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Timothy Asch papers

Creator:
Asch, Timothy, 1932-1994  Search this
Correspondent:
Albert, Bruce  Search this
Andrews, Scott  Search this
Balikci, Asen, 1929-  Search this
Beidelman, Tom  Search this
Bermudez, Beatrice  Search this
Brigard, Emilie de  Search this
Cardozo, Jesus  Search this
Carpenter, Edmund, 1922-2011  Search this
Chagnon, Napoleon A., 1938-  Search this
Connor, Linda  Search this
Fox, James  Search this
Freeman, Derek  Search this
Harrison-Pepper, Sally  Search this
Heider, Karl  Search this
Homiak, John P. (John Paul), 1947-  Search this
Jules-Rosette, Benneta  Search this
Kamerling, Lenny  Search this
Lewis, Doug  Search this
Lizot, Jacques  Search this
Loizos, Peter  Search this
Mead, Margaret, 1901-1978  Search this
Mello, James F., 1936-  Search this
Middleton, John  Search this
Piault, Collette  Search this
Preloran, Jorge, 1933-2009  Search this
Rouch, Jean  Search this
Ruby, Jay  Search this
Smith, Patrice  Search this
Storas, Frode  Search this
Tax, Sol, 1907-1995  Search this
Wayang, Mark  Search this
Wayang, Mary  Search this
Young, Tao  Search this
Extent:
62 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Correspondence
Manuscripts
Photographs
Place:
Venezuela
Date:
1947-1995
Summary:
Timothy Asch was an anthropologist and ethnographic film maker who devoted his professional life to using film as a recording and teaching medium. His papers cover the period from 1966 until his premature death in 1994 and reflect his active career in the field. A large portion of the files relates to his work among the Yanomami people of Venezuela and to his concern with bias in film making.
Scope and Contents:
The papers of Timothy Asch document his career as an anthropologist, educator, photographer and filmmaker through correspondence, photographs, research files (articles and notes), and teaching materials (course information and lecture notes). The files relating to Asch's film projects include articles, field notes, and reviews. The major correspondents in this collection are Patsy Asch, Tom Beidelman, Napoleon Chagnon, James Fox, Robert Gardner, Douglas Lewis, Peter Loizos, David & Olga Sapir, and Minor White.
Arrangement:
The collection is arranged into the following 13 series:

Series 1) Correspondence (1953-1994)

Series 2) College and graduate School (1955-1965)

Series 3) Teaching materials (1964-1993)

Series 4) Film projects (1964-1991)

Series 5) Articles and reviews (1972-1994)

Series 6) Alpha-Subject (1955-1989)

Series 7) Conferences, film festivals, and film organizations (1963-1993)

Series 8) Grants (1962-1993)

Series 9) Other people's work (1952-1995)

Series 10) Personal and family (1951-1994)

Series 11) Photographs (1947-1991)

Series 12) Sound recordings (bulk 1960s-1970s)

Series 13) Note slips, rolodexes, and business cards (1987, undated)
Biographical note:
Asch studied photography at the California School of Fine Arts in San Francisco. While serving in the United States Army in Japan from 1951-55 he spent his off-duty hours photographing rice production and household activities in remote Japanese villages. After his military service, he enrolled in Columbia University graduating in 1959 with an undergraduate degree in Anthropology. After graduation, he went to work at the Peabody Museum at Harvard as an assistant editor to John Marshall on the Kung Bushmen film project. In 1964, he received a Masters Degree in Anthropology from Boston University where he studied in the African Studies Progam and read Anthropology with T.O. Beidelman at Harvard. In 1968, Asch and Marshall founded Documentary Educational Resources, a film distribution company. Anthropologist Napoleon Chagnon approached Asch in 1968 to film among the Yanomammmi people of Venezuela. This collaboration led to a major project resulting in over thirty films.

