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Joseph Kaplan papers

Creator:
Kaplan, Joseph, 1900-1980  Search this
Names:
Audubon Artists (New York, N.Y.)  Search this
Corcoran Gallery of Art  Search this
National Academy of Design (U.S.)  Search this
United States. Public Works Administration  Search this
United States. Works Progress Administration  Search this
Avery, Milton, 1885-1965  Search this
DeMartini, Joseph, 1896-1984  Search this
Gottlieb, Adolph, 1903-1974  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Ishigaki, Aya  Search this
Ishigaki, Eitarō, 1893-1958  Search this
Kaplan, Virginia  Search this
Lozowick, Louis, 1892-1973  Search this
Soyer, Raphael, 1899-1987  Search this
Wilson, Sol  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Date:
1915-1977
Summary:
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.8 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork. There is a 0.3 linear foot unprocessed addition to this collection donated in 2021 that includes travel slides taken in Mexico and Provincetown, Massachusetts by Joseph Kaplan, circa 1940-1950, and a photograph of Kaplan by Arnold Newman, circa 1950.
Scope and Contents:
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.8 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork. There is a 0.3 linear foot unprocessed addition to this collection donated in 2021 that includes travel slides taken in Mexico and Provincetown, Massachusetts by Joseph Kaplan, circa 1940-1950, and a photograph of Kaplan by Arnold Newman, circa 1950.

Biographical material contains a few of Kaplan's personal documents, a number of certificates and medals he recieved during his lifetime, a travel itinerary notebook, and a few hand-written notes.

Kaplan's correspondence is primarily from colleagues, art organizations, galleries, museums, and colleges and universities such as the Corcoran Gallery of Art, National Academy of Design, and Audubon Artists, inc. Also found are letters from friends and colleagues such as Chaim Gross, Adolph Gottlieb, Raphael Soyer, Louis Lozowick, Milton Avery, and Sol Wilson, as well as a large number of letters to his wife Virginia written during his travels.

Personal business records concern Kaplan's art sales, loans, exhibition notifications, and his involvment in the WPA. His artwork is documented in price lists and inventory lists. Some of the material consists of routine transactions not necessarily related to Kaplan's work, including bank records, an address list, and income and expense reports.

Printed Material includes news clippings, exhibition catalogs, exhibition annoucenments, and invitations for Kaplan shows. There are a few published copies and page proofs of Kaplan's commerical artwork.

Artwork includes four Kaplan etchings, three of which are metal plates and one linoleum block. Also included are a few unidentified pen and pencil sketches.

Photographs depict Kaplan, mainly later in his life, and his family. Also found are four of Virginia Kaplan's photograph albums containing images of her and friends from early adulthood. Photographs of Kaplan's friends and colleagues include images of Aya and Eitaro Ishigaki, Chaim Gross, Raphael Soyer, William Gropper, and Joseph De Martini. Also included are photographs taken by Kaplan of New York City, his travels, and artist demonstrations. There are also a large number of photographs of Kaplan's artwork.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1919-1975 (Box 1, 5, OV 7; 0.3 linear feet)

Series 2: Correspondence, 1929-circa 1975 (Box 1, OV 7; 0.4 linear feet)

Series 3: Personal Business Records, circa 1920-1977 (Box 1; 0.2 linear feet)

Series 4: Printed Material, 1915-1975 (Box 1, 2, 3, OV 7; 2.3 linear feet)

Series 5: Artwork, circa 1940-circa 1960 (Box 3, 5; 2 folders)

Series 6: Photographic Material, 1917-circa 1975 (Box 4, 6, OV 7; 1.3 linear feet)

Series 7: Unprocessed Addition, circa 1940-1950 (Box 8, OV 9; 0.3 linear feet)
Biographical / Historical:
Joseph Kaplan (1900-1980) was a painter, printmaker, photographer, and teacher who worked primarly in New York and Provincetown. He was most active in the 1940s through the 1950s. Earlier in his career he worked on several WPA Federal Art Projects and Treasury Relief Art Projects.

Joseph Kaplan was born in Minsk, Russia and immigrated with his family to the United States in 1888 at the age of 12. He married Virginia Haber in 1927 and they had no children.

