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Photograph of the relief sculpture Marching Army

Creator:
Fogg Art Museum  Search this
Type:
Photographs
Date:
1924
Topic:
Sculpture  Search this
Record number:
(DSI-AAA)8875
See more items in:
Joseph Lindon Smith papers, 1647-1965, bulk bulk 1873-1965
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8875
Online Media:

Relief sculpture by Emile Antoine Bourdelle

Subject:
Bourdelle, Emile Antoine  Search this
Type:
Photographs
Date:
1913
Topic:
Sculpture  Search this
Record number:
(DSI-AAA)14603
See more items in:
Walt Kuhn Family papers and Armory Show records, 1859-1984, bulk bulk 1900-1949
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14603
Online Media:

Deer relief sculpture

Type:
Photographs
Date:
1977 Aug.
Record number:
(DSI-AAA)11134
See more items in:
Herbert Waide Hemphill papers, 1776-1998, bulk bulk 1876-1998
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11134

Oral history interview with Fletcher Martin, 1964 Nov. 19

Interviewee:
Martin, Fletcher, 1904-1979  Search this
Interviewer:
Trovato, Joseph S., 1912-1983  Search this
Subject:
Siqueiros, David Alfaro  Search this
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Muralists -- Interviews  Search this
Painters -- Interviews  Search this
Printmakers -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12666
(DSI-AAA_SIRISBib)213654
AAA_collcode_martin64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213654

The Zorach Family papers, 1900-1987

Creator:
Zorach family  Search this
Subject:
Zorach, Tessim  Search this
Ipcar, Dahlov Zorach  Search this
Cunningham, Imogen  Search this
Adams, Ansel  Search this
Zorach, Marguerite  Search this
Zorach, William  Search this
Partridge, Roi  Search this
Newman, Arnold  Search this
Brooklyn Museum  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, American  Search this
Art dealers -- New York (State) -- New York  Search this
Artist couples  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Weavers  Search this
Works of art  Search this
Record number:
(DSI-AAA_CollID)6932
(DSI-AAA_SIRISBib)209061
AAA_collcode_zorazora
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209061
Online Media:

Bruno Louis Zimm papers, 1907-1985

Creator:
Zimm, Bruno Louis, 1876-1943  Search this
Subject:
Bitter, Karl Theodore Francis  Search this
Record number:
(DSI-AAA_CollID)9608
(DSI-AAA_SIRISBib)211814
AAA_collcode_zimmbrun
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211814

Benson Bond Moore papers, 1902-1995

Creator:
Moore, Benson Bond, 1882-1974  Search this
Subject:
Seaton, Charles  Search this
Bransom, Paul  Search this
Sayre, Francis Bowes  Search this
Rolle, A. H. O. (August H. O.)  Search this
Lyon, Rowland  Search this
Lowe, James Russell  Search this
Cornett, Robert G.  Search this
Clark, Herbert F.  Search this
Berryman, Clifford Kennedy  Search this
Society of Animal Artists  Search this
Washington Landscape Club  Search this
Type:
Etchings
Christmas cards
Paintings
Drawings
Travel sketches
Sketches
Poems
Awards
Photographs
Prints
Scrapbooks
Topic:
Landscape painting -- 20th century -- Washington (D.C.)  Search this
Relief (Sculpture)  Search this
Artists -- Washington (D.C.)  Search this
Etchers -- Washington (D.C.)  Search this
Landscape painters -- New York (State)  Search this
Printmakers -- Washington (D.C.)  Search this
Record number:
(DSI-AAA_CollID)6095
(DSI-AAA_SIRISBib)216268
AAA_collcode_moorbens
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216268
Online Media:

Charles Keck papers, circa 1905-circa 1954

Creator:
Keck, Charles, 1875-1951  Search this
Subject:
Weinman, Adolph A. (Adolph Alexander)  Search this
Calder, Alexander Stirling  Search this
Saint-Gaudens, Augustus  Search this
Record number:
(DSI-AAA_CollID)9130
(DSI-AAA_SIRISBib)211324
AAA_collcode_keckchar
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211324
Online Media:

Peter and Rose Krasnow papers, 1914-1984

Creator:
Krasnow, Peter, 1886-1979  Search this
Krasnow, Rose, 1885-1984  Search this
Subject:
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Clements, Grace  Search this
Cocker, Conrad  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Weston, Edward  Search this
Blades, Harriet  Search this
Weston, Flora  Search this
Weston, Edward  Search this
Stone, Irving  Search this
Raboff, Ina  Search this
Raboff, Ernest Lloyd  Search this
Price, Aimée Brown  Search this
Owen, Elaine  Search this
Owen, Dale  Search this
Noer, Philip  Search this
Morley, Grace  Search this
Krasnow, Rose  Search this
Howe, Dudley  Search this
Drake, Alfred S.  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Peter Krasnow Arts Foundation  Search this
Type:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Topic:
Wood sculpture  Search this
Painters -- California -- Los Angeles  Search this
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)9164
(DSI-AAA_SIRISBib)211359
AAA_collcode_kraspete
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211359
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
Art dealers -- France -- Paris  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk bulk 1913-1974 digital asset number 1
  • View Jacques Seligmann & Co. records, 1904-1978, bulk bulk 1913-1974 digital asset number 2
  • View Jacques Seligmann & Co. records, 1904-1978, bulk bulk 1913-1974 digital asset number 3
Online Media:

Hiram Samuel Gutsell papers, 1884-1928

Creator:
Gutsell, Hiram Samuel, 1855?-1927  Search this
Subject:
Gutsell, Ida Squier  Search this
Cornell University.  Search this
Record number:
(DSI-AAA_CollID)10441
(DSI-AAA_SIRISBib)213845
AAA_collcode_gutshira
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213845

Dahlov Ipcar papers, 1906-1997

Creator:
Ipcar, Dahlov Zorach, 1917-  Search this
Subject:
Zorach, Marguerite  Search this
Ipcar, Adolph  Search this
Zorach, William  Search this
Coffin, Robert Peter Tristram  Search this
Skowhegan School of Painting and Sculpture  Search this
Type:
Scrapbooks
Topic:
Women artists -- Maine  Search this
Record number:
(DSI-AAA_CollID)6130
(DSI-AAA_SIRISBib)216345
AAA_collcode_ipcadahl
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216345

Statement on an exhibit of the Washington Art Association, ca. 1860

Creator:
Feinberg, Charles E., 1899-1988  Search this
Subject:
Washington Art Association (Washington, D.C.)  Search this
Record number:
(DSI-AAA_CollID)21805
(DSI-AAA_SIRISBib)306225
AAA_collcode_feinchar2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_306225

Oral history interview with Fletcher Martin

Interviewee:
Martin, Fletcher, 1904-1979  Search this
Interviewer:
Trovato, Joseph S., 1912-1983  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Siqueiros, David Alfaro  Search this
Extent:
7 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Nov. 19
Scope and Contents:
An interview of Fletcher Martin conducted 1964 Nov. 19, by Joseph S. Trovato, for the Archives of American Art.
Martin speaks of his family background and self-taught art education; meeting David A. Siqueiros and painting a mural with him; becoming established as an artist and having his first exhibits; working on the Federal Art Project (FAP) as a fresco painter; working on post office murals and relief sculptures; and his overall view of the Federal Art Project.
Biographical / Historical:
Fletcher Martin (1904-1979) was a printmaker, painter, and mural painter from Sarasota, Fla. and Guanajuato, Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 41 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: use requires an appointment.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Muralists -- Interviews  Search this
Painters -- Interviews  Search this
Printmakers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.martin64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-martin64

Statement on an exhibit of the Washington Art Association

Donor:
Feinberg, Charles E., 1899-1988  Search this
Names:
Washington Art Association (Washington, D.C.)  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Date:
ca. 1860
Scope and Contents:
Handwritten statement signed "P.S." describes an exhibition at the Washington Art Association. The author mentions three works specifically: Charles Loring Elliott's portrait of Thomas Loraine McKenney; George Peter Alexander Healy's portrait of Mrs. Slidell; and William Henry Rinehart's bas relief sculptures of "Night" and "Morning."
General:
Date based on the three artworks mentioned in manuscript.
Provenance:
Donated by Charles E. Feinberg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Identifier:
AAA.feinchar2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-feinchar2

