Skip to main content Smithsonian Institution

Search Results

Collections Search Center
49 documents - page 1 of 3

Oral history interview with Eleanor Sayre, 1993 April 19-1997 January 10

Interviewee:
Sayre, Eleanor A. (Eleanor Axson)  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Ames, Winslow  Search this
Constable, W. G. (William George)  Search this
Edgell, George Harold  Search this
Forbes, Edward Waldo  Search this
Goya, Francisco  Search this
Hofer, Philip  Search this
Karolik, Maxim  Search this
King, Georgiana Goddard  Search this
Rathbone, Perry Townsend  Search this
Rembrandt Harmenszoon van Rijn  Search this
Rosenberg, Jakob  Search this
Rossiter, Henry P. (Henry Preston)  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Seybolt, George Crossan  Search this
Sizer, Theodore  Search this
Swarzenski, Hanns  Search this
Washburn, Gordon B. (Gordon Bailey)  Search this
Wilson, Woodrow  Search this
Ashmolean Museum  Search this
Bryn Mawr College  Search this
Fogg Art Museum  Search this
Harvard University  Search this
Lyman Allyn Museum  Search this
Museum of Fine Arts, Boston  Search this
Museo del Prado  Search this
Rhode Island School of Design. Museum of Art  Search this
Yale University. Art Gallery  Search this
Type:
Sound recordings
Interviews
Place:
Spain -- History -- 1939-1975
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Eleanor Sayre, 1993 April 19-1997 January 10. Archives of American Art, Smithsonian Institution.
Topic:
Jewish refugees -- Germany  Search this
Museum curators -- Massachusetts -- Boston -- Interviews  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)13089
(DSI-AAA_SIRISBib)215869
AAA_collcode_sayre93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215869
Online Media:

Oral history interview with Eleanor Sayre

Interviewee:
Sayre, Eleanor A.  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Ashmolean Museum  Search this
Bryn Mawr College -- Students  Search this
Fogg Art Museum  Search this
Harvard University -- Students  Search this
Lyman Allyn Museum  Search this
Museo del Prado  Search this
Museum of Fine Arts, Boston  Search this
Rhode Island School of Design. Museum of Art  Search this
Yale University. Art Gallery  Search this
Ames, Winslow  Search this
Constable, W. G. (William George), 1887-1976  Search this
Edgell, George Harold, b. 1887  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Goya, Francisco, 1746-1828  Search this
Hofer, Philip, 1898-1984  Search this
Karolik, Maxim  Search this
King, Georgiana Goddard, 1871-1939  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Rembrandt Harmenszoon van Rijn, 1606-1669  Search this
Rosenberg, Jakob, 1893-  Search this
Rossiter, Henry P. (Henry Preston), b. 1885  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Seybolt, George Crossan, 1914-1993  Search this
Sizer, Theodore, 1892-1967  Search this
Swarzenski, Hanns, 1903-1985  Search this
Washburn, Gordon B. (Gordon Bailey), 1904-1983  Search this
Wilson, Woodrow, 1856-1924  Search this
Extent:
213 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Spain -- History -- 1939-1975
Date:
1993 April 19-1997 January 10
Scope and Contents:
An interview of Eleanor Sayre conducted 1993 April 19-1997 January 10, by Robert F. Brown, for the Archives of American Art.
Sayre talks about her early childhood in Williamstown and Cambridge, Mass.; her family background; visits to the White House with her maternal grandfather, Woodrow Wilson; living abroad while her father was in government service in Bangkok, then Siam (now Thailand), Paris, and Switzerland, with extensive recollections of her brothers and schooling in Europe.
Attending Winsor School in Boston; her mother's death; her years at Bryn Mawr College, including her switch to art history from political science; Georgianna Goddard King as an influential teacher; an internship under Laura Dudley at the Fogg Art Museum's Print Room and the lasting effect of this experience.
Being a graduate student in fine arts at Harvard and the importance of Edward Forbes and Paul Sachs as teachers; her decision not to pursue a PhD; working with Jakob Rosenberg; helping to get young Jews out of Europe; her position as assistant for exhibitions at Yale University Art Gallery under Theodore Sizer; the trauma of her father's internment by the Japanese in the Philippines, where he was High Commissioner and his rescue; and her decision to turn down a military intelligence job in order to work with German Jewish refugees.
Her brief tenure at Lyman-Allyn Museum, Conn., under Winslow Ames; her years in the education department under Lydia "Ma" Powel at the Museum of Art of the Rhode Island School of Design with Gordon Washburn as director; and working closely with Heinrich Schwartz on prints and drawings.
The liberal tradition of her father's wealthy family; her father; being brought to the Museum of Fine Arts, Boston by its curator of prints, Henry Rossiter and on the charming collector and benefactor, Maxim Karolik; MFA curator of paintings, William George Constable; and George Harold Edgell, MFA director.
The collector, Philip Hofer, who by putting his Goya proofs on loan at the MFA, led to Sayre's life-long study of the artist; her research on Goya in Spain; raising of a large sum from Boston businesses to purchase Hofer's prints for the MFA, and the MFA's eminence by the 1960s in Goya's graphic work; the disgusting repression of dissent in Franco-era Spain; Goya's passionate self-assertion, which is what principally attracted Sayre to his work, and his conceptual process and method of work.
Earlier years at the MFA, Boston, including the accessibility of the print department's study rooms; Edwin J. Hipkiss, curator of American decorative arts; the Christmas poetry and prints exhibitions designed as profound learning experiences for a broad public; and being chosen as successor to Rossiter; and further comments on Maxim Karolik.
W.G. Russell Allen and other collectors who gave their collections to the MFA; her efforts to effectively present art to the broad public; her methods of appealing to the public coalescing at the MFA in 1989 with the "Goya and the Spirit of the Enlightenment" exhibition; and an exhibition of the work of Beatrix Potter.
Spain under the dictator, Francisco Franco; her first study in Spain of Goya's drawings and her urging the Prado Museum to conserve its drawings; the Prado's director, F. Sanchez-Canton; her research on prostitution at the Ministry of Justice; being decorated for her recommending the preservation of Goya's art and the marvelous private collections of Goya in Spain; and her obsession with interpreting the meaning of Goya's work.
The MFA, Boston, under the directorship of Perry Rathbone, who wanted many more people involved than had his predecessor, George Harold Edgell, who ran it like a Boston Brahmin Club; Rathbone's accomplishments; his downfall and that of his assistant (and curator of European decorative arts and sculpture) Hanns Swarzenski in bringing a so-called Raphael into this country by irregular means, which led to Rathbone and Swarzenski's firing by George Seybolt, the trustee president; Rathbone's reluctance to hire women curators and Sayre's finally becoming curator of prints and drawings in 1967; her philosophy as curator; on Hanns and Brigitte Swarzenski as dear friends; her exchange of positions with the curator of the Ashmolean Museum, Oxford, where she put their valuable but neglected print collection in order.
The exhibition and catalog, "Rembrandt: Experimental Etcher," (1969) in collaboration with the Pierpont Morgan Library; general views on exhibitions; co-authoring the exhibition catalog "Goya and the Spiris of Enlightenment" (1989); her contributions to Goya research; her current research and writing on Goya's Capaprichos print series; and her satisfaction in having spent her career in art museums.
Biographical / Historical:
Eleanor A. Sayre (1916-2001) was a curator and art historian from Boston, Mass.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 11 hrs., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Interviews  Search this
Printmakers  Search this
Topic:
Jewish refugees -- Germany  Search this
Museum curators -- Massachusetts -- Boston -- Interviews  Search this
World War, 1939-1945  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sayre93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94605f5ed-1c72-4e2f-92d1-4d6a22a3eaa2
EDAN-URL:
ead_collection:sova-aaa-sayre93
Online Media:

Oral history interview with Winslow Ames, 1987 April 29-June 2

Interviewee:
Ames, Winslow, 1907-1990  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Forbes, Edward Waldo  Search this
Kirstein, Lincoln  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Warburg, Edward M. M.  Search this
Lyman Allyn Museum  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Winslow Ames, 1987 April 29-June 2. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- Connecticut -- Interviews  Search this
Museum directors -- Missouri -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12047
(DSI-AAA_SIRISBib)212300
AAA_collcode_ames87
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212300
Online Media:

Oral history interview with Charles Alan, 1970 August 20-25

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Allen, Lawrence  Search this
Baker, Richard Brown  Search this
Davis, Stuart  Search this
Halpert, Edith Gregor  Search this
Hirshhorn, Joseph H.  Search this
Kuniyoshi, Yasuo  Search this
Landau, Felix  Search this
Levi, Julian E. (Julian Edwin)  Search this
Levine, Jack  Search this
Marin, John  Search this
Marin, John, Jr.  Search this
Root, Edward Wales  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Zerbe, Karl  Search this
Shahn, Ben  Search this
Geddes, Norman Bel  Search this
O'Keeffe, Georgia  Search this
Conner, Bruce  Search this
Harnett, William Michael  Search this
Askew, R. Kirk (Ralph Kirk)  Search this
Breinin, Raymond  Search this
Levy, Julien  Search this
Washburn, George  Search this
Downtown Gallery (New York, N.Y.)  Search this
Yale School of Drama  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Charles Alan, 1970 August 20-25. Archives of American Art, Smithsonian Institution.
Topic:
Set designers -- United States -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11699
(DSI-AAA_SIRISBib)212203
AAA_collcode_alan70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212203
Online Media:

Oral history interview with Winslow Ames

Interviewee:
Ames, Winslow  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Lyman Allyn Museum  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Kirstein, Lincoln, 1907-  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Warburg, Edward M. M.  Search this
Extent:
77 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1987 April 29-June 2
Scope and Contents:
An interview of Winslow Ames conducted 1987 April 29-June 2, by Robert F. Brown, for the Archives of American Art.
Ames speaks of his childhood in New York, his family's early New England and New York antecedents, his education at Columbia College, and studying fine arts at Harvard under Paul Sachs and Edward Waldo Forbes. He reminisces about his friendship with Edward M.M. Warburg and Lincoln Kirstein and their involvement in his purchase of Gaston Lachaise's "Standing Woman"; his work as the first director of the Lyman Allyn Museum, New London, Connecticut; service as a conscientious objector with the Civilian Public Service Corps during World War II; and assisting in the resettlement of European refugees with the American Friends Service Committee. He discusses directing a museum in Springfield, Missouri, researching and writing his, "Prince Albert and Public Taste," and teaching connoisseurship and museum practices at the University of Rhode Island and Brown University.
Biographical / Historical:
Winslow Ames (1907-1990) was a museum director, art historian, collector, conoisseur of drawings, and authority on Victorian art.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 18 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Rhode Island -- Interviews  Search this
Art teachers -- Rhode Island -- Interviews  Search this
Topic:
Museum directors -- Connecticut -- Interviews  Search this
Museum directors -- Missouri -- Interviews  Search this
Function:
Art museums -- Connecticut -- New London
Art museums -- Missouri -- Springfield
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ames87
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945e6f8b5-646b-497b-b675-17fcd1a8a1f6
EDAN-URL:
ead_collection:sova-aaa-ames87
Online Media:

Oral history interview with Charles Alan

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Yale School of Drama -- Students  Search this
Allen, Lawrence  Search this
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Baker, Richard Brown  Search this
Breinin, Raymond, 1910-  Search this
Conner, Bruce, 1933-2008  Search this
Davis, Stuart, 1892-1964  Search this
Geddes, Norman Bel, 1893-1958  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Harnett, William Michael, 1848-1892  Search this
Hirshhorn, Joseph H.  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Landau, Felix, 1924-2003  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Marin, John, 1870-1953  Search this
Marin, John, Jr., 1915?-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Root, Edward Wales, d. 1956  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Shahn, Ben, 1898-1969  Search this
Washburn, George  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 August 20-25
Scope and Contents:
An interview of Charles Alan conducted 1970 August 20-25, by Paul Cummings, for the Archives of American Art.
Alan speaks of studying scene and stage design; attending Yale School of Drama; doing illustrations for various publications; traveling and studying in Europe; working as a set designer for MGM and Warner Brothers; his experiences working at the Downtown Gallery; his thoughts and recollections about Edith Halpert; leaving Downtown Gallery and starting his own gallery; his opinions on the future of small galleries in New York; museum purchases; Edith Halpert's art collection; selling his gallery to Felix Landau; and various thoughts concerning the art world. He recalls Norman Bell Geddes, Edith Halpert, Stuart Davis, Julien Levy, Yasuo Kuniyoshi, Kirk Askew, Raymond Breinin, Ben Shahn, George Washburn, Edward Root, Joe Hirshhorn, John Marin, John Marin Jr., Lawrence Allen, Georgia O'Keeffe, William Harnett, Julian Levi, Jack Levine, Karl Zerbe, Bruce Conner, Richard Baker, Paul Sachs, and many others.
Biographical / Historical:
Charles Alan (1908?-1975) was an art dealer from New York, New York. Alan attended Horace Mann School, graduating in 1924. Attended Yale School of Drama in 1925, then worked as a set designer for MGM and Warner Brothers. In 1930, Alan became a theatrical set designer and director. After serving in the Army in World War II, he worked for Edith Halpert at the Downtown Gallery. In 1952, he opened the Charles Alan Gallery, specializing in contemporary art. Alan closed the gallery in 1970 to become a private dealer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 2 hrs., 58 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Set Designers -- United States -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.alan70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b58bbd57-ca81-4a18-a614-fc868226702e
EDAN-URL:
ead_collection:sova-aaa-alan70
Online Media:

Milton Wolf Brown papers

Creator:
Brown, Milton Wolf (Milton Wolf), 1911-1998  Search this
Names:
Armory Show 50th anniversary exhibition (1963 : New York, N.Y.)  Search this
Brooklyn College -- Faculty  Search this
Century Association (New York, N.Y.)  Search this
City University of New York -- Faculty  Search this
Whitney Museum of American Art  Search this
Brown, Blanche  Search this
Lawrence, Jacob, 1917-2000  Search this
Lozowick, Louis, 1892-1973  Search this
Lynes, Russell, 1910-1991  Search this
Meltzoff, Stanley  Search this
Panofsky, Erwin, 1892-1968  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Extent:
26 Linear feet
0.225 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Date:
1908-1998
Summary:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 26.0 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.
Scope and Content Note:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 25.8 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.

Biographical material includes academic records, travel documents, financial documents, Brown's military records, and a transcript of a 1997 interview. Correspondence is with students, museums, universities, publishers, art organizations, and others. The bulk of these letters document Brown's professional activities, but also found are scattered letters from friends, artists, and colleagues such as Russell Lynes, Stanley Meltzoff, Louis Lozowick, Erwin Panofsky, and Paul Sachs.

This collection also contains 33 detailed travel journals written primarily by Milton Brown's wife, Blanche, documenting their travels in Europe, the United States, and other parts of the world. Within the writings series are notebooks from the period that Brown was a student and while traveling in Europe in 1959 and 1960; book project files, which include draft writings as well as related correspondence, research material, notes, photographs and other material. Files are found for American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography (1979), American Painting, From the Armory Show to the Depression (1955), The Story of the Armory Show (1963, 1988 2nd ed.), and other books. Among the writings are files for lectures written by Brown; essays, articles, and scripts written for various publications; general research notes and student writings; and writings by others sent to Brown for review and feedback.

Brown maintained a set of files documenting his work on the Prendergast Catalogue Raisonne Project, which consist of correspondence, drafts, reports, and research materials, including notes on twenty meetings with Mrs. Prendergast. Exhibition files document Brown's work as curator on several major exhibitions, including a Jacob Lawrence exhibition at the Whitney Museum, and his contributions to others. Also found here are three interviews of Milton Brown and Marcel Duchamp concerning the 50th Anniversary of the Armory Show and anniversary exhibition. Research files include notes, research material, and printed material on various art-related subjects that were maintained by Milton and Blanche Brown for regular use for lectures, teaching, and writing projects. Brown's teaching files contain scattered lecture notes, syllabi, correspondence, faculty records, and other materials from his time at CUNY, Brooklyn College, and other visiting professorships. Organization Files contain correspondence, reports, planning documents, and event materials. These records document his membership or advisory role in various organizations such as the Archives of American Art and Century Association.

