"Having Seen the Quality of the Work ... I Can Say to You That We Are Getting Ahead of Our Enemies in the Battle of Production" / Franklin D. Roosevelt
Issuing body:
Office of War Information. Washington, D.C. Search this
Creator:
Office of War Information. Washington, D.C. Search this
Names:
Roosevelt, Franklin D. (Franklin Delano), 1882-1945 Search this
Main Image: Photograph of FDR sitting in a car and looking at a report that a general in the backseat is holding
Local numbers:
Princeton Poster# 3482
General:
Issued by: Office of War Information
Artist(s): Anon
Series:
Poster No.13
Locale:
Washington (D.C.)
Printing Info:
Printer: (U.S.) G.P.O., , 1942
Other Printing Info: 0-491103
Property of Princeton [...] Received DEC 10 1942
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
World War, 1939-1945 -- Posters -- United States Search this
Genre/Form:
Posters
Posters -- World War, 1939-1945 -- United States
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
103 Footprints in the Snow / Bill Monroe. Mandolin.
104 Prisoner's Song / Bill Monroe. Mandolin.
105 Muleskinner Blues / Bill Monroe. Mandolin.
106 Black Mountain Blues / New Lost City Ramblers. Guitar,Fiddle,Banjo.
107 Franklin D. Roosevelt's Back Again / New Lost City Ramblers. Guitar,Fiddle,Banjo.
108 New River Train / New Lost City Ramblers. Guitar,Fiddle,Banjo.
109 Instrumental / New Lost City Ramblers. Guitar,Fiddle,Banjo.
110 Cluck Old Hen / Dock Boggs. Banjo.
111 Ground Hog / Dock Boggs. Banjo.
112 Little Maggie / Dock Boggs. Banjo.
113 Moonshine Recipe / Dock Boggs. Banjo.
Local Numbers:
FW-ASCH-7RR-1103
Date/Time and Place of an Event Note:
Recorded in: Ashville, NC, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Roosevelt, Franklin D. (Franklin Delano), 1882-1945 Search this
Subject:
Roosevelt, Franklin D. (Franklin Delano) Search this
Type:
Correspondence
Date:
1917 Sept. 3
Citation:
Abbott Handerson Thayer. Abbott Handerson Thayer, N.H. letter to Franklin D. (Franklin Delano) Roosevelt, Washington, D.C., 1917 Sept. 3. Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
Side 1. Kennedy's complete inaugural address (Jan. 20, 1961) -- Side 2. Excerpts from F.D.R. speeches. 1st inaugural address (March 4, 1933) ; Fireside chat (April 29, 1935) ; 2nd acceptance (June 27, 1936) ; 2nd inaugural address (March 4, 1937) ; "Quarantine" speech (Oct. 5, 1937) ; State of the Union (Jan. 6, 1941) ; Declaration of war (Dec. 8, 1941) ; "Day of infamy" (Dec. 24, 1941) ; "D" Day prayer (June 6, 1944) ; Last speech to Congress on Yalta conference (March 1, 1945).
Local Numbers:
FW-ASCH-LP-4519
Library in Sound.16100
Publication, Distribution, Etc. (Imprint):
Library in Sound
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Side 1. Kennedy's complete inaugural address (Jan. 20, 1961) --Side 2. Excerpts from F.D.R. speeches. 1st inaugural address (March 4, 1933) ; Fireside chat (April 29, 1935) ; 2nd acceptance (June 27, 1936) ; 2nd inaugural address (March 4, 1937) ; "Quarantine" speech (Oct. 5, 1937) ; State of the Union (Jan. 6, 1941) ; Declaration of war (Dec. 8, 1941) ; "Day of infamy" (Dec. 24, 1941) ; "D" Day prayer (June 6, 1944) ; Last speech to Congress on Yalta conference (March 1, 1945).
