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Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-2007  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-2018  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Topic:
Art, American  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c4de66ef-397b-4e6e-9fde-d6deca12fa3a
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

American people

Interviewer:
Gioni, Massimiliano  Search this
Curator:
Carrion-Murayari, Gary  Search this
Author:
Lippard, Lucy R.,  Search this
Godfrey, Mark (Mark Benjamin),)  Search this
Baraka, Amiri 1934-2014  Search this
Brooks, LeRonn P  Search this
Bryan-Wilson, Julia  Search this
Cooks, Bridget R. 1972-  Search this
Whitley, Zoé  Search this
Casteel, Jordan  Search this
Self, Tschabalala 1990-  Search this
Brackens, Diedrick 1989-  Search this
Wallace, Michele  Search this
Interviewee:
Ringgold, Faith  Search this
Author:
Container of (work): Ringgold, Faith Works Selections  Search this
Host institution:
New Museum (New York, N.Y.)  Search this
M.H. de Young Memorial Museum  Search this
Publisher:
Phaidon Press  Search this
Subject:
New Museum (New York, N.Y.)  Search this
Physical description:
239 pages illustrations (chiefly color), color map, portraits (chiefly color) 30 cm
Type:
Exhibitions
Interviews
Expositions
Exhibition catalogs
Essays
Illustrated works
Place:
New York (State)
New York
Date:
2022
21st century
20th century
Topic:
African American women artists  Search this
Art, American  Search this
African American art  Search this
African American quilts  Search this
African Americans--History--In art  Search this
African Americans in art  Search this
Femmes artistes noires américaines  Search this
Call number:
N40.1.R5823 G48 2022
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158037

Nina Howell Starr papers

Creator:
Starr, Nina Howell, 1903-2000  Search this
Names:
International Women's Art Festival  Search this
Museum of American Folk Art  Search this
Photographic Historical Society of New York  Search this
Professional Women's Photographers, Inc.  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
Brandt, Helene, 1936-  Search this
Cohen, Stephenie  Search this
Coke, Van Deren, 1921-  Search this
Connor, Linda  Search this
Daitz, Evelyne Z.  Search this
DiSpirito, Henry, 1898-1995  Search this
Evans, Minnie, 1892-  Search this
Evans, Walker, 1903-1975  Search this
Ghent, Henri, 1926-  Search this
Kanaga, Consuelo, 1894-  Search this
Kernan, Margo, 1927-  Search this
Kruger, Louise, 1924-  Search this
Lippard, Lucy R.  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Putnam, Wallace, 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr, 1887-1965  Search this
Savage, Naomi, 1927-2005  Search this
Sherwood, Maggie, 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul, 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry, 1934-  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Date:
circa 1933-1996
Summary:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Scope and Contents:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.
Arrangement:
The collection is arranged as 6 series.

Missing Title

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)
Biographical / Historical:
Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.
Provenance:
The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Topic:
Folk art  Search this
Civil rights  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
African American artists  Search this
Genre/Form:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.starnina
See more items in:
Nina Howell Starr papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dccd352c-b391-49d6-ae20-8b00e1e280d3
EDAN-URL:
ead_collection:sova-aaa-starnina
Online Media:

Oral history interview with Faith Ringgold

Creator:
Ringgold, Faith  Search this
Interviewer:
Holmes, Doloris  Search this
Names:
Biennale di Venezia (34th : 1968 : Venice, Italy)  Search this
Women Students and Artists for Black Liberation  Search this
Browne, Vivian E., 1929-1993  Search this
Crump, Iris  Search this
Savage, Augusta, 1892-1962  Search this
Extent:
11 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1972
Scope and Contents:
Interview of Faith Ringgold conducted in 1972, by Doloris Holmes, for the Archives of American Art's "Art World in Turmoil" oral history project.
Ringgold speaks of her involvement and the origins of WSABAL (Women, Students, and Artists for Black Artist Liberation); her attempts to raise awareness of the under-representation of women in art (writing to the Times/ performing surveys); her hopes for the upcoming WSABAL show on June 22 (the first Black female show in New York); her feelings towards the NYUNBAYAASANAA (the male neo-African Harlem group); her reaction to the '68 Venice Biennale which excluded women and Black artists; her subsequent show named the Liberated Venice Biennale which consisted of 50% women; the She Show and the Flag Show which instigated three arrests; the He Show and upcoming Where Are We At? Show; the importance of conducting open shows; her feelings towards historical African art and its conceptual confronting nature; the influence of Augusta Savage; the influence of African art upon Minimalism and Surrealism.
Biographical / Historical:
Faith Ringgold (1930- ) is a painter, sculptor, and performance artist in New York, New York.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. No recording exists. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Surrealism  Search this
Minimal art  Search this
Art, African  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women performance artists  Search this
Women sculptors  Search this
African American painters  Search this
African American sculptors  Search this
African American art -- African influences  Search this
Genre/Form:
Interviews
Identifier:
AAA.ringgo72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9078e66ba-0946-49e1-9f75-caa1ad3cc394
EDAN-URL:
ead_collection:sova-aaa-ringgo72
Online Media:

