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Robert Motherwell in Provincetown

Photographer:
Ponsold, Renate, 1935-  Search this
Subject:
Motherwell, Robert Burns  Search this
Type:
Photographs
Date:
1972 March
Record number:
(DSI-AAA)17866
See more items in:
Long Point Gallery records, 1959-1999, bulk bulk 1976-1998
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17866
Online Media:

Robert Motherwell in his Greenwich studio

Photographer:
Ponsold, Renate, 1935-  Search this
Subject:
Motherwell, Robert Burns  Search this
Type:
Photographs
Date:
1991
Topic:
Artists' studios  Search this
Record number:
(DSI-AAA)17867
See more items in:
Long Point Gallery records, 1959-1999, bulk bulk 1976-1998
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17867
Online Media:

Jack Tworkov papers, circa 1926-1993

Creator:
Tworkov, Jack, 1900-1982  Search this
Subject:
Forge, Andrew  Search this
Dickinson, Edwin Walter  Search this
Demarco, Ricky  Search this
Knaths, Karl  Search this
Katz, Paul  Search this
Herzbrun, Helene  Search this
Hartigan, Grace  Search this
Bartlett, Jennifer  Search this
Ashton, Dore  Search this
Ashbury, John  Search this
Cézanne, Paul  Search this
Cavallon, Giorgio  Search this
Calfee, William H. (William Howard)  Search this
Blinken, Donald M.  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Westenberger, Theo  Search this
Summerford, Joe  Search this
Thorne, Joan  Search this
Matter, Herbert  Search this
Lindeberg, Linda  Search this
Osborn, Robert Chesley  Search this
Newman, Arnold  Search this
Newman, Michael  Search this
Wise, Howard  Search this
Wheeler, Dennis  Search this
Yunkers, Adja  Search this
Rothko, Mark  Search this
Egan Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Nancy Hoffman Gallery  Search this
Leo Castelli Gallery  Search this
Poindexter Gallery  Search this
Zabriskie Gallery  Search this
Type:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Topic:
Painting -- New York (State)  Search this
Painters -- Massachusetts  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Record number:
(DSI-AAA_CollID)13402
(DSI-AAA_SIRISBib)211452
AAA_collcode_tworjack2
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211452
Online Media:

Long Point Gallery records, 1959-1999, bulk bulk 1976-1998

Creator:
Long Point Gallery  Search this
Subject:
Giobbi, Edward  Search this
Fromboluti, Sideo  Search this
Cicero, Carmen  Search this
Bultman, Fritz  Search this
Boghosian, Varujan  Search this
Vevers, Tony  Search this
Beauchamp, Robert  Search this
Franklin, Gilbert  Search this
Hadzi, Dimitri  Search this
Ponsold, Renate  Search this
Mazur, Michael  Search this
Simon, Sidney  Search this
Speyer, Nora  Search this
Rothschild, Judith  Search this
Motherwell, Robert  Search this
Resika, Paul  Search this
Manso, Leo  Search this
Type:
Photographs
Visitors' books
Video recordings
Record number:
(DSI-AAA_CollID)6289
(DSI-AAA_SIRISBib)220265
AAA_collcode_longpoin
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_220265
Online Media:

Fritz Bultman papers, 1928-2010

Creator:
Bultman, Fritz, 1919-1985  Search this
Subject:
Kees, Weldon  Search this
Krasner, Lee  Search this
Hofmann, Maria  Search this
Windham, Donald  Search this
Tworkov, Jack  Search this
Vevers, Tony  Search this
Simon, Sidney  Search this
Hofmann, Hans  Search this
Drexler, Sherman  Search this
Graham, John  Search this
Cicero, Carmen  Search this
Cornell, Joseph  Search this
Boghosian, Varujan  Search this
Bultman, Jeanne  Search this
Motherwell, Robert  Search this
Manso, Leo  Search this
Newman, Annette  Search this
Ponsold, Renate  Search this
Ossorio, Alfonso  Search this
Rothschild, Judith  Search this
Reynal, Jeanne  Search this
Smith, Tony  Search this
Fromboluti, Sideo  Search this
Sills, Thomas  Search this
Speyer, Nora  Search this
Newman, Barnett  Search this
Type:
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Topic:
Sculptors -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
New York school of art  Search this
Abstract expressionism  Search this
Record number:
(DSI-AAA_CollID)6839
(DSI-AAA_SIRISBib)208966
AAA_collcode_bultfrit
Theme:
Art Theory and Historiography
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208966
Online Media:

Long Point Gallery records

Creator:
Long Point Gallery  Search this
Names:
Beauchamp, Robert, 1923-  Search this
Boghosian, Varujan  Search this
Bultman, Fritz, 1919-1985  Search this
Cicero, Carmen, 1926-  Search this
Franklin, Gilbert, 1919-  Search this
Fromboluti, Sideo, 1921-  Search this
Giobbi, Edward  Search this
Hadzi, Dimitri, 1921-2006  Search this
Manso, Leo  Search this
Mazur, Michael, 1935-2009  Search this
Motherwell, Robert  Search this
Ponsold, Renate  Search this
Resika, Paul  Search this
Rothschild, Judith  Search this
Simon, Sidney, 1917-1997  Search this
Speyer, Nora  Search this
Vevers, Tony  Search this
Extent:
7.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Visitors' books
Video recordings
Date:
1959-1999
bulk 1976-1998
Summary:
The records of the Long Point Gallery measure 7.1 linear feet and date from 1959 to 1999, bulk 1976 to 1998. The collection documents the history of the gallery through administrative records, guest books, correspondence, exhibition files, artists' files, financial records, printed material, and photographic materials.
Scope and Contents:
The records of the Long Point Gallery measure 7.1 linear feet and date from 1959 to 1999, bulk 1976 to 1998. The collection documents the history of the gallery through administrative records, guest books, correspondence, exhibition files, artists' files, financial records, printed material, and photographic materials.

Administrative records consist of legal documents, contracts, mailing lists, price lists, membership files, correspondence, meeting minutes, gallery history, projects files, and one videocassette of the Long Point Gallery dinner filmed by Renate Ponsold Motherwell in 1993. Guest books document the signatures and salutations of attendees at gallery exhibitions. Correspondence is with artists, organizations, and gallery customers. Exhibition files contain correspondence, press releases, articles, and exhibition announcements. Artists' files consist of news clippings, exhibition records, price lists, and correspondence. Financial records contain bills, receipts, deposits, financial reports, gallery sales, and records for the transport of artwork. Printed material includes news clippings, exhibition announcements and catalogs, press releases, obituaries, publications, souvenirs, and posters signed by the artists. Photographic materials include slides and printed photographs of artwork, artists, exhibitions, parties, and candid moments. Overall the collection documents the activities of artist members, including Varujan Boghosian, Fritz Bultman, Carmen Cicero, Sideo Fromboluti, Edward Giobbi, Budd Hopkins, Rick Klauber, Leo Manso, Robert Motherwell, Paul Resika, Judith Rothschild, Sidney Simon, Nora Speyer, Tony Vevers, Robert Beauchamp, Paul Bowen, Gilbert Franklin, Dimitri Hadzi, Renate Ponsold, and Michael Mazur.
Arrangement:
This collection is arranged as 8 series.

Series 1: Administrative Records, 1976-1999 (1.5 linear ft.; Box 1-2)

Series 2: Guest Books, 1986-1998 (7 folders; Box 2)

Series 3: Correspondence, 1979-1998 (0.8 linear ft.; Box 2-3)

Series 4: Exhibition Files, 1959-1998, bulk 1972-1998 (0.6 linear ft.; Box 3-4)

Series 5: Artists' Files, 1963-1997 (0.8 linear ft.; Box 4)

Series 6: Financial Records, 1976-1998 (0.8 linear ft.; Box 5)

Series 7: Printed Material, 1972-1998 (0.8 linear ft.; Box 5-6, OV 8)

Series 8: Photographic Materials, 1972-1998 (1.5 linear ft.; Box 6-7)
Biographical / Historical:
Long Point Gallery (est. 1977, closed 1998) was a cooperative art gallery in Provincetown, Massachusetts. The gallery operated in the American Legion building during the summer seasons as an artist cooperative. Members contributed financially, as well as artistically, enabling the promotion and preparation of exhibitions throughout the summer. The founding members were Varujan Boghosian, Fritz Bultman, Carmen Cicero, Sideo Fromboluti, Edward Giobbi, Budd Hopkins, Rick Klauber, Leo Manso, Robert Motherwell, Paul Resika, Judith Rothschild, Sidney Simon, Nora Speyer, and Tony Vevers. Later in the gallery's history Robert Beauchamp, Paul Bowen, Gilbert Franklin, Dimitri Hadzi, Renate Ponsold, and Michael Mazur also became members. Some notable friends of the gallery were Nassos Daphnis, Jack Tworkov, and Myron Stout. The gallery's first director was Rick Librizzi.

