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Oral history interview with Juan Sánchez, 2018 October 1-2

Interviewee:
Sánchez, Juan, 1954-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Type:
Interviews
Sound recordings
Topic:
Hispanic American artists  Search this
Mixed media (Art)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17606
(DSI-AAA_SIRISBib)396648
AAA_collcode_sanche18
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_396648

Oral history interview with Juan Sánchez

Interviewer:
Sánchez, Juan, 1954-  Search this
Franco, Josh T., 1985-  Search this
Extent:
9 Items (sound files (7 hr., 59 min.) Audio, digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2018 October 1-2
Scope and Contents:
An interview with Juan Sánchez conducted 2018 October 1-2, by Josh T. Franco, for the Archives of American Art, at Sánchez studio, in Brooklyn, New York.
Sanchez speaks of his childhood in Puerto Rican enclaves of Brooklyn; formative experiences with Nuyorican poets; early memories of Puerto Rico; his earliest interest in drawing from comic books; early art-making and art education experiences, including the Pratt Saturday program; encountering Taller Boricua during the time he studied at Cooper Union; drawing formative inspiration from En Foco's photography; flourishing after initial difficulties at Cooper Union; his graduate studies at Mason Gross School of the Arts at Rutgers University; his early exhibition experiences; his negative experience of participating in Group Material's exhibition Americana; reflections on political art; his friendship with Ana Mendieta; his collaborations with MoCHA , INTAR gallery, and Exit Art; the development of his painting, photography, and collage aesthetics through graduate school; the personal and emotional dimension of his art-making process; his use of circles and photographs of heroic historical figures in his paintings; the development and execution of his public art commissions; the development of his teaching career; his experiences working at the Queens Museum education department and Cooper Union admissions department; specific controversies over the content of his work being shown at Princeton University and SUNY Stony Brook; the development and execution of his printmaking practice; and his reflections on the experience and importance of participating in an oral history interview. Sanchez also recalls Amiri Baraka, Sandra María Esteves, Louis Reyes Rivera, Pedro Pietri, Gilbert Hernandez, Jorge Soto, Hans Haacke, Reuben Kadish, Eugene Tulchin, Charles Biasiny, Leon Golub, Larry Fink, Robert Blackburn, Mel Edwards, Doug Ashford, Jimmie Durham, Nancy Spero, Lucy Lippard, Geno Rodriguez, Papo Colo, Jayne Cortez, Carl Andre, Ana Mendieta, Raquelín Mendieta, Noah Jemison, Inverna Lockpez, Nilda Peraza, James Luna, Julia Hirschberg, Susana Leval, Miguel Algarín, Jeanetter Ingberman, Jolie Guy, Susan Bloodworth, Zachary Fabri, Gilbert Cardenas, Jeanne Moutoussamy-Ashe, Michael Brathwaite, Alfredo Jaar, Tomie Arai, Lorenzo Clayton, Joan Hall, Pepe Coronado, Maryanne Simmons, and Melquiades Rosario Sastre.
Biographical / Historical:
Juan Sánchez (1954- ) is a printmaker, muralist, painter, and teacher in Brooklyn, New York. Josh T. Franco (1985- ) is the National Collector, Archives of American Art, Smithsonian Institution, Washington, D.C.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Occupation:
Art teachers -- New York (State) -- New York -- Interviews  Search this
Topic:
Hispanic American artists  Search this
Mixed media (Art)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sanche18
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanche18

Paul Strand interview, 1971 Nov

Creator:
Strand, Paul, 1890-1976  Search this
Brown, Milton Wolf, 1911-1998  Search this
Subject:
Rosenblum, Walter  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11528
(DSI-AAA_SIRISBib)214239
AAA_collcode_strapaul2
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214239

Paul Strand interviews, 1973 Jan. and undated

Creator:
Strand, Paul, 1890-1976  Search this
Goell, Jon  Search this
Type:
Sound recordings
Interviews
Topic:
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)6453
(DSI-AAA_SIRISBib)215605
AAA_collcode_strapaul
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215605

Ernst Haas interview, 1969 Mar. 1

Creator:
Haas, Ernst, 1921-1986  Search this
Bondi, Inge  Search this
Type:
Interviews
Topic:
Art, American  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)10688
(DSI-AAA_SIRISBib)214288
AAA_collcode_haaserns
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214288

