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John Goffe Rand papers

Creator:
Rand, John Goffe, 1801-1873  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1832-1960
bulk 1832-1873
Summary:
The scattered papers of inventor and portrait painter John Goffe Rand measure 0.2 linear feet and date from circa 1832-1960, bulk 1832-1873. Included are biographical sketches, a will, lists of portraits by Rand, a small amount of correspondence, files regarding Rand's invention of the collapsible artists' paint tube, clippings, a photo, and an example of one of the first paint tubes made in a factory.
Scope and Content Note:
The scattered papers of inventor and portrait painter John Goffe Rand measure 0.2 linear feet and date from circa 1832-1960, bulk 1832-1873. Included are biographical sketches, a will, lists of portraits by Rand, a small amount of correspondence, United States patents for the collapsible paint tube invented by Rand and later improvements, printed materials, a photo, and an example of one of the first paint tubes made in a factory.

Biographical Information includes an unpublished biography about Rand, typescripts of an obituary, short biographical sketches, lists of portraits painted by Rand, and a copy of his will. A small amount of correspondence consists of one letter written by Rand in 1864 addressed to his neice and typescripts of letters written by members of Rand's extended family concerning the artist and his works.

Subject files document Rand's invention of the collapsible tin artists' paint tube and include two patents from the United States Patent Office dated 1841 and 1844. The 1844 patent was for improvements to the tube. The patent applications contain diagrams and written descriptions of the tube. There are also clippings about the anniversaries of the invention.

Additional clippings are about members of the Rand family and a painting by Rand. One photograph depicts Rand's gravesite circa 1930. Artifacts include an example of one of the first collapsible paint tubes made in a factory.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Information, 1873-1941, circa 1960 (Box 1; 5 folders)

Series 2: Correspondence, 1864, 1906-1960 (Box 1; 2 folders)

Series 3: Subject Files, 1841-1844, 1941-1956(Box 1; 2 folders)

Series 4: Printed Material, circa 1900 (Box 1; 1 folder)

Series 5: Photographs, circa 1930 (Box 1; 1 folder)

Series 6: Artifact, circa 1832 (Box 1; 1 folder)
Biographical Note:
John Goffe Rand (1801-1873) lived and worked in Boston, London, and New York as a portrait painter and inventor. Rand invented and patented the first collapsible artist's paint tube.

Rand was born in 1801 in Bedford, New Hampshire. As a young man, he worked as an apprentice to a cabinet maker. Although he showed talent, Rand chose to paint houses and signs and found that he excelled at portraiture. Discovered and encouraged by Samuel F. B. Morse, he moved to Boston and by 1828 established his own studio. While temporarly in Charleston, South Carolina, Rand met Miss Lavinia Brainerd whom he later married.

Shortly after their wedding, Lavinia and John Rand travelled to London where John continued to paint portraits. Among those whom he painted were members of the royal family and other figures in the English nobility including Lord Bexley, the Duke and Duchess of Inverness, and the Duke of Sussex.

While in London, Rand invented a collapsible paint tube made of tin for storing artists' mixed oil paints. Prior to this advancement, painters generally mixed pigments with oil in small amounts and stored the extra paint in animal bladders. The tin tube allowed unused paint to be stored and used later without drying out. In 1841, Rand patented the invention with the United States Patent Office. He went on to patent several later improvements. Other later inventions, however, were not as widely received, and most of his ideas were not financially successful.

Upon returning to the United States, John Rand and his wife settled on Long Island where he continued his career in painting portraits. The artist died in 1873.
Provenance:
The John Goffe Rand papers were donated by Rand's great-grandnieces Mary and Katherine Anglemyer in 1981 and 1985.
Restrictions:
Use of original papers requires an appointment.
Rights:
The John Goffe Rand papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Inventors -- England  Search this
Portrait painters -- England -- London  Search this
Painting -- Equipment and supplies  Search this
Genre/Form:
Photographs
Citation:
John Goffe Rand papers, circa 1832-1960, bulk 1832-1873. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.randjohn
See more items in:
John Goffe Rand papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-randjohn
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
Art dealers -- France -- Paris  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Online Media:

