The chief justices of the Supreme Court of Pennsylvania : reproductions of paintings by Albert Rosenthal from life and authentic originals, 1907. Archives of American Art, Smithsonian Institution.
The microfilmed Alfred Williams Anthony papers contain letters, autographs, biographical data, and miscellaneous material collected by Anthony about 19th century artists.
Artists represented in the collection include: Edwin A. Abbey, Ernest Albert, Elizabeth A. Allen, Daniel C. Beard, Frank Beard, Samuel G. W. Benjamin, Albert Bierstadt, Nathaniel Blaisdell, Edwin H. Blashfield, Evangeline Blashfield, Charles W. Bolton, Victor D. Brenner, Sydney & Mrs. Burleigh, William M. Chase, Frederic E. Church, Harry Cochrane, William A. Coffin, Timothy Cole, Thomas Cole, Royal Cortissoz, Palmer Cox, Christopher Cranch, Felix O. C. Darley, Frederick Dellenbaugh, Frederick Dielman, Andrew J. Downing, Charles L. Eastlake, George W. Edwards, Daniel C. French, Edmund H. Garrett, Sanford R. Gifford, V. Gribayedoff, Henry W. Herbert, Elbert Hubbard, Daniel Huntington, Laurence Hutton, Ernest L. Ipshen, Norman W. Isham, F. Lynn Jenkins, John La Farge, Edward C. Leavitt, William J. Linton, Benson J. Lossing, Will H. Low, Jervis McEntee, George Merrill, John H. Mills, Thomas Moran, Samuel F.B. Morse,
A. R. Mullen, Thomas Nast, National Arts Club, Wilbur F. Noyes,Frederick B. Opper, Mrs. Archie M. Palmer, Erastus D. Palmer, William F. Paris, Carl R. Parker, Hiram Powers, Howard Pyle, Thomas B. Read, Albert Rosenthal, Augustus Saint-Gaudens, John Sartain, Walter Smedley, George F. C. Smillie, Francis H. Smith, Bayard Taylor, Col. Henry S. Taylor, John Trumbull, Henry T. Tuckerman, Union League Club, N.Y., D. B. Updike, Vasili Vereschagen, Charles Vezin, Douglas Volk, D. Everett Waid, John Q. A. Ward, Clara E. Waters, Robert W. Weir, J. Thomson Willing, Ellsworth Woodward, Mabel Woodward, William Woodward, and F. Hammond Wright.
Biographical / Historical:
Alfred Williams Anthony (1860-1939) was a theologian, author, and educator in Lewiston, Maine. He served in various roles for the General Conference of Freewill Baptists, the Maine chapter of the Religious Education Association, and the Committee on Goodwill between Jews and Christians. Anthony also served on the boards of trustees for Bates College, Hillsdale College, and Brown University.
Related Materials:
The New York Public Library Archives and Manuscripts Division holds the Alfred Williams Anthony collection, 1679-1944. Bates College Edmund S. Muskie Archives and Special Collections Library holds the Alfred Williams Anthony papers, 1872-1996 and the Dressler family collection of Alfred Williams Anthony Papers, 1802-1985.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Wharton, Anne Hollingsworth, 1845-1928 Search this
Williams, Frederick Ballard, 1871-1956 Search this
Extent:
1 Item (partial microfilm reel)
Type:
Collection descriptions
Archival materials
Date:
1885-1936
Scope and Contents:
Letters received, mainly from artists, Sept. 27, 1885-June 3, 1936, and undated, about works of art, invitations, exhibitions, art, travels and other art related subjects.
