Search Results

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2016-03-04T21:46:39.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_0aadZBIYYEc

Artist:

William Zorach, 28 Feb 1887 - Nov 1966  Search this

Sitter:

Benjamin Franklin, 17 Jan 1706 - 17 Apr 1790  Search this

Medium:

Plaster cast

Dimensions:

125.5 x 51.2 x 41.2 cm (49 7/16 x 20 3/16 x 16 1/4" )

Type:

Sculpture

Date:

1936

Topic:

Benjamin Franklin: Male  Search this

Benjamin Franklin: Literature\Writer  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman  Search this

Benjamin Franklin: Politics and Government\Congressman\Continental congressman  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

Benjamin Franklin: Science and Technology\Scientist  Search this

Benjamin Franklin: Politics and Government\Diplomat  Search this

Benjamin Franklin: Society and Social Change\Philanthropist  Search this

Benjamin Franklin: Science and Technology\Inventor  Search this

Benjamin Franklin: Crafts and Trades\Printer  Search this

Benjamin Franklin: Politics and Government\Government official\Postmaster  Search this

Portrait  Search this

Credit Line:

Owner: Smithsonian American Art Museum

Object number:

1971.449.3A,B NMAA

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4c999d5c6-aaad-4a15-b2de-cf18c3f9260a

EDAN-URL:

edanmdm:npg_1971.449.3A_B_NMAA

Artist:

Claude Dejoux, 1732 - 1816  Search this

Sitter:

Benjamin Franklin, 17 Jan 1706 - 17 Apr 1790  Search this

Medium:

Plaster cast, patina on pedestal

Dimensions:

60 × 44 cm (23 5/8 × 17 5/16")

Type:

Sculpture

Date:

1777

Topic:

Costume\Dress Accessory\Stock  Search this

Architecture\Pedestal  Search this

Benjamin Franklin: Male  Search this

Benjamin Franklin: Literature\Writer  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman  Search this

Benjamin Franklin: Politics and Government\Congressman\Continental congressman  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

Benjamin Franklin: Science and Technology\Scientist  Search this

Benjamin Franklin: Politics and Government\Diplomat  Search this

Benjamin Franklin: Society and Social Change\Philanthropist  Search this

Benjamin Franklin: Science and Technology\Inventor  Search this

Benjamin Franklin: Crafts and Trades\Printer  Search this

Benjamin Franklin: Politics and Government\Government official\Postmaster  Search this

Portrait  Search this

Credit Line:

Owner: Musée National de la Cooperation Franco-Américain du Château de Blérancourt

Object number:

CFA A 198

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4cd5a178f-bfb7-412b-9dca-37ef688624d4

EDAN-URL:

edanmdm:npg_CFA__A_198

Artist:

Paul Wayland Bartlett, 24 Jan 1865 - 20 Sep 1925  Search this

Sitter:

Robert Morris, 31 Jan 1734 - 8 May 1806  Search this

Medium:

Plaster cast

Dimensions:

Without Base: 50.8 × 61 × 38.1cm (20 × 24 × 15")

Type:

Sculpture

Date:

c. 1916-25

Topic:

Robert Morris: Male  Search this

Robert Morris: Politics and Government\Congressman\Continental congressman  Search this

Robert Morris: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

Robert Morris: Business and Finance\Financier  Search this

Robert Morris: Business and Finance\Businessperson\Merchant\Shipping  Search this

Robert Morris: Politics and Government\State Legislator\Pennsylvania  Search this

Robert Morris: Politics and Government\Statesman\Signer of Constitution  Search this

Portrait  Search this

Credit Line:

Owner: Tudor Place Foundation, Inc.

