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Institute for Advanced Study Computer Project Records

Creator:
Princeton University. Institute for Advanced Study Computer Project  Search this
Names:
Computers, Information and Society, Division of (NMAH, SI).  Search this
von Neumann, John  Search this
Extent:
0.7 Cubic feet (3 boxes )
Type:
Collection descriptions
Archival materials
Journals (accounts)
Drawings
Reports
Place:
Princeton (N. J.)
New Jersey
Date:
1950-1957.
Summary:
Collection documents the Electronic Computer Project, 1950-1957 at the Institute for Advanced Study. The goal of the project was to build a computer that would be a general-purpose postwar tool for various branches of scientific research.
Scope and Contents:
The collection includes published reports of the staff of the Electronic Computer Project, monthly progress reports, and reports by individual staff members (sometimes in draft form) on particular problems or pieces of equipment. Numerous drawings of computer components are also included, together with 10 glass photo slides in color of equipment and two slides of personnel (unidentified). A special "computer issue" of Proceedings of the Institute of Radio Engineers (published October, 1953) contains 41 papers on technical aspects of computers.
Biographical / Historical:
This material was generated by participants in the IAS Computer Project, 1950-1957. The Institute for Advanced Study at Princeton, NJ has long been a center of scholarly work in many disciplines of science by noted researchers (e.g. Albert Einstein). The computer project was initiated there in 1946 by John Von Neumann, a mathematician who had been working on ballistics computations during World War II. He used the first version of the Princeton computer to calculate the results of the thermonuclear reaction of the first H bomb in 1950. In the late 1950s, after Von Neumann's death, the project was terminated. A brief summary of the project and Von Neumann's contribution is found in Chapter 5 of Who Got Einstein's Office? by Edward Regis (Addison Wesley Publishing Co., Inc., 1987.)
Provenance:
Collection donated by Leon D. Harmon, March 23, 1982.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Computer programming  Search this
Computer science  Search this
Genre/Form:
Journals (accounts)
Drawings -- 1950-1960
Reports
Citation:
Institute for Advanced Study Computer Project Records, 1950-1957, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0401
See more items in:
Institute for Advanced Study Computer Project Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0401

Annual Reports

Collection Author:
Lehigh Coal and Navigation Company  Search this
Type:
Archival materials
Date:
1826-1961
undated
bulk 1913-1929
Scope and Contents:
This series includes unbound copies of the annual report of the Mining Department of Lehigh Coal and Navigation Company. There are also printed and bound office copies along with a few condensed versions of the annual report of the Board of Managers to the stockholders. There are several annual reports on appropriations for mine development and operation jobs and also a 1923 annual report of the stockholders of the Lehigh and New England Railroad Company. After 1929, this series is almost exclusively Mining Department reports and reports on appropriations for mine development. The Mining Department reports for 1940 through 1948 include handwritten tables.

Annual Operating Reports and related correspondence, 1945-1949, of the Panther Valley and Summit Hill Water companies is included. A report, dated 1946, by the superintendent of the Panther Valley Water Company on the separation of the property into two general systems is included with the operating report. There is correspondence, 1942-1948, concerning annual reports, specifically, letters from servicemen (previous employees of LCNC) commenting on copies of the annual report that the company sent to them. A small group of annual reports, 1941-1952, from domestic and foreign coal companies and other manufacturers is included.

Reports are generally arranged chronologically.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Lehigh Coal and Navigation Company Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0071, Series 1
See more items in:
Lehigh Coal and Navigation Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0071-ref216

[Afifi Karam: booklet page]

Collector:
Naff, Alixa, 1919-2013  Search this
Collection Creator:
Naff, Alixa, 1919-2013  Search this
Extent:
1 Item (9.4" x 5.9".)
Culture:
Arab Americans  Search this
Type:
Archival materials
Booklets
Date:
Circa 1915
Scope and Contents:
Afifi Karam wrote for Al-Hoda, an immigrant newspaper.
Arrangement:
In Series ?, Box ?, Folder ?.
Local Numbers:
AC0078-0000057 (AC Scan)
Collection Restrictions:
Collection is open for research.

