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Maryette Charlton papers

Creator:
Charlton, Maryette  Search this
Names:
American University of Beirut -- Faculty  Search this
Art Institute of Chicago -- Faculty  Search this
Chicago Public School Art Society  Search this
Container Corporation of America  Search this
University of Iowa, Museum of Art  Search this
Andres, Jo  Search this
Bishop, Elizabeth, 1911-1979  Search this
Cage, Xenia  Search this
Calder, Alexander, 1898-1976  Search this
Court, Paula  Search this
Elliott, Leone  Search this
Elliott, Owen  Search this
Fujitomi, Yasuo, 1928-  Search this
Habachy, Nimet  Search this
Hadzi, Dimitri, 1921-2006  Search this
Haskins, Sylvia Shaw Judson, 1897-  Search this
Hoff, Margo  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lubar, Cindy  Search this
MacIver, Loren, 1909-  Search this
Matisse, Pierre, 1900-1989  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Nevelson, Louise, 1899-1988  Search this
Purdy, James  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Kiki, 1954-  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Von Brockdorff, Louise Medbery  Search this
Extent:
80.6 Linear feet
0.34 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Date:
circa 1890-2013
Summary:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Scope and Contents:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and 0.34 gigabytes and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and video recordings, motion picture film, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

Biographical materials consist of material on Maryette Charlton and her family. The subseries on Maryette Charlton includes a biographical chronology, passports, records of her marriage to Hall Winslow, information on studio spaces, school transcripts, and other material. Family files include genealogical charts and files of family members containing correspondence, writings, printed material, sound and video recordings, and photographs. The bulk of the family files are for Charlton's parents, Etna and Shannon, and her husband and son, Hall and Kirk Winslow.

Extensive correspondence is with family, friends, artists, and colleagues. Family correspondence is with her husband and son, parents, and extended family. Personal correspondence is with friends and colleagues, many of whom were famous artists. Named correspondence files and chonological correspondence files contain exchanges with Jo Andres, Elizabeth Bishop, Xenia Cage, Paula Court, Yasuo Fujitomi, Dimitri Hadzi, Margo Hoff, Sylvia Shaw Judson, Lillian Kiesler, Cindy Lubar, Loren MacIver, Pierre Matisse, Nimet (Saba Habachy), Henri Seyrig, Robert Wilson, and many others. There is also correspondence with colleges, museums, and universities.

Writings include academic papers and college class notes, titled essays, a notebook with sketches, and miscellaneous notes. Thirty diaries cover the period 1943 - 2001 and document a wide variety of topics, from film projects to travels to the art world in New York City. Some diaries are illustrated, including one illustrated by Alexander Calder at a party with Maryette, Ellsworth Kelly, and actress Delphine Seyrig. Journals from 1978-1979 tell of Charlton's experiences while appearing in films made by avant-garde director Richard Foreman. There is also one diary of Maryette's mother Etna Barr Charlton.

Teaching files document Charlton's career as an instructor at the Art Institute of Chicago and as the founder of and instructor at the American University of Beirut's art department. Files include appointment calendars, schedules, notes, lectures, news releases, printed material, and photographs.

Professional and project files consist of material related to Maryette Charlton's professional work at the University of Iowa Museum of Art, as a lecturer at the Chicago Public School Art Society, color analyst at the Container Corporation of America, executor of the estate of artist Louise Medbery von Brockdorff, fellowships, conferences, organizations, and the filming industry in general. There are files for the screening of Zen in Ryoko-In. The University of Iowa Museum of Art subseries consists of correspondence with fellow co-founders Leone and Owen Elliott, files on art donations, museum administration, annual reports, printed material, photographs, and sound and video recordings.

Artist research files consist of books, articles, and clippings collected by Charlton for research. Notable artists chronicled include Alexander Calder, James Purdy, Louise Nevelson, Kiki Smith, and Toshiko Takaezu.

Major film project files document Maryette Charlton's films about or with artists Frederick Kiesler (Trienniale, The Universal Theater and Kiesler on Kieseler), Lenore Tawney, Dorothy Miller, Loren MacIver, and Jeanne Reynal. The files for Frederick Kiesler also contain materials about his wife Lillian Kiesler, with whom Charlton had a long relationship and collaborated with on film projects. Individual film project files contain a wide variety of research and production documentation, including correspondence, writings, printed material, research files, exhibition catalogs, photographic materials, sound recordings of interviews and lectures, and Charlton's documentation about the creation and producation of each film, such as contracts, scripts, and distribution information. The film project files for Kiesler and Dorothy Miller are particularly rich, containing substantial amounts of primary source materials not found elsewhere. Sound and video recordings are found throughout the series, as well as 4 film reels.

Files documenting Maryette Charlton's group and solo exhibitions include catalogs and announcements, publicity, printed material, mailing lists, art inventory, sales lists, correspondence, and other material.

Printed materials include other exhibition catalogs, books, posters, magazines, and clippings. There are many books on color theory from Maryette Charlton's job as a color analyst and substanial printed material on Frederick Kiesler. Scrapbooks document Maryette Charlton's personal life from high school, college, and summer camp, as well as exhibitions of her own work, and miscellaneous subjects.

Artwork includes sketches and drawings by Maryette Charlton, some drawings by Lillian Kiesler and others, and mail art created by various artists. There are also 22 sketchbooks filled with pencil, ink, and crayon drawings and sketches, with occasional annotations.

