Skip to main content Smithsonian Institution

Search Results

Collections Search Center
279 documents - page 1 of 14

Diego Rivera letter to Walter Pach

Creator:
Rivera, Diego, 1886-1957  Search this
Pach, Walter, 1883-1958  Search this
Rivera, Diego, 1886-1957  Search this
Type:
Correspondence
Date:
1923 July 3
Record number:
(DSI-AAA)14202
See more items in:
Walter Pach papers, 1857-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14202
Online Media:

Photograph of Emmy Lou Packard and Frida Kahlo in Coyoacan, Mexico

Photographer:
Rivera, Diego, 1886-1957  Search this
Rivera, Diego, 1886-1957  Search this
Subject:
Kahlo, Frida  Search this
Packard, Emmy Lou  Search this
Type:
Photographs
Place:
Coyoacan, Mexico
Date:
1941
Topic:
Women painters  Search this
Record number:
(DSI-AAA)5529
See more items in:
Emmy Lou Packard Papers, 1900-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5529

Frida Kahlo letter to Diego Rivera

Creator:
Kahlo, Frida, 1907-1954  Search this
Rivera, Diego, 1886-1957  Search this
Kahlo, Frida, 1907-1954  Search this
Subject:
Packard, Emmy Lou  Search this
Type:
Correspondence
Date:
1940
Topic:
Frescoes  Search this
Hispanic American artists  Search this
Travel  Search this
Record number:
(DSI-AAA)739
See more items in:
Emmy Lou Packard Papers, 1900-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_739
Online Media:

Foreword to a Florence Arquin exhibition catalog

Creator:
Rivera, Diego, 1886-1957  Search this
Rivera, Diego, 1886-1957  Search this
Subject:
Arquin, Florence  Search this
Type:
Writings
Date:
1943 Mar. 23
Topic:
Art criticism  Search this
Art--Technique  Search this
Record number:
(DSI-AAA)1221
See more items in:
Florence Arquin papers, 1923-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1221
Online Media:

Receipt from Diego Rivera, 1935 Mar. 5

Creator:
Rivera, Diego, 1886-1957  Search this
Rivera, Diego, 1886-1957  Search this
Subject:
Burke, Kathleen  Search this
Strong, Ruth  Search this
Topic:
Portrait painting  Search this
Theme:
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)6283
(DSI-AAA_SIRISBib)220208
AAA_collcode_rivedieg
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_220208

Palacio Nacional: part of the "Epic of the Mexican People" murals, painted by Diego Rivera between 1929 and 1935.

Artist:
Rivera, Diego, 1886-1957  Search this
Colorist:
Van Altena, Edward  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Lantern slide (col., 3.25 x 4 in.)
Type:
Archival materials
Lantern slides
Place:
Palacio Nacional (Mexico City, Mexico)
Mexico -- history
Mexico -- Mexico City
Date:
1937 Jan.
General:
Mount reads: "Edward Van Altena, 71-79 W. 45th St., N.Y.C."
Historic plate number: "29."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Mural painting and decoration  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item MX010001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / Mexico / MX010: Mexico City -- Palacio Nacional
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref4368

Stendahl Art Galleries records

Creator:
Stendahl Art Galleries  Search this
Names:
Couvoisier Galleries  Search this
Demotte, inc. (New York, N.Y.)  Search this
Thomas Gilcrease Institute of American History and Art  Search this
Wildenstein and Company (New York, N.Y.)  Search this
Archipenko, Alexander, 1887-1964  Search this
Beltran-Masses, Federico, b. 1885  Search this
Calder, Alexander, 1898-1976  Search this
Cantú, Federico, 1908-1989  Search this
Charlot, Jean, 1898-1979  Search this
De Creeft, José, 1884-1982  Search this
Eddy, Jerome  Search this
Feshin, Nikolaĭ Ivanovich, 1881-1955  Search this
Gelhaar, Emil  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Gilbert, Arthur Hill, 1894-1970  Search this
Guthrie, George B.  Search this
Hansen, Armin C. (Armin-Carl), 1886-1957  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kent, Rockwell, 1882-1971  Search this
Kleitsch, Joseph, 1885-1931  Search this
Knight, Aston, 1873-1948  Search this
Kronberg, Louis, 1872-1965  Search this
Laurence, Sydney, 1868-1940  Search this
Loeffler, Gisella, 1900-  Search this
Montenegro, Roberto, 1887-1968  Search this
Mérida, Carlos, 1891-1984  Search this
Noguchi, Isamu, 1904-1988  Search this
Orozco, José Clemente, 1883-1949  Search this
Pach, Walter, 1883-1958  Search this
Payne, Edgar A. (Edgar Alwin), 1882-1947  Search this
Pearson, Ralph M., 1883-1958  Search this
Picasso, Pablo, 1881-1973  Search this
Ritschel, William, 1864-1949  Search this
Rivera, Diego, 1886-1957  Search this
Rose, Ethel Boardman, 1871-1946  Search this
Rose, Guy, 1867-1925  Search this
Schofield, Walter Elmer, 1867-1944  Search this
Siqueiros, David Alfaro  Search this
Stendahl, Earl L.  Search this
Szecsi, Ladislas  Search this
Wendt, William, 1865-1946  Search this
Zuloaga, Ignacio, 1870-1945  Search this
Extent:
7.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Scrapbooks
Date:
1907-1971
Summary:
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.
Scope and Contents:
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.

Administrative and financial files concern advertising, publicity, consignments, inventory, purchases, sales, leases, and biographical information on Earl Stendahl.

The bulk of the correspondence is pre-World War II and is fairly extensive. It is with artists, organizations, collectors, art historians,and galleries. Signicant correspondents include Alexander Archipenko, Federico Beltran-Masses, Alexander Calder, Federico Cantú, Jean Charlot, Couvoisier Galleries, José de Creeft, Demotte Inc., Jerome Eddy, Lillian Genthe, Arthur Hill Gilbert, George B. Guthrie, Rockwell Kent, Louis Kronberg, Gisella Loeffler, Carlos Mérida, Isamu Noguchi, Walter Pach, Diego Rivera, Waler Elmer Schofield, David Alfaro Siquieros, Ladislas Szecsi, Wildenstein & Company, and many others.

Files are found for about ten exhibitions, including Etching and Engravings by the Old Masters (1921), Airview Paintings (1930), American Landscape Art (1930), Arts of New Guinea (1964), and for exhibitions of Emil Gelhaar, Wassily Kandinsky, Sydney Laurence, and Roberto Montenegro.

