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E.P. (Edgar Preston) and Constance Richardson papers

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Names:
Archives of American Art  Search this
Castano Galleries (Boston, Mass.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
White House (Washington, D.C.)  Search this
Peale family  Search this
Allen, Joseph  Search this
Allston, Washington, 1779-1843  Search this
Andrews, Wayne  Search this
Aram, Siegfried F.  Search this
Bishop, Isabel, 1902-1988  Search this
Bostick, William A.  Search this
Bouché, Louis, 1896-1969  Search this
Boyd, Julian P. (Julian Parks), 1903-  Search this
Castano, Giovanni, 1896-1978  Search this
Cohn, Harold  Search this
Copeland, Lammot du Pont  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Fredericks, Marshall M., 1908-1998  Search this
Freeman, Michael W.  Search this
Garrison, Eve Josephson, 1903-2003  Search this
Groce, George C., 1899-  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heil, Walter, 1890-1973  Search this
Hopper, Edward, 1882-1967  Search this
Jungwirth, Irene G. (Irene Gayas), 1913-  Search this
Krentzin, Earl, 1929-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lee-Smith, Hughie  Search this
Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this
Lynes, Russell, 1910-1991  Search this
Marsh, Reginald, 1898-1954  Search this
Mast, Gerald, 1908-1971  Search this
McDermott, John Francis, 1902-  Search this
Middeldorf, Ulrich Alexander, 1901-  Search this
Morse, John D., 1906-  Search this
Moser, Liselotte, 1906-1983  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Oliver, Andrew, 1906-  Search this
Peale, Charles Willson, 1741-1827  Search this
Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Rockefeller, John D., 1906-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rutledge, Anna Wells  Search this
Sellers, Charles Coleman, 1903-  Search this
Sheeler, Charles, 1883-1965  Search this
Simper, Fred, 1914-  Search this
Simpson, Corelli C. W.  Search this
Soria, Regina, 1911-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Speck, Walter, 1895-  Search this
Stevens, William B.  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Wedda, John  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
28.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Date:
1814-1996
bulk 1921-1996
Summary:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
Scope and Contents:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.
Biographical / Historical:
Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).
Related Materials:
Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Rights:
The E.P. (Edgar Preston) and Constance Richardson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- Michigan -- Detroit  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism in art  Search this
Art -- History -- Study and teaching  Search this
Art historians -- United States  Search this
Genre/Form:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richedga
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richedga
Additional Online Media:

Rosalynn Carter at the NMHT

Author:
Hofmeister, Richard K  Search this
Subject:
Carter, Rosalynn  Search this
Ripley, Sidney Dillon 1913-2001  Search this
Klapthor, Margaret Brown  Search this
National Museum of American History (U.S.) Division of Political History  Search this
National Museum of History and Technology (U.S.)  Search this
National Museum of American History (U.S.) (NMAH)  Search this
First Ladies Hall  Search this
Physical description:
Number of Images: 1; Color: Black and White; Size: 10w x 8h; Type of Image: Group, candid; Medium: Photographic print
Type:
Photographic print
Group, candid
Date:
July 20, 1978
Topic:
Secretaries  Search this
Celebrities and Dignitaries  Search this
Gifts  Search this
Secretariats  Search this
Presidents' spouses  Search this
Women  Search this
Standard number:
92-1708
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_8677

Rosalyn Carter at the American History Museum

Author:
Hofmeister, Richard K  Search this
Subject:
Klapthor, Margaret Brown  Search this
Carter, Rosalynn  Search this
Ripley, Sidney Dillon 1913-2001  Search this
National Museum of American History  Search this
Physical description:
Number of Images: 1; Color: Black and White; Size: 10 X 8 Type of Image: Event; Medium: Photographic print
Type:
Photographic print
Group, candid
Date:
August, 1978
Topic:
First ladies  Search this
Special events  Search this
Smithsonian Institution--Employees  Search this
Secretaries  Search this
Museum curators  Search this
Women  Search this
Standard number:
Negative number Repository
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14936

