Search Results

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2015-09-21T19:59:01.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_8FEW6b5l_Zs

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2014-07-28T14:17:14.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_TrG3T1i25Wg

Culture/People:

Kashaya Pomo  Search this

Artist/Maker:

Julia Parker (Julia Pete Parker/Julia Domingues), Kashaya Pomo/Coast Mewuk (Coast Miwok), b. 1929  Search this

Previous owner:

Julia Parker (Julia Pete Parker/Julia Domingues), Kashaya Pomo/Coast Mewuk (Coast Miwok), b. 1929  Search this

Donor:

Julia Parker (Julia Pete Parker/Julia Domingues), Kashaya Pomo/Coast Mewuk (Coast Miwok), b. 1929  Search this

Object Name:

Needle and bag

Media/Materials:

Animal Bone, vegetal fiber, shell beads, pottery/ceramic bead/beads, abalone/haliotis shell

Techniques:

Carved, looped, strung

Dimensions:

21 x 12 x 2 cm

Object Type:

Basketmaking and fiber-working tools

Place:

Yosemite Valley, Yosemite National Park; Mariposa County; California; USA

Date created:

1990-1992

Catalog Number:

23/7307

Barcode:

237307.000

See related items:

Kashaya Pomo

Basketmaking and fiber-working tools

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws6301d9ec9-8b0c-453b-8164-e11f636cef96

EDAN-URL:

edanmdm:NMAI_252816

Collector:

Allen, George V.  Search this

Names:

Albuquerque Indian School  Search this

Castillo de San Marcos (Saint Augustine, Fla.)  Search this

Chilocco Indian Agricultural School  Search this

Geological Survey (U.S.)  Search this

Haskell Indian Nations University  Search this

United States Indian School (Carlisle, Pa.)  Search this

Yankton Mission (Yankton Indian Reservation, S.D.)  Search this

American Horse, 1840-1908  Search this

Big Bow Chief  Search this

Bogy, Lewis V. (Lewis Vital), 1813-1877  Search this

Cushing, Frank Hamilton, 1857-1900  Search this

Harding, Warren G. (Warren Gamaliel), 1865-1923  Search this

Hough, Walter, 1859-1935  Search this

Iron Bull (Crow Indian chief)  Search this

Kelly, Luther S. (Luther Sage), 1849-1928  Search this

Mató-Tópe, Mandan chief, d. 1837  Search this

Mix, Charles E.  Search this

Monroe, Mark, 1930-  Search this

Moran, John, 1831-1903  Search this

Ouray  Search this

Red Cloud, 1822-1909  Search this

Red Dog, Oglala chief  Search this

Red Shirt, 1845?-1925  Search this

Reilly, John James, 1838-1894  Search this

Reynolds, Joseph Jones, 1822-1899  Search this

Sitting Bull, 1831-1890  Search this

Spotted Tail, 1823-1881  Search this

Stevenson, Matilda Coxe, 1850-1915  Search this

Two Guns White Calf, 1872-1934 (Piegan)  Search this

Photographer:

Alvord, Kellogg, & Campbell  Search this

Bailey & Whitesides  Search this

Bailey, Dix, & Mead  Search this

Bennett & Brown  Search this

Black Hills View Company  Search this

Brooks Photo  Search this

Brubaker and Whitesides  Search this

C. Duhem & Bro.  Search this

Calfee & Catlin  Search this

Caswell & Davy  Search this

Copelin & Son  Search this

Cosand & Mosser  Search this

Cunningham & Co. (1880-1889)  Search this

D.D. Merrill, Randall & Co.  Search this

E. & H.T. Anthony (Firm)  Search this

Eaton, of Ralston, Oklahoma  Search this

Griffith & Griffith  Search this

Gurnsey & Illingworth  Search this

Hamilton and Hoyt  Search this

Hamilton and Kodylek  Search this

Hansard & Carden  Search this

Henry L. Shepard & Co.  Search this

Ingersoll View Company (St. Paul, Minnesota)  Search this

J.J. Reilly & Co.  Search this

Judd and McLeish  Search this

Keystone View Company  Search this

Kilburn Brothers  Search this

Lawrence & Houseworth  Search this

Leonard & Martin  Search this

M.S. Mepham & Bro.  Search this

Martin's Gallery  Search this

Montgomery Ward  Search this

Ramsour & Pennel  Search this

Reed & McKenney  Search this

Rodocker & Blanchard  Search this

Savage & Ottinger  Search this

Thomas Houseworth & Co  Search this

Underwood & Underwood  Search this

Universal Photo Art Co  Search this

Whitney & Zimmerman  Search this

Wittick & Bliss  Search this

Wittick & Russell  Search this

Young & Chase  Search this

Barker, George, 1844-1894  Search this

Barry, D. F. (David Francis), 1854-1934  Search this

Batchelder, B. P. (Benjamin Pierce), 1826-1891  Search this

Bates, Edw. (Edward)  Search this

Beaman, Edward O.  Search this

Bell, C. M. (Charles Milton), approximately 1849-1893  Search this

Bell, William, 1830-1910  Search this

Benecke, Robert  Search this

Bennett, H. H. (Henry Hamilton), 1843-1908  Search this

Bierstadt, Charles, 1819-1903  Search this

Blessing, S. T.  Search this

Blosser, J. A.  Search this

Bonine, Elias A., 1843-1916  Search this

Brockham, William (of Morris, Minnesota)  Search this

Brown, William Henry, 1844-1886  Search this

Brubaker, C. B.  Search this

Buehman, Henry, 1851-1912  Search this

Calfee, H. B. (Henry Bird), 1848-1912  Search this

Carbutt, John, 1832-1905  Search this

Carter, C. W., 1832-1918  Search this

Chamberlain, W. G. (William Gunnison)  Search this

Chase, D. B. (Dana B.)  Search this

Childs, B. F. (Brainard F.), ca. 1841-1921  Search this

Choate, J. N. (John N.), 1848-1902  Search this

Clark, George A. (George Alfred), 1936-  Search this

Climo, John Saunders  Search this

Cobb, William Henry, 1859-1909  Search this

Conklin, E (Enoch)  Search this

Cozzens, Samuel Woodworth, 1834-1878  Search this

Croft, Thomas  Search this

Cross, W. R. (William R.)  Search this

Currier, Frank, fl. 1890-1909  Search this

Curtis, Edward S., 1868-1952  Search this

Curtis, George E., 1830-1910  Search this

Cushing, W. H., fl. 1870-1889  Search this

Davis, S., fl. 1860-1880  Search this

Doremus, John P., 1827-1890  Search this

Eaton, E. L. (Edric L.), b. ca. 1836  Search this

Ebell, Adrian J. (Adrian John), 1840-1877  Search this

Eisenmann, Charles, b. 1850  Search this

Flanders, Dudley P.  Search this

Forsyth, N. A. (Norman A.), 1869-1949  Search this

Fouch, John H., 1849-1933  Search this

Gardner, Alexander, 1821-1882  Search this

Godkin, William R.  Search this

Goodell, Abner Cheney, 1831-1914  Search this

Graves, C. H. (Carleton H.), -1943  Search this

Gurnsey, B. H. (Byron H.), 1833-1880  Search this

Hamilton, J. H. (James H.)  Search this

Hart, Alfred A., 1816-1908  Search this

Hawkins, B.A.  Search this

Haynes, F. Jay (Frank Jay), 1853-1921  Search this

Hazeltine, M. M. (Martin Mason), 1827-1903  Search this

Heister, H. T., (Henry T.), -1895  Search this

Heller, Louis Herman, ca. 1839-1929  Search this

Heston, Wat  Search this

Hillers, John K., 1843-1925  Search this

Hook, W. E. (William Edward), 1833-1908  Search this

Huffman, L. A. (Laton Alton), 1854-1931  Search this

Illingworth, W. H. (William H.), 1842-1893  Search this

Immke, Henry W.  Search this

Ingalls, George W., 1838-1920  Search this

Jackson, William Henry, 1843-1942  Search this

Jacoby, W. H. (William H.), 1841-1905  Search this

Jarvis, J. F. (John F.), b. 1850  Search this

Johnson, W.S.  Search this

Kirkland, Geo. W. (George W.)  Search this

Knight, J. Lee  Search this

Landon, S. C. (Seth C.), b. 1825  Search this

Line, A. A.  Search this

Little, H.N.  Search this

Marshall, William I. (William Isaac), 1840-1906  Search this

Martin, Alex (Alexander), 1841-1929  Search this

Maude, F. H. (Frederic Hamer)  Search this

Maynard, Hannah, 1834-1918  Search this

Maynard, Richard, 1832-1907  Search this

McIntyre, A. C. (Alexander Carson)  Search this

Meddaugh, J. E.  Search this

Mellen, Geo. E. (George Egbert), b. 1854  Search this

Mepham, Michael S.  Search this

Mitchell, Daniel S.  Search this

Morrow, Stanley J.  Search this

Muybridge, Eadweard, 1830-1904  Search this

Newcomb, C. H.  Search this

Nims, F.A.  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Palmer, A. A.  Search this

Parker, Joseph C.  Search this

Pierron, Geo. (George), b. 1816  Search this

Pollock, Charles, 1832-1910  Search this

Powers, F. F.  Search this

Raitt, T.G.  Search this

Randall, A. Frank  Search this

Rau, William Herman, 1855-1920  Search this

Rinehart, F. A. (Frank A.)  Search this

Rodocker, D. (David)  Search this

Rothrock, George H.  Search this

Rudy, W. Ira  Search this

Russell, Andrew J.  Search this

Rutter, Thomas H., 1837-1925  Search this

Savage, C. R. (Charles Roscoe), 1832-1909  Search this

Seaver, C. (Charles)  Search this

Sedgwick, S. J. (Stephen James)  Search this

Shipler, James William, 1849-1937  Search this

Soule, John P.  Search this

Stoddard, Seneca Ray, 1844-1917  Search this

Taber, I. W. (Isaiah West), 1830-1912  Search this

Thorne, G.W.  Search this

Thurlow, J., 1831-1878  Search this

Towne, Bertram C.  Search this

Trager, George E.  Search this

Upton, B. F. (Benjamin Franklin)  Search this

Watkins, Carleton E., 1829-1916  Search this

Weitfle, Charles, 1836-1921  Search this

Wendt, Julius M.  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Williscraft, W.H.  Search this