The Long Point Gallery gained a reputation for showing progressive, expressionist and abstract paintings and sculptures that veered away from the traditional tourist scenes of Cape Cod. During the 1980's, Provincetown was becoming a popular tourist destination, which caused real estate values to climb. Fortunately, members of the cooperative were able to afford the rising costs and remain in Provincetown allowing the gallery to become a fixture within the community. The gallery often held dual exhibits featuring two artists who presented their artwork individually. Other exhibitions include "Homeric Themes" (1987), "Myth & Ritual" (1989), "From the Studio Wall" (1990), "A Long Point Portfolio" (1991), "Keyworks" (1991), "Those Lovely Golden Thighs" (1991), and "A Story to Tell" (1996). Members also represented the Long Point Gallery in exhibitions at the Fine Arts Work Center (FAWC), the Cape Museum of Fine Arts (CMFA), the Archives of American Art, and exhibitions in Europe. For over 20 years, the Long Point Gallery was the site of art exhibitions, poetry readings, musical performances, and parties until its closing in 1998.

In 1998, the American Legion building was sold at a price that was too high for the gallery to continue in the same location. The advanced ages and deaths of a few members prior to the sale of the building contributed to the members' decision to dissolve the gallery, which was under the direction of Rosalind Pace at the time of closing.
Provenance:
Donated in 1999 and 2013 by the Long Point Gallery via Rosalind Pace, former Director.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Long Point Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Artists -- Massachusetts -- Provincetown  Search this
Function:
Artist-run galleries -- Massachusetts -- Provincetown
Genre/Form:
Photographs
Visitors' books
Video recordings
Citation:
Long Point Gallery records, 1959-1999, bulk 1976-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.longpoin
See more items in:
Long Point Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-longpoin

Fritz Bultman papers

Creator:
Bultman, Fritz, 1919-1985  Search this
Names:
Boghosian, Varujan  Search this
Bultman, Jeanne  Search this
Cicero, Carmen, 1926-  Search this
Cornell, Joseph  Search this
Drexler, Sherman  Search this
Fromboluti, Sideo, 1921-  Search this
Graham, John, 1887-1961  Search this
Hofmann, Hans, 1880-1966  Search this
Hofmann, Maria, 1885-1963  Search this
Kees, Weldon, 1914-1955  Search this
Krasner, Lee, 1908-1984  Search this
Manso, Leo  Search this
Motherwell, Robert  Search this
Newman, Annette  Search this
Newman, Barnett, 1905-1970  Search this
Ossorio, Alfonso, 1916-1990  Search this
Ponsold, Renate  Search this
Reynal, Jeanne, 1903-  Search this
Rothschild, Judith  Search this
Sills, Thomas, 1914-  Search this
Simon, Sidney, 1917-1997  Search this
Smith, Tony, 1912-1980  Search this
Speyer, Nora  Search this
Tworkov, Jack  Search this
Vevers, Tony  Search this
Windham, Donald  Search this
Extent:
11.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Date:
1928-2010, bulk 1940s-1990s
Summary:
The papers of New York School painter and sculptor Fritz Bultman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships; Hans Hofmann is the most thoroughly documented subject. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.
Scope and Contents:
The papers of New York School painter and sculptor Fritz Bultlman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.

Biographical materials include school records and notice of Bultman's army classification.

Most letters are addressed to Fritz Bultman and his parents. Fritz's education in Munich and studying with Hans Hofmann is well-documented. Many letters are from Miz Hofmann and Hans Hofmann. Also found are a smaller number of letters from museums, galleries, universities, and arts organizations. The surviving letters by Bultman are mainly to his family. Most were written when he was a student in Munich or traveling in Europe. There are some drafts and copies of letters concerning professional activities, arrangements for lectures, exhibitions, and Cynthia Goodman's editing "Form and Color in the Creative Process: The Painter's Primer" by Hans Hofmann.

Most interviews focus on Bultman's career. An interview with Jeanne and Fritz Bultman is about John Graham, and one of the interviews with Jeanne Bultman concerns Hans Hofmann.

Bultman's writings and notes include articles, lectures and talks about Hans Hofman, lectures about his own work, and a book review. Among the writings about Bultman are articles, a catalog essay and exhibition review.

Notebooks/sketchbooks (39 volumes) contain a variety of writings and notes, including some that are autobiographical, along with sketches and several finished drawings. Some volumes consist of writings and notes with a few sketches and doodles while others are mainly sketchbooks containing a few stray notes and brief writings; many contain approximately the same amount of text and drawings.

Diaries (4 volumes) contain entries about his work, professional and personal activities. One volume is a record of his October 1978 trip to Istanbul.