Robert W. White papers

Creator:
White, Robert, 1921-2002  Search this
Names:
American Academy in Rome  Search this
American Battle Monuments Commission  Search this
Century Association (New York, N.Y.)  Search this
Davis Galleries  Search this
Graham Gallery  Search this
Graham Modern (Gallery)  Search this
Heckscher Museum  Search this
National Academy of Design (U.S.)  Search this
Parsons School of Design  Search this
Parsons School of Design -- Faculty  Search this
Peabody Museum  Search this
Skowhegan School of Painting and Sculpture. School -- Faculty  Search this
State University of New York at Stony Brook  Search this
Steuben Glass, Inc.  Search this
Suffolk Museum  Search this
United States. Coast Guard  Search this
Ames, Amyas  Search this
Cremer, Theodore  Search this
Fleischmann, Patricia  Search this
Fosburgh, Hugh, 1916-  Search this
Franklin, Gilbert, 1919-2004  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Harrison, Jim  Search this
Hobbs, Susan, 1945-  Search this
Huntington, Willard R.  Search this
Kean, Rebekah Harkness  Search this
La Farge, Bancel, 1865-1938  Search this
Lamb, Ward  Search this
Lessard, Suzannah  Search this
Lowe, David, 1933-  Search this
Matthiessen, Peter  Search this
O'Cain, Walker  Search this
Oxman, Katja  Search this
Oxman, Mark  Search this
Platt, Frank C. (Frank Cheney), 1932-  Search this
Pope, Laura Spencer  Search this
Resika, Ellen  Search this
Resika, Paul  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Russotto, Paul  Search this
Simon, Sidney, 1917-1997  Search this
Styron, William, 1925-  Search this
White, Bessie Chanler  Search this
White, Claire Nicolas, 1925-  Search this
White, Lawrence Grant  Search this
Extent:
8.4 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Diaries
Drawings
Essays
Sound recordings
Sketchbooks
Lectures
Notebooks
Sketches
Date:
1889-2003
bulk 1915-2003
Summary:
The papers of New York sculptor Robert White measure 8.4 linear feet and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed material; audiovisual material; artifacts; and photographs.
Scope and Content Note:
The papers of New York sculptor Robert White measure 8.4 linear feet and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed material; audiovisual material; artifacts; and photographs.

Scattered biographical materials include a curriculum vitae, documentation relating to White's service in the U.S. Coast Guard, a certificate of appreciation, and a memorial card for White's daughter, Natalie Laura White.

Correspondence contains primarily incoming letters from family and friends, and from clients, galleries, museums, arts organizations, students, and university administrators. Spanning over a seventy year period, family and friends correspondence centers on daily activities, events, and work. There is extensive correspondence from Robert White's parents, Lawrence Grant White and Bessie Chanler White and from Claire Nicolas White and her family. Other correspondents include Gil Franklin, Walker Hancock, Jim Harrison, Susan Hobbes, Willard R. Huntington, Ben LaFarge, Ward Lamb, Suzannah Lessard, Peter Matthiessen, Walker O'Cain, Mark and Katja Oxman, Frank C. Platt, Laura Spencer Pope, Paul and Ellen Resika, Paul Russotto, Sidney Simon, and William Styron, among others.

General correspondence mostly concerns White's commissions, teaching appointments, and his activities in professional organizations. Also included are letters from family members, friends, and colleagues. Frequent correspondents include: the American Academy in Rome, Amyas Ames, the Augustus Saint Gaudens Memorial, Century Association, Theodore Cremer, Davis Galleries, Patricia Fleischmann, Hugh Fosburgh, Rebekah Harkness Kean, David Garrard Lowe, National Academy of Design, Parsons School of Design, S. Dillon Ripley, the State University of New York at Stony Brook, Steuben Glass, and the Suffolk Museum and Carriage House.

Project files contain materials on Robert White's exhibitions and his commissioned projects. Materials include letters, lists of artwork, notes, price lists, receipts, exhibition schedules, contracts, and loan agreements. Files document White's exhibits at the Davis Galleries, Elaine Benson Gallery, Graham Gallery, Graham Modern, Heckscher Museum, and the State University of New York at Stony Brook. Included are extensive files on White's commissions for the American Battle Monuments Commission, Peabody Museum, and Steuben Glass.

Personal business records include files on Robert White's association with the Augustus Saint Gaudens Memorial and the National Academy of Design; his teaching appointments at the Parsons School of Design, the State University of New York at Stony Brook, and the Skowhegan School of Painting and Sculpture; and his dealings with foundries. There are scattered files on the Whites' St. James, New York property and residence.

Notes and writings contain Robert White's diaries, artist's statements, notebooks, essays on art, lectures, and scattered notes. Also found are writings by Clare White and others.

Sketchbooks and loose sketches contain preliminary studies by Robert White and scattered sketches by others. Printed material houses newspaper clippings and periodicals; exhibition announcements, catalogs, brochures, and posters; press releases and newsletters; and miscellaneous printed material.

