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Jack Tworkov papers

Creator:
Tworkov, Jack  Search this
Names:
Egan Gallery  Search this
Leo Castelli Gallery  Search this
Nancy Hoffman Gallery  Search this
Poindexter Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Ashbury, John  Search this
Ashton, Dore  Search this
Bartlett, Jennifer, 1941-  Search this
Blinken, Donald M., 1925-  Search this
Calfee, William H. (William Howard), 1909-1995  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cézanne, Paul, 1839-1906  Search this
Demarco, Ricky  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Forge, Andrew  Search this
Hartigan, Grace  Search this
Herzbrun, Helene  Search this
Katz, Paul  Search this
Knaths, Karl, 1891-1971  Search this
Lindeberg, Linda, 1915-1973  Search this
Matter, Herbert, 1907-1984  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Michael  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Rothko, Mark, 1903-1970  Search this
Summerford, Joe  Search this
Thorne, Joan, 1943-  Search this
Westenberger, Theo  Search this
Wheeler, Dennis  Search this
Wise, Howard  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
9.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Date:
1926-1993
Summary:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.
Scope and Content Note:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993, with the bulk from the period 1931-1982. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

Biographical material includes Tworkov's citizenship certificate, awards, diplomas, a copy of Jack Tworkov: Video Portrait, produced by Electronic Arts Intermix, and a motion picture film, USA Artists: Jack Tworkov, produced by National Education Television.

Correspondence consists largely of incoming letters. It is both professional and personal in nature and often combines both spheres. Correspondents include artists Jennifer Bartlett, William H. Calfee, Giorgio Cavallon and Linda Lindeberg, Grace Hartigan, Helene Herzbrun (also named Helene McKinsey), Karl Knaths, Joe Summerford, Joan Thorne, and Adja Yunkers; cartoonist Robert C. Osborn; collectors Donald M. Blinken and David A. Praeger (who was also Tworkov's lawyer); illustrator Roger Dovoisin; critics Dore Ashton and Andrew Forge; critic and poet John Ashbury; galleries that represented Tworkov: Egan Gallery, Leo Castelli, Nancy Hoffman Gallery, Poindexter Gallery, Stable Gallery and Zabriskie Gallery; and many museums, arts organizations, colleges and universities.

Interviews with Tworkov include one with Ricky Demarco videotaped in 1979 and two conducted on video by Twokov's daughter Helen in 1975. The remaining interviews are sound recordings, one conducted by Grace Alexander for the show Artists in New York in 1967, one conducted by Michael Newman in 1980, and the remainder by unidentified interviewers. None have transcripts.

All writings are by Tworkov and include poems, an artist's statement, and documentation for two children's books by Tworkov illustrated by Roger Duvoisin. Two additional notebooks contain miscellaneous notes, teaching notes, and some specific to identified courses. Lectures exist as untranscribed sound recordings.

Tworkov's journals (33 volumes) span a period of 35 years, from 1947 until 1982, with the final entry dated a few weeks before his death. They record his reflections on painting, his challenges as a painter, aesthetics, the role of the artist in society, Jewish identity, painters he admired (especially Cézanne and Edwin Dickinson), politics, and teaching. They also recount everyday life: the comings and goings of friends and family members, social engagements, professional activities, illness, and travel.

The lone subject file concerns Mark Rothko and includes a photograph of Rothko and the guest list for the dedication of the Rothko Chapel in Houston.

Artwork consists of a small number of sketches by Tworkov in pencil and ink. Tworkov's sketchbooks (28 volumes) contain sketches and some finished drawings. Most are in pencil, but scattered throughout are a few pencil sketches embellished with colored marker or pastel, and a small number in ink.

Photographs are of people, places and events. Most photographs are of Tworkov alone and with others including Giogio Cavallon, though most friends and students are unidentified. Of note are views of Tworkov producing a series of prints at Tamarind Institute. Also found is an informal portrait of Wally Tworkov. Events recorded include the jurying of "Exhibition Momentum" in Chicago, 1956. Among the places shown are Tworkov's studios at Black Mountain College and in Provincetown. When known, photographers are noted; among them are Paul Katz, Herbert Matter, Arnold Newman, Renate Ponsold, Theo Westenberger, Dennis Wheeler, and Howard Wise.