Subject files are found for numerous artists, art topics, galleries, and foundations. Most of the files consist of printed materials, but there is correspondence and additional primary source material found in files for Nicolai Ivanovich Feshin, the Thomas Gilcrease Foundation, Armin Hansen, Joseph Kleitsch, Aston Knight, José Clemente Orozco, Edgar Payne, Ralph M. Pearson, Pablo Picasso, William Ritschel, Diego Rivera, Ethel B. Rose, Guy Rose, Walter Elmer Schofield, David Alfaro Siquieros, Ladislas Szecsi, William Wendt, and Ignacio Zuloaga.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative and Financial Files, 1923-1957 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1923-1968 (2.0 linear feet; Box 1-3)

Series 3: Exhibition Files, circa 1921-1967 (0.4 linear feet; Box 3)

Series 4: Subject Files, 1907-1971 (4.6 linear feet; Box 3-8, OV 9)
Biographical / Historical:
Earl Stendahl established Stendahl Art Galleries in 1911 in Los Angeles, California.

Earl Stendahl (1887-1966) came to Southern California from a small town in Wisconsin. He began showing young Los Angeles artists at his downtown restaurant, The Black Cat Café. He opened his gallery in The Ambassador Hotel on Wilshire Boulevard and organized shows focusing primarily on California Impressionists of the early twentieth century, including Edgar Payne, Guy Rose, William Wendt, Nicolai Fechin, and Joseph Kleitsch.

Stendahl Art Galleries also began to sell European and Latin American modern art. In 1939, Stendahl hosted one of only two non-museum exhibitions of Pablo Picasso's masterwork, Guernica, to benefit Spanish War orphans.

As early as 1935 Stendahl began promoting ancient artifacts from Mexico and Central America. Stendahl's first client for pre-Columbian art and artifacts was noted collector Walter Arensberg. Stendahl and the Arensburgs became friends and Stendahl helped the Arensburgs build one of the most significant collections in the U.S.

The galleries are currently owned by Ronald W. Dammann, Stendahl's grandson.
Provenance:
The Stendahl Art Galleries records were donated by Alfred Stendahl in 1976. An album of clippings was donated by Stendahl in 1995 via Nancy Moure.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- New Guinea  Search this
Latino and Latin American artists  Search this
Landscape painting  Search this
Prints  Search this
Art, American  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Gallery records
Scrapbooks
Citation:
Stendahl Art Galleries Records, 1907-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stenartg
See more items in:
Stendahl Art Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stenartg
Online Media:

Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004 [sound recording]

Author:
Smithsonian Institution Libraries  Search this
Hirshhorn Museum and Sculpture Garden Library  Search this
Subject:
Nevelson, Louise 1899-1988  Search this
Picasso, Pablo 1881-1973  Search this
Kiesler, Frederick  Search this
Rothko, Mark 1903-1970  Search this
Arakawa, Shūsaku 1936-2010  Search this
Neutra, Dion  Search this
Schindler, R. M (Rudolph M.) 1887-1953  Search this
Sommer, Frederick 1905-1999  Search this
Soleri, Paolo 1919-2013  Search this
Bolotowsky, Ilya 1907-1981  Search this
De Looper, Willem  Search this
Lozowick, Louis 1892-1973  Search this
Levine, David 1926-2009  Search this
Sert, José Luis 1902-1983  Search this
Soyer, Raphael 1899-1987  Search this
Eakins, Thomas 1844-1916  Search this
Benton, Thomas Hart 1889-1975  Search this
Nadelman, Elie 1882-1946  Search this
Gillespie, Gregory  Search this
Noland, Kenneth 1924-2010  Search this
Louis, Morris 1912-1962  Search this
Richter, Hans 1888-1976  Search this
Appel, Karel 1921-2006  Search this
Siqueiros, David Alfaro  Search this
Orozco, José Clemente 1883-1949  Search this
Rivera, Diego 1886-1957  Search this
Warhol, Andy 1928-1987  Search this
Cavallon, Giorgio 1904-1989  Search this
Di Suvero, Mark 1933-  Search this
Moore, Henry 1898-1986  Search this
Steinberg, Saul  Search this
Estes, Richard 1932-  Search this
Botero, Fernando 1932-  Search this
Canaday, John 1907-1985  Search this
Calder, Alexander 1898-1976  Search this
Maurer, Alfred Henry 1868-1932  Search this
Rickey, George  Search this
Albers, Josef  Search this
González, Julio 1876-1942  Search this
Snelson, Kenneth 1927-2016-  Search this
Rivers, Larry 1925-2002  Search this
Hirshhorn, Joseph H  Search this
Harrison, Newton 1932-  Search this
Lassaw, Ibram 1913-2003  Search this
Grooms, Red  Search this
Burliuk, David 1882-1967  Search this
Lerner, Abram  Search this
Bunshaft, Gordon 1909-1990  Search this
Dzubas, Friedel 1915-1994  Search this
Clemente, Francesco 1952-  Search this
Motherwell, Robert  Search this
Acconci, Vito 1940-2017-  Search this
Haring, Keith  Search this
Holzer, Jenny 1950-  Search this
Salle, David 1952-  Search this
Neel, Alice 1900-1984  Search this
Nakian, Reuben 1897-1986  Search this
Bacon, Francis 1909-1992  Search this
Freud, Lucian  Search this
Giacometti, Alberto 1901-1966  Search this
Abrams, Dennis 1960-  Search this
Nasgaard, Roald  Search this
Buren, Daniel  Search this
Chin, Mel 1951-  Search this
Sonnier, Keith 1941-  Search this
Conwill, Houston 1947-2016  Search this
Kabakov, Ilʹia Iosifovich 1933-  Search this
Ireland, David 1930-2009  Search this
Oliveira, Nathan 1928-2010  Search this
Marclay, Christian  Search this
Baldessari, John 1931-2020-  Search this
Weiner, Lawrence  Search this
Piper, Adrian 1948-  Search this
Polke, Sigmar  Search this
Puryear, Martin 1941-  Search this
Struth, Thomas 1954-  Search this
Torres-García, Joaquín 1874-1949  Search this
Lam, Wifredo  Search this
Matta 1912-2002  Search this
Kosuth, Joseph  Search this
Leirner, Jac 1961-  Search this
Saar, Alison  Search this
Rothenberg, Susan 1945-  Search this
Dubuffet, Jean 1901-1985  Search this
Hill, Gary 1951-  Search this
Murray, Elizabeth 1940-2007  Search this
Gilbert & George  Search this
Physical description:
306 audio files : digital
Type:
Sound recordings
Sources
Interviews
Broadcasts
Lectures
Symposia
Ceremonies
Date:
1969
1969-2004
20th century
21st century
Topic:
Art, Modern--History  Search this
Painting, Modern--History  Search this
Sculpture, Modern--History  Search this
Architecture, Modern--History  Search this
Artists  Search this
Emigration and immigration in art  Search this
Caricatures and cartoons  Search this
Country music  Search this
Art criticism  Search this
Earthworks (Art)  Search this
Visual perception  Search this
Conceptual art  Search this
Call number:
N6447 .H584
Restrictions & Rights:
Full access copies are available through the Hirshhorn Museum and Sculpture Garden Library, Smithsonian Institution Libraries. Information on who to contact for full access is available on the Hirshhorm Museum and Sculpture Gardern Library Audio Archive website.
Copyright restrictions may apply.
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_956845

