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Nem-peyo (Nampeyo), Hopi Pottery Maker

Collection Photographer:
Moon, Carl, 1878-1948  Search this
Collection Publisher:
Fred Harvey (Firm)  Search this
Extent:
1 Glass positive
1 Copy negative
Culture:
Hopi-Tewa  Search this
Type:
Archival materials
Glass positives
Copy negatives
Date:
circa 1908
Scope and Contents:
Photograph depicting famous Hopi potter Nem-peyo (also spelled Nampeyo) sitting on the ground and painting the rim of a bowl. Next to her are other pottery pieces, and behind her are adobe brick houses. This same individual appears in N31836, T006064. Photograph taken by Carl Moon in what is likely Hano on Fort Mesa in Arizona in approximately 1908.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Some images restricted: Cultural Sensitivity.
Collection Citation:
Identification of specific item; Date (if known); Fred Harvey Company collection of Carl Moon Southwest photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.090, Item N31835, T006065
See more items in:
Fred Harvey Company collection of Carl Moon Southwest photographs
Fred Harvey Company collection of Carl Moon Southwest photographs / Series 5: Hopi
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv49ebc2b88-86cd-4a06-829e-f4cee9d6981a
EDAN-URL:
ead_component:sova-nmai-ac-090-ref764

Nem-peyo (Nampeyo), Hopi Pottery Maker

Collection Photographer:
Moon, Carl, 1878-1948  Search this
Collection Publisher:
Fred Harvey (Firm)  Search this
Extent:
1 Glass positive
1 Copy negative
Culture:
Hopi-Tewa  Search this
Type:
Archival materials
Glass positives
Copy negatives
Date:
Copyright 1908
Scope and Contents:
Photograph depicting famous Hopi potter Nem-peyo (also spelled Nampeyo) sitting on the ground and painting the rim of a bowl. The same individual appears in N31835, T006065. Next to her are other pottery pieces, and behind her are adobe brick houses. Photograph taken by Carl Moon in what is likely Hano on Fort Mesa in Arizona in approximately 1908.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Some images restricted: Cultural Sensitivity.
Collection Citation:
Identification of specific item; Date (if known); Fred Harvey Company collection of Carl Moon Southwest photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.090, Item N31836, T006064
See more items in:
Fred Harvey Company collection of Carl Moon Southwest photographs
Fred Harvey Company collection of Carl Moon Southwest photographs / Series 5: Hopi
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv479c1ea25-223d-4e1f-85ac-daec0feed5f3
EDAN-URL:
ead_component:sova-nmai-ac-090-ref765

