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Winter and Pond postcards from Alaska

Photographer:
Winter & Pond  Search this
Extent:
13 Photographs
0.04 Linear feet
Culture:
Tlingit  Search this
Type:
Collection descriptions
Archival materials
Photographs
Place:
Alaska
Date:
circa 1893-1910
Summary:
This collection contains 13 photographic postcards (and 5 copy negatives) depicting Tlingit Native Alaskans photographed by the photo studio Winter and Pond in Alaska circa 1893-1910.
Scope and Contents:
N38033-N38037, P14809-P14816

This collection contains 13 gelatin silver photographic postcards shot by the photo studio Winter and Pond in Alaska circa 1893-1910 and 5 copy negatives created by Museum of the American Indian staff from these photographs. The photographs depict portraits of Tlingit Native Alaskans. The postcards were trimmed to a smaller size at an unknown point in time.
Arrangement:
Arranged by catalog number.
Biographical / Historical:
Lloyd Valentine Winter (1866-1945) and Edwin Percy Pond (1872-1943) operated the Winter and Pond photography studio in Juneau, Alaska for almost 50 years from circa 1893 until 1943. Their work included documenting the Klondike Gold Rush and Tlingit Native Alaskans. Winter and Pond's business included a mail-order catalog of photographs and contributing a series of Alaskan photographs to the photography publishing company Underwood and Underwood. After the death of E. Percy Pond, Winter sold the business to Francis Harrison who kept the company open until 1956.
Related Materials:
The Alaska State Library Historical Collections holds a large Winter and Pond photography collection (call no. PCA 87).
Separated Materials:
The archival materials in this collection are part of a larger collection donated to NMAI by Mrs. Eugene F. Barnes, Jr. The objects are under catalog numbers 201533-201570.
Provenance:
Donated to the Museum of the American Indian by Mrs. Eugene F. Barnes, Jr., 1940.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Photographs  Search this
Citation:
Identification of specific item; Date (if known); Winter and Pond postcards from Alaska, catalog #, NMAI.AC.212; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.212
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4414c46dd-f7ae-4000-b653-71a77561468f
EDAN-URL:
ead_collection:sova-nmai-ac-212
Online Media:

Lillian A. DeLong collection of cyanotypes

Collector:
DeLong, Lillian  Search this
Names:
Plenty Coups, 1848-1932  Search this
Pretty Eagle (Crow Indian chief)  Search this
Extent:
7 Cyanotypes (photographic prints)
Culture:
Apsáalooke (Crow/Absaroke)  Search this
Type:
Collection descriptions
Archival materials
Cyanotypes (photographic prints)
Cyanotypes
Date:
circa 1890-1910
Summary:
Cyanotype photographs depicting outdoor portraits possibly on the Apsáalooke (Crow/Absaroke) reservation in Montana, circa 1890-1910.
Scope and Contents:
This collection contains 7 cyanotypes all depicting outdoor portraits of individuals possibly from the Apsáalooke (Crow/Absaroke) community circa 1890-1910. One photograph of note depicts Apsáalooke Chief Pretty Eagle and Chief Plenty Coups on horseback. The photographs were shot by an unidentified photographer, but may have possibly been shot by photographer Frank Rinehart when he visited the Crow Reservation in Montana circa 1900.
Arrangement:
This collection is arranged by image # in 2 photo folders.
Biographical / Historical:
Relatively little is known about Lillian DeLong. She served as a teacher in New York.
Provenance:
Gift of Lillian DeLong, 1927.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Photographs  Search this
Genre/Form:
Cyanotypes
Citation:
Identification of specific item; Date (if known); Lillian A. DeLong collection of cyanotypes, image #, NMAI.AC.249; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.249
See more items in:
Lillian A. DeLong collection of cyanotypes
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv47c06d45f-fb52-47d4-9644-0f189b7822a7
EDAN-URL:
ead_collection:sova-nmai-ac-249
Online Media:

Frederick Webb Hodge photographs on the Havasupai (Coconino) Reservation

Creator:
Hodge, Frederick Webb, 1864-1956  Search this
Museum of the American Indian  Search this
Names:
Nusbaum, Jesse L. (Jesse Logan)  Search this
Extent:
0.8 Linear feet
41 Glass plate negatives
41 Copy negatives
Note:
The glass plate negatives are in boxes 152 (N05849-N05860), 153 (N05861-N05879), 154 (N08880-N05889) and B23 (N05863) in the cool room.
Culture:
Havasupai (Coconino)  Search this
Type:
Collection descriptions
Archival materials
Glass plate negatives
Copy negatives
Place:
Havasupai Reservation (Ariz.)
Grand Canyon (Ariz.)
Date:
1919 September
Summary:
This collection includes glass plate and copy negatives taken by Frederick Webb Hodge on a collecting trip to the Havasupai Reservation in the Grand Canyon, Arizona in 1919. Hodge was an archaeologist and collector for the Museum of the American Indian, Heye Foundation between 1918 and 1931 most famously leading the Hendricks-Hodge Hawikku excavations between 1917 and 1923.
Scope and Contents:
This collection includes 41 glass plate negatives made by Frederick Webb Hodge on a trip to the Havasupai (Coconino) Reservation in 1919. It is likely the trip took place in September of that year following work done by Hodge at Hawikkuh, New Mexico and before he returned to New York City. It is also likely that Jesse Nusbaum accompanied Hodge on this trip and may have shot some (or many) of the photographs himself. Many of the photographs are landscape shots of the Havasu Canyon on the Havasupai (Coconino) reservation which include views of the Havasu Falls, Havasu Creek, Wigleeva rock formation and various rock walls. There are also photographs of people and structures around the Havasupai reservation including several portraits of Havasupai community members, mostly women, holding baskets and posing in the Supai Village. Copy negatives were made of the glass plate negatives during a large photograph conservation project conducted by the Museum of the American Indian, Heye Foundation in the 1960s.
Arrangement:
Arranged by negative number: N05849 - N05889.
Biographical / Historical:
Frederick Hodge (1864-1956) was an editor, anthropologist, archaeologist, and historian born in Plymouth, England to Edwin and Emily (Webb) Hodge. His parents moved to Washington, D.C. when Frederick was seven years old. In Washington, he attended Cambridge College (George Washington University). Hodge was employed by the Smithsonian Institution in 1901 as executive assistant in charge of International Exchanges, but transferred to the Bureau of American Ethnology in 1905, where he worked until February 28, 1918. Hodge was the editor for Edward S. Curtis's monumental series The North American Indian. After leaving the Bureau, he moved to New York City and became editor and assistant director at the Museum of the American Indian, Heye Foundation. In 1915, accompanied by the museum's director George Gustav Heye and staff member George H. Pepper, Hodge undertook excavations at the Nacoochee Mound near Helen, Georgia. Hodge then directed the excavations of the ruins of Hawikkuh, near Zuni Pueblo, during the period 1917-23.

He was associated with Columbia University, Hemenway Southwestern Archaeological Expedition, and the U.S. Geological Survey. He was the director of the Southwest Museum of the American Indian in Los Angeles. He served as executive officer at the Smithsonian Institution, chairman of the Committee of Editorial Management and the Committee dealing with the Linguistic Families North of Mexico. He was a member of the Committee on Archaeological Nomenclature, the Committee of Policy, the National Research Council, and the Laboratory of Anthropology, School of American Research, Journal of Physical Anthropology, and the Museum of the American Indian.
Separated Materials:
Ethnographic material collected by Frederick Webb Hodge on this trip can be found in NMAI's Ethnology collection with catalog numbers 093309 - 093312 (09/3309 - 09/3312).
Provenance:
Donated to the Museum of the American Indian, Heye Foundation, by Frederick Webb Hodge in 1919.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Photographs  Search this
Identifier:
NMAI.AC.001.043
See more items in:
Frederick Webb Hodge photographs on the Havasupai (Coconino) Reservation
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv43e9f74bc-0feb-4a83-b39b-f2aaa4f76527
EDAN-URL:
ead_collection:sova-nmai-ac-001-043
Online Media:

Corcoran Gallery of Art collection of Joseph K. Dixon Wanamaker Expedition photographs

Creator:
Dixon, Joseph K. (Joseph Kossuth)  Search this
Rodman Wanamaker Expedition  Search this
Wanamaker, Rodman, 1863-1928  Search this
Extent:
0.25 Linear feet
3 Gelatin silver prints
Culture:
Havasupai (Coconino)  Search this
Nespelem  Search this
Type:
Collection descriptions
Archival materials
Gelatin silver prints
Date:
circa 1913
Summary:
This collection contains 3 gelatin silver prints shot by Joseph K. Dixon as part of the Wanamaker Expedition circa 1913.
Scope and Contents:
This collection contains 3 gelatin silver prints shot by Joseph K. Dixon as part of the Wanamaker Expedition circa 1913 and printed by Palm Press of Boston, MA in 1987.
Arrangement:
This collection is arranged in 1 oversize box.
Biographical / Historical:
Rodman Wanamaker (1863-1928) was the sole surviving heir of Philadelphia-based department store magnate, John Wanamaker. Rodman, among his other philanthropic endeavors with the arts, believed that Native Americans were a "noble, though vanishing race," whose lives needed to be recorded before they disappeared. Because of this belief, he funded three expeditions (1908-1913) to "perpetuate the life stories of the first Americans." In addition, he also strove, and ultimately failed, to create a National Indian Memorial to be situated in New York City which would rival the Statue of Liberty.

Joseph K. Dixon (1858-1926) was born in New York, and received a bachelor of divinity degree from the Rochester Theological Seminary before becoming a lecturer for the Eastman Kodak photographic company in 1904. Two years later he was hired to work in Wanamaker's department store, and by 1908 he was chosen to lead the three Wanamaker expeditions (1908-1913) to document the lives and cultures of Native peoples of the United States. For the remainder of his life, Dixon frequently lectured on and continued to photograph the lives of Native Americans.
Provenance:
Gift from the Trustees of the Corcoran Gallery of Art (In the Collection of the Corcoran Gallery of Art, Gift of the Eastman Kodak Company).
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Photographs  Search this
Citation:
Identification of specific item; Date (if known); Corcoran Gallery of Art collection of Joseph K. Dixon Wanamaker Expedition photographs, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.309
See more items in:
Corcoran Gallery of Art collection of Joseph K. Dixon Wanamaker Expedition photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4de40bd3d-bd9a-412c-b2bf-f16c030577ea
EDAN-URL:
ead_collection:sova-nmai-ac-309
Online Media:

William Gedney Beatty glass plate negatives collection

Photographer:
Beatty, William Gedney  Search this
Extent:
5 Glass plate negatives
1 Contact print
Culture:
Pueblo (Anasazi) (archaeological)  Search this
Type:
Collection descriptions
Archival materials
Glass plate negatives
Contact prints
Place:
Mesa Verde National Park (Colo.)
Date:
circa 1892-1900
Summary:
The William Gedney Beatty glass plate negatives collection contains 5 photographs depicting Ancestral Puebloan cliff dwelling sites at Mesa Verde, Colorado prior to restoration, circa 1892-1900. The collection was photographed or collected by architect and artist W. Gedney Beatty.
Scope and Contents:
This collection contains 5 glass plate negatives (and 1 contact print) depicting Ancestral Puebloan cliff dwelling sites (pre-restoration) at Mesa Verde, Colorado, circa 1892-1900. The photographs depict Spruce Tree House and Cliff Palace prior to archaeological preservation.

