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Oral history interview with Louis Siegriest, 1975 April 5

Interviewee:
Siegriest, Louis Bassi, 1899-1989  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Oliveira, Nathan, 1928-2010  Search this
Howard, Robert Boardman  Search this
Van Sloun, Frank J.  Search this
Armer, Ruth  Search this
Von Eichman, Bernard J.  Search this
Randolph, Lee F.  Search this
Macky, Constance L.  Search this
Nahl, Perham Wilhelm  Search this
Dixon, Maynard  Search this
Martinez, Xavier  Search this
Piazzoni, Gottardo  Search this
Scheyer, Galka E.  Search this
Clapp, William Henry  Search this
Gay, August Franc̜ois  Search this
Stackpole, Ralph  Search this
Wores, Theodore  Search this
Gile, Selden Connor  Search this
St. John, Terry  Search this
Gaw, William A.  Search this
Oldfield, Otis  Search this
Rivera, Diego  Search this
Logan, Maurice  Search this
Price, C. S. (Clayton S.)  Search this
Still, Clyfford  Search this
Hagemeyer, Johan  Search this
Tobey, Mark  Search this
Diebenkorn, Richard  Search this
Graves, Morris  Search this
Bischoff, Elmer  Search this
Lobdell, Frank  Search this
Park, David  Search this
Winkler, John William  Search this
del Mue, Maurice  Search this
Cox, Willard  Search this
Hughes, Louis  Search this
Stoddart, Edna  Search this
Society of Six  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Louis Siegriest, 1975 April 5. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13217
(DSI-AAA_SIRISBib)213092
AAA_collcode_siegri75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213092
Online Media:

Palacio Nacional: part of the "Epic of the Mexican People" murals, painted by Diego Rivera between 1929 and 1935.

Artist:
Rivera, Diego, 1886-1957  Search this
Colorist:
Van Altena, Edward  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Lantern slide (col., 3.25 x 4 in.)
Type:
Archival materials
Lantern slides
Place:
Palacio Nacional (Mexico City, Mexico)
Mexico -- history
Mexico -- Mexico City
Date:
1937 Jan.
General:
Mount reads: "Edward Van Altena, 71-79 W. 45th St., N.Y.C."
Historic plate number: "29."
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Mural painting and decoration  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item MX010001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / Mexico / MX010: Mexico City -- Palacio Nacional
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb64677b029-3cfa-406d-aea2-de5dbad9ba74
EDAN-URL:
ead_component:sova-aag-gca-ref4368

Oral history interview with Louis Siegriest

Interviewee:
Siegriest, Louis Bassi, 1899-1989  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Oliveira, Nathan, 1928-2010  Search this
Names:
Society of Six  Search this
Armer, Ruth, 1896-1977  Search this
Bischoff, Elmer, 1916-1991  Search this
Clapp, William Henry, 1879-1954  Search this
Cox, Willard  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dixon, Maynard, 1875-1946  Search this
Gaw, William A., 1891-1973  Search this
Gay, August Franc̜ois, 1890-1948  Search this
Gile, Selden Connor, 1877-1947  Search this
Graves, Morris, 1910-  Search this
Hagemeyer, Johan, 1884-1962  Search this
Howard, Robert Boardman, 1896-1983  Search this
Hughes, Louis  Search this
Lobdell, Frank, 1921-  Search this
Logan, Maurice, 1886-1977  Search this
Macky, Constance L., b. 1883  Search this
Martinez, Xavier, 1869-1943  Search this
Nahl, Perham Wilhelm, 1869-1935  Search this
Oldfield, Otis, 1890-1969  Search this
Park, David, 1911-1960  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Price, C. S. (Clayton S.), 1874-1950  Search this
Randolph, Lee F., b. 1880  Search this
Rivera, Diego, 1886-1957  Search this
Scheyer, Galka E.  Search this
St. John, Terry  Search this
Stackpole, Ralph, 1885-1973  Search this
Still, Clyfford, 1904-1980  Search this
Stoddart, Edna, d. 1966  Search this
Tobey, Mark  Search this
Van Sloun, Frank J., 1879-1938  Search this
Von Eichman, Bernard J., 1899-1970  Search this
Winkler, John William, 1894-1979  Search this
Wores, Theodore, 1858-1939  Search this
del Mue, Maurice  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 April 5
Scope and Contents:
Interview of Louis B. Siegriest, conducted 1975 April 5, by Paul Karlstrom and Nathan Oliveira, for the Archives of American Art, at Mr. Siegriest's home, in Oakland, California. Siegriest and Oliveira speak of his early career; the Society of Six; and the Bay Area figurative school. He recalls Perham Nahl, Bernard "Red" von Eichman, Bob Howard, Frank Van Sloun, Ruth Armer, Constance Macky, Lee Randolph, John Winkler, Maurice del Mue, Maynard Dixon, Willard Cox, Louis Hughes, Seldon Gile, August Gay, Xavier Martinez, Gottardo Piazzoni, Ralph Stackpole, Theodore Wores, Bill Gaw, William Henry Clapp, Terry St. John, Galka Scheyer, Maurice Logan, C.S. Price, Mark Tobey, Morris Graves, Richard Diebenkorn, David Park, Elmer Bischoff, Frank Lobdell, Clifford Still, Diego Rivera, Otis Oldfield, Edna Stoddart, Johan Hagemeyer, and many others.
Biographical / Historical:
Louis Siegriest (1899-1989) was a painter from Oakland, California. Full name is Louis Bassi Siegriest.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 13 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art, American  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.siegri75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92f49460d-4d3b-4cfa-85f1-bbab6828fff3
EDAN-URL:
ead_collection:sova-aaa-siegri75
Online Media:

Diego Rivera

Artist:
Guillermo Zamora, 1915 - 2002  Search this
Sitter:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 48.3 × 38.5 cm (19 × 15 3/16")
Mount: 53.4 × 42.7 cm (21 × 16 13/16")
Mat: 71.2 × 46 cm (28 1/16 × 18 1/8")
Type:
Photograph
Date:
c. 1949
Topic:
Interior  Search this
Nature & Environment\Plant\Flower\Flowers  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Diego Rivera: Visual Arts\Artist  Search this
Diego Rivera: Male  Search this
Diego Rivera: Visual Arts\Artist\Painter  Search this
Diego Rivera: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2018.38
Restrictions & Rights:
Usage conditions apply
Copyright:
© Guillermo Zamora Estate
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e3388591-3b8b-4a4e-bd97-e9f68f982f75
EDAN-URL:
edanmdm:npg_NPG.2018.38