Oral history interview with Eugene V. Thaw

Interviewee:
Thaw, Eugene Victor  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Cleveland Museum of Art  Search this
Columbia University -- Students  Search this
E.V. Thaw & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Pollock-Krasner Foundation  Search this
St. John's College (Annapolis, Md.) -- Students  Search this
Castelli, Leo  Search this
Franka, Gunther  Search this
Held, Julius Samuel, 1905-  Search this
Ketterer, Norbert  Search this
Krasner, Lee, 1908-1984  Search this
Landau, Jack, 1925-1967  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Matisse, Pierre, 1900-1989  Search this
Meiss, Millard  Search this
Mitchell, Joan, 1926-1992  Search this
Offner, Richard, 1889-1965  Search this
Rivera, Diego, 1886-1957  Search this
Rousseau, Theodore, 1912-  Search this
Shapiro, Meyer  Search this
Simon, Norton, 1907-1993  Search this
Vavala, Evelyn Sandberg  Search this
Extent:
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 October 1-2
Scope and Contents:
An interview of Eugene V. Thaw conducted 2007 October 1-2, by James McElhinney, for the Archives of American Art's Art Dealers Association of America Project, at Thaw's residence, in New York, N.Y.
Thaw speaks of his childhood in New York City; Mexican art in his home including watercolors by Diego Rivera; beginning classes at the Art Student's League of New York at age 14; attending St. John's College in Annapolis, Maryland; attending Columbia University for graduate courses in art history and studying with Meyer Shapiro and Millard Meiss; an early interest in Old Master, Renaissance, and German Expressionist art; studying in Florence, Italy for four months after World War II; opening The New Bookstore and Gallery with friend Jack Landau above the Algonquin Hotel upon his return to New York City; giving Joan Mitchell and Conrad Marca-Relli their first shows; ending his partnership with Landau, closing the bookstore, and moving the gallery to Madison Avenue; becoming involved in the international art market; the practice of buying and selling works of art in shares with other dealers; showing American and European artists; renaming the gallery E.V. Thaw & Company; operating essentially as a one-man gallery with very limited staff; his relationship with museums such as the Metropolitan Museum of Art and the Cleveland Museum of Art; his personal collections, including extensive ancient Eurasian artifacts and American Indian art; establishing the Pollock-Krasner Foundation; the philanthropic vision of his own foundation, the Eugene V. and Clare E. Thaw Charitable Trust; his retirement from dealing; the "hand of the artist" in historical context and its lack of significance in contemporary art; and advice for young and emerging art dealers. Thaw also recalls Richard Offner, Evelyn Sandberg-Vavala, Norbert Ketterer, Günther Franka, Pierre Matisse, Leo Castelli, Julius Held, Theodore Rousseau, Lee Krasner, Norton Simon, and others.
Biographical / Historical:
Eugene Thaw (1927- ) is an art dealer from New York, N.Y. James McElhinney (1952- ) is a painter and educator from New York, N.Y.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 26 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript is available on the Archives of American Art's website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.thaw07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-thaw07
Online Media:

Hale Woodruff papers

Creator:
Woodruff, Hale, 1900-1980  Search this
Names:
Rivera, Diego, 1886-1957  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Interviews
Date:
1920-1977
bulk 1960s-1970s
Summary:
The papers of Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977 with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photographs, and photocopies of a scrapbook, and of artwork.
Scope and Contents:
The papers of Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977, with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photocopies of a scrapbook, photographs, and photocopies of artwork.

Biographical material includes a resume, awards and honorary degrees, and an interview transcript.

Professional files consist of correspondence, committee files, and materials related to exhibitions and projects.

Writings include an illustrated notebook; drafts and copies of lectures, statements, articles, book reviews, and exhibition text; and notes on note cards, as well as photocopies of notes Woodruff took in Mexico while studying with Diego Rivera.

Printed Material includes exhibition announcements, exhibition catalogs, publications in which Woodruff is featured, clippings, and other assorted printed material.

The scrapbook consists of photocopies of scrapbook pages. The originals do not appear in the collection, but mostly contained clippings and printed material, with some correspondence.

Photographs include black and white photographs with an accompanying piece of correspondence, and photocopies of photographs of artwork.

Artwork includes photocopies of sketches and drawings.
Arrangement:
This collection is arranged as seven series.

Series 1: Biographical Material, 1966-1977 (Box 1; 4 folders)

Series 2: Professional Files, 1944-1973 (Box 1; 4 folders)

Series 3; Writings, 1920-1977, undated (Box 1; 0.3 linear feet)

Series 4; Printed Material, 1920s-1970s (Box 2, 4 folders)

Series 5: Scrapbook, 1927-1928, 1940-1960 (Box 2, 1 folder)

Series 6: Photographic Material, 1926-1977 (Box 2, 2 folders)

Series 7: Artwork, 1939-1952, undated (Box 2, 1 folder)
Biographical / Historical:
Hale Aspacio Woodruff (1900-1980) was a painter, muralist, and arts educator. His most well-known works are the Amistad murals, painted between 1939 and 1940 for Talladega College's Savery Library.

Woodruff was born in Cairo, Illinois, and grew up in Nashville, Tennessee. He studied at the John Herron Art Institute in Indianapolis, and at the Art Institute of Chicago. After winning an award from the Harmon Foundation, he traveled to Paris and attended the Academie Moderne and the Academie Scandinave. He also spent a summer studying mural painting in Mexico with Diego Rivera.