Chronology

1950-1951 -- California School of Fine Arts and Apprenticeships with photographers Minor White, Edward Weston and Ansel Adams

1953-1954 -- Military Service in Korea

1959 -- B.S. in Anthropology Columbia University

1959-1962 -- Ethnographic film consultant, Harvard University's Peabody Museum

1964 -- M.A. in Anthropology Harvard University

1965-1966 -- Curriculum Consultant, Ethnographic studies and the Bushmen Social Studies Curriculum Project (initially Educational Services, Inc., later called Educational Development Center)

1966-1968 -- Lecturer in Anthropology and Theater Arts, Brandeis University

1966-1968 -- Anthropology Curriculum and Media Consultant to the Newton Public Schools

1967-1994 -- Co-Founder and Director of Documentary Educational Resources, Watertown, Massachusetts, a non-profit curriculum development corporation distributing educational media

1968-1970 -- Visiting Assistant Professor, Anthropology Department, New York University

1969-1973 -- Lecturer, Department of Anthropology, Brandeis University

1973-1979 -- Research Fellow in Ethnographic film, Peabody Museum of Archaeology and Ethnology, Harvard University

1974-1976 -- Lecturer, Department of Anthropology, Harvard University

1975 -- Research Cinematographer, National Anthropological Film Center, Smithsonian Institution, Washington, D.C.

1976-1981 -- Senior Research Fellow, Department of Anthropology, Institute of Advanced Studies, the Australian National University, Canberra, Australia

1982 -- Visiting Research Scholar, Department of Anthropology at Macquarie University, Sydney, Australia

1983-1994 -- Director, Center for Visual Anthropology, Department of Anthropology, University of Southern California
Related Materials:
The Human Studies Film Archives holds 93,000 feet (43 hours) of original film footage and the accompanying sound as well as the edited films from the 1968 and 1971 film projects by Timothy Asch and Napoleon Chagnon documenting the Yanomamo Indians of southern Venezuela and northern Brazil (between the Negro and Upper Orinoco rivers).
Provenance:
Donated to the National Anthropological Archives by Patsy Asch in 1996.
Topic:
Anthropology  Search this
Film -- theory  Search this
Language and languages -- Documentation  Search this
Genre/Form:
Sound recordings
Correspondence -- 1953-1994
Manuscripts
Photographs -- 1947-1991
Citation:
Timothy Asch papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1996-16
See more items in:
Timothy Asch papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ebe64d9d-33d2-4af7-9417-8f21f639c754
EDAN-URL:
ead_collection:sova-naa-1996-16

Jorge Prelorán films

Creator:
Preloran, Jorge, 1933-2009  Search this
Names:
University of California, Los Angeles  Search this
Extent:
50 Film reels (50 completed films and 1 film series; 110,600 feet of original film outtakes (51 hours); 412 hours of audiotape; 31 digital books)
22 Linear feet (Papers and photographs)
Type:
Collection descriptions
Archival materials
Film reels
Place:
Patagonia (Argentina and Chile)
Argentina
Date:
1954-circa 2008
Summary:
Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.
Scope and Contents:
This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.

The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. Several films focus on natural history and science. There are also a number of experimental and fiction films.

Prelorán formed close friendships with many of the subjects of his films and corresponded with them long after the films were completed. This is reflected in the paper records, as is Prelorán's wide circle of colleagues and collaborators, including anthropologists, musicians, animators, historians, painters, writers, photographers, current and former students at UCLA, and fellow filmmakers. The extensive collection of press clippings, screening notices, and festival catalogs documents Prelorán's influence in Argentina, Europe, and the United States.