Oral history interview with George Biddle, 1963

Interviewee:
Biddle, George, 1885-  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Bacon, Peggy  Search this
Benton, Thomas Hart  Search this
Billings, Henry  Search this
Bruce, Edward  Search this
Cahill, Holger  Search this
Demuth, Charles  Search this
Evergood, Philip  Search this
Grosz, George  Search this
Halpert, Edith Gregor  Search this
Hartley, Marsden  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Orozco, José Clemente  Search this
Rivera, Diego  Search this
Robinson, Boardman  Search this
Siqueiros, David Alfaro  Search this
Sterne, Maurice  Search this
Stieglitz, Alfred  Search this
Tamayo, Rufino  Search this
Weber, Max  Search this
Zorach, William  Search this
Cassatt, Mary  Search this
Pascin, Jules  Search this
Poor, Henry Varnum  Search this
Curry, John Steuart  Search this
Bouché, Louis  Search this
Kroll, Leon  Search this
Zorach, William  Search this
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Biddle, 1963. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Censorship  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12696
(DSI-AAA_SIRISBib)213269
AAA_collcode_biddle63
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213269
Online Media:

Oral history interview with George Biddle

Interviewee:
Biddle, George, 1885-1973  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Bacon, Peggy, 1895-1987  Search this
Benton, Thomas Hart, 1889-1975  Search this
Billings, Henry, 1901-  Search this
Bouché, Louis, 1896-1969  Search this
Bruce, Edward, 1879-1943  Search this
Cahill, Holger, 1887-1960  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Demuth, Charles, 1883-1935  Search this
Evergood, Philip, 1901-1973  Search this
Grosz, George, 1893-1959  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hartley, Marsden, 1877-1943  Search this
Kroll, Leon, 1884-1974  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Orozco, José Clemente, 1883-1949  Search this
Pascin, Jules, 1885-1930  Search this
Poor, Henry Varnum, 1887-1970  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Boardman, 1876-1952  Search this
Siqueiros, David Alfaro  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tamayo, Rufino, 1899-  Search this
Weber, Max, 1881-1961  Search this
Zorach, William, 1887-1966  Search this
Zorach, William, 1887-1966  Search this
Extent:
239 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963
Scope and Contents:
An interview of George Biddle conducted in 1963, by Harlan Phillips, for the Archives of American Art.
Biddle speaks of his background in Philadelphia; his Harvard education in preparation for a law career; literary acquaintances; travel; the beginning of his art career; his preoccupation with portraiture; his tragic and pleasant works; the importance of mood; his drawing techniques; drawing from nature; color experimentation; Stieglitz's circle; the susceptibility of artists to change during the 1930s; his involvement with the Public Works of Art Project; government censorship of his murals; his involvement with artists overseas during World War II; and his aesthetic philosophy. He recalls Max Weber, Maurice Sterne, George Grosz, William Zorach, Kenneth Hayes Miller, Peggy Bacon, Marsden Hartley, Charles Demuth, Edith Halpert, Boardman Robinson, Reginald Marsh, Thomas Hart Benton, Henry Billings, Ned Bruce, Holger Cahill, Philip Evergood, Diego Rivera, Jose Clemente Orozco, David Siqueiros, and Rufino Tamayo.
Biographical / Historical:
George Biddle (1885-1973) was a painter and sculptor, in Croton-on-Hudson, New York.
General:
Originally recorded 3 sound tape reels. Reformatted in 2010 as 9 digital wav files. Duration is 13 hr., 56 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Art -- Censorship  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.biddle63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb4fdb2d-29ab-4c56-bcef-655c27a0afb8
EDAN-URL:
ead_collection:sova-aaa-biddle63
Online Media:

Oral history interview with Edith Gregor Halpert

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
C.W. Kraushaar Art Galleries  Search this
Daniel Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Grand Central Art Galleries  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
New Gallery (New York, N.Y.)  Search this
Bacon, Peggy, 1895-1987  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Barrie, Erwin S., 1886-1983  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brackman, Robert, 1898-  Search this
Bridgman, George Brant, 1864-1943  Search this
Brixey, Richard de Wolfe  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Cary, Elisabeth Luther, 1867-1936  Search this
Chase, William Merritt, 1849-1916  Search this
Coleman, Glenn O., 1887-1932  Search this
Crowninshield, Frank, 1872-1947  Search this
Daniel, Charles, 1878-1971  Search this
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
Deskey, Donald, 1894-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Fergusson, John Duncan, 1874-1961  Search this
Field, Hamilton Easter  Search this
Force, Juliana, 1876-1948  Search this
Ford, Ford Madox, 1873-1939  Search this
Frost, Robert, 1874-1963  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Goodyear, A. Conger (Anson Conger), 1877-1964  Search this
Greenberg, Clement, 1909-1994  Search this
Halpert, Samuel, 1884-1930  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Stefan, 1899-1964  Search this
Hopkinson, Charles, 1869-1962  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930-  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Kroll, Leon, 1884-1974  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Locke, Charles, 1899-  Search this
Luks, George Benjamin, 1867-1933  Search this
Léger, Fernand, 1881-1955  Search this
Marin, John, Jr., 1915?-1988  Search this
McBride, Henry, 1867-1962  Search this
Mellon, Paul  Search this
Mercer, Henry Chapman  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Pound, Ezra, 1885-1972  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Edward G., 1893-1973  Search this
Rockefeller, Abby Aldrich  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saklatwalla, Beram K.  Search this
Sandburg, Carl, 1878-1967  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Siporin, Mitchell, 1910-1976  Search this
Soutine, Chaim, 1893-1943  Search this
Steichen, Edward, 1879-1973  Search this
Stein, Gertrude, 1874-1946  Search this
Stella, Frank  Search this
Stern, Louis E., 1886-1962  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tannahill, Robert Hudson  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Williams, William Carlos, 1883-1963  Search this
Wittenberg, Philip, 1895-1987  Search this
Zerbe, Karl, 1903-1972  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
436 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1962-1963
Scope and Contents:
An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.
Halpert speaks of her childhood in Russia and growing up in New York City; working at Bloomindale's, Macy's, Stern Brothers, and Cohen Goldman; her marriage to artist Sam Halpert, his health, and living in Paris in 1925; becoming an art student at the Academy of Design and feeling that Leon Kroll was an excellent art teacher until he began to correct her drawings; when George Bridgman thought she was ruining his class; the Lincoln Square Arcade, when she and Ernest Fiener and Robert Brackman would rent Conan's studio evenings and bring in instructors; how Newman Montross influenced her more than anybody about showing her art that she loved; burning all of her work because Kroll said she had no talent; receiving a painting from John Marin; her friendship and working relationship with Abby Rockefeller and other family members.
She recalls opening the Downtown Gallery, in Greenwich Village, in 1926; a brief history of modern art; many artists helping decorate the new Daylight Gallery in 1930 and the first show being called "Practical Manifestations of Art"; meeting Robert and Sonia Delaunay in France; when she refused to allow Ezra Pound to speak at one of the gallery lectures because of his anti-Semite remarks and William Carlos Williams and Ford Madox Ford argued with her over it; experiencing jealousy and professional attacks from other dealers; the successful "Pop" Hart show and book in 1929; the "Thirty-three Moderns" show in 1930 at the Grand Central Galleries; the Jules Pascin show in 1930; in America, most of the art buyers supporters of culture were women, until the WPA and World War II, when it became fashionable for men to be involved; Ambroise Vollard's advice on selling art; handling the frustrations of working in the art field; friendships with Stuart Davis,Charles Sheeler, and Ben Shahn; how artists work through dry periods in their creativity and the "Recurrent Image" show; a discussion on modern art galleries of New York City, such as Daniel, Knoedler, Ferargil, the New Gallery, 291, the Grand Central, Kraushaar, and Montross; her travels through Pennsylvania and Maine for good examples of folk art for the gallery; the "The Artist Looks at Music" show; the non-competitive spirit of the early modern American artists; of being saved financially in 1940 by selling a William Harnett painting to the Boston Museum and then renting new space for the gallery.
Also, Mitchell Siporin bringing Halpert and Edmund Gurry to Mitchell Field during World War II for a camouflage show and consequently Downtown Gallery artists and others were enlisted in the camouflage corps for the U.S. Air Force; Charles Sheeler and his wife find Halpert a house in Newtown, Conn.; her decision in 1933 to push folk art for acquisition by the William Rockhill Nelson Gallery in Kansas City, Missouri; her great concern about what to do with her folk art literature collection; dismay and that no one writes about the history of folk art and those responsible for its creation and popularity; Louis Stern hiring her to organize a municipal exhibit in Atlantic City, N.J., with Donald Deskey designing the furniture and Holger Cahill managing the publicity; Joe Lillie helping her meet Fiorello La Guardia and Joe McGoldrick in 1934 about a municipal show in New York City, but it is moved to Radio City Music Hall through Nelson Rockefeller; the "Salons of America" show; wanting articles written about art for love rather than art for investment; working with Aline Saarinen on her book, "Proud Possessors;" letters from Stuart Davis, William Zorach and others that hurt her feelings; enjoying giving educational lectures and considering retirement because of ill health; the desire to write a book on the history of trade signs in folk art; feeling that the young artists are being ruined by too much support without working for it; planning to write a book entitled, "Unsung Heroes," about artists brave enough to experiment; organizing a show in Russia at her own expense; later representing the U.S. in art at the "American National Exposition"; the agitators and success of the exposition; Alfred Stieglitz and Georgia O'Keeffe.
Halpert also recalls Juliana Force, Gertrude Vanderbilt Whitney, Yasuo Kuniyoshi, Buckminster Fuller, George Luks, Edsel Ford, Max Weber, Danny Diefenbacker, Hamilton Easter Field, Frank Stella, Glenn Coleman, Margaret Zorach, Diego Rivera, Frida Kahlo, Henry Mercer, Romany Marie, Edward G. Robinson, Paul Mellon, Charles Pollet, Alex Brook, Lunca Curass, Dorothy Lambert, Duncan Candler, Frank Rhen, Louis Rittman, Bea Goldsmith, Arthur Craven, Robert Frost, Philip Wittenberg, Caesar de Hoke, Richard deWolfe Brixey, Seymour Knox, Walt Kuhn, Elisabeth Luther Cary, Charles Locke, Duncan Fergusson, Mrs. Solomon Guggenheim, Bob Tannahill, David Thompson, Marsden Hartley, Erwin Barrie, Robert Laurent, Conger Goodyear, Henry McBride, Edward Hopper, Charles Daniel, William Merritt Chase, Charles Hopkinson, Thomas Hart Benton, Frank Crowninshield, Alfred Barr, Lord Duveen, Jacob Lawrence, John Marin Jr., Karl Zerbe, Franz Kline, Arthur Dove, Julian Levy, Jack Levine, Valentine Dudensing, Peggy Bacon, Stefan Hirsch, Gertrude Stein, Isamu Noguchi, Jasper Johns, Chaim Soutine, B. K. Saklatwalla; Fernand Leger, Pablo Picasso, Ben Shahn, Charles Demuth, Alexander Calder, Jackson Pollock, Edward Steichen, Carl Sandburg, Clement Greenberg, and others.
Biographical / Historical:
Edith Halpert (1900-1970) was an art dealer from New York, N.Y.
General:
Originally recorded on 7 tape reels. Reformatted in 2010 as 27 digital wav files. Duration is 32 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The transcript was microfilmed in 1996.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Art -- Economic aspects  Search this
Camouflage  Search this
Folk art -- Collectors and collecting  Search this
Women art dealers  Search this
Identifier:
AAA.halper62
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b057b9a-c3f9-4586-8d44-ee2d58857127
EDAN-URL:
ead_collection:sova-aaa-halper62
Online Media:

Oral history interview with Arnold Blanch

Interviewee:
Blanch, Arnold, 1896-1968  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
American Artists' Congress  Search this
Bellows, George, 1882-1925  Search this
Force, Juliana, 1876-1948  Search this
Gorky, Arshile, 1904-1948  Search this
Hague, Raoul, 1905-1993  Search this
Henri, Robert, 1865-1929  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Orozco, José Clemente, 1883-1949  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Boardman, 1876-1952  Search this
Siqueiros, David Alfaro  Search this
Sloan, John, 1871-1951  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963 June 13-August 3
Scope and Contents:
An interview of Arnold Blanch conducted by Dorothy Seckler (31 pages) on 1963 June 13 for the Archives of American Art, and a lecture by Blanch recorded by Seckler (6 pages), August 1, 1963.
In the interview, Blanch speaks of his childhood in Minnesota; his hostility toward formal education; his art education; moving to New York; the influence of Cezanne and Renoir on his work; the Woodstock art circle; travels in Paris; his association with New York galleries; his involvement with WPA projects; the American Artists Congress; the American art scene in the 1930s; his opinions of government aid to the arts; changes in his style; and his opinions on the contemporary art scene. He recalls Boardman Robinson, Juliana Force, George Bellows, Robert Henri, John Sloan, Kenneth Hayes Miller, Arshile Gorky, Diego Rivera, Jose Clemente Orozco, David Siqueiros, and Raoul Hague. The lecture,"Art Tradition," was delivered by Blanch to the Woodstock Art Association, Woodstock, New York, August 1, 1963.
Biographical / Historical:
Arnold Blanch (1896-1968) was a mural painter in Woodstock, New York.
General:
Originally recorded 5 sound tape reels. Reformatted in 2010 as 5 digital wav files. Duration is 3 hr., 12 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Muralists -- New York -- Woodstock -- Interviews  Search this
Painters -- New York (State) -- Woodstock -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.blanch63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ce9ffe3-ba4d-4131-b160-99f0588088aa
EDAN-URL:
ead_collection:sova-aaa-blanch63
Online Media:

Carl Zigrosser papers

Topic:
Modern school magazine
Creator:
Zigrosser, Carl, 1891-  Search this
Names:
American Artists Group  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Institute of Chicago  Search this
Art in America  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Arms, John Taylor, 1887-1953  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Boyd, E., 1903-1974  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Calder, Alexander, 1898-1976  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Castellón, Federico, 1914-1971  Search this
Colker, Ed, 1927-  Search this
Cook, Howard Norton, 1901-1980  Search this
Dehn, Adolf, 1895-1968  Search this
Durieux, Caroline, 1896-1989  Search this
Dwight, Mabel, 1876-1955  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Girard, André  Search this
Hayter, Stanley William, 1901-1988  Search this
Hopper, Edward, 1882-1967  Search this
Huntley, Victoria Hutson, 1900-1971  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kent, Rockwell, 1882-1971  Search this
Keppel, Frederick, 1845-1912  Search this
Kimball, Fiske, 1888-1955  Search this
Kohn, Misch, 1916-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lankes, Julius J., 1884-1960  Search this
Lasansky, Mauricio, 1914-  Search this
Mauzey, Merritt, 1898-  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert), 1907-  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy, 1905-1997  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pach, Walter, 1883-1958  Search this
Rivera, Diego, 1886-1957  Search this
Ronnebeck, Arnold, 1885-1947  Search this
Rose, Ruth Starr, 1887-1965  Search this
Rosenwald, Lessing J. (Lessing Julius), 1891-1979  Search this
Ruellan, Andrée, 1905-2006  Search this
Schniewind, Carl Oscar, 1900-1957  Search this
Seidenberg, Roderick, 1889-1973  Search this
Spratling, William, 1900-1967  Search this
Spruance, Benton, 1904-1967  Search this
Sternberg, Harry, 1904-2001  Search this
Stieglitz, Alfred, 1864-1946  Search this
Teng, Kuei  Search this
Valentin, Curt, 1902-1954  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Weston, Edward, 1886-1958  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
30 Linear feet ((on 63 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1891-1971
Scope and Contents:
Personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on prints and printmaking and his personal relationships with artists.
Included are: correspondence with family and with over 900 printmakers, painters, sculptors, acquaintances, friends, associates, organizations, museums, publishers, and magazines; general correspondence, notes, clippings, and manuscripts pertaining to The Modern School Magazine; files of correspondence from Zigrosser's work at: the Philadelphia Museum of Art, 1932-1971; John Simon Guggenheim Memorial Foundation; Solomon R. Guggenheim Foundation and Museum, 1946-1971, including correspondence with Frank Lloyd Wright concerning the Guggenheim Memorial Museum; Print Council of America, 1954-1971, regarding exhibitions, council meetings and other matters; and the Tamarind Workshop, 1960-1971.
Of particular interest is material relating to the 1913 Armory Show, including Zigrosser's annotated catalog, notes and sketches. Also included are speeches and notes, 1930-1968; manuscripts for lectures and unpublished materials; memorabilia; a photo album of sculpture by John B. Flannagan; art work, including prints and drawings by Karig Nalbandian, prints by Rockwell Kent, and oversized works of art on paper by Mabel Dwight, Wanda Gag and Kent; family photograph album; journals and pamphlets (covers only); and diaries, 1916-1971, discussing personal and professional events such as art openings, conversations and activities with Rockwell Kent, Alfred Stieglitz, and Georgia O'Keeffe, among others.
Among the correspondents are: the American Artists Group, John Taylor Arms, Art in America magazine, Art Institute of Chicago, Alfred Barr, E. Boyd, Charles Burchfield, Alexander Calder, Fitz Roy Carrington, Federico Castellon, Ed Colker, Howard N. Cook, Crown Publishers, Adolf Dehn, Caroline Durieux, John Bernard Flannagan, Andre Girard, Stanley William Hayter, Edward Hopper, Victoria Hutson Huntley, Independent Citizens Committee for the Arts, Sciences and Professions, R. Sturgis Ingersoll, Frederick Keppel, Rockwell Kent, Fiske Kimball, Misch Kohn, Yasuo Kuniyoshi, Julius Lankes, Mauricico Lasansky, Merritt Mauzey, Kneeland McNulty, James A. Michener, Marian Mitchell,
Museum of Non-Objective Painting (Solomon R. Guggenheim Museum), Karnig Nalbandian, Dorothy Norman, Georgia O'Keeffe, Walter Pach, Harold Paris, Print Club (Philadelphia), Diego Rivera, Ruth Starr Rose, Arnold Ronnebeck, Lessing J. Rosenwald, Andre Ruellan, Carl Oscar Schniewind, Roderick Seidenberg, William Spratling, Benton Spruance, Alfred Stieglitz, Harry Sternberg, Tamarind Lithography Workshop, Kuei Teng, U.S. Office of War Information, Curt Valentin, Heinz Warneke, Edward Weston, Weyhe Gallery, Whitney Museum of American Art, Harry Wickey, and Adja Yunkers.
Biographical / Historical:
Print curator; Philadelphia, Pa.; d. 1975. Graduated Columbia University in literature. Worked with prints in New York City at Keppel and Co. and Weyhe Gallery; print curator at Philadelphia Museum of Art 1940-1963; author of books on prints and art works.
Provenance:
Lent for microfilming, 1991, by the University of Pennsylvania Special Collections Department, Van Pelt Library. Zigrosser donated the papers to the University in 1972. Portions of the papers not microfilmed include research files, manuscript materials for published work, family records, and journals.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from the Curator of Manuscripts, Rare Book & Manuscript Library, University of Pennsylvania. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- United States  Search this
Printmakers -- United States  Search this
Museum curators -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American  Search this
Prints -- societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Identifier:
AAA.zigrcarl
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c88ba1db-1061-48d2-bae9-77dd7e7f65c5
EDAN-URL:
ead_collection:sova-aaa-zigrcarl

