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Students sewing

Collection Creator:
St. Bernard Indian Residential School (Grouard, Alta.)  Search this
Extent:
1 Photographic print
Container:
Photo-folder 1
Culture:
Plains Cree (Prairie Cree)  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
circa 1925-1935
Scope and Contents:
Photograph depicting girls sitting behind sewing machines in a classroom. A stack of clothes sits on a table before them. Photographed at the St. Bernard Mission School in Alberta, Canada. A handwritten note on the back of the photograph reads, "Our sewing room."
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); St. Bernard Mission School photographs; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
St. Bernard Mission School photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv469c8163b-db2c-444b-937f-b6ffed4c8087
EDAN-URL:
ead_component:sova-nmai-ac-125-ref1

Students ironing

Collection Creator:
St. Bernard Indian Residential School (Grouard, Alta.)  Search this
Extent:
1 Photographic print
Container:
Photo-folder 1
Culture:
Plains Cree (Prairie Cree)  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
circa 1925-1935
Scope and Contents:
Photograph depicting girls ironing clothes at the St. Bernard Mission School in Alberta, Canada. A handwritten note on the back of the photograph reads, "On Monday when the girls iron."
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); St. Bernard Mission School photographs; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
St. Bernard Mission School photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv42bc20dc2-6a71-4012-a033-222073f4ff05
EDAN-URL:
ead_component:sova-nmai-ac-125-ref2

Students eating in dining hall

Collection Creator:
St. Bernard Indian Residential School (Grouard, Alta.)  Search this
Extent:
1 Photographic print
Container:
Photo-folder 1
Culture:
Plains Cree (Prairie Cree)  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
circa 1925-1935
Scope and Contents:
Photograph depicting girls eating in the dining hall. They sit at two long tables. A caption on the back of the photograph reads, "Girls' dining room."
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); St. Bernard Mission School photographs; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
St. Bernard Mission School photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv46f860ef6-5307-4c6a-8455-a98b1ae8ce73
EDAN-URL:
ead_component:sova-nmai-ac-125-ref3

Nuns and an unidentified man

Collection Creator:
St. Bernard Indian Residential School (Grouard, Alta.)  Search this
Extent:
1 Photographic print
Container:
Photo-folder 1
Culture:
Plains Cree (Prairie Cree)  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
circa 1925-1935
Scope and Contents:
Photograph depicting two nuns and an unidentified man standing outside a building. They are possibly teachers and administrators affiliated with the St. Bernard Mission in Alberta, Canada.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); St. Bernard Mission School photographs; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
St. Bernard Mission School photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4d47b3524-09ff-471a-87ee-fa07414ded01
EDAN-URL:
ead_component:sova-nmai-ac-125-ref4