Researchers must use microfilm copies. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Viewing film portions of collection require special appointment; please inquire with a reference archivist. Do not use when original materials are available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Reporters and reporting  Search this
Genre/Form:
Booklets
Collection Citation:
Faris and Yamna Naff Arab-American Collection Archives Center, National Museum of American History
See more items in:
Faris and Yamna Naff Arab American Collection
Faris and Yamna Naff Arab American Collection / Series 2: Photographs / 2.1: Individuals, 1890-1989 / Malooley (Maloley), Virginia and Nelliw
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0078-ref4408

[Page of Arabic writing by reporter Habib I. Katibah: notebook]

Collector:
Naff, Alixa, 1919-2013  Search this
Collection Creator:
Naff, Alixa, 1919-2013  Search this
Extent:
1 Item (9.2" x 6.1".)
Culture:
Arab Americans  Search this
Type:
Archival materials
Notebooks
Date:
undated
Arrangement:
In Series ?, Box ?, Folder ?.
Local Numbers:
AC0078-0000064 (AC Scan)
Collection Restrictions:
Collection is open for research.

Researchers must use microfilm copies. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Viewing film portions of collection require special appointment; please inquire with a reference archivist. Do not use when original materials are available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Arabic  Search this
Reporters and reporting  Search this
Genre/Form:
Notebooks
Collection Citation:
Faris and Yamna Naff Arab-American Collection Archives Center, National Museum of American History
See more items in:
Faris and Yamna Naff Arab American Collection
Faris and Yamna Naff Arab American Collection / Series 1: Personal Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0078-ref4415

Walter Horn papers

Creator:
Horn, Walter William, 1908-1995  Search this
Names:
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
University of California, Berkeley -- Faculty  Search this
Charles, Fred  Search this
Duft, Johannes, 1915-  Search this
Dupree, A. Hunter  Search this
Eggenbacher, Christopher  Search this
Harbison, Peter  Search this
Koehler, Wilhelm Reinhold Walter, 1884-1959  Search this
Kunzelman, Charles J.  Search this
Panofsky, Erwin, 1892-1968  Search this
Sennhauser, Hans Rudolf  Search this
Shapiro, Meyer  Search this
Smith, John T.  Search this
von Hummel, Edeltraut  Search this
von Hummel, Helmuth  Search this
Extent:
2.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1908-1992
bulk 1943-1950
Summary:
The papers of art historian and World War II Monuments Man Walter W. Horn measure 2.7 linear feet and date from 1908 to 1992, with the bulk of material dating from 1943 to 1950. Walter Horn taught art history at the University of California, Berkeley from 1938 to his retirement in 1974. During World War II, Horn served as Head of the U. S. Army Intelligence Unit of the Monuments, Fine Arts, and Archives Section (MFAA.) The papers contain biographical materials; professional correspondence; records documenting his service in the MFAA; administrative files relating to his work at the University of California, Berkeley; and scattered photographs.
Scope and Contents:
The papers of art historian and World War II Monuments Man Walter W. Horn measure 2.7 linear feet and date from 1908 to 1992, with the bulk of material dating from 1943 to 1950. Walter Horn taught art history at the University of California, Berkeley from 1938 to his retirement in 1974. During World War II, Horn served as Head of the U. S. Army Intelligence Unit of the Monuments, Fine Arts, and Archives Section (MFAA.) The papers contain biographical materials; professional correspondence; records documenting his service in the MFAA; administrative files relating to his work at the University of California, Berkeley; and scattered photographs.

Biographical materials include certificates, transcripts, registration books, and diplomas, immigration papers and supporting documentation, birth certificate, passports, and Horn's application for U.S. citizenship. Also found here are papers relating to Horn's academic work, such as bibliographies, curriculum vitae and a few other miscellaneous materials.

The bulk of the papers consist of professional correspondence between Horn and his colleagues. Many of the letters relate to Horn's scholarly publications and projects, especially his seminal work The Plan of St. Gall: A Plan of the Architecture and Economy of, and Life in a Paradigmatic Carolingian Monastery (1979). Prominent correspondents include Meyer Schapiro, Wilhelm Koehler, Fred Charles, Christopher Eggenbacher, Johannes Duft, Hunter Dupree, Peter Harbison, H.R. Sennhauser, and John T. Smith.