Oral history interview with Faith Ringgold

Interviewee:
Ringgold, Faith  Search this
Interviewer:
Nadelman, Cynthia  Search this
Names:
Gwathmey, Robert, 1903-1988  Search this
Lippard, Lucy R.  Search this
Lloyd, Tom, 1929-  Search this
Morris, Robert, 1931-2018  Search this
Tucker, Marcia  Search this
Extent:
349 Pages (Transcript)
15 Items (sound files (10 hr., 49 min.), digital)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1989 September 6-October 18
Scope and Contents:
An interview of Faith Ringgold conducted 1989 September 6-October 18, by Cynthia Nadelman, for the Archives of American Art.
Ringgold discusses Harlem from the 1930s through the 1970s; her background and education; her art and political activities; feminism; the evolution of her work; her paintings, soft sculpture constructions, quilts, and performance pieces. She recalls Robert Gwathmey, Tom Lloyd, Robert Morris, Marcia Tucker, Lucy Lippard, her mother, and others.
Biographical / Historical:
Faith Ringgold (1930- ) is an Afro-American painter, sculptor, and performance artist from New York, N.Y.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 10 hr., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Lannan Foundation.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Quiltmakers -- New York (State) -- New York  Search this
Topic:
Performance art  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women performance artists  Search this
Women sculptors  Search this
African American quiltmakers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ringgo89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7611879-5e18-48a4-8202-96d4af3aaeb9
EDAN-URL:
ead_collection:sova-aaa-ringgo89
Online Media:

Nina Howell Starr papers, circa 1933-1996

Creator:
Starr, Nina Howell, 1903-2000  Search this
Subject:
Ghent, Henri  Search this
Uelsmann, Jerry  Search this
Morgan, Barbara Brooks  Search this
Evans, Walker  Search this
Savage, Naomi  Search this
Kanaga, Consuelo  Search this
Kernan, Margo  Search this
Connor, Linda  Search this
Brandt, Helene  Search this
Szarwarski, John  Search this
Mainardi, Patricia  Search this
Sherwood, Maggie  Search this
Ringgold, Faith  Search this
Daitz, Evelyne Z.  Search this
Coke, Van Deren  Search this
Cohen, Stephenie  Search this
Macdonald-Wright, Stanton  Search this
Kruger, Louise  Search this
Putnam, Wallace  Search this
Rose, Ruth Starr  Search this
Strand, Paul  Search this
Evans, Minnie  Search this
DiSpirito, Henry  Search this
Siskind, Aaron  Search this
Lippard, Lucy R.  Search this
International Women's Art Festival  Search this
Sharon Arts Center  Search this
Professional Women's Photographers, Inc.  Search this
Photographic Historical Society of New York  Search this
Southern Regional Council  Search this
Museum of American Folk Art  Search this
Type:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Topic:
Folk art  Search this
Civil rights  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
African American artists  Search this
Theme:
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6053
(DSI-AAA_SIRISBib)216034
AAA_collcode_starnina
Theme:
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216034
Online Media:

Cynthia Navaretta research files on women artists, circa 1970-2005

Creator:
Navaretta, Cynthia  Search this
Subject:
Dienes, Sari  Search this
Schwalb, Susan  Search this
Flack, Audrey  Search this
Ringgold, Faith  Search this
Wayne, June  Search this
Citation:
Cynthia Navaretta research files on women artists, circa 1970-2005. Archives of American Art, Smithsonian Institution.
Topic:
Women -- Societies and clubs  Search this
Women artists  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)15804
(DSI-AAA_SIRISBib)289255
AAA_collcode_navacynt2
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_289255

Jo Baker's Birthday, from the portfolio 10x10: Ten Women/Ten Prints

Artist:
Faith Ringgold, born New York City 1930  Search this
Medium:
screenprint
Dimensions:
image: 16 × 16 7/8 in. (40.6 × 42.9 cm)
Type:
Graphic Arts-Print
Date:
1995
Topic:
Ceremony\other\birthday  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Susan and Dit Talley
Object number:
2022.55.1.9
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7f2778f7d-95ba-4680-9eac-576d5182de0f
EDAN-URL:
edanmdm:saam_2022.55.1.9

Oral history interview with Santa Barraza, 2003 November 21-22

Interviewee:
Barraza, Santa Contreras  Search this
Interviewer:
Cordova, Cary  Search this
Subject:
Peña, Amado Maurilio  Search this
Orozco, Sylvia  Search this
Wilson, Liliana  Search this
King-Hammond, Leslie  Search this
Tibol, Raquel  Search this
Garza, Carmen Lomas  Search this
Vargas, Kathy  Search this
De Rivera, José Ruiz  Search this
Ringgold, Faith  Search this
Quirarte, Jacinto  Search this
Bailey, Ben  Search this
Schmidt, Maurice  Search this
Reyna, Israel  Search this
Trevino, Barbina Modesta  Search this
Dodson, Nora Gonzales  Search this
Starpattern, Rita  Search this
Bustamante, Jorge  Search this
Juarez, Isabel  Search this
Delgado, Viola  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Santa Barraza, 2003 November 21-22. Archives of American Art, Smithsonian Institution.
Topic:
Chicano artists  Search this
Chicano art movement  Search this
Latino and Latin American artists  Search this
Mexican American artists  Search this
Mexican American art  Search this
Women artists  Search this
Women painters  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13254
(DSI-AAA_SIRISBib)246712
AAA_collcode_barraz03
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_246712
Online Media:

Oral history interview with Santa Barraza

Interviewee:
Barraza, Santa  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Bailey, Ben  Search this
Bustamante, Jorge  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Delgado, Viola  Search this
Dodson, Nora Gonzales  Search this
Garza, Carmen Lomas  Search this
Juarez, Isabel  Search this
King-Hammond, Leslie, 1944-  Search this
Orozco, Sylvia, 1954-  Search this
Peña, Amado Maurilio, 1943-  Search this
Quirarte, Jacinto, 1931-2012  Search this
Reyna, Israel  Search this
Ringgold, Faith  Search this
Schmidt, Maurice  Search this
Starpattern, Rita  Search this
Tibol, Raquel  Search this
Trevino, Barbina Modesta  Search this
Vargas, Kathy  Search this
Wilson, Liliana, 1953-  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 November 21-22
Scope and Contents:
An interview of Santa Barraza conducted 2003 November 21-22, by Cary Cordova, for the Archives of American Art, in Kingsville, Texas.
Barraza speaks of her childhood, family and early education; picking cotton in the summer; the University of Texas, Kingsville; meeting Carmen Lomas Garza and learning graphic design; her daughter Andrea; involvement with Mayo, a Mexican-American Youth Organization; Austin, Tex. and the differences between UT Kingsville and UT Austin; and Acuña Rodolfo's book, "Occupied America: the Chicano's Struggle Toward Liberation," 1972. Barraza also discusses Jacinto Quirarte and the first formal art history class on Mexican-American art; the formation of MAS, Mujeres Artistas del Suroeste; the Conferencia del Plástica Chicana, held September 13-16, 1979 in Austin, Texas; Con Safo; use of the image of the Virgin of Guadalupe in her artwork; stories of witchcraft; La Llorona; MACLA, the Movimiento de Arte y Cultura Latino Americana, founded in 1989 in San Jose, California; teaching at Pennsylvania State University; her studio space in Kingsville, Texas; the distinction between Chicana and Latina; the visual artists Faith Ringgold and Leslie King Hammond whom Barraza admires; her travels to Oaxaca and other places; her book, "Santa Barraza, Artist of the Borderlands," 2001. Barraza also recalls Ben Bailey, Maurice Schmidt, José Rivera, Amado Peña, Israel Reyna, Sylvia Orozco, Barbina Modesta Treviño, Nora González Dodson, Rita Starpattern, Raquel Tibol, Jorge Bustamante, Liliana Wilson, Isabel Juárez, Viola Delgado, Kathy Vargas, and others.
Biographical / Historical:
Santa Barraza (1951-) is an artist from Kingsville, Texas. Cary Cordova (1970-) is an art historian from Austin, Texas.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 13 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Texas  Search this
Topic:
Chicano artists  Search this
Chicano art movement  Search this
Latino and Latin American artists  Search this
Mexican American artists  Search this
Mexican American art  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barraz03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92cf89045-d55a-46a4-aae4-bfbbbcbe8752
EDAN-URL:
ead_collection:sova-aaa-barraz03
Online Media:

The women who changed art forever feminist art - the graphic novel Valentina Grande [text] and Eva Rossetti [illustrations] ; translation by Edward Fortes

Author:
Grande, Valentina  Search this
Illustrator:
Rossetti, Eva  Search this
Translator:
Fortes, Edward  Search this
Subject:
Guerrilla Girls (Group of artists)  Search this
Physical description:
133 pages chiefly illustrations (color) 25 cm
Type:
Comic books, strips, etc
Bandes dessinées
Graphic novels
Biographical comics
Comics (Graphic works)
Bandes dessinées biographiques
Date:
2021
Topic:
Feminism and art  Search this
Women artists  Search this
Féminisme et art  Search this
Femmes artistes  Search this
COMICS & GRAPHIC NOVELS / Contemporary Women  Search this
ART / Women Artists  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156929

Ringgold, Faith

Collection Creator:
Munro, Eleanor, 1928-  Search this
Container:
Box 32, Folder 12-13
Type:
Archival materials
Date:
circa 1970s-1990s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eleanor Munro papers, circa 1880-2011, bulk 1950-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Eleanor Munro papers
Eleanor Munro papers / Series 5: Subject and Research Files / Women Artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ad33fef4-9076-4a58-87fb-5da58d7ec64d
EDAN-URL:
ead_component:sova-aaa-munrelea-ref910

Cynthia Navaretta research files on women artists

Creator:
Navaretta, Cynthia  Search this
Names:
Dienes, Sari  Search this
Flack, Audrey  Search this
Ringgold, Faith  Search this
Schwalb, Susan, 1944-  Search this
Wayne, June, 1918-2011  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1970-2005
Scope and Contents:
Primarily printed material, as well as photographs and correspondence compiled by Cynthia Navaretta relating to women artists and art movements.
Printed material includes press releases, exhibition and events announcements, catalogs, posters, and newspaper clippings regarding women artists and organizations. Photographs are of women's organizations, events and artists including Faith Ringgold, Susan Schwalb, Lowery Sims, Sari Dienes, Judy Seigel, Audrey Flack, and June Wayne, among others. Correspondence is between Navaretta and various women's art organizations.
Biographical / Historical:
Cynthia Navaretta is a publisher in New York, N.Y., mostly associated with women and art.
Provenance:
Donated 2007 by Cynthia Navaretta.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Publishers -- New York (State) -- New York  Search this
Topic:
Women -- Societies and clubs  Search this
Women artists  Search this
Identifier:
AAA.navacynt2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ebf78eb7-e065-4b59-8ef2-d3c47b322de9
EDAN-URL:
ead_collection:sova-aaa-navacynt2

Ringgold, Faith

Collection Creator:
Starr, Nina Howell, 1903-2000  Search this
Container:
Box 8, Folder 47
Type:
Archival materials
Date:
1973-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Nina Howell Starr papers
Nina Howell Starr papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f62b7c2c-d33d-429e-8860-9437620652e3
EDAN-URL:
ead_component:sova-aaa-starnina-ref309