Object number:

DC200034

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4b97f5c07-d61e-4504-a185-b482a57deaac

EDAN-URL:

edanmdm:npg_DC200034

Artist:

Jean-Antoine Houdon, 1741 - 1828  Search this

Sitter:

Thomas Jefferson, 13 Apr 1743 - 4 Jul 1826  Search this

Medium:

Plaster cast on pedestal

Dimensions:

Not available

Type:

Sculpture

Date:

1789

Topic:

Thomas Jefferson: Male  Search this

Thomas Jefferson: Law and Law Enforcement\Lawyer  Search this

Thomas Jefferson: Politics and Government\Congressman\Continental congressman  Search this

Thomas Jefferson: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

Thomas Jefferson: Politics and Government\Vice-President of US  Search this

Thomas Jefferson: Natural Resource Occupations\Agriculturist\Farmer  Search this

Thomas Jefferson: Visual Arts\Architect  Search this

Thomas Jefferson: Politics and Government\President of US  Search this

Thomas Jefferson: Politics and Government\Cabinet member\Secretary of State  Search this

Thomas Jefferson: Politics and Government\Diplomat\Minister  Search this

Thomas Jefferson: Science and Technology\Inventor  Search this

Thomas Jefferson: Politics and Government\US Congressman\Virginia  Search this

Thomas Jefferson: Politics and Government\Governor\Virginia  Search this

Thomas Jefferson: Education and Scholarship\Founder\University  Search this

Portrait  Search this

Credit Line:

Owner: Library of Congress

Object number:

DC340135

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4051791cb-2e27-4ad8-9e7a-f1dbf718dd33

EDAN-URL:

edanmdm:npg_DC340135

Artist:

Martin Milmore, 1844 - 1883  Search this

Sitter:

George Brinton McClellan, 3 Dec 1826 - 29 Oct 1885  Search this

Medium:

Plaster Cast

Type:

Sculpture

Date:

1863

Topic:

George Brinton McClellan: Male  Search this

George Brinton McClellan: Politics and Government\Presidential candidate  Search this

George Brinton McClellan: Military and Intelligence\Army\Officer\General  Search this

George Brinton McClellan: Politics and Government\Governor\New Jersey  Search this

George Brinton McClellan: Military and Intelligence\Army\Officer\Major General  Search this

Portrait  Search this

Credit Line:

Owner: U.S. Army Military History Institute

Object number:

HES 62

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4ccec895b-b639-427a-8b88-ec665f17a3a4

EDAN-URL:

edanmdm:npg_HES_62

Artist:

Jean-Antoine Houdon, 1741 - 1828  Search this

Sitter:

Benjamin Franklin, 17 Jan 1706 - 17 Apr 1790  Search this

Medium:

Plaster cast, patinated and waxed

Dimensions:

83 × 66 × 42cm (32 11/16 × 26 × 16 9/16")

Type:

Sculpture

Date:

1778

Topic:

Architecture\Pedestal  Search this

Costume\Outerwear\Toga  Search this

Benjamin Franklin: Male  Search this

Benjamin Franklin: Literature\Writer  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman  Search this

Benjamin Franklin: Politics and Government\Congressman\Continental congressman  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

Benjamin Franklin: Science and Technology\Scientist  Search this

Benjamin Franklin: Politics and Government\Diplomat  Search this

Benjamin Franklin: Society and Social Change\Philanthropist  Search this

Benjamin Franklin: Science and Technology\Inventor  Search this

Benjamin Franklin: Crafts and Trades\Printer  Search this

Benjamin Franklin: Politics and Government\Government official\Postmaster  Search this

Portrait  Search this

Credit Line:

Owner: Musée des Beaux Arts, Angers

Object number:

MBA 761 J 1881S

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm40d277359-349b-409a-8bfc-5c09f8796cae

EDAN-URL:

edanmdm:npg_MBA_761_J_1881S

Artist:

Jean Jacques Caffieri, 25 Apr 1725 - 21 Jun 1792  Search this

Sitter:

Benjamin Franklin, 17 Jan 1706 - 17 Apr 1790  Search this

Medium:

Plaster cast painted, whitened terra-cotta

Dimensions:

With Base (Accurate): 76.2cm (30")

Type:

Sculpture

Date:

c. 1777-90

Topic:

Benjamin Franklin: Male  Search this

Benjamin Franklin: Literature\Writer  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman  Search this

Benjamin Franklin: Politics and Government\Congressman\Continental congressman  Search this

Benjamin Franklin: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

Benjamin Franklin: Science and Technology\Scientist  Search this

Benjamin Franklin: Politics and Government\Diplomat  Search this

Benjamin Franklin: Society and Social Change\Philanthropist  Search this

Benjamin Franklin: Science and Technology\Inventor  Search this

Benjamin Franklin: Crafts and Trades\Printer  Search this

Benjamin Franklin: Politics and Government\Government official\Postmaster  Search this