Wittick, Ben, 1845-1903  Search this

Woodburn, J. R.  Search this

Zimmerman, Charles A., 1844-1909  Search this

Publisher:

Beal's Gallery  Search this

Continent Stereoscopic Company  Search this

Florida Club (Cooperative)  Search this

Union View Company (Rochester, New York)  Search this

Webster & Albee (Rochester, N.Y.)  Search this

Smith, O. C.  Search this

Extent:

67 Lantern slides

26 Negatives (glass)

10 Negatives (nitrate)

6 Autochromes (photographs)

50 Stereographs (circa 50 printed stereographs, halftone and color halftone)

1,000 Stereographs (circa, albumen and silver gelatin (some tinted))

239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))

96 Prints (Album :, silver gelatin)

21 Postcards (silver gelatin, collotype, color halftone, and halftone)

Culture:

Puyallup  Search this

Kumeyaay (Diegueño)  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Tohono O'odham (Papago)  Search this

Kalispel (Pend d'Oreilles)  Search this

Indians of North America -- California  Search this

Taos Indians  Search this

Nuu-chah-nulth (Nootka)  Search this

Kickapoo  Search this

Laguna Indians  Search this

Pueblo  Search this

Ho-Chunk (Winnebago)  Search this

Havasupai (Coconino)  Search this

Assiniboine (Stoney)  Search this

Isleta Pueblo  Search this

Mojave (Mohave)  Search this

Mewuk (Miwok)  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Arctic peoples  Search this

Akimel O'odham (Pima)  Search this

Piipaash (Maricopa)  Search this

Iroquois  Search this

Hopi Pueblo  Search this

Modoc  Search this

A:shiwi (Zuni)  Search this

Niimíipuu (Nez Perce)  Search this

Washo Indians  Search this

A'aninin (Gros Ventre)  Search this

Tonkawa  Search this

Diné (Navajo)  Search this

Yavapai  Search this

Ute  Search this

Sauk  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Indians of North America -- Great Plains  Search this

Bannock  Search this

Shoshone  Search this

Cochiti Pueblo  Search this

Omaha  Search this

Indians of North America -- Southwest, New  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Northwest Coast of North America  Search this

Choctaw  Search this

Sioux  Search this

Eskimos  Search this

Northwest Coast  Search this

Indians of North America -- Plateau  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Numakiki (Mandan)  Search this

Sahnish (Arikara)  Search this

Tlingit  Search this

Indians of North America -- Northeast  Search this

Haida  Search this

Cree  Search this

Apsáalooke (Crow/Absaroke)  Search this

Acoma Pueblo  Search this

Quapaw Indians  Search this

Osage  Search this

Apache  Search this

Kaw (Kansa)  Search this

Umatilla  Search this

Shawnee  Search this

Fox  Search this

Pomo  Search this

Indians of North America -- Southern States  Search this

Indians of North America -- Subarctic  Search this

Paiute  Search this

Seminole  Search this

Mi'kmaq (Micmac)  Search this

Niuam (Comanche)  Search this

Potawatomi  Search this

Type:

Collection descriptions

Archival materials

Lantern slides

Negatives

Autochromes (photographs)

Stereographs

Prints

Postcards

Place:

Custer Battlefield (Montana)

Date:

circa 1860-1935

Scope and Contents note:

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.

There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.

Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.

Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.

Biographical/Historical note:

George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.

Local Call Number(s):

NAA Photo Lot 90-1

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Camps  Search this

Child care  Search this

Rites and ceremonies  Search this

Totem poles  Search this

Cookery  Search this

Wild west shows  Search this

Fishing  Search this

Hunting  Search this

Transportation  Search this

Dwellings  Search this

Funeral rites and ceremonies  Search this

Wounded Knee Massacre, S.D., 1890  Search this

Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.90-1

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3c6f12a20-b859-4219-a567-b2b3246a66be

EDAN-URL:

ead_collection:sova-naa-photolot-90-1

Collector:

Bartlett, John Russell, 1805-1886  Search this

Husband, Bruce  Search this

Encinas, Fr  Search this

Whipple, Amiel Weeks, 1817?-1863  Search this

Brown, H. B.  Search this

Heintzelman, Samuel Peter, 1805-1880  Search this

Duralde, Martin  Search this

Informant:

Cawewas, Pedro  Search this

Peraza, Hieronymo  Search this

Alejo, Marcos  Search this

Ortiz, Santiago  Search this

A-he-ba-tu  Search this

Esteban  Search this

Colusio  Search this

Extent:

183 Items (numbered pages )

Culture:

Kiowa  Search this

Nahua  Search this

Athapascan Indians  Search this

Tanoan Indians  Search this

Quechan (Yuma/Cuchan)  Search this

Pujunan  Search this

Athapaskan  Search this

Sioux  Search this

Seri  Search this

Akimel O'odham (Pima)  Search this

Tanoan  Search this

Wakashan Indians  Search this

Shoshone  Search this

Kulanapan  Search this

Otomí (Otomi)  Search this

Chitimacha  Search this

Atakapa  Search this

Maya  Search this

San Luis Rey  Search this

Indians of North America -- California  Search this

Pomo  Search this

Maidu  Search this

Arctic peoples  Search this

Indians of North America -- Subarctic  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Northwest Coast of North America  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- Southwest, New  Search this

Type:

Collection descriptions

Archival materials

Date:

undated

Scope and Contents:

On page 129-134, there is a Comanche vocabulary alongside with Spanish and Luiseno. Follows items called for in Smithsonian Institution Comparative Vocabulary. Some Comanche terms lacking.

Contents: Bartlett, John R. "Cochimi language of Lower California obtained through Mr Robinia of Guaymas, Sonora." No date. [post 1852] Autograph document. pages 215-218 in bound volume of vocabularies. Vocabulary written in "American Ethnological Society Circular Number 1, Indian Languages of America, June, 1852," a printed outline of 200 words. Negative microfilm on file. Heintzelman, Major S. P. Vocabulary of the Cocopa language. Fort Yuma, Colorado, April 19, 1854. Copy by Bartlett, pages 165-166. Heintzelmam, Major S. P. Vocabulary of the Mohavi or Hum-mock-havy taken by Major Heintzelman. Copy by Bartlett, pages 167-176. Copy in another hand in printed outline published by American Ethnological Society, pages 177-180. On negative Microfilm reel #37. Comanche San Luis Rey [Bartlett, John R.] San Luis Rey- Comanche comparative vocabulary. No informant or date is recorded for the Comanche vocabulary of about 150 words, pages 129-135. All pages are in the handwriting of George Gibbs, here not specifically attributed to Bartlett. However, penciled note on another copy of the Comanche vocabulary (Bureau of American Ethnology Manuscript Number 762) states "probably of J. R. Bartlett." Approximately 5 extra Comanche terms are listed in 1627 which were not copied into the manuscript filed under 762.

Contents: San Luis Rey Comanche [Bartlett, John R.] San Luis Rey- Comanche comparative vocabulary. San Luis Rey vocabulary of about 180 words, pages 128-135. May 10, 1852. All pages are copies in handwriting of George Gibbs, here not specifically attributed to Bartlett, but so attributed to Bartlett, but so attributed in another copy, namely, Bureau of American Ethnology Manuscript Number 772. According to the discussion, pages 128 and 135, vocabulary was recorded from Pedro Cawewas, an old man called the captain or chief of his tribe, about 150 of which now live where the mission of San Luis Rey is situated. Tiwa: Piro [Bartlett, John R.] Piro vocabulary of about 180 words, pages 53-54, and another copy, pages 67-68. "Language of the Piros," discussion, pages 55-59. No date. [Ca. October 2, 1852: date on "Tigua" (Piro ?) vocabulary immediately following on pages 63-65.] All pages are copies in handwriting of George Gibbs, here not specifically attributed to Bartlett, but so attributed in other copies, namely, Bureau of American Ethnology Numbers 458-b and 458-c. According to discussion, page 55, vocabulary was recorded from Hieronymo Peraza and Marcus Alejo, principal men of the pueblo of "Sinecu" [Senecu del Sur, Chihuahua] a few miles below El Paso de Norte, on the western bank of the Rio Grande. Tiwa: Senecu del Sur (Piro ?) [Bartlett, John R.] "Tigua" vocabulary of about 200 words, pages 63-65. October 2, 1852. Copy in handwriting of George Gibbs, here not specifically attributed to Bartlett, but was so attributed in other copies, namely, Bureau of American Ethnology Numbers 458-a and 458-c. Note following heading: "[Language of ?] Indians of Taos, in New Mexico (pronounced Tee-wa) [sic] taken from Santiago Ortiz (A-he-ba-tu) head chief of Senecu, Isleta, etc. [i. e. Senecu del Sur, Chihuahua; see Bureau of American Ethnology Bulletin 30, II, 509.]" Bartlet's Vocabularies ? 1. Pages 17-19 Sioux vocabulary, translated into Sioux by Bruce Husband, Fort Laramie, February 26, 1849. 2 pages. 2. Pages 21-24 Kiowa vocabulary, from Esteban, a Mexican captive for 7 years among the Comanches and Kiowas in Texas. 5 pages. 3. Pages 25-27 cf. Manuscript 1139- a copy of this. Ceris (Seri) vocabulary taken from a native at Hermosillo, January 1, 1852 (note by Gatschet says 1853). Informant- Colusio. 3 pages. 4. Pages 31-34 Yaqui vocabulary by Fr. Encinas of Ures, December 1851. 4 pages, including notes. 5. Pages 37-39 Opate (Nahuatlan) vocabulary, taken at Ures, Sonora. 3 pages. 6. Pages 43-45; 49-51. Apaches of the Coppermine, taken from Mangus Colorado July, 1851. 3 pages. (also duplicate copy). 7. Pages 53-59; 57 Piro (Tanoaan) vocabulary, taken from two Indians, Hieromymo Peraza and Marcus Alejo. 2 pages. Notes 5 pages. 8. Pages 63-65 "Tigua " [Tiwa] Indians of Taos in New Mexico vocabulary, taken from Santiago Ortiz, head chief of Senecu, Isleta, etc. 3 pages.