Kaplan studied at the Eductional Alliance Art School and the Art Students League. He went to Provincetown in the mid-twenties as a student of Charles W. Hawthorne with whom he previously studied with at the National Academy of Design. Afterwards he revisited Provincetown intermittently and began to regard the Cape as his summer studio, working there each summer since 1948.

In 1948 he won the first of many gold medals from the Audubon Artists at the National Academy of Design for a marine painting. He was also the first recipient of the John J. Newman Memorial Medal, given by the National Society of Painters in Casein for his Wellfleet, Low Tide. The Shore Studios in Provincetown, the Harry Salpeter Gallery and then Krasner Gallery in New York City represented Kaplan's artwork.

Kaplan predominantly worked in watercolor and oil paint, depicting landscapes and seascapes, and becoming acclaimed as a Colorist and Romanticist. He occasionally painted figures and, as he gained recognition, he traveled extensively in search for subjects. In 1968 Kaplan recieved a grant from Chapelbrook Foundation to live and work for a year in Mexico.

Kaplan's work was included frequently in group exhibitions and he participated in more then 30 major shows in his lifetime. Throughout his career he was a member of many art organizations including Artists League of America, Audubon Artists, Provincetown Art Association, and Cape Cod Art Association. He was continually active in the art life in Provincetown serving as board members, trustees, and judges. He also occasionally taught at art schools including the American Artist School and John Reed Club, and taught a number of private pupils.

Joseph Kaplan died on February 28th, 1980 at the age of 79 in Brewster, Massachusetts.
Separated Materials:
307 nitrate negatives donated to the Archives of American Art with the Joseph Kaplan papers have been removed and are stored in off-site storage. Negatives were duplicated onto safety based film and only select prints were made.
Provenance:
The Joseph Kaplan papers were donated to the Archives of American Art by Marilyn Kearney in 1981. Additional papers were donated by Deborah Meyer in 2021.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Photographers -- Massachusetts -- Provincetown  Search this
Photographers -- New York (State)  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Citation:
Joseph Kaplan papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kapljose
See more items in:
Joseph Kaplan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9407e127f-553c-4730-a748-ad683c5835aa
EDAN-URL:
ead_collection:sova-aaa-kapljose
Online Media:

Oral history interview with Peter Grippe, 1968 Aug. 27

Interviewee:
Grippe, Peter J., 1912-2002  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Brandeis University  Search this
Willard Gallery  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Peter Grippe, 1968 Aug. 27. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Expressionism (Art)  Search this
Printmakers -- Massachusetts -- Newton -- Interviews  Search this
Prints -- Technique  Search this
Sculptors -- Massachusetts -- Newton -- Interviews  Search this
Surrealism  Search this
Record number:
(DSI-AAA_CollID)11840
(DSI-AAA_SIRISBib)214106
AAA_collcode_grippe68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214106

Oral history interview with Peter Grippe

Interviewee:
Grippe, Peter, 1912-  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Brandeis University -- Faculty  Search this
Willard Gallery  Search this
Extent:
2 Items (Sound recording: 2 sound files (1 hr., 51 min.), digital, wav file)
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 Aug. 27
Scope and Contents:
An interview of Peter J. Grippe conducted 1968 August 27, by Dorothy Seckler, for the Archives of American Art.
Grippe speaks of abstract expressionist and surrealists artists; abstract expressionist style in the 1940s; his approach to sculpture; printmaking; collaboration between printmakers and poets in the 1950s; working with terra cotta; making pottery and selling it to make a living; teaching at Brandeis University; working with armatures; being invited to join "The Pictograph Movement;" exhibitions at the Willard Gallery; City of Desolation; the Bounty series; the "9th Street Art Exhibition;" and travelling to Europe on a Guggenheim Fellowship. Grippe recalls Theodoros Stamos, David Smith, Louise Bourgeois, André Masson, Seymour Lipton, Herbert Ferber, Arshile Gorky, Roberto Matta, Edward Alden Jewell, Barney Newman, Julio Gonzalez, Pablo Picasso, Leo Castelli, James Rosati, Matt Gorelli, Hans Hofmann, Ibram Lassaw, Robert Motherwell, Alfred Barr, Richard Lippold, Sidney Gordin, Grace Borgenicht, Theo van Doesburg, Robert Mondrian, Auguste Rodin, Jean-Baptiste Carapeaux, William Stanley Hayter, Dylan Thomas, Frank O'Hara, Esteban Vicenti, Louise Nevelson, and others.
Biographical / Historical:
Peter Grippe (1912-2002) was a sculptor and printmaker from Newton, Massachusetts.
General:
Sound quality is poor.
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 51 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Abstract expressionism  Search this
Expressionism (Art)  Search this
Printmakers -- Massachusetts -- Newton -- Interviews  Search this
Prints -- Technique  Search this
Sculptors -- Massachusetts -- Newton -- Interviews  Search this
Surrealism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.grippe68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99a5aa091-0bff-4043-ac5b-188cec63cd35
EDAN-URL:
ead_collection:sova-aaa-grippe68
Online Media:

Oral history interview with Michael Mazur, 1993 Jan. 12-1995 Feb. 3

Interviewee:
Mazur, Michael, 1935-2009  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Harvard University  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Michael Mazur, 1993 Jan. 12-1995 Feb. 3. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- Massachusetts -- Interviews  Search this
Prints -- Technique -- Study and teaching  Search this
Prints -- 20th century  Search this
Prints, American  Search this
Painting, American  Search this
Graphic artists -- Massachusetts -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12731
(DSI-AAA_SIRISBib)215791
AAA_collcode_mazur93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215791
Online Media:

Oral history interview with Elizabeth Saltonstall

Interviewee:
Saltonstall, Elizabeth, 1900-1990  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.) -- Faculty  Search this
Museum of Fine Arts, Boston. School  Search this
Windsor School (Boston, Mass.) -- Faculty  Search this
Windsor School (Boston, Mass.) -- Students  Search this
Benson, Frank Weston, 1862-1951  Search this
Bosley, Frederick A., 1881-1942  Search this
Chase, Frank Swift, 1886-1958  Search this
Clark, Henry Hunt  Search this
Cross, Anson K., 1862-1944  Search this
Hale, Philip Leslie, 1865-1931  Search this
James, Alexander, 1890-1946  Search this
Miller, George Charles, b. 1894  Search this
Presser, Josef, 1909-1967  Search this
Saltonstall, Nathaniel, 1903-1968  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow, 1906-1978  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1981 November 18
Scope and Contents:
An interview of Elizabeth Saltonstall conducted 1981 November 18, by Robert F. Brown, for the Archives of American Art.
Saltonstall discusses her experiences with art as a child in Boston (mentioning Frank Weston Benson as an influence) and her subsequent art education at the Winsor School, the art school of the Museum of Fine Arts, Boston, and independent study in Paris. She remembers the various teaching styles of the Museum School faculty (Frederick A. Bosley, Henry Hunt Clark, Anson K. Cross, Philip Leslie Hale, Alexander James, and Leslie P. Thompson), especially as they contrasted with French teaching methods. She also speaks of her teachers in France and on Martha's Vineyard and Nantucket (including Frank Swift Chase), and recalls some of her co-students (including Josef Presser). Particular mention is made of a lithography workshop taught by Stow Wengenroth, and of George C. Miller, who printed her lithography stones. Her cousin, Nathaniel Saltonstall, is discussed as a patron of the arts, especially his contributions to the establishment of the Institute of Modern Art [Institute of Contemporary Art] in Boston. She touches also on her own teaching career at Winsor School and Milton Academy, and her involvement with the Boston Society of Independent Artists and the Grace Horn Gallery.
Biographical / Historical:
Elizabeth Saltonstall (1900-1990) was a painter, printmaker, and instructor of Chestnut Hill, Mass.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art teachers -- Massachusetts -- Boston  Search this
Printmakers--Massachusetts--Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Art patrons -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.salton81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9599f68e3-0aba-4b7f-91d7-e84662b73f90
EDAN-URL:
ead_collection:sova-aaa-salton81
Online Media:

Oral history interview with Barbara Swan

Interviewee:
Swan, Barbara, 1922-  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
88 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 June 13-1974 June 12
Scope and Contents:
An interview of Barbara Swan conducted 1973 June 13-1974 June 12, by Robert Brown, for the Archives of American Art.
Biographical / Historical:
Barbara Swan (1922- ) is a painter and printmaker from Brookline, Mass.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 3 hrs., 13 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Massachusetts  Search this
Printmakers -- Massachusetts  Search this
Topic:
Prints -- Technique  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.swan73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96a62d7b5-6e6d-4eac-91c1-77f2db6611ad
EDAN-URL:
ead_collection:sova-aaa-swan73
Online Media:

Oral history interview with Michael Mazur

Interviewee:
Mazur, Michael, 1935-2009  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Harvard University -- Faculty  Search this
Extent:
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 Jan. 12-1995 Feb. 3
Scope and Contents:
An interview of Michael Mazur conducted 1993 Jan. 12-1995 Feb. 3, by Robert Brown, for the Archives of American Art.
Mazur remembers growing up as the only child in a well-to-do Jewish family in Manhattan; his demanding education at the Horace Mann School where he worked on a literary magazine with Edward Koren, the cartoonist; studying with an artist in Greenwich Village; and his early determination to be an artist. Academic challenges and social conservatism at Amherst College (B.A. 1958), where he studied printmaking and drawing with Leonard Baskin, an arrogant and limited artist, and working to his advantage with the gifted young printer, George Lockwood, in Baskin's studio. The year of self-directed study in Florence, Italy, and the lasting effect on him of the great European art tradition; his marriage to the poet, Gail Mazur; being a student at the Yale School of Art (BFA 1959, MFA 1961) and the contrast of the teaching methods of the autocratic Josef Albers and the congenial Gabor Peterdi; and his valuable experience as a volunteer assistant to Naum Gabo, who introduced him to monoprints. Teaching at the Rhode Island School of Design (1961-64) and the faculty there; and the development of his first well-known work, the "Locked Ward" series of prints, based on observation at mental hospitals. Teaching at Brandeis University (1965-75) and his involvement in Vietnam War era politics; and the various genres of his paintings and prints in the 1970s and 1980s and what he feels to be the essence of his work. The speed with which the "Branching" series of paintings and drawings was done and which was perhaps based on his observations of his vascular system as he underwent angioplasty in January 1993; the ambiguity of their space; being titled only post-facto; the equal importance of every part of a composition and the use of a very limited palette; and his affinity to artists Brice Marden and Richard Diebenkorn. Recent paintings which are a continuation of his "Branching" series, but influenced by a 13th century Chinese painting at Princeton University and which has led him to cease making preliminary studies and into greater abstraction; his illustrations in monotype for Robert Pinsky's translation of Dante's INFERNO, 1992-3 and his long interest in the INFERNO; development of the New Provincetown Print Project beginning in 1988 (a two-week workshop for artists who work on monoprints with master printer Robert Townsend and Mazur at the Fine Arts Work Center, Provincetown, Mass.); and his improvisational method of teaching at Harvard University.
Biographical / Historical:
Michael Mazur (1935-2009) was a painter, graphic artist, and art instructor of Cambridge, Mass.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 9 hrs., 14 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Massachusetts -- Interviews  Search this
Topic:
Painters -- Massachusetts -- Interviews  Search this
Prints -- Technique -- Study and teaching  Search this
Prints -- 20th century  Search this
Prints, American  Search this
Painting, American  Search this
Graphic artists -- Massachusetts -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mazur93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw952afeb76-def6-45fc-a0e1-27a512e59d13
EDAN-URL:
ead_collection:sova-aaa-mazur93
Online Media:

Oral history interview with Seong Moy, 1971 Jan. 18-28

Interviewee:
Moy, Seong, 1921-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Booth, Cameron  Search this
Hayter, Stanley William  Search this
Hofmann, Hans  Search this
Vytlacil, Vaclav  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Seong Moy, 1971 Jan. 18-28. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Theme:
Asian American  Search this
Record number:
(DSI-AAA_CollID)12341
(DSI-AAA_SIRISBib)212912
AAA_collcode_moy71
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212912
Online Media:

Oral history interview with Seong Moy

Interviewee:
Moy, Seong  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Booth, Cameron, 1892-1980  Search this
Hayter, Stanley William, 1901-1988  Search this
Hofmann, Hans, 1880-1966  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 Jan. 18-28
Scope and Contents:
An interview of Seong Moy conducted 1971 Jan. 18-28, by Paul Cummings, for the Archives of American Art.
Moy speaks of his childhood in Canton, China; his immigration to Minnesota; the art scene in Minneapolis and Saint Paul in the 1930s; his education; the influence of his teachers, including Cameron Booth, Hans Hofmann, and Vaclav Vytlacil; the influence of Stanley William Hayter; being introduced to printmaking by the WPA art project in Minnesota; his service as a photographer in World War II; his teaching philosophy; and the art scene in Provincetown in the 1970s.
Biographical / Historical:
Seong Moy (1921-2013) was a Chinese American painter and printmaker based in New York City, New York and Provincetown, Massachusetts. Moy was born in Canton, China. He studied at the St. Paul School of Art, Hans Hofmann School of Art and the Art Students League. He was also the director of the Seong Moy School of Painting and Graphics, Provincetown, Massachusetts in the summer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hrs., 19 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.moy71
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8ddcaa2-93d4-4aa3-a1b6-c54c4e7532c8
EDAN-URL:
ead_collection:sova-aaa-moy71
Online Media:

Arthur Wesley Dow papers, circa 1826-1978, bulk 1879-1922

Creator:
Dow, Arthur W. (Arthur Wesley), 1857-1922  Search this
Subject:
Hess, Herbert A. (Herbert Arthur)  Search this
Kenyon, Henry Rodman  Search this
Käsebier, Gertrude  Search this
Académie Julian  Search this
Ipswich Summer Art School  Search this
Type:
Diaries
Photographs
Citation:
Arthur Wesley Dow papers, circa 1826-1978, bulk 1879-1922. Archives of American Art, Smithsonian Institution.
Topic:
Works of art  Search this
Printmakers -- Massachusetts  Search this
Photographers -- Massachusetts  Search this
Art educators -- Massachusetts  Search this
Art -- Study and teaching -- Massachusetts  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)7588
(DSI-AAA_SIRISBib)209750
AAA_collcode_dowarth
Theme:
Diaries
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209750
Online Media:

Joseph Kaplan papers, 1915-1977

Creator:
Kaplan, Joseph, 1900-1980  Search this
Subject:
Avery, Milton  Search this
Lozowick, Louis  Search this
Gropper, William  Search this
Kaplan, Virginia  Search this
Ishigaki, Eitarō  Search this
Gross, Chaim  Search this
Ishigaki, Aya  Search this
Gottlieb, Adolph  Search this
DeMartini, Joseph  Search this
Soyer, Raphael  Search this
Wilson, Sol  Search this
United States. Public Works Administration  Search this
United States. Works Progress Administration  Search this
Audubon Artists (New York, N.Y.)  Search this
Corcoran Gallery of Art  Search this
National Academy of Design (U.S.)  Search this
Type:
Sketches
Citation:
Joseph Kaplan papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Topic:
Photographers -- Massachusetts -- Provincetown  Search this
Photographers -- New York (State)  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Printmakers -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)7650
(DSI-AAA_SIRISBib)209813
AAA_collcode_kapljose
Theme:
Lives of American Artists
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209813
Online Media:

Fred Becker papers, 1913-2004, bulk 1940-2000

Creator:
Becker, Fred, 1913-2004  Search this
Subject:
Burlin, Paul  Search this
Hayter, Stanley William  Search this
Hugo, Ian  Search this
Nin, Anaïs  Search this
Singer, Gail  Search this
Todd, Ruthven  Search this
Van Duyn, Mona  Search this
Atelier 17  Search this
Mary Ryan Gallery (New York, N.Y.)  Search this
United States. Office of War Information  Search this
Type:
Interviews
Lectures
Photographs
Prints
Sketchbooks
Sketches
Sound recordings
Video recordings
Transcripts
Citation:
Fred Becker papers, 1913-2004, bulk 1940-2000. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Massachusetts  Search this
Printmakers -- Massachusetts  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)17554
(DSI-AAA_SIRISBib)393625
AAA_collcode_beckfred
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_393625
Online Media:

Oral history interview with Jason Berger, 1979 January 12-1980 February 1

Interviewee:
Berger, Jason, 1924-2010  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Benda, Clemens E. (Clemens Ernst)  Search this
Bengtz, Ture  Search this
Bloom, Hyman  Search this
Fiedler, Leslie A.  Search this
Levine, Jack  Search this
Powers, Marilyn  Search this
Swetzoff, Hyman Wulf  Search this
Zadkine, Ossip  Search this
Zerbe, Karl  Search this
Art Institute of Boston  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
State University of New York at Buffalo  Search this
United States. Army  Search this
Type:
Interviews
Sound recordings
Place:
France -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Jason Berger, 1979 January 12-1980 February 1. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Sculpture -- Study and teaching  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)11976
(DSI-AAA_SIRISBib)212523
AAA_collcode_berger79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212523
Online Media:

Oral history interview with Lawrence Kupferman, 1965 Nov. 12

Interviewee:
Kupferman, Lawrence Edward, 1909-1982  Search this
Interviewer:
Swift, Geoffrey  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lawrence Kupferman, 1965 Nov. 12. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- Massachusetts -- Boston  Search this
Federal aid to the arts  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12332
(DSI-AAA_SIRISBib)212863
AAA_collcode_kupfer65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212863
Online Media:

Oral history interview with Lawrence Kupferman, 1971 June 10

Interviewee:
Kupferman, Lawrence Edward, 1909-1982  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Tyler, Joyce  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lawrence Kupferman, 1971 June 10. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12450
(DSI-AAA_SIRISBib)212864
AAA_collcode_kupfer71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212864

Oral history interview with Otis Philbrick, 1971 June 30

Interviewee:
Philbrick, Otis, 1888-1973  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Otis Philbrick, 1971 June 30. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Educators -- Massachusetts -- Boston -- Interviews  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12245
(DSI-AAA_SIRISBib)213007
AAA_collcode_philbr71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213007

Oral history interview with Carl E. Pickhardt, 1974 Dec. 4-1975 Jan. 16

Interviewee:
Pickhardt, Carl E., 1908-2004  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Carl E. Pickhardt, 1974 Dec. 4-1975 Jan. 16. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- Massachusetts -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13079
(DSI-AAA_SIRISBib)213046
AAA_collcode_pickha74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213046

Oral history interview with Ferol Sibley Warthen, 1981 September 3

Interviewee:
Warthen, Ferol Sibley, 1890-1986  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ferol Sibley Warthen, 1981 September 3. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Printmakers -- Massachusetts -- Provincetown -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12725
(DSI-AAA_SIRISBib)213181
AAA_collcode_warthe81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213181
Online Media:

Oral history interview with Vaino Kola, 1991 Sept. 12

Interviewee:
Kola, Vaino, 1937-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Yale University. School of Art and Architecture  Search this
Massachusetts College of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Vaino Kola, 1991 Sept. 12. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- Massachusetts -- Interviews  Search this
Designers -- Massachusettes -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)12545
(DSI-AAA_SIRISBib)216511
AAA_collcode_kola91
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216511
Online Media:

Gabrielle de Veaux Clements papers

Creator:
Clements, Gabrielle de Veaux, 1858-1948  Search this
Names:
Cornell University -- Students  Search this
Hale, Ellen Day, 1855-1940  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Prints
Photographs
Diaries
Sketchbooks
Sketches
Place:
Egypt -- description and travel
Date:
1860-1948
Summary:
The papers of painter, etcher, printer, muralist, and art teacher Gabrielle de Veaux Clements measure 1 linear foot and date from 1860 to 1948. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Clements to her mother; writings, including notes and essays on art history and etching techniques; printed material; artwork; eight sketchbooks; and photographs of Clements, her family and friends, and her work.
Scope and Contents:
The papers of painter, etcher, printer, muralist, and art teacher Gabrielle de Veaux Clements measure 1 linear foot and date from 1860 to 1948. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Clements to her mother; writings, including notes and essays on art history and etching techniques; printed material; artwork; 8 sketchbooks; and photographs of Clements, her family and friends, and her work.

Biographical material consists of an address book, artwork sales and price lists, and autobiographical notes.

Correspondence is primarily with Clements' family, friends, and business associates. The series includes significant correspondence from Clements to her mother during her college years at Cornell University.

