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Was Childcare One Secret to Winning Suffrage? (Narrated)

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2022-01-21T21:31:20.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_R0_vD2zx2V0

Was Childcare One Secret to Winning Suffrage?

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2020-08-01T15:19:46.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_WaO__6iN82E

Aloha betrayed native Hawaiian resistance to American colonialism Noenoe K. Silva

Author:
Silva, Noenoe K. 1954-  Search this
Physical description:
1 online resource (x, 260 pages) illustrations
Type:
Electronic resources
Sources
Electronic books
History
Place:
Oceania
Hawaii
United States
États-Unis
USA
Date:
2004
Overthrow of the Monarchy, 1893
1893 (Révolution)
Topic:
Hawaiians--Colonization  Search this
Hawaiians--Government relations  Search this
Hawaiians--Politics and government  Search this
Imperialism--History  Search this
Impérialisme--Histoire  Search this
HISTORY  Search this
HISTORY / Oceania  Search this
Diplomatic relations  Search this
Historiography  Search this
Imperialism  Search this
Kolonialismus  Search this
Kolonisatie  Search this
Verzet  Search this
Annexation to the United States  Search this
History  Search this
Foreign relations  Search this
Annexion aux États-Unis  Search this
Histoire  Search this
Relations extérieures  Search this
Historiographie  Search this
Restrictions & Rights:
Use copy Restrictions unspecified
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156405

Inka Road Symposium 19 - The Inka Roads in the South-Central Bolivian Andes

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-07-15T18:45:36.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_1TWAPr1R__Y

Handbill advertising a Brotherhood Reception for T.R.M. Howard, M.D.

Distributed by:
NAACP Youth Council, American, founded 1936  Search this
United Christian Youth Movement of North America, American, founded 1934  Search this
B'nai B'rith International, American, founded 1843  Search this
Subject of:
Dr. Theodore R. M. Howard, American, 1908 - 1976  Search this
National Medical Association, American, founded 1895  Search this
Regional Council of Negro Leadership, American, 1951 - 1962  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W: 8 1/2 x 5 1/2 in. (21.6 x 14 cm)
Type:
handbills
Place used:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Place depicted:
Mississippi, United States, North and Central America
Date:
February 15, 1956
Topic:
African American  Search this
American South  Search this
Children  Search this
Christianity  Search this
Civil Rights  Search this
Interfaith communities  Search this
Judaism  Search this
Medicine  Search this
Museums  Search this
Political organizations  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2012.46.34.5
Restrictions & Rights:
No known copyright restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Advertisements
Movement:
Civil Rights Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c705ba71-d956-4942-baa9-387058d96e62
EDAN-URL:
edanmdm:nmaahc_2012.46.34.5
Online Media:

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Universal Network Television, American, founded 1950  Search this
Alex Haley, American, 1921 - 1992  Search this
Percy Ellis Sutton, American, 1920 - 2009  Search this
Columbia Records, American, founded 1888  Search this
Brown & Williamson, American, born 1894  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Roy Wilkins, American, 1901 - 1981  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Medical Association, American, founded 1895  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
National Urban League, American, founded 1910  Search this
National Dental Association, American, founded 1913  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Medical Association, American, founded 1895  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
President Jimmy Carter, American, born 1924  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Urban League Guild, American, founded 1946  Search this
Tuskegee Airmen, 1941 - 1946  Search this
Congressional Black Caucus, American, founded 1971  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
National Council of Negro Women, founded 1935  Search this
Muhammad Ali, American, 1942 - 2016  Search this
369th Veterans Association, American  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 5/16 in. (27.5 × 21.4 × 0.8 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1977
Topic:
African American  Search this
Advertising  Search this
Aeronautics  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
Sports  Search this
Tennis  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.11
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a191f832-64ab-4d62-81fe-a2bc53493bea
EDAN-URL:
edanmdm:nmaahc_2012.167.11

Digital image of Ralph Abernathy on a police bus

Photograph by:
Laura Jones, Canadian American, born 1948  Search this
Subject of:
Rev. Ralph David Abernathy, American, 1926 - 1990  Search this
Poor People's Campaign, American, 1967 - 1968  Search this
Medium:
digital
Dimensions:
H x W: 5008 pixels × 7488 pixels
File size: 35.79 MB
Type:
digital images
digital media - born analog
Place depicted:
Washington, District of Columbia, United States, North and Central America
Date:
1968
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Local and regional  Search this
Political organizations  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
Object number:
2016.177.1
Restrictions & Rights:
© Laura Jones
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Movement:
African American - Latinx Solidarity
Poor People's Campaign
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5bf22c03d-bf98-4312-b16c-c5fe0b4e5de0
EDAN-URL:
edanmdm:nmaahc_2016.177.1