The Zorach Family papers

Creator:
Zorach Family  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Ipcar, Dahlov Zorach, 1917-  Search this
Newman, Arnold, 1918-2006  Search this
Partridge, Roi, 1888-1984  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, Tessim  Search this
Zorach, William, 1887-1966  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Date:
1900-1987
Summary:
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.
Scope and Content Note:
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

The majority of correspondence is between Tessim Zorach and various museums and galleries concerning exhibitions and donations of his parents' works of art. There are scattered letters to William Zorach among the correspondence. Business records consist of materials relating to the Collection of the Zorach Children, including lists of works of art by the Zorach's, a file relating to an exhibition of Zorach artwork at the Brooklyn Museum, and photographs of works of art considered for donation.

Writings and Notes include a typescript of an article written by Marguerite Zorach, writings by William Zorach, a typescript of Young Poems by William and Marguerite, as well as articles written by others about the Zorachs. Artwork by Marguerite Zorach includes two prints and a tracing. Also found is one sketchbook, and additional drawings by William Zorach. There is one unsigned lithograph.

The majority of exhibition announcements, catalogs, and clippings concern William and Marguerite Zorach although there are two announcements for Dahlov Ipcar. There is one scrapbook of clippings about Marguerite.

The papers include photographs of Marguerite and William Zorach, their parents, baby photos of Tessim and Dahlov, family pictures of the Zorachs, and of Marguerite and William in their studios. There are several folders of William Zorach working in his studios and additional photos of him carving a relief sculpture and a sculpture for the Southwest Bank. Most of these photographs contain detailed annotations written by William Zorach about the work. There is one folder of photographs of William in France in 1910-1911, including one of Zorach in Roi Partridge's studio. There is one photograph of Zorach taken by Ansel Adams in Yosemite, a photo of Zorach working by Arnold Newman, and several taken by Imogen Cunnigham.

Other photographs are of works of art, most of which depict William's works.

Artifacts include Marguerite's batik tools and approximately fifty commercially made printing blocks.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Information, circa 1907-1969 (Box 1, 6; 3 folders)

Series 2: Correspondence, 1922-1982 (Box 1-2; 1.75 linear feet)

Series 3: Business Records, 1967-1971, circa 1960s-1970s (Box 2-3; 0.3 linear feet)

Series 4: Writings and Notes, circa 1930s-1973, 1987 (Box 3; 8 folders)

Series 5: Artworks, 1900-circa 1920s (Box 3, 6; 12 folders)

Series 6: Scrapbooks, 1922-1953 (Box 3; 1 folder)

Series 7: Printed Material, 1912-1982 (Box 3; 0.25 linear feet)

Series 8: Photographs, 1908-1966 (Box 3-5; 1.0 linear feet)

Series 9: Artifacts, circa 1910s, circa 1950s (Box 4; 0.5 linear feet)
Biographical Note:
William Zorach (1887-1966) was a modernist painter and sculptor working primarily in New York city, along with his wife Marguerite (1887-1968) who worked as a fauvist painter, printmaker, and textile artist. Their children were painter Dahlov Ipcar (1917-) and art collector Tessim Zorach (1915-1995.)

Born in Lithuania, William Zorach immigrated to the United States where his family settled in Cleveland, Ohio. An early interest in art led to a printmaking apprenticeship. He then moved to New York City and enrolled in the National Academy of Design where he studied painting and drawing. In 1910, Zorach traveled to Paris to study and where he met his wife Marguerite Thompson at the La Palette art school. Marguerite grew up in Fresno, California and studied art at Stanford University. Both artists were heavily influenced by the fauvist and cubist art movements.

Returning to America, Marguerite and William married and both continued to create and experiment with varied media. Their paintings were featured in the 1913 New York City Armory Show and they are credited with being among the first artists to introduce European modernist styles to American modernism. The Zorachs were very close both as a couple and as working active artists.

In the 1920s, Marguerite began to experiment with textiles and created large, fine art tapestries and hooked rugs. Also, she used batik dying techniques on fabrics. William also expanded his genre by creating direct sculpture in 1918, which would become his primary medium.