In the series of digital books, Prelorán presents the personal stories of individuals involved in creative work. Some books feature subjects profiled in the films, updating or expanding on their stories.
Arrangement:
This collection is arranged in 11 series: (1) Completed Films and Videos, 1954-circa 2008; (2) Film Outtakes, 1960s-1980s; (3) Audio, 1969-2008; (4) Correspondence, 1954-2005 (bulk 1967-1992); (5) Production Files, 1961-1998; (6) Project Files, 1967-1995; (7) UCLA, 1968-2005 (bulk 1980s); (8) Press Clippings, 1960-2005; (9) Photographs, 1961-2000; (10) Books, 1994-1998, undated; (11) Electronic Files, circa 2000-circa 2006
Biographical Note:
Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." In films such as Hermógenes Cayo (Imaginero) (1970), Los Hijos de Zerda (Zerda's Children) (1974), and Zulay Frente al Siglo XXI (Zulay Facing the 21st Century) (1989), Prelorán's protagonists tell their personal stories, while also revealing the stories of their communities and cultures. Prelorán worked in Latin America and the United States, but primarily in his native country of Argentina. His career spanned from 1954 to 2008, including nearly twenty years as a film professor at the University of California, Los Angeles (UCLA).

Prelorán was born May 28, 1933 in Buenos Aires, Argentina. His father, an engineer, was Argentine and had studied at the Massachusetts Institute of Technology, where he met his wife, an American. Prelorán grew up speaking both Spanish and English. Initially pursuing a career in architecture, he studied at the Universidad Nacional de Buenos Aires. He made his first film, Venganza, with neighborhood friends in Buenos Aires in 1954. The film won the Beginner's Festival of Cine Club Argentina that same year. Prelorán was accepted as an undergraduate at the University of California, Berkeley, and studied architecture there for one year. In 1956 he withdrew from UC Berkeley and was drafted into the US Army. Prelorán served in West Germany until 1958. Upon his return he changed educational plans and began formal study of filmmaking, receiving a Bachelor of Arts in Motion Pictures from UCLA in 1960.

Shortly before the end of his service in the US Army, Prelorán married Elsa Dondi, a former classmate from Buenos Aires. They lived together in Los Angeles until Elsa returned to Argentina for the birth of their daughter, Adriana, in 1961. The couple separated shortly thereafter.

Prelorán's professional career as a filmmaker began in 1961 with a commission from the Tinker Foundation of New York for a series of films on the Argentine gaucho. In the course of shooting for these films, Prelorán traveled extensively throughout Argentina, visiting many locations in Patagonia and in the northwest where he would later return to make many of his films. From 1963-1969, Prelorán was under contract at the Universidad Nacional de Tucumán to produce educational films; he also produced a series of short films on Argentine folklife with support from Fondo Nacional de las Artes and under the mentorship of folklorist Augusto Raúl Cortazar, Ph.D.

In the late 1960s, Prelorán became involved with UCLA's Ethnographic Film Program and in 1970 he returned to UCLA as a lecturer for two semesters. Later that year he was a fellow at Harvard University's Film Study Center, where he produced the English-language version of Imaginero (Hermógenes Cayo). Prelorán was the recipient of two Guggenheim Fellowships, in 1971 and 1975, and used those opportunities to produce quite a number of films, including Damacio Caitruz (Araucanians of Ruca Choroy).

Prelorán remarried in 1972. His wife, Mabel Freddi, became a collaborator on his films. She wrote the screenplay for Mi Tia Nora (My Aunt Nora) (1983) and co-directed Zulay Frente al Siglo XXI (Zulay Facing the 21st Century) (1989), among other credited and un-credited roles. After the Argentine military coup of March 1976 and the disappearances of fellow filmmaker Raymundo Gleyzer and Mabel's niece, Haydee, the Preloráns became fearful for their own safety. They fled to the United States, a move that would become permanent. Prelorán accepted a position as associate professor at UCLA's School of Theater, Film and Television. He later joined the faculty as a tenured professor.

During his time at UCLA, Prelorán was twice selected as a Fulbright Scholar, in 1987 and 1994. He continued to produce films, including the Academy Award-nominated documentary short Luther Metke at 94 (1980) and the 7-hour natural history television series Patagonia (1992). After retiring in 1994, Prelorán continued to mentor film students as Professor Emeritus; he also began work in a new medium, creating a series of digital books, "Nos = Otros" ("Sages Amongst Us") (unpublished), featuring individuals engaged in creative and educational pursuits.