Florence Arquin papers

Creator:
Arquin, Florence  Search this
Names:
Art Institute of Chicago -- Faculty  Search this
Federal Art Project (Ill.)  Search this
United States. Department of State  Search this
Kahlo, Frida  Search this
Rebay, Hilla, 1890-1967  Search this
Rivera, Diego, 1886-1957  Search this
Williams, Samuel  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
8.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Sketches
Date:
1923-1985
Summary:
The papers of Florence Arquin measure 8.2 linear feet and date from 1923 to 1985. The papers highlight her expertise in the field of Latin American studies and document Arquin's career as a painter, photographer, educator, writer, and critic through biographical material, correspondence, writings, teaching and project files, printed material, photographs, artwork, and scrapbooks. Additionally, the papers relate to her personal relationships with her husband Samuel Williams and friends, Diego Rivera and Frida Kahlo. Teaching and project files include material from Arquin's work with the Federal Art Project at the Art Institute of Chicago and as director of the U.S. State Department's Kodachrome Slide Project, which was part of an effort to provide educational agencies with visual aids to support Latin American Studies.
Scope and Contents:
The papers of Florence Arquin measure 8.2 linear feet and date from 1923 to 1985. The papers highlight her expertise in the field of Latin American studies and document Arquin's career as a painter, photographer, educator, writer, and critic through biographical material, correspondence, writings, teaching and project files, printed material, photographs, artwork, and scrapbooks. Additionally, the papers relate to her personal relationships with her husband Samuel Williams and friends, Diego Rivera and Frida Kahlo. Teaching and project files include material from Arquin's work with the Federal Art Project at the Art Institute of Chicago and as director of the U.S. State Department's Kodachrome Slide Project, which was part of an effort to provide educational agencies with visual aids to support Latin American Studies.

Biographical materials include awards, biographical sketches and resumes, travel papers, identification cards, and ten address books.

The bulk of correspondence is comprised of letters written by Florence Arquin to her husband, Samuel Williams. These letters discuss her trips to Mexico in the 1940s, her role in the Kodachrome Slide Project, and her friendships with fellow artists Diego Rivera and Frida Kahlo, and others. Also found are copies of letters from Frida Kahlo and Diego Rivera to Florence Arquin.

Writings and notes include extensive research notes, notebooks, and notecards by Florence Arquin, primarly on Latin American art and culture. Also found is a draft of Arquin's work on Diego Rivera, Diego Rivera (1886-1957): The Shaping of an Artist (Early Period--1889-1921). Writings by others include a draft of a foreword by Diego Rivera, and writings by Jose de Souza Pedreira, and Hilla Rebay.

Teaching and project files include materials from Arquin's time teaching at the Art Institute of Chicago, her work with the the Federal Art Project at the Art Institute of Chicago and the Kodachrome Slide Project. Teaching files are scattered and include student papers, class outlines, and a lecture. The Federal Art Project at the Art Institute of Chicago files include a proposal and project reports. The Kodachrome Slide Project files include correspondence, receipts, reports, educational guides and materials, slide sequences, and printed material.

Printed material includes exhibition catalogs and announcements, clippings, booklets, travel guides, magazines, education journals, subject files on Diego Rivera and Frank Lloyd Wright, and blank postcards from Arquin's travels. There are extensive booklets and pamphlets published by the Pan American Union, and travel guides and educational guides for Latin America. Some printed material is in Spanish.

Photographs include portraits and snapshots of Florence Arquin, Diego Rivera, Frida Kahlo and others. Photos of Florence Arquin show her in her office, giving lectures, and at events with others. Photographs of works of art are by Frida Kahlo and Diego Rivera.

Artwork is scattered and includes a sketchbook by Florence Arquin with watercolor and pencil sketches and a print signed by de Diego.

There are four scrapbooks created by Florence Arquin. Scrapbooks may include photographs, writings, maps, and printed materials. Materials relate to the Federal Art Project at the Art Institute of Chicago, travel, and the Kodachrome Slide Project.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1939-1962 (0.4 linear feet; Box 1, 11)

Series 2: Correspondence, 1940-1985 (0.8 linear feet; Box 1-2)

Series 3: Writings and Notes, 1929-circa 1964 (2.0 linear feet; Box 2-4)

Series 4: Teaching and Project Files, 1930-1963 (1.4 linear feet; Box 4-5)

Series 5: Printed Material, 1923-1964 (1.8 linear feet; Box 5-7, 11)

Series 6: Photographs, 1929-circa 1960 (0.7 linear feet; Box 7, 11)

Series 7: Artwork, circa 1940-circa 1950 (2 folders; Box 7, 11)

Series 8: Scrapbooks, 1935-1956 (0.9 linear feet; Box 8-10)
Biographical / Historical:
Painter, photographer, educator, writer, and critic, Florence Arquin (1900-1974) was active in Chicago, Illinois. She was widely known for her expertise in the field of Latin American studies and had a close relationship with Frida Kahlo and Diego Rivera. From 1935 to 1939 she worked as administrator for the Federal Art Project in Illinois and joined the Art Institute of Chicago in 1939 to develop education programs aimed at secondary school students.

Florence Arquin was born in 1900 in New York City. She graduated from the Art Institute of Chicago where she studied art education. After, she undertook post graduate studies at the National University of Mexico. In the early 1940s Arquin traveled to Mexico to paint, where she developed friendships with Diego Rivera and Frida Kahlo. In 1943 a solo exhibition of her paintings at the Benjamin Franklin Library in Mexico City was highly praised by Rivera in the catalog introduction. Arquin's book Diego Rivera: The Shaping of an Artist, 1889-1921 about the artist's formative years, was published by the University of Oklahoma Press in 1971.