Edward S. Curtis photogravure plates and proofs for The North American Indian

Photographer:
Curtis, Edward S., 1868-1952  Search this
Extent:
96 Photomechanical prints (photogravure proofs)
184 Printing plates (copper printing plates)
Culture:
Twana  Search this
Hoh  Search this
Walla Walla (Wallawalla)  Search this
Wishram  Search this
Suquamish  Search this
Skokomish  Search this
Quinault  Search this
Quileute  Search this
Apache  Search this
Tolowa  Search this
Hupa  Search this
Hopi Pueblo  Search this
Squaxon  Search this
Mewuk (Miwok)  Search this
Achomawi (Pit River)  Search this
Klamath  Search this
Yurok  Search this
Kumeyaay (Diegueño)  Search this
Cayuse  Search this
Northern Paiute (Paviotso)  Search this
Santa Ysabel (Santa Isabela) Diegueño  Search this
Kalispel (Pend d'Oreilles)  Search this
Salish (Flathead)  Search this
Spokan  Search this
Yakama (Yakima)  Search this
Sahnish (Arikara)  Search this
Numakiki (Mandan)  Search this
Pikuni Blackfeet (Piegan)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Niimíipuu (Nez Perce)  Search this
A'aninin (Gros Ventre)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Tsuu T'ina (Sarcee)  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Denésoliné (Chipewyan)  Search this
Cree  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
San Ildefonso Pueblo  Search this
Tewa Pueblos  Search this
A:shiwi (Zuni)  Search this
Kewa (Santo Domingo Pueblo)  Search this
K'apovi (Santa Clara Pueblo)  Search this
Laguna Pueblo  Search this
Jemez Pueblo  Search this
Serrano  Search this
Washoe (Washo)  Search this
Kutzadika'a (Mono Paiute)  Search this
Kupangaxwichem (Kupa/Cupeño)  Search this
Piipaash (Maricopa)  Search this
Diné (Navajo)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Quechan (Yuma/Cuchan)  Search this
Hualapai (Walapai)  Search this
Akimel O'odham (Pima)  Search this
Tohono O'odham (Papago)  Search this
Mojave (Mohave)  Search this
Niuam (Comanche)  Search this
Wichita  Search this
Ponca  Search this
Osage  Search this
Yokuts  Search this
Chukchansi Yokuts  Search this
Southern Mewuk (Southern Miwok)  Search this
Wailaki  Search this
Pomo  Search this
Wappo  Search this
Maidu  Search this
Type:
Collection descriptions
Archival materials
Photomechanical prints
Printing plates
Photogravures
Photographs
Date:
1899-1927
circa 1980
Summary:
The Edward S. Curtis photogravure plates and proofs for The North American Indian include photogravure printing plates and associated proofs made from Curtis photographs and used in the publication of The North American Indian volumes 1-9 and 12-19. The bulk of the images are portraits, though there are also images of everyday items, ceremonial artifacts, and camps.
Scope and Contents:
The collection comprises 183 photogravure plates (101 folio and 82 octavo) and 96 associated proofs used in the printing of The North American Indian volumes 1-9 and 12-19. The original photographs used to make the photogravures were made circa 1903-1926 and the photogravure plates were made in 1907-1930. The bulk are portraits, though there are also images of everyday items, ceremonial artifacts, and camps. About half of the proofs in the collection are originals used for Curtis's publication, though the collection also includes proofs made in the process of later publication by the Classic Gravure Company (circa 1980). Vintage proofs include handwritten notes, likely made by Curtis Studio employees in Seattle and Los Angeles. Many of the photogravure plates do not have matching proofs; in particular, there are no proofs for the octavo plates.
Arrangement:
The plates and proofs are arranged by the volume of The North American Indian in which they were published. They are described in this finding aid by the caption and plate number with which they were published.
Biographical / Historical:
Edward Sheriff Curtis (1868-1952) was an American photographer best known for his monumental and now-controversial project, the twenty-volume publication The North American Indian. Here he sought to document in words and pictures the "vanishing race" of American Indians.

Born in Wisconsin in 1868, Edward Curtis grew up on his family's farm in Le Sueur County, Minnesota, from 1874 to 1887. In 1887, he and his father Johnson Curtis settled on a plot near what is now Port Orchard, Washington, and the rest of the family joined them the following year. When Johnson Curtis died within a month of the family's arrival, the burden of providing for his mother and siblings fell to 20-year-old Edward, and Edward set out to do so through his photography. In 1891, Curtis moved to the booming city of Seattle and bought into a joint photo studio with Rasmus Rothi. Less than a year later, he formed "Curtis and Guptill, Photographers and Photoengravers" with Thomas Guptill; the enterprise quickly became a premier portrait studio for Seattle's elite. In 1895, Curtis made his first "Indian photograph" depicting Princess Angeline, daughter of the chief for whom Seattle had been named. The following year he earned his first medal from the National Photographic Convention for his "genre studies."

In 1899, Edward Curtis joined the Harriman Alaska Expedition as official photographer, a position which allowed him to learn from anthropologists C. Hart Merriam and George Bird Grinnell while documenting the landscapes and peoples of the Alaskan coast. This expedition and the resulting friendship with Grinnell helped to foster Curtis's ultimate goal to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, The North American Indian). Curtis made several trips to reservations from 1900 to 1904, including a trip with Grinnell to Montana in 1900 and multiple trips to the Southwest, including the Hopi Reservation. He also hired Adolph Muhr, former assistant to Omaha photographer Frank A. Rinehart, to manage the Curtis studio in his absence, a decision which would prove more and more fruitful as Curtis spent less and less time in Seattle.

In 1906, Curtis struck a deal with financier J. P. Morgan, whereby Morgan would support a company – The North American Indian, Inc. – with $15,000 for five years, by which time the project was expected to have ended. Systematic fieldwork for the publication began in earnest that summer season, with Curtis accompanied by a team of ethnological researchers and American Indian assistants. Arguably the most important member of Curtis' field team was William Myers, a former newspaperman who collected much of the ethnological data and completed most of the writing for the project. The first volume, covering Navajo and Apache peoples, was published at the end of 1907, but already Morgan's funding was incapable of meeting Curtis's needs. Despite heaping praise from society's elite, Curtis spent much of his time struggling to find people and institutions willing to subscribe to the expensive set of volumes. After the initial five years, only eight of the proposed twenty volumes had been completed. Fieldwork and publication continued with the support of J. P. Morgan, but Curtis's home life suffered because of his prolonged absences.