Prelorán died at his home in Culver City, CA at the age of 75 on March 28, 2009.

Sources Consulted

UCLA, School of Theater, Film and Television. "Jorge Prelorán 1933 - 2009." Obituary. Last modified March 31, 2009. Accessed April 1, 2009. http://tft.ucla.edu/news/obituary

Jorge Prelorán Collection. Human Studies Film Archives, Smithsonian Institution.

Rivera, Fermín. Huellas Y Memoria de Jorge Prelorán. Documentary film. 2010.

Woo, Elaine."Jorge Prelorán dies at 75; Argentine filmmaker and former UCLA professor." Los Angeles Times, April 5, 2009. Web. 29 Apr 2009.

1933 -- Born May 28 in Buenos Aires, Argentina

1952-1954 -- Studies at the College of Architecture, Universidad Nacional de Buenos Aires, Argentina

1954 -- Completes first film, Venganza, a fictional short

1955 -- Studies at the College of Architecture, University of California at Berkeley

1956-1958 -- Drafted into United States Army, stationed in Schwetzingen, West Germany

1959-1960 -- Earns Bachelor of Arts in Motion Pictures from UCLA

1961-1963 -- Produces films on the Argentine gaucho for the Tinker Foundation, New York

1963-1969 -- Produces films at the Universidad Nacional de Tucumán, Argentina

1968 -- Attends the First International Colloquium on Ethnographic Film at UCLA

1969 -- Shoots film for The Warao People in Venezuela, under a grant from the Ford Foundation to the Ethnographic Film Program at UCLA

1970 -- Lecturer at UCLA School of Theater, Film, and Television Fellow at the Film Study Center, Harvard University

1971 -- Receives first Guggenheim Fellowship; completes several film projects in Argentina

1975 -- Receives second Guggenheim Fellowship; continues filming in Argentina

1976 -- Moves to United States Associate professor at UCLA School of Theater, Film, and Television

1978 -- Guest of Honor at the 2nd Margaret Mead Ethnographic Film Festival at the American Museum of Natural History, New York

1980 -- Academy Award nominee for Luther Metke at 94

1985 -- Guest at the White House for a State Dinner in honor of Argentine President Raul Alfonsin

1986 -- Naturalized as a United States citizen

1987 -- First selection as Fulbright Scholar; begins production of the series Patagonia, en Busca de su Remoto Pasado

1994 -- Second selection as Fulbright Scholar; completes pre-production for the narrative feature film "Vairoletto: The Last Gaucho Outlaw" Retires from UCLA as professor emeritus

2009 -- Dies on March 28 in Culver City, California
Related Materials:
The Human Studies Film Archives holds a copy of Fermín Rivera's edited biographical documentary film, Huellas y Memoria de Jorge Prelorán (HSFA 2015.1.27), as well as transcripts of interviews conducted with Jorge and Mabel Prelorán for the film (in Spanish).

The Harry Ransom Center, University of Texas at Austin, holds the original film for four titles Prelorán produced for the Tinker Foundation (New York, NY). These are: The Llanero; The Gaucho of Corrientes; The Gaucho of the Pampas; and The Gaucho of Salta. The Ransom Center has both English and Spanish versions of these titles. These four films were preserved in 2010 and 2011 with funding from the Tinker Foundation. HSFA holds high quality video masters of all four titles. A fifth film produced for the Tinker Foundation, El Gaucho Argentino, Hoy (The Argentine Gaucho, Today), is held at the HSFA in its Spanish version only.