The letters are from: F.R.S. Balfour, Belfer?, Salvatore F. Bilotti, Carle Joan Blenner, Adolphe Borie, Frederick Andrew Bosley, Lewis D. Brandeis, Hugh Henry Breckenridge, Benjamin Nathan Cardozo, Walter Clark, William Anderson Coffin, Timothy Cole, Morgan Colt, Thomas H. Grattan Esmonds, William Bailey Faxon, D. Newlin Fell, John S.H. Fogg, Paul Leicester Ford, Charles Allan Grafly, Simon Gratz (13 letters), Sadakichi Hartmann, Jean A.A.J. Jusserand, Burton Alva Konkle, Hermann Dudley Murphy, New York Etching Club, William Ordway Partidge, William McGregor Paxton, Samuel Pennypacker (22 letters), M. Elizabeth Price, Edward Willis Redfield, Fred T. Richards, Henry R. Rittenberg, Alexander Charles Robinson, S. M. Rosenbach,
Chauncey Foster Ryder, Leopold G. Seyffert, John Simon, William H. Staake, Abby Weld Stevens, Mayer Sulzberger (14 letters), Henry Ossawa Tanner, Bernhard Uhle, Devitt Welsh, Anne Hollingsworth Wharton, and Frederick Ballard Williams. Also included are a letter from Rosenthal to S.T. Lowrie, a letter from J.W. Dunsmore to H.B. Snell, regarding hanging Rosenthal's portrait of Snell at the Salmagundi Club, and a notice of a sale of etchings by Robert Morris, 1899.
Arrangement:
Arranged chronologically.
Biographical / Historical:
Painter, portrait painter, lithographer, art collector; New Hope, Pa.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The microfilmed American Philosophical Society selected records contain art related letters; committee reports; registrar's and curators' records; pamphlets; and exhibition catalogs from the archives of the American Philosophical Society. Many of the letters are to the Society's secretary and librarian John Vaughan; a few are to the Society's presidents Thomas Jefferson and Peter S. Du Ponceau, and officials John K. Kane and J. Peter Lesley. Among the correspondents are Benjamin Franklin, Benjamin West, Charles Willson Peale, Jacob Perkins, Philip Tidyman, Charles B. Lawrence, John Trumbull, Thomas Sully, Joseph Delaplaine, Robert Patterson, John Quincy Adams, Titian Ramsay Peale, Rembrandt Peale, Joel Roberts Poinsett, Victor G. Audubon, and Robert Fulton.
Also included are copies of the registrar's cards for portraits and busts owned by the Society, arranged alphabetically by sitter; "Preliminary Notes, Biographical Sketches, and Memoranda chronologically arranged, for insertion in the Curator's Catalog of Portraits, Busts, and Bas-Reliefs in the Collection of the American Philosophical Society. Illustrated by photographs taken from the originals by Mrs. Julius A. Sachese, member APS"; circa 25 exhibition catalogs and pamphlets (1811-1840) for exhibitions of the Society of Artists of the United States, Columbian Society of Artists, Artists' Fund Society, Artists' and Amateurs' Association, and for works by Thomas Sully, Gilbert Stuart, Benjamin Robert Haydon, Joseph Delaplaine, and others; and newspaper clippings (1917) about the controversy surrounding portraits by Albert Rosenthal hung in Independence Hall (reel P36, frames 372-401).
Biographical / Historical:
The American Philosophical Society (founded 1743) is a scholarly organization in Philadelphia, Pennsylvania. Founded by Benjamin Franklin, the American Philosophical Society "promotes useful knowledge" through research, professional meetings, publications, library resources, and community outreach.
Related Materials:
The American Philosophical Society holds the American Philosophical Society archives, 1743-1984.
Provenance:
Microfilmed for the Archives of American Art, 1955. The letters are mainly American Philosophical Society records, but many were pulled from ASP's Misc. Mss. and various other collections, and microfilmed in no apparent order. Descriptive cards microfilmed with each letter indicate location of originals.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Portraits -- Private collections -- Pennsylvania -- Philadelphia Search this
A 27 page inventory of drawings and sketchbooks by American artists in the Rosenthal Collection in the Free Library of Philadelphia's Prints Department. The inventory lists artists, their dates, and titles of works in the collection donated by Albert Rosenthal.
Biographical / Historical:
Albert Rosenthal was a portrait painter, printmaker, writer and collector in Philadelphia. In 1927 he began donating a collection of 846 drawings by American artists of the 19th and early 20th centuries to the Free Library of Philadelphia.