Sir Henry Raeburn by Sir Walter Armstrong ... with an introduction by R.A.M. Stevenson and a biographical and descriptive catalogue by J.L. Caw

Author:
Armstrong, Walter Sir 1850-1918 http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n85050011 http://viaf.org/viaf/57635262  Search this
Author:
Caw, J. L (James Lewis) Sir 1864-1950 http://id.loc.gov/authorities/names/nr97041952 http://viaf.org/viaf/26973490  Search this
Stevenson, Robert Alan Mowbray 1847-1900 http://id.loc.gov/authorities/names/nr93001036 http://viaf.org/viaf/14638627  Search this
Subject:
Raeburn, Henry Sir 1756-1823 http://id.loc.gov/authorities/names/n83013586 http://viaf.org/viaf/24874387  Search this
Raeburn, Henry, Sir, 1756-1823 http://viaf.org/viaf/24874387  Search this
Raeburn, Henry Sir 1756-1823 http://viaf.org/viaf/24874387  Search this
Raeburn, Henry Sir 1756-1823 http://id.worldcat.org/fast/00108209 http://viaf.org/viaf/24874387  Search this
Physical description:
ix, 121 pages, LXI pl. (including front.~|~|~ portraits) 8 illustrations 40 x 31 cm
Type:
Biography
Photogravures
Place:
Scotland
Great Britain
Date:
1901
Topic:
Painters  Search this
Painting, Scottish  Search this
Portrait painting  Search this
Call number:
N40.1.R128 A7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_980757

Edmiston, Rodman W.

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 33, Folder 9
Type:
Archival materials
Date:
1934-1938
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref9613
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Electrical Testing Laboratories, Inc.

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 33, Folder 27
Type:
Archival materials
Date:
1943
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref9631
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Feathers, Mrs. Leonard C.

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 35, Folder 28
Type:
Archival materials
Date:
1934
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref9688
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A. Henry Nordhausen papers

Creator:
Nordhausen, A. Henry, 1901-  Search this
Names:
Peter A. Juley & Son  Search this
Royal Academy of Fine Arts (Munich, Germany)  Search this
Salmagundi Club  Search this
Extent:
8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1919-1991
Scope and Contents:
Biographical material; correspondence with Harrison Cady, John Cosigan, the Columbus Museum, Georgia Institute of Technology, Grand Central Galleries, Musemont Fine Art Camp, the Salmagundi Club, the Art Students League, Laurence Schmeckebier (Nordhausen's biographer), Syracuse University, the United States Navy, and others, mostly concerning portraits by Nordhausen; bills and receipts; a diary, 1923-1924, concerning his studies at the Royal Academy of Fine Arts in Munich and his travels in Europe; day books and engagement calendars, ca. 1940-1985; address books; guest books; 9 scrapbooks, 1919-1991, containing photographs, clippings and letters; exhibition catalogs and announcements; photographs of works of art by Peter A. Juley; certificates of merit from the Salmagundi Club, 1950-1974; and photographs of Salmagundi Club dinners, 1938, 1940, 1942, 1947, 1949, 1961, and 1962.
Biographical / Historical:
Painter, portrait painter; Columbus, Ga. Died 1993.
Provenance:
Bequest of A. Henry Nordhausen, 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Painters -- Georgia -- Columbus  Search this
Topic:
Portrait painting -- United States  Search this
Art -- Study and teaching -- United States  Search this
Art -- Study and teaching -- Germany -- Munich  Search this
Identifier:
AAA.norda
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-norda

