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Rimer Cardillo papers, 1962-2012

Creator:
Cardillo, Rimer, 1944-  Search this
Subject:
State University of New York at New Paltz  Search this
Type:
Drawings
Citation:
Rimer Cardillo papers, 1962-2012. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Printmakers -- New York (State) -- New York  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16302
(DSI-AAA_SIRISBib)373798
AAA_collcode_cardrime
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_373798
Online Media:

Pepe Coronado papers, 1995-2016

Creator:
Coronado, Pepe, 1965-  Search this
Type:
Photographs
Prints
Sketches
Citation:
Pepe Coronado papers, 1995-2016. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Printmakers -- New York (State) -- New York  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17396
(DSI-AAA_SIRISBib)383186
AAA_collcode_coropepe
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_383186
Online Media:

Oral history interview with Richard Estes, 1985 October 20

Interviewee:
Estes, Richard, 1932-  Search this
Interviewer:
Arthur, John  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Richard Estes, 1985 October 20. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11801
(DSI-AAA_SIRISBib)209365
AAA_collcode_estes85
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_209365

Oral history interview with Luigi Lucioni, 1971 July 6

Interviewee:
Lucioni, Luigi, 1900-1988  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Associated American Artists  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Luigi Lucioni, 1971 July 6. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Prints, American  Search this
Realism  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11775
(DSI-AAA_SIRISBib)211972
AAA_collcode_lucion71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211972

Oral history interview with George McNeil, 1968 Jan. 9-May 21

Interviewee:
McNeil, George, 1908-1995  Search this
Interviewer:
Sandler, Irving, 1925-  Search this
Subject:
Harari, Hananiah  Search this
Bolotowsky, Ilya  Search this
Rosenborg, Ralph M.  Search this
Matter, Mercedes  Search this
Miró, Joan  Search this
Motherwell, Robert  Search this
Léger, Fernand  Search this
Kandinsky, Wassily  Search this
Smith, David  Search this
Gorky, Arshile  Search this
De Kooning, Willem  Search this
Matulka, Jan  Search this
Pereira, I. Rice (Irene Rice)  Search this
Gottlieb, Adolph  Search this
Gallatin, A. E. (Albert Eugene)  Search this
Morris, George L. K.  Search this
Dlugoszewski, Lucia  Search this
Levy, Edgar  Search this
Hélion, Jean  Search this
Graham, John  Search this
Davis, Stuart  Search this
Manso, Leo  Search this
Vytlacil, Vaclav  Search this
Marin, John  Search this
Hofmann, Hans  Search this
Rothko, Mark  Search this
Shaw, Charles Green  Search this
Diller, Burgoyne  Search this
United States. Work Projects Administration  Search this
American Abstract Artists  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George McNeil, 1968 Jan. 9-May 21. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Art -- Philosophy  Search this
Painting  Search this
Cubism  Search this
Impressionism (Art)  Search this
Surrealism  Search this
Record number:
(DSI-AAA_CollID)11761
(DSI-AAA_SIRISBib)212878
AAA_collcode_mcneil68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212878

Oral history interview with Bena Frank Mayer and Ralph Mayer, circa 1964

Interviewee:
Mayer, Ralph, 1895-1979  Search this
Interviewer:
Phillips, Harlan B., 1920-1979,  Search this
Subject:
Mayer, Bena Frank, 1898-1991  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Bena Frank Mayer and Ralph Mayer, circa 1964. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13096
(DSI-AAA_SIRISBib)213658
AAA_collcode_mayer64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213658
Online Media:

Oral history interview with Boris Margo, 1965 Aug. 28

Interviewee:
Margo, Boris, 1902-1995  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Boris Margo, 1965 Aug. 28. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11602
(DSI-AAA_SIRISBib)214123
AAA_collcode_margo65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214123

Oral history interview with George McNeil, 1965 June 3

Interviewee:
McNeil, George, 1908-1995  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Smith, David  Search this
Gorky, Arshile  Search this
De Kooning, Willem  Search this
Matulka, Jan  Search this
Pereira, I. Rice (Irene Rice)  Search this
Dlugoszewski, Lucia  Search this
Manso, Leo  Search this
Vytlacil, Vaclav  Search this
Hofmann, Hans  Search this
Rothko, Mark  Search this
Levy, Edgar  Search this
Hopper, Jo N. (Josephine Nivison)  Search this
Reinhardt, Ad  Search this
Pollock, Jackson  Search this
Tworkov, Jack  Search this
Dehner, Dorothy  Search this
Cavallon, Giorgio  Search this
Kline, Franz  Search this
Diller, Burgoyne  Search this
Art Students League (New York, N.Y.)  Search this
Pratt Institute. Art School  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
United States. Work Projects Administration  Search this
American Abstract Artists  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George McNeil, 1965 June 3. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Painting  Search this
Surrealism  Search this
Mural painting and decoration  Search this
Record number:
(DSI-AAA_CollID)13160
(DSI-AAA_SIRISBib)214125
AAA_collcode_mcneil65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214125