It is unclear whether architect W. Gedney Beatty (1869-1941) shot the photographs or he collected them.
Arrangement:
Photographs arranged in catalog number order in glass plate negative box 56-2.
Biographical / Historical:
William Gedney Beatty was born in New York on Jun 27, 1868 to John C. Beatty and Hetty Bull Beatty. W. Gedney worked in New York City as an architect and painter. He was also a collector and bequested large collections of books and gemstones to museums including the Metropolitan Museum of Art. His siblings included Robert Beatty (1872- 1942) and Sir Alfred Chester Beatty (1875-1968), who was a successful mining entrepreneur and collector. W. Gedney died on July 1, 1941.
Related Materials:
The National Museum of the American Indian Archives Center also holds the John Wetherill lantern slide collection (NMAI.AC.106), which contains glass lantern slides depicting Mesa Verde shot by Wetherill circa 1892.
Provenance:
Gift of A. Hyatt Mayor, 1956.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Photographs  Search this
Genre/Form:
Glass plate negatives
Citation:
Identification of specific item; Date (if known); William Gedney Beatty glass plate negatives collection, image #, NMAI.AC.160. National Museum of the American Indian Archives, Smithsonian Institution.
Identifier:
NMAI.AC.160
See more items in:
William Gedney Beatty glass plate negatives collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv411413d6d-eb7d-4a10-b9fa-be0688f4867d
EDAN-URL:
ead_collection:sova-nmai-ac-160
Online Media:

William A. Newcombe and George Gustav Heye photographs from British Columbia

Creator:
Museum of the American Indian, Heye Foundation  Search this
Newcombe, William A.  Search this
Heye, George G. (George Gustav), 1874-1957  Search this
Names:
Dunsmuir, James, 1851-1920  Search this
Menzies, Thomas Philip Oxenham  Search this
Extent:
45 Photographic prints (Silver Gelatin DOP)
20 Copy negatives
Culture:
Saanich  Search this
Esquimalt  Search this
Cowichan  Search this
Kwakwaka'wakw (Kwakiutl)  Search this
Snuneymuxw (Nanaimo)  Search this
Nuxalk (Bellacoola)  Search this
Coast Salish  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Copy negatives
Place:
British Columbia
Vancouver Island (B.C.)
Date:
bulk 1934-1938
1912-1913
1929
Summary:
Photographs shot by William A. Newcombe during three collecting trips to British Columbia with George Gustav Heye, director of the Museum of the American Indian, Heye Foundation. Between 1934 and 1938 Newcombe and Heye collected and photographed among the collecting ethnographic materials from the Saanich, Esquimalt, Cowichan, Kwakwaka'wakw (Kwakiutl), Snuneymuxw (Nanaimo), and Nuxalk (Bellacoola) communities.
Scope and Contents:
This collection includes photographic prints, mostly silver gelatin prints shot between 1934 and 1938 by William Newcombe during his collecting trips in British Columbia with George Heye on behalf of the Museum of the American Indian, Heye Foundation. It is possible that George Heye shot some of the photographs himself. This collection has been arranged into three series based on trip date. Series 1 includes photographs shot among Coast Salish communities in August of 1934 on the East Saanich Reserve (Tsawout First Nation) and Esquimalt (Salish/Songhees) Reserve on Cormorant and Vancouver Islands, British Columbia. These photographs include images of canoes and house posts that are now part of the NMAI collection. (P11371 - P11386, P11412, N36649 - N36653)

Series 2 includes photographs shot in the summer of 1935 in the Cowichan Valley Regional District on Vancouver Island, British Columbia. Images include portraits of Louis and Jennie George (Cowichan) alongside George Gustav Heye. (P11516 - P11526, N36657 - N36659 ; N36666 - N36667. Series 3 includes photographs shot in the summer of 1938 at various locations on Vancouver Island, British Columbia. Communities photographed include Kwakwaka'wakw (Kwakiutl), Saanich, Snuneymuxw (Nanaimo), and Nuxalk (Bellacoola). George Heye can be seen in several images holding objects that are now part of the NMAI collection. Heye was also accompanied by Thomas Philip Oxenham Menzies, curator of the Vancouver City Museum, for part of the trip. There are also images of the James Dunsmuir Esate in Hatley Park. (P13423 - P13430, P13648 - P13656, N36880 - N36889.