Artifacts include two printing blocks: a portrait sculpture of Stephanie White and a landscape image. Audiovisual material consists of an audio CD-disc of a classroom lecture by Robert White at an unidentified venue.

Photographs house images of Robert White; his studio; and snapshots of family and friends, many unidentified. Also included are photographs and slides of artwork.
Arrangement:
The collection is arranged into ten series:

Series 1: Biographical Material, 1939-2002 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1923-2002 (Boxes 1-4; 3.8 linear feet)

Series 3: Project Files, 1952-2003 (Boxes 4-5, OV 10; 1.2 linear feet)

Series 4: Personal Business Records, 1889, 1946-2003 (Boxes 5-6, OV 10; 1.3 linear feet)

Series 5: Notes and Writings, 1915, circa 1946-2002 (Boxes 6-7; 0.6 linear feet)

Series 6: Sketchbooks and Sketches, circa 1965-1972 (Boxes 7, 9; 0.3 linear feet

Series 7: Printed Material, 1937-2003 (Boxes 7, 9; 0.5 linear feet)

Series 8: Audiovisual Material, 1973 (Box 7; 1 folder)

Series 9: Artifacts, circa 1965 (Box 7; 0.1 linear feet)

Series 10: Photographs, circa 1940s-2001 (Box 8; 0.5 linear feet)
Biographical Note:
Robert Winthrop White (1921-2002) lived and worked in St. James, New York and was primarily known as a sculptor and educator.

He was the son of the architect, Lawrence Grant White (1887-1956) and Bessie Chanler White. Stanford White (1853-1906), Robert's grandfather, was one of the founding partners in the prominent New York City architectural firm, McKim, White, and Mead.

As a youth, Robert White traveled to Munich, Germany to study woodcarving, sculpture, and painting. In 1935, he entered Portsmouth Priory School in Rhode Island. From 1938-1942, he was enrolled in the Rhode Island School of Design, where his mentors were Walter Raemisch in sculpture and John Howard Benson in calligraphy. In World War II, White served as chief boatswain's mate in the United States Coast Guard and later worked in the Office of Strategic Services (OSS). At the end of the war, White continued his training in sculpture and painting. In 1947, Robert White married Clare Nicolas, daughter of the painter and stained glass master, Joep Nicolas and the sculptor, Suzanne Nicolas.

Robert White, influenced by the classical techniques of the Renaissance artists, worked in various media, such as bronze, stone, plaster, terra-cotta, and wood. His subjects included portrait, figure, and life studies; animals; and dancers. Robert White also was an illustrator. He illustrated works by Laura Spencer Pope, William Styron, and others. White also illustrated two collections of his own poems, Casques and Dust and Palace: The Story of A Friendship that were privately published before his death in 2002.

Robert White held teaching positions at several universities and schools, including the Suffolk Museum of Art, the Parsons School of Design, and the Skowhegan School of Painting and Sculpture. From 1967-1987, White was an associate professor at the State University of New York at Stony Brook.

White exhibited his work in museums and galleries in the United States and abroad, including Artists Choice Museum, Artist's Gallery, Benson Gallery, Boston Athenaeum, Gallery North, Hartwick College Museum, Nassau County Museum of Fine Art, Patricia Fleischmann Gallery, Rijksakademie Van Beeldende, State University of New York at Stony Brook, and the Suffolk Museum and Carriage House, among others. Robert White was represented by the Davis Gallery, Graham Gallery, and Graham Modern in New York City.

Robert White's private and public commissions included works for the American Battle Monuments Commission, Amyas Ames, Theodore Cremer, John Marquand, Peabody Museum, State University of New York, William Styron, and Xerox Corporation. His work can be viewed in the collections of the Boston Athenaeum, Brooklyn Museum, Civici Musei 3 Gallerie di Storia e Arte, Heckscher Museum, and the Rhode Island School of Design. Robert White was the recipient of the Laurel Gallery's "New Talent" exhibition prize, 1948; American Academy's Rome Prize, 1952-1954; and the Proctor Memorial Prize at the National Academy of Design, 1962, 1982. He was also awarded grants from the Tiffany Foundation, 1950 and the Fairfield Foundation, 1968. From 1952-1955, White was a fellow of the American Academy in Rome, where he also served as an artist-in-residence from 1969-1970. Robert White was a member of the American Academy in Rome, the Augustus Saint Gaudens Memorial, Century Association, and the National Academy of Design.