In 1931, Woodruff established one of the earliest art departments at a Black college at Atlanta University – teaching classes at the University's Laboratory High School, Morehouse College, and Spelman College as well. He also established the Atlanta Annuals, one of the earliest national exhibition opportunities for African American artists. In 1946 he moved to New York and taught in the art department at New York University until his retirement in 1968.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Hale Woodruff conducted by Al Murray, November 18, 1968.
Separated Materials:
The Archives of American of Art also holds material lent for microfilming (reel 4222), the majority of which was included in subsequent donations. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
The Hale Woodruff papers were lent for microfilming by Woodruff in 1970. Most of the material was subsequently donated in 1978, along with additional material.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Educators -- Georgia -- Atlanta  Search this
Topic:
Painting, American  Search this
Art -- Study and teaching -- United States  Search this
African American artists  Search this
Photographs  Search this
Genre/Form:
Scrapbooks
Interviews
Citation:
Hale Woodruff papers, 1920-1977, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.woodhale
See more items in:
Hale Woodruff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodhale
Online Media:

Oral history interview with Isamu Noguchi

Interviewee:
Noguchi, Isamu, 1904-1988  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Artists' Union (New York, N.Y.)  Search this
Bollingen Foundation  Search this
Brummer Gallery (New York, N.Y.)  Search this
Japanese American Citizens' League  Search this
Japanese American Citizens' League  Search this
Leonardo da Vinci Art School  Search this
Skidmore, Owings & Merrill  Search this
UNESCO  Search this
Barnard, George Grey, 1863-1938  Search this
Becker, John Bruere, 1915-  Search this
Borglum, Gutzon, 1867-1941  Search this
Brancusi, Constantin, 1876-1957  Search this
Breton, André, 1896-1966  Search this
Brummer, Joseph  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Calder, Alexander, 1898-1976  Search this
Collier, John, Jr., 1913-1992  Search this
Covarrubias, Miguel, 1904-1957  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Egan, Charles, 1911-  Search this
Fraser, James Earle, 1876-1953  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Graham, Martha  Search this
Gregory, Peter Ronald, 1947-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-1992  Search this
Hasegawa, Saburō, 1906-1957  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Itō, Michio, 1893-1961  Search this
Kahn, Louis I., 1901-1974  Search this
Kantor, Morris, 1896-1974  Search this
Kline, Franz, 1910-1962  Search this
Knoll, Hans  Search this
Levy, Julien  Search this
Léger, Fernand, 1881-1955  Search this
McMahon, Audrey, 1900?-1981  Search this
Moore, Henry, 1898-1986  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Price, Edison A., d. 1997  Search this
Raymond, Antonin, 1888-  Search this
Reynal, Jeanne, 1903-  Search this
Rivera, Diego, 1886-1957  Search this
Ruellan, Andrée, 1905-2006  Search this
Ruotolo, Onorio, 1888-1966  Search this
Schoen, Eugene, 1880-1957  Search this
Shoji, Sadao, 1937-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Taniguchi, Yoshirō, 1904-  Search this
Ward, Eleanor, 1912-1984  Search this
Zorach, William, 1887-1966  Search this
Extent:
148 Pages (Transcript)
1 Item (Audio excerpt: 1 sound file (5 min. 29 sec.), digital)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Japan -- Description and Travel
Italy -- description and travel
Egypt -- description and travel
India -- description and travel
Date:
1973 Nov. 7-Dec. 26
Scope and Contents:
An interview of Isamu Noguchi conducted 1973 Nov. 7-Dec. 26, by Paul Cummings, for the Archives of American Art.
NOVEMBER 7, 1973 session: Noguchi discusses his family background; growing up in Japan; returning to the United States in 1917; his identity as an artist; Gutzon Borglum; Columbia University and studying pre-med; attending Leonardo da Vinci Art School; apprenticing to Onorio Ruotolo; quitting Columbia to become a sculptor; Guggenheim Fellowship in 1927; J.B. Neumann; Alfred Stieglitz; George Grey Barnard; James Earle Fraser; Brummer and the Brummer Gallery; studying at Chaumiere and Collarosi; working with Brancusi; meeting Sandy Calder in Paris; Stuart Davis; Morris Kantor; Andrée Ruellan; his work, "Sphere"; reacting against Brancusi; Eugene Schoen's; his Carnegie Hall studio; Michio Ito; Martha Graham; Buckminster Fuller; traveling in China and Japan; meeting Chi Pai Shi; John Becker; his works, "Play Mountain," "Monument to the Plow," "Monument to Ben Franklin," and "Orpheus" for Balanchine; designing for the stage; Audrey McMahon; Harry Hopkins; Holger Cahill; Mexico; Diego Rivera; Miguel Covarrubias; and the Artists Union.
DECEMBER 10, 1973 Session: His reaction to the Spanish Civil War- avoided direct involvement; Stuart Davis; Gorky; Andre Breton; David Hare; Marcel Duchamp; John Graham; Julien Levy; his artist friends dying at the peak of their success; Leger; Stirling Calder; associating himself with the laboring class; Buckminster Fuller; being American; expanding the possibilities of sculpture; his Associated Press Building project in Rockefeller Center, it being done in stainless steel instead of bronze; John Collier; Japanese-American Citizens League; organizing Nisei Artists and Writers Mobilization for Democracy; Jeanne Reynal; going to Poston, Ariz. to assist with American Indian Service camp under John Collier and becoming an internee there; returning to New York in 1942; Bollingen Foundation; trip around the world in 1949; and Philip Guston.
DECEMBER 18, 1973 session: Best work in studio; reaction against expressionism; artists protesting against the Establishment; his objection to the WPA, influenced by William Zorach; exhibiting in group show called, "Fourteen Americans at the Museum of Modern Art"; show at Egan Gallery in 1949; accepting art in its most aesthetically pure form without reference to social issues; movement in Japan since war to get away from refinement of Japan; Yoshiro Hiro responsible for Gutai and the happenings; his work, "Monument to Heroes," using bones; his work takes years to do; materials used in his work; his work, "Cronos"; doing theater stage sets for the Library of Congress including, "Appalachian Spring" and "Herodiade"; wants a given space which he can call his own and do something with it, has to be a work of art.
DECEMBER 26, 1973 Session: Show with Charles Egan in 1948 arranged by de Kooning; applying to the Bollingen Foundation to write a book on leisure, which was never written; traveling to Italy, Egypt, and India for two years; being removed from the New York scene with Franz Kline and de Kooning; his light objects; sculpture as environment; respect for material; Mondrian and his art deriving from nature; his time in Japan in 1931; visiting Japan in 1951; working in stone; projects in Japan; Taniguchi; Antonin Raymond; designing Japanese gardens; discovery of Zen; Hasegawa Saburo; Skidmore; Hans Knoll; Edison Price; Italy in the 1960s; Peter Gregory; Henry Moore; Louis Kahn; UNESCO; Noguchi Foundation and Plaza Company; Shoji; Eleanor Ward; and his autobiography, "A Sculptor's World."
Biographical / Historical:
Isamu Noguchi (1904-1988) was a Japanese American sculptor based in Long Island City, New York.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 6 hrs., 25 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Asian American art  Search this
Asian American artists  Search this
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Gardens, Japanese  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.noguch73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-noguch73
Online Media:

Oral history interview with Edith Gregor Halpert

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
C.W. Kraushaar Art Galleries  Search this
Daniel Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Grand Central Art Galleries  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
New Gallery (New York, N.Y.)  Search this
Bacon, Peggy, 1895-1987  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Barrie, Erwin S., 1886-1983  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brackman, Robert, 1898-  Search this
Bridgman, George Brant, 1864-1943  Search this
Brixey, Richard de Wolfe  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Cary, Elisabeth Luther, 1867-1936  Search this
Chase, William Merritt, 1849-1916  Search this
Coleman, Glenn O., 1887-1932  Search this
Crowninshield, Frank, 1872-1947  Search this
Daniel, Charles, 1878-1971  Search this
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
Deskey, Donald, 1894-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Fergusson, John Duncan, 1874-1961  Search this
Field, Hamilton Easter  Search this
Force, Juliana, 1876-1948  Search this
Ford, Ford Madox, 1873-1939  Search this
Frost, Robert, 1874-1963  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Goodyear, A. Conger (Anson Conger), 1877-1964  Search this
Greenberg, Clement, 1909-1994  Search this
Halpert, Samuel, 1884-1930  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Stefan, 1899-1964  Search this
Hopkinson, Charles, 1869-1962  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930-  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Kroll, Leon, 1884-1974  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Locke, Charles, 1899-  Search this
Luks, George Benjamin, 1867-1933  Search this
Léger, Fernand, 1881-1955  Search this
Marin, John, Jr., 1915?-1988  Search this
McBride, Henry, 1867-1962  Search this
Mellon, Paul  Search this
Mercer, Henry Chapman  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Pound, Ezra, 1885-1972  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Edward G., 1893-1973  Search this
Rockefeller, Abby Aldrich  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saklatwalla, Beram K.  Search this
Sandburg, Carl, 1878-1967  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Siporin, Mitchell, 1910-1976  Search this
Soutine, Chaim, 1893-1943  Search this
Steichen, Edward, 1879-1973  Search this
Stein, Gertrude, 1874-1946  Search this
Stella, Frank  Search this
Stern, Louis E., 1886-1962  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tannahill, Robert Hudson  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Williams, William Carlos, 1883-1963  Search this
Wittenberg, Philip, 1895-1987  Search this
Zerbe, Karl, 1903-1972  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
436 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1962-1963
Scope and Contents:
An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.
Halpert speaks of her childhood in Russia and growing up in New York City; working at Bloomindale's, Macy's, Stern Brothers, and Cohen Goldman; her marriage to artist Sam Halpert, his health, and living in Paris in 1925; becoming an art student at the Academy of Design and feeling that Leon Kroll was an excellent art teacher until he began to correct her drawings; when George Bridgman thought she was ruining his class; the Lincoln Square Arcade, when she and Ernest Fiener and Robert Brackman would rent Conan's studio evenings and bring in instructors; how Newman Montross influenced her more than anybody about showing her art that she loved; burning all of her work because Kroll said she had no talent; receiving a painting from John Marin; her friendship and working relationship with Abby Rockefeller and other family members.
She recalls opening the Downtown Gallery, in Greenwich Village, in 1926; a brief history of modern art; many artists helping decorate the new Daylight Gallery in 1930 and the first show being called "Practical Manifestations of Art"; meeting Robert and Sonia Delaunay in France; when she refused to allow Ezra Pound to speak at one of the gallery lectures because of his anti-Semite remarks and William Carlos Williams and Ford Madox Ford argued with her over it; experiencing jealousy and professional attacks from other dealers; the successful "Pop" Hart show and book in 1929; the "Thirty-three Moderns" show in 1930 at the Grand Central Galleries; the Jules Pascin show in 1930; in America, most of the art buyers supporters of culture were women, until the WPA and World War II, when it became fashionable for men to be involved; Ambroise Vollard's advice on selling art; handling the frustrations of working in the art field; friendships with Stuart Davis,Charles Sheeler, and Ben Shahn; how artists work through dry periods in their creativity and the "Recurrent Image" show; a discussion on modern art galleries of New York City, such as Daniel, Knoedler, Ferargil, the New Gallery, 291, the Grand Central, Kraushaar, and Montross; her travels through Pennsylvania and Maine for good examples of folk art for the gallery; the "The Artist Looks at Music" show; the non-competitive spirit of the early modern American artists; of being saved financially in 1940 by selling a William Harnett painting to the Boston Museum and then renting new space for the gallery.
Also, Mitchell Siporin bringing Halpert and Edmund Gurry to Mitchell Field during World War II for a camouflage show and consequently Downtown Gallery artists and others were enlisted in the camouflage corps for the U.S. Air Force; Charles Sheeler and his wife find Halpert a house in Newtown, Conn.; her decision in 1933 to push folk art for acquisition by the William Rockhill Nelson Gallery in Kansas City, Missouri; her great concern about what to do with her folk art literature collection; dismay and that no one writes about the history of folk art and those responsible for its creation and popularity; Louis Stern hiring her to organize a municipal exhibit in Atlantic City, N.J., with Donald Deskey designing the furniture and Holger Cahill managing the publicity; Joe Lillie helping her meet Fiorello La Guardia and Joe McGoldrick in 1934 about a municipal show in New York City, but it is moved to Radio City Music Hall through Nelson Rockefeller; the "Salons of America" show; wanting articles written about art for love rather than art for investment; working with Aline Saarinen on her book, "Proud Possessors;" letters from Stuart Davis, William Zorach and others that hurt her feelings; enjoying giving educational lectures and considering retirement because of ill health; the desire to write a book on the history of trade signs in folk art; feeling that the young artists are being ruined by too much support without working for it; planning to write a book entitled, "Unsung Heroes," about artists brave enough to experiment; organizing a show in Russia at her own expense; later representing the U.S. in art at the "American National Exposition"; the agitators and success of the exposition; Alfred Stieglitz and Georgia O'Keeffe.
Halpert also recalls Juliana Force, Gertrude Vanderbilt Whitney, Yasuo Kuniyoshi, Buckminster Fuller, George Luks, Edsel Ford, Max Weber, Danny Diefenbacker, Hamilton Easter Field, Frank Stella, Glenn Coleman, Margaret Zorach, Diego Rivera, Frida Kahlo, Henry Mercer, Romany Marie, Edward G. Robinson, Paul Mellon, Charles Pollet, Alex Brook, Lunca Curass, Dorothy Lambert, Duncan Candler, Frank Rhen, Louis Rittman, Bea Goldsmith, Arthur Craven, Robert Frost, Philip Wittenberg, Caesar de Hoke, Richard deWolfe Brixey, Seymour Knox, Walt Kuhn, Elisabeth Luther Cary, Charles Locke, Duncan Fergusson, Mrs. Solomon Guggenheim, Bob Tannahill, David Thompson, Marsden Hartley, Erwin Barrie, Robert Laurent, Conger Goodyear, Henry McBride, Edward Hopper, Charles Daniel, William Merritt Chase, Charles Hopkinson, Thomas Hart Benton, Frank Crowninshield, Alfred Barr, Lord Duveen, Jacob Lawrence, John Marin Jr., Karl Zerbe, Franz Kline, Arthur Dove, Julian Levy, Jack Levine, Valentine Dudensing, Peggy Bacon, Stefan Hirsch, Gertrude Stein, Isamu Noguchi, Jasper Johns, Chaim Soutine, B. K. Saklatwalla; Fernand Leger, Pablo Picasso, Ben Shahn, Charles Demuth, Alexander Calder, Jackson Pollock, Edward Steichen, Carl Sandburg, Clement Greenberg, and others.
Biographical / Historical:
Edith Halpert (1900-1970) was an art dealer from New York, N.Y.
General:
Originally recorded on 7 tape reels. Reformatted in 2010 as 27 digital wav files. Duration is 32 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The transcript was microfilmed in 1996.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Art -- Economic aspects  Search this
Camouflage  Search this
Folk art -- Collectors and collecting  Search this
Women art dealers  Search this
Identifier:
AAA.halper62
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halper62
Online Media:

Marion Greenwood papers

Creator:
Greenwood, Marion, 1909-1970  Search this
Names:
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1883, circa 1933-circa 1960
Summary:
The papers of painter and muralist Marion Greenwood (1909-1970) measure 0.5 linear feet and date from circa 1933 to circa 1960. The collection is comprised of biographical materials, printed materials, photographs and negatives.
Scope and Contents:
The papers of painter and muralist Marion Greenwood (1909-1970) measure 0.5 linear feet and date from circa 1933 to circa 1960. The collection is comprised of biographical materials, printed materials, photographs and negatives.

Biographical materials consist of a resume. Printed materials include exhibition announcements and catalogs; clippings of Greenwood's art in commercial publications; a profile of Greenwood written for American Artist magazine; and other miscellaneous material. Photographs in the collection include black and white originals, negatives, copies, and snapshots, primarily depicting Greenwood's work as a muralist and painter. Also present are photographs of the artist, including images of Greenwood with Mexican Muralist Diego Rivera, sculptor and designer Isamu Noguchi, friends, and family.
Arrangement:
This collection is arranged as three series.

Missing Title

Series 1: Biographical material, circa 1960 (1 folder; Box 1)

Series 2: Printed Material, 1883, 1937-1960 (4 folders; Box 1)

Series 3: Photographic material, circa 1933-circa 1960 (0.3 linear feet; Box 1-2, OV 3)
Biographical / Historical:
Marion Greenwood (1909-1970) was an American social realist painter and muralist who worked in both the United States and Mexico.

Greenwood was born in Brooklyn, and educated at the Art Students League of New York and the Academie Colarossi in Paris. She travelled extensively throughout Mexico, China, and the United States, and her travels were often reflected in her paintings. She was the first female American painter to receive a mural commission from the Mexican government, and painted a series of commissioned murals from 1932-1936. Greenwood also worked for the U. S. Works Progress Administration Federal Art Project from 1936-1940, painting murals and frescoes in housing projects in Red Hook, Brooklyn, and Camden, NJ, as well as in the post office of Crossville, TN. After 1940, Greenwood primarily focused on easel painting. In 1944, she was commissioned as a war artist by the Army Medical Corps and by the pharmaceutical company Abbott Laboratories to document soldiers returned from war and their medical care. Greenwood served as a visiting professor at the University of Tennessee from 1954-1955, and was commissioned to paint a mural for the university in 1955.

Marion Greenwood died in Woodstock, NY in 1970.
Related Materials:
Within the collections of the Archives is the Oral history interview with Marion Greenwood, 1964 Jan. 31, by Dorothy Seckler.
Provenance:
The collection was donated by Marion Greenwood in 1964, and at an earlier, unknown date.
Restrictions:
Microfilmed portion must be consulted on microfilm. Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- New York (State) -- New York  Search this
Muralists -- Mexico  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Mexico  Search this
Topic:
Social realism  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Citation:
Marion Greenwood papers, 1883, circa 1933-circa 1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greemari
See more items in:
Marion Greenwood papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greemari
Online Media:

Oral history interview with John Wilson

Interviewee:
Wilson, John, 1922-2015  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston University. School of Fine and Applied Arts  Search this
Museum of Fine Arts, Boston. School  Search this
Aronson, David, 1923-2015  Search this
Bengtz, Ture, 1907-1973  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney, 1932-  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Lewis, Elma  Search this
Léger, Fernand, 1881-1955  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
497 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-1994 August 16
Scope and Contents:
An interview of John Woodrow Wilson conducted 1993 March-1994 August, by Robert F. Brown, for the Archives of American Art.
Wilson discusses his childhood as a member of a family of middle class blacks from British Guiana (now Guyana); his father's grave disappointments in the face of racial discrimination; his parents' push for their children to succeed; early urge to read and draw; encouragement by School of the Museum of Fine Arts, Boston students who taught at the Roxbury Boys Club; his secondary education; and friends.
He talks about his education at the MFA School, Boston, and comments on such teachers as Ture Bengtz and Karl Zerbe and compares their exacting methods with those of Fernand Leger, his teacher in Paris.
His work of the 1940s prior to going to Paris; the importance of early awards and sales received while still a student at the MFA School; the excitement of sharing a studio with fellow students, Francesco Carbone and Leo Prince; and encouragement to stay in school during WW II with the promise of a European study fellowship after the war.
The great impact of his years in Paris (1948-49); the lack of racial prejudice; the liberating effect of Leger's teaching; his awe of the work of Masaccio and Piero della Francesca during a trip to Italy; and the deep impression made on him by seeing tribal art in the Musee de l'Homme, Paris.
Continued discussion of Leger; his teaching methods; and influences on his work.
His first teaching position at the MFA School; his involvement in civil rights in Boston; his gregariousness and the use of his studio as a meeting place for artists and political activists; his involvement with socialism in Boston and New York; and working in a socialist children's camp. He remembers meeting Paul Robeson, Charles White, Elizabeth Catlett, and Bob Blackburn, who was then setting up his printmaking atelier in New York; marriage to a fellow socialist (June 1950); move to Mexico on a fellowship to study with Jose Orozco on the advice of Leger, only to find that Orozco had died; terrors of travel as an interracial couple through the U.S.; and different racial attitudes in Mexico and the U.S.
Living in Mexico (1950-56) and anecdotes of David Alfaro Siqueiros and Diego Rivera; his wife's meeting with Frieda Kahlo and seeing her collection of folk art; their free and cosmopolitan, if impoverished, life in Mexico; his work in a printmaking atelier and on the production of frescoes, and a lengthy aside about his brilliant brother, Freddie, who because he was black was not allowed to pursue his first love, geology, for many years.
Continued discussion of his experiences in Mexico; the dreary year (1957) he spent doing commercial art for a meatpackers' union in Chicago, a city he disliked; his move to New York in 1958, taking on commercial work to support his family, and teaching anatomy at the Pratt Institute.
Teaching art at a junior high school in the Bronx, and his gaining respect of students through special projects; teaching drawing at Boston University (1965-86), his approach to teaching including his demanding standards, the seriousness of the students, his opposing rigid attendance and grading rules, and colleagues, such as David Aronson who had created the School, Reed Kay, Jack Kramer, Sidney Hurwitz, and the University president, John Silber.
Working with the black arts entrepreneur, Elma Lewis, in setting up a visual arts program for the Boston black community (late 1960s-1970s), including the selection of a curator, Edmund Barry Gaither, a young art historian, who eventually established a museum of African-American art; his participation in various black art exhibitions, despite his belief that art should be seen regardless of the ethnic origins of artists; his move toward sculpture, beginning in the early 1960s, as a medium most expressive of black persons, culminating in the 1980s in a series of colossal heads and a statue of Martin Luther King, Jr. for the U.S. Capitol (1985-86); and why he makes art and will so long as he is able.
Biographical / Historical:
John Wilson (1922- ) is an African American painter, sculptor, illustrator, printmaker, and educator from Boston, Massachusetts. Full name John Woodrow Wilson.
General:
Originally recorded on 11 sound cassettes. Reformatted in 2010 as 22 digital wav files. Duration is 16 hr., 2 min.
Uneven transcription reflects Wilson's unusual speech pattern.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription and microfilming of the interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wilson93
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wilson93
Online Media:

Oral history interview with Michelle Stuart

Interviewee:
Stuart, Michelle, 1933-  Search this
Interviewer:
Leddy, Annette  Search this
Names:
Alfred Schmela Galerie  Search this
Chouinard Art Institute (Los Angeles, Calif.) -- Students  Search this
Fluxus  Search this
Heresies Collective, Inc.  Search this
New School for Social Research (New York, N.Y.) -- Students  Search this
Alloway, Lawrence, 1926-1990  Search this
Bartoli, Joseph  Search this
Cook, James, 1728-1779  Search this
Lippard, Lucy R.  Search this
Munro, Eleanor, 1928-  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 9 min.), digital, wav)
154 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
France -- Paris -- Description and Travel
Pacific Ocean
Date:
2015 November 3-2017 May 23
Scope and Contents:
An interview of Michelle Stuart, conducted 2015 November 3 and 13, and 2017 May 23 by Annette Leddy, for the Archives of American Art at Stuart's studio in New York, New York.
Stuart speaks of her Los Angeles childhood with a Swiss mother and Australian father; her paternal and maternal grandparents; her early interest in history, travel, and art; her schooling; her father's enlistment in the U.S. military during World War II and being raised during her teenage years by her mother; her fascination with Captain Cook; art classes at Chouinard Institute of Art; her work with Diego Rivera in Mexico City; her marriage to Spanish painter Joseph Bartoli and their home life in Paris, France; her return to the U.S. in the late 1950s and life in New York City's West Village; courses at the New School; early exhibitions of her work in New York City gallery group shows; her breakthrough Art Park piece; her relationship to the "Land" artists; Lucy Lippard; Eleanor Munro; the influence of Fluxus; Lawrence Alloway's early essay on her scroll pieces; how she was brought into Galerie Schmela; the founding of Heresies; site specific work in the American Southwest; the enduring impact of the Pacific Ocean on her imagination and art; her use of rocks and other natural materials; her transition to photographic collage; commissions in Sweden, Japan, Alaska, and New York City.
Biographical / Historical:
Michelle Stuart (1933- ) is a visual artist in New York, New York. Annette Leddy is a collector for the Archives of American Art.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Sound recording: ACCESS RESRICTED; use requires an appointment.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Collage  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.stuart15
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stuart15
Online Media:

Oral history interview with Louis Siegriest

Interviewee:
Siegriest, 1899-1989  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Oliveira, Nathan, 1928-2010  Search this
Names:
Society of Six  Search this
Armer, Ruth, 1896-1977  Search this
Bischoff, Elmer, 1916-1991  Search this
Clapp, William Henry, 1879-1954  Search this
Cox, Willard  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dixon, Maynard, 1875-1946  Search this
Gaw, William A., 1891-1973  Search this
Gay, August Franc̜ois, 1890-1948  Search this
Gile, Selden Connor, 1877-1947  Search this
Graves, Morris, 1910-  Search this
Hagemeyer, Johan, 1884-1962  Search this
Howard, Robert Boardman, 1896-1983  Search this
Hughes, Louis  Search this
Lobdell, Frank, 1921-  Search this
Logan, Maurice, 1886-1977  Search this
Macky, Constance L., b. 1883  Search this
Martinez, Xavier, 1869-1943  Search this
Nahl, Perham Wilhelm, 1869-1935  Search this
Oldfield, Otis, 1890-1969  Search this
Park, David, 1911-1960  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Price, C. S. (Clayton S.), 1874-1950  Search this
Randolph, Lee F., b. 1880  Search this
Rivera, Diego, 1886-1957  Search this
Scheyer, Galka E.  Search this
St. John, Terry  Search this
Stackpole, Ralph, 1885-1973  Search this
Still, Clyfford, 1904-1980  Search this
Stoddart, Edna, d. 1966  Search this
Tobey, Mark  Search this
Van Sloun, Frank J., 1879-1938  Search this
Von Eichman, Bernard J., 1899-1970  Search this
Winkler, John William, 1894-1979  Search this
Wores, Theodore, 1858-1939  Search this
del Mue, Maurice  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 April 5
Scope and Contents:
Interview of Louis B. Siegriest, conducted 1975 April 5, by Paul Karlstrom and Nathan Oliveira, for the Archives of American Art, at Mr. Siegriest's home, in Oakland, California. Siegriest and Oliveira speak of his early career; the Society of Six; and the Bay Area figurative school. He recalls Perham Nahl, Bernard "Red" von Eichman, Bob Howard, Frank Van Sloun, Ruth Armer, Constance Macky, Lee Randolph, John Winkler, Maurice del Mue, Maynard Dixon, Willard Cox, Louis Hughes, Seldon Gile, August Gay, Xavier Martinez, Gottardo Piazzoni, Ralph Stackpole, Theodore Wores, Bill Gaw, William Henry Clapp, Terry St. John, Galka Scheyer, Maurice Logan, C.S. Price, Mark Tobey, Morris Graves, Richard Diebenkorn, David Park, Elmer Bischoff, Frank Lobdell, Clifford Still, Diego Rivera, Otis Oldfield, Edna Stoddart, Johan Hagemeyer, and many others.
Biographical / Historical:
Louis Siegriest (1899-1989) was a painter from Oakland, California. Full name is Louis Bassi Siegriest.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 13 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art, American  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.siegri75
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-siegri75
Online Media:

Oral history interview with Ben Shahn

Interviewee:
Shahn, Ben, 1898-1969  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 October 3
Scope and Contents:
An interview of Ben Shahn conducted 1965 October 3, by Harlan Phillips, for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Ben Shahn (1898-1969) was a painter and photographer from Roosevelt, N.J.
General:
An interview of Charles Alston (9/28/65) conducted by H. Phillips is also on this tape.
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 37 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New Jersey -- Interviews  Search this
Topic:
Federal aid to the arts  Search this
Painting, American  Search this
Art -- Economic aspects  Search this
Painting -- Technique  Search this
Mural painting and decoration  Search this
Artists -- Political activity -- California  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.shahn65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shahn65
Online Media:

Oral history interview with Viola Patterson

Interviewee:
Patterson, Viola, 1898-1984  Search this
Interviewer:
Kingsbury, Martha, 1941-  Search this
Names:
Archipenko, Alexander, 1887-1964  Search this
Orozco, José Clemente, 1883-1949  Search this
Patterson, Ambrose, 1877-1966  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
57 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 Oct. 22-29
Scope and Contents:
An interview of Viola Patterson conducted 1982 Oct. 22-29, by Martha Kingsbury, for the Archives of American Art's Northwest Oral History Project, in the artist's home in Seattle, Wash.
Patterson speaks of her education; family background; her early interest in art; studying at the University of Washington art department; the influence of Japanese artists; teaching art to children; her husband, Ambrose Patterson, and his life and career; and working on murals with Jose Clement Orozco and Diego Rivera. She recalls Alexander Archipenko.
Biographical / Historical:
Viola Patterson (1898-1984) was a painter from Seattle, Wash.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hrs., 33 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Northwestern States -- Interviews  Search this
Art, Modern -- Northwestern States  Search this
Art, American -- Northwestern States  Search this
Painters -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.patter82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-patter82
Online Media:

Oral history interview with Emmy Lou Packard

Interviewee:
Packard, Emmy Lou, 1914-1998  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Kahlo, Frida  Search this
Moya del Pino, Jose, 1891-1969  Search this
Refregier, Anton, 1905-  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 May 11-12
Scope and Contents:
An interview of Emmy Lou Packard conducted 1964 May 11-12, by Mary Fuller McChesney, for the Archives of American Art.
Packard speaks of her early interest in art and her education; meeting Diego Rivera, studying under him; working with him on murals; Rivera's personality; his marriage to Frida Kahlo and reaction to her death; his political views and his influence on art during the 1930s. She describes her feelings about art of the Work Project Administration period, and she recalls Anton Refregier and Jose Moya del Pino.
Biographical / Historical:
Emmy Lou Packard (1914-1998) was a painter and a mural painter.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hrs., 29 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration -- California  Search this
Muralists -- California -- Interviews  Search this
Painters -- California -- Interviews  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.packar64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-packar64
Online Media:

Oral history interview with Sylvia Orozco

Interviewee:
Orozco, Sylvia, 1954-  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
League of United Chicano Artists  Search this
Mexic-Arte Museum (Austin, Tex.)  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Alvarez Bravo, Manuel, 1902-  Search this
Barraza, Santa  Search this
Cardenas, Gilberto  Search this
Coronado, Sam  Search this
Dodson, Nora Gonzales  Search this
Fearing, Kelly  Search this
Frary, Michael, 1918-  Search this
Orozco, José Clemente, 1883-1949  Search this
Pace, Linda  Search this
Pulido, Piu  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Starpattern, Rita  Search this
Trevino, Barbina Modesta  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 Jan. 26-Feb. 2
Scope and Contents:
An interview of Sylvia Orozco conducted 2004 Jan. 26-Feb. 2, by Cary Cordova, for the Archives of American Art, in Mexic-Arte Gallery, Austin, Tex.
Orozco speaks of her family history, having the best drawing in second grade, the earliest recollection of being an artist; Camp Fire Girls; painting for high school pep squad and protest signs; growing up in Cuero, Tex.; integration in high school; Texas A and I; the Raza Unida movement; University of Texas; the Conferencia del Plastica Chicana, held September 13-16, 1979 in Austin, Tex.; MECha, the Movimiento Estudiantil Chicano de Aztlan; the effect of her work as a curator on her ability to do her own artwork; CONACYT, National Council of Arts and Technology; her passion for Jose Clemente Orozco, Diego Rivera and David Alfaro Siqueiros; meeting Pio Pulido; LUChA, the League of United Chicano Artists; organizing an exhibition on Manuel Alvarez Bravo at the Texas Memorial Museum; the beginnings of Mexic-Arte Gallery; the group Women and Their Work; the installation "Counter Colon-ialismo"; alternative spaces and museums; and future plans for Mexic-Arte Gallery. Orozco also recalls Santa Barraza, Kelly Fearing, Mike Frary, Sam Coronado, Barbina Modesta Treviño, Nora Gonzalez-Dodson, Linda Pace, Rita Starpattern, Gilbert Cardenas, and others.
Biographical / Historical:
Sylvia Orozco (1954- ) is an artist from Austin, Tex. Cary Cordova (1970-) is an art historian from Austin, Tex.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 3 hrs., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Museum directors -- Texas  Search this
Topic:
Mexican American artists  Search this
Curators -- Texas -- Interviews  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Chicano artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.orozco04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-orozco04
Online Media:

Modify Your Search







or


Narrow By