Provenance:
Lent for microfilming, 1954, by the Free Library of Philadelphia.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Drawing, American -- Pennsylvania -- Philadelphia Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia Search this
Wylie, Samuel B. (Samuel Brown), 1773-1852 Search this
Extent:
2 Reels (ca. 150 items (on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1760-1935
Scope and Contents:
Letters, mainly from artists, and documents selected from the Historical Society of Pennsylvania's miscellaneous manuscript collection (Society Collection). Letters are to various people; 46 of them are to Townsend Ward and a few are to John A. McAllister, photographer. Many of the letters refer to paintings, portraits, commissions, and awards.
Writers of letters include: Edwin Austin Abbey, Mary Gertrude Abbey, F.W. Bayley, Albert Bierstadt, George Catlin, Joseph Ceracchi, John Gadsby Chapman, John Cheney, James Claypool, James Cox, F.O.C. Darley, Joseph Delaplaine, Humphrey Donnehue, William Dunlap, Pierre Eugene Du Simitiere, S. Eliot, Charles Fevret De Saint-Memin, Charles Dana Gibson, Harold Edgar Gillingham, Horatio Greenough, George Harding, Levi Hollingsworth, William Morris Hunt, Daniel Huntington, Henry Inman, Horatio Gates Jones, James Reid Lambdin, Will Hicok Low, Edward Dalton Marchant, William Henry Moody, John Neagle, Albert Newsam, Bass Otis, Thomas Paine, Charles Willson Peale, Franklin Peale, James Peale, Jr., Mary Jane Peale, Rembrandt Peale, Titian Ramsay Peale, Joseph Pennell, Clement Penrose, Robert Piggot, Thomas Buchanan Read, William Trost Richards, Thomas Prichard Rossiter, Peter Frederick Rothermel, William Rush, John Sartain, Stephen Alonzo Schooff (to Townsend Ward), Russell Smith, Charles H. Stephens, Thomas Sully, Philip Syng, John Vanderlyn, N.P. Willis, Alexander Wilson and Patience Wright.
Among the recipients of letters are Archibald Alexander, David S. Brown, William Belcher, Col. Brodhead, B. Burrell, Carey & Hart, Edward L. Carey, Henry C. Carey, Miss Clarke, Mr. Curren, Joseph Delaplaine, John Dickinson, Dr. Dickson, William Dillwyn, William Duane, James B. Elliott, Mrs. Langdon Elwyn, Mantle(?) Fielding, John W. Francis, Charles P. Hayes, David Hosack, Mr. Howell, Major William Jackson, Horatio Gates Jones, John W. Jordan, H.H. Kjmball, C.G. Leland, Joseph Leidy, J.B. Lippincott, George Livermore, James Madison, J. Hill Martin, John McAllister, James McMurtrie, James Monaghan, J. Murray, Albert Cook Myers, Rebecca and Isabella Nathans, John Neagle, C.S. Ogden, John Paca, Charles Willson Peale, Rembrandt Peale, David Rittenhouse, Albert Rosenthal, John Sartain, Jacob Schreiner, James Shrigley, James Ross Snowden, W.D. Snyder, Dr. Sommerville, J.C. Stanbridge, F.D. Stone, Henry Troth, Mr. Vaux, Townsend Ward, William Hill Wells, G.M. Wharton, Thomas Wharton, Henry J. Williams, and Samuel B. Wylie.
Other items include a sonnet of S.T. Coleridge by Washington Allston; business card of Pennel Beale; catalog of medals and coins of silver in the possession of Hon. John Smith compiled by Du Simitière, 1772; printed address by Mrs. John C. Montgomery soliciting donations for the repair of the Pennsylvania Academy of the Fine Arts, destroyed by fire, 1845; William Morris Hunt's admission ticket to Peale's Museum, 1836, stating his height and weight; description of objects on display at the Peale Museum, 1820; a photograph and business card of Benjamin Randolph; invitations and notes to Gilbert Stuart; typescript by Frank H. Taylor on lithography, 1923; subscription book for engravings of paintings by John Trumbull; and a page from John Archibald Woodside's daybook, 1802-1803.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.
Scope and Contents:
The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.