Edward S. Curtis photogravure plates and proofs for The North American Indian

Photographer:
Curtis, Edward S., 1868-1952  Search this
Extent:
96 Photomechanical prints (photogravure proofs)
184 Printing plates (copper printing plates)
Culture:
Twana  Search this
Hoh  Search this
Walla Walla (Wallawalla)  Search this
Wishram  Search this
Suquamish  Search this
Skokomish  Search this
Quinault  Search this
Quileute  Search this
Apache  Search this
Tolowa  Search this
Hupa  Search this
Hopi Pueblo  Search this
Squaxon  Search this
Mewuk (Miwok)  Search this
Achomawi (Pit River)  Search this
Klamath  Search this
Yurok  Search this
Kumeyaay (Diegueño)  Search this
Cayuse  Search this
Northern Paiute (Paviotso)  Search this
Santa Ysabel (Santa Isabela) Diegueño  Search this
Kalispel (Pend d'Oreilles)  Search this
Salish (Flathead)  Search this
Spokan  Search this
Yakama (Yakima)  Search this
Sahnish (Arikara)  Search this
Numakiki (Mandan)  Search this
Pikuni Blackfeet (Piegan)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Niimíipuu (Nez Perce)  Search this
A'aninin (Gros Ventre)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Tsuu T'ina (Sarcee)  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Denésoliné (Chipewyan)  Search this
Cree  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
San Ildefonso Pueblo  Search this
Tewa Pueblos  Search this
A:shiwi (Zuni)  Search this
Kewa (Santo Domingo Pueblo)  Search this
K'apovi (Santa Clara Pueblo)  Search this
Laguna Pueblo  Search this
Jemez Pueblo  Search this
Serrano  Search this
Washoe (Washo)  Search this
Kutzadika'a (Mono Paiute)  Search this
Kupangaxwichem (Kupa/Cupeño)  Search this
Piipaash (Maricopa)  Search this
Diné (Navajo)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Quechan (Yuma/Cuchan)  Search this
Hualapai (Walapai)  Search this
Akimel O'odham (Pima)  Search this
Tohono O'odham (Papago)  Search this
Mojave (Mohave)  Search this
Niuam (Comanche)  Search this
Wichita  Search this
Ponca  Search this
Osage  Search this
Yokuts  Search this
Chukchansi Yokuts  Search this
Southern Mewuk (Southern Miwok)  Search this
Wailaki  Search this
Pomo  Search this
Wappo  Search this
Maidu  Search this
Type:
Collection descriptions
Archival materials
Photomechanical prints
Printing plates
Photogravures
Photographs
Date:
1899-1927
circa 1980
Summary:
The Edward S. Curtis photogravure plates and proofs for The North American Indian include photogravure printing plates and associated proofs made from Curtis photographs and used in the publication of The North American Indian volumes 1-9 and 12-19. The bulk of the images are portraits, though there are also images of everyday items, ceremonial artifacts, and camps.
Scope and Contents:
The collection comprises 183 photogravure plates (101 folio and 82 octavo) and 96 associated proofs used in the printing of The North American Indian volumes 1-9 and 12-19. The original photographs used to make the photogravures were made circa 1903-1926 and the photogravure plates were made in 1907-1930. The bulk are portraits, though there are also images of everyday items, ceremonial artifacts, and camps. About half of the proofs in the collection are originals used for Curtis's publication, though the collection also includes proofs made in the process of later publication by the Classic Gravure Company (circa 1980). Vintage proofs include handwritten notes, likely made by Curtis Studio employees in Seattle and Los Angeles. Many of the photogravure plates do not have matching proofs; in particular, there are no proofs for the octavo plates.
Arrangement:
The plates and proofs are arranged by the volume of The North American Indian in which they were published. They are described in this finding aid by the caption and plate number with which they were published.
Biographical / Historical:
Edward Sheriff Curtis (1868-1952) was an American photographer best known for his monumental and now-controversial project, the twenty-volume publication The North American Indian. Here he sought to document in words and pictures the "vanishing race" of American Indians.

Born in Wisconsin in 1868, Edward Curtis grew up on his family's farm in Le Sueur County, Minnesota, from 1874 to 1887. In 1887, he and his father Johnson Curtis settled on a plot near what is now Port Orchard, Washington, and the rest of the family joined them the following year. When Johnson Curtis died within a month of the family's arrival, the burden of providing for his mother and siblings fell to 20-year-old Edward, and Edward set out to do so through his photography. In 1891, Curtis moved to the booming city of Seattle and bought into a joint photo studio with Rasmus Rothi. Less than a year later, he formed "Curtis and Guptill, Photographers and Photoengravers" with Thomas Guptill; the enterprise quickly became a premier portrait studio for Seattle's elite. In 1895, Curtis made his first "Indian photograph" depicting Princess Angeline, daughter of the chief for whom Seattle had been named. The following year he earned his first medal from the National Photographic Convention for his "genre studies."

In 1899, Edward Curtis joined the Harriman Alaska Expedition as official photographer, a position which allowed him to learn from anthropologists C. Hart Merriam and George Bird Grinnell while documenting the landscapes and peoples of the Alaskan coast. This expedition and the resulting friendship with Grinnell helped to foster Curtis's ultimate goal to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, The North American Indian). Curtis made several trips to reservations from 1900 to 1904, including a trip with Grinnell to Montana in 1900 and multiple trips to the Southwest, including the Hopi Reservation. He also hired Adolph Muhr, former assistant to Omaha photographer Frank A. Rinehart, to manage the Curtis studio in his absence, a decision which would prove more and more fruitful as Curtis spent less and less time in Seattle.