Papers and records documenting Horn's World War II service in the the U. S. Army Monuments, Fine Arts & Archives Section have been arranged in one series. There are scattered letters, including ones from Erwin Panofsky, Charles J. Kunzelman, and Helmuth and Edeltraut von Hummel. There are also letters of inquiry about the recovery of the crown jewels of The Holy Roman Empire. Also found in this series are official Army documents, including a directory and inventory of recovered gold coins; receipts for transporting recovered artwork; art looting investigation, interrogation, and arrest reports; and reports on Horn's investigation and recovery of the crown jewels and the gold coin investigation. There is scattered printed material and photographs of the recovered gold coins and of Helmuth and Edeltraut von Hummel.

Horn's papers also contain a few administrative files from his tenure at the University of California, Berkeley, and one folder of color photographs of Horn's papers being prepared for shipment to the Archives of American Art.
Arrangement:
This collection is arranged as 5 series.

Series 1: Biographical Materials, 1908-1989 (0.3 linear feet; Box 1, 4)

Series 2: Correspondence, circa 1937, 1949-1992 (1.2 linear feet; Box 1-2, 4, OV 5)

Series 3: U.S. Army Monuments, Fine Arts & Archives Section Files, circa 1938-1989 (0.6 linear feet; Box 2-4, OV 5-6)

Series 4: University of California, Berkeley Administrative Files, 1938-1976 (0.1 linear feet; Box 3)

Series 5: Photographs, 1989 (1 folder; Box 3)
Biographical / Historical:
Walter William Horn (1908-1995) was a professor of art history at the University of California, Berkeley. During World War II, he served in the Army Intelligence Unit of the Monument, Fine Arts and Archives Section (MFAA.)

Walter Horn was born in Waldangelloch, Germany and graduated from the Gymnasium in Heidelberg in 1926. He studied at the Universities of Heidelberg, Berlin and Hamburg. In 1934 he received his Ph.D. in art history from the University of Hamburg, studying under Erwin Panofsky. His dissertation on the facade of the Church of St. Gilles was published in 1937. Horn fled Nazism in Germany and immigrated to the United States.

In 1938 Horn accepted a position at the University of California at Berkeley as a lecturer in art history, becoming the first state sponsored teacher of art history within California. He quickly became a professor and co-founded the university's Department of Art History.

Horn married twice. His first wife was Ann Binkley Rand. His second marriage was to Alberta West Parker, a physician. They had three children, Michael Peters, Peter Matthew, and Rebecca Ann.

In 1943, Horn became a naturalized American citizen and was soon inducted into the U.S. Army. He was assigned to the Detailed Interrogation Center, and by 1945 was serving as a lieutenant in the Third Army Intelligence Center. His German language skills were put to use interrogating prisoners of war and personnel of the Gestapo and S.S. Horn later continued his interrogation work in the Supreme Headquarters Allied Expeditionary Force (SHAEF). After the war, Horn was assigned to the Army Intelligence Unit of the Monuments, Fine Arts & Archives Section (MFAA) and became one of the Monuments Men responsible for tracking and recovering art works and other cultural heritage objects that had been systematically looted and hidden by the Nazis.

Horn led the team of Monuments Men who recovered the stolen Crown Jewels or Imperial Regalia of the Holy Roman Empire. The Crown Jewels, including a crown and sceptre, were discovered walled up in a passage in Nuremburg. Horn also recovered a collection of gold coins valued at $2,000,000 in 1946. He tracked the coins primarily through interrogations of Edeltraut von Hummel. Edeltraut's husband Helmuth von Hummel served as the chief secretary to Martin Bormann, leader of the Nazi Party Chancellery.

After the war, Horn resumed teaching at the University of California, Berkeley, where he served as Chairman of the Department of Art History until his retirement in 1974. He also helped establish the University Art Museum. In 1949, the school implemented a requirement that all employees must sign a loyalty oath to affirm their allegiance to the state constitution and disavow any intent to overthrow the government. There was substantial outcry among the university faculty and several professors who refused to sign were fired. Horn signed the loyalty oath under protest in 1950. He wrote a letter to the press explaining his decision and expressing his concerns.

In 1979, a decades long collaboration with distinguished architect Ernest Born resulted in The Plan of St. Gall, a three volume work on medieval architecture. The book was praised as a monumental undertaking by the scholarly community upon its publication.