A separate series of audiovisual recordings was established for those recordings that could not be readily identified to be arranged in other series. They consist of three videocassettes (2 VHS and 1 miniDV).
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1933-1981 (Boxes 1, 9, 11, FC 13; 0.7 linear ft.)

Series 2: Correspondence, 1926-1993 (Boxes 1-5; 3.8 linear ft.)

Series 3: Interviews, 1978-1982 (Boxes 5, 9-10; 1 linear ft.)

Series 4: Writings, Notes, and Lectures, 1955-1982 (Boxes 5, 9; 0.5 linear ft.)

Series 5: Journals, 1947-1982 (Boxes 5-7; 2.0 linear ft.)

Series 6: Subject File, 1961-1977 (Box 7; 1 folder)

Series 7: Printed Material, 1952-1981 (Box 7, OV 12; 0.1 linear ft.)

Series 8: Artwork, circa 1950s-1960s (Box 7: 3 folders)

Series 9: Sketchbooks, circa 1950s-1960s (Boxes 7-8, 11; 1.0 linear ft.)

Series 10: Photographic Materials, 1941-1981 (Boxes 8-9; 0.5 linear ft.)

Series 11: Audiovisual Recordings, 1961-1975 (Box 9; 0.1 linear ft.)
Biographical Note:
New York School painter Jack Tworkov (1900-1982), best known for his Abstract Expressionist paintings and as a highly regarded teacher, lived and worked in New York City and Provincetown, MA.

At age 13, Tworkov (born Yakov Tworkovsky) emigrated from Poland with his mother and sister to join his father already in the United States. In America, they chose to use the name of distant relatives, the Bernsteins, who were their sponsors. Eventually, Jack and his sister, Janice, reclaimed and shortened their name to Tworkov; later, she adopted the name of their hometown in Poland and became the painter Janice Biala.

As a high school student in New York City, Tworkov attended drawing classes. After graduating from Columbia University, where he had been an English major and considered becoming a writer, Tworkov instead turned to art. He studied with Ivan Olinsky at the National Academy of Design between 1923 and 1925, and from 1925 to 1926 attended painting classes taught by Guy Péne Du Bois and Boardman Robinson at the Art Students League. During his college years, Tworkov began visiting museums and became a great admirer of Cézanne. Tworkov's early paintings - still life, landscapes, and portraits - showed the influence of European modernism and Cézanne.

Tworkov spent his first summer in Provincetown while still a student and subsequently returned to study with Ross Moffet. In Provincetown he met and was greatly influenced by Karl Knaths and developed a lifelong friendship with Edwin Dickinson. By 1929, Tworkov was painting there year round. Over the years, Tworkov and his family continued to return for long stretches, and in 1958 he purchased a house in Provincetown.

During the Great Depression, Tworkov participated in the Treasury Department's Public Works of Art Project until 1934, and then moved to the easel division of the WPA Federal Art Project. He felt uncomfortable with the growing ideological and political influences on art and found it depressing to paint for the WPA rather than for himself, so he left the WPA in 1941. Tworkov, who had studied mechanical drawing while in high school, spent most of the War years employed as a tool designer and draftsman at an engineering firm with government contracts.

By the 1940s, Tworkov was painting in the Abstract Expressionist style. Between 1948 and 1953, he leased a studio on Fourth Avenue that adjoined that of his friend Willem de Kooning. During this time, they mutually influenced each other as they developed into mature Abstract Expressionists. At Yale in the 1960s, Tworkov became close friends with fellow student Josef Albers. Alber's influence on Tworkov resulted in a turn to geometric compositions of small, systematic, and repetitive strokes defined by a grid. He experimented with diagonal compositions, and later geometric work that featured large areas of color and soft texture.

