Restricted for 15 years, until Jan-01-2036. Records may contain personally identifiable information (PII) that is permanently restricted; Transferring office; 09/16/2021 memorandum, Toda to File; Contact reference staff for details
Over 600 subject files containing Mann's research on the history of photography; and an extensive interview conducted by Mann with Imogen Cunningham.
REELS 1860-1872: 630 files cover photographers, photo exhibitions, societies, publications, and collections and contain biographical information, correspondence, published and unpublished transcripts by Mann, exhibition catalogs and announcements, price lists, photographs, organization records, clippings and printed material along with Mann's interviews of Wynn Bullock, Imogen Cunningham (partial), and Edward Ruscha. Photographs are by Linda Connor, Imogen Cunningham (includes one of dancer Martha Graham), Judy Dater (of Cunningham), Robert Heinecken, Anne Noggle, Leland Rice, Charles Swedlund, Arthur Tress, Jerry Uelsmann, Todd Walker, Jack Welpott, and Brett Weston.
REEL 5051 (fr. 390-600): Interview (232 p. transcript from 3 sound reels, 3 in.) of Imogen Cunningham conducted by Mann, 1960-1973, in preparation for her book, Imogen Cunningham: Photographs. Cunningham speaks of the sale and exhibition of her prints; being a "darkroom slave"; portrait photography; photographs as documents; the "soft-focus era"; teaching; and the f/64 Group. Cunningham comments on 104 of her photographs, including her portraits of Edward Weston and Margrethe Mather, Martha Graham, Cary Grant, Alfred Stieglitz, Upton Sinclair, Adedee Ozenfant, Frieda Kahlo Rivera, Getrude Stein, Shen Yao, Lyonel Feininger, Morris Graves, Anna Freud, and Minor White. She recalls Diane Arbus, Arthur Fellig, Paul Strand, and others.
Biographical / Historical:
Photographer, photography historian and critic; Davis, Calif.
Files of Margery Mann, 1919-1977, are also located at the National Gallery of Australia.
The Cunningham interview was donated by Mann in 1975; the remainder by Mann's husband, Thomas K. Vasey, 1978.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information
Neil Allen of Neil Allen Productions worked on the audiovisual elements of the Hall of Photography at the National Museum of American History. The hall opened in 1972
and was organized by Eugene Ostroff, curator. Allen worked on installations of photographs broken down into seven broad categories: scientific photography, frontier photography,
family photography, news and documentary photography, amateur photography, color photography, and applications of photography. Materials include correspondence, contracts,
research notes, scripts, images, motion picture film, audio recordings, and clippings.