Portrait  Search this

Credit Line:

Owner: Royal Society for the Encouragement of Arts, Manufactures & Commerce

Object number:

UK070034

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm49c7cbd3e-eb14-4dd5-bd3c-1a483edfa3b6

EDAN-URL:

edanmdm:npg_UK070034

Artist:

Henry Dmochowski Saunders, 1810 - 1863  Search this

Copy after:

Jean-Antoine Houdon, 1741 - 1828  Search this

Sitter:

Thomas Jefferson, 13 Apr 1743 - 4 Jul 1826  Search this

Medium:

Painted plaster cast

Dimensions:

73cm x 49.5cm x 25.4cm (28 3/4" x 19 1/2" x 10"), Accurate

Type:

Sculpture

Date:

c. 1857

Topic:

Thomas Jefferson: Male  Search this

Thomas Jefferson: Law and Law Enforcement\Lawyer  Search this

Thomas Jefferson: Politics and Government\Congressman\Continental congressman  Search this

Thomas Jefferson: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

Thomas Jefferson: Politics and Government\Vice-President of US  Search this

Thomas Jefferson: Natural Resource Occupations\Agriculturist\Farmer  Search this

Thomas Jefferson: Visual Arts\Architect  Search this

Thomas Jefferson: Politics and Government\President of US  Search this

Thomas Jefferson: Politics and Government\Cabinet member\Secretary of State  Search this

Thomas Jefferson: Politics and Government\Diplomat\Minister  Search this

Thomas Jefferson: Science and Technology\Inventor  Search this

Thomas Jefferson: Politics and Government\US Congressman\Virginia  Search this

Thomas Jefferson: Politics and Government\Governor\Virginia  Search this

Thomas Jefferson: Education and Scholarship\Founder\University  Search this

Portrait  Search this

Credit Line:

Owner: Smithsonian American Art Museum

Object number:

xx70 NMAA

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm43c293566-3eb5-46d2-8eea-6ed0f4f5316a

EDAN-URL:

edanmdm:npg_xx70_NMAA

Associated Name:

Jackson, Chevalier  Search this

Jackson, Chevalier  Search this

Measurements:

each (approx) overall: 8.2 cm x 16 cm x 20.5 cm; 3 1/4 in x 6 5/16 in x 8 1/16 in

Object Name:

Plaster Hands

plaster cast

Credit Line:

Chevalier Jackson Collection, from Ms. Joan Bugby

ID Number:

MG.300428.340

Catalog number:

300428.340

Accession number:

300428

See more items in:

Medicine and Science: Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ab-6f72-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1272127

Creator:

National Academy of Design (U.S.)  Search this

Names:

American Federation of Arts  Search this

Abbey, Edwin Austin, 1852-1911  Search this

Durand, Asher Brown, 1796-1886  Search this

Lanyon, Ellen  Search this

Ranger, Henry Ward, 1858-1916  Search this

Extent:

92.7 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Scrapbooks

Interviews

Date:

1817-2012

Summary:

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

Scope and Contents:

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

The Academy minutes and committee files consist of official, original, and transcribed proceedings for the council, annual, business, and some committee meetings, as well as related correspondence, reports, financial documents, notes, drafts, and ballots pertaining to the Academy's administration and activities from its 1825 founding until 2006. As an organization actively engaged in the development of art and art education in the United States, the Academy minutes and committee files are a valuable resource on subjects and topics in the Academy's history; in particular, its founding, administration, school, and exhibition program.

Director files date from 1942-1990 and document the activities of four of the Academy's chief administrators, including Vernon Porter (1950-1966), Earl Tyler (1966-1967), Alice Melrose (1967-1977), and John H. Dobkin (1978-1990). Items include correspondence, memoranda, minutes, and printed material.

Annual reports, dating from 1828-2003, summarize the activities of the Academy over the course of a year, and may include presidents' reports, treasurers' reports, audits of financial operations by public accountants, and printed annual reports containing summaries from multiple council officers. Information pertains to the year's activities including finances, exhibitions, membership, the school, committee activities, awards, and other business.