In 1919, Curtis's wife Clara was awarded a divorce settlement which included the entire Curtis studio in Seattle. Exhausted and bankrupt, Edward Curtis moved with his daughter Beth Magnuson to Los Angeles, where they operated a new Curtis Studio and continued work on the volumes; volume 12 was published in 1922. The constant financial strain forced Myers to leave the North American Indian team after volume 18 (fieldwork in 1926) and Curtis made his last trip to photograph and gather data for volume 20 in 1927. After the final volumes were published in 1930, Curtis almost completely faded from public notice until his work was "rediscovered" and popularized in the 1970s.

Curtis's "salvage ethnology," as scholar Mick Gidley describes it, was mildly controversial even during his life and has become ever more so as his legacy deepens. In his quest to photograph pre-colonial Indian life through a twentieth-century lens, he often manipulated and constructed history as much as he recorded it: he staged reenactments, added props, and removed evidence of twentieth-century influences on "primitive" life. Curtis's work continues to shape popular conceptions of American Indians and so, while problematic, his legacy--his vision of American Indian life--continues to be relevant.
Related Materials:
NMAI also holds Edward Curtis photographs documenting the Harriman Expedition (1899) as well as platinum prints and photogravures of the images published in The North American Indian.

The Smithsonian Institution, National Anthropological Archives holds Edward Curtis prints submitted for copyright (Photo Lot 59) as well as many of his original negatives, photographs, and papers.

Steve Kern donated photogravure plates to the Center for Creative Photography and the Seattle Art Museum at the same time that he donated this set to MAI.
Provenance:
This collection was donated by Steven and Arlene Kern to the Museum of the American Indian, Heye Foundation, in 1984.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Indians of North America -- Pictorial works  Search this
Genre/Form:
Photogravures
Photographs
Citation:
Identification of specific item; Date (if known); Edward S. Curtis photogravure plates and proofs for The North American Indian, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.080
See more items in:
Edward S. Curtis photogravure plates and proofs for The North American Indian
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv47bb7e1cf-cd0f-42a1-ac5b-8ee402c1ab8f
EDAN-URL:
ead_collection:sova-nmai-ac-080
Online Media:

Ernest S. and Eloise Carter Collection

Creator:
Carter, Ernest S.  Search this
Carter, Eloise  Search this
Names:
Museum of the American Indian, Heye Foundation  Search this
Dockstader, Frederick J.  Search this
Extent:
2415 Slides (photographs)
855 Negatives (photographic)
526 Photographic prints
0.85 Linear feet
Culture:
Ute  Search this
Pueblo  Search this
Diné (Navajo)  Search this
Hopi Pueblo  Search this
Taos Pueblo  Search this
San Ildefonso Pueblo  Search this
Kewa (Santo Domingo Pueblo)  Search this
Laguna Pueblo  Search this
Hopi-Tewa  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Negatives (photographic)
Photographic prints
Photographs
Slides
Place:
Arizona
California
Nevada
Colorado
Utah
New Mexico
Date:
1947-1986
bulk 1964-1975
Summary:
The Ernest S. and Eloise Carter collection includes photographic prints, negatives and slides taken between 1950 and 1976 in the American Southwest, Mexico and Bolivia. The Carters were research associates for the Museum of the American Indian, Heye Foundation between 1964 and 1975 and focused much of their research on petroglyphs and pictographs. In addition to photographic material there is also correspondence and documentation about the photographs in the collection.
Scope and Contents:
The Ernest S. and Eloise Carter collection includes photographic prints, negatives and slides taken between 1950 and 1976 in the American Southwest, Mexico and Bolivia as well as documentation and notes regarding their work. The bulk of the photographs and notes were made by the Carters from 1964 to 1976 while they were research associates for the Museum of the American Indian, Heye Foundation. The Carters spent much of their time photographing and researching petroglyph and pictograph sites in Arizona, New Mexico, California and Nevada producing black and white and color negatives, color slides, and photographic prints that were sent back to the MAI along with maps, notes, and reports as they were completed.

