attended a few art courses, one of which was taught by Josef Albers. He also attended the Art Students' League in 1958 and 1961.
After graduating from Yale, he joined his family in California, where he attended the San Francisco Art Institute. In 1962, Anthony taught figure drawing at a commercial art school in San Francisco, where he developed a method of drawing that resulted in his book A New Approach to Figure Drawing. Two years later he moved to New York City.
From 1977 to 1978, Anthony made a series of drawings for magazine Andy Warhol's Interview, and published another book Bible Stories. In 1983, he married Norma Neuman, and continued to produce and exhibit his art work, including solo exhibitions in New York, California, and Europe. In 1988, the Jargon Society published an additional book, Bill Anthony's Greatest Hits. Anthony also teaches painting to senior citizens.
Provenance:
The William Anthony papers were donated by Anthony from 2001 to 2003. In 1976, he lent miscellaneous photocopied material for microfilming. The loaned materials do not duplicate the later gifts except for single letters from Jasper Johns (1972), William King, Claes Oldenburg, Theodoros Stamos, and a book endorsement comment signed by Larry Rivers. [Note: Reel 1094 is not described in this finding aid.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, American -- New York (State) -- New York Search this
Painters -- New York (State) -- New York Search this
Genre/Form:
Drawings
Photographs
Citation:
William Anthony papers, 1956-2003. Archives of American Art, Smithsonian Institution.