Walter Horn died of pneumonia in 1995.
Related Materials:
Walter Horn papers, 1917-1989, are located at The Getty Research Institution Special Collections.
Provenance:
Walter Horn donated his papers to the Archives of American Art in 1989. Additional papers were donated by his wife Dr. Alberta Parker Horn in 1998 and 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- California -- Berkeley  Search this
Topic:
World War, 1939-1945 -- Art and the war  Search this
Art thefts -- Germany -- History -- 20th century  Search this
World War, 1939-1945 -- Confiscations and contributions -- Germany  Search this
Crown jewels -- Holy Roman Empire  Search this
World War, 1939-1945 -- Destruction and pillage -- Europe  Search this
Genre/Form:
Photographs
Citation:
Walter Horn papers, 1908-1993, bulk 1943-1950. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hornwalt
See more items in:
Walter Horn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hornwalt
Online Media:

Gene Davis papers

Creator:
Davis, Gene, 1920-1985  Search this
Names:
White House (Washington, D.C.)  Search this
Baro, Gene  Search this
Colby, Carl  Search this
Davis, Douglas  Search this
Davis, Florence  Search this
Greenberg, Clement, 1909-1994  Search this
McGowin, Ed, 1938-  Search this
Naifeh, Steven, 1952-  Search this
Nordland, Gerald  Search this
North, Percy, 1945-  Search this
Seitz, William Chapin  Search this
Thomas, Alma  Search this
Wall, Donald  Search this
Extent:
17.7 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Date:
1920-2000
bulk 1942-1990
Summary:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.
Scope and Contents:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, and to a lesser degree his early career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.

Biographical materials include birth and death certificates, awards, biographical narratives by Gene Davis and others, CVs, résumés, personal documents from Davis's family and childhood, documents related to his work as a White House correspondent, documentation related to his death and memorial service, and papers for the family pets. A video documentary about Davis by Carl Colby is found on one videocassette.

Correspondence is mainly of a professional nature, and correspondents include gallery and museum curators, private art collectors, publishers, fellow artists, art educators, academics, and students. Letters document exhibitions, sales, book projects, teaching jobs, visits to studios, local art community events in the Washington, D.C. area, and other projects. Significant correspondents include Gene Baro, Douglas Davis, Clement Greenberg, Gerald Nordland, William Seitz, Alma Thomas, and Donald Wall. Interviews and lectures include sound recordings and transcripts. Many of the interviews were broadcast or published. Also found is a single lecture by Davis given in 1969 at the National Collection of Fine Arts, Smithsonian Institution, entitled "Contemporary Painting." Sound recordings are found for three of the interviews and for the lecture, on 4 sound reels and 1 sound cassette.

Business records include artwork documentation, price lists, sales records, contracts, financial and legal records, gallery and museum files documenting sales and exhibitions, records related to the construction of Davis's home studio in 1970, and a few teaching records. Estate records mainly reflect Florence Davis's efforts to document the works of her husband, and to manage their exhibition, promotion, and sale after his death in April 1985. Estate records include an inventory of artworks, documentation of gifts to museums, correspondence, legal, and financial records. Writings include notes, drafts of essays, artist statements, and articles by Davis, and many articles by others about Davis. Several of Davis's articles reflect specifically on the Washington, D.C. art scene. Also found are drafts of monographs on Davis including one by Donald Wall (1975) and one by Steven Naifeh (1982). Records of Naifeh's book also include photographs of all black and white and color plates from the published book. Among the writings are also notes and research files of Percy North, who worked on an update to Naifeh's 1982 bibliography after Davis's death.

Printed materials include annual reports of museums, published arts-related calendars, auction catalogs, brochures from organizations with which Davis had some affiliation, exhibition announcements and invitations, exhibition catalogs, magazine articles, newspaper clippings, newsletters, posters, press releases, and other published material. Photographs include personal photographs of Gene and Florence Davis and their families, portraits of Gene Davis, photographs of Gene Davis with artworks and working in the studio, Davis' art classes and students, installations of site-specific works, conceptual and video works, exhibition openings, and photographs of artwork, both installed in exhibitions and individually photographed. Found among the photographs are also four videocassettes documenting the Gene Davis retrospective as installed at the Smithsonian National Museum of American Art in 1987.

