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Tomás Ybarra-Frausto research material

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

Vigil, Cleofes, Political, Activist, Poet, Musician (1917-1992)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 28, Folder 37
Type:
Archival materials
Date:
1992, 1994
Scope and Contents note:
(note to TYF from Vicente [Martinez?], 06/30/1994; typescript of eulogy for Cleofes Vigil given by Vicente Martinez, circa 1992; clippings)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1770

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Collector:
National Museum of American History (U.S.). Archives Center  Search this
Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
American Federation of Teachers  Search this
Department of Defense, Comprehensive Review Working Group  Search this
Gay Officers Action League. GOAL  Search this
Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this
ONE National Gay and Lesbian Archives  Search this
San Diego LGBT Pride  Search this
Servicemembers Legal Defense Network  Search this
Smith College  Search this
University of Connecticut  Search this
William Way Community Center  Search this
Biren, Joan E.  Search this
Bushnell, Megan  Search this
Davidson, James, Dr.  Search this
Dietrich, Joe  Search this
Exline, Gregory  Search this
Florence, Laura  Search this
Huebner, David  Search this
Jain, Shawn  Search this
Karazsia, Amy  Search this
Karazsia, William G.  Search this
Lombardi, Angela  Search this
Lynch, Patsy  Search this
Meinke, Mark  Search this
Nitz, Ryan  Search this
Reichard, Bradley  Search this
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Ros, Silvia  Search this
Sabatino, Michael  Search this
Shannon, Michael A.  Search this
Sheets, Justin  Search this
Snodgrass, Adam  Search this
Voorheis, Robert  Search this
Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Other:
Larson, Gordon P., 1910-1988 -- 20th century  Search this
Names:
McWaine, Dwayne, Dr.  Search this
Extent:
60 Cubic feet (183 boxes, 20 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Postcards
Photographs
Posters
Videocassettes
Advertising
Dvds
Songbooks
Periodicals
Place:
Canada -- Description and Travel
Germany -- description and travel
Amsterdam (Netherlands)
Washington, D.C. -- history
Los Angeles (Calif.)
New York, New York
Date:
1825-2021, undated
bulk 1960-2019
Summary:
This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Scope and Contents:
The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.
Arrangement:
The collection is divided into twenty-four series.

Series 1: Periodicals, 1937-2018

Series 2: Agencies, Associations, and Organizations, 1984-2018, undated

Series 3: Community Life and Subject Files, 1825-2018, undated

Subseries 3.1: Photographs and Slides, 1870-1980, undated

Subseries 3.2: Ephemera and Buttons, 1969-2018, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2018, undated

Subseries 3.5: Pride, 1976-2018, undated

Subseries 3.6: HIV and AIDS, 1987-2017, undated

Series 4: Advertising, Business, and Publications, 1970-2018, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1998-2017, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2018, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1976-2018, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Felloship Metropolitan Community Churches (UFMCC), 1957-2019, undated
Historical Note:
While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visually, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired groups at odds with that new found visibility and call to action. The challenge to what was termed "traditional" values encouraged counter-LGBT groups to define and solidfy their constituency as well. This collection comprises material that is generated by individuals and organizations that have been on both sides of the question.
Related Materials:
Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters and Will & Grace.
Provenance:
This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women's music  Search this
Transgender people -- Identity  Search this
Sexual orientation  Search this
Political activists  Search this
Lesbianism  Search this
Lesbian and gay experience  Search this
Gay activists  Search this
Homosexuality  Search this
HIV and AIDS  Search this
Feminism  Search this
Bisexuality  Search this
Bars (Drinking establishments)  Search this
Gay Pride  Search this
Genre/Form:
Passports
Postcards
Photographs -- 2000-2010
Posters
Videocassettes
Advertising
DVDs
Photographs -- 20th century
Songbooks
Periodicals
Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1146
Online Media:

Zina Saro-Wiwa: On Mourning and Memory (Interview Only)

Creator:
Smithsonian Institution  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-05-03T13:50:32.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_G1Z3jrHrgOI

Vistas and Dreams 1: Welcome and Introduction

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2016-12-14T19:21:40.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_O-pGdbyz_BA