Oral history interview with Will Barnet, 1964 January 20-1964 February 17

Interviewee:
Barnet, Will, 1911-  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Will Barnet, 1964 January 20-1964 February 17. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Art, American  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13072
(DSI-AAA_SIRISBib)214610
AAA_collcode_barnet64
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214610

Oral history interview with Will Barnet, 1993 April 9

Interviewee:
Barnet, Will, 1911-  Search this
Interviewer:
Polcari, Stephen  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Will Barnet, 1993 April 9. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12011
(DSI-AAA_SIRISBib)215753
AAA_collcode_barnet93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215753
Online Media:

Oral history interview with Richard Tuttle, 2016 November 14-17

Interviewee:
Tuttle, Richard, 1941-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Richard Tuttle, 2016 November 14-17. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Installations (Art)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17419
(DSI-AAA_SIRISBib)384977
AAA_collcode_tuttle16
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_384977

Oral history interview with George Condo, 2017 May 5-June 20

Interviewee:
Condo, George, 1957-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Basquiat, Jean-Michel  Search this
Bishofberger, Bruno  Search this
Clements, Dawn  Search this
Dagley, Mark  Search this
Dahn, Walter  Search this
Haring, Keith  Search this
Herman, Roger  Search this
Hughes, Frederick W.  Search this
Kantor, Ulrike  Search this
Kelly, Gene  Search this
Sharp, Willoughby  Search this
Smith, Rupert Jasen  Search this
Tyrrell, Susan  Search this
Warhol, Andy  Search this
Devo (Musical group)  Search this
Massachusetts College of Art  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Condo, 2017 May 5-June 20. Archives of American Art, Smithsonian Institution.
Topic:
Art -- New York (State) -- New York  Search this
Jazz  Search this
Music  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photo-realism  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Punk rock music  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17498
(DSI-AAA_SIRISBib)389603
AAA_collcode_condo17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_389603
Online Media:

Harry Sternberg papers

Creator:
Sternberg, Harry, 1904-2001  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Idyllwild School and Museum for the Arts -- Faculty  Search this
Blume, Peter, 1906-1992  Search this
Evergood, Philip, 1901-1973  Search this
Kent, Rockwell, 1882-1971  Search this
Secunda, Arthur  Search this
Siqueiros, David Alfaro, 1896-1974  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Warner, Malcolm, 1953-  Search this
Wickey, Harry  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
3.4 Linear feet
0.553 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Date:
1927-2000
Summary:
The papers of New York City and California painter, printmaker, and teacher Harry Sternberg date from 1927 to 2000 and measure 3.4 linear feet and 0.553 GB. The collection documents Sternberg's career as an artist and art instructor through scattered biographical material, correspondence with friends, artists, collectors, curators, art organizations, universities, and galleries, writings by Sternberg and others, exhibition catalogs and announcements, news clippings, and other printed and digital material. Also found are photographs of Sternberg and his artwork, two sketchbooks and three loose drawings by Sternberg, audio visual recordings, and one scrapbook.
Scope and Content Note:
The papers of New York City and California painter, printmaker, and teacher Harry Sternberg date from 1927 to 2000 and measure 3.4 linear feet and 0.553 GB. The collection documents Sternberg's career as an artist and art instructor through scattered biographical material, correspondence with friends, artists, collectors, curators, art organizations, universities, and galleries, writings by Sternberg and others, exhibition catalogs and announcements, news clippings, and other printed and digital material. Also found are photographs of Sternberg and his artwork, two sketchbooks and three loose drawings by Sternberg, audio visual recordings, and one scrapbook.

Biographical material includes an interview of Sternberg conducted by art curator Malcolm Warner, two ledgers documenting business activities, scattered financial and legal documents, and files regarding a few of his projects, including the film "Many Worlds of Art". Sternberg's personal and professional correspondence is with friends, artists, including Harry Wickey, Rockwell Kent, Philip Evergood, and Peter Blume, collectors and curators such as Hudson Walker and Carl Zigrosser, and art organizations, universities, and galleries.