Artwork includes photographs, drawings, moving images, and documentation of conceptual art. Works by Davis include documentation of the 1969 "Giveaway" with Douglas Davis and Ed McGowin, "The Artist's Fingerprints Except for One which belongs to someone else," documentation of his "Air Displacement" happening, a short film entitled "Patricia," and a video entitled "Video Puzzle." Other moving images include four reels of film of Davis's stripe paintings, and other experiments with motion picture film and photographs.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1930-1987 (0.6 linear feet; Boxes 1, 17)

Series 2: Correspondence, 1943-1990 (1.7 linear feet; Boxes 1-3)

Series 3: Interviews and Lectures, 1964-1983 (0.3 linear feet; Box 3)

Series 4: Business and Estate Records, 1942-1990 (1.6 linear feet; Boxes 3-5, 17, OV 20)

Series 5: Writings, 1944-1990 (2 linear feet; Boxes 5-6, 17, OV 19)

Series 6: Printed Material, 1942-1990 (5.5 linear feet; Boxes 7-11, 17-18, OV 20, FC 35-37)

Series 7: Photographs, 1920-2000 (3.8 linear feet; Boxes 11-15, 17, OV 19)

Series 8: Artwork, 1930-1985 (2.2 linear feet; Boxes 15-16, 18, FC 21-34)
Biographical / Historical:
Gene Davis (1920-1985) was a Washington, D.C.-based artist and educator who worked in a variety of media, including painting, drawing, collage, video, light sculpture, and conceptual art. Davis is best known for his vertical stripe paintings and his association with the Washington Color School.

Davis was born in 1920 in Washington, D.C. and began his career as a writer. In his twenties he wrote pulp stories and worked as a journalist, reporting for United Press International and serving as a White House correspondent for Transradio Press Service during the Truman administration. Later, he worked in public relations for the Automobile Association of America. A self-taught artist, Davis began painting while still working full-time as a writer, influenced by the prevailing abstract expressionist artists of the time, his frequent visits to the Corcoran Gallery and Phillips Collection in Washington, D.C., and by his friend and mentor, Jacob Kainen. His first one-man show was held in the lobby of the Dupont Theater in Washington in 1952. He had a drawing accepted in the Corcoran Area Show in 1953, and won several local art prizes in the 1950s. He began showing work regularly in galleries around Washington, such as the Watkins Gallery at American University, the Gres Gallery, and the Henri Gallery, and had solo exhibitions at Jefferson Place Gallery in 1959 and 1961. Many of the painters who made up what became known as the Washington Color School also showed there, including Kenneth Noland, Howard Mehring, and Sam Gilliam. In 1965, the Washington Gallery of Modern Art held a seminal exhibition entitled Washington Color Painters, which included Davis, Noland, Mehring, Morris Louis, Thomas Downing, and Paul Reed.

Davis began showing outside of Washington regularly in the 1960s, including the Poindexter and Fischbach galleries in New York City, and in several important group shows at museums such as the Museum of Modern Art, the Whitney Museum, and the San Francisco Museum of Modern Art. He had three works shown in the 1964 exhibition Post-Painterly Abstraction, organized by the influential art critic Clement Greenberg at the Los Angeles County Museum of Art. In the late 1960s, he began teaching art classes at the Corcoran School, and spent the summer of 1969 as artist in residence at Skidmore College's "Summer in Experiment" program.

Davis experimented with form continuously throughout his career, including a period of conceptual work in the late 1960s. In 1969 he participated in the "Giveaway," organized by Douglas Davis and Ed McGowin, in which multiple copies of a Davis painting were given away to invited guests in a gesture intended to subvert the art market. Davis also began experimenting with scale, creating a series of tiny paintings he called "Micro-paintings," which were exhibited at Fischbach Gallery in 1968. Around this time he also began working with film and video, recruiting models from his art classes to enact tightly choreographed movement pieces that played with rhythm and interval. Convinced by a lawyer that his videos were a liability without having obtained releases from the models, Davis destroyed all but one of his video works. The surviving video, "Video Puzzle," shows a foreshortened view of a model on the floor of a gallery spelling out a statement by Clement Greenberg at predetermined intervals.