Series 1: Photographs, 1950-1975, is organized into four separate subseries. Subseries 1.1 Mexico and Bolivia, Landscapes and People, 1950-1951, includes photographs taken in Bolivia, circa 1950-1951 and in Mexico in 1964. Although it is unclear whether or not Ernest Carter took the Bolivia photographs himself or acquired them while he was traveling there, the photographic prints include landscape views and portraits shot in around the city of Potosí, Bolivia. The photographs shot in Mexico include black and white negatives the Carters took at the Monte Alban and Mitla ruins in Oaxaca, Mexico in July, 1964. Subseries 1.2 US Southwest: Landscapes and Petroglyphs, 1964-1973, the largest group of materials in the collection, includes the bulk of the work done by the Carters for the Museum of the American Indian, Heye Foundation. The subseries is arranged chronologically and then by location including sites in Arizona, New Mexico, California, Nevada and Utah. Both Eloise and Ernest shot photographs, though Eloise generally shot in black and white and Ernest in color. This subseries includes negatives(5x7 and 35mm), slides (120 and 35mm), and photographic prints of various sizes, some mounted. Images include wide shots of petroglyph, pictograph, and acorn grinding sites, close-ups of petroglyphs as well as landscape views.

The Carters were also prolific collectors of kachinas and other ethnographic objects from the Southwest. Subseries 1.3 Object Photography: Kachinas, Pottery, Baskets and Other Objects, 1967-1975 includes photographs of the Carter kachinas, pottery and basket collections as well as several photographs of the Carters in their home alongside their collections. Subseries 1.4: Educational Materials and Other Selected Studies, 1970-1973 includes photographs the Carters put together for use by the educational department. Mostly mounted prints and slides, these photographs generally were sent with specific descriptions and were selected to highlight the variations between the petroglyph sites. This subseries also includes "Pueblo Life and Work" a series of photographs shot by the Carters at Taos Pueblo, Ildenfonso Pueblo, Laguna Pueblo and Hopi Pueblo in 1973.

Series 2: Correspondence and Photograph Documentation, 1964-1987, includes correspondence and documentation about the photographs in the Carter collection. The majority of the correspondence is between Ernest Carter and Frederick Dockstader, director of the Museum of the American Indian, Heye Foundation (MAI), regarding the donation of photographs and objects from the Carters to the museum between 1964 and 1976. The correspondence also includes detailed expense records which document where the Carters where traveling when as well as when shipments of photographs and objects were being made through the years. The documentation includes detailed reports from the Carters research on petroglyphs, maps of various petroglyph sites, photograph lists with descriptions as well as drawings and notes.
Arrangement note:
This collection is arranged into two series. Series 1: Photographs, 1950-1976, is organized in four subseries. Subseries 1.1: Mexico and Bolivia, Landscapes and People, 1950-1951, 1964; Subseries 1.2: US Southwest: Landscapes and Petroglyphs, 1964-1973; Subseries 1.3: Object Photography: Kachinas, Pottery, Baskets and Other Objects, 1967-1975; Subseries 1.4: Educational Materials and Other Selected Studies, 1970-1973. These subseries are then arranged chronologically. Series 2: Correspondence and Photograph Documentation is arranged alphabetically and then by document number.
Biographical/Historical note:
Ernest Carter was born Ernest (Eryst of Eruie) Sigmund Schickler in Vienna, Austria in 1922. Following World War II, he left Europe for South America where he spent four years in the Andes on climbing expeditions. He changed his name from Schickler to Carter when he moved to the United States in 1951 and officially became an American citizen in 1957. Eloise Carter was born in Nebraka in 1928 and eventually became a dental assistant in the Bay Area, California, where she met and married Ernest around 1960. In 1964 Ernest and Eloise were made research associates of the Museum of the American Indian, Heye Foundation which began a long term relationship with the MAI. During this time the Carters traveled throughout California, Nevada and other location in the Southwest and Mexico to photograph petroglyphs and pictographs which were subsequently shipped to the Museum. They also collected objects which were donated to the MAI including baskets, pottery and kachinas among other items. Their relationship with the MAI tapered off after Frederick Dockstader left the museum in 1975. The Carters continued to travel and work with communities in the southwest and eventually settled in Mountain View, California.
Provenance:
Donated by Ernest and Eloise Carter between 1964-1975 with additional photographs donated in 1986.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Petroglyphs  Search this
Picture-writing  Search this
Genre/Form:
Photographic prints
Photographs
Slides
Negatives (photographic)
Citation:
Identification of specific item; Date (if known); Ernest S. and Eloise Carter collection, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.034
See more items in:
Ernest S. and Eloise Carter Collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4e1297b20-418e-420a-a3d8-62bd2104dd70
EDAN-URL:
ead_collection:sova-nmai-ac-034
Online Media:

Jar

Culture/People:
Hopi-Tewa  Search this
Previous owner:
Ernest S. Carter (Ernest Sigmund Carter/Ernest Sigmund Schickler), Non-Indian, 1922-2009  Search this
Eloise L. Carter (Eloise [Ellie] Leona Carter/Mrs. Ernest S. Carter), Non-Indian  Search this
Donor:
Ernest S. Carter (Ernest Sigmund Carter/Ernest Sigmund Schickler), Non-Indian, 1922-2009  Search this
Eloise L. Carter (Eloise [Ellie] Leona Carter/Mrs. Ernest S. Carter), Non-Indian  Search this
Object Name:
Jar
Media/Materials:
Pottery
Techniques:
Painted
Object Type:
Containers and Vessels
Place:
Polacca, First Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
1970
Catalog Number:
24/4458
Barcode:
244458.000
See related items:
Hopi-Tewa
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws690ffc122-311b-4d4e-b0c9-1973490453ab
EDAN-URL:
edanmdm:NMAI_260143
Online Media:

Bowl

Culture/People:
Hopi-Tewa  Search this
Artist/Maker:
Garnet Pavatea (Flower Girl), Hopi-Tewa, 1915-1981  Search this
Previous owner:
Ernest S. Carter (Ernest Sigmund Carter/Ernest Sigmund Schickler), Non-Indian, 1922-2009  Search this
Eloise L. Carter (Eloise [Ellie] Leona Carter/Mrs. Ernest S. Carter), Non-Indian  Search this
Donor:
Ernest S. Carter (Ernest Sigmund Carter/Ernest Sigmund Schickler), Non-Indian, 1922-2009  Search this
Eloise L. Carter (Eloise [Ellie] Leona Carter/Mrs. Ernest S. Carter), Non-Indian  Search this
Object Name:
Bowl
Media/Materials:
Pottery
Techniques:
Coiled/hand built, impressed
Object Type:
Containers and Vessels
Place:
Polacca, First Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
1970
Catalog Number:
24/4459
Barcode:
244459.000
See related items:
Hopi-Tewa
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws61052bc82-5be3-4ebe-baa3-38babdf69a40
EDAN-URL:
edanmdm:NMAI_260144
Online Media:

Jar

Culture/People:
Hopi-Tewa  Search this
Artist/Maker:
Nampeyo (Num-pa-yu [Snake Girl]/Iris Nampeyo), Hopi-Tewa, 1859-1942  Search this
Possible collector:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Previous owner:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Seller:
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Object Name:
Jar
Media/Materials:
Pottery
Techniques:
Painted
Object Type:
Containers and Vessels
Place:
Hanoki (Hano, Tewa), First Mesa, Hopi Reservation; Navajo County; Arizona; USA
Catalog Number:
15/4743
Barcode:
154743.000
See related items:
Hopi-Tewa
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws655150307-f89a-49db-ac91-87007ce9e114
EDAN-URL:
edanmdm:NMAI_166043
Online Media:

Jar

Culture/People:
Hopi-Tewa  Search this
Artist/Maker:
Nampeyo (Num-pa-yu [Snake Girl]/Iris Nampeyo), Hopi-Tewa, 1859-1942  Search this
Possible collector:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Previous owner:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Seller:
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Object Name:
Jar
Media/Materials:
Pottery
Techniques:
Painted
Object Type:
Containers and Vessels
Place:
Hanoki (Hano, Tewa), First Mesa, Hopi Reservation; Navajo County; Arizona; USA
Catalog Number:
15/4744
Barcode:
154744.000
See related items:
Hopi-Tewa
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws661505dca-ebde-43c1-a084-0671a80897f5
EDAN-URL:
edanmdm:NMAI_166044
Online Media:

Jar

Culture/People:
Hopi-Tewa  Search this
Possible collector:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Previous owner:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Seller:
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Object Name:
Jar
Media/Materials:
Pottery
Techniques:
Painted
Object Type:
Containers and Vessels
Place:
Hanoki (Hano, Tewa), First Mesa, Hopi Reservation; Navajo County; Arizona; USA
Catalog Number:
15/4745
Barcode:
154745.000
See related items:
Hopi-Tewa
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws631043d8c-c3a4-4df4-99ab-78b274a5c814
EDAN-URL:
edanmdm:NMAI_166045
Online Media:

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