Writings include notes and essays on art history and etching techniques, 2 notebooks of poetry, and a travel diary chronicling a trip to Egypt with Ellen Day Hale.

Printed material includes clippings, exhibition catalogs, a map of the artists' colony at Rockport, Folly Cove in Massachusetts, and a copy of the book Suggestions for Illuminating by W. Randle Harrison.

Artwork consists of sketches and original etchings by Clements and artwork by others.

There are 8 sketchbooks consisting primarily of cityscapes, landscapes, and figure and portrait studies.

Photographs are of Clements, her family and friends, artists models, and work by Clements and others.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical materials, circa 1920-1944 (3 folders; Box 1)

Series 2: Correspondence, circa 1875-1945 (0.3 linear feet; Box 1)

Series 3: Writings, circa 1885-1940 (8 folders; Box 1)

Series 4: Printed material, circa 1860-1948 (5 folders; Box 1)

Series 5: Artwork, circa 1895-1940 (3 folders; Box 1)

Series 6: Sketchbooks, circa 1884-1940 (0.3 linear feet; Box 1)

Series 7: Photographs, circa 1875-1940 (0.2 linear feet; Box 1)
Biographical / Historical:
Painter, printer, and art teacher Gabrielle de Veaux Clements (1858-1948) lived and worked in Philadelphia, Pennsylvania; Baltimore, Maryland; and Folly Cove near Gloucester, Massachusetts. She was known for her etchings and her commissioned murals for the cities of Baltimore and Washington, D.C.

Clements was born in Philadelphia, Pennsylvania to physician Richard Clements and his wife, Gabrielle De Vaux. Her interest in art was supported by her family and, at the age of seventeen, she began studying lithography with the designer Charles Page at the Philadelphia School of Design for Women. After graduating in 1880 from Cornell University, where she had produced a number of scientific drawings and lithographs, Clements studied with painter Thomas Eakins at the Pennsylvania Academy of Fine Arts and won the school's Toppan Prize. In 1883, Clements was introduced to etching techniques by the artist Stephen Parrish and began exhibiting and printing her works professionally.

In 1884, Clements traveled abroad to Paris to study at the Academie Julian where she was joined in 1885 by fellow painter and future lifelong companion Ellen Day Hale. Upon returning to her Philadelphia studio in 1885, Clements taught other female artists, including Margaret Bush-Brown, and exhibited in numerous institutions, including the National Academy of Design and the Boston Museum of Fine Arts. In 1895, Clements moved to Baltimore to teach art at the newly established Bryn Mawr School, where she remained until 1908. During her tenure in Baltimore, she was commissioned by the Bendann Galleries to etch nine views of Baltimore and also painted five church murals in Washington, D.C., which led to subsequent murals in Detroit, Philadelphia, and Chicago.

Clements and Hale frequently traveled abroad, visiting France, Italy, Egypt, Syria, and Palestine, and spent summers at "The Thickets," the house they purchased in the artists' colony at Folly Cove. During World War I, they wintered in Charleston, South Carolina where they opened their studios to young female artists and taught innovative etching, painting, and color printmaking techniques. After the war, they again opened their studios in Folly Cove to young artists and continued to teach and experiment with soft-ground etching and aquatints in color. This work was highlighted in special exhibitions at the J.B. Speed Art Museum and the Smithsonian Institution. Clements died in Rockport, Massachusetts in 1948.
Provenance:
The Gabrielle de Veaux Clements papers were donated by Mrs. Harlan Starr, Jr. in 1983.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- Massachusetts  Search this
Printmakers -- Massachusetts  Search this
Etchers -- Massachusetts  Search this
Art teachers -- Massachusetts  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women educators  Search this
Etching -- Technique  Search this
Art -- History  Search this
Genre/Form:
Prints
Photographs
Diaries
Sketchbooks
Sketches
Citation:
Gabrielle de Veaux Clements papers, 1860-1948. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clemgabr
See more items in:
Gabrielle de Veaux Clements papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw953de79c7-7bd3-41f1-832a-e2e9b1c03b9f
EDAN-URL:
ead_collection:sova-aaa-clemgabr
Online Media:

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