Edward Orton papers

Creator:
Orton, Edward, 1863-1932  Search this
Names:
Orton Memorial Library of Geology (Ohio State University)  Search this
Bierstadt, Albert, 1830-1902  Search this
Moran, Thomas, 1837-1926  Search this
Extent:
0.6 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1921-1934
Scope and Contents:
Mainly correspondence regarding the acquisition of portraits and paintings for the Orton Memorial Library of Geology, Ohio State University,Columbus; biographical sketches; sketches; financial material; and clippings.
REELS 1814-1815: 634 letters regarding the acquisition of portrait paintings of state geologists and landscape paintings with rock formations for the library; 5 brief biographical sketches of artists and writers; clippings; 3 sketches; bills; and receipts.
REEL 3161: Correspondence, 1922-1926, regarding the acquisition by the library of one painting by Thomas Moran and two paintings by Albert Bierstadt.
Biographical / Historical:
Geologist; Columbus, Ohio. Orton was a long-time chairman of the Department of Geology, Ohio State University.
Provenance:
Donated 1978-1979 by Frank M. Ludden, Chairman of the Art History Department at the University of Ohio, Columbus, Ohio.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Geologists -- Ohio -- Columbus  Search this
Topic:
Painting, American  Search this
Landscape painting, American -- Collecting and Collectors  Search this
Identifier:
AAA.ortoedwa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ortoedwa

Margery Ryerson papers, 1902-1967

Creator:
Ryerson, Margery A., 1886-1989  Search this
Subject:
Henri, Robert  Search this
Roberts, Mary Fanton  Search this
Gallagher, Sears  Search this
Saint-Gaudens, Augustus  Search this
Beneker, Gerrit A. (Gerrit Albertus)  Search this
Artists for Victory, Inc.  Search this
Topic:
Women painters -- New York (State) -- New York  Search this
Art, American  Search this
Art schools -- Photographs  Search this
Record number:
(DSI-AAA_CollID)5666
(DSI-AAA_SIRISBib)208500
AAA_collcode_ryermarg
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208500

Rembrandt and Harriet Peale collection

Creator:
Peale, Rembrandt, 1778-1860  Search this
Names:
Peale, Harriet Cany, ca. 1800-1869  Search this
Peale, Rembrandt, 1778-1860 (Court of death)  Search this
Washington, George, 1732-1799  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Date:
circa 1820-1932
Summary:
This collection of papers measures 0.2 linear feet, dates from circa 1820-1932, and provides scattered documentation of the lives of painter Rembrandt Peale and his wife Harriet. There are seven letters from Peale which discuss his Patriae Pater portrait of George Washington and his subsequent attempts to gain a commission from Congress for his equestrian portrait of the first president, as well as illuminating his opinion on patronage for the arts. The collection also contains a copy of Peale's lecture on "Washington and his Portraits," a page with drawings of Roman coins by Peale, two codicils to Harriet Peale's will, printed material including a pamphlet for Peale's The Court of Death and a catalog of sale for Harriet Peale's estate, and photographs of Rembrandt and Harriet Peale.
Scope and Content Note:
This collection of papers measures 0.2 linear feet, dates from circa 1820-1932, and provides scattered documentation of the lives of painter Rembrandt Peale and his wife Harriet. The papers contain seven letters from Peale to various individuals, including Massachusetts senator Elijah Hunt Mills, that document his attempts to seek recognition and recompense from Congress for his portraits of George Washington and illuminate his opinions on patronage of the arts. Also found here is a copy of Peale's lecture on "Washington and his Portraits," and legal papers consisting of two codicils to Harriet Peale's will which list the disposition of Rembrandt Peale paintings in her possession. There is a page with drawings of Roman coins by Peale, printed material including a pamphlet for Peale's popular allegorical painting The Court of Death, and a catalog of sale for Harriet Peale's estate. Photographs picture Rembrandt and Harriet Peale respectively, circa 1850.
Arrangement:
The collection is arranged as one series.
Biographical Note:
Rembrandt Peale (1778-1860) was born in Bucks County, Pennsylvania, and was the second son of painter Charles Willson Peale. He was known primarily for his historical paintings and portraits, particularly those of George Washington. Peale painted his first Washington portrait in 1795 at the age of 17, in a sitting arranged by his father. From 1795-1800 he traveled in Maryland and the South painting portraits, and from 1801-1803 studied with Benjamin West in London.