Ringgold, Faith

Collection Creator:
Selz, Peter Howard, 1919-2019  Search this
Container:
Box 21, Folder 30
Type:
Archival materials
Date:
2001-2004
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c6310f2-0a15-45e7-95b6-224d092987a5
EDAN-URL:
ead_component:sova-aaa-selzpete-ref669

Lecture: Faith Ringgold

Producer:
National Portrait Gallery, Smithsonian Institution  Search this
Speaker:
Faith Ringgold, born 8 Oct 1930  Search this
Medium:
Audio recording
Dimensions:
Duration (a): 47 min., 51 sec.
Duration (b): 18 min., 25 sec.
Type:
Time-Based Media
Date:
5/1/1988
Topic:
Portrait  Search this
Credit Line:
Owner: National Portrait Gallery, Smithsonian Institution
Object number:
AV.1988.EDU.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm413900618-a2e3-4593-8340-1f24a9aebecf
EDAN-URL:
edanmdm:npg_AV.1988.EDU.2

Harlem Renaissance Party: Bitter Nest Series, Part II

Artist:
Faith Ringgold, born 8 Oct 1930  Search this
Sitter:
Unidentified Group  Search this
Medium:
Acrylic on canvas with printed, dyed and pieced fabric
Dimensions:
238.8 x 210.8cm (94 x 83")
Type:
Decorative Arts
Date:
1988
Topic:
Portrait  Search this
Credit Line:
Owner: Smithsonian American Art Museum
Object number:
1997.18
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm465a82adb-c005-4afe-ad9e-83f22d5b8b99
EDAN-URL:
edanmdm:npg_1997.18

Hands of the Artist

Artist:
Charlotte Robinson, born 1924  Search this
Sitter:
Faith Ringgold, born 8 Oct 1930  Search this
Medium:
Graphite on paper
Dimensions:
Sheet: 50.8cm x 71.4cm (20" x 28 1/8"), Accurate
Type:
Drawing
Date:
1980
Topic:
Tool\Scissors  Search this
Faith Ringgold: Female  Search this
Faith Ringgold: Visual Arts\Artist\Sculptor  Search this
Faith Ringgold: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
Owner: National Museum of Women in the Arts
Object number:
DC300046
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm40768885e-4ef8-4fe6-9159-06180333e39f
EDAN-URL:
edanmdm:npg_DC300046

Jo Baker's Birthday: The French Connection Part II: #9

Artist:
Faith Ringgold, born 8 Oct 1930  Search this
Sitter:
Josephine Baker, 3 Jun 1906 - 12 Apr 1975  Search this
Medium:
Acrylic on canvas, tie dyed, printed and pieced fabric
Dimensions:
Quilt: 188.6 x 199.4cm (74 1/4 x 78 1/2")
Type:
Decorative Arts
Date:
1993
Topic:
Josephine Baker: Female  Search this
Josephine Baker: Performing Arts\Performer\Musician\Singer  Search this
Josephine Baker: Performing Arts\Performer\Actor\Movie  Search this
Josephine Baker: Performing Arts\Performer\Dancer  Search this
Josephine Baker: Legion of Honor  Search this
Portrait  Search this
Credit Line:
Owner: Saint Louis Art Museum
Object number:
EXH.PN.67
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4321ed438-4419-42f0-b06c-d1ed14b25236
EDAN-URL:
edanmdm:npg_EXH.PN.67

Faith Ringgold Self-Portrait

Artist:
Faith Ringgold, born 8 Oct 1930  Search this
Sitter:
Faith Ringgold, born 8 Oct 1930  Search this
Medium:
Hand-painted etching and pochoir border on linen
Dimensions:
Sheet: 24.2 x 20cm (9 1/2 x 7 7/8")
Type:
Mixed Media
Date:
1998
Topic:
Exterior\Cityscape  Search this
Architecture\Bridge  Search this
Book  Search this
Illustration  Search this
Self-portrait  Search this
Faith Ringgold: Female  Search this
Faith Ringgold: Visual Arts\Artist\Sculptor  Search this
Faith Ringgold: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2004.24.1
Restrictions & Rights:
Usage conditions apply
Copyright:
© Faith Ringold / Artists Rights Society (ARS)
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46b9d06b2-9d34-4263-8f5a-2fa4ba9cff43
EDAN-URL:
edanmdm:npg_NPG.2004.24.1

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