Found are letters from artists Albert Bierstadt, Frederic E. Church, Frederick S. Church, Henry Inman, Constant Mayer, Jervis McEntee, Henry Mosler, Frederick Law Olmstead, Rembrandt Peale, Albert Rosenthal, and many others. Printed materials include catalog inventories of public and private art collections. There are also brochure booklets on New England historical houses and towns. Photographs are duplicate copies of early American artwork from Duveen's personal reference files.
Arrangement:
The collection is arranged as 3 series.
Missing Title
Series 1: Letters, 1808-1910 (0.8 linear feet; Box 1)
Series 2: Printed material, circa 1909-1946 (4 folders; Box 1, OV 2)
Series 3: Photographs, circa 1808-1910 (3 folders; Box 1)
Biographical / Historical:
Art critic, collector, and dealer Albert Duveen (1892-1965) lived and worked in New York City, New York. He is known for his expertise in early American art and was a cousin to Joseph Duveen, president of Duveen Brothers art dealers.
Related Materials:
The Archives holds a microfilm copy of the Albert Duveen art reference files and a lecture, "An Art Dealer is Intrigued by American Folk Art," delivered by Albert Duveen, March 4, 1961.
Provenance:
The Albert Duveen collection of artists' letters and ephemera was purchased from Duveen by the Archives of American Art in February 1956.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.
Files include: Francis Alexander, Washington Allston, William H. Bartlett, Ben-Zion, Thomas Birch, Joseph Blackburn, Ralph A. Blakelock, Charles F. Blauvelt, Peter Blume, Emile Branchard, Albertis D. O. Browere, John G. Brown, Jonathan Buddington, James E. Buttersworth, Carra, Dennis M. Carter, Mary Cassatt, George Catlin, Centurion, Paul Cezanne, Moura Chabor, Marc Chagall, T. Chambers, Jean Charlot, Thomas Cole, John Constable, George Cope, John S. Copley, Ralston Crawford, Jasper F. Cropsey, Arthur B. Davies, Charles Despiau, Roland Detre, Thomas R. Dibble, Enrico Donati, William Doriani, Thomas Doughty, Jessie Drew-Bear, Robert S. Duncanson, Dunlap, Asher B. Durand, George H. Durrie, Frank Duveneck, Evert Duyckinck, Thomas Eakins, Jacob Eichholtz, Louis M. Eilshemius, Charles L. Elliott, Robert Field, Emil Ganso, Pablo Gargallo, Jan Gelb, Paul Gillman, Christian Gullager, George H. Hall, Chester Harding, William M. Harnett, George Harvey, William J. Hays, George P. A. Healy, Edward L. Henry, John Hesselius, Edward Hicks, Thomas Hicks, Holland House, Charles Fevret de Saint-Memin, Winslow Homer, S. A. Hudson, Daniel Huntington, Henry Inman, George Inness, John W, Jarvis, Eastman Johnson, Henrietta Johnston, John Johnston, Hilde B. Kayn, Dikran K. Kelekian, Fitz Hugh Lane, Ernest Lawson, M. F. Lefferts, William R. Leigh, Abraham Lincoln, George B. Luks, Edward G. Malbone, Alfred H. Maurer, Louis Maurer, McKay, Alfred J. Miller, Louis C. Moeller, Samuel F. B. Morse, John Neagle, Donald Organ, Bass Otis, Walter Pach, Charles W. Peale, James Peale, Rembrandt Peale, William Penn, Enoch W. Perry, F. E. H. Philippoteaux, Charles P. Polk, T. B. Pope, Rufus Porter, William M. Prior, Walter Quirt, William T. Ranney, Reinhardt, Frederic Remington, Louisa Robins, Severin Roesen, Thomas P. Rossiter, Peter F. Rothermel, Charles M. Russell, Edward Savage, William Sawitzky, Nikol Schattenstein, Christian Schussele, D. Serres, James Sharples, Morris Shulman, John Smibert, Sergei Soudeikin, Haim Soutine, Frederick R. Spencer, Albert Stewart, Robert Street, William J. Strong, Gilbert Stuart, C. (Charles ?) Sullivan, Thomas Sully, Arthur F. Tait, G. Tirrell, John Trumbull, John Vanderlyn, Pieter Vanderlyn, William Von Schlegell, Samuel L. Waldo, Abraham Walkowitz, George Washington, Elbert Weinberg, Julian A. Weir, Thomas B. Welch, Adolph U. Wertmuller, Benjamin West, Anne Whitney, Arnold Wiltz, William E. Winner, S. Wood, and Thomas W. Wood.
