An interview of Joel Philip Myers conducted 2007 May 1, by Daniel Klein, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home, in Marietta, Pennsylvania.
Joel Philip Myers (1934- ) is a glass artist from Milton, West Virginia. Daniel Klein (1938- ) is an art consultant from London, England.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 15 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
An interview of Paul Stankard conducted 2006 June 9 and August 20, by Doug Heller, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Heller Gallery, in New York, N.Y.
Stankard speaks of his family heritage and growing up in rural Massachusetts; attending Catholic school in North Attelboro, Massachusetts; his struggle with undiagnosed dyslexia throughout school; studying scientific glassblowing at Salem County Vocational Technical Institute; working in the scientific glass industry and feeling creatively stifled by its monotony; being intrigued by the flameworking of Charles Kaziun and Francis Whittemore, who both worked from the scientific glassblowing tradition; the satisfaction he felt from early experiments in making paperweights; the decision to leave his industry job to focus on flameworking and paperweight making; the secretive nature of the paperweight world; his early representation by paperweight dealers including Jack Feingold; experiences with Heller Gallery and Habatat Gallery; teaching experiences at Penland School of Crafts, Pilchuck Glass School, and Salem Community College; travels to Singapore, Japan, and Scotland; his involvement as a founding member of Creative Glass Center of America; his induction into the American Craft Council College of Fellows; the differences between the studio glass and paperweight fields in the 1960s and 1970s; working with his three daughters at Stankard Studio; the spirituality of his work; being influenced by Walt Whitman, Morris Graves, Robert Grant, and Edward Hopper; and being an enthused art collector. Stankard also recalls Harvey Littleton, Dominic Labino, Reese Paley, Mark Peiser, Erwin Eisch, Paul Hollister, Tom Patti, and others.
Biographical / Historical:
Paul Stankard (1943- ) is a studio glass artist of Mantua, N.J. Doug Heller (1946- ) is a gallery owner and director of the Heller Gallery, New York, N.Y.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 32 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Fritz Dreisbach conducted 2004 April 21-22, by Susanne Frantz, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Tucson, Arizona.
Dreisbach speaks of growing up in Ohio, in a family of educators and deciding at an early age to become a teacher; taking high school art; pursuing a BA in art and mathematics at Hiram College; getting his MAT and teaching high school math; attending the University of Iowa to study painting; the impact of taking a summer class in glassblowing; visiting Dominick Labino at his studio; researching colored glass and glass chemistry; becoming Harvey K. Littleton's teaching assistant at the University of Wisconsin, Madison; building a hot shop and teaching at the Toledo Museum of Art; teaching at Penland School of Crafts; creating the Glass Art Society with Mark Peiser after attending a NCECA conference; moving to Seattle to make glass colors for The Glass Eye; and working for Spectrum Glass Company. Dreisbach also speaks of the importance of community among glass artists; taking part in glass symposia in Frauenau, Germany; traveling around the country to teach workshops, known as his "Road Show"; making representational pop-style pieces as well as historical reference pieces; collaborating on a stained glass window with Gary Noffke; developing techniques for making goblets; working with Dante Marioni on a series of goblets; his commissioned pieces, including the Corning Pokal; engraving glass; his Mongo series; selling works through galleries; the influence of the Italian glass artists; teaching at Pilchuck Glass School; Dominick Labino's career and innovations in glass technology; being invited to give the Samuel R. Scholes lecture at the New York State College of Ceramics at Alfred University; serving twice as Glass Art Society president; inaccuracies in the history of American studio glass; taking part in GAS conferences at Fenton Glass Factory; the importance of the rise of the university-trained glass artist in the 1960s; going to Pilchuck for the first time; meeting international glass artists; attending symposia at Novy Bor, Czech Republic; and his plans for the future. Dreisbach also recalls Tom McGlauchlin, Clayton Bailey, Erwin Eisch, Dale Chihuly, Bill Brown, Marvin Lipofsky, Joel Myers, Billy Bernstein, Dan Dailey, Dudley Giberson, Harvey Leafgreen, Bill Boysen, Henry Halem, Peter Voulkos, Ruth Tamura, and others.
Biographical / Historical:
Fritz Dreisbach (1941- ) is a glass artist from Tucson, Arizona. Susanne Frantz is a writer and curator from Paradise Valley, Arizona.
General:
Originally recorded on 8 sound discs. Reformatted in 2010 as 21 digital wav files. Duration is 8 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Paul Marioni (1941- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Ginny Ruffner conducted 2006 September 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Seattle, Washington.
Ruffner speaks of her new outdoor sculpture piece, "The Urban Garden," in Seattle, Washington; receiving her B.F.A. and M.F.A. in painting and drawing at the University of Georgia; developing an interest in glass after seeing Marcel Duchamp's, "The Bride Stripped Bare By Her Bachelors, Even (Large Glass)"; spending five years learning lampworking as an apprentice/employee; teaching experiences at Pilchuck School of Glass; moving to Seattle, Washington from Atlanta, Georgia; reading as a strong influence; the significance of language and words; an interest in mathematic theories, particle physics, and cosmology; various series of artwork including Beauty, Aesthetic Engineering, Balance, and Patterns of Thought; plans for her three-part pop-up book about creativity, imagination, and wonder; travels to Japan, Italy, Australia, Thailand, Taiwan, Hong Kong, Ireland, and France; universal and subjective concepts of beauty; her recovery from the accident she suffered in 1991; a change of perception following the accident; her dislike of labeling art as whimsical; the transformative effects of experiencing installation pieces; and exhibition and installation plans for the future. Ruffner also recalls Flora Mace, Joey Kirkpatrick, Deborah Dohne, Fred Tschida, Maurine Littleton, Tom Robbins, Alvy Ray Smith, George C. Scott, Mark Leach, and others.
Biographical / Historical:
Ginny Ruffner (1952- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 3 hr.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