Division of Science, Medicine and Society HIV/AIDS Reference Collection

Creator:
Kondratas, Ramunas A.  Search this
Source:
National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this
Former owner:
National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this
Extent:
3.5 Cubic feet (12 boxes, 3 oversized folders)
Type:
Collection descriptions
Archival materials
Pamphlets
Leaflets
Correspondence
Advertisements
Place:
Lithuania
Date:
1979-2006
bulk 1987-1993
Summary:
This collection consists of pamphlets, books, and a wide variety of printed matter and ephemera relating to HIV/AIDS. The collection was principally assembled by National Museum of American History, Smithsonian Institution curator Ramunas Kondratas.
Scope and Contents:
The Division of Science, Medicine, and Society HIV/AIDS Reference Collection contains a large amount of printed material representing how HIV/AIDS was depicted in popular culture, in the medical sciences, by activist groups, and by government agencies principally during the late 1980s and early 1990s. Most of the collection consists of pamphlets, brochures, reports, and other educational material designed to raise awareness about HIV/AIDS in the general public.

This collection includes correspondence and conference proceedings related to the history of HIV/AIDS. The materials were collected by NMAH curator Ramunas "Ray" Kondratas, working together with the AIDS history group that was part of the American Association for the History of Medicine. A number of bibliographies and resource guides to literature related to HIV/AIDS are included in the collection. Geographically, the material is primarily from the Washington, D.C. metropolitan area, with New York City, San Francisco, Los Angeles, the general United States, as well as Lithuania and London, also represented in the collection.
Arrangement:
The collection is organized into five series.

Series 1, Educational Material and Advertisements, 1984-2004

Subseries 1, American Red Cross, 1986-1993, undated

Subseries 2, Gay Men's Health Crisis, Incorporated, 1985-1994, undated

Subseries 3, New York State Health Department, 1984-1991, undated

Subseries 4, Government of the District of Columbia, 1990-1996, undated

Subseries 5, United States Department of Health and Human Services, 1984-1995, undated

Subseries 6, Whitman-Walker Clinic, Washington, D.C., 1988-1996, undated

Subseries 7, Various Organizations, 1984-2004, undated

Subseries 8, Posters, Newspapers, and Ephemera, 1986-1994, undated

Series 2, Reports, Commissions and Bibliographies, 1981-1999

Subseries 1, Presidential Commission on the Human Immunodeficiency Virus (HIV) Epidemic, 1987-1989

Subseries 2, Centers for Disease Control (CDC), 1981-1999

Subseries 3, National Library of Medicine (NLM), 1986-1993

Subseries 4, Other Organizations, 1987-1988

Series 3, Ramunas Kondratas, Correspondence and Collected Materials, 1979-1994, undated

Series 4, AIDS/HIV Related Press Clippings and Periodicals, 1982-2006

Series 5, Audiovisual Material, 1988
Biographical / Historical:
The HIV/AIDS crisis that began in the 1980s is a defining event of the latter half of the 20th century. Once thought to be a disease affecting homosexual men only, the epidemic spread to the broader population of the United States and the world at large. The response to the epidemic came from many public and private organizations, some internationally known like the Red Cross and some at the local level such as the Whitman-Walker Clinic in Washington, D.C. Many organizations produced a variety of pamphlets, studies, and reports dealing with all aspects of the disease.

This collection consists of material collected by the Smithsonian's National Museum of American History, Division of Science, Medicine, and Society. The bulk of the collection was assembled by curator Ramunas "Ray" Kondratas during the late 1980s and early 1990s.
Provenance:
Received from Ramunas Kondratas, curator, Division of Science, Medicine, and Society.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Please ask staff to remove any staples before copying.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply.
Topic:
Political activists  Search this
HIV/AIDS awareness  Search this
Epidemics  Search this
Gay activists  Search this
AIDS (Disease) -- Prevention  Search this
AIDS (Disease) -- Lithuania  Search this
Genre/Form:
Pamphlets -- 20th century
Leaflets
Correspondence -- 20th century
Advertisements -- 20th century
Citation:
Division of Science, Medicine, and Society HIV/AIDS Reference Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1134
See more items in:
Division of Science, Medicine and Society HIV/AIDS Reference Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1134
Online Media:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
Fitzgerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
World War, 1939-1945 -- Civilian relief  Search this
Labor unions  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Come Let Us Build A New World Together