Contents: 9. Pages 71-73 Vocabulary of the language of the Coco-Maricopas of the river Gila (Yumian). 3 pages. 10. Pages 77-81; 85-92; Reel #21 Vocabulary of the Diegueno tribe, vocabulary, 8 pages; and 11. Los Angeles Indians, Diegueno tribe, vocabulary, 8 pages. 12. Pages 93-103 Yuman or Cuchan and Comiya (Comeya) vocabulary and notes, 11 pages, including extract from Lt Whipple's diary, October 7, 1849. 13. Pages 105-6; 109-10 13. Vocabulary in the Digger (Pujunan) [Maidu] language, from manuscript in the possession of J. B. Moore obtained by H. B. Brown. 4 pages. 14. Pages 113-116 Napa Valley (Digger) [Pujunan] vocabulary. 3 pages. 15. Pages 117-123 Makah of Cape Flattery and Diggers [Pujunan] of Napa Valley- vocabulary. 6 pages. 16. Pages 125-128 Kechi (Mission of San Luis Rey) vocabulary. Taken from Pedro Cawenas, May 10, 1852, San Luis Rey. Notes. 17. Pages 129-35 San Luis Rey and Comanche vocabulary. 7 pages. Taken from Pedro Cawewas. Includes notes. 18. Pages 137-39. San Luis Obispo vocabulary. 3 pages. 19. Pages 141-144 San Jose Indian vocabulary. 4 pages including notes.

Contents: Bartlett's vocabularies. 20. Pages 145-152 H'hana of Sacramento (Kulanapan) vocabulary, 6 pages. 21. Pages 155-159 Coluse (between Sacramento River and Clear Lake), vocabulary- 6 words only. Erroneously marked Athapaskan in Hewitt's hand. Actually Patwin and Wintun; see word for "Indian"- Note by M. R. Haas. 11/58. Items 21 ans 22: See Pitkin, Harvey and William Shipley, Comparative Survey of California Penutian, IJAL, Volume 24, Number 3, July, 1958, pages 174-88. (Reference from MRH). 22. Coluse and Noema vocabulary. 3 pages. 23. Page 163 Tehama vocabulary. 1 page. 24. Pages 165-66 Cocopa vocabulary. (Fort Yuma, Colorado, Mouth of the Colorado River). 2 pages. April 19, 1854. 25. Pages 167-180 Mohave vocabulary. Major Heintzelman. 14 pages including notes. 26. Pages 181-84 Otomi (Mexico) vocabulary. 3 pages. (1767 and 1826). 27. Pages 186-201 Chitimacha and Attacapa vocabularies and notes. 15 pages. (1848) 28. Pages 203-206 Maya vocabulary. From manuscript dictionary in possession of John Carter Brown. 3 pages. 29. Pages 207-210 Tarahumara vocabulary. 3 pages. (1787 and 1826). 30. Pages 211-214 Cahita (Sonora) vocabulary. 3 pages. 31. Pages 215-18 Cochimi (of Lower California), vocabulary. 3 pages. 32. Pages 219-221 Nevome (Pima of Sonora) vocabulary. 2 pages. (printed). 33. Pages 223-224 Letter to John R. Bartlett from George Gibbs re. to vocabularies. 3 pages.

Contents: Smith, Buckingham. "Vocabulary of the Nevome, As Spoken by the Pima of Moris, A Town of Sonora." 1861, and prior. Printed document. 2 pages. On pages 219 and 221 of this Manuscript. Published excerpt from History Magazine, July, 1861, pages 202-203. Contains grammatical notes, general vocabulary, and the Lord's Prayer in the Nevome dialect of Piman.

Local Numbers:

NAA MS 1627

Local Note:

Manuscript document

Topic:

Dakota language; Mayo dialect (Piman); Kumiai language; Central Pomo language  Search this

Kiowa language  Search this

Seri language  Search this

Yaqui language  Search this

Opata language  Search this

Chiricahua language  Search this

Maricopa language  Search this

Yuma language  Search this

Maidu language  Search this

Makah language  Search this

Luiseño language  Search this

Comanche language  Search this

Chumash language  Search this

Cocopa language  Search this

Mohave language  Search this

Chitimacha language  Search this

Atakapa language  Search this

Tarahumara language  Search this

Pima Bajo language  Search this

Tewa language  Search this

Otomi language  Search this

Language and languages -- Documentation  Search this

Athabaskan  Search this

Shoshone  Search this

Wakash  Search this

Sioux  Search this

Pima (Akimel O'odham)  Search this

Citation:

Manuscript 1627, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS1627

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a26edfb4-2402-46a4-a7d1-b985e6b84b47

EDAN-URL:

ead_collection:sova-naa-ms1627

Extent:

19 Items (photos )

Culture:

Dakota Indians  Search this

Blackfoot  Search this

Sioux  Search this

American Indians -- Eastern Woodlands  Search this

Niitsitapii (Blackfoot/Blackfeet)  Search this

American Indian -- Plains  Search this

Pomo  Search this

Inunaina (Arapaho)  Search this

Lenape (Delaware)  Search this

American Indian -- Eastern Woodlands  Search this

Indians of North America -- Northeast  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- California  Search this

Type:

Collection descriptions

Archival materials

Date:

1950's

Scope and Contents:

Relate to museum specimens, mainly 19th century, including: 7 Dakota headdresses, 1 Eastern Woodlands headdress, 1 Arapaho headdress, 3 Blackfoot headdresses and 1 shirt, 5 Plains headdresses, 1 Pomo (?) headdress, and 1 Delaware headdress, photographed presumably by Taylor from collections at Cambridge Museum of Ethnology and Archaeology, Oxford Pitt-Rivers Museum, the British Museum, and Colin Taylor's private collection. No date. [1950's.]

Local Numbers:

NAA MS 4861

Local Note:

Filed: Original Prints, Museum Specimens.

Topic:

Photographs  Search this

American Indian  Search this

Specimens -- Headdresses  Search this

Clothing -- Headdresses  Search this

American Indians -- Eastern Woodlands  Search this

Arapaho Indians  Search this

Clothing -- shirt  Search this

American Indian -- Plains  Search this

Pomo Indians -- (identification uncertain)  Search this

Delaware Indians  Search this

Lenape  Search this

Sioux  Search this

Blackfeet  Search this

Citation:

Manuscript 4861, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4861

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32e925b1d-dbee-41da-b578-5639c6096dcf

EDAN-URL:

ead_collection:sova-naa-ms4861

Collector:

National Museum of Natural History (U.S.). Native American Public Programs  Search this

Ringlero, Aleta Pima  Search this

Photographer:

Smithsonian Institution. Office of Printing and Photographic Services  Search this

Clark, Chip, 1947-2010  Search this

Hansen, Carl C.  Search this

Hart, Alan  Search this

Long, Eric  Search this

Minor-Penland, Laurie  Search this

Penland, Dane  Search this

Strauss, Richard  Search this

Taccone, Christina  Search this

Vargas, Rick  Search this

Names:

Lewis, Lucy M.  Search this

Extent:

5,750 Prints (circa, silver gelatin (including contact prints))

12 Color transparencies

10 Color negatives

3,500 Color slides (circa)

67 Color prints

4 Negatives (acetate)

Culture:

Indians of North America -- California  Search this

Paiute  Search this

Jemez Pueblo  Search this

Mewuk (Miwok)  Search this

Yurok  Search this

Cherokee  Search this

Tewa Pueblos  Search this

Indians of North America -- Southern States  Search this

Tlingit  Search this

A:shiwi (Zuni)  Search this

Assiniboine (Stoney)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Lenape (Delaware)  Search this

Indians of North America -- Great Plains  Search this

Tohono O'odham (Papago)  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Basin  Search this

Akimel O'odham (Pima)  Search this

Hopi Pueblo  Search this

Indians of North America -- Southwest, New  Search this

Onondaga  Search this

Muskogee (Creek)  Search this

Kutzadika'a (Mono Paiute)  Search this

Pomo  Search this

Laguna Indians  Search this

Makah  Search this

White Mountain Apache  Search this

Seneca  Search this

Minneconjou Lakota (Minniconjou Sioux)  Search this

Sioux  Search this

Numakiki (Mandan)  Search this

Pueblo  Search this

Indians of North America -- Northwest Coast of North America  Search this

Minitari (Hidatsa)  Search this

Diné (Navajo)  Search this

Kiowa  Search this

Apsáalooke (Crow/Absaroke)  Search this

Indians of North America -- Plateau  Search this

Niimíipuu (Nez Perce)  Search this

Cayuse  Search this

Acoma Pueblo  Search this

Payómkawichum (Luiseño)  Search this

Indians of North America -- Northeast  Search this

Hunkpapa Lakota (Hunkpapa Sioux)  Search this

Mohawk  Search this

Type:

Collection descriptions

Archival materials

Prints

Color transparencies

Color negatives

Color slides

Color prints

Negatives

Date:

1989-1993

Scope and Contents note:

Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.

Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).

Biographical/Historical note:

Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by Native American artists and craftsmen in the exhibition areas of the museum.

Local Call Number(s):

NAA Photo Lot 91-26

Location of Other Archival Materials:

Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.

Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.

Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Art  Search this

Handicraft  Search this

Citation:

Photo Lot 91-26, Native American Public Programs photograph collection relating to Native American artists and art, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.91-26

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw380668afd-9cb5-4658-9c1c-491584e12125

EDAN-URL:

ead_collection:sova-naa-photolot-91-26

Creator:

Army Medical Museum (U.S.)  Search this

Collector:

Billings, John Shaw, 1838-1913  Search this

Hayden, F. V. (Ferdinand Vandeveer), 1829-1887  Search this

Matthews, Washington, 1843-1905  Search this

Palmer, Edward, 1829-1911  Search this

Putnam, F. W. (Frederic Ward), 1839-1915  Search this

Rolleston, George, 1829-1881  Search this

Schumacher, Paul J. F.  Search this

Depicted:

Guiteau, Charles J. (Charles Julius), 1841-1882  Search this

Extent:

100 Negatives (circa, glass)

Culture:

Indians of North America -- Northeast  Search this

Ute  Search this

Chinook  Search this

Choptank Indians  Search this

Sioux  Search this

Eskimos -- depicted  Search this

Tonkawa  Search this

Africans -- United States -- depicted  Search this

Potawatomi  Search this

Taiwan aborigines  Search this

Pomo  Search this

Taiwanese  Search this

Pueblo  Search this

Nisqually  Search this

Hawaiians  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Northwest Coast of North America  Search this

Indians of North America -- Great Plains  Search this

Type:

Collection descriptions

Archival materials

Negatives

Photographs

Date:

probably 1870s-1880s

Scope and Contents note:

Photographs of skulls in the United States Army Medical Museum collection, which appear to have been collected for physical anthropological purposes. Included are archeological remains and remains of Native American tribes and some other ethnic groups. Other than tribe or location, data for the specimens include Army Medical Museum specimen number, AMM negative number, and sex; for some, there is also collection data and information on physical or medical conditions. There are also notes identifying donors who included army officers, physicians, scientists, and explorers such as Ferdinand Vandiveer Hayden, Edward Palmer, Frederic Ward Putnam, George Rolleston, Paul Schumacher, and many others. Some of the photographs may have been made as part of the Army Medical Museumʹs program of distributing images of its specimens.