In 1915, William and Marguerite started a family with their son, Tessim. Two years later, their daughter Dahlov was born. The Zorachs divided the year and lived in New York City, New Hampshire, and Massachusetts. In 1923, the family bought a farm on Georgetown Island, Maine where they lived, worked, and entertained friends.

Dahlov and Tessim were exposed to art from an early age. Dahlov showed artistic promise as a child and her parents supported her creativity by allowing her to express herself without formal training. Dahlov pursued painting and later became an illustrator for children's books. Additionally, she wrote fantasy novels and short stories. Dahlov married Adolf Ipcar in 1936. Like the rest of his family, Tessim Zorach developed an interest of art and along with his wife Peggy, he amassed a large private collection of ancient to modern art.

William and Marguerite continued to sculpt and paint until their deaths in 1966 and 1968, respectively.

Together, Dahlov and Tessim established the Collection of the Zorach Children which coordinated donations of their parents' art to many museums throughout the United States and the world. The artwork of both artists is found in the collections of the Metropolitan Museum of Art, Brooklyn Museum, Whitney Museum of American Art, Delaware Art Museum, Museum of Fine Arts, Boston, Farnsworth Art Museum, Portland Museum of Art, National Gallery of Art, National Portrait Gallery and the Smithsonian American Art Museum, The Philips Collection, and educational institutions such as Colby College, University of Vermont, Williams College, Bowdoin College, and the University of Virginia. In addition William has works associated with many public buildings, among them: Radio City Music Hall, New York City Municipal Court, the U.S. Post Office in Washington D.C. as well as Farleigh Dickinson University.
Related Material:
The Archives of American Art holds the Dahlov Ipcar papers, 1906-1997. Also found is one oral history interview with William Zorach conducted by by John D. Morse on April 2, 1959 and an oral history interview with Dahlov Ipcar conducted by Robert F. Brown on November 13, 1979.

The bulk of William Zorach's papers are held by the Library of Congress.
Separated Material:
The Archives of American Art also holds material lent for microfilming on reels NY59-1-NY59-4 and NY59-19. Loaned materials were returned to the lender and are now held by the Library of Congress, Manuscript Division. This material is not described in the collection container inventory or finding aid.
Provenance:
William Zorach lent papers for microfilming to the Archives of American Art in 1959. Tessim Zorach donated materials between 1976-1987.
Restrictions:
Use of originals requires an appointment.
Rights:
The Zorach Family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, American  Search this
Art dealers -- New York (State) -- New York  Search this
Artist couples  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Weavers  Search this
Works of art  Search this
Genre/Form:
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Citation:
The Zorach Family papers, 1900-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zorazora
See more items in:
The Zorach Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zorazora

Bruno Louis Zimm papers

Creator:
Zimm, Bruno Louis, 1876-1943  Search this
Names:
Bitter, Karl Theodore Francis, 1867-1915  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1907-1985
Scope and Contents:
A letter from Karl Bitter with a sketch of a male figure (1908) praises Zimm's relief sculpture at "the League room". Photographs show Zimm, his studio, home, and works of art (ca. 1923-1940), and Hasbrouck Zimm (ca. 1946). Other materials consist of a biographical account written by Zimm's son (1985) and 3 clippings (1907-1982).
Biographical / Historical:
Sculptor. Zimm studied art in Paris around 1900, and in New York City with Karl Bitter, later establishing a studio on 59th Street. About 1910, Zimm moved to the Lewis Hollow district of Woodstock, New York. In 1919, he married his second wife, novelist Louise Seymour Hasbrouck. Zimm's sculpture of SACAJAWEA appeared in the Louisiana Purchase Exposition in St. Louis (1904) and a frieze was exhibited in the 1913 Panama-Pacific Exposition in San Francisco.
Provenance:
The donor, Bruno Hasbrouck Zimm, is Bruno Louis Zimm's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Identifier:
AAA.zimmbrun
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zimmbrun