Alternate Title:
John Lewis
Artist:
Mark Suckle, born 1942  Search this
Copy after:
Danny Lyon, born 16 Mar 1942  Search this
Sitter:
John Robert Lewis, 21 Feb 1940 - 17 Jul 2020  Search this
Charles Koen, 1945 - 2018  Search this
Medium:
Lithograph on paper
Dimensions:
Image/Sheet: 36 × 46 cm (14 3/16 × 18 1/8")
Type:
Print
Place:
United States\Georgia\Fulton\Atlanta
Date:
1963
Topic:
Exterior  Search this
Poster  Search this
John Robert Lewis: Male  Search this
John Robert Lewis: Society and Social Change\Reformer\Activist\Civil rights activist  Search this
John Robert Lewis: Politics and Government\US Congressman\Georgia  Search this
John Robert Lewis: Politics and Government\Politician  Search this
John Robert Lewis: Presidential Medal of Freedom  Search this
Charles Koen: Male  Search this
Charles Koen: Society and Social Change\Reformer\Activist\Civil rights activist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2018.35
Restrictions & Rights:
Usage conditions apply
Copyright:
© Danny Lyon
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm458936cf9-3e76-4348-98b6-2d7dfc6feed8
EDAN-URL:
edanmdm:npg_NPG.2018.35

Oral history interview with Larry Jordan

Interviewee:
Jordan, Larry, 1934-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Berman, Wallace, 1926-1976  Search this
Brackage, Stan  Search this
Conner, Bruce, 1933-2008  Search this
Cornell, Joseph  Search this
DeFeo, Jay, 1929-1989  Search this
Deren, Maya  Search this
Duncan, Robert Edward, 1919-  Search this
Ernst, Max, 1891-1976  Search this
Ginsberg, Allen, 1926-1997  Search this
Hedrick, Wally, 1928-2003  Search this
Herms, George, 1935-  Search this
Jess, 1923-  Search this
Jordan, Patricia M., 1937-1989  Search this
McClure, Michael  Search this
Nauman, Bruce, 1941-  Search this
Rexroth, Kenneth, 1905-1982  Search this
Extent:
6 Sound cassettes (Sound recording, analog)
100 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1995 Dec. 19 - 1996 July 30
Scope and Contents:
An interview of Larry Jordan conducted 1995 Dec. 19-1996 July 30, by Paul Karlstrom, for the Archives of American Art, at the artist's home, in Petaluma, Calif.
Jordan discusses his family background in Denver; his attraction to contemporary avant-garde; his brief time at Harvard, and his mental breakdown and return to Denver; his move to San Francisco in 1954 because of the artistic and literary atmosphere there; meeting Kenneth Rexroth, Robert Duncan and other poets and his initial introduction to the creative community in San Francisco; his friendships with Jordan Belsen, Michael McClure, Wally Hedrick and Jay DeFeo; the San Francisco Renaissance, the beat era, and what it means to be "beat;" the distinction in intensity between bohemianism and the resurrection of the self during the beat era, the social impact of the anti-establishment movement; and the difference between artists and political activists.
Jordan discusses his influences and important moments in his experimental film career; the surrealist methods for social changes as seen in film; the west coast filmmakers focus on the interior and mystical; the rivalry in the film world; his association with Bruce Conner and their founding a film society together in 1956 and establishing an experimental theater; meeting Joseph Cornell and his invitation to assist him with films, their time spent together, Cornell as a filmmaker, preparing Cornell boxes, and the influence of Cornell on is own art. He discusses his own art; his role as an artist in society; the religious aspect in his art; his place in the avant-garde film world; the major influences in his art; and the concept of death and the celebration of the mind as a major theme in his film and artwork.
He recalls Wallace Berman, Stan Brackage, Bruce Conner, Jay DeFeo, Maya Deren, Robert Duncan, Max Ernst, Allen Ginsberg, Wally Hedrick, George Herms, Jess, Patricia Jordan, Michael McClure, Bruce Nauman, and Kenneth Rexroth.
Biographical / Historical:
Larry Jordan (1934- ) is a filmmaker and collagist from Petaluma, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Filmmakers -- California -- Interviews  Search this
Collagists -- California -- Interviews  Search this
Beat generation  Search this
Art -- California -- San Francisco Bay Area  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.jordan95
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jordan95