Peale returned to Europe from l808 to l8l0, and spent most of his time in Paris where he was inspired to take up historical painting. From 1813-1822 he lived in Baltimore where, in 1814, he established a museum for paintings and natural history that later became known as the Peale Museum. Peale's most famous allegorical painting, Court of Death, was completed in 1820 and was one of the most popular paintings of the decade.

In 1822 Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "Standard likeness" of Washington. In the process he reviewed portraits by other artists including John Trumbull, Gilbert Stuart and his father, as well as his own 1795 picture which had never truly satisfied him. His resulting Patriae Pater, completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalise on the success of what quickly became known as his "Porthole" picture, collecting tesimonials praising the portrait from people who had known the president, and lobbying Congress, in vain, for a commission to paint an equestrian portrait of Washington. Despite his failure to gain such a commission, "Patriae Pater" was purchased by Congress in 1832 and still hangs in the U.S. Capitol.

Peale subsequently produced over 70 replicas of the "porthole" picture and in the late 1850s delivered a series of lecture entitled "Washington and his Portraits" along the East coast. He was also an accomplished writer and lecturer on natural history, and was among the founders of the Pennsylvania Academy of the Fine Arts, a president of the American Academy, and a founder of the National Academy.
Related Material:
Also found in the Archives of American Art are the following collections relating to Rembrandt Peale: the Albert Duveen collection of artists' letters and ephemera, 1808-1910, includes an 1855 September 8 letter from Rembrandt Peale to an unidentifed person, available on 35 mm microfilm reel D9 (frames 848-850); Printed material relating to Rembrandt Peale, 1830-1862, lent for microfilming by the Historical Society of Pennsylvania in 1855, is available on microfilm reel P29; and the Charles Henry Hart autograph collection, 1731-1912, contains a lithograph by Peale available on 35mm microfilm reel D5 (frame 103).
Provenance:
In 1960, Lawrence A. Fleischman donated one letter. Six items were donated by Charles E. Feinberg in 1962. An additional 35 items were transferred from the National Collection of Fine Arts Library to the Archives in 1979.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Rembrandt and Harriet Peale collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Economic aspects  Search this
Painting, Modern -- 19th century  Search this
Portrait painting, American  Search this
Coins, Roman  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Portrait painters -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Photographs
Drawings
Citation:
Rembrandt and Harriet Peale collection, circa 1820-1932. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pealremb
See more items in:
Rembrandt and Harriet Peale collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pealremb
Online Media:

Margery Ryerson papers

Creator:
Ryerson, Margery  Search this
Names:
Artists for Victory, Inc.  Search this
Beneker, Gerrit A. (Gerrit Albertus), 1882-1934  Search this
Gallagher, Sears, 1869-1955  Search this
Henri, Robert, 1865-1929  Search this
Roberts, Mary Fanton, 1871-1956  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Extent:
0.5 Items (linear ft.(partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1902-1967
Scope and Contents:
Letters, photographs, printed material and reproductions of Ryerson's art work.
REEL 962: Letters from Robert Henri, Augustus Saint-Gaudens, Gerrit A. Beneker and Mary Fanton Roberts; correspondence between Robert and Marjorie Henri and Mary Fanton Roberts concerning Robert's new version of "Touchstone" and rescue of ARTS AND DECORATION, Robert Henri's work, book, his friendships with William Glackens, John Sloan and Randall Davey, and life in New Mexico, California and Spain; printed material; photographs of Henri's class ca. 1918, family and art work, including a triptych; and reproductions of Ryerson's work for Artists for Victory.
REEL 440 AND SCANNED One photograph of Ryerson, demonstrating portrait painting, which was previously microfilmed under Photos of Artists I, has subsequently been scanned and returned to the Ryerson papers.
REEL 3471: A letter to Ryerson from Sears Gallagher, January 26, 1922.
UNMICROFILMED: One photograph of a drawing of Venice; a sketch by an unidentified artist; 1 reproduction of a painting by Robert Henri; 2 publicity posters for THE ART SPIRIT; and a 10 p. transcript of a lecture on Robert Henri delivered by Ryerson to the American Watercolor Society, April 1964.
Biographical / Historical:
Painter, printmaker, illustrator, teacher, writer; New York (N.Y.) Studied at the Art Students League with Frederick Bridgman, Robert Henri and Charles Hawthorne. Editor for Henri's THE ART SPIRIT, 1924, HAWTHORNE ON PAINTING and HINTS TO ARTIST-PAINTERS, by M. Fischer, 1947.
Provenance:
Donated by Margery Austen Ryerson, October 1960 and August 1967.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Editors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women painters -- New York (State) -- New York  Search this
Art, American  Search this
Art schools -- Photographs  Search this
Identifier:
AAA.ryermarg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ryermarg