Benson Bond Moore papers

Creator:
Moore, Benson Bond, 1882-1974  Search this
Names:
Society of Animal Artists  Search this
Washington Landscape Club  Search this
Berryman, Clifford Kennedy, 1869-1949  Search this
Bransom, Paul, 1885-  Search this
Clark, Herbert F.  Search this
Cornett, Robert G.  Search this
Lowe, James Russell  Search this
Lyon, Rowland, 1904-  Search this
Rolle, A. H. O. (August H. O.), 1875-1940  Search this
Sayre, Francis Bowes, 1885-1972  Search this
Seaton, Charles  Search this
Extent:
5.7 Linear feet
Type:
Collection descriptions
Archival materials
Etchings
Christmas cards
Paintings
Drawings
Travel sketches
Sketches
Poems
Awards
Photographs
Prints
Scrapbooks
Place:
New York (State)
Date:
1902-1995
Summary:
The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.
Scope and Content Note:
The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.

Biographical material includes genealogical notes, biographical accounts, a baptismal record, marriage license, driver's license, membership cards, an award medal and ribbons, a death certificate, and address books.

Letters are incoming only from friends and colleagues, including Christmas cards from Clifford K. Berryman, Paul Bransom, James Russell Lowe, Rowland Lyon, and Francis Bowes Sayre. There is also a photocopy of a letter from Lou Henry Hoover.

Personal business records include a copy of a patent for Moore's design for an artist's kit, a deed for Moore's father's gallery, priced labels for art work in various media, lists of art work, price lists, records of art work sold, bank account records, miscellaneous receipts, and a ledger concerning Moore's works left in trust after his death.

Notes and writings consist of nine poems by Moore, lists of titles of art work sold, lists of art work by others, and a funeral registry book listing mourners' names. The most notable item in this series is a log book of The Ramblers containing a typescript describing the history of this early 20th century art club.

Art work comprises the most significant series in the collection. It includes 1040 drawings, 43 watercolor sketches, 526 etchings, 187 lithographs, 8 paintings and 5 relief sculptures. Subjects depicted are primarily wildlife and nature, landscapes, seascapes, and scenes of towns and notable buildings primarily in and around Washington, D.C. There are scattered portrait drawings and etchings by Moore of fellow artists Herbert F. Clark, Robert G. Cornett, August H. O. Rolle, and Charles Seaton. There are also 5 bas-relief sculptures.

Twelve scrapbooks contain prints by Moore, letters, printed materials, and photographs of Moore and his artwork. Scrapbook 10 contains a photograph of a Landscape Club banquet at the Cosmos Club.

Printed material consists of clippings, exhibition announcements and catalogs, a prospectus from the Society of Animal Artists, book Animals of American History illustrated by Paul Bransom, miscellaneous booklets and brochures concerning art-related topics, travel brochures for New York State, and reproductions of art works.

Photographs are of Benson Bond Moore, his family, residence, colleagues including members of The Ramblers painting outdoors, and of art work. There are also travel photographs of locations in the United States.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1908-1974 (Box 1; 6 folders)

Series 2: Letters, 1912-1993 (Box 1; 40 folders)

Series 3: Personal Business Records, 1924-1994 (Box 1-2; 0.7 linear feet)

Series 4: Notes and Writings, 1902-1974 (Box 2; 8 folders)

Series 5: Art Work, 1904-1991 (Box 2-4, 6, OV 8; 2.2 linear feet)

Series 6: Scrapbooks, 1919-1973 (Box 4, 7; 0.9 linear feet)

Series 7: Printed Material, 1916-1995 (Box 5-6, OV 8; 1.0 linear feet)

Series 8: Photographs, 1924-1971 (Box 5-7, OV 8; 0.7 linear feet)
Biographical Note:
Benson Bond Moore (1882-1974) of Washington, D.C. and Sarasota, Florida, was a printmaker, landscape painter, art teacher, and picture restorer.

Benson Bond Moore was born on August 13, 1882 in Washington, D.C., the first child of Caroline and John Benson Moore. From an early age, Moore assisted his father in his picture restoring business. In 1902, he was employed by the Maurice Joyce Photo-Engraving Co., and soon afterwards produced a series of technical drawings for Alexander Graham Bell.