Represented are Africans, Chinook, Choptank, Dakota, Eskimo of Greenland, Taiwanese peoples, Hawaiians, Hidatsa, Nisqually, Philippine peoples, Ponca, Potowatomi, Pueblo, Tonkawa, and Ute. Archeological specimens are from the Aleutian Islands, California, the Dakotas, England (Roman period), Florida, Illinois, Mississippi, New Mexico, Peru, Vancouver Island, and Vermont. For some, there is also information about the status or physical condition of the individual or observations of medical conditions shown in the specimens. Some additional photographs appear to show specimens at the American Museum of Natural History.

Biographical/Historical note:

The United States Army Medical Museum (AMM, renamed the National Museum of Health and Medicine in 1989) was established by US Army Surgeon General William A. Hammond in 1862. Its initial focus was on collecting specimens of unusual pathology, mostly taken from victims of the American Civil War. By 1867, the museum had expanded to include medical, microsopical, anatomical, comparative anatomics, and other sections. The anatomical collection grew in part as a result of Circular No. 2 of 1867, which authorized military medical officers to collect cranial specimens from deceased Native Americans. Additionally, the AMM made an arrangement with the Smithsonian Institution, by which the Smithsonian transferred their collection of human remains in exchange for ethnological artifacts. AMM photographed and measured many of the specimens in its collection as part of the museum's anthropological research.

Local Call Number(s):

NAA Photo Lot 73-26C, NAA Photo Lot 73-26D

Location of Other Archival Materials:

Photographs previously filed in Photo Lot 73-26D have been relocated and merged with Photo Lot 73-26C. These are also Army Medical Museum negatives of skulls and form part of this collection.

Additional Army Medical Museum photographs of skulls can be found in the National Anthropological Archives in Photo Lot 6A, Photo Lot 6B, Photo Lot 78-42, Photo Lot 83-41, and Photo Lot 97.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Citation:

Photo lot 73-26C, United States Army Medical Museum photographs of skulls, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.73-26C

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32d588f1e-7f5e-4990-ab61-24dd5fd8743b

EDAN-URL:

ead_collection:sova-naa-photolot-73-26c

Creator:

Harrington, John Peabody, 1884-1961  Search this

Names:

Geronimo, 1829-1909  Search this

Extent:

683 Linear feet

Culture:

Indians of Central America  Search this

Indians of North America  Search this

Indians of South America  Search this

Type:

Collection descriptions

Archival materials

Sound recordings

Maps

Stats (copies)

Newspaper clippings

Printed material

Photographs

Botanical specimens

Field notes

Correspondence

Financial records

Personal records

Poetry

Writings

Date:

1907-1959 (some earlier)

Summary:

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

Arrangement:

(Some of the titles are tentative). Papers relating to Alaska/Northwest Coast, including (1) Aleut; (2) Tlingit/Eyak; (3) Northern Athapascan (Beaver, Carrier, Chipewyan, Sarsi, Sekani, Cree); (4) Nicola/Thompson; (5) Lummi/Nespelem; (6) Duwamish; (7) Chimakum/Clallam; (8) Makah/Quileute; (9) Quinault/Chehalis/Cowlit; (10) Chinook/Chinook Jargon; (11) "Kwalhioqua-Tlatskanai"; (12) Tillamook, (13) Alsea/Siuslaw/Coos; (14) Southwest Oregon Athapascan (Chasta Costa, Chetco, Upper Coquille, "Gold Beach", Smith River, Tolowa, Tutini, Upper Umpqua), (14) Galice/Applegate; (15) Takelma, general and miscellaneous; (16) Klamath; (17) Wiyot/Yurok/Mattole; (18) Coast Yuki/Northern and Central Pomo/Kato; (19) Coast Miwok; (20) Lake and Coast Miwok/Southeastern Pomo/Wappo; (21) Nisenan/Northern Sierra Miwok; (22) Southern Pomo/Central Sierra Miwok; (23) Karok/Shasta/Konomihu; (24) Chimariko/Hupo; (25) Achomawi/Atsugewi/Wintu/Yana; (26) Chamariko/Achomawi/Atsugewi/Wintu/Yana; (27) Costanoan (Chocheno, Mutsun, Tumsen); (28) Salinan (Antoinano, Migueleno); (29) Yokuts (Chunut, Tachi, Wikchamni, Yawdanchi, Yawelmani, Koyeti); (30) general and miscellaneous; papers relating to southern California and the Basin area,

including (31) Chumash (Barbareno, Cruzeno, Ineseno, Obispeno, Purisimeno, Ventureno); (32) Chauilla; (33) Chemehuevi; (34) Gabrielino; (35) Juaneno; (36) Kitanemuk; (37) Luiseno; (38) Serrano; (39) Tubatulabal; (40) Diegueno; (41) Mohave/Yuma; (42) general and miscellaneous; papers relating to the Southwest, including (43) Apache; (44) Hopi; (45) Jemez; (46) Acoma/Laguna; (47) Cochiti; (48) Navaho; (49) Pima/Papago; (50) Illeta; (51) Taos; (52) Picuris; (53) Tewa; (54) Zuni; (55) general and miscellaneous; papers relating to the Plains, including (56) Comanche; (57) Caddo/Pawnee/Wichita; (58) Dakota/Lakota; (59) Hidatso/Mandan/Crow;

(92) general and miscellaneous; notes and writings on special linguistic studies, including (93) correspondence; (94) financial records; (95) personal records; (96) poetry; (97) newspaper clippings; (98) printed material/reprints/photostats/microfilm; (99) maps; (100) photographs (101) sound recordings; (102) botanical specimens

Joseph S. Danner, Edward S. Davis, Ella C. Deloria, Frances Densmore, Paul Desiardins, Lydia Dornherr, Harry W. Dorsey, Frederick Huntington Douglas, David C. Dozi, Edward P. Dozi, Robert Drak Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucrlson Fenton, Jesse Walter Fewkes, Reginald G. Fisher, Barbara Freire-Marreco (see also Barbara Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, Ja Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, James A Geary, Otto William Geist,

Richard H. Geoghegan, Harold S. Gladwin, Pliny Earle Goddard, T. R. Goodwin, Howard W. Gorman, Blanche C. Grant, George Grasty, Louis H. Gray, Alexander Grigolia, Alexandra Gromoff, F. A. Gross, Ruther Gruber, Erwin G. Gudde, Grace Guest, Ralph Gustafson, Berard Haile, Alfred Irving Hallowell, Howard M. Hamblin, Lucile Hamner, Adelaide Harrington, Arthur Harrington, Awona Harrington, Edmund Ross Harrington, Elliot Harrington, Mark Raymond Harrington, Robert Fleming Heizer, Marta Herrera (Orozoco), Melville Jean Herskovits, Edgar Lee Hewett, George Gustave Heye,

Thomas Willing Hicks, Willard Williams Hill, William B. Hill, Philip K. Hitti, Hulda R. Hobbs (Heidel), Frederick Webb Hodge, Robert Hofsinde, W. C. Holden, Nils Homer, R. B. Horsefield, James Hovey, Grace Hudson, John W. Hudson, William Hughes, Edward P. Hunt, George Hunt, Wayne Henry (Wolf Robe) Hunt, Arnold J. Jacobins, Jean Allard Jge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf, uis Kroeber, Benjamin T. Kurtz, Walter and Hilda Kurze, Oliver LaFarge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf,

Boas Long, Ivan Alexis Lopatin, Robert Harry Lowie, Charles F. Lummis, Phoebe Maddux, Frank Marashulo, Frank Marr, John Marr, Edna P. Marsh, Gordon H. Marsh, William B. Marye, Elizabeth Mason, John Alden Mason, Anna P. Mattinger, Wayne L. Mauzy, William Ralph Maxon, Parker McKenzie, F. Romero Mendez, Clinton Hart Merriam, E. Vigo Mestres, Truman Michelson, Harry E. Miller, Ralph L. Milliken, William S. Mills, Willie Miranda, Albert Mohr, Dionisia Mondragon, Manuel Mondragon, Lucy Montgomery, Harriet Moore, Mildred C. Moore, R. E. Moore, Rosalind Moore, Carlos Morales, Marion Moreno, Sylvanus Griswold Morley, Philip A. Munz, O. J. Murie,

Roy Nash, Mrs. W. J. Nichols, Eugene A. Nida, Frans M. Olbrechts, Cornelius Osgood, Asbjorn P. Ousdal, Charles F. Outland, Henry E. Parmenter, Elsie Clews Parsons, A. W. Payne, Ellen Peace, Elizabeth Wells Pearce, Arthur B. Perkins, Mrs. Rodolphe Petter, Kenneth L. Pike, Arnold R. Pilling, Nellie B. Pipes, I. J. Pitman, J. O. Prescott, Erik Kellerman Reed, Nathaniel Julius Reich, Jane Richardson, Arthur Stanley Riggs, Frank Harold Hanna Roberts, Jr., Helen H. Roberts, Clarence M. Ruth, Everett Sanders, Edward Sapir, Charles F. Saunders, F. H. Saville, Paul Schumacher, Donald Scott, Blanche Seeley, Ettie Seeley, Elizabeth Shepley Sergeant,

A. W. Setychell, Jessie Shaw, Anna O. Shepard, Frank T. Siebert, Rita Siedenberg, Albion M. Sitton, Nich Sivonen, H. D. Skinner, Mrs. N. P. Sloan, Clement Smith, Stella Smith, Jack Snow, Maria Soto, Frank Gouldsmith Speck, Robert F. Spencer, Marjorie Spinks, Waldo C. Spraque, Winifred Stamm, Moses Steinberg Marian Stirling, Matthew Williams Stirling, William Duncan Strong, Edgar Howard Sturtevant, Georgianna Barbara Such, John R. Swanton, Turkey Tayac, Douglass Taylor, Lincoln Thompson, Morjorie L. Tichy, Janet Tietjins, Bennie Tilden, J. R. R. Tolkien, W. Cameron Townsend, George L. Trager, Lovell B. Triggs, Edwin H. Tuttle,

Ruth Underhill, Richard Fowler Van Valkenburgh, Rosendo Vargas, Charles Frederick Voegelin, Paul Vogenitz, James W. Waldo, Paul A. F. Walter, Althea Warren, Fred Washington, Thomas Talbot Waterman, Edith White, Joseph J. White, Leslie A. White, Grace T. Whiting, Robert B. Whitsett, Benjamin Lee Whorf, H. E. Williams, William L. Wonderly, Arthur Woodward, Robert W. Young, and Father Zephyrin of the Santa Barbara Mission.