Academy constitutions date from 1826-2012 and include the printed constitutions and by-laws as well as constitutional proposals. Constitutions and by-laws name the current council officials, professors, academicians, associates, and honorary members, and state the mission and guidelines for operation in regards to membership, officers, annual meetings, elections, school, exhibitions, and how the constitution can be amended or altered. Constitutional proposals contain amendment drafts, alterations, and related correspondence.

Council officer files, dating from 1848-1980, contain the correspondence and subjects files of Academy officers—presidents, vice presidents, corresponding secretaries, and treasurers—concerning all matters of Academy business and operations including membership, gifts and funds, the federal charter, exhibitions, juries, the school, scholarships, committee affairs, anniversaries, publicity, administrative matters, resignations, and relationships with other organizations.

General administrative files date from 1825-1982 and include ledgers, certificates, correspondence, and legal documents pertaining to the Academy's founding, building, financial accounts, art collection, and other administrative matters.

Exhibition files, dating from 1826-2003, document the Academy's long exhibition history and includes annual, gallery, special, and museum exhibitions. Files may include exhibition catalogs, photographs, press clippings, sales records, and correspondence related to jury selection, awards and prizes, and logistical planning. Files pertaining to the Academy's annual exhibitions comprise a bulk of the series. Held since 1826, the Annuals were organized and curated by Academy members, and considered to be an important and sweeping survey of contemporary American art.

Gifts and funding files date from 1860-2009 and include financial documents, ledgers, legal material, and correspondence concerning the bequests, endowments, donations, and other gifts that financed the operations of the Academy and school. A significant number of records pertain to the Abbey Trust Fund and the Archer M. Hunting Fund.

Membership files, 1826-2012, document Academy members, honorary members, fellows, and the nominations and elections whereby members were voted into the Academy. Materials include registers, certificates, nomination ledgers and proposals, candidate biographies, and ballots.

The National Academy Association files date from 1911-1959 and contain a constitution, plan, and agreement, as well as correspondence, meeting minutes, and reports for the Association, incorporated in 1912 with the aim to erect a building shared by several New York art societies. At the time of incorporation, the Association consisted of members from the National Academy of Design, American Water Color Society, American Institute of Architects, Architectural League of New York, New York Water Color Club, National Sculpture Society, Municipal Art Society, Society of Beaux-Arts Architects, Mural Painters, Society of Illustrators, and a number of city representatives and citizens.

The Ranger Fund assignment files, 1919-2008, document the distribution of artworks by living American artists to institutions throughout the United States, in accordance with the will of Henry Ward Ranger. The Ranger Fund was initiated to stimulate public interest in the work of contemporary American painters in 1919, when the Academy received a bequest from Henry Ward Ranger, totaling $400,000. Ranger stated in his will that the capital should be invested and the income used as a purchase fund to facilitate gifts of paintings by living American artists to arts institutions throughout the United States. Files document the assignment of particular works of art to institutions through the official agreement, related correspondence, and in some instances, photographs of the artwork.

Extensive school records, dating from 1826-2008, contain administrative files, enrollment records, course files, student affairs files, and printed material documenting all aspects of the school's activities aligned with the Academy's mission to educate aspiring professional artists. A bulk of this series consists of student course registrations, documented in registers, then on index cards beginning in the 1930s. While information collected varied over the decades, registrations document student names and the year, and may additionally include course name, instructor, and cost.

Twenty Academy scrapbooks document the organization's activities from 1828-1939 and include clippings and ephemera. Three of the scrapbooks are devoted to specific topics, including one for the Society of American Artists, one for both the Society of American Artists and the Society of American Fakirs, and one for the Academy's centennial exhibition.

The Society of American Artists files, 1878-1906, document the formation of the Society as a departure from the Academy in 1877, its independent operations and activities, and its eventual consolidation with the Academy in 1906. The Society's members have included Edwin Abbey, James Carroll Beckwith, Mary Cassatt, William Merritt Chase, Thomas Eakins, George Inness Jr., John La Farge, Albert Pinkham Ryder, among many others.