Digital image of Jesse Jackson and James Brown in Resurrection City

Photograph by:
Laura Jones, Canadian American, born 1948  Search this
Subject of:
Rev. Jesse Jackson, American, born 1941  Search this
James Brown, American, 1933 - 2006  Search this
Rev. Ralph David Abernathy, American, 1926 - 1990  Search this
Unidentified Man or Men  Search this
Poor People's Campaign, American, 1967 - 1968  Search this
Medium:
digital
Dimensions:
H x W: 4003 pixels × 6000 pixels
File size: 22.93 MB
Type:
digital images
digital media - born analog
Place depicted:
Washington, District of Columbia, United States, North and Central America
Date:
1968
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Entertainers  Search this
Local and regional  Search this
Political organizations  Search this
Singers (Musicians)  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
Object number:
2016.177.2
Restrictions & Rights:
© Laura Jones
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Movement:
African American - Latinx Solidarity
Poor People's Campaign
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e3b16220-b586-41ca-a363-e50c0b22a46e
EDAN-URL:
edanmdm:nmaahc_2016.177.2

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Cerámica de los Ancestros: Central America's Past Revealed, Opening March 29, 2013, Washington, DC

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2013-03-05T20:06:24.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_gQTo40FUDUk

Cerámica de los Ancestros: Central America's Past Revealed

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-06-30T03:12:13.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_CNBtaCK59Ds

Pinback button in support of Eldridge Cleaver

Created by:
Black Panther Party, American, 1966 - 1982  Search this
Subject of:
Eldridge Cleaver, American, 1935 - 1998  Search this
Medium:
metal, plastic, ink on paper
Dimensions:
Diameter: 1 1/2 x 1/8 in. (3.8 x 0.3 cm)
Type:
buttons (information artifacts)
Date:
1968-1971
Topic:
African American  Search this
Black power  Search this
Justice  Search this
Political organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Ellen Siegel
Object number:
2012.28.1
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Political and Activist Ephemera
Movement:
Civil Rights Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd524df69ed-1e2e-454e-a007-ae54b3290418
EDAN-URL:
edanmdm:nmaahc_2012.28.1

Southwest United States

Collection Creator:
Strong, William Duncan, 1899-1962  Search this
Container:
Box 28
Type:
Archival materials
Date:
1939-1949
Scope and Contents:
Includes a student paper by Mary Chandler titled "The Archaeological Development of Chaco Canyon, New Mexico," notes by Strong on Utah, Strong's(?) notes on "Southwestern Archaeology," a paper by C.W. Weiant on "Observations on Texas Archaeology," Chaco conference notes (1939), a manuscript by Carling Malouf entitled "Pueblo Political Organization" (1947), a student paper by Joan Howson entitled "History in the Zuni Valley" (1939), an outline for a course on Indians of the greater Southwest, a student paper by Marjorie Lismer on "Evidences of Pueblo-like Cultures on the Eastern Periphery" (1939), and a photograph of petroglyphs.
Collection Restrictions:
The William Duncan Strong papers are open for research.

Access to the William Duncan Strong papers requires and appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William Duncan Strong papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William Duncan Strong papers
William Duncan Strong papers / Series 4: Miscellaneous research notes
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3425455e6-99d1-4c61-80b0-7816123a42ab
EDAN-URL:
ead_component:sova-naa-1974-28-ref436

Political Organization 

Collection Creator:
La Barre, Weston, 1911-1996  Search this
Container:
Box 11B
Type:
Archival materials
Collection Restrictions:
Some of the materials in the collection are covered by copyright as of April 1976.

Access to the Raoul Weston La Barre papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Raoul Weston La Barre papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Raoul Weston La Barre papers
Raoul Weston La Barre papers / Series 3: Aymara Studies / 3.2: Field Notes / Noteslips / Aymara Notes
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d643db6c-42e6-4de7-af7e-b61f6782aeec
EDAN-URL:
ead_component:sova-naa-1976-057-ref1016

Speeches

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 15, Folder 4
Type:
Archival materials
Text
Date:
1940 - 1945
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 2: Professional
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2834c8d49-a046-4aad-8f4c-60f3d801b422
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref134
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  • View Speeches digital asset number 1