Subject files contain varying combinations of correspondence, photographs, printed material, and manuscripts. The most extensive file relates to Hans Hofmann and includes copies of writings by him. Other files of note concern Joseph Cornell, the exhibitions "Forum '49" and "Forum '49 Revisited," Weldon Kees, Tony Smith, and Donald Windham.

The largest series, printed material, consists of exhibition catalogs, announcements, reviews, articles and clippings about or mentioning Bultman.

Noteworthy among the small amount of artwork by Bultman is an early print; also found are loose drawings and paintings on paper.

Photographs of artwork document the full range of Bultman's production --paintings, sculpture, drawings, collage, stained glass, interior design and decoration. Also found are a few photographs of works by other artists. Photographs of Fritz Bultman include many by Renate Ponsold. Other indentified individuals include parents Fred and Pauline Bultman, sister Muriel Bultman, childhood nurse Katie Belle, son Johann Bultman, Sherman Drexler, Hans Hofmann, Miz Hofmann, Miss Katsura, Lee Krasner, Annalee Newman, Barnett Newman, Alfonso Ossorio, Jeanne Reynal, Thomas Sills, Jack Tworkov, and Wally Tworkov. A group portrait of the artists of Long Point Gallery includes: Varujan Boghosian, Fritz Bultman, Carmen Cicero, Sideo Fromboluti, Budd Hopkins, Rick Klauber, Lee Manso, Sidney Simon, Robert Motherwell, Judith Rothschild, Nora Speyer, and Tony Vevers. Also found in this series are photographs of Bultman exhibition installations and views of miscellaneous places.
Arrangement:
The collection is arranged in 10 series:

Series 1: Biographical Materials,1928-2003 (Box 1; 0.1 linear feet)

Series 2: Letters, 1930-1995 (Box 1; 0.4 linear feet)

Series 3: Interviews, 1968-1998 (Box 1; 0.4 linear feet)

Series 4: Writings and Notes, 1935-circa 1980s (Boxes 1-2; 0.8 linear feet)

Series 5: Notebooks/Sketchbooks, 1937-circa 1979 (Boxes 2-3, 11; 0.7 linear feet)

Series 6: Diaries, 1977-1979 (Box 3; 0.3 linear feet)

Series 7: Subject Files, 1942-2010 (Boxes 3-5, 11; 2.3 linear feet)

Series 8: Printed Material, 1941-2006 (Boxes 5-9, OV 12; 3.5 linear feet)

Series 9: Artwork, circa 1930s-1956 (Boxes 9, 11; 0.1 linear feet)

Series 10: Photographs, 1935-1997 (Boxes 9-10; 0.6 linear feet)
Biographical / Historical:
Fritz Bultman (1919-1985), a New York School painter and sculptor who lived and worked in Provincetown, Massachusetts and New York City, was also a collagist, stained glass artist, and educator.

Anthony Fred Bultman, III --always known as Fritz --was from a prominent and cultured New Orleans family. He began studying art as a boy and one of his teachers was Morris Graves, a family friend. His last 2 years of high school were spent at the Munich Preparatory School, boarding with Mrs. Hans Hofmann whose husband was working in New York for an extended period. Bultman attended the New Bauhaus in Chicago before studying for three years with Hans Hofmann in New York City and Provincetown, Massachusetts. As well as being a major influence on Bultman's development as a painter, Hofmann became a life-long friend.

Fritz Bultman met dancer and model Jeanne Lawson (1918-2008), when she was posing in Hofmann's studio during the summer of 1941. They married in 1943 and the following year bought a house in Provincetown. In 1945, Bultman built a studio designed by a friend from the New Bauhaus, sculptor and architectural designer Tony Smith, who also helped with its construction.

His first solo exhibition was held in 1947 at the Hugo Gallery, New York; others followed in 1950, again at Hugo Gallery and at Kootz Gallery, New York. After receiving an Italian Government Grant for Exchange Fellowship, Bultman spent 1950-1951 in Florence, Italy, where he learned the process of casting and began making metal sculpture. In 1952 the Bultmans moved to New York City. Depressed and beset by anxiety, Bultman began Freudian psychoanalysis, and between 1952 and 1956 produced very little artwork.

In 1958 Bultman resumed exhibiting and continued to show regularly for the remainder of his life. He enjoyed solo exhibitions in New York City, Paris, New Orleans, North Carolina, Provincetown, and other venues. Between 1958 and 1963 Bultman taught painting at Hunter College and was an instructor in design and painting at Pratt Institute. Bultman spent 1964-1965 in Paris on a Fulbright Grant painting and sculpting, studying European methods of bronze casting, and meeting French artists. Bultman maintained his reputation as a highly regarded art instructor and in later years was a sought after guest lecturer at a various colleges. While artist-in-residence at Kalamazoo College, Michigan in 1981, he designed and produced a stained glass mural with technical assistance from his wife, Jeanne Bultman, a skilled artisan.