Oral history interview with Robert Vázquez-Pacheco, 2017 December 16-17

Interviewee:
Vázquez-Pacheco, Robert, 1956-  Search this
Vázquez-Pacheco, Robert, 1956-  Search this
Interviewer:
Kerr, Theodore, 1979-  Search this
Subject:
Ayala, George  Search this
Bordowitz, Gregg  Search this
Callen, Michael  Search this
Elovich, Richard  Search this
Finkelstein, Avram  Search this
Foreman, Matt  Search this
France, David  Search this
Garcia, Robert  Search this
George, Carl  Search this
Guzmán, Manolo  Search this
Kalin, Tom  Search this
King, Charles Bird  Search this
Kirschenbaum, David A.  Search this
Kramer, Larry  Search this
Levine, Deb  Search this
McAlpin, Loring  Search this
McCarty, Marlene  Search this
Metroka, Craig  Search this
Moffett, Donald  Search this
Rice-González, Charles  Search this
Russo, Vito  Search this
Simpson, Mark  Search this
Staley, Peter  Search this
Walsh, Joey  Search this
ACT UP (Organization)  Search this
Gay Switchboard (Berkeley, Calif.)  Search this
Gran Fury (Artists' collective)  Search this
National Latino/a Lesbian and Gay Organization  Search this
Other Countries, Inc.  Search this
People with AIDS Coalition  Search this
State University College (Oswego, N.Y.)  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Type:
Interviews
Sound recordings
Topic:
Activism  Search this
AIDS activists  Search this
AIDS (Disease)  Search this
AIDS (Disease) and the arts  Search this
Artists -- New York (State) -- New York -- Interviews  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Political activists -- New York (State) -- New York -- Interviews  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
African American  Search this
Record number:
(DSI-AAA_CollID)17530
(DSI-AAA_SIRISBib)391841
AAA_collcode_vazque17
Theme:
Latino and Latin American
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391841
Online Media:

Oral history interview with Robert Vázquez-Pacheco

Interviewee:
Vázquez-Pacheco, Robert, 1956-  Search this
Interviewer:
Kerr, Theodore  Search this
Names:
ACT UP (Organization)  Search this
Gay Switchboard (Berkeley, Calif.)  Search this
Gran Fury (Artists' collective)  Search this
National Latino/a Lesbian and Gay Organization  Search this
Other Countries, Inc.  Search this
People with AIDS Coalition  Search this
State University College (Oswego, N.Y.) -- Students  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Ayala, George  Search this
Bordowitz, Gregg  Search this
Callen, Michael, 1955-1993  Search this
Elovich, Richard  Search this
Finkelstein, Avram, 1952-  Search this
Foreman, Matt  Search this
France, David, 1959-  Search this
Garcia, Robert, 1933-2017  Search this
George, Carl  Search this
Guzmán, Manolo  Search this
Kalin, Tom  Search this
King, Charles Bird, 1785-1862  Search this
Kirschenbaum, David A.  Search this
Kramer, Larry  Search this
Levine, Deb  Search this
McAlpin, Loring, 1960-  Search this
McCarty, Marlene, 1957-  Search this
Metroka, Craig  Search this
Moffett, Donald, 1955-  Search this
Rice-González, Charles  Search this
Russo, Vito  Search this
Simpson, Mark, 1965-  Search this
Staley, Peter  Search this
Walsh, Joey, 1938-  Search this
Extent:
8 Items (sound files (6 hr., 59 min.) Audio, digital, wav)
131 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 December 16-17
Scope and Contents:
An interview with Robert Vázquez-Pacheco conducted 2017 December 16 and 17, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at The New School, in New York, New York.
Vazquez-Pacheco speaks of his childhood in South Bronx housing projects; members and dynamics of his family growing up; experiences and discourses of religion, race, gender, sexuality, reading, and the arts as a child and adolescent; attending SUNY Oswego for one year; an existentially pivotal year in Miami in 1975; returning to New York in 1976, immersing himself in Latino gay culture, and being exposed to white gay culture; living in Hempstead, New York for two years with a boyfriend, and beginning to paint again; working at Chase Manhattan Bank and volunteering for the Gay Switchboard in New York City in the late '70s; the beginning of the AIDS epidemic; caring for his boyfriend, Jeff, who died of AIDS in 1986; the particular experience and effect of HIV on communities of color and low-income communities; mounting societal homophobia during the epidemic; leading Gay Circles, a gay men's consciousness-raising group, in the late '80s; his involvement in ACT UP, and burgeoning political consciousness, after Jeff's death; activism as a creative outlet; working at different times with the People With AIDS health group, the Anti-Violence Project, the Minority AIDS Taskforce, Latino Gay Men of New York, Minority AIDS Coalition in Philadelphia, and LLEGO in Washington; AIDS activism's failure to think intersectionally and build coalitions; his involvement in Gran Fury; becoming a more prolific writer, and getting involved with Other Countries, in the early '90s; Gran Fury's 2011 retrospective; the need for racial diversity and representation in activism and the art world; white flight from AIDS activism following the arrival of protease inhibitors; personal frustrations with the current AIDS activism discourse and nonprofit organizational complex, and the general cultural conversation about HIV/AIDS; contrasting representations of AIDS activism in How to Survive a Plague and BPM; and the essential role of art in AIDS activism. Vazquez-Pacheco also recalls Mark Simpson, Craig Metroka, David Kirschenbaum, Maxine Wolfe, Avram Finkelstein, Deb Levine, Charles King, Robert Garcia, Ortez Alderson, Derek Hodel, Gregg Bordowitz, Michael Callen, Carl George, Joey Walsh, Matt Foreman, Vito Russo, Larry Kramer, Tom Kalin, Marlene McCarty, Charles Rice-González, George Ayala, Essex Hemphill, Manolo Guzmán, Donald Moffett, Cladd Stevens, Richard Elovich, Loring McAlpin, Michael Nesline, Peter Staley, David France, Andrew Miller, and others.
Biographical / Historical:
Robert Vázquez-Pacheco (1956- ) is a visual artist and writer in New York, New York. Theodore Kerr (1979- ) is a writer and organizer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Activism  Search this
AIDS activists  Search this
AIDS (Disease)  Search this
AIDS (Disease) and the arts  Search this
Artists -- New York (State) -- New York -- Interviews  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Political activists -- New York (State) -- New York -- Interviews  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.vazque17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vazque17