The Arthur Hall Collection at Temple University, Phildadelphia, Pennsylvania and Ile Ife Films in Belfast, Maine hold a copy of The Unvictorious One that differs from the two versions held at the HSFA.
Provenance:
This collection was donated to the Human Studies Film Archives in two accessions. The first accession, 2007-10, contains the edited films, outtakes, audio recordings, papers, and photographs and was donated by Jorge Prelorán. Materials had been stored at Prelorán's home office and home editing suite before they were packed by the processing archivist and sent to the HSFA. The second accession, 2011-07, contains the digital books and some additional photographs. This accession was donated by Mabel Prelorán. These materials had also been stored at Prelorán's home office and were sent to the HSFA by Mabel Prelorán.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Various copyrights and restrictions on commercial use apply to the reproduction or publication of film, video, audio, photographs, and the digital books.

Access to the Jorge Prelorán collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Ethnology  Search this
Documentary films  Search this
Biography  Search this
Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
Identifier:
HSFA.2007.10
See more items in:
Jorge Prelorán films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc95d05b888-ed6e-48ee-b368-8629661849e2
EDAN-URL:
ead_collection:sova-hsfa-2007-10
Online Media:

The Unvictorious One (1996 version)

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (silent, color positive film; 510 ft; 14 minutes, 16 mm)
Container:
Item 2007.10.79
Type:
Archival materials
Moving Images
Film reels
Date:
1996
Scope and Contents:
Re-edited version includes additional footage and inter-titles of a poem by Langston Hughes not found in the original.
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / The Unvictorious One
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc908e4b5cd-ef62-4c93-928c-c1ef64021146
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref10

El Grano Dorado

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 767 ft; 21 minutes, 16 mm)
Container:
Item 2007.10.70
Type:
Archival materials
Moving Images
Film reels
Date:
1970
Scope and Contents:
This is most likely the original release version.
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / El Grano Dorado
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9ebf97ffb-d993-4e69-b6e3-a3ba89dc18fc
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref100

The Golden Grain

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 575 ft; 16 minutes, 16 mm)
Container:
Item 2007.10.33
Type:
Archival materials
Moving Images
Film reels
Date:
circa 1980
Scope and Contents:
The date of this re-edited, shorter version is uncertain, however it is later than the original release version.
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / El Grano Dorado
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9f9d9712d-5b31-4aee-914b-c4b8c90d902b
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref101

Manos Pintadas (1971 version)

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 502 ft; 14 minutes, 16 mm)
Container:
Item 2007.10.71
Type:
Archival materials
Moving Images
Film reels
Date:
1971
Scope and Contents:
The original release version.
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Manos Pintadas (Painted Hands)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc91a9bc544-93e1-48ee-8ec4-59c07abd97cc
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref103

Manos Pintadas (Painted Hands) (ca. 1981 version)

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 381 ft; 10.5 minutes, 16 mm)
Container:
Item 2007.10.74
Type:
Archival materials
Moving Images
Film reels
Date:
1988
Scope and Contents:
Re-edited, shorter version.
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Manos Pintadas (Painted Hands)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc99de09fcb-5375-47b6-ae32-1d524612dd50
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref104

Painted Hands

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 381 ft; 10.5 minutes, 16 mm)
Container:
Item 2007.10.34
Type:
Archival materials
Moving Images
Film reels
Date:
1971
1981
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Manos Pintadas (Painted Hands)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9baa325e8-2da3-487e-a038-bd58e264e801
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref105

The Red-Tailed Comet

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 617 ft; 17 minutes, 16 mm)
Container:
Item 2007.10.35
Type:
Archival materials
Moving Images
Film reels
Date:
1971
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / The Red-Tailed Comet
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9ca4c943e-e458-449d-877a-2cfca85508de
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref107

Remate en Estancia

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 424 ft; 12 minutes, 16 mm)
Container:
Item 2007.10.36
Type:
Archival materials
Moving Images
Film reels
Date:
1971
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Remate en Estancia
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9405efd80-74c4-42fc-a727-3e9a41021d28
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref109