Edward Orton papers, 1921-1934

Creator:
Orton, Edward, 1863-1932  Search this
Subject:
Moran, Thomas  Search this
Bierstadt, Albert  Search this
Orton Memorial Library of Geology (Ohio State University)  Search this
Topic:
Painting, American  Search this
Landscape painting, American -- Collecting and collectors  Search this
Record number:
(DSI-AAA_CollID)9220
(DSI-AAA_SIRISBib)211415
AAA_collcode_ortoedwa
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211415

Emanuel Martinez papers

Creator:
Martinez, Emanuel, 1947-  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1964-2015
Summary:
The papers of painter, muralist, and educator Emanuel Martinez measure 0.7 linear feet and date from 1964 to 2015. The collection is comprised of correspondence with Rodolfo "Corky" Gonzalez of the activist group Crusade for Justice; writings that include journal entries, essays about Mexican American youth, education, the artist Rini Templeton, community murals, and a presentation transcript about the sculpture Farm Workers' Altar; printed materials that include a bumper sticker and flyer designed by Martinez, photocopies of a poem and sketch by Martinez, and a book of writings on Mexican and Spanish Americans signed by George Garcia; photographs of Martinez as a child, in portraits, painting, and at events; and a scrapbook documenting the history of murals and Chicano art in Colorado through clippings and one letter of congratulations from former Representative Patricia Schroeder.
Scope and Contents:
The papers of painter, muralist, and educator Emanuel Martinez measure 0.7 linear feet and date from 1964 to 2015. The collection is comprised of correspondence with Rodolfo "Corky" Gonzalez of the activist group Crusade for Justice; writings that include journal entries, essays about Mexican American youth, education, the artist Rini Templeton, community murals, and a presentation transcript about the sculpture Farm Workers' Altar; printed materials that include a bumper sticker and flyer designed by Martinez, photocopies of a poem and sketch by Martinez, and a book of writings on Mexican and Spanish Americans signed by George Garcia; photographs of Martinez as a child, in portraits, painting, and at events; and a scrapbook documenting the history of murals and Chicano art in Colorado through clippings and one letter of congratulations from former Representative Patricia Schroeder.
Arrangement:
The collection is arranged as one series.

Series 1: Emanuel Martinez papers, 1964-2015 (Boxes 1-2; 0.7 linear feet)
Biographical / Historical:
Emanuel Martinez (1947- ) is a painter, muralist, and educator in Denver, Colorado.

Martinez was born in Denver where he spent a troubled youth until the age of 13. He was introduced to art through his lifelong friend and mentor Bill Longley who recognized Martinez's talent and arranged for an art apprenticeship. Martinez also studied with David A. Siqueiros and Francisco Zuniga, and at Metropolitan State College of Denver. In 1968 he established his studio.

As an artist, Martinez is deeply affected by social and political issues. He has been a member of the Chicano activist group Crusade for Justice and was active in the civil rights movement. In 1968, Martinez completed Farm Workers' Altar, a painted wooden sculpture, for the Catholic mass that was held on the day César Chávez completed a 25-day fast in his continuous struggle for social justice. Martinez also completed Tierra O Muerte for activist Reyes Lopez Tijerina. Other works by Martinez include a mural at Alma Center in Lincoln Park and a commissioned portrait of former U.S. Secretary of Transportation Federico Peña.

Martinez worked as an educator at the Student League of Denver for 12 years. He is also involved with the Emanuel Project, an organization named after Martinez that focuses on improving the lives of at-risk youth. With the organization, Martinez has completed approximately 50 murals with students all over the U.S.

