Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Leslie J. and Johanna Garfield.
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
Jump for joy is contained in twelve of one hundred fourteen folders for "Jump for joy" consisting of 1 two page conductor score in C Major concert, 1 two-page piano conductor score and 1 part in G Major concert, 16 parts in Bb Major concert, 1 ten-page conductor score, 2 three-page piano vocalscores, 1 one-page short score and 90 parts in Eb Major concert, 1 one-page short score, 1 three-page short score, 3 four-page piano vocal scores and 14 parts in Ab Major concert, 1 seven-page conductor score and 30 parts in Db Major concert, and 3 parts in an unknown key -- in ink, pencil and photocopy --in identified hands (DE, BS, Seay, Roger, Fleagle, Tizol, Whaley) and unidentified hands (Sanders, Hamilton, others?).
Folder A contains items in 3 groupings -- (i) Conductor score in C Major. Score does not indicate instrumentation. Score subtitled "Intro." --(ii) Conductor score in Eb Major. Score indicates parts for 2 altos, 2 tenors,baritone, 3 trumpets, 2 trombones, bass. -- (iii) One page short score and parts in Ab Major. Short score indicates parts for 4 saxes, 3 trumpets. Partsfor 4 reeds - Rab, Proc, Jimmy, Paul; 2 trumpets - 2, 3; 3 trombones - Britt, John, Butter; bass. Score and parts subtitled "Reprise."
Folder B contains items in Db Major in 2 groupings -- (i) Conductor score. Score indicates parts for 4 saxes, baritone, 4 trumpets, 3 trombones, bass. -- (ii) Parts for 5 reeds - Johnny, alto 1, Jimmy, Paul, baritone; 4 trumpets - 1, Cat, 2, 3; 3 trombones - 1, 2, 3; bass. Parts had many amendments taped to the originals. Loose items were contained in a separate mylar sleeve.
Folder C contains 2 piano vocal scores in Eb Major. Lyrics begin"We're so fed up with the Southland ...".
Folder D contains items in Eb Major in 3 groupings -- (i) One page short score. Score indicates parts for Rab, Proc, Jim, Paul, baritone, 3 trumpets, trombones, bass. Score appears incomplete. -- (ii) Parts for 5 reeds- Rab, Proc, Jim, Paul, Carney; 3 trumpets - 2, 3, 4; 3 trombones - 1, 2, 3; bass. -- (iii) Parts for 5 reeds - Rab, Proc, Jim, Paul, Carney; 3 trumpets - Cat, Herb, Mercer; 3 trombones - Brown, Buster, Chuck; bass.
Folder E contains piano conductor score in G Major. Score indicates parts for Rab, baritone, trombone. Score appears incomplete.
Folder F contains items in 4 groupings -- (i) Parts in an unknownkey for drums (2). -- (ii) Parts in Eb Major for 1 trumpet - Baker; 2 trombones- Britt, John. -- (iii) Part in Eb Major for bass. -- (iv) Parts in Eb Major for 8 reeds - Rab, Proc, Toby, Sears, Jimmy, clarinet, tenor 2, Carney; 3 trumpets - Cootie, Baker, Nathan (4); 3 trombones - John, Tricky, 3. Parts appear to reflect different arrangements of the piece.
Folder G contains items in 9 groupings -- (i) Parts in Eb Major for 2 trumpets - 2, 3; 3 trombones - 1, 2, 3. -- (ii) Parts in Eb Major for 1 reed - Barney; 1 trombone - Brown. -- (iii) Parts in Bb Major for 1 reed - Carney; 1 trumpet - Wallace; 2 trombones - Brown, Tizol. -- (iv) Parts in Eb Major for 2 reeds - Otto, Ben; Eb transposing instrument (2); Bb transposing instrument (4). Many parts appear incomplete. -- (v) Part in Eb Major for guitar. -- (vi) Parts in Ab Major for 3 trombones - Booty, Tricky, Brown. Parts appear to reflect different arrangements of the piece. -- (vii) Part in GMajor for 1 trombone - Brown. -- (viii) Parts in Eb Major for 2 reeds - tenor (2), Carney; 1 trumpet - Herb; 2 trombones - Britt, Tricky. -- (ix) Part in an unknown key for drums.
Folder H contains three page short score in Ab Major. Score indicates parts for Rab, Proc, Paul, baritone, Terry, trumpets, Britt, Butter, John, drums. Score appears incomplete.
Folder I contains items in 3 groupings -- (i) Parts in Bb Major for 3 reeds - Otto, Jimmy, Carney; 4 trumpets - Baker, Taft, Wallace, Rex; 1 trombone - Brown; guitar. -- (ii) Parts in Eb Major for 2 reeds - Toby, Sears; 1 trombone - Tricky. Part for Tricky appears incomplete. -- (iii) Parts in Eb Major for 5 reeds - Rab, Proc, Jimmy, tenor 2, baritone; 3 trumpets - Ray, 2, 3 3 trombones - 1, 2, 3 (2).
Folder J contains parts in 2 groupings -- (i) Parts in Eb Major for 2 trombones - 1 (2), Britt. -- (ii) Parts in Bb Major for 1 reed - alto 2; 1 trumpet - 1; 1 trombone - 1.
Folder K contains items in Ab Major in 2 groupings -- (i) Part and piano vocal score. Part for piano. Piano vocal score lyrics begin "Fare thee well, land of cotton ...". -- (ii) 2 piano vocal scores. Lyrics begin "Jump for joy, jump for joy ...".
Folder L contains parts in 3 groupings -- (i) Parts in Eb Major for 3 reeds - James, Rick, baritone; 2 trombones - Vince, CC. -- (ii) Parts in Db Major for 5 reeds - alto 1, alto 2, tenor 3, tenor 4, baritone; 4 trumpets -1, 2, 3, 4; 3 trombones - 1, 2, 3; rhythm (4). -- (iii) Part in Db Major for rhythm. -- All items except Folder C and Folder F, grouping ii from the Duke Ellington Library.
Biographical / Historical:
Folder C from the Presentation Album, vol. D. Folder F, grouping ii from the Mercer Ellington Library. There appear to be numbers from the Duke Ellington Band Book: 14, 54.
General:
Additional materials for this piece are contained in "Bli-blip," from "Jump for joy." An untitled piece is contained in Folder B. Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Other Title:
J for j.
Joy.
Publication:
New York, N.Y., Robbins Music Corp.,, 1941
Collection Restrictions:
Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.
Paul Ellington, executor, is represented by:
Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century Search this
Genre/Form:
Manuscripts -- Music -- 20th century
Conductor scores
Copy scores
Copy scores
Holographs
Holographs
Music
Parts (musical)
Photocopies
Photocopies
Piano conductor scores
Piano vocal scores
Published sheet music
Short scores
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
Sponsor:
Processing and encoding partially funded by a grant from the Council on Library and Information Resources.
James Reed. James Reed letter to Yasuo Kuniyoshi, 1942 October 8. Yasuo Kuniyoshi papers, 1906-2016. Archives of American Art, Smithsonian Institution.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Name and Subject Index (N – Z) to Registers 4 and 5
Type:
Archival materials
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Experimental yellow fever / by Walter Reed ... James Carroll ... A. Agramonte ... ; reprinted from American medicine vol. 2, no. 1, pages 15-23 July 6, 1901
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