Tworkov's first teaching experience was during 1930-1931 when he served as a part-time painting instructor at the Ethical Culture Fieldston School. His teaching career began in earnest when he joined the faculties of Queens College, 1948-1955, and Pratt Institute, 1955-1958. During the summers he taught at various schools, most notably Black Mountain College's 1952 summer session. Tworkov was a visiting artist at the Yale University School of Art and Architecture, 1961-1963, and became chairman of its Art Department from 1963 until his retirement in 1969. In retirement he lived in Provincetown and was a visiting artist for both short and extended periods at various universities and art schools.

An avid reader of literature and poetry, Tworkov also wrote poems and essays. He published essays in It Is, Art Digest, and Art In America; his most notable piece, "The Wandering Soutine," appeared in Art News, November 1950. Tworkov also kept a journal for 35 years (1947-1982) that recorded his thoughts on a wide range of subjects concerning professional, personal, and philosophical issues, as well as details of everyday life.

Tworkov was among the founders of the Artists' Club or The Club in 1949, and for a decade actively participated in the stimulating discussions for which the group was known. In 1968 he helped to establish the Fine Arts Work Center in Provincetown. Its residency program enabled younger artists and writers to advance their careers and kept Provincetown's historic artists' colony active year round.

He was the recipient of the William A. Clark Award and Corcoran Gold Medal from the Corcoran Gallery of Art, 1963; Skowhegan School of Art's Painter of the Year Award, 1974; and Distinguished Teaching of Art Award from College Art Association, 1976. Tworkov was appointed to serve on the Massachusetts Art Commission, 1970-1971, and in 1981 was named a Fellow of The Cleveland Museum of Art and of the Rhode Island School of Design.

Following his second divorce in 1935, Rachel (Wally) Wolodarsky became Tworkov's third wife and their marriage endured. They had two daughters. Hermine Ford (b. 1939) is an artist married to fellow painter Robert Moskowitz. Helen Tworkov (b. 1943) is the founder of Tricycle: The Buddhist Review and the author of a book about yoga.

Tworkov remained physically and intellectually active after a diagnosis of bone cancer around 1980, and continued to paint until shortly before his death in Provincetown on September 4, 1982.
Related Material:
Among the holdings of the Archives of American Art are two oral history interviews with Jack Tworkov, one conducted by Dorothy Seckler, Aug. 17, 1962, and another by Gerald Silk, May 22, 1981. There is also a small collection of three letters written by Jack Tworkov to friend Troy-Jjohn Bramberger.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel N70-38 and 62) including writings by Tworkov, notebooks, notes for teaching and talks, notes on art and miscellaneous subjects, poems, artist's statements, biographical data, the transcript of a 1970 interview with Tworkov conducted by Phyllis Tuchman, and a few letters and drafts of letters, 1950-1963. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jack Tworkov lent the Archives of American Art papers for microfilming in 1970-1971. Jack Tworkov's daughters, Hermine Ford and Helen Tworkov, donated the rest of the collection in 2009, which included some of the material from the original loan.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts  Search this
Topic:
Painting -- New York (State)  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tworjack2
See more items in:
Jack Tworkov papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9345f5838-057f-4572-8063-0df7b8d00ad0
EDAN-URL:
ead_collection:sova-aaa-tworjack2
Online Media:

Rhode Island School of Design

Collection Creator:
Tworkov, Jack  Search this
Container:
Box 3, Folder 74
Type:
Archival materials
Date:
1967-1982
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
See more items in:
Jack Tworkov papers
Jack Tworkov papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986d99225-f65e-4b1a-92ae-53524ebbba32
EDAN-URL:
ead_component:sova-aaa-tworjack2-ref339

Biographical Material

Collection Creator:
Tworkov, Jack  Search this
Extent:
0.6 Linear feet (Boxes 1, 9, 11)
Type:
Archival materials
Date:
1933-1981
Scope and Contents note:
Awards and certificates consist of a medal for painting presented by Skowhegan School of Art and Design, 1974; Distinguished Teaching of Art Award from College Art Association, 1976; certificates of appointment to Massachusetts Art Commission, 1970-1971; certificate designating him a Fellow for Life of The Cleveland Museum of Art, 1981 and a Fellow of Rhode Island School of Design, 1981.