Fritz Bultman died of cancer in Provincetown, Massachusetts, in 1985.
Related Materials:
An oral history interview with Fritz Bultman, 1986 January 6, was conducted by Irving Sandler for the Archives of American Art (available on microfilm reel 3196).
Provenance:
Gift of Fritz Bultman in 1984, which included material lent for microfilming in 1970 and 1971. Additions donated by Jeanne Bultman, his widow, in 1988 and 2000, and by his sons, Anthony F. Bultman, IV and Ellis Johann Bultman, in 2013.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Fritz Bultman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
New York school of art  Search this
Abstract expressionism  Search this
Genre/Form:
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Citation:
Fritz Bultman papers, 1928-2010, bulk 1940s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bultfrit
See more items in:
Fritz Bultman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bultfrit

Books, Hilliard, John - Ponsold, Renate and Robert Motherwell

Collection Creator:
Wagstaff, Samuel J.  Search this
Container:
Box 4, Folder 9
Type:
Archival materials
Date:
cira 1973-circa 1981
Scope and Contents note:
Hilliard, John. -- Elemental Conditioning

Loew, Edgar V. -- The Other Slide

McGuirk, Paul. -- Our Anniversary Album -- (see: Box 8)

Operation Sail

Paternite, Stephen. -- Below the Visible Spectrum

Ponsold, Renate and Robert Motherwell. -- Apropos Robinson Jeffers -- (see Box 8)
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Samuel J. Wagstaff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Samuel J. Wagstaff papers
Samuel J. Wagstaff papers / Series 4: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wagssamu-ref186

Books, (McGuirk, Paul - Thomas, George)

Collection Creator:
Wagstaff, Samuel J.  Search this
Container:
Box 8, Folder 4
Type:
Archival materials
Date:
circa 1978-1981
Scope and Contents note:
McGuirk, Paul. Our Anniversary Album, A Photographic Record -- , circa 1978

Ponsold, Renate and Robert Motherwell. -- Apropos Robinson Jeffers -- , 1981

Thomas, George C. -- Margaree: Photographs of Cape Breton -- , 1980
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Samuel J. Wagstaff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Samuel J. Wagstaff papers
Samuel J. Wagstaff papers / Series 4: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wagssamu-ref227

Le Dejeuner sur l'Herbe (After Manet)

Alternate Title:
Sheyla Lima, Frank Lima, Renata Ponsold and Tony Towle
Artist:
Wynn Chamberlain, 19 May 1927 - 27 Nov 2014  Search this
Sitter:
Sheyla Lima, 7 Nov 1944? - 10 Mar 1997  Search this
Frank Lima, 27 Dec 1939 - 21 Oct 2013  Search this
Renate Ponsold, born 1935  Search this
Tony Towle, born 1939  Search this
Medium:
Oil on canvas
Dimensions:
38¼ x 54 in. (97.2 x 137.2 cm.)
Type:
Painting
Date:
1964
Topic:
Exterior\Landscape  Search this
Nature & Environment\Plant\Grass  Search this
Home Furnishings\Blanket  Search this
Home Furnishings\Pillow  Search this
Frank Lima: Male  Search this
Frank Lima: Literature\Writer\Poet  Search this
Frank Lima: Crafts and Trades\Culinary Arts\Chef  Search this
Sheyla Lima: Female  Search this
Sheyla Lima: Visual Arts\Artist\Photographer  Search this
Tony Towle: Male  Search this
Tony Towle: Literature\Writer\Poet  Search this
Renate Ponsold: Female  Search this
Renate Ponsold: Visual Arts\Artist\Photographer  Search this
Renate Ponsold: Visual Arts\Administrator\Art Foundation  Search this
Portrait  Search this
Object number:
DLR01684
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm45378c28b-93f8-429c-bae2-70877e65bc00
EDAN-URL:
edanmdm:npg_DLR01684

Giorgio Cavallon and Jack Tworkov in Provincetown

Photographer:
Ponsold, Renate, 1935-  Search this
Subject:
Cavallon, Giorgio  Search this
Tworkov, Jack  Search this
Type:
Photographs
Date:
1975
Record number:
(DSI-AAA)14139
See more items in:
Jack Tworkov papers, circa 1926-1993
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14139
Online Media:

Portrait of Louise Nevelson

Photographer:
Ponsold, Renate, 1935-  Search this
Subject:
Nevelson, Louise  Search this
Type:
Photographs
Date:
1979
Topic:
Photography of artists  Search this
Portrait photography  Search this
Sculptors  Search this
Women sculptors  Search this
Record number:
(DSI-AAA)18407
See more items in:
Louise Nevelson papers, circa 1903-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18407
Online Media:

Louise Nevelson

Photographer:
Ponsold, Renate, 1935-  Search this
Subject:
Nevelson, Louise  Search this
Type:
Photographs
Date:
1979
Topic:
Portraits  Search this
Sculptors  Search this
Women artists  Search this
Record number:
(DSI-AAA)7299
See more items in:
Louise Nevelson papers, circa 1903-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7299

Louise Nevelson

Photographer:
Ponsold, Renate, 1935-  Search this
Subject:
Nevelson, Louise  Search this
Type:
Photographs
Date:
ca. 1979
Topic:
Portraits  Search this
Sculptors  Search this
Women artists  Search this
Record number:
(DSI-AAA)7300
See more items in:
Louise Nevelson papers, circa 1903-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7300

Ponsold, Renate

Collection Creator:
Ashton, Dore  Search this
Container:
Box 35, Folder 5
Type:
Archival materials
Date:
1977-1988
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Dore Ashton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Dore Ashton papers
Dore Ashton papers / Series 8: Addition to the Dore Ashton Papers / 8.4: Writing Project and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ashtdore-ref1525

Jack Tworkov papers

Creator:
Tworkov, Jack  Search this
Names:
Egan Gallery  Search this
Leo Castelli Gallery  Search this
Nancy Hoffman Gallery  Search this
Poindexter Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Ashbury, John  Search this
Ashton, Dore  Search this
Bartlett, Jennifer, 1941-  Search this
Blinken, Donald M., 1925-  Search this
Calfee, William H. (William Howard), 1909-1995  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cézanne, Paul, 1839-1906  Search this
Demarco, Ricky  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Forge, Andrew  Search this
Hartigan, Grace  Search this
Herzbrun, Helene  Search this
Katz, Paul  Search this
Knaths, Karl, 1891-1971  Search this
Lindeberg, Linda, 1915-1973  Search this
Matter, Herbert, 1907-1984  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Michael  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Rothko, Mark, 1903-1970  Search this
Summerford, Joe  Search this
Thorne, Joan, 1943-  Search this
Westenberger, Theo  Search this
Wheeler, Dennis  Search this
Wise, Howard  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
9.7 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Date:
1926-1993
Summary:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.
Scope and Content Note:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993, with the bulk from the period 1931-1982. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

Biographical material includes Tworkov's citizenship certificate, awards, diplomas, a copy of Jack Tworkov: Video Portrait, produced by Electronic Arts Intermix, and a motion picture film, USA Artists: Jack Tworkov, produced by National Education Television.

Correspondence consists largely of incoming letters. It is both professional and personal in nature and often combines both spheres. Correspondents include artists Jennifer Bartlett, William H. Calfee, Giorgio Cavallon and Linda Lindeberg, Grace Hartigan, Helene Herzbrun (also named Helene McKinsey), Karl Knaths, Joe Summerford, Joan Thorne, and Adja Yunkers; cartoonist Robert C. Osborn; collectors Donald M. Blinken and David A. Praeger (who was also Tworkov's lawyer); illustrator Roger Dovoisin; critics Dore Ashton and Andrew Forge; critic and poet John Ashbury; galleries that represented Tworkov: Egan Gallery, Leo Castelli, Nancy Hoffman Gallery, Poindexter Gallery, Stable Gallery and Zabriskie Gallery; and many museums, arts organizations, colleges and universities.

Interviews with Tworkov include one with Ricky Demarco videotaped in 1979 and two conducted on video by Twokov's daughter Helen in 1975. The remaining interviews are sound recordings, one conducted by Grace Alexander for the show Artists in New York in 1967, one conducted by Michael Newman in 1980, and the remainder by unidentified interviewers. None have transcripts.

All writings are by Tworkov and include poems, an artist's statement, and documentation for two children's books by Tworkov illustrated by Roger Duvoisin. Two additional notebooks contain miscellaneous notes, teaching notes, and some specific to identified courses. Lectures exist as untranscribed sound recordings.

Tworkov's journals (33 volumes) span a period of 35 years, from 1947 until 1982, with the final entry dated a few weeks before his death. They record his reflections on painting, his challenges as a painter, aesthetics, the role of the artist in society, Jewish identity, painters he admired (especially Cézanne and Edwin Dickinson), politics, and teaching. They also recount everyday life: the comings and goings of friends and family members, social engagements, professional activities, illness, and travel.