Restrictions:

The John Peabody Harrington papers are open for research

Access to the John Peabody Harrington papers requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Linguistics  Search this

Indians of North America -- Languages  Search this

Ethnomusicology  Search this

Ethnobotany  Search this

Toponymy  Search this

Language and languages -- Documentation  Search this

Genre/Form:

Sound recordings

Maps

Stats (copies)

Newspaper clippings

Printed material

Photographs

Botanical specimens

Field notes

Correspondence -- 1930-1950

Financial records

Personal records

Poetry

Writings

Citation:

John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution

The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.

Identifier:

NAA.1976-95

See more items in:

John Peabody Harrington papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31fe9575b-f7aa-4286-9787-0cfc495ab461

EDAN-URL:

ead_collection:sova-naa-1976-95

Collection Creator:

University of California (System). Extension Media Center  Search this

Extent:

Film reels (black-and-white sound; 725 feet)

Type:

Archival materials

Film reels

Date:

1964

Scope and Contents:

Edited film records a healing ceremony derived from the ancient practices of the Kashia group of Southwestern Pomo Indians in California. On the second and final night of the ceremony an Indian "sucking doctor" removes the pain in the form of a quartz crystal. The doctor is a prophet of the Bole Maru religion, spiritual head of the Kashia community, and the leader of its Mormon group. In this ceremony she is assisted by four singers and uses two bamboo canes decorated with dream designs and haliotis ornaments. Film is an abridged version of SUCKING DOCTOR.

Legacy Keywords: North America

General:

Local Number: HSFA 1993.24.35

Collection Restrictions:

The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

University of California Extension Media Center (EMC) film collection, Human Studies Film Archives, Smithsonian Institution

See more items in:

University of California Extension Media Center (EMC) film collection

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc95ba38b74-238f-4d17-afc1-a2dd5a251a70

EDAN-URL:

ead_component:sova-hsfa-1993-24-ref15

Collection Creator:

University of California (System). Extension Media Center  Search this

Extent:

Film reels (color sound; 1,085 feet)

Type:

Archival materials

Film reels

Date:

1962

Scope and Contents:

Edited film presents Pomo women of California dancing the Bole Maru nearly 50 years after it first evolved, blending the native Kuksu cult with the Maru religion. Five dances are shown: the Hand Power dance, Star Hoop dance, Feast dance, Marriage dance, and War Flag dance. Film also includes shaman expressing her beliefs in her own language, ceremonial activities, and termination of a feast.

Legacy Keywords: North America

General:

Local Number: HSFA 1993.24.11

Collection Restrictions:

The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

University of California Extension Media Center (EMC) film collection, Human Studies Film Archives, Smithsonian Institution

See more items in:

University of California Extension Media Center (EMC) film collection

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc9db857d9f-ec0b-473d-8188-342b8ff0e70e

EDAN-URL:

ead_component:sova-hsfa-1993-24-ref6

Collector:

Brusseaux, Eugene  Search this

Extent:

35 Negatives (photographic) (black & white, 6 x 7 cm.)

354 Photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)

Container:

Item 353

Box 1

Culture:

Ngbandi (African people)  Search this

Pomo (African people)  Search this

Gbaya (African people)  Search this

Hausa (African people)  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Photographic prints

Negatives

Place:

Libreville (Gabon)

Central African Republic

Cameroon

Kinshasa (Congo)

Congo (Brazzaville)

Brazzaville (Congo)

Africa

Date:

between 1900-1905

Summary:

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris.

The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends.

The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

Arrangement note:

Images indexed by negative number.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Photographic prints

Negatives

Identifier:

EEPA.1999-004

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7f8445360-3f80-468d-8961-c226e1c8682f

EDAN-URL:

ead_collection:sova-eepa-1999-004

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Full size; Multi-color, 91.5 x 64 cm)

Container:

Map-folder 464

Type:

Archival materials

Posters

Place:

United States

Date:

1939

Image:

Main Image: A basket

Local numbers:

Princeton Poster# 3607

General:

Issued by: Golden Gate International Exposition

Issued for: Indian Court

Artist(s): Siegriest

Locale:

San Francisco

Note:

The design was executed by the Federal Art Project W.P.A.

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Exhibitions, Films, Publications  Search this

Genre/Form:

Posters

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 3: Between Wars / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep84f82b028-38aa-49d1-aa12-4533ea30c7d9

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref10384

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Introduction:

Across North America and throughout the Hawaiian Islands, Native people are engaged in artistic activities deeply rooted in the everyday and ceremonial traditions of their communities. In the face of dwindling or inaccessible natural resources, loss of elders and their specialized knowledge, the profusion of cheap mass-produced goods, and the use-it-and-throw-away attitude of so many, Native artists are nevertheless gathering natural materials and weaving them into objects of beauty and profound meaning. The 2006 Festival program examined the contemporary state of Native weaving in the United States and the ways in which Native baskets - and their makers - are "carriers of culture."

One of the most important developments in indigenous basket weaving was the formation of Native weaving organizations over the previous fifteen years, bringing together weavers from diverse places to identify and examine problems, build a sense of shared experiences, foster communication and networking, share knowledge and skills, and begin to develop strategies to address some of the most critical issues they face. At local and regional gatherings held by these organizations and at workshops or symposia hosted by other supportive agencies, basket weavers began to find common voice as they articulated their concerns and experiences. At the Festival, visitors could listen to those voices while admiring the work of skilled eyes and hands.

The 2006 Festival program reflected the long-term involvement of numerous Native people and provided an unprecedented opportunity to examine contemporary issues across tribal and geographical lines. It also presented a timely opportunity to reflect on recent efforts by Native basket weavers and others to address these issues; the ways in which weaving traditions continue to be passed on; and the meaning weaving has for artists as people and as members of distinct tribal or Native communities. Most importantly, through demonstrations and discussions at the Festival and in the artists' own words, weavers themselves shared these perspectives first hand with Festival visitors.

For Native baskets to continue to be "carriers of culture" for Native traditions, there are still many challenges to overcome - challenges that were identified and discussed by the weavers themselves. The ever-changing natural and built landscape in the United States is leading to loss of plants essential to weaving. As more land moves into private ownership, weavers encounter increasingly limited access to traditional gathering sites. Non-native land management practices continue to affect the health of plant materials and of weavers themselves. Undoubtedly, other challenges to the continuity of the traditions of living Native basketry in the United States will also emerge. While much progress is being made to revitalize the basket traditions in many Native communities, there are other Native communities where basketry is in rapid decline. This means not just fewer baskets, but the irreplaceable loss of an array of indigenous knowledge linked to the art and a diminution of the diversity and richness of our American experience.

As Festival visitors learned, Native baskets were not antiquated containers or artifacts of a past life; they are very much a part of contemporary Native life and identity. Native baskets truly are "carriers of culture": they embody the knowledge of those who have gone before, those who have respect and reverence for the natural world and the plants that form their baskets, and those who have shared their knowledge with others to keep the chain of indigenous knowledge unbroken.

C. Kurt Dewhurst, Marjorie Hunt, and Marsha MacDowell were Curators, with Arlene Reiniger as Program Coordinator, Betty Belanus as Family Activities Area Coordinator, and Mary Monseur as Marketplace Native Basketry Consultant. Curatorial Advisors were: Jennifer Bates, Salli Benedict, Sally Black, Sheree Bonaparte, Peggy Sanders Brennan, Sue Coleman, Sue Ellen Herne, Sara Greensfelder, Elaine Grinnell, Terrol Dew Johnson, Sabra Kauka, Gloria Lomehaftewa, Fred Nahwooksy, Jennifer Neptune, Theresa Parker, Bernadine Phillips, Teri Rofkar, Robin McBride Scott, Theresa Secord, Tatiana Lomehaftewa Slock, and Laura Wong-Whitebear.

The program was produced in collaboration with the National Museum of the American Indian and Michigan State University Museum. Major support came from the National Museum of the American Indian, the W.K. Kellogg Foundation, the Institute of Museum and Library Services, the National Endowment for the Arts, and the Smithsonian Women's Committee on the occasion of its 40th anniversary. Additional Funding came from Alaska State Council on the Arts, the Mississippi Band of Choctaw Indians, Michigan State University All-University Research Initiation Grant, Michigan Council for the Arts and Cultural Affairs, Onaway Trust, Hawai'i State Foundation on Culture and the Arts, Fund for Folk Culture, Lila Wallace-Reader's Digest Fund, and the Cherokee Nation.