Paul Newman

Artist:
Neil Leifer, born 1942  Search this
Sitter:
Paul Newman, 26 Jan 1925 - 26 Sept 2008  Search this
Medium:
Chromogenic print
Dimensions:
Sheet: 35.6 × 27.9cm (14 × 11")
Type:
Photograph
Date:
1982
Topic:
Exterior  Search this
Nature & Environment\Plant\Tree  Search this
Paul Newman: Male  Search this
Paul Newman: Business and Finance\Businessperson  Search this
Paul Newman: Performing Arts\Performer\Actor\Theater  Search this
Paul Newman: Performing Arts\Director  Search this
Paul Newman: Performing Arts\Producer  Search this
Paul Newman: Society and Social Change\Philanthropist  Search this
Paul Newman: Performing Arts\Performer\Actor\Movie  Search this
Paul Newman: Performing Arts\Performer\Actor\Television  Search this
Paul Newman: Sports and Recreation\Athlete\Race car driver  Search this
Paul Newman: Oscar  Search this
Paul Newman: Performing Arts\Director\Television  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine. Conserved with funds from The Pritzker Traubert Family Foundation
Object number:
NPG.84.TC132
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm427bf063d-0908-4d3a-b9f3-f4736f7de16d
EDAN-URL:
edanmdm:npg_NPG.84.TC132

Harry Sternberg papers, 1927-2000

Creator:
Sternberg, Harry, 1904-2001  Search this
Sternberg, Harry, 1904-2001  Search this
Subject:
Warner, Malcolm  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Zigrosser, Carl  Search this
Wickey, Harry  Search this
Secunda, Arthur  Search this
Kent, Rockwell  Search this
Siqueiros, David Alfaro  Search this
Blume, Peter  Search this
Evergood, Philip  Search this
Art Students League (New York, N.Y.)  Search this
Idyllwild School and Museum for the Arts  Search this
Type:
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Topic:
Printmakers -- California  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- California  Search this
Painting, American  Search this
Educators -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9477
(DSI-AAA_SIRISBib)211675
AAA_collcode_sterharr
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211675
Online Media:

Philip Stein papers regarding David Alfaro Siqueiros, 1933-2012

Creator:
Stein, Philip, 1919-2009  Search this
Stein, Philip, 1919-2009  Search this
Subject:
Siqueiros, David Alfaro  Search this
Type:
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Topic:
Muralists -- Mexico  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16219
(DSI-AAA_SIRISBib)368506
AAA_collcode_steiphil
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_368506
Online Media:

Oral history interview with Rockwell Kent, 1969 Feb. 26-27

Interviewee:
Kent, Rockwell, 1882-1971  Search this
Kent, Rockwell, 1882-1971  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Armitage, Merle  Search this
Chase, William Merritt  Search this
Henri, Robert  Search this
Miller, Kenneth Hayes  Search this
Zigrosser, Carl  Search this
American Artists Group  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Book design  Search this
Illustration of books  Search this
Mural painting and decoration  Search this
Printmakers -- New York (State) -- Interviews  Search this
Illustrators -- New York (State) -- Interviews  Search this
Landscape painters -- New York (State) -- Interviews  Search this
Muralists -- New York (State) -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12106
(DSI-AAA_SIRISBib)212453
AAA_collcode_kent69
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212453