This collection also contains printed material, such as exhibition announcements, newsletters, brochures, journals, event programs, and magazine and newspapers clippings compiled by Brown. Scattered photographs include nine photographs of Milton Brown, a few photographs of friends, and photographs of artwork.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, circa 1932-1998 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1908, 1934-1998 (Boxes 1-3; 1.8 linear feet)

Series 3: Travel Journals, 1941-1996 (Boxes 3-4; 1.6 linear feet)

Series 4: Writings, circa 1929-1990s (Boxes 4-13, 25; 8.7 linear feet)

Series 5: Prendergast Catalogue Raisonne Project, circa 1952-1990 (Boxes 13-14, 25; 1.8 linear feet)

Series 6: Exhibition Files, 1962-circa 1997 (Boxes 14-16, 28; 2.0 linear feet, ER01; 0.225 GB)

Series 7: Research Files, circa 1930s-1986 (Boxes 16-19; 3.0 linear feet)

Series 8: Teaching Files, circa 1946-1993 (Boxes 19-21; 2.0 linear feet)

Series 9: Organization Files, 1959-1995 (Boxes 21-22; 1.3 linear feet)

Series 10: Printed Material, 1925-1990s (Boxes 22-24, 26, 27; 3.2 linear feet)

Series 11: Photographs, circa 1956-1990s (Boxes 25, 27; 0.2 linear feet)
Biographical Note:
Milton Wolf Brown (1911-1998) was an art historian and educator in New York City.

Known to his friends as "Mainey," Brown was born in Brooklyn, New York, in 1911. At a young age he intended to be a painter and studied with Louis Lozowick. However, instead of attending art school, he entered New York University to study education and eventually received his master's and doctorate in art history from the Institute of Fine Arts. While there he took courses with Walter Friedlander, Erwin Panofsky, and Mayer Schapiro. He also received fellowships to the Courtauld Institute of Art in 1934 and Brussels in 1937, and studied from 1938-1939 at the Fogg Art Museum at Harvard University. In 1938 he married fellow student Blanche Levine. After serving in World War II, he began teaching in the art department at Brooklyn College in 1946. There he developed a specialization in American art history and his doctoral dissertation, American Painting from the Armory Show to the Depression, was published in 1955. In 1963 he participated in the fiftieth anniversary exhibition of the 1913 Armory Show. The publication of his book Story of the Armory Show coincided with this event.

In 1971 Brown established the graduate program in Art History at the City University of New York, which became preeminent in the areas of modern art and American art history. During the 1980s he remained a resident professor at CUNY, though he retired in 1979, and he held visiting professorships at Hebrew University in Jerusalem and the Center for Advanced Study in the Visual Arts at the National Gallery of Art. From 1983 to 1987 he had a senior fellowship at Williams College for the Prendergast Catalogue Raisonne Project.

Over the course of his career Brown curated exhibitions, including an exhibition on the works of Jacob Lawrence and The Modern Spirit: American Painting and Photography, 1908-1935, and wrote for numerous publications. He also served as an active member of several professional societies. Brown was close friends with art scholars and artists, such as Jack Levine, Moses and Raphael Soyer, Ad Reinhardt, and Paul Strand. In 1991 he returned to painting landscape watercolors, and had the opportunity to exhibit his work before his death in 1998.
Related Material:
Also at the Archives of American Art is an oral history interview with Milton Wolf Brown, conducted in 1976 by Paul Cummings.
Provenance:
The Milton Wolf Brown papers were donated in 2000 and 2001 by Blanche R. Brown, Brown's widow. Three reel-to reel sound recordings were lent for duplication to cassette and transcript in 1986 by Milton Brown. A cassette copy of the Martha Deane interview was donated in 2006 by Milton Brown's estate, via Naomi Rosenblum. Additional material was donated in 2002 and 2004 by Naomi Rosenblum, executor for the estate of Blanche R. Brown, who died in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art, American History Sources  Search this
Genre/Form:
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Citation:
Milton Wolf Brown papers, 1908-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browmilt
See more items in:
Milton Wolf Brown papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2f1a099-bc53-4b03-a5fd-61e0feca9db8
EDAN-URL:
ead_collection:sova-aaa-browmilt
Online Media:

William Horace Littlefield papers, 1920-1969

Creator:
Littlefield, William Horace, 1902-1969  Search this
Subject:
Hofmann, Hans  Search this
Kirstein, Lincoln  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Busa, Peter  Search this
Grimaldi, Vincent  Search this
Phillips, Duncan  Search this
Hayter, Stanley William  Search this
Draper, Muriel  Search this
Mayor, A. Hyatt (Alpheus Hyatt)  Search this
MacLeish, Archibald  Search this
Wheeler, Monroe  Search this
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Club (New York, N.Y.)  Search this
Type:
Scrapbooks
Citation:
William Horace Littlefield papers, 1920-1969. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7086
(DSI-AAA_SIRISBib)209219
AAA_collcode_littwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209219

Paul J. Sachs letter to Peter A. Wick, 1954 Nov. 11

Creator:
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Subject:
Wick, Peter A.  Search this
Citation:
Paul J. Sachs letter to Peter A. Wick, 1954 Nov. 11. Archives of American Art, Smithsonian Institution.
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)7210
(DSI-AAA_SIRISBib)209347
AAA_collcode_sachpaul
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209347

Richard H. Howland papers, 1931-1932

Creator:
Howland, Richard Hubbard  Search this
Subject:
Sachs, Paul J. (Paul Joseph)  Search this
Citation:
Richard H. Howland papers, 1931-1932. Archives of American Art, Smithsonian Institution.
Topic:
Museum techniques  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)7814
(DSI-AAA_SIRISBib)209980
AAA_collcode_howlrich
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209980

James N. Rosenberg papers, 1911-1961

Creator:
Rosenberg, James N. (James Naumburg), 1874-1970  Search this
Subject:
Sachs, Paul J. (Paul Joseph)  Search this
Fleischer, Walter R.  Search this
Redmond, Roland Livingston  Search this
Kennerley, Mitchell  Search this
Lebduska, Lawrence  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New Gallery (New York, N.Y.)  Search this
Type:
Sketchbooks
Citation:
James N. Rosenberg papers, 1911-1961. Archives of American Art, Smithsonian Institution.
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8383
(DSI-AAA_SIRISBib)210557
AAA_collcode_rosejame
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210557

William Mills Ivins papers, 1878-1964

Creator:
Ivins, William Mills, 1881-1961  Search this
Subject:
Lay, Charles Downing  Search this
Ivins, William Mills  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Ruzicka, Rudolph  Search this
Rogers, Bruce  Search this
Webster, Herman A. (Herman Armour)  Search this
Sizer, Theodore  Search this
Simonson, Lee  Search this
Sarton, George  Search this
Winter, Carl  Search this
Wind, Edgar  Search this
Käsebier, Gertrude  Search this
Ames, Winslow  Search this
Arensberg, Walter  Search this
Arms, John Taylor  Search this
Berenson, Bernard  Search this
Ivins, Emma Yard  Search this
Ivins, Barbara  Search this
Ivins, Katherine  Search this
Ivins, Florence Wyman  Search this
Greene, Belle da Costa  Search this
Friedländer, Max J.  Search this
Holmes, Margaret Ivins  Search this
Constable, W. G. (William George)  Search this
Cockerell, Sydney Carlyle, Sir  Search this
Frankfurter, Felix  Search this
Dodgson, Campbell  Search this
Burroughs, Bryson  Search this
Boas, George  Search this
Carrington, Fitz Roy  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Pierpont Morgan Library  Search this
Century Association (New York, N.Y.)  Search this
Grolier Club  Search this
Citation:
William Mills Ivins papers, 1878-1964. Archives of American Art, Smithsonian Institution.
Topic:
Illustrators  Search this
Aesthetics  Search this
Art museums  Search this
Book collectors and collecting  Search this
Museum directors  Search this
Perspective  Search this
Designers  Search this
Museums -- Acquisitions  Search this
Prints -- History  Search this
Etching -- History  Search this
Engraving -- History  Search this
Medicine and art -- History  Search this
Illustrated books -- History  Search this
Museum curators  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)8805
(DSI-AAA_SIRISBib)210990
AAA_collcode_ivinwill
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210990
Online Media:

W.G. Constable papers, 1905-1983, bulk 1920-1976

Creator:
Constable, W. G. (William George), 1887-1976  Search this
Subject:
Phillips, Duncan  Search this
Stout, George L. (George Leslie)  Search this
Canaletto  Search this
Perry, Ralph  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Hencken, Hugh O'Neill  Search this
Vasalle, Rudolph  Search this
Brandt, Mortimer  Search this
Links, J. G.  Search this
Ivins, William Mills  Search this
Frick, Helen Clay  Search this
Gluck, Helen  Search this
National Gallery of Canada  Search this
Watts Gallery  Search this
Christie, Manson & Woods International Inc.  Search this
Fogg Art Museum  Search this
Museum of Fine Arts, Boston  Search this
American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas  Search this
Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government  Search this
Art Gallery of Toronto  Search this
United States. Internal Revenue Service  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Place:
Germany (Territory under Allied occupation, 1945-1955)
Citation:
W.G. Constable papers, 1905-1983, bulk 1920-1976. Archives of American Art, Smithsonian Institution.
Topic:
Art, European  Search this
Art -- Study and teaching  Search this
Museum curators -- Massachusetts -- Boston  Search this
Art -- Collectors and collecting  Search this
Cultural property -- conservation and restoration -- Germany  Search this
Cultural property -- Conservation and restoration -- Italy  Search this
Art -- Conservation and restoration  Search this
Museum curators -- England  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9387
(DSI-AAA_SIRISBib)211584
AAA_collcode_conswmgp
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211584
Online Media:

George Leslie Stout papers, 1855, 1897-1978

Creator:
Stout, George L. (George Leslie)  Search this
Subject:
Sachs, Paul J. (Paul Joseph)  Search this
Gardner, G. Peabody (George Peabody)  Search this
Ivins, William Mills  Search this
Marceau, Henri  Search this
Hall, Ardelia Ripley  Search this
Howe, Thomas Carr  Search this
Sizer, Theodore  Search this
Buck, Richard D.  Search this
Warner, Langdon (1881-1955)  Search this
Constable, W. G. (William George)  Search this
Moore, Lamont  Search this
Worcester Art Museum  Search this
Isabella Stewart Gardner Museum  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Fogg Art Museum  Search this
Type:
Photographs
Sketches
Sketchbooks
Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- United States  Search this
World War, 1939-1945 -- Art and the war  Search this
Art -- Conservation and restoration  Search this
Theme:
Diaries  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Diaries  Search this
Record number:
(DSI-AAA_CollID)13421
(DSI-AAA_SIRISBib)211684
AAA_collcode_stougeor
Theme:
Diaries
Art Materials, Techniques, and Studio Art Education
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211684
Online Media:

James S. Plaut papers, [ca. 1929]-1980

Creator:
Plaut, James S. (James Sachs), 1912-1996  Search this
Subject:
Adenauer, Konrad  Search this
Bernstein, Leonard  Search this
Breuer, Marcel  Search this
Eisenhower, Dwight D. (Dwight David)  Search this
Gandhi, Indira  Search this
Wright, Frank Lloyd  Search this
Gropius, Walter  Search this
Peirce, Waldo  Search this
Ruckstull, F. W. (Fred Wellington)  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Berman, Eugene  Search this
Kirstein, Lincoln  Search this
Kokoschka, Oskar  Search this
Milles, Carl  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston  Search this
World Crafts Council  Search this
Expo 67 (Montréal, Québec)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Place:
Israel
Citation:
James S. Plaut papers, [ca. 1929]-1980. Archives of American Art, Smithsonian Institution.
Theme:
Sketches & Sketchbooks  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9561
(DSI-AAA_SIRISBib)211762
AAA_collcode_plaujame
Theme:
Sketches & Sketchbooks
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211762