Researchers:

Researchers and consultants

Brian Bibby, Dawn Biddison, Deborah Boykin, Peggy Sanders Brennan, Tina Bucavalas, Vernon Chimegalrea, Sue Coleman, Marit Dewhurst, Betty DuPree, Carol Edison, Lynn Martin Graton, Sara Greensfelder, Theresa Harlan, Suzi Jones, Amy Kitchener, Jim Leary, Dayna Bowker Lee, Elizabeth Lee, Molly Lee, Richard March, Kathleen Mundell, Jennifer Neptune, Laura Quackenbush, Karen Reed, Teri Rofkar, Elaine Thatcher, Theresa Secord, Malia Villegas, Lois Whitney, Robin K. Wright

Research Assistants

Beth Donaldson, Marie Gile, Je'Keia Murphy

Presenters:

Howard Bass, Betty Belanus, Salli Benedict, Barry Bergey, Peggy Brennan, Schroeder Cherry, C. Kurt Dewhurst, Amy Echo-Hawk, Carol Edison, Rayna Green, Elaine Grinnell, Emil Her Many Horses, Marjorie Hunt, Sabra Kauka, Jared King, Keevin Lewis, Marsha MacDowell, Diana N'Diaye, Helen Maynor Scheirbeck, Pamela Woodis, Laura Wong-Whitebear

Participants:

Native Hawaiian

Gladys Grace, 1919-, Native Hawaiian, Honolulu, Hawai'i

Edwin T. Kaneko, 1930-, Japanese and Native Hawaiian descent, Holualoa, Kona, Hawai'i

Gwendolyn Kamisugi, 1944-, Native Hawaiian, Wahiawa, Oahu, Hawai'i

Sabra Kauka, Native Hawaiian, Lihu'e, Kauai, Hawai'i

Marques Hanalei Marzan, 1979-, Native Hawaiian, Kane'ohe, Hawai'i

Harriet Soong, 1927-, Native Hawaiian, Kailua Kona, Big Island, Hawai'i

Alaska Native

Sheldon Bogenrife, Iñupiaq, Anchorage, Alaska

Delores Churchill, Haida, Ketchikan, Alaska

Holly Joy Churchill, 1955-, Haida, Ketchikan, Alaska

Daisy Demientieff, 1935-, Athabascan, Anchorage, Alaska

Evelyn Douglas, 1947-, Yup'ik, Anchorage, Alaska

June Simeonoff Pardue, 1951-, Alutiiq and Suqpiaq, Wasilla, Alaska

Teri Rojkar, 1956-, Tlingit, Sitka, Alaska

Lisa Telford, 1957-, Haida, Everett, Washington

Northwest

Elaine Timentwa Emerson, 1941-, Colville, Omak, Washington

Pat Courtney Gold, Wasco and Tlingit, Scappoose, Oregon

Elaine Grinnell, 1936-, Jamestown S'Klallam and Lummi, Sequim, Washington

Khia Grinnell, 1985-, Jamestown S'Klallam and Lummi, Sequim, Washington

Nettie Kuneki Jackson, 1942-, Klickitat, White Swan, Washington

Robert Kentta, Siletz, Siletz, Oregon

Bud Lane, 1957-, Siletz, Siletz, Oregon

Theresa Mendoza, 1985-, Makah and Lummi, Neah Bay, Washington

June Parker, 1950-, Makah and Lummi, Neah Bay, Washington

Theresa Parker, 1956-, Makah and Lummi, Neah Bay, Washington

Bernadine Phillips, Colville, Omak, Washington

Craig Phillips, 1989-, Colville, Omak, Washington

Harold "Jimmi" Plaster, 1988-, Lummi, Bellingham, Washington

Lisa Plaster, 1972-, Lummi, Bellingham, Washington

Karen Reed, 1949-, Chinook and Puyallup, Puyallup, Washington

Lynda Squally, 1981-, Chinook and Puyallup, Milton, Washington

Laura Wong-Whitebear, Colville, Seattle, Washington

Great Basin

Elizabeth Brady, 1923-, Western Shoshone, Elko, Nevada

Leah Brady, 1955-, Western Shoshone, Elko, Nevada

Sue Coleman, 1950-, Washo, Carson City, Nevada

Rebecca Eagle, 1964-, Pyramid Lake Paiute, Wadsworth, Nevada

Sandra Eagle, 1961-, Pyramid Lake Paiute, Sutcliff Nevada

California

Jennifer D. Bates, 1951-, Northern Mewuk, Tuolumne, California

Leona Chepo, 1931-, Western Mono, North Fork, California

Lois Jean Conner, 1951-, Chuckchansi, Southern Miwok, and Western Mono, O'Neals, California

Ursula Jones, 1972-, Yosemite Miwok, Mono Lake Paiute, Kashaya Pomo, and Coast Miwok, Mammoth Lakes, California

Julia Parker, 1929-, Kashaya Pomo and Coast Miwok, Mariposa, California

Ruby Pomona, 1925-, Western Mono, North Fork, California

Wilverna Reece, 1946-, Karuk, Happy Camp, California

Eva Salazar, San Diego Kumeyaay, Alpine, California

Linda G. Yamane, 1949-, Ohlone, Seaside, California

Southwest - Navajo

Kayla Black, 1992-, Navajo, Mexican Hat, Utah

Lorraine Black, 1970-, Navajo, Mexican Hat, Utah

Mary Holiday Black, 1934-, Navajo, Mexican Hat, Utah

Sally Black, 1959-, Navajo, Mexican Hat, Utah

Southwest - Apache, Hopi, and Tohono O'odham

Evalena Henry, 1939-, San Carlos Apache, Peridot, Arizona

Esther Jaimes, 1947-, Tohono O'odham, Tucson, Arizona

Dorleen Gashweseoma Lalo, 1965-, Hopi, Hotevilla, Arizona

Joseph Lopez, 1978-, Tohono O'odham, Tucson, Arizona

Wa:k Tab Basket Dancers -- Wa:k Tab Basket DancersCecelia Encinas, 1988-, Tohono O'odham, San Xavier District, ArizonaKarlette Miguel, 1990-, Tohono O'odham, San Xavier District, ArizonaVerna E. Miguel, 1947-, Tohono O'odham, San Xavier District, ArizonaAngelique M. Moreno, 1996-, Tohono O'odham, San Xavier District, ArizonaCelestine Pablo, 1958-, Tohono O'odham, San Xavier District, ArizonaLien Pablo, 1991-, Tohono O'odham, San Xavier District, ArizonaVictoria M. Pablo, 1975-, Tohono O'odham, San Xavier District, ArizonaWynona Peters, 1989-, Tohono O'odham, San Xavier District, ArizonaCarolyn M. Reyes, Tohono O'odham, San Xavier District, ArizonaRhonalee Stone, 1995-, Tohono O'odham, San Xavier District, Arizona

Southeast - Choctaw and Chitimacha

Eleanor Ferris Chickaway, 1958-, Conehatta Choctaw, Conehatta, Mississippi

John Darden, 1960-, Chitimacha, Charenton, Louisiana

Scarlette Darden, 1963-, Chitimacha, Clarenton, Louisiana

Louise Wallace, 1949-, Choctaw, Bogue Homa, Mississippi

Southeast - Cherokee

Peggy Sanders Brennan, 1946-, Cherokee, Edmond, Oklahoma

Louise Goings, 1947-, Eastern Band of Cherokee, Cherokee, North Carolina

Lucille Lossiah, 1957-, Eastern Band of Cherokee, Cherokee, North Carolina

Robin McBride Scott, 1966-, Cherokee, New Castle, Indiana

Kathy VanBuskirk, 1961-, Cherokee, Tahlequah, Oklahoma

Perry VanBuskirk, Cherokee, Tahlequah, Oklahoma

Northeast - Maine

Ganessa Bryant, 1982-, Penobscot, Princeton, Maine

Jeremy Frey, 1978-, Passamaquoddy, Princeton, Maine

George Neptune, 1988-, Passamaquoddy, Princeton, Maine

Molly Neptune Parker, 1939-, Passamaquoddy, Indian Township, Maine

Northeast - Mohawk

Linda Cecilia Jackson, 1954-, St. Regis Mohawk, Akwesasne, New York

Sheila Ransom, 1954-, St. Regis Mohawk, Akwesasne, New York

Great Lakes

Kelly Church, 1967-, Grand Traverse Band of Chippewa and Ottawa, Hopkins, Michigan

Jacob Keshick, 1987-, Little Traverse Bay Bands of Odawa, Pellston, Michigan

Yvonne Walker Keshick, Little Traverse Bay Bands of Odawa, Pellston, Michigan

Cherish Nebeshanze Parrish, 1989-, Gun Lake Band of Potawatomi, Hopkins, Michigan

John Pigeon, 1957-, Pokagon Band of Potawatomi Indians, Dorr, Michigan

Johnny Pigeon, Pokagon Band of Potawatomi Indians, Dorr, Michigan

Kellogg Cultural Heritage Fellows

Kellogg Cultural Heritage Fellows are young Native people participating "behind-the-scenes" at the 2006 Smithsonian Folklife Festival and at the National Museum of the American Indian, made possible by a generous grant from the W.K. Kellogg Foundation to the Michigan State University Museum.

Samantha Jacobs, 1983-, Seneca Nation of Indians, Collins, New York

Crystal Marie Keta Mann, 1987-, Tsimshian and Tlingit, Ketchikan, Alaska

Vanessa Manuel, 1985-, Onk Akimel O'odham, Scottsdale, Arizona

Mary Mokihana Martin, 1985-, Native Hawaiian, Honolulu, Hawai'i

Elizabeth Ann Parker, 1988-, Makah, Neah Bay, Washington

Gabe Paul, 1985-, Penobscot, Indian Island, Maine

Laura Sanders, 1980-, Karuk and Yurok, Orleans, California

Ahtkwiroton Skidders, 1982-, Mohawk, Rooseveltown, New York

Lynda Squally, 1981-, Chinook and Puyallup, Milton, Washington

Tony Stevens, 1985-, Wasco, Confederated Tribes of Warm Springs, Warm Springs, Oregon

Carly Tex, 1984-, Western Mono, Rohnert Park, California

Kellogg Next Generation Weavers

Kellogg Next Generation Weavers are young Native people who have demonstrated a strong interest in basketry and will be weaving at the 2006 Smithsonian Folklife Festival alongside older mentor culture-bearers. Their participation in the Festival is made possible by a generous grant from the W.K. Kellogg Foundation to the Michigan State University Museum.