Davis made several large-scale site-specific works using the stripe motif in public places. The first of these was created in the Bal Harbour, Florida, Neiman Marcus department store in 1970. Later works included Franklin's Footpath, executed in the road leading to the Philadelphia Museum of Art in 1972, and Niagara (1979) at ArtPark in Lewistown, NY, promoted at the time as the largest painting in the world. Interior large-scale works were created twice at the Corcoran Gallery, with Magic Circle (1975) and Ferris Wheel (1982), both executed in the museum's rotunda. Black Yo-Yo was created for the Cranbrook Academy in 1980, and Sun Sonata (1983), an illuminated wall of colored liquid-filled tubes, was created as an architectural feature of the Muscarelle Museum of Art in Williamsburg, Virginia. Plans for an unexecuted work called "Grass Painting," for a site near the Kennedy Center in Washington, D.C., were exhibited in the 1974 "Art Now" festival.

In the late 1970s and 1980s Davis consistently exhibited his work in several solo gallery shows a year, and also had numerous solo exhibitions in major museums. A major exhibition, Recent Paintings, was organized by the Walker Art Center in 1978, and traveled to the Corcoran Gallery of Art in 1979. A drawing retrospective was held at the Brooklyn Museum of art in 1983, and the same year the Washington Project for the Arts organized an exhibition entitled Child and Man: A Collaboration, featuring drawings Davis made in response to childrens' drawings. Davis died suddenly in April 1985 at the age of 65, and a major retrospective of his work was held at the Smithsonian National Museum of American Art in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Gene Davis conducted by Estill Curtis Pennington on April 23, 1981. A transcript is available on the Archives of American Art website.
Provenance:
Donated 1981 by Gene Davis and 1986 by his wife, Florence. Additional material donated 1991 and 1993 from Smithsonian American Art Museum via a bequest to them from the Gene and Florence Davis estate. Much of the 1993 addition was assembled by art historian Percy North at the request of Florence Davis. An additional folder of photographs of Davis taken in 1969 but printed in 2000 was later added to the collection.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Reporters and reporting -- Washington (D.C.)  Search this
Video artists -- Washington, D.C.  Search this
Conceptual artists -- Washington, D.C  Search this
Painters -- Washington (D.C.)  Search this
Collagists -- Washington, D.C  Search this
Topic:
Color-field painting  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Citation:
Gene Davis papers, 1920-2000, bulk 1942-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davigene
See more items in:
Gene Davis papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-davigene
Online Media:

Denver, CO: Material Relating to the Drafting of the Constitution

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1944
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 1: NCAI Conventions and Mid-year Conferences
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref35
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Denver, CO: Material Relating to the Drafting of the Constitution digital asset number 1

NCAI Constitution and By-laws #1

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1944 - 1965
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 1: NCAI Conventions and Mid-year Conferences
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref8
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View NCAI Constitution and By-laws #1 digital asset number 1

Mr. Jones newspaper staff, Garnet Patterson [Junior High School,] Mar[ch] 1950 [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Ansco (film manufacturer)  Search this
Names:
Garnet-Patterson Junior High School  Search this
Jones, Mrs.  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
March 1950
Scope and Contents:
Posed group of young men and women sitting and standing around a table on a stage. A man and a woman, possibly teachers, stand with them. No ink on negative, no Scurlock number. "10 ANSCO SAFETY FILM" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American high school students -- 1950-1960 -- Washington (D.C.)  Search this
Reporters and reporting  Search this
Newspapers  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client / 4.6.1: Black and white negatives Part 1 / Garnet Patterson [Junior High School]
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-06-ref27433

[Baptism ceremony, ca. 1930-1950 : cellulose acetate photonegative.]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Agfa (film manufactuer)  Search this
Names:
Columbia Broadcasting System, inc.  Search this
Griffith Stadium (Washington, D.C.)  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 3.5" x 4.5".)
Container:
Box 98
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
ca. 1930-1950
Scope and Contents:
Procession of baptismal candidates up to and down a set of steps into a pool of water. Five men dressed in black assist in the water. One candidate is submerged. Two men stand to the side outside the pool, one is holding a microphone marked "CBS'. Probably at Griffith Stadium. No ink on negative. "11 AGFA SUPERPAN PRESS" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio broadcasting  Search this
Reporters and reporting  Search this
Baptism -- 1930-1950  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref3161
Online Media:

Volume 1 (158)