The small number of writings by Sternberg in this collection includes drafts of articles and lectures, a manuscript for a book on etching, and notes. Writings by others consists of draft writings about Sternberg, draft exhibition catalogs, and writings by the artists Arthur Secunda and David Alfaro Siqueiros. Over one-third of this collection is printed material, including exhibition catalogs and announcements, news clippings, books written by Sternberg, school publications, and material regarding art events.

Also found are photographs of Sternberg in his studio, with students, with his wife Mary, and at the Idyllwild School. Other photographs include group photographs of Art Students League faculty as well as photographs of exhibitions, murals, and artwork. The collection also contains original artwork including two sketchbooks and three loose drawings by Sternberg and one scrapbook of news clippings and exhibition materials. Audio and video materials include several interviews of Sternberg and a video copy of his film "Many Worlds of Art".
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Material, 1927-2000 (Box 1, OV 5; 0.3 linear feet)

Series 2: Correspondence, 1928-2000 (Box 1; 0.3 linear feet)

Series 3: Writings, circa 1940s-2000 (Box 1, 4; 0.2 linear feet)

Series 4: Printed Material, 1933-2000 (Box 1-3; 1.2 linear feet)

Series 5: Photographs, circa 1930s-1998 (Box 3, 4; 0.3 linear feet)

Series 6: Artwork, circa 1928-1980s (Box 3, OV 5; 0.2 linear feet)

Series 7: Audio Visual Material, circa 1980s-2000 (Box 3; 0.5 linear feet, ER01; 0.553 GB)

Series 8: Scrapbook, 1929-1958 (Box 4; 0.2 linear feet)
Biographical Note:
Harry Sternberg (1904-2001) was a New York painter, muralist, printmaker, etcher, teacher, and political activist who relocated to California in 1957.

Harry Sternberg was born in 1904 in the Lower East Side of New York City and grew up in Brooklyn. As a child he attended his school art club where he met and became lifelong friends with artists Peter Blume and Philip Reisman. He took free Saturday art classes at the Brooklyn Museum of Art for two years and attended the Art Students League part time from 1922 to 1927 where he studied with George Bridgman. In 1926 he shared a studio with Philip Reisman where they received private instruction in etching from Harry Wickey. Sternberg began exhibiting his etchings and intermittently had drawings published in New Masses, a prominent American Marxist publication. In the late 1920s he became friends with Hudson Walker who also became a major collector of his work. In 1933 Sternberg was hired as instructor of etching, lithography, and composition at the Art Students League and continued teaching there for the next 33 years. Also around this time he became politically active in artist rights organizations, serving on the planning committee to create the American Artists' Congress and later serving as an active member of the Artists Equity Association. In 1935 he became the technical advisor of the Graphic Art Division of the Federal Art Project. From 1937 to 1939 he completed three federal mural commissions. His first mural Carrying the Mail was created for the Sellersville, Pennsylvania post office in 1937. His most famous mural Chicago: Epoch of a Great City was painted for the Lakeview post office in Chicago. It depicts the history of the city and its workers, particularly life for the workers in Chicago's stockyards and steel mills.

During the 1940s Sternberg remained very active in arts organizations, as one of the founders of the National Serigraph Society and a member of the Committee on Art and Education in Society. In 1942 he published the first of five books on printing. Sternberg had his first retrospective in 1953 at ACA Galleries, and in 1957 he taught summer painting courses at the Idyllwild School of Music and the Arts in California. He continued teaching in the summers there from 1960 to 1967 and 1981 to 1989. Suffering from lung disease, Sternberg moved with his wife, Mary, to Escondido, California in 1966 in hopes that the climate would improve his health. In 1972 he was elected to the American Academy and Institute of Arts and Letters. During the 1970s and 1980s Sternberg traveled extensively throughout the US and Mexico where he found new inspiration for his artwork. He continued teaching, exhibiting, and creating new work until his death in 2001.
Related Material:
Also found in the Archives of American Art are the May Konheim papers concerning Harry Sternberg, 1934-1981, and an oral history interview of Harry Sternberg, conducted March 19, 1999, October 8, 1999, and January 7, 2000, by Sally Yard for the Archives of American Art
Provenance:
The Harry Sternberg papers were donated by Sternberg in several installments from 1967 to 2001.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Printmakers -- California  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- California  Search this
Painting, American  Search this
Educators -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Citation:
Harry Sternberg papers, 1927-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sterharr
See more items in:
Harry Sternberg papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw904413d6d-fce2-4bc8-9eef-9641dce75f12
EDAN-URL:
ead_collection:sova-aaa-sterharr