Robert White continued to work on the family estate in St. James, New York until his death in 2002.
Provenance:
The Robert W. White Papers were donated in 2003 by Claire Nicolas White, widow of Robert White.
Restrictions:
Use of the original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Authorization to quote, publish or reproduce requires written permission from: Claire Nicolas White, 574 Moriches Road, St. James, New York 11780.
Topic:
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State)  Search this
Sculpture -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Diaries
Drawings
Essays
Sound recordings
Sketchbooks
Lectures
Notebooks
Sketches
Citation:
Robert W. White papers, 1889-2003 (bulk 1915-2003). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whiterobe
See more items in:
Robert W. White papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whiterobe

Una Hanbury papers

Creator:
Hanbury, Una, 1904-1990  Search this
Names:
Royal Academy of Arts (Great Britain)  Search this
Saunders Sculpture International  Search this
Carson, Rachel, 1907-1964  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gilpin, Laura  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Oppenheimer, J. Robert, 1904-1967  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Segovia, Andrés, 1893-  Search this
Extent:
5.3 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1910-1994
Summary:
The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.
Scope and Contents:
The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.
Arrangement:
The collection is arranged into seven series.

Series 1: Personal Papers, 1926-1983 (Box 1; 4 folders)

Series 2: Business Records, 1965-1991 (Boxes 1-2; 1.2 linear feet)

Series 3: Project Files, 1961-1992 (Boxes 2-3; 1.8 linear feet)

Series 4: Subject Files, circa 1924-1985 (Box 4, OV 7; 1.0 linear feet)

Series 5: Estate of Una Hanbury, 1990-1994 (Boxes 4-5; 0.6 linear feet)

Series 6: Printed Material, 1926-1990 (Box 5; 0.4 linear feet)

Series 7: Photographs, 1910-1991 (Boxes 5-6, 0.3 linear feet)
Biographical / Historical:
Una Hanbury (1904-1990) was a sculptor in Washington, D.C. and Santa Fe, New Mexico. Hanbury was born in Middlesex, England, in 1904; the incorrect birth date of 1909 that she submitted to Who's Who and other biographical reference sources is cited in numerous published articles. Hanbury [née Rawnsley] exhibited artistic talent as a young child and received instruction from animal artist Frank Calderon. After graduation from London's Polytechnic School of Art, she studied for three years at the Royal Academy. Jacob Epstein was her most influential teacher.

Soon after completing her formal education, Una Rawnsley became Una Hanbury and devoted herself full-time to being a wife and mother. During World War II she left England for Bermuda and brought her family to the United States once the war was over. Hanbury settled in Washington, D.C., where she resumed her sculpting career, completing many large scale commissions for public buildings such as the Medical Examiners Building, Baltimore, and St. Mark's Lutheran Church, Springfield, Virginia, among others. She developed a fine reputation as a portrait sculptor, and commissions included busts of Rachel Carson, Enrico Fermi, Buckminster Fuller, Laura Gilpin, Richard Neutra, Georgia O'Keeffe, Robert Oppenheimer, S. Dillon Ripley, and Andrés Segovia. In addition, animals--particularly horses--were a favorite subject since childhood; sculptures were commissioned by several zoos, and horse portraits often were commissioned by owners.

In 1970, Una Hanbury relocated to Santa Fe, New Mexico, where she continued working well into old age and became a significant force in the art life of that region.
Provenance:
The Una Hanbury papers were donated to the Archives of American Art by the artist's daughter, Jillian Poole, in 1999 and 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Una Hanbury papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Portrait sculpture -- 20th century -- United States  Search this
Portrait sculpture, American  Search this
Women sculptors -- New Mexico  Search this
Animal sculptors -- Washington (D.C.)  Search this
Animal sculptors -- New Mexico  Search this
Animal sculpture  Search this
Sculptors  Search this
Women sculptors -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Citation:
Una Hanbury papers, 1910-1994, bulk 1966-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hanbuna
See more items in:
Una Hanbury papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hanbuna
Additional Online Media:

Salvaging a Record for Humankind: Urgent Anthropology at the Smithsonian Institution, 1964-1984

Author:
Link, Adrianna Halina  Search this
Subject:
Tax, Sol 1907-1995  Search this
Ripley, Sidney Dillon 1913-2001  Search this
Edition:
Ph.D. dissertation
Physical description:
Number of pages: 319; Page numbers: 1-311
Place:
United States
Date:
2016
1945-1989
Topic:
World politics  Search this
Environmental sciences  Search this
Ecology  Search this
Anthropologists  Search this
Salvage archaeology  Search this
Anthropology  Search this
Cold War  Search this
Publisher:
Baltimore, Maryland: The Johns Hopkins University
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14919