Diplomas are for the M.A. degree Tworkov earned from Yale University in 1963, and honorary doctorates awarded by Maryland Institute, 1971, and Columbia University, 1972.

Legal documents include citizenship certificate, 1933; divorce papers regarding "Jack Tworkov, Plaintiff vs. Grace Tworkov, Defendant," 1935.

Membership certificates are from the Society of Literature and the Arts, 1975, and American Institute of Arts and Letters, 1981.

The documentary recordings Jack Tworkov: Video Portrait and USA Artists: Tworkov are on videocassette and film reel.
Arrangement note:
A poem by Stanley Kuntiz read in memory of Jack Twokov September 6, 1982, and the memorial tribute Kunitz delivered at the American Academy and Institute of Arts and Letters in 1985 are filed with Kunitz's correspondence (Series 1).
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tworjack2, Series 1
See more items in:
Jack Tworkov papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fbcbb5c1-7bcb-4ef1-b674-cbd5eed872f7
EDAN-URL:
ead_component:sova-aaa-tworjack2-ref14

Rhode Island School of Design

Collection Creator:
Catherine Viviano Gallery  Search this
Container:
Box 8, Folder 111
Type:
Archival materials
Date:
1955-1959
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Catherine Viviano Gallery records
Catherine Viviano Gallery records / Series 2: Correspondence / 2.2: Correspondence with Museums, Galleries, and Art-Related Institutions, United States
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95f13d5f6-cfd0-4dcc-af85-4defd71fc85d
EDAN-URL:
ead_component:sova-aaa-cathvivi-ref843

Inventory of Charles Lang Freer's library

Creator:
Freer, Charles Lang, 1856-1919  Search this
Names:
Freer Gallery of Art  Search this
Freer, Charles Lang, 1856-1919  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
1 Item (typed, with handwritten edits)
Type:
Archival materials
Inventories
Date:
undated
Scope and Contents:
Comprehensive index of Charles Lang Freer's library, mostly relating to art and Asian culture. Headings include authors, countries, and topical subjects. Sections include locations in Freer's original Detroit home; an index of all books transferred to the Smithsonian; a list of collections and collectors catalogues of American and Near and Far Eastern art; sales catalogues, and books in Chinese language.
Arrangement:
Organized in the original manner by the creator.
Local Numbers:
FSA A.01 05.22
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian -- Collectors and collecting  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Book collecting  Search this
Function:
Libraries
Genre/Form:
Inventories
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 05.22
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 5: Art Inventories / 5.22: Printed Books [Library]
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc302cb29b7-d6a1-46ad-9b1d-afc360459013
EDAN-URL:
ead_component:sova-fsa-a-01-ref3332
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Inventory of Charles Lang Freer's library digital asset number 1
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  • View Inventory of Charles Lang Freer's library digital asset number 3

Rhode Island School of Design, Lee Hall

Collection Creator:
Goodrich, Lloyd, 1897-1987  Search this
Container:
Box 30, Folder 5
Type:
Archival materials
Date:
1981-1982
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lloyd Goodrich papers, 1884-1987, bulk 1927-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Lloyd Goodrich papers
Lloyd Goodrich papers / Series 4: Organization and Committee files / 4.5: Other Organizations and Committees
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9afc21361-ede4-405e-ab9d-a1c65375d490
EDAN-URL:
ead_component:sova-aaa-goodlloy-ref643

Gilliam, Sam

Collection Creator:
Byron Gallery  Search this
Container:
Box 5, Folder 8
Type:
Archival materials
Date:
1967-1969
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Byron Gallery records
Byron Gallery records / Series 1: Artist/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c1af78b5-3a1d-4881-b926-108a26bc049c
EDAN-URL:
ead_component:sova-aaa-byrogall-ref163
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Gilliam, Sam digital asset number 1
  • View Gilliam, Sam digital asset number 2
  • View Gilliam, Sam digital asset number 3

Gilliam, Sam

Collection Creator:
Byron Gallery  Search this
Container:
Box 5, Folder 9
Type:
Archival materials
Date:
1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Byron Gallery records
Byron Gallery records / Series 1: Artist/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ff5401b9-d388-45a5-91bf-32c88c7152a3
EDAN-URL:
ead_component:sova-aaa-byrogall-ref164
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  • View Gilliam, Sam digital asset number 1