Lena Gurr papers

Creator:
Gurr, Lena, 1897-1992  Search this
Names:
ACA Galleries  Search this
Art Students League (New York, N.Y.)  Search this
John Reed Club  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Allen, Mary Cecil, 1893-1962  Search this
Ascher, Mary G. (Mary Goldman), b. 1900  Search this
Baron, Herman, 1892-1961  Search this
Biel, Joseph, 1891-1943  Search this
Block, Dorothy, 1904-1984  Search this
Ehrenreich, Emma, 1906-  Search this
Fabri, Ralph, 1894-1975  Search this
Force, Juliana, 1876-1948  Search this
Grosz, George, 1893-1959  Search this
Harkavy, Minna, b. 1895  Search this
Jones, Joe, 1909-1963  Search this
Kent, Rockwell, 1882-1971  Search this
Knaths, Karl, 1891-1971  Search this
Lawrence, Jacob, 1917-2000  Search this
Lozowick, Louis, 1892-1973  Search this
Model, Elisabeth D. (Elisabeth Dittmann), 1897-1993  Search this
Norman, Maria  Search this
Soyer, Raphael, 1899-1987  Search this
Von Wicht, John, 1888-1970  Search this
Ward, Lynd, 1905-1985  Search this
Extent:
7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Interviews
Christmas cards
Sketchbooks
Phonograph records
Place:
New York (N.Y.) -- Pictorial works
Date:
1908-1979
Summary:
The Lena Gurr (1897-1992) papers date from 1908 to 1979 and measure 7.0 linear feet. Gurr was a painter and printmaker who studied under John sloan and Maurice Sterne at the Art Students League between 1920-1922. She also studied in France and married painter and photographer Joseph Biel in 1931. The papers document both Gurr and Biel's careers through correspondence, notes, art work, printed material, scrapbooks, and photographs. The collection offers researchers a valuable resource for studying the New York art community of the pre-war era.
Scope and Content Note:
The Lena Gurr papers date from 1908 to 1979 and measure 7.0 linear feet. The collection presents a good overview of Gurr's career as a painter and printmaker, and her relationship with her husband, painter Joseph Biel. Through biographical material, correspondence, notes, an interview with Lena Gurr, original artwork by Gurr and others, scrapbooks, printed material, photographs of Gurr, family, and friends, and photographs of artwork by Gurr and others, the collection offers researchers a valuable resource for studying the New York art community of the pre-war era.
Arrangement:
The collection is arranged into eight series. Material within each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1968, undated (box 1; 1 folder)

Series 2: Correspondence, 1921-1979, undated (boxes 1-4; 3.1 linear ft.)

Series 3: Notes, 1926-1972 (box 4; 4 folders)

Series 4: Interview, 1950 (box 4; 1 folder)

Series 5: Artwork, circa 1908-1951 (box 4; 36 folders)

Series 6: Scrapbooks, 1912-1948 (boxes 4-5, 8-11; 1.45 linear ft.)

Series 7: Printed Material, 1926-1978 (box 5; 21 folders)

Series 8: Photographs, 1912-1978 (boxes 5-7; 1.05 linear ft.)
Biographical Note:
Born October 27, 1897, in Brooklyn, New York, Lena Gurr was the daughter of Hyman and Ida (Gorodnick) Gurr. She attended the Maxwell Training School for Teachers from 1915 to 1917, then turned her energies toward art. She studied painting and printmaking at the Educational Alliance Art School in 1919, and at the Art Students League (1920-1922), where she was a student of John Sloan and Maurice Stern. She also studied art in Paris, Nice, and Mentone, France. Her first solo exhibition was in 1932 at the Brooklyn Museum.