Paul Strand interviews

Creator:
Strand, Paul, 1890-1976  Search this
Interviewer:
Goell, Jon  Search this
Extent:
3 Sound cassettes (Sound recording)
Type:
Collection descriptions
Archival materials
Sound cassettes
Sound recordings
Interviews
Date:
1973 Jan. and undated
Scope and Contents:
Interview of Paul Strand conducted by Jon Goell on 2 cassettes. A third cassette contains duplicate excerpts of the Goell interview with Strand, as well as a second, 33-minute interview conducted by an unidentified interviewer.
Biographical / Historical:
Paul Strand (1890-1976) was a photographer from New York, N.Y.
Provenance:
Donated 1975 by Paul Strand.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.strapaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strapaul

Oral history interview with Arnold Newman

Interviewee:
Newman, Arnold, 1918-2006  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Brodovitch, Alexey, 1898-1971  Search this
Epstein, Jacob, Sir, 1880-1959  Search this
Gross, Chaim, 1904-1991  Search this
Rose, Ben, 1916-1980  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
144 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 July 17-Aug. 23
Scope and Contents:
An interview of Arnold Newman conducted 1971 July 17-Aug. 23, by Paul Cummings, for the Archives of American Art.
Newman speaks of his early life in New York, Atlantic City, and Miami; learning the basics of photography as an apprentice to Litt Brothers; his West Palm Beach studio and his exhibition at A.D. Gallery in New York. He recalls being discovered by the Museum of Modern Art and Stieglitz and his first portraits of artists. Newman comments on influences on his work; his techniques and equipment and his difficulties with color photography. He discusses commissions; judging photographic talent; LIFE, "Holiday," and "Harper's" assignments and commercial photography. Newman relates anecdotes about some of the artists he photographed and talks about the formation of his own primitive art collection. He reminisces about Ben Rose, Chaim Gross, Jacob Epstein, Ben Shahn, and Alexey Brodovitch.
Biographical / Historical:
Arnold Newman (1918-2006) was a photographer by New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hrs., 47 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Rights:
Authorization to publish, quote or reproduce must be obtained from Arnold Newman.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.newman71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-newman71

Paul Strand interview

Creator:
Strand, Paul, 1890-1976  Search this
Interviewer:
Brown, Milton W. (Milton Wolf), 1911-1998  Search this
Names:
Rosenblum, Walter, 1919-2006  Search this
Extent:
3 Sound tapes (Sound recording, 7 in.)
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tapes
Pages
Sound recordings
Interviews
Date:
1971 Nov
Scope and Contents:
Interview of Paul Strand conducted by Milton Brown and Walter Rosenblum.
Biographical / Historical:
Paul Strand (1890-1976) was a photographer in New York, N.Y.
Provenance:
Donated 1972 by Milton Brown.
Topic:
Art, American  Search this
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.strapaul2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strapaul2

Oral history interview with Edward Steichen

Interviewee:
Steichen, Edward, 1879-1973  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 June 5
Scope and Contents:
An interview of Edward Steichen conducted 1970 June 5, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Edward Steichen (1879-1973) was a photographer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 9 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
For information on how to access this interview contact Reference Services.
Topic:
Photography, Artistic  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.steich70
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-steich70

Oral history interview with Hans Namuth

Interviewee:
Namuth, Hans  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Pollock, Jackson, 1912-1956  Search this
Extent:
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 Aug. 12-Sept. 14
Scope and Contents:
An interview of Hans Namuth conducted 1971 Aug. 12-Sept. 8, by Paul Cummings, at the artist's studio in New York, N.Y., for the Archives of American Art. Namuth speaks of his youth in Germany; the effects of Nazism on him and his family; living in Paris and Spain after leaving Germany; his first involvement with photography; living in a refugee camp; moving to New York in 1941 and working as a photographer; his activities in military intelligence during World War II; meeting Jackson Pollock in 1949 and making a film about him; and working in architectural photography.
Biographical / Historical:
Hans Namuth (1915 -1990) was a photographer and a filmmaker from New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hrs., 5 min.
Partially transcribed. August 12 and September 8 sessions are transcribed; September 14 session is not transcribed.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photography -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.namuth71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-namuth71

Oral history interview with Zoe Leonard

Interviewee:
Leonard, Zoe  Search this
Interviewer:
Carr, C.  Search this
Names:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Extent:
20 Items (sound files (6 hrs., 16 min.) Audio, digital, wav)
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Place:
New York (N.Y.)
New York (N.Y.)
Date:
2017 May 31-July 7
Scope and Contents:
An interview with Zoe Leonard conducted 2017 May 31 and July 7, by Cynthia Carr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Finkelstein's home and studio in Brooklyn, New York.
Biographical / Historical:
Zoe Leonard (1961- ) is a photographer and sculptor in New York, New York. Cynthia Carr (1950- ) is a writer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Topic:
AIDS (Disease) and the arts  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.leonar17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-leonar17