The lone subject file concerns Mark Rothko and includes a photograph of Rothko and the guest list for the dedication of the Rothko Chapel in Houston.

Artwork consists of a small number of sketches by Tworkov in pencil and ink. Tworkov's sketchbooks (28 volumes) contain sketches and some finished drawings. Most are in pencil, but scattered throughout are a few pencil sketches embellished with colored marker or pastel, and a small number in ink.

Photographs are of people, places and events. Most photographs are of Tworkov alone and with others including Giogio Cavallon, though most friends and students are unidentified. Of note are views of Tworkov producing a series of prints at Tamarind Institute. Also found is an informal portrait of Wally Tworkov. Events recorded include the jurying of "Exhibition Momentum" in Chicago, 1956. Among the places shown are Tworkov's studios at Black Mountain College and in Provincetown. When known, photographers are noted; among them are Paul Katz, Herbert Matter, Arnold Newman, Renate Ponsold, Theo Westenberger, Dennis Wheeler, and Howard Wise.

A separate series of audiovisual recordings was established for those recordings that could not be readily identified to be arranged in other series. They consist of three videocassettes (2 VHS and 1 miniDV).
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1933-1981 (Boxes 1, 9, 11, FC 13; 0.7 linear ft.)

Series 2: Correspondence, 1926-1993 (Boxes 1-5; 3.8 linear ft.)

Series 3: Interviews, 1978-1982 (Boxes 5, 9-10; 1 linear ft.)

Series 4: Writings, Notes, and Lectures, 1955-1982 (Boxes 5, 9; 0.5 linear ft.)

Series 5: Journals, 1947-1982 (Boxes 5-7; 2.0 linear ft.)

Series 6: Subject File, 1961-1977 (Box 7; 1 folder)

Series 7: Printed Material, 1952-1981 (Box 7, OV 12; 0.1 linear ft.)

Series 8: Artwork, circa 1950s-1960s (Box 7: 3 folders)

Series 9: Sketchbooks, circa 1950s-1960s (Boxes 7-8, 11; 1.0 linear ft.)

Series 10: Photographic Materials, 1941-1981 (Boxes 8-9; 0.5 linear ft.)

Series 11: Audiovisual Recordings, 1961-1975 (Box 9; 0.1 linear ft.)
Biographical Note:
New York School painter Jack Tworkov (1900-1982), best known for his Abstract Expressionist paintings and as a highly regarded teacher, lived and worked in New York City and Provincetown, MA.

At age 13, Tworkov (born Yakov Tworkovsky) emigrated from Poland with his mother and sister to join his father already in the United States. In America, they chose to use the name of distant relatives, the Bernsteins, who were their sponsors. Eventually, Jack and his sister, Janice, reclaimed and shortened their name to Tworkov; later, she adopted the name of their hometown in Poland and became the painter Janice Biala.

As a high school student in New York City, Tworkov attended drawing classes. After graduating from Columbia University, where he had been an English major and considered becoming a writer, Tworkov instead turned to art. He studied with Ivan Olinsky at the National Academy of Design between 1923 and 1925, and from 1925 to 1926 attended painting classes taught by Guy Péne Du Bois and Boardman Robinson at the Art Students League. During his college years, Tworkov began visiting museums and became a great admirer of Cézanne. Tworkov's early paintings - still life, landscapes, and portraits - showed the influence of European modernism and Cézanne.

Tworkov spent his first summer in Provincetown while still a student and subsequently returned to study with Ross Moffet. In Provincetown he met and was greatly influenced by Karl Knaths and developed a lifelong friendship with Edwin Dickinson. By 1929, Tworkov was painting there year round. Over the years, Tworkov and his family continued to return for long stretches, and in 1958 he purchased a house in Provincetown.

During the Great Depression, Tworkov participated in the Treasury Department's Public Works of Art Project until 1934, and then moved to the easel division of the WPA Federal Art Project. He felt uncomfortable with the growing ideological and political influences on art and found it depressing to paint for the WPA rather than for himself, so he left the WPA in 1941. Tworkov, who had studied mechanical drawing while in high school, spent most of the War years employed as a tool designer and draftsman at an engineering firm with government contracts.