Moore studied at the Corcoran School of Art, and, in 1914, he joined The Ramblers (later the Washington Landscape Club), a group of artists who went on painting and drawing expeditions in the environs of Washington, D.C. Moore taught etching at the private Hill School of Art and was an active member of many regional art associations. He was also a founding member of the Miniature Painters, Sculptors and Gravers Society. Following the death of his wife Florence (Flossie) in the early 1950s, Moore moved to Sarasota, Florida.

Benson Bond Moore died on October 30, 1974 in Sarasota, Florida.
Separated Material:
Printmaking tools, lithographic plates, and a 24 x 30 inch display board exhibiting specimen prints and plates and a pocket barometer were transferred to the National Museum of American History, Department of Information Technology and Society.
Provenance:
The Benson Bond Moore papers were donated by Barbara Nikla and John J. Lyons in 1996, as representatives of the estate of the artist's sister-in-law, Mary Jane Moore. Additional material was donated 1997 from the estate by other relatives, Martha Sigmon and her sister Georgia King.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Benson Bond Moore papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Landscape painting -- 20th century -- Washington (D.C.)  Search this
Relief (Sculpture)  Search this
Artists -- Washington (D.C.)  Search this
Etchers -- Washington (D.C.)  Search this
Landscape painters -- New York (State)  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Etchings
Christmas cards
Paintings
Drawings
Travel sketches
Sketches
Poems
Awards
Photographs
Prints
Scrapbooks
Citation:
Benson Bond Moore papers, 1902-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moorbens
See more items in:
Benson Bond Moore papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moorbens

Peter and Rose Krasnow papers

Creator:
Krasnow, Peter, 1886-1979  Search this
Names:
Peter Krasnow Arts Foundation  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Blades, Harriet  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Clements, Grace, 1905-1969  Search this
Cocker, Conrad  Search this
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Drake, Alfred S.  Search this
Howe, Dudley  Search this
Krasnow, Rose, 1885-1984  Search this
Morley, Grace, 1900-1985  Search this
Noer, Philip  Search this
Owen, Dale  Search this
Owen, Elaine  Search this
Price, Aimée Brown, 1939-  Search this
Raboff, Ernest Lloyd  Search this
Raboff, Ina  Search this
Stone, Irving, 1903-  Search this
Weston, Edward, 1886-1958  Search this
Weston, Edward, 1886-1958 -- Photographs  Search this
Weston, Flora -- Photographs  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Date:
1914-1984
Summary:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.
Scope and Content Note:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.

Biographical materials include documentation of Rose Krasnow's service as a member of the Army Air Forces Ground Observer Corps, programs and other materials from various memorial services, a sound recording with commentary on a Peter Krasnow exhibition, and documentation of a project to publish Rose Krasnow's poetry.

Correspondence consists of Peter and Rose Krasnow's personal and professional correspondence as well as a small amount of third party correspondence. Personal correspondence with friends and family involves health, work, daily events, and other life updates. Professional correspondence with art dealers, curators, gallery and museum directors, collectors, and colleges and universities concerns exhibitions, sales, loans, and donations of artwork. Primary correspondents include Leslie Burton and Harriet Blades, Dan Budnik, Grace Clements, Conrad Crocker, Dudley Howe, Lilly Weil Jaffe, Grace L. McCann Morley, Dale and Elaine Owen, Aimée Brown Price, Ernest and Ina Raboff, Irving Stone, and Edward Weston. There are also numerous scattered letters from artists, writers, curators, critics, museums, arts associations, and Jewish organizations.

Writings and notes are by Peter Krasnow, Rose Krasnow, and others. Writings by Peter Krasnow include a draft autobiography, essays, lectures on wood sculpture, typescripts, notes, and writings on art. Writings by Rose Krasnow include essays, plays, poetry, and short stories. Writings by others consist of essays, lectures, notes, plays, poetry, short stories, and typescripts. Other writers include Grace Clements, Fidel Danieli, Robert DeLuce, Alfred S. Drake, and Philip Noer. There are also five handwritten personal diaries by Peter Krasnow.

Personal business records include Rose Krasnow's bank book from 1980, Peter Krasnow's naturalization certificate and passport, an inventory of paintings on index cards, tax applications for the Peter Krasnow Arts Foundation, materials relating to Peter Krasnow's estate and the purchase of his artwork, and various receipts.