Kayla Black, 1992-, Navajo, Mexican Hat, New Mexico

Ganessa Bryant, 1982-, Penobscot, Princeton, Maine

Jeremy Frey, 1982-, Passamaquoddy, Princeton, Maine

Khia Grinnell, 1985-, Jamestown S'Klallam and Lummi, Sequim, Washington

Ursula Jones, 1972-, Yosemite Miwok, Mono Lake Paiute, Kashaya Pomo, and Coast Miwok, Mammoth Lakes, California

Jacob Keshick, 1987-, Little Traverse Bay Bands of Odawa, Pellston, Michigan

Joseph Lopez, 1978-, Tohono O'odham, Tucson, Arizona

Marques Hanalei Marzan, 1979-, Native Hawaiian, Kane'ohe, Hawai'i

Theresa Mendoza, 1985-, Makah, Neah Bay, Washington

George Neptune, 1988-, Passamaquoddy, Princeton, Maine

Cherish Nebeshanze Parrish, 1989-, Gun Lake Band of Potawatomi, Hopkins, Michigan

Craig Phillips, 1989-, Colville, Omak, Washington

Johnny Pigeon, Pokagon Band of Potawatomi Indians, Dorr, Michigan

Harold "Jimmi" Plaster, 1988-, Lummi, Bellingham, Washington

Lynda Squally, 1981-, Chinook and Puyallup, Milton, Washington

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Smithsonian Folklife Festival records: 2006 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.2006, Series 3

See more items in:

Smithsonian Folklife Festival records: 2006 Smithsonian Folklife Festival

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk53a0cdcf5-b4fd-4226-b3a8-44ddfc050e4b

EDAN-URL:

ead_component:sova-cfch-sff-2006-ref26

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Introduction:

A woman hums songs to a child. Three old ladies sing as they pick choke-cherries or cactus buds, husk corn, or dig camas root. A woman's high-pitched lu-lu-lu-lu rises over the men's voices at the end of an honoring song for returned veterans. "Chorus girls" back up the men's lead song at the drum during a war dance. The pulsating, driving hand-drum beats and magic-making songs women sing at a stick game. The woman whose songs make the Sun Dance circle right. These are the voices of Native women. Like the drum whose heartbeat is that of a woman, these women and their songs are at the heart of Indian Country. But unlike the drum, their songs and voices are rarely heard beyond their communities.

Along with the first of two recordings made available on Smithsonian/Folkways (Heartbeat: Voices of First Nations Women, SF 40415) the two-week presentation at the 1995 Festival and its accompanying program book essay were part of an effort to present an overview of music by Native women - traditional, new, innovative, and little known. Included were traditional women's songs from tribes in the United States and Canada as well as material usually sung by men and recently taken up by women. The recording, essay, and festival program also emphasized fresh material, Native women's music that merged traditional music with many styles of popular American music.

Very little women's music is known and appreciated, even by those who value and know Native American music. People may see Native women dancing when public performances take place, whether they are on stage or in a community setting. Still, men's dancing dominates the public arena. Because much of Native women's traditional singing occurs in a private setting associated with family, clan, ceremonial, or work activities, those who are unfamiliar with these traditions rarely see or hear women sing. Thus the common perception is that women have little presence or significance in the performance and preservation of Native musical traditions. A few tribal or regional collections have included women's singing and instrumental music. Recordings by contemporary Indian women musicians like Buffy Sainte-Marie first received favorable attention in the late 1960s. Since then, the ranks of such women have grown.

In recent years, particularly in the Northern Plains, changes are also underway with respect to the place of women at the drum, previously seen by most as an exclusively male domain. Increasingly, women describe being called to the drum, to sit at the drum, to be the drumkeeper in the way that men have talked about it. Increasingly, powwow singing in the Northern Plains has brought the advent of mixed drum groups and - as demonstrated at the Festival - all-female groups.

All these ways of singing and music-making exist among Native women. Much of the old music exists today, joined by newer ways. As Festival audiences could experience at the 1995 Festival, Native women's music is vital and dynamic, very much a part of the process through which Native peoples are preserving and revitalizing Native life and culture.

Rayna Green and Howard Bass were Curators, and Arlene Reiniger was Program Coordinator.

Heartbeat: The Voices of First Nations Women was produced in collaboration with the Division of Cultural History at the National Museum of American History, with support from The Recording Industries Music Performance Trust Funds, the Smithsonian Educational Outreach Fund, the American Encounters Project, the National Museum of the American Indian, the National Museum of American History, the John Hammond Fund for the Performance of American Music, and the Smithsonian Institution Special Exhibition Fund.

Presenters:

Barry Bergey, Olivia Cadaval, Harold Closter, Judith Gray, Orin Hatton, Charlotte Heth, Marjorie Hunt, Phil Minthorn, Betsy Peterson, Alice Sadongei, Gwen Shunatona, Tom Vennum, Jr.

Participants:

ASSINIBOINE-NAKOTA SINGER-SONGWRITER

Georgia Wettlin-Larsen, vocals, hand drum, rattles, River Falls, Wisconsin

IROQUOIS WOMEN'S SOCIAL DANCE

SIX NATIONS WOMEN SINGERS -- SIX NATIONS WOMEN SINGERSSadie Buck, vocals, water drum, Six Nations Reserve, Ontario, CanadaCharlene Bomberry, vocals, rattles, Six Nations Reserve, Ontario, CanadaBetsy Buck, vocals, rattles, Six Nations Reserve, Ontario, CanadaPat Hess, vocals, rattles, Six Nations Reserve, Ontario, CanadaJanice Martin, vocals, rattles, Six Nations Reserve, Ontario, CanadaMary Monture, vocals, rattles, Six Nations Reserve, Ontario, Canada

KIOWA SINGERS

Mary Ann Anquoe, 1931-2002, vocals, Tulsa, Oklahoma

Dorothy Whitehorse DeLaune, vocals, hand drum, Anadarko, Oklahoma

Anita Anquoe George, vocals, hand drum, Sapulpa, Oklahoma

Gigi Horse, vocals, Washington, D. C.

MAKAH SONGS & DANCE

Melissa Peterson, vocals, hand drum, rattles, Makah Reservation, Neah Bay, Washington

Samantha Della, vocals, dance, Makah Reservation, Neah Bay, Washington

MALISEET-PASSAMAQUODDY DRUM

THE WABUNOAG SINGERS -- THE WABUNOAG SINGERSMargaret Paul, Fredericton, New Brunswick, CanadaAlma Brooks, Fredericton, New Brunswick, CanadaConnie LaPorte, Fredericton, New Brunswick, CanadaJoan Milliea-Caravantes, Fredericton, New Brunswick, CanadaAlice Claire Tomah, Fredericton, New Brunswick, Canada

MOHAWK SINGER-SONGWRITER

ElizaBeth Hill, vocals, guitar, Ohsweken, Canada

NAVAJO SINGER-SONGWRITERS

Geraldine Barney, vocals, flute, guitar, Tohatchi, New Mexico

Sharon Burch, vocals, guitar, Fairfield, California

NAVAJO SOCIAL DANCE SONGS

SWEETHEARTS OF NAVAJOLAND -- SWEETHEARTS OF NAVAJOLANDLillian Ashley, vocals, water drum, Navaho Reservation, Chinle, ArizonaDarlene Hardie, vocals, Navaho Reservation, Chinle, ArizonaEileen Reed, vocals, Navaho Reservation, Chinle, ArizonaAlberta Wilson, vocals, Navaho Reservation, Chinle, Arizona

NORTHERN PLAINS DRUM

CRYING WOMAN SINGERS -- CRYING WOMAN SINGERSCelina Jones, Fort Belknap Reservation, MontanaJackie Blackbird, Fort Belknap Reservation, MontanaToni Blue Shield, Fort Belknap Reservation, MontanaCora Chandler, Fort Belknap Reservation, MontanaChristina Jones, Fort Belknap Reservation, MontanaRamona Smith, Fort Belknap Reservation, MontanaGarrett Snell, Fort Belknap Reservation, MontanaRochelle Strike, Fort Belknap Reservation, MontanaSandra Wuttunee, Fort Belknap Reservation, Montana

RED EAGLE SINGERS, WIND RIVER RESERVATION, WYOMING -- RED EAGLE SINGERS, WIND RIVER RESERVATION, WYOMINGColleen Shoyo, Wind River Reservation, WyomingClaudenise Hurtado, Wind River Reservation, WyomingChardell Shoyo, Wind River Reservation, WyomingEvalita Shoyo, Wind River Reservation, WyomingLaMelia Shoyo, Wind River Reservation, WyomingBernadine Stacey, Wind River Reservation, Wyoming

PLAINS BIG DRUM

LITTLE RIVER SINGERS -- LITTLE RIVER SINGERSJohn Fitzpatrick, Washington, D.C.Bernard Covers Up, Washington, D.C.Gene Elm, Washington, D.C.Jerry Gipp, Washington, D.C.Roger Iron Cloud, Washington, D.C.

POMO SONG TRADITIONS

Bernice Torres, vocals, hand drum, rattles, Sebastopol, California

SEMINOLE SINGER AND STORYTELLER

Betty Mae Jumper, 1923-, vocals, Hollywood, Florida

SOUTHERN PLAINS SONGS

Gwen Shunatona, Pawnee-Otoe, vocals, Washington, D. C.

TRADITION-BASED CONTEMPORARY SONGS

ULALI -- ULALIPura Fe, Cherokee-Tuscarora, vocals, rattles, hand drum, Philadelphia, PennsylvaniaJennifer Kreisberg, Cherokee-Tuscarora, vocals, rattles, hand drum, Hartford, ConnecticutSoni Moreno-Primeau, Aztec-Maya, vocals, rattles, hand drum, Staten Island, New York

WARM SPRINGS AND WASCO SONG TRADITIONS

Mary Ann Meanus, vocals, hand drum, Warm Springs, Oregon

YUPIK SONG TRADITIONS

Elena Charles, 1918-, vocals, hand drum, Bethel, Alaska

Mary Stachelrodt, vocals, hand drum, Bethel, Alaska

ZUNI CEREMONIAL DANCE AND SONG

OLLA MAIDENS -- OLLA MAIDENSCornelia Bowannie, vocals, hand drum, frog box, Zuni Reserve, Zuni, New MexicoLoretta Beyuka, dance, Zuni Reserve, Zuni, New MexicoJoy Edaakie, dance, Zuni Reserve, Zuni, New MexicoArliss Luna, vocals, hand drum, frog box, Zuni Reserve, Zuni, New Mexico

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995, Series 4

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5af059044-f437-45ba-a9b3-b63c1e017c1d

EDAN-URL:

ead_component:sova-cfch-sff-1995-ref34

Creator:

Smithsonian Institution. Festival of American Folklife. Heartbeat Program 1995 Washington, D.C.  Search this

Fries, Colin (recorder)  Search this

Performer:

Brooks, Alma  Search this

Torres, Bernice  Search this

Jones, Celina  Search this

DeLaune, Dorothy Whitehorse  Search this

Paul, Margaret  Search this

Ashley, Lillian  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Americans  Search this

Passamaquoddy Indians  Search this

Cree Indians  Search this

Pomo Indians  Search this

Navajo Indians  Search this

Kiowa Indians  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Montana

New Brunswick

Canada

Fredericton (N.B.)