"Hide/Seek" 2012 Scholarly Symposium: Jonathan Weinberg - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2011-02-06T17:24:11.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_w0N4Q8DrxdQ

#FSEmpresses: Curator's Cut - Fun with Hats

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2019-04-24T21:48:45.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_41k_MdiVs8o

Shahzia Sikander and Glenn Lowry in Conversation

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2009-04-25T20:27:52.000Z
YouTube Category:
Nonprofits & Activism  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_UIKVJTT8qSQ

Cas Holman: Design for Play

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-02-11T11:40:24.000Z
YouTube Category:
Entertainment  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_9fmt_L1oCQI

Meet Toots Zynsky

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2013-07-29T14:03:08.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_T27bAr1X6h4

Nanette Carter papers

Creator:
Carter, Nanette, 1954-  Search this
Names:
Pratt Institute. Art School  Search this
Freeman, Bettye  Search this
Pindell, Howardena, 1943-  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1972-2009
Summary:
The papers of African American abstract artist and educator Nanette Carter measure 4.9 linear feet and date from 1972 to 2009. The collection documents Carter's education and career through biographical materials, correspondence with artists and others, writings including notebooks documenting Carter's studies, exhibition files for Carter's solo and group exhibitions, files documenting teaching and other professional activities, research material including sound recordings for a book project on Carter's mentors, personal business records, and printed material.
Scope and Contents:
The papers of African American abstract artist and educator Nanette Carter document Carter's education and career through 4.9 linear feet of papers dating from 1972 to 2009.

The collection includes biographical materials consisting of an address book, 11 appointment books, resumes, Carter's student records, and a sound recording of an interview with Carter and Vincent Smith for the radio program "Dialogues with Contemporary Artists." Correspondence is with Joan Digby, Bettye Freeman, Miriam Perlman, and various organizations regarding exhibitions, workshops, and employment. Carter's writings and notes include 13 notebooks documenting her studies and career activities, speech notes, and her student papers from Pratt Institute of Art.

Also found in the collection are exhibition files documenting Carter's solo and group exhibitions, and professional activity files consisting of Carter's teaching files, files regarding fellowships and grants, workshop records, and research material for a book project on female mentors that includes 5 sound recordings of Howardena Pindell and Marcia Lloyd. Carter's personal business records include consignment and sales records, contracts and agreements, and price lists; and printed materials consist of announcements and catalogs for Carter's exhibitions, event programs, posters, press releases, and other material relating to Carter's career as an artist.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1972-1998 (0.7 linear feet; Box 1)

Series 2: Correspondence, 1976-2009 (1.2 linear feet; Boxes 1-2, OV 7)

Series 3: Writings and Notes, 1975-2002 (0.5 linear feet; Box 3)

Series 4: Exhibition Files, 1976-2008 (0.7 linear feet; Boxes 3-4)

Series 5: Professional Activity Files, 1977-2008 (0.7 linear feet; Box 4, OV 7)

Series 6: Personal Business Records, 1979-2008 (0.4 linear feet; Boxes 4-5)

Series 7: Printed Materials, 1979-2009 (0.7 linear feet; Boxes 5-6, OV 7)
Biographical / Historical:
Nanette Carter (1954- ) is an African American abstract artist and educator in New York, New York.

Carter was born in Columbus, Ohio, to Frances Hill and Matthew G. Carter. In 1960, Carter and her family, including her sister Bettye Carter Freeman, moved from Ohio to Montclair, New Jersey where her father became the city's first African American mayor. After graduating from Montclair High School, Carter attended Oberlin College studying studio art and art history. She spent her junior year abroad studying in Peruglia, Italy and traveling through Europe and northern Africa. Carter graduated from Oberlin in 1976 and continued her education at the Pratt Institute of Art receiving a Master of Fine Arts in 1978.