Printed materials include exhibition catalogs and announcements, clippings, bound books, magazines and journals, a Chicago Society of Artists block print calendar, and two printed posters from Peter Krasnow's exhibit at the Galerie Pierre in 1934.

Artwork is mostly by Peter Krasnow, and includes five sketchbooks, sketches and drawings, watercolors, preliminary studies in oil, and prints.

Photographs include personal photographs, photographs of major sculpture projects in progress, and artwork. Personal photographs are of Peter and Rose, family members, and friends, as well as a few scattered images of landscapes and architecture, possibly travel photographs. There are also photographs of Edward and Flora Weston. There are three photograph albums, one contains images of Krasnow's relief sculptures for the Sinai Temple's Kohn Chapel. Two photograph albums were compliled by Susan Ehrlich for Peter and Rose Krasnow. Also found are photographs of works of art. Some of the photographs in the papers were taken by Dan Budnik.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Materials, circa 1942-1983 (Boxes 1, 6; 7 folders)

Series 2: Correspondence, circa 1930-1984 (Box 1; 0.4 linear feet)

Series 3: Writings and Notes, circa 1916-1980 (Boxes 1-2; 1.3 linear feet)

Series 4: Diaries, circa 1955-1968 (Box 2-3; 5 folders)

Series 5: Personal Business Records, circa 1914-1982 (Box 3; 0.4 linear feet)

Series 6: Printed Materials, circa 1922-1981 (Boxes 3-4 and OV 9; 1.1 linear feet)

Series 7: Artwork, circa 1918-1980 (Boxes 4-6 and OV 7-8, 10; 1.5 linear feet)

Series 8: Sketchbooks, circa 1918-1973 (Box 5; 5 folders)

Series 9: Photographs, circa 1914-1981 (Boxes 5-6; 0.6 linear feet)
Biographical Note:
Peter Krasnow (1886-1979) was a painter, sculptor, and printmaker who lived and worked primarily in Southern California. His wife, Rose Krasnow (1885-1984), was a prolific writer of poems, short stories, and plays.

Peter Krasnow was born on August 20, 1886 in the Ukraine, Russia to Jewish parents. His father's work as an interior designer inspired Krasnow's interest in art.

In 1907, Krasnow emigrated to the United States, first living in Boston. He moved to Chicago in 1908 to attend the Art Institute of Chicago, where he met his future wife, Rose Bloom. To support himself during his studies, Krasnow worked as a security officer and performed other manual jobs. He graduated from the Art Institute of Chicago in 1916 and married Rose that same year.

The Krasnows moved to New York in 1919. In New York, Krasnow experienced some artistic success, participating in group and solo exhibitions at the Whitney Studio Club. During this time period, Krasnow often painted city scenes using a dark color palette.

In 1922, the Krasnows moved to Los Angeles, California. Krasnow built a studio near Glendale in 1923, on land purchased from photographer and friend Edward Weston. The studio also served as the Krasnows' main residence for the rest of their lives. In 1923 in Los Angeles, Krasnow exhibited with the Group of Independent Artists, which included Stanton Macdonald-Wright, Boris Deutsch, Nick Brigante, Ben Berlin, and other noteworthy artists. During his first years in California, Krasnow mostly created watercolor paintings, including a series of landscapes, using a lighter color palette than his earlier works. In the 1920s, Krasnow also accepted commissions for carved wood reliefs at the Temple Emmanu-El in San Francisco and the Sinai Temple in Los Angeles.

Krasnow received a grant in 1931, and he and Rose temporarily relocated to the Dordogne region of France, where they lived until 1934. During this time, Krasnow painted a series of watercolors and paintings of the French landscape. Before returning to the United States, Krasnow exhibited these landscapes at the Galerie Pierre.

After returning to California, Krasnow began creating carved wood sculptures, which he named 'demountables,' often using wood from trees on his property. Krasnow created these sculptures to celebrate the organic shapes inherent in wood.

In 1934, Krasnow returned to painting, this time creating bright, colorful, geometric designs which often incorporated symbolism from his Jewish heritage. Krasnow focused on these paintings through the remaining years of his life. In 1977, Krasnow received a fellowship from the National Endowment for the Arts.