By the 1940s, Tworkov was painting in the Abstract Expressionist style. Between 1948 and 1953, he leased a studio on Fourth Avenue that adjoined that of his friend Willem de Kooning. During this time, they mutually influenced each other as they developed into mature Abstract Expressionists. At Yale in the 1960s, Tworkov became close friends with fellow student Josef Albers. Alber's influence on Tworkov resulted in a turn to geometric compositions of small, systematic, and repetitive strokes defined by a grid. He experimented with diagonal compositions, and later geometric work that featured large areas of color and soft texture.

Tworkov's first teaching experience was during 1930-1931 when he served as a part-time painting instructor at the Ethical Culture Fieldston School. His teaching career began in earnest when he joined the faculties of Queens College, 1948-1955, and Pratt Institute, 1955-1958. During the summers he taught at various schools, most notably Black Mountain College's 1952 summer session. Tworkov was a visiting artist at the Yale University School of Art and Architecture, 1961-1963, and became chairman of its Art Department from 1963 until his retirement in 1969. In retirement he lived in Provincetown and was a visiting artist for both short and extended periods at various universities and art schools.

An avid reader of literature and poetry, Tworkov also wrote poems and essays. He published essays in It Is, Art Digest, and Art In America; his most notable piece, "The Wandering Soutine," appeared in Art News, November 1950. Tworkov also kept a journal for 35 years (1947-1982) that recorded his thoughts on a wide range of subjects concerning professional, personal, and philosophical issues, as well as details of everyday life.

Tworkov was among the founders of the Artists' Club or The Club in 1949, and for a decade actively participated in the stimulating discussions for which the group was known. In 1968 he helped to establish the Fine Arts Work Center in Provincetown. Its residency program enabled younger artists and writers to advance their careers and kept Provincetown's historic artists' colony active year round.

He was the recipient of the William A. Clark Award and Corcoran Gold Medal from the Corcoran Gallery of Art, 1963; Skowhegan School of Art's Painter of the Year Award, 1974; and Distinguished Teaching of Art Award from College Art Association, 1976. Tworkov was appointed to serve on the Massachusetts Art Commission, 1970-1971, and in 1981 was named a Fellow of The Cleveland Museum of Art and of the Rhode Island School of Design.

Following his second divorce in 1935, Rachel (Wally) Wolodarsky became Tworkov's third wife and their marriage endured. They had two daughters. Hermine Ford (b. 1939) is an artist married to fellow painter Robert Moskowitz. Helen Tworkov (b. 1943) is the founder of Tricycle: The Buddhist Review and the author of a book about yoga.

Tworkov remained physically and intellectually active after a diagnosis of bone cancer around 1980, and continued to paint until shortly before his death in Provincetown on September 4, 1982.
Related Material:
Among the holdings of the Archives of American Art are two oral history interviews with Jack Tworkov, one conducted by Dorothy Seckler, Aug. 17, 1962, and another by Gerald Silk, May 22, 1981. There is also a small collection of three letters written by Jack Tworkov to friend Troy-Jjohn Bramberger.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel N70-38 and 62) including writings by Tworkov, notebooks, notes for teaching and talks, notes on art and miscellaneous subjects, poems, artist's statements, biographical data, the transcript of a 1970 interview with Tworkov conducted by Phyllis Tuchman, and a few letters and drafts of letters, 1950-1963. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jack Tworkov lent the Archives of American Art papers for microfilming in 1970-1971. Jack Tworkov's daughters, Hermine Ford and Helen Tworkov, donated the rest of the collection in 2009, which included some of the material from the original loan.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Jack Tworkov papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting -- New York (State)  Search this
Painters -- Massachusetts  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tworjack2
See more items in:
Jack Tworkov papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tworjack2
Online Media:

Eye to eye : the camera remembers : portrait photographs / by Renate Ponsold ; introduction by Dore Ashton ; afterword by Robert Motherwell

Author:
Ponsold, Renate  Search this
Physical description:
121 p. : ill. ; 32 cm
Type:
Portraits
Date:
1988
C1988
Topic:
Portrait photography  Search this
Artists  Search this
Call number:
TR647.P810 A8
TR647.P810A8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_368670

Apropos Robinson Jeffers / Renate Ponsold, Robert Motherwell ; edited by Constance W. Glenn

Author:
Ponsold, Renate  Search this
Motherwell, Robert  Search this
Jeffers, Robinson 1887-1962  Search this
California State University, Long Beach Art Museum and Galleries  Search this
Subject:
Ponsold, Renate  Search this
Motherwell, Robert  Search this
Physical description:
[51] p. : chiefly ill. (some col.) ; 31 x 36 cm
Type:
Books
Exhibitions
Date:
1981
C1981
Call number:
N40.1.P798 A6
N40.1.P798A6
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_144186

Renate Ponsold [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_39083

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