On November 24, 1931, Gurr married painter and photographer Joseph Biel. He was born October 27, 1891 in Russia, studied at the Russian Academy in Paris, and at the Workman's College, Melbourne, Australia. He also established the first Jewish Library in Melbourne. Upon his arrival in the United States, he studied under George Grosz at the Art Students League. Biel died in April 1943 of a heart ailment.
Provenance:
The Lena Gurr papers were donated to the Archives of American Art by Lena Gurr from 1966 to 1979.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Works of art  Search this
Painting, American -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Women photographers  Search this
Women printmakers  Search this
Women painters  Search this
Function:
Artists' studios -- France
Genre/Form:
Photographs
Prints
Interviews
Christmas cards
Sketchbooks
Phonograph records
Citation:
Lena Gurr papers, 1908-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gurrlena
See more items in:
Lena Gurr papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8b94bfb-1abb-4321-91f1-2693c1f4fcc8
EDAN-URL:
ead_collection:sova-aaa-gurrlena

Jan Matulka papers

Creator:
Matulka, Jan, 1890-1972  Search this
Extent:
0.01 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1920
Summary:
The papers of New York painter Jan Matulka measure 0.01 linear feet and date from circa 1920. The collection is comprised of three photographs of Matulka, including one studio portrait by M. Vu Kovic, and one double-exposed portrait.
Scope and Contents:
The papers of New York painter Jan Matulka measure 0.01 linear feet and date from circa 1920. The collection is comprised of three photographs of Matulka, including one studio portrait by M. Vu Kovic, and one double-exposed portrait.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Czech-born painter, printmaker, and educator Jan Matulka (1890-1972) was one of the pioneers of American modernist painting during the 1920s and 1930s.

Matulka emigrated to the United States from Bohemia in 1907 and studied at the National Academy of Design from 1911-1916. He subsequently taught at the Art Students League and passed on his understanding of avant garde developments in progressive painting to a generation of important artists including Francis Criss, Dorothy Dehner, Burgoyne Diller, I. Rice Pereira, and David Smith.
Separated Materials:
The Archives of American Art also holds microfilm of material that was part of Matulka's donation including clippings, exhibition notices, and miscellany. This material was microfilmed on Reel D251 and was transferred to the Smithsonian American Art Museum for the museum's vertical files and is not described in the collection container inventory.
Provenance:
The collection was donated by Jan Matulka in 1966.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Jan Matulka papers, circa 1920. Smithsonian Institution, Archives of American Art.
Identifier:
AAA.matujan
See more items in:
Jan Matulka papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92c99c7bc-25db-42e8-a950-f99a46082b04
EDAN-URL:
ead_collection:sova-aaa-matujan

Oral history interview with Bena Frank Mayer and Ralph Mayer

Interviewee:
Mayer, Ralph, 1895-1979  Search this
Mayer, Bena Frank, 1898-1991  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-1979  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
circa 1964
Scope and Contents:
An interview of Ralph and Bena Frank Mayer conducted circa 1964, by Harlan Phillips, for the Archives of American Art.
Biographical / Historical:
Bena Frank Mayer (1898-1991) and her husband, Ralph (1895-1979) were painters and educators in New York, N.Y. Bena Frank Mayer was also a printmaker.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 8 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Federal aid to the arts  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mayer64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a23e29e8-1c5e-43b7-b4b6-b94f4bd7aedb
EDAN-URL:
ead_collection:sova-aaa-mayer64
Online Media:

Oral history interview with Ruth Gikow

Interviewee:
Gikow, Ruth, 1915-1982  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-1979  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
1 Item (Sound recording: 1 sound tape reel ; 7 in)
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964
Scope and Contents:
An interview of Ruth Gikow conducted by Harlan Phillips in 1964 for the Archives of American Art.
Gikow speaks of being born in Russia; mural painting at the Bronx Hospital for the Federal Art Project; interest in graphics; the Artists Congress; the Index of American Design; and her thoughts on contemporary painting. She recalls John Stuart Curry and Gene Morey.
Biographical / Historical:
Painter, printmaker; New York, N.Y.
General:
Unrelated interviews of Ad Reinhardt and Ralph and Bena Mayer conducted by H. Phillips are also on this tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Serigraphers -- New York (State) -- New York  Search this
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Jewish artists  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women muralists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gikow64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cedf1230-273d-4a17-bb88-3f829b177f97
EDAN-URL:
ead_collection:sova-aaa-gikow64
Online Media:

Bernard and Hortense Kassoy papers

Creator:
Kassoy, Bernard, 1914-2008  Search this
Kassoy, Hortense, 1917-2013  Search this
Names:
Artists Equity Association  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1950-1979
Scope and Contents:
30 letters to Bernard; photographs of him and his work; shipping receipts; and clippings; correspondence; biographical information; exhibition catalogs, announcements, and invitations; drawings by both artists; and photographs of both artists; photographs of Hortense's sculpture; printed articles in the Artists Equity Association newsletter; and notebook of the Artists Equity Association membership kept by Hortense in 1975.
Biographical / Historical:
Bernard Kassoy, painter and printmaker; Hortense Kassoy, sculptor and painter; Bronx, N.Y.
Related Materials:
Hortense Kassoy slides and photographs and Bernard Kassoy editorial cartoons are also located at the Kheel Center for Labor-Management Documentation and Archives, Cornell University Library.
Provenance:
Donated 1977-1979 by Bernard and Hortense Kassoy.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.kassbern
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed0f292f-0fb0-420b-801a-0ac78e32a841
EDAN-URL:
ead_collection:sova-aaa-kassbern

Nell Blaine letters to Robert A. Wilson

Creator:
Blaine, Nell, 1922-1996  Search this
Names:
Phoenix Book Shop  Search this
Wilson, Robert A.  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Date:
1962-2010
Summary:
The letters from artist Nell Blaine and her friend New York bookseller Robert A. Wilson measure 0.6 linear feet and date from 1962 to 2010. Additional material includes scattered business records, photographs, printed material, and a typescript of Blaine's journal.
Scope and Contents:
The letters from artist Nell Blaine and her friend New York bookseller Robert A. Wilson measure 0.6 linear feet and date from 1962 to 2010. Additional material includes scattered business records, photographs, printed material, and a typescript of Blaine's journal.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Nell Blaine (1922-1996) was a painter, printmaker, and illustrator active in New York City, New York.

Robert A. Wilson (1922-2016) was a bookseller and owner of Phoenix Book Shop in New York City, New York.
Related Materials:
The Archives of American Art also holds the Nell Blaine Papers, 1942-1985, and an oral history interviews with Blaine conducted 1967 June 15, by Dorothy Seckler, for the Archives of American Art.
Provenance:
The collection was donated in 1997 by Robert A. Wilson.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Diaries
Citation:
Nell Blaine letters to Robert A. Wilson, 1962-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blainell2
See more items in:
Nell Blaine letters to Robert A. Wilson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c724114-733f-49ce-9b1b-62e19ba771bd
EDAN-URL:
ead_collection:sova-aaa-blainell2
Online Media:

Chaim and Dorothy Koppelman papers

Creator:
Koppelman, Chaim, 1920-2009  Search this
Names:
American Federation of Arts  Search this
Associated American Artists  Search this
Audubon Artists (New York, N.Y.)  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Print Council of America  Search this
School of Visual Arts (New York, N.Y.)  Search this
Solomon R. Guggenheim Foundation  Search this
Terrain Gallery  Search this
Anuszkiewicz, Richard  Search this
Dienes, Sari  Search this
Herz, Nat, 1920-1964  Search this
Kandinsky, Wassily, 1866-1944  Search this
Koppelman, Dorothy  Search this
Kranz, Sheldon  Search this
Lichtenstein, Roy, 1923-1997  Search this
Ozenfant, Amédée, 1886-1966  Search this
Picasso, Pablo, 1881-1973  Search this
Pond, Clayton, 1941-  Search this
Rebay, Hilla, 1890-1967  Search this
Siegel, Eli, 1902-  Search this
Stamos, Theodoros, 1922-1997  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Date:
circa 1930s-2006
bulk 1942-2005
Summary:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.
Scope and Content Note:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

Scattered biographical material includes resumes, artist's statements, copies of entries in Who's Who directories, and miscellaneous items.

Correspondence includes personal correspondence and general correspondence. Personal correspondence mostly consists of Chaim Koppelman's letters written to Dorothy while he was serving in the U.S. Army during World War II. He describes his daily activities, observations on army life, and his travels while stationed in England, France, and Germany. Of interest is Chaim Koppelman's letter to Dorothy describing his meeting Picasso and visiting the artist's studio. Personal correspondence also includes Chaim and Dorothy Koppelman's letters with family and friends. Notable correspondents include Sari Dienes, Nat Herz, Sheldon Kranz, Amédée Ozenfant, Hilla Rebay, and Theodoros Stamos. Hilla Rebay's letters to Chaim Koppelman discuss museum-related activities at the Solomon R. Guggenheim Foundation, including the Guggenheim's memorial exhibition for Wassily Kandinsky. There is also a file of letters from Eli Siegel to Chaim Koppelman. General correspondence includes mostly incoming letters to Chaim Koppelman from collectors, colleagues, students, and arts institutions. Frequent correspondents include: Associated American Artists, American Federation of the Arts, Audubon Artists, DeCordova and Dana Museum and Park, Pratt Graphics Center and Print Council of America.