Peter Krasnow died on October 30, 1979 in Los Angeles. Rose Krasnow died five years later, in 1984.
Provenance:
The Peter and Rose Krasnow papers were donated in several increments between 1976 and 1998 by Peter Krasnow, the Estate of Peter Krasnow, and the Peter and Rose Krasnow Foundation.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Peter and Rose Krasnow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Wood sculpture  Search this
Painters -- California -- Los Angeles  Search this
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kraspete
See more items in:
Peter and Rose Krasnow papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kraspete
Online Media:

Charles Keck papers

Creator:
Keck, Charles, 1875-1951  Search this
Names:
Calder, Alexander Stirling, 1870-1945  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1905-circa 1954
Summary:
The papers of New York City sculptor Charles Keck (1875-1951) measure 8.6 linear feet and date from circa 1905-circa 1954. The papers provide scattered documentation of Keck's life through thirteen letters, two speeches, lists of artwork with price and sales information, printed material, and photographic material, including photos of Keck and his studio, and a collection of 1003 glass plate negatives, primarily of Keck's artwork, which document the wide range of work he produced throughout his prolific career.
Scope and Contents:
The papers of New York City sculptor Charles Keck (1875-1951) measure 8.6 linear feet and date from circa 1905-circa 1954. The papers provide scattered documentation of Keck's life through thirteen letters, two speeches, lists of artwork with price and sales information, printed material, and photographic material, including photos of Keck and his studio, and a collection of 1003 glass plate negatives, primarily of Keck's artwork, which document the wide range of work he produced throughout his prolific career.

Keck's thirteen letters include two from Alexander Stirling Calder and one from Homer Saint-Gaudens. His lists of artwork include details of contracts, payments, and prices.

Photographs include Keck, his wife, Anne Keck, two photos from a circa 1920 Beaux Arts ball, photographs of Keck at work in his studio, including one taken at the American Academy in Rome, three group photographs of Keck, Adolph Weinman, Milton Horn, and others, and photos taken at the unveiling of Keck's monument in Raleigh, North Carolina, that include President Harry S. Truman and Margaret Truman.
Arrangement:
The collection is arranged as two series.

Series 1: Personal Papers, 1920-circa 1954 (0.3 linear feet; Box 1)

Series 2: Photographic Material, circa 1905-circa 1948 (8.3 linear feet; Boxes 1-22)
Biographical / Historical:
New York City sculptor Charles Keck (1875-1951) was known for his statuary and relief sculpture, including military and presidential statues, busts, and memorials, medal relief sculpture, and memorial tablets.

Keck was born in New York City, and began his art training at the National Academy of Design and the Art Students League of New York. He also worked in the studio of Augustus Saint-Gaudens from 1893-1898. In 1899 he won the Prix de Rome and studied sculpture at the American Academy in Rome from 1901-1904. On returning to the United States in 1905, he opened a studio in New York City, from which he worked for the remainder of his life.

Keck's most famous works include a figure of Booker T. Washington at Tuskegee, Alabama (1922), a seated figure of Abraham Lincoln at Wabash, Indiana (1926), a statue of World War II chaplain, Father Francis D. Duffy in Times Square, New York (1937), and equestrian statues to Andrew Jackson in Kansas City (1934) and Independence (1949), Missouri. His relief work included designs of state medals, seals, and coins, memorial tablets such as his USS "Maine" tablet, and friezes for the Nelson Atkins Museum in Kansas City, Missouri, and the Bronx Building in New York.

Keck received many awards during his career, including the Annual Gold medal for Sculpture of the Architectural League of New York (1926), and was a member of professional art organizations including the National Academy of Design, the National Sculpture Society, the American Federation of Arts, and others.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel D105) including scrapbooks containing clippings, speeches, photographs, and some correspondence. Items were returned to the donor after microfilming and are not further described in the container listing of this finding aid.
Provenance:
The collection was loaned for microfilming, and the bulk of it was later donated, between 1962-1972 by Anne C. Keck, widow of Charles Keck.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Citation:
Charles Keck papers, circa 1905-circa 1954. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.keckchar
See more items in:
Charles Keck papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-keckchar
Online Media:

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