Henry-Russell Hitchcock papers, 1919-1987

Creator:
Hitchcock, Henry-Russell, 1903-1987  Search this
Subject:
Howe, George  Search this
Johnson, Philip C.  Search this
Goldwater, Robert John  Search this
McCormick, Thomas J.  Search this
Kaufmann, Edgar  Search this
Berman, Leonid  Search this
Doesburg, Theo van  Search this
Berenson, Bernard  Search this
Berman, Eugene  Search this
Francis, Henry Sayles  Search this
Barr, Alfred H., Jr.  Search this
Gill, Brendan  Search this
Erffa, Helmut von  Search this
Spark, Victor D. (Victor David)  Search this
Oud, J. J. P. (Jacobus Johannes Pieter)  Search this
Soby, James Thrall  Search this
Smith, Peter van der Meulen  Search this
Smith, E. Baldwin (Earl Baldwin)  Search this
Vanderbilt, Paul  Search this
Thomson, Virgil  Search this
Summerson, John Newenham, Sir  Search this
Sterner, Harold  Search this
Porter, Kingsley  Search this
Feininger, Lyonel  Search this
Pevsner, Nikolaus  Search this
Panofsky, Erwin  Search this
Sizer, Theodore  Search this
Scully, Vincent Joseph  Search this
Schindler, R. M. (Rudolph M.)  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Kirstein, Lincoln  Search this
Washburn, Gordon B. (Gordon Bailey)  Search this
Wittkower, Rudolf  Search this
Wright, Frank Lloyd  Search this
Mumford, Lewis  Search this
Abbott, Jere  Search this
Austin, Arthur Everett  Search this
Type:
Writings
Photographs
Citation:
Henry-Russell Hitchcock papers, 1919-1987. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- New York (State) -- New York  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)9728
(DSI-AAA_SIRISBib)212014
AAA_collcode_hitchenp
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212014
Online Media:

Castano Galleries records, 1907-1983

Creator:
Castano Galleries  Search this
Subject:
Venturi, Lionello  Search this
Beam, Philip C.  Search this
Chrysler, Walter P. (Walter Percy)  Search this
Danes, Gibson A.  Search this
Denghausen, Franz H.  Search this
Goodrich, Lloyd  Search this
Grandin, Isabella  Search this
Hale, Lilian Westcott  Search this
Hofer, Philip  Search this
Rathbone, Perry Townsend  Search this
Richardson, Edgar Preston  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Castano, Giovanni  Search this
Citation:
Castano Galleries records, 1907-1983. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Theme:
Art Market  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10415
(DSI-AAA_SIRISBib)213802
AAA_collcode_castgall
Theme:
Art Market
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213802

Harold K. Zimmerman papers, l930-1954

Creator:
Zimmerman, Harold K., 1905-1941  Search this
Subject:
Bloom, Hyman  Search this
Levine, Jack  Search this
Ross, Denman Waldo  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Citation:
Harold K. Zimmerman papers, l930-1954. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Expressionism (Art)  Search this
Art patronage  Search this
Boston school of painting  Search this
Art criticism  Search this
Theme:
Art Materials, Techniques, and Studio Art Education  Search this
Record number:
(DSI-AAA_CollID)10562
(DSI-AAA_SIRISBib)214036
AAA_collcode_zimmharo
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214036

Franklin W. Robinson interviews, 1992 Jan. 28 - Feb 26

Creator:
Robinson, Franklin Westcott  Search this
Goodwin, George M.  Search this
Subject:
Sachs, Paul J. (Paul Joseph)  Search this
Rhode Island School of Design. Museum of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Franklin W. Robinson interviews, 1992 Jan. 28 - Feb 26. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- United States -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13410
(DSI-AAA_SIRISBib)214598
AAA_collcode_robifrank
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214598

Milton Wolf Brown papers, 1908-1998

Creator:
Brown, Milton Wolf, 1911-1998  Search this
Subject:
Panofsky, Erwin  Search this
Meltzoff, Stanley  Search this
Lynes, Russell  Search this
Lozowick, Louis  Search this
Lawrence, Jacob  Search this
Brown, Blanche  Search this
Prendergast, Charles  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Prendergast, Maurice Brazil  Search this
Century Association (New York, N.Y.)  Search this
Armory Show 50th anniversary exhibition (1963 : New York, N.Y.)  Search this
Brooklyn College  Search this
Archives of American Art  Search this
Whitney Museum of American Art  Search this
City University of New York  Search this
Type:
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Citation:
Milton Wolf Brown papers, 1908-1998. Archives of American Art, Smithsonian Institution.
Topic:
Art, American History Sources  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6321
(DSI-AAA_SIRISBib)225216
AAA_collcode_browmilt
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_225216
Online Media:

Modify Your Search







or


Narrow By