Martinez has won numerous awards including the Latin American Educational Foundation scholarship and Mayor's Award for Excellence in the Arts. He has works in the permanent collections of the Smithsonian American Art Museum and the Museo de las Americas in Denver among others. His work was shown in the seminal exhibition Chicano Art Resistance and Affirmation, as well as many other national and international exhibitions.
Provenance:
The papers were donated by Emanuel Martinez in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Colorado -- Denver  Search this
Topic:
Muralists -- Colorado -- Denver  Search this
Mural painting and decoration -- 20th century -- Colorado  Search this
Chicano movement -- Colorado  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Emanuel Martinez papers, 1964-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marteman
See more items in:
Emanuel Martinez papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marteman

Encaustic Portrait, Mummy

Donor Name:
Franz Richter  Search this
Site Name:
Rubayat  Search this
Culture:
Roman Period  Search this
Greco-Egyptian  Search this
Object Type:
Painting
Place:
Fayum District (Fayyum, Faiyum), Upper Egypt, Egypt, Africa
Accession Date:
1904
Topic:
Archaeology  Search this
Accession Number:
042553
USNM Number:
A230149-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3e12baced-66ee-4c9b-b757-6b38bf29123e
EDAN-URL:
edanmdm:nmnhanthropology_8056880
Online Media:

Proof print of Douglas Volk working on a portrait of Marion Volk

Subject:
Volk, Marion  Search this
Volk, Stephen A. Douglas  Search this
Type:
Photographs
Date:
circa 1925
Topic:
Artists at or with their work  Search this
Portrait painting, American  Search this
Record number:
(DSI-AAA)19649
See more items in:
Douglas Volk and Leonard Wells Volk papers, circa 1858-1965, bulk 1870-1935
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19649
Online Media:

Reproduction of portrait of F.W. Sargent painted by John Singer Sargent

Subject:
Sargent, F. W. (Fitzwilliam)  Search this
Sargent, John Singer  Search this
Type:
Photographs
Date:
between 1935 and 1965
Topic:
Portrait painting  Search this
Record number:
(DSI-AAA)18262
See more items in:
F.W. Sargent papers, 1854-1960, bulk 1854-1888
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18262

Joan Semmel self portrait source photograph for her painting Centered

Photographer:
Semmel, Joan, 1932-  Search this
Subject:
Semmel, Joan  Search this
Type:
Photographs
Date:
circa 2000
Topic:
Painting from photographs  Search this
Self-portraits  Search this
Record number:
(DSI-AAA)18316
See more items in:
Joan Semmel papers, 1949-2013, bulk 1960-2013
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18316
Online Media:

Charles Henry Hart, New York, N.Y. letter to William Macbeth, New York, N.Y.

Creator:
Hart, Charles Henry, 1847-1918  Search this
Macbeth, William, 1851-1917  Search this
Subject:
Hart, Charles Henry  Search this
Macbeth, William  Search this
Type:
Correspondence
Date:
1916 April 1
Topic:
Art dealers  Search this
Portrait painting, American  Search this
Record number:
(DSI-AAA)17457
See more items in:
Macbeth Gallery records, 1947-1948, bulk 1892-1953
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17457
Online Media:

Alexander H. Wyant

Subject:
Wyant, A. H. (Alexander Helwig)  Search this
Type:
Photographs
Date:
ca. 1882
Topic:
Portraits  Search this
Record number:
(DSI-AAA)2731
See more items in:
Macbeth Gallery records, 1947-1948, bulk 1892-1953
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_2731
Online Media:

Postcard with reproduction of portrait of Herbert Wade Hemphill, Jr. by Howard Finster

Subject:
Finster, Howard  Search this
Hemphill, Herbert Waide  Search this
Type:
Artworks
Date:
1979
Topic:
Portrait painting  Search this
Record number:
(DSI-AAA)6602
See more items in:
Herbert Waide Hemphill papers, 1776-1998, bulk 1876-1998
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6602

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