Files from other organizations date from 1817-1997 and may include correspondence, ledgers, and printed material. Many of these organizations had business with the Academy, and records pertain to events, meetings, and exhibitions. Notable organizations include the American Academy of Fine Arts, American Federation of Arts, American Watercolor Society, Art Students League, Fine Arts Federation of New York, Metropolitan Museum of Art, New York Etching Club, Pennsylvania Academy of Fine Arts, and Salmagundi Club.

Oral history transcripts date from 2002-2007. Eight comprehensive interviews, conducted by Avis Berman for the Academy, are with Academy members and cover all aspects of the artists' lives, including family, early life, beginning career, mentors, contemporaries, influences, patrons, awards, residencies, as well as the artists' relationship with the Academy. The interview transcripts provide first-hand accounts of the organization, particularly from circa 1940 up to the time of the interview. Artists interviewed include Will Barnet, Hyman Bloom, Richard Haas, Ellen Lanyon, Jules Olitski, Bernard Olshan, Paul Resika, and Dorothea Rockburne.

Photographic material, dating from 1845-2010, includes a wide variety of formats and processes including 19th and 20th photographic prints, glass plate negatives, copy prints, contact sheets, slides, and 35mm negatives. Subjects include artists and others associated with the Academy, the school, exhibitions and events, Academy buildings, artwork, and reference photographs. Many 19th century photographs contain descriptive annotations. Supplementary inventories and guides prepared by Academy archivists are scattered throughout the series.

Artist files date from 1826-2004 and include the correspondence, writings, manuscripts, diaries, exhibition catalogs, and clippings of many notable artists involved with the Academy, including Asher B. Durand and Rembrandt Peale. Of particular note are two notebooks Durand gifted to the Academy, both containing notes and sketches from anatomy lectures.

While printed material is scattered throughout, the final series collects a small number of additional announcements, brochures, clippings, illustrations, and other ephemera not filed in other series.

Arrangement:

The collection is arranged as nineteen series.

Series 1: Minutes and Committee Files, 1825-2006 (11.5 linear feet; Boxes 1-11, BV 100-106)

Series 2: Director Files, 1942-1990 (0.5 linear feet; Box 11)

Series 3: Annual Reports, 1828-2003, circa 2010 (2.1 linear feet; Boxes 11-13, OV 139-142)

Series 4: Constitutions, 1826-2012 (1.1 linear feet; Boxes 13-14)

Series 5: Council Officers, 1848-1980 (4 linear feet; Boxes 14-18)

Series 6: General Administration, 1825-1982 (0.6 linear feet; Boxes 18, 126)

Series 7: Exhibitions, 1826-2003, 2008 (14.4 linear feet; Boxes 18-33)

Series 8: Gifts and Funding, 1860-2009 (4.1 linear feet; Boxes 33-37)

Series 9: Membership, 1826-2012 (3.4 linear feet; Boxes 37-39, 127-131)

Series 10: National Academy Association, 1911-1959 (0.4 linear feet; Box 39)

Series 11: Ranger Fund Assignments, 1919-2008 (4.3 linear feet; Boxes 39-44)

Series 12: School, 1826-2008 (28.5 linear feet; Boxes 44-56, 68-99)

Series 13: Scrapbooks, 1828-1939 (4 linear feet; Box 56, BV 107-125)

Series 14: Society of American Artists, 1878-1906 (0.8 linear feet; Boxes 56-57)

Series 15: Other Organizations, 1817-1997 (1.8 linear feet; Boxes 57-59, 131)

Series 16: Oral History Transcripts, 2002-2007 (0.7 linear feet; Box 59)

Series 17: Photographic Material, 1845-2010 (6.1 linear feet; Boxes 60-63, 131-138, OV 143-144)

Series 18: Artist Files, 1826-2004 (3.5 linear feet; Boxes 63-66)

Series 19: Printed Material, 1839-1954 (0.4 linear feet; Boxes 67, 131, OV 145)

Biographical / Historical:

The National Academy of Design (1825- ) based in New York City, is a tripartite organization consisting of a membership body of artists, a school, and an exhibition program. The Academy was founded in 1825 by a group of professional artists with the mission to promote the fine arts in America through exhibition and education. Originally named the New York Drawing Association, the Academy was the first organization in the United States established and managed by professional artists. Samuel F.B. Morse, the Academy's first president, was influenced by the organization of the Royal Academy in London, which was comprised of professional artist members and elected government council, an art school, and a venue for exhibitions. After unsuccessful negotiations to unite with the American Academy of Fine Arts, the New York Drawing Association reformed as the National Academy of The Arts of Design on January 19, 1826. Among the founders were mostly young artists who became prominent figures in American art, including Frederick S. Agate, Thomas Cole, Thomas S. Cummings, Asher B. Durand, John Frazee, Charles C. Ingham, Henry Inman, Gerlando Marsiglia, Samuel F. B. Morse, Samuel L. Waldo, and Charles Cushing Wright.

The first Academy members were elected in January 1826, and levels of membership were established shortly thereafter. Originally there were four levels of Academy membership: associates, academicians, artists, and honorary corresponding members. The category of artists was eliminated in 1829, and the honorary member category, established to recognize American artists living outside New York, distinguished foreign artists, and patrons and friends of the Academy, was eliminated in 1862 (the constitution was not amended with this change until 1896). Since 1869, the residency requirement for election to active membership was eliminated and membership was opened to all American artists. In 1920, the classification of honorary corresponding member was re-introduced to recognize representatives of other national academies. With the 1997 constitution, the honorary corresponding member classification was again eliminated, and in 1994 the associate category was eliminated.

Artists are proposed for membership by academicians through the membership committee and are elected for life by a sixty percent majority, based on recognized excellence and significant contributions to the field. Procedures and rules for nominating and choosing new academicians changed over the years, as detailed in the constitutions. Associates were at one time required to present a portrait of themselves upon election and academicians were required to provide an additional representative work upon election. With the elimination of the category of associate in 1994, only one representative work is currently required. These works of art become part of the Academy's permanent collection.

The original classes of professional artists were painting, sculpture, architecture, and engraving. These professional classes were modified over the years. In 1936 the engraving class was made more comprehensive, including all of the graphic arts. Watercolor was added as a class in 1943 and was codified in the 1945 constitution. However, the division into five distinct classes started to create difficulties in how specific works of art were to be categorized. In 1981 the council eased the rules regarding separate media classification so that members could submit a work in any medium to the annual exhibitions regardless of the class to which they had been elected. The constitution of 1994 restated four professional classes—painting, sculpture, graphics, and architecture—which were further reduced in the 2011 constitution to two: visual arts and architecture.

Until 2009, the governing body of the Academy was the council. The seven officers of the council were president, vice-president, treasurer, assistant treasurer, corresponding secretary, assistant corresponding secretary and recording secretary, all of whom were required to be academicians. In 2009, a new constitution provided for a board of governors, replacing the council. The five officers of the board of governors are chair, vice-chair, president, vice-president, and treasurer. Only the offices of president and vice-president are required to be held by academicians.

Central to the Academy's mission, the school began with an anatomy lecture for the New York Drawing Association, delivered by Dr. Frederick G. King in November 1825. The first drawing session took place in November 1826 in the Old Alms House at City Hall Park with two academicians and twenty students. In the school's early years, professional artists met with students to draw from plaster casts of antique sculpture in the academic tradition. Both lectures and studio training were central the school's early curricula. Life classes, the practice of drawing from live models, were introduced in 1837, but only to advanced male students. A life class for women was not instituted until 1857, even though women were allowed membership to the Academy since its beginning. Due to financial difficulties at the Academy, the school was forced to move locations and shut down its operations for extended periods. Mounting dissatisfaction and frustration led several students and Lemuel E. Wilmarth, one of the school's leaders and first full-time professional instructor, to leave the Academy in 1875 and form a new school, the Art Students League. While charging tuition was unpopular, the Academy realized that it was necessary to ensure the school's sustainability, and implemented fee structures with varying success over the second half of the 19th century and first half of the 20th. Eventually, tuition was established by 1951, when the school was reopened at a new location, 5th Avenue and 89th Street.