Oral history interview with Chuck Close

Interviewee:
Close, Chuck, 1940-  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Pollock-Krasner Foundation  Search this
Extent:
2 Items (sound files (1 hr., 34 min.) Audio, digital, wav)
19 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 July 20
Scope and Contents:
An interview with Chuck Close conducted 2017 July 20, by Christopher Lyon, for the Archives of American Art, at Close's home and studio in Long Beach, New York.
Close speaks of his friendships with Robert Rauschenberg, Richard Serra, and other artists; his decision to explore the genre of portraiture; different methods of printmaking, photography, and painting that he employs; his friendship with Philip Glass; problems with his memory; his painting techniques since "The Event" (a spinal artery collapse which led to partial paralysis); his favorite early paintings; organizing his exhibition Head-On/The Modern Portrait; and his involvement with Turnaround Arts. Close also recalls Brice Marden, Vija Celmins, Janet Fish, Nancy Graves, Rackstraw Downes, Sol Lewitt, Paul Simon, Mark Greenwold, Debbie Wye, and others.
Biographical / Historical:
Chuck Close (1940- ) is a painter and photographer, in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Audio: ACCESS RESTRICTED; use requires an appointment.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.close17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-close17

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloom12

Oral history interview with John Vachon

Interviewee:
Vachon, John, 1914-1975  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration. Historical Section  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
18 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 April 28
Scope and Contents:
An interview of John Vachon conducted 1964 April 28, by Richard Doud, for the Archives of American Art.
Vachon speaks of how he started on the Farm Security Administration project; getting started as an FSA photographer; helping to organize the photograph file; early assignments as a photographer; the influence of Walker Evans; making decisions about the subject matter of the photographs; the growth of the FSA project; the difference between being a photographer for LOOK magazine and for the FSA; his philosophy of photography; and his most memorable experiences with the FSA. He recalls Roy Stryker.
Biographical / Historical:
John Vachon (1914-1975) was a photographer from New York, N.Y. Vachon worked under Roy Stryker on the Farm Security Administration's Photography project. Also worked for LOOK magazine.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 3 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Documentary photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.vachon64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vachon64

Oral history interview with William Wegman

Interviewee:
Wegman, William  Search this
Interviewer:
Richards, Judith Olch  Search this
Extent:
4 Items (wav files (4 hr.), digital)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2008 March 8
Scope and Contents:
An interview of William Wegman conducted 2008 March 8, by Judith Olch Richards, for the Archives of American Art, at Wegman's home, in New York, N.Y.
Biographical / Historical:
William Wegman (1943- ) is a photographer, New York, N.Y. Judith Olch Richards (1947- ) is former executive director, iCI; New York, N.Y.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wegman08
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wegman08

Oral history interview with Rosalind Fox Solomon

Interviewee:
Solomon, Rosalind, 1930-  Search this
Interviewer:
Yablonsky, Linda, 1948-  Search this
Names:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Solomon, Rosalind, 1930-  Search this
Extent:
140 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2016 October 29 and 31
Scope and Contents:
An interview with Rosalind Fox Solomon conducted 2016 October 29 and 31, by Linda Yablonsky, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Solomon's home and studio in New York, New York.
Solomon speaks of her childhood in Highland Park, Illinois; moving to Chattanooga, Tennessee with her first husband in 1953; beginning to take photographs in the late-1960s; formative international travels; moving to Greenwich Village in 1984 after her divorce; her body of photographic and audiovisual work and exhibitions; meeting and photographing people living with HIV/AIDS; taking photographs internationally; being an outsider in the 1980s New York art world; and changes in her work routine from the 1980s to the present. Solomon also recalls Charles Counts, Lisette Model, Henrietta Brockman, Jane Livingston, Weston Neff, John Szarkowski, Father Bill McNichols, Tom Sokolowski, Vince Aletti, Sarah Meister, Arthur Ollman, Peter Galassi, Roxana Marcoci, Peter Eleey, and others.
Biographical / Historical:
Interviewee Rosalind Fox Solomon (1930- ) is a fine art photographer in New York, New York. Interviewer Linda Yablonsky (1948- ) is a writer in New York, New York.
General:
Originally recorded as 2 digital, wav sound files. Duration is 4 hr., 30 min.
Related Materials:
Rosalid Solomon Papers are held by the Center for Creative Photography in Tuscon, Arizona.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.solomo16
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-solomo16