T-shirt from the 2018 Stacey Abrams Georgia gubernatorial campaign

Created by:
Stacey Abrams for Governor, American, founded 2018  Search this
Manufactured by:
American Apparel, American, founded 1989  Search this
Subject of:
Stacey Y. Abrams, American, born 1973  Search this
Medium:
cotton (textile)
Dimensions:
H x W (flat): 29 1/2 × 34 in. (74.9 × 86.4 cm)
Type:
T-shirts
Place depicted:
Georgia, United States, North and Central America
Date:
2018
Topic:
African American  Search this
LGBTQ  Search this
Political organizations  Search this
Politics  Search this
U.S. History, 2001-  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Earl Fowlkes in honor of Thomas Kevin King
Object number:
2019.43.1
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Clothing-Historical
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd508d8fec4-4cdb-4012-a471-bd5cd363ac5a
EDAN-URL:
edanmdm:nmaahc_2019.43.1
Online Media:

Navy baseball cap from the 2018 Stacey Abrams Georgia gubernatorial campaign

Created by:
Stacey Abrams for Governor, American, founded 2018  Search this
Manufactured by:
Bayside Apparel & Headwear, American  Search this
Subject of:
Stacey Y. Abrams, American, born 1973  Search this
Medium:
cotton (textile) and metal
Dimensions:
H x W x D: 3 1/2 × 8 × 11 in. (8.9 × 20.3 × 27.9 cm)
Type:
baseball caps
Place depicted:
Georgia, United States, North and Central America
Date:
2018
Topic:
African American  Search this
Political organizations  Search this
Politics  Search this
U.S. History, 2001-  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Earl Fowlkes in honor of Thomas Kevin King
Object number:
2019.43.2
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Clothing-Historical
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd599dad123-08e9-4a68-b059-6312fe9bfdc6
EDAN-URL:
edanmdm:nmaahc_2019.43.2
Online Media:

Marchers Approaching the Alabama State Capitol

Photograph by:
James H. Karales, American, 1930 - 2002  Search this
Created by:
Rick Rhodes Photography & Imaging, LLC, American  Search this
Subject of:
Montgomery Police Department, American, founded 1820  Search this
Medium:
digital
Dimensions:
H x W: 5725 pixels × 3906 pixels
File size: 21.37 MB
Type:
digital images
digital media - born analog
Place captured:
Montgomery, Alabama, United States, North and Central America
Date:
1965
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Government  Search this
Photography  Search this
Political organizations  Search this
Resistance  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Monica Karales and the Estate of James Karales
Object number:
2015.129.89
Restrictions & Rights:
© Estate of James Karales
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Movement:
Selma to Montgomery Marches
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd53da7c7e0-32a6-424e-8ad4-257c05ce46ef
EDAN-URL:
edanmdm:nmaahc_2015.129.89
Online Media:

Military Police and State Troopers Guarding the Alabama State Capitol

Photograph by:
James H. Karales, American, 1930 - 2002  Search this
Created by:
Rick Rhodes Photography & Imaging, LLC, American  Search this
Subject of:
Military Police Corps, American, founded 1941  Search this
Alabama Highway Patrol, founded 1936  Search this
Medium:
digital
Dimensions:
H x W: 3912 pixels × 5958 pixels
File size: 22.57 MB
Type:
digital images
digital media - born analog
Place captured:
Montgomery, Alabama, United States, North and Central America
Date:
1965
Topic:
African American  Search this
Civil Rights  Search this
Government  Search this
Justice  Search this
Photography  Search this
Political organizations  Search this
Resistance  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Monica Karales and the Estate of James Karales
Object number:
2015.129.90
Restrictions & Rights:
© Estate of James Karales
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Movement:
Selma to Montgomery Marches
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5d451c9aa-dace-4971-a4b1-89b9c1a690c8
EDAN-URL:
edanmdm:nmaahc_2015.129.90
Online Media:

Marchers Assembled in Front of the Alabama State Capitol

Photograph by:
James H. Karales, American, 1930 - 2002  Search this
Created by:
Rick Rhodes Photography & Imaging, LLC, American  Search this
Subject of:
Jim Letherer, American, 1933 - 2001  Search this
Unidentified Man or Men  Search this
Medium:
digital
Dimensions:
H x W: 3888 pixels × 5975 pixels
File size: 22.2 MB
Type:
digital images
digital media - born analog
Place captured:
Montgomery, Alabama, United States, North and Central America
Date:
1965
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Freedom  Search this
Government  Search this
Photography  Search this
Political organizations  Search this
Resistance  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Monica Karales and the Estate of James Karales
Object number:
2015.129.91
Restrictions & Rights:
© Estate of James Karales
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Movement:
Selma to Montgomery Marches
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd55a769c78-8ac2-433e-acb1-2c01ac048843
EDAN-URL:
edanmdm:nmaahc_2015.129.91
Online Media:

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