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Beyond Images of Beauty: Women’s Lives in Edo-Period Japan

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2017-06-10T23:24:13.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_HPStg-9qiks

The People of India, Volume Four

Publisher:
Watson, J. Forbes (John Forbes), 1827-1892.  Search this
Kaye, John William, Sir, 1814-1876  Search this
Collection Publisher:
Watson, J. Forbes (John Forbes), 1827-1892.  Search this
Kaye, John William, Sir, 1814-1876  Search this
Extent:
1 Volume
Container:
Box 7
Culture:
Hindus  Search this
Rajput (Indic people)  Search this
Muslims  Search this
Sikhs  Search this
Buddhists  Search this
Jains  Search this
Type:
Archival materials
Books
Volumes
Local Numbers:
FSA A1990.03 4
Collection Restrictions:
Collection is open for research.
Topic:
Indigenous peoples -- South Asia  Search this
Ethnography -- South Asia  Search this
Collection Citation:
The People of India, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C., Purchase
Identifier:
FSA.A1990.03, Series FSA A1990.03 4
See more items in:
The People of India: A Series of Photographic Illustrations, with Descriptive Letterpress, of the Races and Tribes of Hindustan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c7572375-8a86-42b7-845d-344f3a6f6e99
EDAN-URL:
ead_component:sova-fsa-a1990-03-ref4
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The People of India, Volume Three

Publisher:
Watson, J. Forbes (John Forbes), 1827-1892.  Search this
Kaye, John William, Sir, 1814-1876  Search this
Collection Publisher:
Watson, J. Forbes (John Forbes), 1827-1892.  Search this
Kaye, John William, Sir, 1814-1876  Search this
Extent:
1 Volume
Container:
Box 6
Culture:
Hindus  Search this
Rajput (Indic people)  Search this
Muslims  Search this
Buddhists  Search this
Type:
Archival materials
Books
Volumes
Local Numbers:
FSA A1990.03 3
Collection Restrictions:
Collection is open for research.
Topic:
Indigenous peoples -- South Asia  Search this
Ethnography -- South Asia  Search this
Collection Citation:
The People of India, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C., Purchase
Identifier:
FSA.A1990.03, Series FSA A1990.03 3
See more items in:
The People of India: A Series of Photographic Illustrations, with Descriptive Letterpress, of the Races and Tribes of Hindustan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3aaccc94a-082d-4f0a-8c27-27e7336610a2
EDAN-URL:
ead_component:sova-fsa-a1990-03-ref3
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Etre métis en Imerina (Madagascar) aux XIXe-XXe siecles Violaine Tisseau ; préface de Faranirina V. Rajaonah

Author:
Tisseau, Violaine 1978-  Search this
Physical description:
416 pages illustrations 24 cm
Type:
Books
History
Place:
Madagascar
Imerina
Imérina
Imerina (Madagascar)
Date:
2017
19th century
20th century
1885-1960
Topic:
Racially mixed people--History  Search this
Racially mixed people--Public opinion  Search this
Racially mixed people--Civil rights--History  Search this
Racially mixed families--History  Search this
Europeans--History  Search this
Familles métisses--Histoire  Search this
Mérina (Peuple de Madagascar)  Search this
Européens--Histoire  Search this
Europeans  Search this
Merina (Malagasy people)  Search this
Racially mixed families  Search this
Racially mixed people  Search this
Racially mixed people--Civil rights  Search this
Social conditions  Search this
History  Search this
Histoire  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1102671

Newspaper clippings

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 12, Folder 3
Type:
Archival materials
Text
Date:
1942
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 2: Professional
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg29e88526f-9151-49c1-b55b-04e5f0f91295
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref117
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Press Releases

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 14, Folder 6
Type:
Archival materials
Text
Date:
1937 - 1945
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 2: Professional
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2fbd7f269-965e-48b8-bc67-f94132778e95
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref130
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An Edo anthology literature from Japan's mega-city, 1750-1850 edited by Sumie Jones with Kenji Watanabe

Editor:
Jones, Sumie  Search this
Watanabe, Kenji 1944-  Search this
Physical description:
xii, 515 pages illustrations 23 cm
Type:
Translations into English
Novels
Poetry
humor
Comic books
comic strips
Translations
Literature
Humor
Fiction
Drama
Comics (Graphic works)
Théâtre
Poésie
Romans
Humour
Bandes dessinées
Littérature
Date:
2013
Edo period, 1600-1868
Topic:
Japanese literature  Search this
Japanese literature--Edo period  Search this
Literatur  Search this
Japanisch  Search this
Japansk litteratur  Search this
Översättningar  Search this
Engelska språket  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1118364