In 1906, Curtis struck a deal with financier J. P. Morgan, whereby Morgan would support a company – The North American Indian, Inc. – with $15,000 for five years, by which time the project was expected to have ended. Systematic fieldwork for the publication began in earnest that summer season, with Curtis accompanied by a team of ethnological researchers and American Indian assistants. Arguably the most important member of Curtis' field team was William Myers, a former newspaperman who collected much of the ethnological data and completed most of the writing for the project. The first volume, covering Navajo and Apache peoples, was published at the end of 1907, but already Morgan's funding was incapable of meeting Curtis's needs. Despite heaping praise from society's elite, Curtis spent much of his time struggling to find people and institutions willing to subscribe to the expensive set of volumes. After the initial five years, only eight of the proposed twenty volumes had been completed. Fieldwork and publication continued with the support of J. P. Morgan, but Curtis's home life suffered because of his prolonged absences.

In 1919, Curtis's wife Clara was awarded a divorce settlement which included the entire Curtis studio in Seattle. Exhausted and bankrupt, Edward Curtis moved with his daughter Beth Magnuson to Los Angeles, where they operated a new Curtis Studio and continued work on the volumes; volume 12 was published in 1922. The constant financial strain forced Myers to leave the North American Indian team after volume 18 (fieldwork in 1926) and Curtis made his last trip to photograph and gather data for volume 20 in 1927. After the final volumes were published in 1930, Curtis almost completely faded from public notice until his work was "rediscovered" and popularized in the 1970s.

Curtis's "salvage ethnology," as scholar Mick Gidley describes it, was mildly controversial even during his life and has become ever more so as his legacy deepens. In his quest to photograph pre-colonial Indian life through a twentieth-century lens, he often manipulated and constructed history as much as he recorded it: he staged reenactments, added props, and removed evidence of twentieth-century influences on "primitive" life. Curtis's work continues to shape popular conceptions of American Indians and so, while problematic, his legacy--his vision of American Indian life--continues to be relevant.
Related Materials:
NMAI also holds Edward Curtis photographs documenting the Harriman Expedition (1899) as well as platinum prints and photogravures of the images published in The North American Indian.

The Smithsonian Institution, National Anthropological Archives holds Edward Curtis prints submitted for copyright (Photo Lot 59) as well as many of his original negatives, photographs, and papers.

Steve Kern donated photogravure plates to the Center for Creative Photography and the Seattle Art Museum at the same time that he donated this set to MAI.
Provenance:
This collection was donated by Steven and Arlene Kern to the Museum of the American Indian, Heye Foundation, in 1984.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Indians of North America -- Pictorial works  Search this
Genre/Form:
Photogravures
Photographs
Citation:
Identification of specific item; Date (if known); Edward S. Curtis photogravure plates and proofs for The North American Indian, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.080
See more items in:
Edward S. Curtis photogravure plates and proofs for The North American Indian
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv47bb7e1cf-cd0f-42a1-ac5b-8ee402c1ab8f
EDAN-URL:
ead_collection:sova-nmai-ac-080
Online Media:

St. Bernard Mission School photographs

Creator:
St. Bernard Indian Residential School (Grouard, Alta.)  Search this
Extent:
0.01 Linear feet
5 Photographic prints
Culture:
Cree  Search this
Plains Cree (Prairie Cree)  Search this
Cree Metis  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Place:
Grouard (Alta.)
Date:
circa 1925-1935
Summary:
This collection contains 5 gelatin silver prints depicting students and teachers at the St. Bernard Mission School (also known as the St. Bernard Indian Residential School) in Grouard, Alberta, Canada, circa 1925-1935.
Scope and Contents:
This collection contains 5 gelatin silver prints depicting students and teachers at the St. Bernard Mission School (also known as the St. Bernard Indian Residential School) in Grouard, Alberta, Canada. The photographs, shot by an unidentified photographer, depict student classes, activities, and teachers circa 1925-1935. One photograph also depicts a nurse and child at St. Theresa Hospital in Ft. Vermilion in Alberta, Canada. The students are most likely from the Plains Cree First Nations Indigenous community in Canada.
Biographical / Historical:
Founded in 1872, the St. Bernard Mission was located at Lesser Slave Lake in Alberta, Canada near the Hudson's Bay Company trading post. The Catholic mission run by the Missionary Oblates of Mary Immaculate worked with the Plains Cree and Cree Metis Indigenous communities in the region. By 1900, the mission ran the St. Bernard Mission School (also known as the St. Bernard Residential School), a residence for nuns, and a farming operation at Grouard, Alberta, Canada. The school closed its doors in 1962.
Provenance:
Donated by Patricia Krehbiel in 2017 and 2018.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of North America -- Canada  Search this
Indians of North America -- Education  Search this
Off-reservation boarding schools -- Photographs  Search this
Citation:
Identification of specific item; Date (if known); St. Bernard Mission School photographs; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.125
See more items in:
St. Bernard Mission School photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4a451230c-a4ad-42ab-8fa4-6ab58105c9ef
EDAN-URL:
ead_collection:sova-nmai-ac-125
Online Media:

Meryl 2

Culture/People:
Plains Cree (Prairie Cree)  Search this
Artist/Maker:
Meryl McMaster, Plains Cree (Prairie Cree), b. 1988  Search this
Seller:
Katzman Contemporary  Search this
Subject:
Meryl McMaster, Plains Cree (Prairie Cree), b. 1988  Search this
Title:
Meryl 2
Object Name:
Photograph
Media/Materials:
Photo paper, ink
Techniques:
Chromogenic printed
Dimensions:
94.2 x 94.2 x 3.3 cm
Object Type:
Painting/Drawing/Print
Place:
Ottawa; Ottawa City; Ontario; Canada
Date created:
2010
Catalog Number:
26/9635
Barcode:
269635.000
See related items:
Plains Cree (Prairie Cree)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws60d21a6fd-120d-4f97-8851-8a4c4addb0c3
EDAN-URL:
edanmdm:NMAI_412469

Pia

Culture/People:
Plains Cree (Prairie Cree)  Search this
Artist/Maker:
Meryl McMaster, Plains Cree (Prairie Cree), b. 1988  Search this
Seller:
Katzman Contemporary  Search this
Title:
Pia
Object Name:
Photograph
Media/Materials:
Photo paper, ink
Techniques:
Chromogenic printed
Dimensions:
94.2 x 94.2 x 3.3 cm
Object Type:
Painting/Drawing/Print
Place:
Ottawa; Ottawa City; Ontario; Canada
Date created:
2010
Catalog Number:
26/9636
Barcode:
269636.000
See related items:
Plains Cree (Prairie Cree)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws67348d06b-c4d5-4d8c-8fc1-220861fe3c00
EDAN-URL:
edanmdm:NMAI_412470

Anthony

Culture/People:
Plains Cree (Prairie Cree)  Search this
Artist/Maker:
Meryl McMaster, Plains Cree (Prairie Cree), b. 1988  Search this
Seller:
Katzman Contemporary  Search this
Title:
Anthony
Object Name:
Photograph
Media/Materials:
Photo paper, ink
Techniques:
Chromogenic printed
Dimensions:
94.2 x 94.2 x 3.3 cm
Object Type:
Painting/Drawing/Print
Place:
Ottawa; Ottawa City; Ontario; Canada
Date created:
2010
Catalog Number:
26/9637
Barcode:
269637.000
See related items:
Plains Cree (Prairie Cree)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws674656e19-4ed0-4e5c-8f78-fea0d7793b5f
EDAN-URL:
edanmdm:NMAI_412471

Miss Chief as a performer in George Catlin's Gallery that toured Europe in the 1850s

Culture/People:
Swampy Cree  Search this
Artist/Maker:
Kent Monkman, Swampy Cree, b. 1965  Search this
Previous owner:
Kent Monkman, Swampy Cree, b. 1965  Search this
Seller:
Pierre-Francois Ouelette Art Contemporain  Search this
Title:
Miss Chief as a performer in George Catlin's Gallery that toured Europe in the 1850s
Object Name:
Photograph
Media/Materials:
Photographic paper, photographic emulsion, wood, glass
Techniques:
Chromogenic printed, framed
Dimensions:
43.0 x 36.0 x 2.5 cm
Object Type:
Painting/Drawing/Print
Place:
Toronto; Toronto City; Ontario; Canada
Date created:
2006
Catalog Number:
26/7168
Barcode:
267168.000
See related items:
Swampy Cree
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6db65114d-5a81-4abd-990e-66343a8493ee
EDAN-URL:
edanmdm:NMAI_394345
Online Media:

Miss Chief as movie director poses with bullhorn and camera in front of a backdrop of Monument Valley

Culture/People:
Swampy Cree  Search this
Artist/Maker:
Kent Monkman, Swampy Cree, b. 1965  Search this
Previous owner:
Kent Monkman, Swampy Cree, b. 1965  Search this
Seller:
Pierre-Francois Ouelette Art Contemporain  Search this
Title:
Miss Chief as movie director poses with bullhorn and camera in front of a backdrop of Monument Valley
Object Name:
Photograph
Media/Materials:
Photographic paper, photographic emulsion, wood, glass
Techniques:
Chromogenic printed, framed
Dimensions:
43.0 x 36.0 x 2.5 cm
Object Type:
Painting/Drawing/Print
Place:
Toronto; Toronto City; Ontario; Canada
Date created:
2006
Catalog Number:
26/7169
Barcode:
267169.000
See related items:
Swampy Cree
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws60696a035-ca23-4331-9af1-602e615cfba6
EDAN-URL:
edanmdm:NMAI_394346
Online Media:

Miss Chief as Cindy Silverscreen, a fictitious Hollywood silent film starlet

Culture/People:
Swampy Cree  Search this
Artist/Maker:
Kent Monkman, Swampy Cree, b. 1965  Search this
Previous owner:
Kent Monkman, Swampy Cree, b. 1965  Search this
Seller:
Pierre-Francois Ouelette Art Contemporain  Search this
Title:
Miss Chief as Cindy Silverscreen, a fictitious Hollywood silent film starlet
Object Name:
Photograph
Media/Materials:
Photographic paper, photographic emulsion, wood, glass
Techniques:
Chromogenic printed, framed
Dimensions:
43.0 x 36.0 x 2.5 cm
Object Type:
Painting/Drawing/Print
Place:
Toronto; Toronto City; Ontario; Canada
Date created:
2006
Catalog Number:
26/7170
Barcode:
267170.000
See related items:
Swampy Cree
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws624010e92-2136-43c9-b2c2-ef216fb8ad48
EDAN-URL:
edanmdm:NMAI_394347
Online Media:

Miss Chief as Vaudeville performer

Culture/People:
Swampy Cree  Search this
Artist/Maker:
Kent Monkman, Swampy Cree, b. 1965  Search this
Previous owner:
Kent Monkman, Swampy Cree, b. 1965  Search this
Seller:
Pierre-Francois Ouelette Art Contemporain  Search this
Title:
Miss Chief as Vaudeville performer
Object Name:
Photograph
Media/Materials:
Photographic paper, photographic emulsion, wood, glass
Techniques:
Chromogenic printed, framed
Dimensions:
43.0 x 36.0 x 2.5 cm
Object Type:
Painting/Drawing/Print
Place:
Toronto; Toronto City; Ontario; Canada
Date created:
2006
Catalog Number:
26/7171
Barcode:
267171.000
See related items:
Swampy Cree
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws60d29b31c-2a94-4da0-8569-9f49b9b3402c
EDAN-URL:
edanmdm:NMAI_394348
Online Media:

Miss Chief as The Trapper’s Bride imagined as a performer in Buffalo Bill’s Wild West Show

Culture/People:
Swampy Cree  Search this
Artist/Maker:
Kent Monkman, Swampy Cree, b. 1965  Search this
Previous owner:
Kent Monkman, Swampy Cree, b. 1965  Search this
Seller:
Pierre-Francois Ouelette Art Contemporain  Search this
Title:
Miss Chief as The Trapper’s Bride imagined as a performer in Buffalo Bill’s Wild West Show
Object Name:
Photograph
Media/Materials:
Photographic paper, photographic emulsion, wood, glass
Techniques:
Chromogenic printed, framed
Dimensions:
43.0 x 36.0 x 2.5 cm
Object Type:
Painting/Drawing/Print
Place:
Toronto; Toronto City; Ontario; Canada
Date created:
2006
Catalog Number:
26/7172
Barcode:
267172.000
See related items:
Swampy Cree
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6fac98cf1-e49d-4efe-9e01-f272cef3baed
EDAN-URL:
edanmdm:NMAI_394349
Online Media:

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