The Saint-Memin, Stuart, B. West and Wertmuller files contain material from Albert Rosenthal relating to the above artists.
Arrangement:
Files are arranged alphabetically by artist and subject, rolls NDU1-NDU3; publications and other miscellany were filmed on rolls NDU4-NDU5.
Biographical / Historical:
Albert Duveen was an art dealer and collector with offices in New York, N.Y., specializing in early American art. He was a cousin to Joseph Duveen (1869-1939), 1st Baron Duveen, president of Duveen Brothers art dealers.
Provenance:
Lent for microfilming 1958 by Duveen.
Restrictions:
The Archives does not own the original papers. Microfilmed materials must be consulted on microfilm.
Correspondence, printed material, and photographs relating to Rosenthal's work, primarily as a portrait painter and collector of American art and artists' papers. Some material pertains to Rosenthal's father, the engraver Max Rosenthal.
Included are: biographical notes and articles by and about Rosenthal and his father, Max; writings by Albert about his father; and reproductions of Albert's work.
Rosenthal's research material on early American art consists of articles on artists, notes about portrait painters, typescript copies of letters of or about early American artists, among them Rembrandt Peale, G.P.A. Healy, and John Rampage, several original letters, including 5 from John Quincy Adams Ward to various people, and one from Ben Silliman to Asher B. Durand, and an engraved copy of a letter from Ben Franklin to Mr. Strahan, July 5, 1775.
Other material includes files on Rosenthal's portraits of French officers who served in the American Revolution; Gilbert Stuart's (George) Washington portraits, 1922-1923; the Rodin Museum in Philadelphia (includes correspondence with Jules Mastbaum, the founder of the museum, and others, 1925-1932); Jean Antoine Houdon's busts of Washington and Lafayette, 1925-1932; Harry T. Peters' book "America on Stone", 1931; and on "Rosen-Thal," Albert's home that was originally the Huffinagle mansion in Buck's County, Pa.
There is voluminous business and other correspondence, 1860-1940, relating to Max, Louis, and Albert Rosenthal's work and to Albert's portraits of Supreme Court Justices. Among the diverse group of correspondents are: Samuel Putnam Avery, William Hunt Diederich, Charles Henry Hart, Sakakichi Hartmann, Oliver Wendell Holmes, A. Mitchell Palmer, Alfred Stieglitz, William Howard Taft, and J. Alden Weir.
Photographs are of Rosenthal's work and of unidentified portraits possibly by Rosenthal; reproductions of European paintings, miniatures, sculptures; and miscellaneous portraits by various artists.
Unmicrofilmed material (0.4 feet) consists of miscellaneous photographs and reproductions.
Biographical / Historical:
Albert Rosenthal (1863-1939) was a portrait painter, printmaker, writer, and collector in Philadelphia, Pa. Rosenthal was a student of his father, engraver Max Rosenthal, and later published a book about him. He is also known for his portraits of Supreme Court Justices, and his collection of American drawings, which he donated to the Free Library of Philadelphia in 1927.
Provenance:
Donated by Albert Duveen, 1959. Duveen collected American artists' and art related papers with the intention of forming an American artists reference facility. He purchased at least some of Rosenthal's papers and much correspondence from the Albert Rosenthal Estate, and subsequently gave them to AAA upon its formation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
3 Reels (ca. 500 items (on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
[ca. 1770-1921]
Scope and Contents:
Selected letters, sketches, writings, clippings and printed material collected by Simon Gratz, primarily from the "Painters, sculptors, and engravers" section (ca. 400 items) of the Cultural life, arts and sciences autograph series. Other sections filmed include Benjamin West correspondence; Charles Thomson correspondence; Joshua Humphreys letters; and one or more letters from the following categories: American miscellaneous, European painters and sculptors, Chaplains colonial wars and revolution, Roman Catholic prelates, British Authors, British literary misc., European explorers and antiquaries, American poets, Univ. presidents, American scientists, American authors, American prose, American literary misc., U.S. Senators, and others.