Type:
Archival materials
Date:
May 1867–Apr. 1868
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, Item 4.28.1.1
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.28: Morganton (Subassistant Commissioner) / 4.28.1: Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref370
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Volume 1 (158) digital asset number 1
  • View Volume 1 (158) digital asset number 2

Monthly Reports

Creator::
Smithsonian Institution. Visitor Information and Associates' Reception Center  Search this
Extent:
5 cu. ft. (5 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
FY 1999-FY 2008
Descriptive Entry:
This accession consists of monthly reports created by programs and divisions within the Visitor Information and Associates' Reception Center, providing narrative and statistical information about activities. Materials also include a small amount of annual reports and reports created by the Director.
Rights:
Restricted for 15 years, until Oct-01-2023; Transferring office; 1/6/2008 memorandum, Wright to Lemon; Contact reference staff for details.
Topic:
Visitors' centers  Search this
Museums -- Public relations  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession 13-201, Smithsonian Institution, Visitor Information and Associates' Reception Center, Monthly Reports
Identifier:
Accession 13-201
See more items in:
Monthly Reports
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa13-201

Annual reports and reports on the Government Gardens, Delhi, 1872, 1904-1911

Collection Creator:
Moynihan, Elizabeth B.  Search this
Container:
Box 15, Folder 3
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
The Elizabeth Moynihan Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Moynihan, 2013.
See more items in:
Elizabeth Moynihan Collection
Elizabeth Moynihan Collection / Series 3: Garden Reference Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a2013-06-ref144

Miscellaneous Reports

Type:
Archival materials
Date:
Aug. 1866–Feb. 1868
Scope and Contents Note:
Unbound miscellaneous reports, August 1866–February 1868, are arranged chronologically. Included are officers' reports, school reports, estimates, ration reports, transportation reports, and reports of numbers of indigents entitled to rations.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1913, File 3.66.7
See more items in:
Records of the Field Offices for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 3: Subordinate Field Offices / 3.66: Fort Monroe (Assistant Subassistant Commissioner)
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1913-ref1042

School Reports

Type:
Archival materials
Date:
Dec. 1866–Jan. 1869
Scope and Contents Note:
Unbound school reports, December 1866–January 1869, are arranged chronologically. Included are teachers' monthly reports and reports submitted by the subassistant commissioner.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1913, File 3.97.9
See more items in:
Records of the Field Offices for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 3: Subordinate Field Offices / 3.97: Wytheville (Subassistant Commissioner)
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1913-ref1696

Miscellaneous Reports

Type:
Archival materials
Date:
1865–68
Scope and Contents Note:
Unbound miscellaneous reports, 1865–68, are arranged by type of report. The records include monthly land reports, school reports, account reports, and reports relating to Freedmen Bureau funds.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1913, File 3.24.12
See more items in:
Records of the Field Offices for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 3: Subordinate Field Offices / 3.24: Drummondtown (Assistant Subassistant Commissioner)
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1913-ref450
Online Media:

Miscellaneous Reports

Type:
Archival materials
Date:
1867
Scope and Contents:
Unbound miscellaneous reports, 1867, are arranged by type of report. The series consists of intelligence reports, and reports of outrages, arrests, and courts.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, File 4.5.6
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.5: Concord
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref119

Miscellaneous Reports

Type:
Archival materials
Date:
1865–68
Scope and Contents:
Unbound miscellaneous reports, 1865–68, are arranged by type of report. They consist of intelligence reports, and reports of arrests, sanitation, courts, schools, and cases tried, and records relating to cases tried.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, File 4.27.9
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.27: Magnolia (Assistant Superintendent)
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref364

Miscellaneous Reports

Type:
Archival materials
Date:
1865–68
Scope and Contents:
Unbound miscellaneous reports, 1865–68, are arranged by type of report. The series consists of morning reports, and reports of operations, rations issued, outrages, arrests, persons and articles hired, sanitation, indentures made and canceled, and electors.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, File 4.29.4
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.29: Murfreesboro
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref388
Online Media:

Volume (234)

Type:
Archival materials
Date:
May 1866–Oct. 1868
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, Item 4.42.2.1
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.42: Salisbury (Superintendent of the Western District) / 4.42.2: Press Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref561
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Volume (234) digital asset number 1
Online Media:

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