WACO History: The Human Investment in Waco Aircraft

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 6, Folder 2
Type:
Archival materials
Text
Scope and Contents:
(Final Copy)
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 4: Waco Company History
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg294810110-ca9a-404d-90b2-bef12f428f55
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref148
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Pioneering Commercial Aviation via WACO Aircraft - 1919 to Gliding & Soaring 1930 - 1931 on

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 10
Type:
Archival materials
Books
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 6: Scrapbooks
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg222a4e533-da79-40a8-8bc0-bdd169e8266d
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref900
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Oral history interview with Eleanor Sayre, 1993 April 19-1997 January 10

Interviewee:
Sayre, Eleanor A. (Eleanor Axson)  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Ames, Winslow  Search this
Constable, W. G. (William George)  Search this
Edgell, George Harold  Search this
Forbes, Edward Waldo  Search this
Goya, Francisco  Search this
Hofer, Philip  Search this
Karolik, Maxim  Search this
King, Georgiana Goddard  Search this
Rathbone, Perry Townsend  Search this
Rembrandt Harmenszoon van Rijn  Search this
Rosenberg, Jakob  Search this
Rossiter, Henry P. (Henry Preston)  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Seybolt, George Crossan  Search this
Sizer, Theodore  Search this
Swarzenski, Hanns  Search this
Washburn, Gordon B. (Gordon Bailey)  Search this
Wilson, Woodrow  Search this
Ashmolean Museum  Search this
Bryn Mawr College  Search this
Fogg Art Museum  Search this
Harvard University  Search this
Lyman Allyn Museum  Search this
Museum of Fine Arts, Boston  Search this
Museo del Prado  Search this
Rhode Island School of Design. Museum of Art  Search this
Yale University. Art Gallery  Search this
Type:
Sound recordings
Interviews
Place:
Spain -- History -- 1939-1975
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Eleanor Sayre, 1993 April 19-1997 January 10. Archives of American Art, Smithsonian Institution.
Topic:
Jewish refugees -- Germany  Search this
Museum curators -- Massachusetts -- Boston -- Interviews  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)13089
(DSI-AAA_SIRISBib)215869
AAA_collcode_sayre93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215869
Online Media:

Summer

Artist:
Max Weber, born Bialystok, Russia (now Bialystok, Poland) 1881-died Great Neck, NY 1961  Search this
Medium:
oil on canvas
Dimensions:
40 1/4 x 23 7/8 in. (102.2 x 60.6 cm.)
Type:
Painting
Date:
1909
Topic:
Figure group\female\nude  Search this
Landscape\season\summer  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Object number:
1993.7
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, 2nd Floor, North Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7fbea48ec-e5e9-4807-bd7e-240ed1d53581
EDAN-URL:
edanmdm:saam_1993.7