Oral history interview with Rupert Garcia, 1995 Sept. 7-1996 June 24

Interviewee:
Garcia, Rupert, 1941-  Search this
Garcia, Rupert, 1941-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Lippard, Lucy R.  Search this
Almaraz, Carlos  Search this
Montoya, Malaquias  Search this
Four (Art group)  Search this
San Francisco State University  Search this
Galería de la Raza (San Francisco, Calif.)  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Topic:
Chicano artists  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13572
(DSI-AAA_SIRISBib)215906
AAA_collcode_garcia95
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215906
Online Media:

Oral history interview with Larry Jordan, 1995 Dec. 19 - 1996 July 30

Interviewee:
Jordan, Larry, 1934-  Search this
Jordan, Larry, 1934-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Berman, Wallace  Search this
Brackage, Stan  Search this
Conner, Bruce  Search this
Cornell, Joseph  Search this
DeFeo, Jay  Search this
Deren, Maya  Search this
Duncan, Robert Edward  Search this
Ernst, Max  Search this
Ginsberg, Allen  Search this
Hedrick, Wally  Search this
Herms, George  Search this
Jess  Search this
Jordan, Patricia M.  Search this
McClure, Michael  Search this
Nauman, Bruce  Search this
Rexroth, Kenneth  Search this
Type:
Sound recordings
Interviews
Topic:
Filmmakers -- California -- Interviews  Search this
Collagists -- California -- Interviews  Search this
Beat generation  Search this
Art -- California -- San Francisco Bay Area  Search this
Record number:
(DSI-AAA_CollID)12216
(DSI-AAA_SIRISBib)215955
AAA_collcode_jordan95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215955
Online Media:

Oral history interview with John Wilson, 1993 March 11-1994 August 16

Interviewee:
Wilson, John Woodrow, 1922-  Search this
Wilson, John Woodrow, 1922-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Aronson, David  Search this
Bengtz, Ture  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Léger, Fernand  Search this
Lewis, Elma  Search this
Rivera, Diego  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl  Search this
Museum of Fine Arts, Boston  Search this
Boston University  Search this
Type:
Sound recordings
Interviews
Topic:
African American artists  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)11501
(DSI-AAA_SIRISBib)216507
AAA_collcode_wilson93
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216507

Oral history interview with John Held, Jr, 2017 September 28-October 3

Interviewee:
Held, John, 1947-  Search this
Held, John, 1947-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Interviews
Sound recordings
Topic:
Librarians -- California -- San Francisco -- Interviews  Search this
Mail art  Search this
Political activists -- California -- San Francisco -- Interviews  Search this
Performance artists -- California -- San Francisco -- Interviews  Search this
Rubber stamps  Search this
Record number:
(DSI-AAA_CollID)17514
(DSI-AAA_SIRISBib)390740
AAA_collcode_held17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_390740
Online Media:

Oral history interview with Alexandra Juhasz, 2017 December 19-21

Interviewee:
Juhasz, Alexandra, 1964-  Search this
Juhasz, Alexandra, 1964-  Search this
Interviewer:
Kerr, Theodore, 1979-  Search this
Subject:
Carlomusto, Jean  Search this
Cato, Kenrick  Search this
Cunningham, Megan  Search this
Durand, Yannick  Search this
Dunye, Cheryl  Search this
Edwards, Marcia  Search this
Engebreston, Jon  Search this
Finkelstein, Avram  Search this
Guimento, Joe  Search this
Hasty, Glenda  Search this
Haynes, Todd  Search this
Hebert, Pato  Search this
Hollibaugh, Amber L.  Search this
Kalin, Tom  Search this
Lamb, James Robert  Search this
Lebow, Alisa  Search this
Leonard, Zoe  Search this
Lesjak, Carolyn  Search this
Ludlam, Charles  Search this
Matta, Aida  Search this
Mohammed, Juanita  Search this
Penceal, Sharon  Search this
Prieto, Miguel  Search this
Quinton, Everett  Search this
Schulman, Sarah  Search this
Sedgwick, Eve Kosofsky  Search this
Spiro, Ellen  Search this
Vasquez-Pacheco, Robert  Search this
Wolf, Maxine  Search this
Swarthmore College  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Type:
Interviews
Sound recordings
Topic:
AIDS (Disease)  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Feminists  Search this
Filmmakers -- New York (State) -- New York -- Interviews  Search this
Oral history  Search this
Political activists -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17531
(DSI-AAA_SIRISBib)391842
AAA_collcode_juhasz17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391842
Online Media:

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