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Herbert U. Silleck photographs

Photographer:
Silleck, Herbert Underhill  Search this
Extent:
260 Photographs
Culture:
Diné (Navajo)  Search this
Taos Pueblo  Search this
Isleta Pueblo  Search this
Hopi Pueblo  Search this
Pikuni (Piegan) [Blackfeet Nation, Browning, Montana]  Search this
Lacandon Maya  Search this
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1924-1944
Summary:
This collection contains 260 photographs depicting many American Indian communities including Diné (Navajo); Hopi; Isleta Pueblo; Pikuni (Piegan) [Blackfeet Nation, Browning, Montana]; Taos Pueblo; and Lacandon Maya, as well as others. Photographs were shot by amateur photographer Herbert Underhill Silleck circa 1924-1944 during his travels with his wife Agnes Smartt Silleck.
Scope and Contents:
This collection contains 260 photographs (196 film negatives and 64 photos in an album) shot by amateur photographer Herbert Underhill Silleck during his travels with his wife Agnes Smartt Silleck circa 1924-1944.

The photographs depict many American Indian communities in western United States including Diné (Navajo), Hopi, Isleta Pueblo, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Taos Pueblo, and Lacandon Maya. The images include scenes of candid portraits; powwows in Flagstaff, Arizona and Montana; Pueblos; tourist goods for sale; Aztec Ruins National Monument, New Mexico, among other scenes.
Arrangement:
The photographs are intellectually arranged by subject matter and physically arranged in boxes by image #.
Biographical / Historical:
Relatively little is known about Herbert Underhill Silleck. He was born in New York in April 24, 1881 and worked for the Brooklyn Trust Company for about 47 years. He married Agnes Smartt on June 1, 1905 and they had one daughter Doris G. Silbeck (born 1918). He died in New York on March 14, 1961. Based on Herbert's photographic record, it appears that he was an amateur photographer who traveled throughout the western United States.
Separated Materials:
Agnes Smartt Silleck also donated a sash, hair tie, and a painting to the museum, which can now be found under object numbers 23/2012 - 23/2014.
Provenance:
Gift of Agnes Smartt Silleck, 1962.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Powwows  Search this
Photographs  Search this
Citation:
Identification of specific item; Date (if known); Herbert U. Silleck photographs, image #, NMAI.AC.223; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.223
See more items in:
Herbert U. Silleck photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv42a4255df-8763-44c5-9585-1caa2738e7cd
EDAN-URL:
ead_collection:sova-nmai-ac-223
Online Media:

Flagstaff Powwow

Photographer:
Silleck, Herbert Underhill  Search this
Collection Photographer:
Silleck, Herbert Underhill  Search this
Extent:
84 Negatives (photographic)
Container:
Box 429-432 (film negatives)
Culture:
Diné (Navajo)  Search this
Hopi Pueblo  Search this
Type:
Archival materials
Negatives
Negatives (photographic)
Date:
circa 1936-1941
Scope and Contents:
N47552-N47561, N47862-N47563, N47855, N47859-N47862, N47880-N47943

This series contains 81 negatives depicting Diné (Navajo), Hopi, and other communities in New Mexico and Arizona in 1936 and 1941. The bulk of the photographs depict an annual powwow in Flagstaff, Arizona in 1941 including photos of a various powwow competitions and games; parades; carnival rides such as a ferris wheel and merry-go-round; and food stands. Photographs were shot by amateur photographer Herbert Underhill Silleck during his travels with his wife Agnes Smartt Silleck.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Powwows  Search this
Collection Citation:
Identification of specific item; Date (if known); Herbert U. Silleck photographs, image #, NMAI.AC.223; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.223, Series 1
See more items in:
Herbert U. Silleck photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4389e96a9-7353-461a-aaaf-4da4f18f78d0
EDAN-URL:
ead_component:sova-nmai-ac-223-ref1

Kimowan Metchewais [McLain] collection

Creator:
Metchewais [McLain], Kimowan  Search this
Names:
Cold Lake First Nations  Search this
University of New Mexico  Search this
University of North Carolina at Chapel Hill  Search this
McNeil, Larry, 1950-  Search this
Extent:
871 Negatives (photographic)
1918 Slides (photographs)
989 Polaroid prints
15 Notebooks
0.8 Linear feet
1,496 Photographic prints
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Slides (photographs)
Polaroid prints
Notebooks
Photographic prints
Sketchbooks
Negatives
Slides
Place:
Alberta
North Carolina -- Chapel Hill
Date:
1991-2011
Summary:
The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.
Scope and Contents:
The Kimowan Metchewais [McLain] collection spans the majority of Kimowan's artistic career from 1991 to 2011, beginning with his work as a comic illustrator and ending with one of his final pieces, Raincloud. Series 1: Works contains materials relating to his artistic works, mainly consisting of 4X6 color photographs, slides, and negatives of his completed works. There are also images of the works in progress, sources of inspiration for various pieces, and several items reflecting the various processes he used to create the final work, be it painting, "paper wall," installation, or a mixed media piece. Works of note include: After (1999), Map of Moths (2001), Cold Lake (2004), and Raincloud (2010). Series 2: Polaroids is Kimowan's collection of Polaroid prints. These prints were used as a reference collection by the artist, and reflect all aspects of his life and work: from intimate personal portraits of the artist, friends and family, to color studies, to documentation of nature and everyday items, the series is glimpse into the heart of the collection.