The copy negatives were made from the prints at some point in the 1960s during a large photographic conservation project at the museum.
Arrangement:
Arranged into three series by trip date, Series 1: East Saanich Reserve (Tsawout First Nation) and Esquimalt (Salish/Songhees) Reserve, 1934; Series 2: Cowichan Valley Regional District, 1935; and Series 3: Vancouver Island, 1938.
Biographical / Historical:
William A. Newcombe (1884-1960) worked with George Gustav Heye, director of the Museum of the American Indian, Heye foundation over the course of several trips to British Columbia in the 1930s. William, son of Charles Frederick Newcombe, became an authority on the ethnology of British Columbia's native peoples. Newcombe and Heye went on at least three trips to British Columbia in 1934, 1935 and 1938, collecting ethnographic materials from the Saanich, Esquimalt, Cowichan, Kwakwaka'wakw (Kwakiutl), Snuneymuxw (Nanaimo), and Nuxalk (Bellacoola) communities.
Provenance:
These field photographs accompanied the ethnographic materials collected by William Newcombe and George Gustav Heye in 1934, 1935 and 1938.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu). Photographs with culturally sensitive subjects are restricted.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Photographs  Search this
Citation:
Identification of specific item; Date (if known); William A. Newcombe and George Gustav Heye photographs from British Columbia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.001.051
See more items in:
William A. Newcombe and George Gustav Heye photographs from British Columbia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4cbf0fd17-50dd-4177-9337-51ae31a6e23c
EDAN-URL:
ead_collection:sova-nmai-ac-001-051
Online Media:

Abigail Adler Diné (Navajo) photographs

Creator:
Adler, Abigail  Search this
Names:
National Endowment for the Arts  Search this
Navajo Nation, Arizona, New Mexico & Utah  Search this
Extent:
11 Photographic prints
0.03 Linear feet (3 folders)
Culture:
Diné (Navajo)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Place:
Arizona
Date:
1976-1979
Summary:
This collection contains 11 gelatin silver prints that were shot by photographer Abigail Adler throughout the Navajo Reservation in Arizona, New Mexico, and Utah in 1976 and 1979.
Scope and Contents:
This collection contains 11 gelatin silver prints that were shot by photographer Abigail Adler throughout the Navajo Reservation in Arizona, New Mexico, and Utah in 1976 and 1979. The photographs depict Diné (Navajo) individuals and family portraits; ceremonial scenes, such as a Kinaaldá (girl's puberty ceremony), portrait of woman and mother on wedding day, and a Medicine Man with sand painting; and daily activities such as planting corn, outdoor cooking, and traveling by horse-drawn wagon. Photographs from this collection were possibly part of Alder's "Navajo Matriarch" project funded by the Navajo Nation and a grant from the National Endowment for the Arts.
Arrangement:
This collection has been organized into three folders. Folder 1 (P34072- P34074): Individual and family portraits, folder 2 (P34066- P34068, P34071): ceremonial scenes, and folder 3 (P34069- P34070, P34075- P34076): landscape and daily activities.
Biographical / Historical:
Abigail Adler is an American professional photographer with a degree in Anthropology from Barnard College in New York City. Adler lived on the Navajo Reservation for five years and began her career as a reporter and photographer, using Leica M3's and a Rolleiflex cameras, while working for the Navajo Times. She received funding through the Navajo Nation and a grant from the National Endowment for the Arts for her project titled Navajo Matriarchs, which illustrated the complex, modern lives of Navajo Women of all ages and traditions. Adler currently lives in Santa Fe, NM and works as a radio newscaster.
Provenance:
Gift of Gail Adler Hughes (Abigail Adler), 1979.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Some images restricted: Cultural Sensitivity
Topic:
Photographs  Search this
New Mexico  Search this
Utah  Search this
Citation:
Identification of specific item; Date (if known); Abigail Adler Diné (Navajo) photographs, catalog #; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.373
See more items in:
Abigail Adler Diné (Navajo) photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4add0bfe7-df57-41e6-9d8c-5c7a1628662f
EDAN-URL:
ead_collection:sova-nmai-ac-373
Online Media:

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