Arquin traveled extensively in South America, the United States, and Europe throughout her life. From 1945 to 1951 she traveled to Brazil, Bolivia, Peru, and Ecuador as Director of the Kodachrome Slide Project under the sponsorship of the Department of State. Arquin photographed aspects of life and culture and gave lectures at bi-national cultural institutions throughout those countries and in the United States. The project was part of an effort to provide educational agencies with visual aids in the field of Latin American studies.

Under another State Department grant, duplicates of Arquin's photographs were then made available for sale to institutions and individuals interested in the field of Latin American studies. The Metropolitan Museum of Art assumed responsibility for publicity, sale, and distribution of the slides from 1950 to 1955. Although few sales originated through the sales office of the Museum, Arquin managed to generate sales through her own efforts. In 1961 she applied for another grant to take control of the original slides and to add slides that she had taken on other visits to Latin America, Morocco, Spain, Portugal, and other European countries since then.

Florence Arquin died in 1974.
Provenance:
The collection was donated to the Archives of American Art by Samuel Williams, Arquin's husband, in 1991.
Restrictions:
The Florence Arquin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Illinois -- Chicago  Search this
Photographers -- Illinois -- Chicago  Search this
Educators -- Illinois -- Chicago  Search this
Authors -- Illinois -- Chicago  Search this
Art critics -- Illinois -- Chicago  Search this
Topic:
Latino and Latin American artists  Search this
Art, Latin American  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women educators  Search this
Women art critics  Search this
Women authors  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Prints
Sketches
Citation:
Florence Arquin papers, 1923-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arquflor
See more items in:
Florence Arquin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw909303b02-1de7-44ba-8947-07b0fc7969fa
EDAN-URL:
ead_collection:sova-aaa-arquflor
Online Media:

Flyer for Frida y Diego, una pareja Día de los Muertos exhibition

Subject:
Kahlo, Frida  Search this
Rivera, Diego  Search this
Artemisia Gallery  Search this
MIRA (Mi Raza Arts Consortium (Chicago, Ill.))  Search this
Prairie Avenue Gallery  Search this
Type:
Printed Materials
Date:
1987 November
Citation:
Flyer for Frida y Diego, una pareja Día de los Muertos exhibition, 1987 November. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20008
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20008

Robert Hudson Tannahill

Artist:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Sitter:
Robert Hudson Tannahill, 1893 - 1969  Search this
Medium:
Oil on canvas
Dimensions:
88.6cm x 69.9cm (34 7/8" x 27 1/2"), Estimate
DIA web site: Canvas: 34 7/8 x 27 1/2 in. (88.6 x 69.8 cm), Framed: 39 7/16 x 31 15/16 x 2 1/16 in. (101.0 x 79.5 x 5.2 cm)
Type:
Painting
Date:
1932
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Artwork  Search this
Interior\Office  Search this
Home Furnishings\Furniture\Desk  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Robert Hudson Tannahill: Male  Search this
Robert Hudson Tannahill: Society and Social Change\Philanthropist\Patron of the arts  Search this
Robert Hudson Tannahill: Society and Social Change\Philanthropist\Benefactor  Search this
Portrait  Search this
Credit Line:
Owner: Detroit Institute of Arts
Object number:
70.188 DIA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4cacd7464-d6b3-45c8-90a3-d0baca926b7c
EDAN-URL:
edanmdm:npg_70.188_DIA

Edsel Bryant Ford

Artist:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Sitter:
Edsel Bryant Ford, 1893 - 1943  Search this
Medium:
Oil on canvas mounted on Masonite
Dimensions:
95cm x 121.6cm (37 3/8" x 47 7/8"), Accurate
DIA web site: 38 1/2 x 49 1/4 in. (97.8 x 125.1 cm), Framed: 39 1/2 x 49 7/8 in.
Type:
Painting
Date:
1932
Topic:
Interior  Search this
Equipment\Drafting & Writing Implements\Drafting triangle  Search this
Artwork\Drawing  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Equipment\Drafting & Writing Implements  Search this
Equipment\Drafting & Writing Implements\Protractor  Search this
Edsel Bryant Ford: Male  Search this
Edsel Bryant Ford: Business and Finance\Businessperson\Industrialist  Search this
Portrait  Search this
Credit Line:
Owner: Detroit Institute of Arts
Object number:
77.5 DIA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm49b0bdf89-5ef3-4177-b301-91e3b7a41cd8
EDAN-URL:
edanmdm:npg_77.5_DIA

The Painter Zinoviev

Alternate Title:
El Pintor Zinoviev
Artist:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Sitter:
Zinoviev  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 127 x 106cm (50 x 41 3/4")
Frame: 123.8 x 104.1cm (48 3/4 x 41")
Type:
Painting
Date:
1913
Topic:
Interior  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Artist's Effects\Palette  Search this
Artist's Effects\Paintbrush  Search this
Costume\Dress Accessory\Neckwear\Tie\Bowtie  Search this
Zinoviev: Male  Search this
Zinoviev: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
Owner: Museo Regional de Guadalajara, Mexico
Object number:
EXH.RT.79
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c8eaa638-7824-4259-b2b3-3b431d9f74e4
EDAN-URL:
edanmdm:npg_EXH.RT.79

John Finerty

Artist:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Sitter:
John Frederick Finerty II, 1885 - 1967  Search this
Medium:
Charcoal on paper
Dimensions:
Sheet: 39 x 28.2cm (15 3/8 x 11 1/8")
Mat: 71.1 x 55.9cm (28 x 22")
Type:
Drawing
Date:
1937
Topic:
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
John Frederick Finerty II: Male  Search this
John Frederick Finerty II: Law and Law Enforcement\Lawyer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
S/NPG.2003.29
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4d30ba2a5-19dc-41e5-9dc5-4137907ed253
EDAN-URL:
edanmdm:npg_S_NPG.2003.29

King W. Vidor papers

Creator:
Vidor, King, 1894-1982  Search this
Names:
Associated American Artists  Search this
Big parade (Motion picture)  Search this
Metaphor: King Vidor meets with Andrew Wyeth (motion picture)  Search this
Benton, Thomas Hart, 1889-1975  Search this
Rivera, Diego, 1886-1957  Search this
Sheets, Millard, 1907-1989  Search this
Wood, Grant, 1891-1942  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Motion pictures (visual works)
Video recordings
Typescripts
Date:
1936-1982
Summary:
The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.
Scope and Contents:
The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.