Valle Fertil

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
2 Film reels (sound, color positive film; 3250 ft; 89 minutes, 16 mm)
Container:
Item 2007.10.37
Type:
Archival materials
Moving Images
Film reels
Date:
1972
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Valle Fertil
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9e92cc803-6650-462e-8a7c-db8a62d0ac30
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref111

Cochengo Miranda (Spanish version)

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
2 Film reels (sound, color positive film; 2110 ft; 58 minutes, 16 mm)
Container:
Item 2007.10.38
Type:
Archival materials
Moving Images
Film reels
Date:
1974-1979
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Cochengo Miranda
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9b6d2ea14-f764-40bb-b315-0c18bc3ed57b
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref113

Cochengo Miranda (1979 version, English)

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
2 Film reels (sound, color positive film; 2110 ft; 58 minutes, 16 mm)
Container:
Item 2007.10.81
Type:
Archival materials
Moving Images
Film reels
Date:
1979
Scope and Contents:
Original English language version.
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Cochengo Miranda
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc95cc36fd6-bd76-4068-8fc7-b8f4947da420
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref114

Los Hijos de Zerda

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
2 Film reels (sound, color positive film; 1839 ft; 51 minutes, 16 mm)
Container:
Item 2007.10.41
Type:
Archival materials
Moving Images
Film reels
Date:
1974
1994
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Los Hijos de Zerda (Zerda's Children)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc979bdcd07-52e2-4558-8379-793d0a6aa815
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref117

Zerda's Children

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
2 Film reels (sound, color positive film; 1890 ft; 52 minutes, 16 mm)
Container:
Item 2007.10.59
Type:
Archival materials
Moving Images
Film reels
Date:
1978
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Los Hijos de Zerda (Zerda's Children)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc979239712-8aaf-4bf9-abb1-7ac30b06d8ce
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref118

Mackinac Island

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (silent, color reversal film; 500 ft; 14 minutes, 16 mm)
Container:
Item 2007.10.2
Type:
Archival materials
Moving Images
Film reels
Date:
1958
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / Mackinac Island
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9ad7ba664-0ad6-4024-8af1-6c962ba30bd6
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref12

The Warao People

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
2 Film reels (sound, color positive film; 1947 ft; 54 minutes, 16 mm)
Container:
Item 2007.10.39
Type:
Archival materials
Moving Images
Film reels
Date:
1974
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / The Warao People (Los Guaro)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc91fa4395a-ce54-47dd-a344-e6d4cbfe4abb
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref120

Los Guaro

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 1947 ft; 54 minute, 16 mm)
Container:
Item 2007.10.58
Type:
Archival materials
Moving Images
Film reels
Date:
1974
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / The Warao People (Los Guaro)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9db635644-12c9-4f19-a375-43cb3953ac86
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref121

La Iglesia de Yavi

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 710 ft; 19 minutes, 16 mm)
Container:
Item 2007.10.40
Type:
Archival materials
Moving Images
Film reels
Date:
1977
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / La Iglesia de Yavi
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9c1f2cefc-e536-4348-8ba4-22119d972734
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref123

La Maquina

Collection Creator:
Preloran, Jorge, 1933-2009  Search this
Extent:
1 Film reel (sound, color positive film; 440 ft; 12 minutes, 16 mm)
Container:
Item 2007.10.42
Type:
Archival materials
Moving Images
Film reels
Date:
1978
Series Restrictions:
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Jorge Prelorán films, Human Studies Film Archives, Smithsonian Institution.
See more items in:
Jorge Prelorán films
Jorge Prelorán films / Series 1: Completed Films and Videos / 1.1: Films directed by Prelorán / La Maquina (The Pump)
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9f8eb6d75-c029-49a4-a60a-96cbafc74158
EDAN-URL:
ead_component:sova-hsfa-2007-10-ref126

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