In the 1970s, Carter spent time in Sag Harbor where her parents had a house. She became involved with the local art scene through her college job at the Guild Hall Museum where she met artist Al Loving. Loving became a mentor to Carter and later curated one of her earliest group exhibitions, Eastville Artists (1979), featuring African American artists working in eastern Long Island, New York. Carter has continued to exhibit her artwork frequently throughout the United States, as well as overseas. She has been the recipient of numerous fellowships and grants including Bob Blackburn's Printmaking Workshop, the Pollock-Krasner Foundation grant, and the New York State Council on the Arts residency at Cinque Gallery.

In addition to her career as an artist, Carter has held teaching positions at various institutions including Dwight-Englewood School, Guild Hall Museum, City College of New York, Rhode Island School of Design, and the Pratt Institute of Art where she is a tenured professor.
Provenance:
The collection was donated in 2019 by Nanette Carter as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Nanette Carter papers, 1972-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cartnane
See more items in:
Nanette Carter papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a28f9060-aa59-49a9-b48a-54b6b19866ba
EDAN-URL:
ead_collection:sova-aaa-cartnane

Teaching, Rhode Island School of Design

Collection Creator:
Carter, Nanette, 1954-  Search this
Container:
Box 4, Folder 37
Type:
Archival materials
Date:
2002-2003
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nanette Carter papers, 1972-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Nanette Carter papers
Nanette Carter papers / Series 5: Professional Activity Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9820e291d-088a-4963-83a9-bc930ee848c8
EDAN-URL:
ead_component:sova-aaa-cartnane-ref130

Professional Activity Files

Collection Creator:
Carter, Nanette, 1954-  Search this
Extent:
0.7 Linear feet (Box 4, OV 7)
Type:
Archival materials
Date:
1977-2008
Scope and Contents:
Series contains correspondence, printed material, consignment forms, contracts, application drafts, acceptance and rejection letters, and other material related to funding or job opportunities, workshops and fellowships, and other professional group activities.

Also included are five sound cassettes containing interviews with Howardena Pindell and Marcia Lloyd for a book project titled "Mentors: A Female Perspective in the Visual Arts" and teaching files from Dwight-Englewood School, Rhode Island School of Design, and Guild Hall.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nanette Carter papers, 1972-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cartnane, Series 5
See more items in:
Nanette Carter papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94e3a28da-d639-474d-adf5-5744d0de5427
EDAN-URL:
ead_component:sova-aaa-cartnane-ref9

Rhode Island School of Design

Collection Creator:
Terry Dintenfass, Inc.  Search this
Container:
Box 6, Folder 77
Type:
Archival materials
Date:
1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Terry Dintenfass, Inc. records, 1947-1987, bulk 1961-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Terry Dintenfass, Inc. records
Terry Dintenfass, Inc. records / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw966f9951c-dce5-45dd-87ce-2bb15aac86f5
EDAN-URL:
ead_component:sova-aaa-terrdint-ref387

Rhode Island School of Design Museum of Art; Providence, RI

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 17, Folder 50
Type:
Archival materials
Date:
1965-1969
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97bee19bc-9549-4ce1-b9a1-48819acd9966
EDAN-URL:
ead_component:sova-aaa-leocast-ref8961

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Sigma Phi Rho Fraternity, American, founded 1978  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
Association of Black Women Attorneys, American, founded 1976  Search this
National Urban Affairs Council, American, founded 1971  Search this
Raymond A. Jordan Jr., American, born 1943  Search this
National Association of Market Developers, American, founded 1953  Search this
The Links, Incorporated, American, founded 1946  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Medical Association, American, founded 1895  Search this
Dr. Leslie L. Alexander, Jamaican American, 1917 - 2002  Search this
Smithsonian Institution, American, founded 1846  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
Morehouse College, American, founded 1867  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Count Basie, American, 1904 - 1984  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
National Bankers Association, American, founded 1927  Search this
369th Veterans Association, American  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
Signed by:
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Date:
1985
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.19
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ee110782-b949-43b4-bbec-56a00d4f086e
EDAN-URL:
edanmdm:nmaahc_2012.167.19
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

Book Launch: "Wonder: 50 Years RISD Glass"

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2017-11-14T00:50:46.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_SqKNVYkow4c

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