Oral history interview with Eleanor Sayre

Interviewee:
Sayre, Eleanor A.  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Ashmolean Museum  Search this
Bryn Mawr College -- Students  Search this
Fogg Art Museum  Search this
Harvard University -- Students  Search this
Lyman Allyn Museum  Search this
Museo del Prado  Search this
Museum of Fine Arts, Boston  Search this
Rhode Island School of Design. Museum of Art  Search this
Yale University. Art Gallery  Search this
Ames, Winslow  Search this
Constable, W. G. (William George), 1887-1976  Search this
Edgell, George Harold, b. 1887  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Goya, Francisco, 1746-1828  Search this
Hofer, Philip, 1898-1984  Search this
Karolik, Maxim  Search this
King, Georgiana Goddard, 1871-1939  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Rembrandt Harmenszoon van Rijn, 1606-1669  Search this
Rosenberg, Jakob, 1893-  Search this
Rossiter, Henry P. (Henry Preston), b. 1885  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Seybolt, George Crossan, 1914-1993  Search this
Sizer, Theodore, 1892-1967  Search this
Swarzenski, Hanns, 1903-1985  Search this
Washburn, Gordon B. (Gordon Bailey), 1904-1983  Search this
Wilson, Woodrow, 1856-1924  Search this
Extent:
213 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Spain -- History -- 1939-1975
Date:
1993 April 19-1997 January 10
Scope and Contents:
An interview of Eleanor Sayre conducted 1993 April 19-1997 January 10, by Robert F. Brown, for the Archives of American Art.
Sayre talks about her early childhood in Williamstown and Cambridge, Mass.; her family background; visits to the White House with her maternal grandfather, Woodrow Wilson; living abroad while her father was in government service in Bangkok, then Siam (now Thailand), Paris, and Switzerland, with extensive recollections of her brothers and schooling in Europe.
Attending Winsor School in Boston; her mother's death; her years at Bryn Mawr College, including her switch to art history from political science; Georgianna Goddard King as an influential teacher; an internship under Laura Dudley at the Fogg Art Museum's Print Room and the lasting effect of this experience.
Being a graduate student in fine arts at Harvard and the importance of Edward Forbes and Paul Sachs as teachers; her decision not to pursue a PhD; working with Jakob Rosenberg; helping to get young Jews out of Europe; her position as assistant for exhibitions at Yale University Art Gallery under Theodore Sizer; the trauma of her father's internment by the Japanese in the Philippines, where he was High Commissioner and his rescue; and her decision to turn down a military intelligence job in order to work with German Jewish refugees.
Her brief tenure at Lyman-Allyn Museum, Conn., under Winslow Ames; her years in the education department under Lydia "Ma" Powel at the Museum of Art of the Rhode Island School of Design with Gordon Washburn as director; and working closely with Heinrich Schwartz on prints and drawings.
The liberal tradition of her father's wealthy family; her father; being brought to the Museum of Fine Arts, Boston by its curator of prints, Henry Rossiter and on the charming collector and benefactor, Maxim Karolik; MFA curator of paintings, William George Constable; and George Harold Edgell, MFA director.
The collector, Philip Hofer, who by putting his Goya proofs on loan at the MFA, led to Sayre's life-long study of the artist; her research on Goya in Spain; raising of a large sum from Boston businesses to purchase Hofer's prints for the MFA, and the MFA's eminence by the 1960s in Goya's graphic work; the disgusting repression of dissent in Franco-era Spain; Goya's passionate self-assertion, which is what principally attracted Sayre to his work, and his conceptual process and method of work.
Earlier years at the MFA, Boston, including the accessibility of the print department's study rooms; Edwin J. Hipkiss, curator of American decorative arts; the Christmas poetry and prints exhibitions designed as profound learning experiences for a broad public; and being chosen as successor to Rossiter; and further comments on Maxim Karolik.
W.G. Russell Allen and other collectors who gave their collections to the MFA; her efforts to effectively present art to the broad public; her methods of appealing to the public coalescing at the MFA in 1989 with the "Goya and the Spirit of the Enlightenment" exhibition; and an exhibition of the work of Beatrix Potter.
Spain under the dictator, Francisco Franco; her first study in Spain of Goya's drawings and her urging the Prado Museum to conserve its drawings; the Prado's director, F. Sanchez-Canton; her research on prostitution at the Ministry of Justice; being decorated for her recommending the preservation of Goya's art and the marvelous private collections of Goya in Spain; and her obsession with interpreting the meaning of Goya's work.
The MFA, Boston, under the directorship of Perry Rathbone, who wanted many more people involved than had his predecessor, George Harold Edgell, who ran it like a Boston Brahmin Club; Rathbone's accomplishments; his downfall and that of his assistant (and curator of European decorative arts and sculpture) Hanns Swarzenski in bringing a so-called Raphael into this country by irregular means, which led to Rathbone and Swarzenski's firing by George Seybolt, the trustee president; Rathbone's reluctance to hire women curators and Sayre's finally becoming curator of prints and drawings in 1967; her philosophy as curator; on Hanns and Brigitte Swarzenski as dear friends; her exchange of positions with the curator of the Ashmolean Museum, Oxford, where she put their valuable but neglected print collection in order.
The exhibition and catalog, "Rembrandt: Experimental Etcher," (1969) in collaboration with the Pierpont Morgan Library; general views on exhibitions; co-authoring the exhibition catalog "Goya and the Spiris of Enlightenment" (1989); her contributions to Goya research; her current research and writing on Goya's Capaprichos print series; and her satisfaction in having spent her career in art museums.
Biographical / Historical:
Eleanor A. Sayre (1916-2001) was a curator and art historian from Boston, Mass.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 11 hrs., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Interviews  Search this
Printmakers  Search this
Topic:
Jewish refugees -- Germany  Search this
Museum curators -- Massachusetts -- Boston -- Interviews  Search this
World War, 1939-1945  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sayre93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94605f5ed-1c72-4e2f-92d1-4d6a22a3eaa2
EDAN-URL:
ead_collection:sova-aaa-sayre93
Online Media:

Routledge handbook of queer African studies edited by S.N. Nyeck

Editor:
Nyeck, S. N. 1977-  Search this
Physical description:
xv, 312 pages illustrations 26 cm
Type:
Books
Place:
Africa
Afrique
Date:
2020
Topic:
Homosexuality  Search this
Sexual minorities  Search this
Homosexualité  Search this
Minorités sexuelles  Search this
Africa  Search this
South Africa  Search this
Ghana  Search this
Kenya  Search this
Senegal  Search this
Ethiopia  Search this
LGBT  Search this
lesbianism  Search this
homosexuality  Search this
feminism  Search this
masculinity  Search this
sexuality  Search this
sex education  Search this
women's rights  Search this
prostitution  Search this
Christianity  Search this
football  Search this
Théorie queer  Search this
Orientation sexuelle  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1154966

[Egúngún masker depicting an satirical Idan of a prostitute], Egbado area, town of Ilaro, Nigeria

Photographer:
Drewal, Henry John  Search this
Collection Creator:
Drewal, Henry John  Search this
Drewal, Margaret Thompson  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1975
Scope and Contents:
Publication title reads, "9. Satiric Idan of a prostitute with two fang-like teeth that mar an otherwise aesthetically pleasing face."
Local Numbers:
EEPA 1992-028-08943
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. Copyright held by John and Margaret Drewal. To publish images from this collection, permission must be given by Henry and Margaret Drewal. Contact Archives staff for further information. The collection is subject to all copyright laws.
Topic:
Egúngún (Cult)  Search this
Rites and ceremonies -- Africa  Search this
Masquerades  Search this
Works of art in situ  Search this
Clothing and dress -- Africa  Search this
Masks  Search this
Wood-carving  Search this
Genre/Form:
Color slides
Collection Citation:
Henry and Margaret Drewal Photographs, EEPA 1992-028, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1992-028, Item EEPA D08943
See more items in:
Henry John Drewal and Margaret Thompson Drewal Collection
Henry John Drewal and Margaret Thompson Drewal Collection / Nigeria / 1975
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo724227ac5-3d99-4180-b069-943ffaba2237
EDAN-URL:
ead_component:sova-eepa-1992-028-ref11417

Works of art in situ

Collection Creator:
Drewal, Henry John  Search this
Drewal, Margaret Thompson  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Place:
Africa
Nigeria
Date:
1971
Scope and Contents:
Lagos Museum Agbo Sasa, the mask is called pansaga (prostitute) carved by Ogunoiyi. [Thompsonsays pansaga because of crossed gele, but have no confirmation of this. Place for attachment at top of head. Other extensions along forehead. Mo marks. [index card notes p55]. The date on the slide is JUL 71.
Local Numbers:
46-8

I 2 YRB 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. Copyright held by John and Margaret Drewal. To publish images from this collection, permission must be given by Henry and Margaret Drewal. Contact Archives staff for further information. The collection is subject to all copyright laws.
Topic:
Gelede -- Photographs  Search this
Art in situ -- Photographs  Search this
Works of art in situ  Search this
Collection Citation:
Henry and Margaret Drewal Photographs, EEPA 1992-028, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1992-028, Item EEPA 1992-028-00914
See more items in:
Henry John Drewal and Margaret Thompson Drewal Collection
Henry John Drewal and Margaret Thompson Drewal Collection / Nigeria / 1971
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7988be17a-ce72-4f0c-be3f-10d8c4c25713
EDAN-URL:
ead_component:sova-eepa-1992-028-ref1364

[Female-style (abogi) Gelede headdress representing policeman, prostitute, and the Oba], Egbado area, town of Imasai, Nigeria

Photographer:
Drewal, Henry John  Search this
Collection Creator:
Drewal, Henry John  Search this
Drewal, Margaret Thompson  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1971
Local Numbers:
EEPA 1992-028-00693
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. Copyright held by John and Margaret Drewal. To publish images from this collection, permission must be given by Henry and Margaret Drewal. Contact Archives staff for further information. The collection is subject to all copyright laws.
Topic:
Gelede -- Photographs  Search this
Works of art in situ  Search this
Masks  Search this
Headdresses -- headgear -- Africa  Search this
Wood-carving  Search this
Genre/Form:
Color slides
Collection Citation:
Henry and Margaret Drewal Photographs, EEPA 1992-028, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1992-028, Item EEPA D00693
See more items in:
Henry John Drewal and Margaret Thompson Drewal Collection
Henry John Drewal and Margaret Thompson Drewal Collection / Nigeria / 1971
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7cb881df1-152a-4b72-9dad-e597b783f483
EDAN-URL:
ead_component:sova-eepa-1992-028-ref3498