The Painters, sculptors, and engravers section contains ca. 400 items, primarily letters, of prominent eighteenth, nineteenth, and early twentieth century American artists, such as Albert Bierstadt, William Merritt Chase, Thomas Cole, John Singleton Copley, Asher B. Durand, Charles Willson Peale, John Singer Sargent, Gilbert Stuart, Thomas Sully, John Trumbull, and others. Many of the letters are addressed to Albert Rosenthal. Also included are sketches, writings, clippings, and printed material pertaining to the artists. The Benjamin West papers, 1877-1819, (reel P23, fr. 1-85) include letters to West, letters from and about West, and cards, a certificate, and engraving of him.
The Charles Thomson papers (reels P21, fr. 800-813 and P22, fr. 1-7) include material relating to craftsmen in New York and Philadelphia, 1784-1787; correspondence with Joseph Delaplaine, 1816-1817, concerning Delaplaine's having a portrait of Thomson painted by Bass Otis; a letter to Thomson from G.P. Norris, Jr., Jan. 26, 1819, referring to Trumbull's painting of the signing of the Declaration of Independence; and bills from cabinetmaker Alexander Anderson. The Humphreys' letters are from Charles Willson Peale, Mar. 4, 1795, and William Rush, Apr. 30, 1795.
Provenance:
Lent for microfilming 1955 by the Historical Society of Pennsylvania.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
1.4 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1903-1957
Scope and Contents:
Personal and research correspondence, artwork; writings; and photographs.
Correspondence consists of eight letters from McIntyre's uncle, William Macbeth, regarding business at the Macbeth Gallery, 1909; letters of condolence upon the death of Robert Macbeth, 1940; a letter to McIntyre from Francis Peabody Colburn enclosing a photograph of himself; letters from Jon Corbino and from William James, both with photographic portraits; a letter to Benhaim Newhouse from Albert Rosenthal about Henry Inman; research correspondence for MARTIN JOHNSON HEADE (1949), 1944-1950; correspondence with McIntyre's mother, wife and relatives, 1903-1930; and correspondence with E.P. Richardson concerning various donations made to the Archives of American Art. Art work includes 3 sketchbooks, ca. 1946-1957, containing pencil sketches of Vermont and other locales, and a watercolor sketch. Photographs include snapshots of McIntyre with family and friends, one photograph each of Felicia Meyer Marsh, (wife of Reginald Marsh), Maud Morgan, and Morgan's husband Patrick Morgan, all circa 1940. Writings include typescripts of articles; lectures and notes; and material on portraits by Gilbert Stuart.
Biographical / Historical:
Art dealer and art historian, New York, N.Y. President and director of the Macbeth Gallery and nephew of William Macbeth.
Provenance:
Donated incrementally between 1955-1962 by McIntyre and the McIntyre Estate.
Occupation:
Art dealers -- New York (State) -- New York Search this
Archambault, Anna Margaretta, 1856-1956 Search this
Container:
Reel P027, Frame 59
Type:
Archival materials
Microform [P027.archambaul]
Date:
1917 April 13
Scope and Contents:
Letter to A. Margaretta Archambault from G. L. Omwake, April 13, 1917, concerning portraits to be done by Albert Rosenthal for Ursinus College, Collegeville, Pennsylvania.
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The most important collection of miniatures and small oil portraits ever offered for sale in this country : belonging to Albert Rosenthal ... the estate of James P. Smith, miniaturist of Philadelphia, estate of late Judge Craig Biddle; estate of Dr. David Stuart, of Va.: relics of General Washington from the estate of Dr. David Stuart of Virginia, including C.W. Peale's ivory miniature of Washingt...
The Albert Rosenthal collection of miniatures and other small oil portraits : including a few from other sources : with a list of miniature painters identified with America from the earliest periods / catalogued by Stan V. Henkels