Writings and notes contain annotated typescripts and handwritten drafts by Chaim and Dorothy Koppelman. Chaim Koppelman's writings include essays and talks on art, artists, and printmaking based on Aesthetic Realism; also found are some poems. Dorothy Koppelman's writings consist of artist's statements and essay-length pieces that were prepared for Aesthetic Realism talks on the work and lives of artists, held at the Terrain Gallery of the Aesthetic Realism Foundation and other venues. Also found is a sound recording of Chaim Koppelman's 1968 conversation with Richard Anuszkiewicz, Roy Lichtenstein, and Clayton Pond; the artists discuss the influence of the Siegel Theory of Opposites on their work.

Subject files document the activities, projects, and professional affiliations of Chaim and Dorothy Koppelman. Included are materials on exhibitions, applications for fellowships and grants, awards, drafts of writings, donations and acquisitions of artwork by museums. Teaching files provide an overview of the faculty positions held by Chaim and Dorothy Koppelman over the course of their careers. Found are extensive files on Chaim Koppelman's tenure at the School of Visual Arts. Exhibition files chronicle the Koppelmans' solo and group shows at the Terrain and other venues; substantive files contain Chaim Koppelman's correspondence with museums and arts institutions and sales information.

Two scrapbooks contain exhibition-related materials, such as artists' statements, press releases, awards, printed material, and photographs of artwork. Artwork includes sketches and illustrated letters by Chaim Koppelman. There are twenty annotated sketchbooks by Chaim Koppelman and a sketchbook by Dorothy Koppelman. Photographs and snapshots are of Chaim and Dorothy Koppelman; many of the snapshots of Chaim Koppelman and others document his army service while stationed in the United States and Europe. Four photograph albums include black and white photographs of Chaim and Dorothy Koppelman in their studio; included are snapshots of the Koppelmans with family and friends at exhibition openings, gatherings, and on their travels. There are photographs of Regina Dienes, Gerson Lieber, Bernard Olshan, Joseph Solman, and Theodoros Stamos.
Arrangement:
The collection is arranged as 12 series:

Missing Title

Series 1: Biographical Material, 1940-2001 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1942-2003 (Box 1; 0.6 linear feet)

Series 3: Writings and Notes, 1930s-1989, 2005 (Box 1; 0.2 linear feet)

Series 4: Subject Files, 1942-2004 (Boxes 1-2; 0.8 linear feet)

Series 5: Teaching Files, 1940s-2006 (Box 2; 0.4 linear feet)

Series 6: Exhibition Files, 1940s-2005 (Boxes 2-3; 0.6 linear feet)

Series 7: Personal Business Records, 1944-1969 (Box 3; 3 folders)

Series 8: Scrapbooks, 1942-2003 (Box 3; 2 folders)

Series 9: Printed Material, 1937-1971, 2004 (Box 3; 0.25 linear feet)

Series 10: Artwork, 1933-1949, 1980-2000 (Box 3; 3 folders)

Series 11: Sketchbooks, 1944-2005 (Boxes 3-4; 0.8 linear feet)

Series 12: Photographs, 1930-circa 2004 (Box 4; 0.25 linear feet)
Biographical Note:
Chaim Koppelman (1920-2009) lived and worked in New York as a printmaker, educator, and Aesthetic Realism consultant. Painter, gallery director, Aesthetic Realism consultant, and educator Dorothy Koppelman (1920-) resides and works in New York City.

Chaim Koppelman was born in Brooklyn in 1920. Koppelman studied at the American Artists School with Carl Holty and at the Art Students League with Jose De Creeft and Will Barnet. Simultaneously, he began to study in classes taught by Eli Siegel, critic, poet, and founder of the philosophy Aesthetic Realism. In 1942, Koppelman was drafted in the U.S. Army. Before going overseas in 1943, he married Dorothy Myers. In the army, Koppelman continued his studies in painting and sculpture, where he attended the Art College in Western England, Bristol, and the Beaux Arts School in Reims, France. Chaim Koppelman took part in the Normandy invasion and was awarded the Bronze Star for his service.