Works of art in situ

Collection Creator:
Drewal, Henry John  Search this
Drewal, Margaret Thompson  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Place:
Africa
Nigeria
Date:
1971
Scope and Contents:
Museum of African Art, Washington no info [James Silberman] [Yoruba, Nigeria, Gelede mask painted green, white red. Represents woman with gele tied in fromt, possibly prostitute (pasanga) Possibly related to work by Omigbaro, Kesan-Orile. 3 abaja on cheeks and 3 pele on forehead] [index card notes p4]. The date on the slide is NOV 71.
Local Numbers:
2-8

I 2 YRB 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. Copyright held by John and Margaret Drewal. To publish images from this collection, permission must be given by Henry and Margaret Drewal. Contact Archives staff for further information. The collection is subject to all copyright laws.
Topic:
Art in situ -- Photographs  Search this
Gelede -- Photographs  Search this
Works of art in situ  Search this
Collection Citation:
Henry and Margaret Drewal Photographs, EEPA 1992-028, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1992-028, Item EEPA 1992-028-00199
See more items in:
Henry John Drewal and Margaret Thompson Drewal Collection
Henry John Drewal and Margaret Thompson Drewal Collection / Nigeria / 1971
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7fbbddf5c-e780-4df3-8688-5633d42718d2
EDAN-URL:
ead_component:sova-eepa-1992-028-ref832

Works of art in situ

Collection Creator:
Drewal, Henry John  Search this
Drewal, Margaret Thompson  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Place:
Africa
Nigeria
Date:
1971
Scope and Contents:
Museum of African Art, Washington no info [James Silberman] [Yoruba, Nigerian, Gelede mask painted green, white red. Represents woman with gele tied in front, possibly prostitute (pasanga) Possibly related to work by Omigbaro, Kesan-Orile. 3 abaja on cheeks and 3 pele on forehead. [index card notes p4]. The date on the slide is NOV 71.
Local Numbers:
2-9

I 2 YRB 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. Copyright held by John and Margaret Drewal. To publish images from this collection, permission must be given by Henry and Margaret Drewal. Contact Archives staff for further information. The collection is subject to all copyright laws.
Topic:
Gelede -- Photographs  Search this
Art in situ -- Photographs  Search this
Works of art in situ  Search this
Collection Citation:
Henry and Margaret Drewal Photographs, EEPA 1992-028, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1992-028, Item EEPA 1992-028-00200
See more items in:
Henry John Drewal and Margaret Thompson Drewal Collection
Henry John Drewal and Margaret Thompson Drewal Collection / Nigeria / 1971
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo75eee173e-f6b7-46fd-8bb9-040b2ba8868e
EDAN-URL:
ead_component:sova-eepa-1992-028-ref833

Chico Garcia - Muralist and Graffiti Artist

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2000 August 25
General:
This audio recording has been transcribed. View transcription and play recording here. Download a PDF of the transcription here.
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Mural painting and decoration -- 20th century -- New York (State) -- New York  Search this
Street art  Search this
Graffiti art  Search this
Urban Life  Search this
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Item FP-2001-CT-0369
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival / Series 4: New York City at the Smithsonian / 4.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk598ae3c70-ff56-415b-af06-7a26ff458c6c
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref891
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Chico Garcia - Muralist and Graffiti Artist digital asset number 1
Online Media:

Tats Cru - Muralists and Graffiti Artists

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2000 August 3
General:
This audio recording has been transcribed. View transcription and play recording here. Download a PDF of the transcription here.
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Mural painting and decoration -- 20th century -- New York (State) -- New York  Search this
Street art  Search this
Graffiti art  Search this
Urban Life  Search this
Latino and Latin American artists  Search this
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Item FP-2001-CT-0365
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival / Series 4: New York City at the Smithsonian / 4.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53daf8255-bfb5-428b-9a6a-841062712d8e
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref893
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Tats Cru - Muralists and Graffiti Artists digital asset number 1

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