Correspondence is mainly between Vidor and multiple galleries and artists whose artworks Vidor collected, and includes single letters from artists Grant Wood, Thomas Hart Benton, and Andrew Wyeth. Lengthy correspondence with Associated American Artists is found among other correspondence with galleries. Loan requests from museums borrowing from Vidor's painting collection, and image requests for reproduction rights for paintings owned by Vidor from various publishers are also found, as well as a few sheets of notes related to valuation of paintings.

Printed material includes exhibition catalogs for Millard Sheets and Diego Rivera, clippings on a variety of subjects, including a long article about his film project Metaphor published in the Los Angeles Herald Examiner, and periodicals with articles about the artist Grant Wood.

Scattered slides are mostly of unidentified artwork.

Material related to Metaphor, Vidor's film project with Andrew Wyeth include photographs of Wyeth and Vidor in Pennsylvania, stills from Vidor's 1925 film The Big Parade, and a still from Metaphor. Production notes include detailed footage and edit notes as well as typescripts of draft narration. Some production notes are arranged as a group, and others are arranged with documentation of the original film containers in which they were found. Motion picture film found in the collection includes a print of the final version of the film, edit master film material (A and B rolls), outtakes, and trims.
Arrangement:
The collection is arranged as 4 series. Digital photographs of original film containers are filed in Series 4.

Series 1: Correspondence, 1941-1982 (Box 1, 1 folder)

Series 2: Printed Material, 1936-1980 (Box 1, 3 folders)

Series 3: Slides, 1964 (1 folder; Box 1)

Series 4: -- Metaphor: King Vidor Meets Andrew Wyeth -- (1980), 1976-1980 (1.9 linear feet; Box 1, FC 1-17)
Biographical / Historical:
King Vidor was an American film director whose prolific career began in 1913, during the silent era, and continued through 1959 when he stopped directing large scale film projects. In addition to his prolific film career, Vidor was an avid collector of American Art who owned works by Thomas Hart Benton and Grant Wood, among others.

Vidor's final film, Metaphor: King Vidor Meets Andrew Wyeth (1980), is a documentary in which he and Wyeth discuss the impact of Vidor's most celebrated film of the silent era, The Big Parade, on Wyeth's painting. The project began when Wyeth wrote a lengthy letter to Vidor crediting his film, which Wyeth claimed to have watched over a hundred times, with having had a direct impact on the compositions of his paintings, which he only noticed after the fact when his wife, Betsy, pointed it out to him.

When Wyeth contacted Vidor for permission to use clips from The Big Parade in a documentary project by the Metropolitan Museum of Art to accompany a 1976 exhibition of these works, Two Worlds of Andrew Wyeth: Kuerners and Olsons, instead of lending his film to that effort, Vidor went to Chadds Ford, Pennsylvania to film Wyeth himself. Together, the two set out to make a documentary telling the story of the aesthetic relationship between their work, with Vidor directing. The film was completed in 1980 but was never commercially released.

Vidor died in 1982.
Related Materials:
There is an oral history interview with King Vidor held by Columbia University.
Provenance:
Donated 1985 by the King Vidor Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Pennsylvania  Search this
Topic:
Filmmakers -- California -- Los Angeles  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Motion pictures (visual works)
Video recordings
Typescripts
Citation:
King W. Vidor papers, 1936-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vidoking
See more items in:
King W. Vidor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3a1f770-e016-4f3e-995d-081b5eac2c55
EDAN-URL:
ead_collection:sova-aaa-vidoking

Oral history interview with John Wilson

Interviewee:
Wilson, John, 1922-2015  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston University. School of Fine and Applied Arts  Search this
Museum of Fine Arts, Boston. School  Search this
Aronson, David, 1923-2015  Search this
Bengtz, Ture, 1907-1973  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney, 1932-  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Lewis, Elma  Search this
Léger, Fernand, 1881-1955  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
497 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-1994 August 16
Scope and Contents:
An interview of John Woodrow Wilson conducted 1993 March-1994 August, by Robert F. Brown, for the Archives of American Art.
Wilson discusses his childhood as a member of a family of middle class blacks from British Guiana (now Guyana); his father's grave disappointments in the face of racial discrimination; his parents' push for their children to succeed; early urge to read and draw; encouragement by School of the Museum of Fine Arts, Boston students who taught at the Roxbury Boys Club; his secondary education; and friends.
He talks about his education at the MFA School, Boston, and comments on such teachers as Ture Bengtz and Karl Zerbe and compares their exacting methods with those of Fernand Leger, his teacher in Paris.
His work of the 1940s prior to going to Paris; the importance of early awards and sales received while still a student at the MFA School; the excitement of sharing a studio with fellow students, Francesco Carbone and Leo Prince; and encouragement to stay in school during WW II with the promise of a European study fellowship after the war.
The great impact of his years in Paris (1948-49); the lack of racial prejudice; the liberating effect of Leger's teaching; his awe of the work of Masaccio and Piero della Francesca during a trip to Italy; and the deep impression made on him by seeing tribal art in the Musee de l'Homme, Paris.
Continued discussion of Leger; his teaching methods; and influences on his work.
His first teaching position at the MFA School; his involvement in civil rights in Boston; his gregariousness and the use of his studio as a meeting place for artists and political activists; his involvement with socialism in Boston and New York; and working in a socialist children's camp. He remembers meeting Paul Robeson, Charles White, Elizabeth Catlett, and Bob Blackburn, who was then setting up his printmaking atelier in New York; marriage to a fellow socialist (June 1950); move to Mexico on a fellowship to study with Jose Orozco on the advice of Leger, only to find that Orozco had died; terrors of travel as an interracial couple through the U.S.; and different racial attitudes in Mexico and the U.S.
Living in Mexico (1950-56) and anecdotes of David Alfaro Siqueiros and Diego Rivera; his wife's meeting with Frieda Kahlo and seeing her collection of folk art; their free and cosmopolitan, if impoverished, life in Mexico; his work in a printmaking atelier and on the production of frescoes, and a lengthy aside about his brilliant brother, Freddie, who because he was black was not allowed to pursue his first love, geology, for many years.
Continued discussion of his experiences in Mexico; the dreary year (1957) he spent doing commercial art for a meatpackers' union in Chicago, a city he disliked; his move to New York in 1958, taking on commercial work to support his family, and teaching anatomy at the Pratt Institute.
Teaching art at a junior high school in the Bronx, and his gaining respect of students through special projects; teaching drawing at Boston University (1965-86), his approach to teaching including his demanding standards, the seriousness of the students, his opposing rigid attendance and grading rules, and colleagues, such as David Aronson who had created the School, Reed Kay, Jack Kramer, Sidney Hurwitz, and the University president, John Silber.
Working with the black arts entrepreneur, Elma Lewis, in setting up a visual arts program for the Boston black community (late 1960s-1970s), including the selection of a curator, Edmund Barry Gaither, a young art historian, who eventually established a museum of African-American art; his participation in various black art exhibitions, despite his belief that art should be seen regardless of the ethnic origins of artists; his move toward sculpture, beginning in the early 1960s, as a medium most expressive of black persons, culminating in the 1980s in a series of colossal heads and a statue of Martin Luther King, Jr. for the U.S. Capitol (1985-86); and why he makes art and will so long as he is able.
Biographical / Historical:
John Wilson (1922- ) is an African American painter, sculptor, illustrator, printmaker, and educator from Boston, Massachusetts. Full name John Woodrow Wilson.
General:
Originally recorded on 11 sound cassettes. Reformatted in 2010 as 22 digital wav files. Duration is 16 hr., 2 min.
Uneven transcription reflects Wilson's unusual speech pattern.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription and microfilming of the interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
African American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wilson93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f3601751-82e4-488d-b246-deda68bea613
EDAN-URL:
ead_collection:sova-aaa-wilson93
Online Media:

Hale Woodruff papers

Creator:
Woodruff, Hale, 1900-1980  Search this
Names:
Rivera, Diego, 1886-1957  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Interviews
Date:
1920-1977
bulk 1960s-1970s
Summary:
The papers of African American painter, muralist, and arts educator Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977 with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photographs, and photocopies of a scrapbook, and of artwork.
Scope and Contents:
The papers of Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977, with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photocopies of a scrapbook, photographs, and photocopies of artwork.

Biographical material includes a resume, awards and honorary degrees, and an interview transcript.

Professional files consist of correspondence, committee files, and materials related to exhibitions and projects.

Writings include an illustrated notebook; drafts and copies of lectures, statements, articles, book reviews, and exhibition text; and notes on note cards, as well as photocopies of notes Woodruff took in Mexico while studying with Diego Rivera.

Printed Material includes exhibition announcements, exhibition catalogs, publications in which Woodruff is featured, clippings, and other assorted printed material.

The scrapbook consists of photocopies of scrapbook pages. The originals do not appear in the collection, but mostly contained clippings and printed material, with some correspondence.

Photographs include black and white photographs with an accompanying piece of correspondence, and photocopies of photographs of artwork.

Artwork includes photocopies of sketches and drawings.
Arrangement:
This collection is arranged as seven series.

Series 1: Biographical Material, 1966-1977 (Box 1; 4 folders)

Series 2: Professional Files, 1944-1973 (Box 1; 4 folders)

Series 3; Writings, 1920-1977, undated (Box 1; 0.3 linear feet)

Series 4; Printed Material, 1920s-1970s (Box 2, 4 folders)

Series 5: Scrapbook, 1927-1928, 1940-1960 (Box 2, 1 folder)

Series 6: Photographic Material, 1926-1977 (Box 2, 2 folders)

Series 7: Artwork, 1939-1952, undated (Box 2, 1 folder)
Biographical / Historical:
Hale Aspacio Woodruff (1900-1980) was an African American painter, muralist, and arts educator. His most well-known works are the Amistad murals, painted between 1939 and 1940 for Talladega College's Savery Library.

Woodruff was born in Cairo, Illinois, and grew up in Nashville, Tennessee. He studied at the John Herron Art Institute in Indianapolis, and at the Art Institute of Chicago. After winning an award from the Harmon Foundation, he traveled to Paris and attended the Academie Moderne and the Academie Scandinave. He also spent a summer studying mural painting in Mexico with Diego Rivera.

In 1931, Woodruff established one of the earliest art departments at a Black college at Atlanta University – teaching classes at the University's Laboratory High School, Morehouse College, and Spelman College as well. He also established the Atlanta Annuals, one of the earliest national exhibition opportunities for African American artists. In 1946 he moved to New York and taught in the art department at New York University until his retirement in 1968.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Hale Woodruff conducted by Al Murray, November 18, 1968.
Separated Materials:
The Archives of American of Art also holds material lent for microfilming (reel 4222), the majority of which was included in subsequent donations. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
The Hale Woodruff papers were lent for microfilming by Woodruff in 1970. Most of the material was subsequently donated in 1978, along with additional material.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Educators -- Georgia -- Atlanta  Search this
Topic:
Painting, American  Search this
Art -- Study and teaching -- United States  Search this
African American artists  Search this
Photographs  Search this
African American educators  Search this
African American painters  Search this
Genre/Form:
Scrapbooks
Interviews
Citation:
Hale Woodruff papers, 1920-1977, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.woodhale
See more items in:
Hale Woodruff papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f059b531-1f1c-4601-92c9-6bd34272a6cd
EDAN-URL:
ead_collection:sova-aaa-woodhale
Online Media:

Maltby Sykes papers, 1936-1992

Creator:
Sykes, Maltby, 1911-1992  Search this
Subject:
Rivera, Diego  Search this
Christ-Janer, Albert  Search this
Eichenberg, Fritz  Search this
Miller, George Charles  Search this
Type:
Drawings
Scrapbooks
Citation:
Maltby Sykes papers, 1936-1992. Archives of American Art, Smithsonian Institution.
Topic:
Mural painting and decoration -- Mexico -- Mexico City  Search this
Prints -- Technique  Search this
Lithography  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13473
(DSI-AAA_SIRISBib)208803
AAA_collcode_sykewill
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208803

Ben Shahn papers, 1879-1990, bulk 1933-1970

Creator:
Shahn, Ben, 1898-1969  Search this
Subject:
Rivera, Diego  Search this
Robbins, Jerome  Search this
Soyer, Raphael  Search this
Evans, Walker  Search this
Osborn, Robert Chesley  Search this
Delano, Jack  Search this
Baskin, Leonard  Search this
Type:
Motion pictures (visual works)
Sketchbooks
Video recordings
Drawings
Sound recordings
Interviews
Citation:
Ben Shahn papers, 1879-1990, bulk 1933-1970. Archives of American Art, Smithsonian Institution.
Topic:
Social realism  Search this
Theme:
Photography  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6935
(DSI-AAA_SIRISBib)209064
AAA_collcode_shahben
Theme:
Photography
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209064
Online Media:

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