Displaying Cold War Technology: The National Air and Space Museum, 1946-1976

Author:
Shin, Jieun 1984-  Search this
Subject:
Obata, Gyo 1923-  Search this
Ripley, Sidney Dillon 1913-2001  Search this
National Air and Space Museum  Search this
National Air Museum (U.S.)  Search this
Edition:
Dissertation
Physical description:
Number of pages: 295; Page numbers: 1-286
Date:
2018
Topic:
Museum architecture  Search this
Aeronautical museums  Search this
Aeronautics  Search this
Cold War  Search this
New Museums  Search this
Astronautics  Search this
Space sciences  Search this
Publisher:
St. Paul, Minnesota: University of Minnesota
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14891

Sidney Dillon Ripley Interviews

Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Extent:
48 audiotapes (reference copies).
Type:
Archival materials
Collection descriptions
Interviews
Audiotapes
Oral history
Date:
1977-1993
Introduction:
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also interviews conducted by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.

S. Dillon Ripley was interviewed for the Oral History Collection because of his role as an ornithologist and as the eighth Secretary of the Smithsonian Institution from 1964 to 1984.
Descriptive Entry:
Ripley was interviewed by Pamela M. Henson from 1977 to 1993 at his offices at the Smithsonian and at his home in Litchfield, Connecticut. These interviews cover his youth, early interests in natural history, education, career on the faculty at Yale, field work and expeditions, tenure as Secretary of the Smithsonian, involvement in international conservation efforts, and reminiscences of individuals, including Salim Ali, August Heckscher, Joseph H. Hirshhorn, G. Evelyn Hutchinson, and Ralph Rinzler. The collection consists of 38.5 hours of audiotape recording, circa 831 pages of transcript, and occupies 1.0 linear feet of shelf space. In total, this collection includes 35 original 5" reel-to-reel audiotapes, 18 original 7" reel-to-reel audiotapes, 18 preservation 7" reel-to-reel audiotapes, and 48 reference audiotape cassettes.

Restrictions: The recordings and transcripts of the S. Dillon Ripley Interviews cannot be used without the permission of his executor.
Historical Note:
S. Dillon Ripley (1913-2001), ornithologist and eighth Secretary of the Smithsonian Institution, developed an interest in natural history in his youth. He received the B.A. from Harvard University in 1936 and the Ph.D. from Yale University in 1943. He served briefly as a curator of birds at the National Museum of Natural History before joining the Office of Strategic Services during World War II. From 1946 to 1963, he was on the faculty of Yale University and served as Director of their Peabody Museum from 1959 to 1963. In 1964, he was appointed Secretary of the Smithsonian. During his twenty year tenure as Secretary, he oversaw the development of the Anacostia Museum, Cooper-Hewitt Museum, Festival of American Folklife, Hirshhorn Museum and Sculpture Garden, National Air and Space Museum, National Museum of African Art, Renwick Gallery, Arthur M. Sackler Gallery of Art, Smithsonian Associates, Smithsonian Environmental Research Center, and Smithsonian magazine. Ripley was also involved in numerous conservation organizations, including the Charles Darwin Foundation for the Galapagos Islands, International Council for Bird Preservation, and International Union for the Conservation of Nature. His interests in international affairs also led him to play a role in the foundation of the Woodrow Wilson International Center for Scholars.
Rights:
Restricted.
Topic:
Ornithology.  Search this
Art  Search this
Aeronautics  Search this
Conservation of natural resources  Search this
Folklife studies  Search this
Natural history  Search this
Museum techniques  Search this
Genre/Form:
Interviews
Audiotapes
Oral history
Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
Identifier:
Record Unit 9591
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru9591

Interview 23: 4 April 1984:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1009

Interview 24: 23 January 1985:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1023

Interview 25: 3 June 1985:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1037

Interview 26: 14 March 1986:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1051

Interview 27: 22 May 1986:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1065

Interview 28: 24 September 1986:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1079

Interview 29: 16 October 1986:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1093

Interview 30: 19 March 1987:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1109

Interview 31: 23 December 1987:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1125

Interview 32: 11 January 1988:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1142

Interview 33: 20 May 1988:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1158

Interview 34: 7 July 1988:

Collection Creator:
Ripley, Sidney Dillon, 1913-2001 interviewee  Search this
Type:
Archival materials
Collection Rights:
Restricted.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9591, Ripley, Sidney Dillon, 1913-2001 interviewee, Sidney Dillon Ripley Interviews
See more items in:
Sidney Dillon Ripley Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9591-refd1e1174

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