Local Numbers:
FW-ASCH-LP-1308
Somerset.16100
Publication, Distribution, Etc. (Imprint):
Somerset 1961
General:
Collective title from container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The Berryman family papers measure 11.4 linear feet and date from 1829 to 1984, with the bulk of the material dating from 1882 to 1961. The collection presents a good overview of the careers of Washington Star cartoonist Clifford Berryman, his daughter, Star art critic, Florence, and to a lesser extent, son Jim Berryman.
Scope and Content Note:
The Berryman family papers measure 11.4 linear feet and date from 1829 to 1984, with the bulk of the material dating from 1882 to 1961. The collection presents a good overview of the careers of Washington Star cartoonist Clifford Berryman, his daughter, Star art critic, Florence, and his son, Jim Berryman, though the latter's career is not as well represented. The papers also contain material relating to Kate Berryman, including a scrapbook and diaries.
The collection contains biographical material, correspondence, business records, notes and writings, scrapbooks, printed material, photographs, and artwork by Clifford and Jim Berryman and others.
Arrangement:
The collection is arranged into three series according to individual family members; each series is arranged into subseries and material within each subseries is arranged chronologically.
Missing Title
Series 1: Clifford and Kate Berryman papers, 1829-1963, undated (boxes 1-7, 11-12, OVs 14-15, 7.9 linear ft.)
Series 2: Florence Berryman Papers, 1902-1984, undated (boxes 8-10, 13, 2.3 linear ft.)
Series 3: Jim Berryman Papers, 1919-1964, undated (boxes 10, 13, 1.1 linear ft.)
Biographical Note:
The patriarch of the Berryman family, Clifford Kennedy Berryman, was born in Versailles, Kentucky, in 1869. His first job was in the U.S. Patent Office in Washington, D.C. He became a cartoonist for the Washington Post in 1891. From 1907, until his death in 1949, Clifford Berryman was political cartoonist for the Washington Star, earning a reputation as the "Dean of American Cartoonist," and winning a Pulitzer Prize in 1944. His cartoon of Theodore Roosevelt, "Drawing the Line in Mississippi," 1902, began the American Teddy Bear craze, and created Berryman's cartoon trademark. He was also the first cartoonist to become president of the Gridiron Club. His wife, Kate, was an avid member of the Daughters of the American Revolution.
Their daughter, Florence Berryman, 1900-1992, abandoned her study of music because of a loss of hearing and turned her attention to art. In the 1920s, she became a free-lance local art critic, writing articles for newspapers. She later assisted Leila Mechlin, as an art critic for the Washington Star. In 1946, Florence Berryman succeeded Mechlin and worked for the Star until her retirement in 1961. She also served as editor for the American Federation of Arts until 1944.
Clifford and Kate Berryman's son, James Thomas Berryman, 1902-1976, attended George Washington University and the Corcoran School of Art. He worked as a reporter for the New Mexico State Tribune, until his return, in 1923, to Washington, D.C. because of his mother's illness. He worked at the Washington Star, as an editorial artist and illustrator, until 1933, when he became a sports cartoonist. When his father suffered a storke in 1935, Jim intermittently drew political cartoons for the STAR. Jim Berryman also won a Pulitzer Prize for his political cartoons.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel D111) including a scrapbook of memorabilia, 1905-1945, collected by Kate Berryman regarding her husband. The scrap book includes letters from Bernard Baruch, William Jennings Bryan, Harry Flood Byrd, Jay Darling, John Nance Garner, Herbert Hoover, Henry Cabot Lodge, Harry Truman, and Woodrow Wilson; clippings; cartoons; printed material; and photographs of Clifford, family members, William Jennings Bryan, John Nance Garner, Brenda Putnam, and William Howard Taft. Though some items in the scrapbook were subsequently donated, lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Portions of the Berryman family papers were donated in 1965 by Florence Berryman, and in 1992 by her estate. The latter donation included portions of a scrapbook of memorabilia which had previously been lent for filming (reel D111) by Florence Berryman in 1962. The whearabouts of the other items in the scrapbook which were donated is unknown.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