Series 3: Sketchbooks, is an equally revealing look into Kimowan's artistic practice and personal life. Documenting everything from his struggle with a smoking addiction, his thoughts on art history and teaching, designing his website, the creative process of exhibit planning, and numerous sketches in pen, pencil, and charcoal, the sketchbooks are an invaluable resource for understanding both the man and the work he created. Series 4: Personal Materials contains materials related to Kimowan's personal life- his travels around the U.S. and abroad, the works by other artists he felt were important to collect, published material related to his work and also his decisions on where to go to graduate school and where to apply for teaching positions. Series 5: Teaching Materialscontains materials concerning his teaching career- mainly slides of his student's work, and slides he used in his lectures. He taught art classes at both the University of New Mexico and the University of North Carolina at Chapel Hill, on subjects ranging from "Drawing I" to "Native American Art in the 1980s."

The collection contains 4X6 color photographic prints, 35 mm color negatives, 3X5 Polaroid prints, and 35 mm color slides, noted if otherwise. Some titles are bracketed, this reflects a title that has been constructed during processing, titles not bracketed were generally assigned by the creator.
Arrangement:
Collection is arranged by subject. Series 1: Works is arranged chronologically within the subseries, excepting the Works, General subseries. Series 2: Polaroids, retains the original order created by the artist. Images are separated by subject and arranged alphabetically. Series 3: Sketchbooks, is arranged chronologically when date is known. Series 4: Personal Materials, is arranged by subject and occasionally by format. Series 5: Teaching Materials contains slides which are arranged chronologically and by subject.
Biographical / Historical:
Kimowan Metchewais [McLain] was a significant figure in the Native art world. He was born in Oxbow, Saskatchewan, October 2, 1963. He used his step-father Bruce's name- McLain, until later in life when he began to go by his mother Ada's maiden name - Metchewais. He spent his childhood and early adulthood on the Cold Lake First Nations reserve in Alberta. He began his artistic career working as an illustrator and later editor at Windspeaker Native Newspaper from 1983 to 1989. From 1992 to 1996 he attended the University of Alberta in Edmonton, receiving his Bachelors of Fine Arts. It was during this time, in 1993, at age 29, that he was diagnosed with oligodendroglioma, a rare form of brain tumor. The surgery to remove the tumor and following radiation left McLain with a permanent bald spot on the back of his head would feature in his art in later years. He was told that life expectancy for this condition was 11-12 years. Despite his illness, in 1995 Kimowan received the Ellen Battel Stoekel Fellowship to spend the summer at Yale University and in 1996 he received a National Award from the Canadian Native Arts Foundation. He continued on to complete his Master of Fine Arts at the University of New Mexico, Albuquerque, New Mexico, from 1996 to 1999. It was there he met life-long friend Larry McNeil. Kimowan then made the move to Chapel Hill, North Carolina where he began teaching in the Art Department at the University of North Carolina, and continuing to exhibit his own work in both solo exhibitions and group exhibitions.

In Chapel Hill he lived in the neighborhood of Carrboro, a small, relaxed community attached to the larger college town. At this time, Kimowan developed an interest in "hooping" – hula-hooping as a spiritual activity--founding a collective and developing many close friendships through the hobby. He also began making trips home to Cold Lake and documenting the people and places there. In 2005, following symptoms of his tumor returning, McLain underwent a relatively complication-free surgery that allowed him to return directly to work, including participation in the well-received Loom exhibition. In 2007 Kimowan underwent surgery once again but due to complications from the surgery, Kimowan was left partially paralyzed. For a year, Kimowan worked diligently at rehabilitation, even developing his own rehab program he called "Kimochi," and was eventually able to return both to work and hooping. During his time at the hospital he met his eventual fiancée, Antje Thiessen.

Following his return to work, Kimowan continued to evolve his artistic practice – producing what some called his magnum opus - Cold Lake in 2004 and the evocative self-portrait Raincloud in 2010. Both pieces are examples of the space Kimowan gracefully navigated, between Native and Western sensibilities and artistic practices in his work. In 2011 his symptoms returned for a final time and he returned to his mother's home in St. Paul, Alberta, with Thiessen, for palliative care. He passed away on July 29, 2011. A retrospective of his work Horizon: Kimowan Metchewais (McLain) was shown that fall at the John and June Allcott Gallery, University of North Carolina.
Separated Materials:
The National Museum of the American Indian has 185 of Kimowan Metchewais [McLain]'s works in their Modern and Contemporary Arts collection. These pieces have catalog numbers 26/9426 - 26/9610. To view these pieces, an Object Collections Research Request must be made two months in advance, using the form found at http://www.nmai.si.edu/explore/collections/accessing/. Kimowan Metchewais [McLain] also has an artist file held by the Vine Deloria Jr. Library, containing material relevant to this collection. It can be accessed by contacting the library by phone: (301) 238-1376 or email: AskALibrarian@si.edu.
Provenance:
Bequest of Kimowan Metchewais [McLain] in 2015.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Art -- American Indian  Search this
Indian art -- 21st century  Search this
Powwows  Search this
Genre/Form:
Photographic prints
Sketchbooks
Negatives
Slides
Citation:
Identification of specific item; Date (if known); Kimowan Metchewais [McLain] Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.084
See more items in:
Kimowan Metchewais [McLain] collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv40a9eee3f-befb-4855-b5fb-d180b5eb5a56
EDAN-URL:
ead_collection:sova-nmai-ac-084
Online Media:

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