Oral history interview with Aaron Siskind

Interviewee:
Siskind, Aaron  Search this
Interviewer:
Shikler, Barbara  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Mark Rothko and His Times Oral History Project  Search this
De Kooning, Willem, 1904-1997  Search this
Gottlieb, Adolph, 1903-1974  Search this
Kline, Franz, 1910-1962  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Rothko, Mark, 1903-1970  Search this
Solomon, Joe  Search this
Still, Clyfford, 1904-1980  Search this
Strand, Paul, 1890-1976  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 September 28-October 2
Scope and Contents:
An interview of Aaron Siskind conducted 1982 September 28-October 2, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
Siskind recalls his childhood in New York and his early interest in poetry and later photography. He describes the evolution of his own work, the role of various influences upon his work, and the meanings that can be assigned to his work. He discusses the abstract expressionist elements of his photographs and recalls his involvement with painters, including Mark Rothko. He speaks of photographing Rothko's paintings, and describes Rothko's personality. He recalls Barney Newman, Adolph Gottlieb, Paul Strand, Franz Kline, Willem de Kooning, Joe Solomon, Robert Motherwell, Clyfford Still, and others.
Biographical / Historical:
Aaron Siskind (1903-1991) was a photographer from New York, N.Y.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 7 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Abstract expressionism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.siskin82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-siskin82

Oral history interview with Laurie Simmons

Interviewee:
Simmons, Laurie  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Pollock-Krasner Foundation  Search this
Extent:
4 Items (sound files (2 hrs., 41 min.) Audio, digital, wav)
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 25-September 27
Scope and Contents:
An interview with Laurie Simmons conducted 2017 May 25 and September 27 by Christopher Lyon, for the Archives of American Art, at Simmons' home and studio in Brooklyn, New York.
Simmons speaks of her childhood and adolescence in Great Neck, New York; early exposure to photography; attending Tyler School of Art and studying in Rome; renting a loft in New York with Jimmy DeSana in 1973; attending formative exhibitionsin the mid-1970s; beginning her body of photographic artwork in 1976; forming social bonds with other artists in New York; "girl parties" and openings in the 1980s with Gretchen Bender, Jennifer Bolande, Nancy Dwyer, Jenny Holzer, Barbara Kruger, Cindy Sherman, and others; the trajectory of her body of work's subject matter; becoming a mother; her ambivalence toward engaging with critical theory; the cinematic urge in her early work, later realized in her work as a filmmaker; the current stage of her career; and her burgeoning interest in Internet culture. Simmons also recalls Deborah Turbeville, Sarah Charlesworth, Carroll Dunham, Mel Bochner, Dorothea Rockburne, Barry Le Va, Tara Suzuki, Rosalie Onorato, Ellen Brooks, and others.
Biographical / Historical:
Laurie Simmons is a photographer, filmmaker, and artist in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Filmmakers -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.simmon17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-simmon17

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University -- Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Sculptors  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Function:
Art galleries, Commercial
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sekula11

Oral history interview with Arthur Rothstein

Interviewee:
Rothstein, Arthur, 1915-1985  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
Evans, Walker, 1903-1975  Search this
Lee, Russell, 1903-1986  Search this
Mydans, Carl  Search this
Shahn, Ben, 1898-1969  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1964 May 25
Scope and Contents:
An interview of Arthur Rothstein conducted in New York, N.Y., 1964 May 25, by Richard Doud, for the Archives of American Art.
Rothstein speaks of the development of his interest in photography as a hobby while in pre-medical school during the Depression; meeting Roy Stryker and his early impressions of Stryker; the Resettlement Administration and its growth into the Farm Security Administration (FSA); the educational experience of working under Stryker's guidance; the influence of Ben Shahn and Walker Evans; the traveling experience and its influence on him; early assignments; developing as a photographer; documenting the Dust Bowl; the "skull" series and the controversy surrounding it; usage of the FSA works; the FSA's contribution to Rothstein's life and personal development; and going to work for LOOK magazine. He recalls Carl Mydans and Russell Lee.
Biographical / Historical:
Arthur Rothstein (1915-1985) was a photographer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 11 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Documentary photography -- United States  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.rothst64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rothst64

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