Exhibitions have always been an important activity for the Academy, even prior to the opening of the National Academy Museum in 1979. Since 1826, the Academy has held annual exhibitions intended to reflect contemporary art currents in America. Any American artist was eligible to submit work to be reviewed by a jury of selection, comprised of academicians. Throughout the 19th century, the annual exhibitions at the Academy were one of the most significant and influential in the country. The selection process for these exhibitions was a critical topic, at times actively discussed in the press, and continually undergoing modification and change. In addition to the Annuals, the galleries of the Academy were often rented or loaned to outside organizations such as the American Watercolor Society, Audubon Artists, and the National Association of Women Artists. The galleries also mounted special exhibitions curated by its members and hosted a certain number of travelling exhibitions organized by other museums or art organizations. The museum, opened in 1979, hosted and presented major exhibitions, many focusing on historic European subjects.

Official Names of the Academy 1825-2017

1825 -- The New York Drawing Association

1826 -- The National Academy of The Arts of Design

1828 -- The National Academy of Design

1997 -- The National Academy Museum and School of Fine Art

2017 -- The National Academy of Design

National Academy of Design Meeting, Exhibition, and School Locations

1826 -- Old Alms House at City Hall Park in lower Manhattan

1827-1830 -- Chambers Street over the Arcade Baths

1831-1840 -- Corner of Nassau and Beckman Streets, the Mercantile Library on the third floor of Clinton Hall

1841 to 1849 -- 346 Broadway (at Leonard Street), the third and fourth floors of the New York Society Library

1850-1854 -- 663 Broadway, where the Academy erected a suite of six galleries

1855-1856 -- 548 Broadway (over Dr. Chapin's Church)

1857 -- 663 Broadway

1858-1861 -- 10th Street and 4th Avenue, the upper floor of a building

1861-1863 -- 625 Broadway, the Institute of Art

1865-1899 -- 23rd Street and Fourth Avenue (now Park Avenue South)

1899-1940 -- 109th Street and Amsterdam Avenue; exhibition galleries at 215 West 57th Street

1940-2017 -- 1083 Fifth Avenue at East 89th Street

Provenance:

The bulk of the collection was donated by the National Academy of Design in 2018. The trustees' ledger book in series 6 was donated in 1979 by Warder Cadbury of the Adirondack Museum; it is unclear how Cadbury acquired the ledger. Microfilm reels 798-799 containing transcriptions of minutes were given to the Archives by Lois Fink in 1974.

Restrictions:

This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Function:

Arts organizations -- New York (State)

Art Schools -- New York (State)

Genre/Form:

Drawings

Scrapbooks

Interviews

Citation:

National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.natiacad

See more items in:

National Academy of Design records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9790a36d2-0f17-4470-b1e2-0292dba3dd20

EDAN-URL:

ead_collection:sova-aaa-natiacad

Attributed to:

Sarah Cooper Hewitt, American, 1859–1930  Search this

Eleanor Garnier Hewitt, (American, 1864–1924)  Search this

Medium:

Ink on paper

Dimensions:

H x W (Estimate): 21.6 × 27.9 cm (8 1/2 in. × 11 in.)

Type:

Exhibitions

Announcement

Object Name:

Announcement

Date:

1897

Credit Line:

Cooper Hewitt, Smithsonian Design Museum

Accession Number:

n-r-780

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Exhibitions Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq426522a72-b6f2-4275-b313-6e943f54cf54

EDAN-URL:

edanmdm:chndm_n-r-780

Collection Creator:

Landor Associates  Search this

Landor, Walter  Search this

Extent:

1 Motion picture film (590 feet, 16mm color composite optical track print)

Container:

Item AC0500-OF0002, Item RV Tape 25

Type:

Archival materials

Moving Images

Motion picture films

Date:

circa 1962

Scope and Contents:

Production Company: Walter Landor and Associates Sponsor: Stitzel Weller Content Description: Film documenting the design process for creating new bottles for Stitzel Weller's Old Fitzgerald Bourbon. Walter Landor narrates emphasizing the model making process. The model making process shows the plaster cast hand turned on a lathe, making the mold and forming plastic from the mold to simulate glass.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Landor Design Collection, circa 1862-2002, Archives Center, National Museum of American History.