After Koppelman returned to New York in 1944, he studied at the Amédée Ozenfant School, where he eventually became Ozenfant's assistant. Around this time, Koppelman turned from painting and sculpture to printmaking. In 1955, Chaim Koppelman, his wife, Dorothy, and other artists and poets studying Aesthetic Realism established the Terrain Gallery. For many years, Koppelman was the head of the gallery's Print Division and then later became an advisory director.

Chaim Koppelman held a number of teaching positions in universities and arts institutions. He lectured at Brooklyn College, the Art Education Department from 1950-1960. In 1959, Koppelman founded the Printmaking Division at the School of Visual Arts, where he served on the school's faculty until 2007. At the Aesthetic Realism Foundation, he taught artists how to relate their artwork and their everyday lives. He wrote: "After having tested his aesthetic concepts in literally thousands of works of different periods, in different styles, in different media, I say that Eli Siegel's Theory of Opposites is the key to what is good or beautiful in art….When Eli Siegel showed that what makes a work of art beautiful—the oneness of opposites—is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind."

Among the awards Chaim Koppelman received were: two Tiffany Grants, 1956, 1959; New York Artists Equity Annual Awards Honoring Will Barnet, Robert Blackburn, Chaim Koppelman, 1992; and the Purchase Prize, Art Students League in 2005. Koppelman was a member of the National Academy and a member of the Society of American Graphic Artists (SAGA). In 2004, SAGA presented him with the Lifetime Achievement Award. In addition to his solo and group exhibitions at the Terrain Gallery, Chaim Koppelman's work was featured at the Beatrice Conde Gallery, International Print Center (New York), Library of Congress, and Minneapolis Institute of Arts. His prints are in the collections of the Guggenheim Museum, Museum of Modern Art (New York), Metropolitan Museum of Art, Victoria and Albert Museum in London, and the National Gallery.

In December 2009, Koppelman died at age 89 in New York City.

Born in 1920, Dorothy Koppelman attended Brooklyn College, the Art Students League, and American Artists School where she trained under Joseph Solman. During this time, she began to study poetry, and the relation of art and the self in classes with Eli Siegel, the founder of Aesthetic Realism.

Dorothy Koppelman has had a number of solo and group exhibitions at the Terrain Gallery. She has also shown her paintings at the Atlantic Gallery, Art Gallery of Binghamton, New York, Beatrice Conde Gallery, the Broome Street Gallery, and at MoMA, Brooklyn Museum, Newark Museum, the Whitney Biennial 2006 Peace Tower, the National Academy, and the Butler Art Institute.

Dorothy Koppelman has served on the faculty at several arts institutions: the National Academy, Brooklyn College School of Education, and the School of Visual Arts. She has given presentations on Aesthetic Realism at the Fondazione Piero della Francesa in Italy, and with Carrie Wilson at the 31st World Congress of the International Society for Education through Art (InSEA). On August 16, 2002, in a talk given on Eli Siegel Day in Baltimore, she said, "Eli Siegel explained the true meaning of art for our lives. No one—no scholar, no artist, no person—in all the centuries ever saw this before: that we can learn about ourselves from the very technique of art!...He showed that far from being in a separate world, art has the answer to the trouble in this one."

She is a member of several professional organizations including the American Society of Contemporary Artists and New York Artists Equity. She has received an Honorable Mention from the Brooklyn Society of Artists, 1957; a Tiffany Grant for painting, 1965; and awards from the American Society of Contemporary Artists, 1996, 1999. Dorothy Koppelman's work has been included in the collections of Hampton University, Virginia; Rosenzweig Museum, Durham, North Carolina; New-York Historical Society; Yale University; the National Museum of Women in the Arts, as well as other institutions.

Dorothy Koppelman lives in New York City. She is a consultant on the faculty of the Aesthetic Realism Foundation, where she also teaches the Critical Inquiry, a workshop for artists. She serves on the Board of Directors of the Aesthetic Realism Foundation, and is President of the Eli Siegel/Martha Baird Foundation. She continues her study in classes with Ellen Reiss, Aesthetic Realism Chairman of Education.
Related Materials:
The Archives of American Art also holds the Terrain Gallery records of which Dorothy Koppelman is the director.
Provenance:
The collection was donated by Chaim and Dorothy Koppelman in 2006.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios  Search this
Gallery owners -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Citation:
Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koppchai
See more items in:
Chaim and Dorothy Koppelman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988e54036-6f92-4d0d-89e9-c638ba3bf216
EDAN-URL:
ead_collection:sova-aaa-koppchai
Online Media:

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