Fort Belknap Indian Reservation (Mont.)

Oklahoma

Arizona

California

Sebastopol (Calif.)

Chinle (Ariz.)

Anadarko (Okla.)

Date:

1995 June 23

Track Information:

101 Called to the Drum / Alma Brooks, Celina Jones, Margaret Paul. Drum.

102 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Lillian Ashley. Drum.

Local Numbers:

FP-1995-CT-0479

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 23, 1995.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Drum  Search this

Malecite Indians  Search this

Atsina Indians  Search this

Gender  Search this

American Indian  Search this

Identity (Philosophical concept)  Search this

Rites and ceremonies  Search this

Assinboine Indians  Search this

Indians of North America  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995, Item FP-1995-CT-0479

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Smithsonian Folklife Festival records: 1995 Festival of American Folklife / Series 4: Heartbeat: The Voices of First Nations Women / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5acba49ce-7e20-4ba8-be72-02bee17d1b51

EDAN-URL:

ead_component:sova-cfch-sff-1995-ref834

Creator:

Smithsonian Institution. Festival of American Folklife. Heartbeat Program 1995 Washington, D.C.  Search this

Fries, Colin (recorder)  Search this

Artist:

Torres, Bernice  Search this

DeLaune, Dorothy Whitehorse  Search this

Charles, Elena, 1918-2007  Search this

Porubova, Eva  Search this

Stiková, Eva  Search this

Stachelrodt, Mary  Search this

Burch, Sharon  Search this

Ashley, Lillian  Search this

Performer:

Torres, Bernice  Search this

DeLaune, Dorothy Whitehorse  Search this

Charles, Elena, 1918-2007  Search this

Porubova, Eva  Search this

Stiková, Eva  Search this

Stachelrodt, Mary  Search this

Burch, Sharon  Search this

Ashley, Lillian  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Indians of North America  Search this

Americans  Search this

Pomo Indians  Search this

Navajo Indians  Search this

Kiowa Indians  Search this

Yupik Eskimos  Search this

Czech-Americans  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Oklahoma

Arizona

California

Sebastopol (Calif.)

Chinle (Ariz.)

Anadarko (Okla.)

Alaska

Bethel (Alaska)

Fairfield (Calif.)

Roznov p.r. (Czech Republic)

Czech Republic

Date:

1995 June 23

Track Information:

101 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Lillian Ashley. Drum.

102 Ways of Our Grandmothers / Bernice Torres, Elena Charles, Sharon Burch. Hand drums.

103 Festival Encounters: Mothers and Daughters: Transmission of Music / Eva Porubova, Eva Stiková, Mary Stachelrodt. Hand drums.

Local Numbers:

FP-1995-CT-0480

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 23, 1995.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

American Indian  Search this

Oral history  Search this

Lullabies  Search this

Drum  Search this

Hand drums  Search this

Identity (Philosophical concept)  Search this

Gender  Search this

Navajo Indians  Search this

Rites and ceremonies  Search this

Generations  Search this

Family  Search this

Herbs -- Theraputic use  Search this

Folklore  Search this

Food habits  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995, Item FP-1995-CT-0480

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Smithsonian Folklife Festival records: 1995 Festival of American Folklife / Series 4: Heartbeat: The Voices of First Nations Women / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5f3d4321d-92fc-46cd-b17b-28bc199be5e0

EDAN-URL:

ead_component:sova-cfch-sff-1995-ref835

Creator:

Smithsonian Institution. Festival of American Folklife. Heartbeat Program 1995 Washington, D.C.  Search this

Place, Janet L. (recorder)  Search this

Walker, Tracy (recorder)  Search this

Performer:

Shunatona, Gwen  Search this

Heth, Charlotte  Search this

Gray, Judith  Search this

Vennum, Thomas  Search this

Torres, Bernice  Search this

DeLaune, Dorothy Whitehorse  Search this

Stachelrodt, Mary  Search this

Crying Woman Singers  Search this

Wabunoag Singers  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Pawnee Indians  Search this

Indians of North America  Search this

Americans  Search this

Malecite Indians  Search this

Atsina Indians  Search this

Pomo Indians  Search this

Kiowa Indians  Search this

Yupik Eskimos  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Montana

Fort Belknap Indian Reservation (Mont.)

Oklahoma

Alaska

California

Sebastopol (Calif.)

Anadarko (Okla.)

Bethel (Alaska)

Date:

1995 June 24

Track Information:

101 Called to the Drum / Crying Woman Singers, Wabunoag Singers, Gwen Shunatona. Drum.

102 Recording Indian Women's Music / Charlotte Heth, Judith Gray, Thomas Vennum.

103 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Mary Stachelrodt.

Local Numbers:

FP-1995-CT-0483

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 24, 1995.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Lullabies  Search this

Drum  Search this

Cree Indians  Search this

Otoe  Search this

Gender  Search this

American Indian  Search this

Assinboine Indians  Search this

Audio recording  Search this

Ethnomusicology  Search this

Fieldwork  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995, Item FP-1995-CT-0483

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Smithsonian Folklife Festival records: 1995 Festival of American Folklife / Series 4: Heartbeat: The Voices of First Nations Women / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk514f658f9-73b7-48f6-a220-0f12048998c1

EDAN-URL:

ead_component:sova-cfch-sff-1995-ref838

Creator:

Smithsonian Institution. Festival of American Folklife. Heartbeat Program 1995 Washington, D.C.  Search this

Place, Janet L. (recorder)  Search this

Walker, Tracy (recorder)  Search this

Artist:

Torres, Bernice  Search this

DeLaune, Dorothy Whitehorse  Search this

Charles, Elena, 1918-2007  Search this

Hill, Elizabeth  Search this

Burch, Sharon  Search this

Crying Woman Singers  Search this

Wabunoag Singers  Search this

Sweethearts of Navajoland  Search this

Performer:

Torres, Bernice  Search this

DeLaune, Dorothy Whitehorse  Search this

Charles, Elena, 1918-2007  Search this

Hill, Elizabeth  Search this

Burch, Sharon  Search this

Crying Woman Singers  Search this

Wabunoag Singers  Search this

Sweethearts of Navajoland  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Indians of North America  Search this

Americans  Search this

Pomo Indians  Search this

Kiowa Indians  Search this

Yupik Eskimos  Search this

Atsina Indians  Search this

Cree Indians  Search this

Mohawk Indians  Search this

Navajo Indians  Search this

Apache Indians  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Oklahoma

Alaska

California

Anadarko (Okla.)

Bethel (Alaska)

Sebastopol (Calif.)

Montana

New Brunswick

Canada

Fredericton (N.B.)

Fort Belknap Indian Reservation (Mont.)

Arizona

Chinle (Ariz.)

Fairfield (Calif.)

Date:

1995 June 24

Track Information:

101 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Elena Charles.

102 Ways of Our Grandmothers / Crying Woman Singers, Wabunoag Singers, Elizabeth Hill.

103 Navajo Singers / Sweethearts of Navajoland, Sharon Burch. Guitar.

Local Numbers:

FP-1995-CT-0484

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 24, 1995.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

American Indian  Search this

Oral history  Search this

Lullabies  Search this

Guitar  Search this

Gender  Search this

Malecite Indians  Search this

Generations  Search this

Family  Search this

Passamaquoddy Indians  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995, Item FP-1995-CT-0484

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Smithsonian Folklife Festival records: 1995 Festival of American Folklife / Series 4: Heartbeat: The Voices of First Nations Women / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5e3a68e0d-a53d-401c-bf4c-2208fb42c38a

EDAN-URL:

ead_component:sova-cfch-sff-1995-ref839

Creator:

Smithsonian Institution. Festival of American Folklife. Heartbeat Program 1995 Washington, D.C.  Search this

Mullen, Mary (recorder)  Search this

Walters, Wendy (recorder)  Search this

Performer:

Torres, Bernice  Search this

Shunatona, Gwen  Search this

Crying Woman Singers  Search this

Kiowa Singers  Search this

Wabunoag Singers  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Indians of North America  Search this

Americans  Search this

Kiowa Indians  Search this

Atsina Indians  Search this

Cree Indians  Search this

Pomo Indians  Search this

Pawnee Indians  Search this

Oto Indians  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Montana

New Brunswick

Canada

Fredericton (N.B.)

Fort Belknap Indian Reservation (Mont.)

California

Sebastopol (Calif.)

Date:

1995 June 25

Track Information:

101 Powwow Songs / Crying Woman Singers, Kiowa Singers, Wabunoag Singers. Drum.

102 Ways of Our Grandmothers / Bernice Torres, Gwen Shunatona. Hand drums,Rattle (Musical instrument).

Local Numbers:

FP-1995-CT-0486

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 25, 1995.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

American Indian  Search this

Oral history  Search this

Drum  Search this

Hand drums  Search this

Rattle (Musical instrument)  Search this

Malecite Indians  Search this

Passamaquoddy Indians  Search this

Gender  Search this

Generations  Search this

Folklore  Search this

Family  Search this

Assinboine Indians  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995, Item FP-1995-CT-0486

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Smithsonian Folklife Festival records: 1995 Festival of American Folklife / Series 4: Heartbeat: The Voices of First Nations Women / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk54bec08ce-1833-4ce9-ba06-6f3a64717850

EDAN-URL:

ead_component:sova-cfch-sff-1995-ref841