See more items in:

Landor Design Collection

Landor Design Collection / Series 5: Motion Picture Films / 5.1: Landor Associates

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8bd0f6e2f-7616-4d2b-b171-c2ba960d6345

EDAN-URL:

ead_component:sova-nmah-ac-0500-ref48

Collection Creator:

Junkin, Hattie Meyers, 1896-1985  Search this

Container:

Box 4, Folder 17

Type:

Archival materials

Text

Date:

1931-11

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

See more items in:

Hattie Meyers Junkin Papers

Hattie Meyers Junkin Papers / Series 3: General materials of Hattie Meyers Junkin

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg27555f373-0faa-4727-be16-7a2237173799

EDAN-URL:

ead_component:sova-nasm-xxxx-0171-ref130

Container:

Box 8 of 11

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Record Unit 7000, James Smithson Collection

See more items in:

James Smithson Collection

James Smithson Collection / Series 5: PHOTOGRAPHS AND LIKENESSES, 1782-1919. / Box 8

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-faru7000-refidd1e1682

Collection Creator:

Ya-Ching, Lee  Search this

Container:

Box 15, Folder 4

Type:

Archival materials

Text

Date:

1940 - 1945

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.

See more items in:

Lee Ya-Ching Papers

Lee Ya-Ching Papers / Series 2: Professional

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2834c8d49-a046-4aad-8f4c-60f3d801b422

EDAN-URL:

ead_component:sova-nasm-2008-0009-ref134

Collection Creator:

Stable Gallery  Search this

Container:

Box 2, Folder 9

Type:

Archival materials

Date:

1961-1965

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Lichtenstein Foundation.

See more items in:

Stable Gallery records

Stable Gallery records / Series 2: Artist Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b90b509a-b41a-4774-895d-c05868156a96

EDAN-URL:

ead_component:sova-aaa-stabgall-ref51

Collection Creator:

Thomas, Alma  Search this

Container:

Box 2, Folder 34

Type:

Archival materials

Date:

circa 1998

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of the Alma Thomas paper is provided by The Walton Family Foundation and The Friends of Alma Thomas

See more items in:

Alma Thomas papers

Alma Thomas papers / Series 3: Notes and Writings / 3.3: By Others

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw970259d33-d961-4051-a92e-46af8239db8b

EDAN-URL:

ead_component:sova-aaa-thomalma-ref790

Creator:

A. Contini & Son  Search this

Subject:

Fraser, Laura Gardin  Search this

Huntington, Anna Hyatt, 1876-1973  Search this

Lachaise, Gaston  Search this

Moore, Bruce  Search this

Proctor, Alexander Phimister  Search this

Recchia, Richard  Search this

Rubins, David K.  Search this

Weinman, Adolph A. (Adolph Alexander)  Search this

Contini, Attilio J.  Search this

Contini, Cesare  Search this

Evans, Rudulph  Search this

Fraser, James Earle  Search this

Gregory, John  Search this

Hancock, Walker Kirtland  Search this

Baker, Bryant  Search this

Calder, Alexander Stirling  Search this

Type:

Drawings

Interviews

Citation:

A. Contini & Son records, 1916-1981. Archives of American Art, Smithsonian Institution.

Topic:

Plaster casts  Search this

Sculpture -- Technique  Search this

Theme:

Art instruction and services  Search this

Record number:

(DSI-AAA_CollID)5773

(DSI-AAA_SIRISBib)208612

AAA_collcode_acontson

Theme:

Art instruction and services

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208612

Creator:

Stone Associates (Gardner, Mass.)  Search this

Arthur J. Stone (Firm : Gardner, Mass.)  Search this

Subject:

Booth, George G. (George Gough)  Search this

Glendenning, Herman W.  Search this

Stone, Arthur J.  Search this

Stone Silver Shop (Gardner, Mass.)  Search this

Type:

Drawings

Citation:

Arthur J. Stone workshop/Stone Silver Shop/Stone Associates records, 1824-1958. Archives of American Art, Smithsonian Institution.

Topic:

Decorative arts -- Massachusetts -- Gardner  Search this

Silverwork  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5936

(DSI-AAA_SIRISBib)208777

AAA_collcode_stonasso

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208777