Photographic materials include photographs, slides, negatives, and photograph albums. There are photographs of Maryette Charlton, her travels, family, friends, and artists. Photographs are also found throughout other series.

Sound and video recordings which could not be merged with other series were arranged in an audiovisual series. There are recordings of radio programs and performances Maryette Charlton attended or participated in as well as miscellaneous recordings of artists and events.

The 2014 addition to the Maryette Charlton papers consists of biographical materials, journals, correspondence, subject files, printed materials, and a small number of photographs.
Arrangement:
This collection is arranged as 16 series.

Missing Title

Series 1: Biographical Material, 1896-2005 (3.4 linear feet; Boxes 1-4, 80)

Series 2: Correspondence, 1930-2010 (23.3 linear feet; Boxes 4-27, 80)

Series 3: Writings, 1942-1999 (1 linear feet; Boxes 27-28)

Series 4: Diaries, 1943-2001 (2.1 linear feet; Boxes 28-30)

Series 5: Teaching Files, 1946-1997 (3.6 linear feet; Boxes 30-33, 80)

Series 6: Professional and Project Files, 1923-1998 (7.6 linear feet; Boxes 34-41, 81, OV 87)

Series 7: Artist Research Files, 1949-circa 2000 (1.8 linear feet; Boxes 41-43, FCs 88-89)

Series 8: Major Film Projects, 1904-2007 (18.8 linear feet, 0.34 GB; Boxes 43-61, 81-82, OV 87, FC 90-91, ER01)

Series 9: Exhibition Files, 1950-2000 (0.8 linear feet; Boxes 61-62)

Series 10: Printed Material, 1924-2000 (3.2 linear feet; Boxes 62-65, 82, OV 87)

Series 11: Scrapbooks, 1939-2010 (0.8 linear feet; Box 65, 82-83)

Series 12: Artwork, 1950-1998 (0.9 linear feet; Boxes 65-66, 84)

Series 13: Sketchbooks, 1949-1996 (0.5 linear feet; Box 66)

Series 14: Photographic Materials, circa 1890-circa 2010 (7.8 linear feet; Boxes 67-74, 84-86)

Series 15: Sound and Video Recordings, circa 1953-2008 (1.2 linear feet; Boxes 74-75, 86)

Series 16: Addition to Maryette Charlton papers, 1951-2013 (3.7 linear feet; Boxes 75-79, 86)
Biographical / Historical:
Maryette Charlton (1924-2013) was a painter, printmaker, photographer, filmmaker and arts advocate based in Chicago, Illinois, and New York, New York.

Maryette Charlton was born in Manchester, Iowa on May 18, 1924. Her parents were Shannon and Etna Charlton and she had 2 siblings. Charlton pursued her undergraduate studies at Monticello College and Northwestern University in Illinois, Antioch College in Ohio, and the University of Colorado before receiving a B.F.A. from Pratt Institute in Brooklyn, New York in 1947. She continued her studies in Chicago, Illinois with Laszlo Moholy-Nagy and Hugo Weber at the Institute of Design and Art Institute of Chicago. From 1948 to 1952, she was a Department of Education lecturer at the Art Institute of Chicago museum galleries and also gave talks at schools for the Chicago Public School Art Society.

Between 1942-1951, Maryette Charlton worked as a color analyst for the Container Corporation of America. In 1952, Charlton founded the Art Department of the American University of Beirut and taught there as an assistant professor until 1956. While in Beirut, Charlton married photographer Hall Winslow in 1953 and their only child Kirk Winslow was born in 1955. Winslow and Charlton later divorced in 1973.

Charlton moved to New York City in 1955. She began a master's program at Columbia University and graduated with a M.F.A in film and printmaking in 1958.

Charlton made numerous documentary films, mostly about American artists including Alexander Calder, e. e. cummings, Jeanne Reynal, Dorothy Miller, Pierre Matisse, Lenore Tawney, and Loren MacIver. She also worked tirelessly to promote the work of sculptor, architect, and set designer Frederick Kiesler. She was the camera woman for Kiesler's Kiesler's Universal Theater which aired on CBS in 1962. She became close friends with Kiesler's widow, Lillian, and they collaborated on the film Kiesler on Kiesler and numerous other film and art projects, supporting the work of young artists. Charlton also worked on commissioned films, including The Mosaics of Jeanne Reynal and Zen in Ryoko-in. Charlton befriended many artists in the visual, literary, and film worlds, including Elizabeth Bishop, Dimitri Hadzi, Margo Hoff, James Purdy, and Delphine Seyrig.

A performer in her own right, Charlton appeared in the works of Richard Foreman, Jo Andres, and others. She also played the part of Helen Keller in the film Ghostlight (2003).

An Iowa native, Charlton founded the University of Iowa Museum of Art together with Leone and Owen Elliott. She maintained a close relationship with the Iowa Museum over many years as a donor and chronicler.

Charlton died in New York City on November 25, 2013.
Related Materials:
The Houghton Library at Harvard University and the University of Iowa Museum of Art also hold papers and artwork by Maryette Charlton. The Museum of Modern Art, New York, houses the film Kiesler on Kiesler, created by Maryette Charlton.

The Archives of American Art also has the papers of Frederick and Lillian Kiesler, a portion of which was donated by Charlton.
Provenance:
The Maryette Charlton papers were donated in multiple accretions from 1998-2011 by Maryette Charlton, and in 2013-2014 by the Maryette Charlton estate via Jo Andres, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Filmmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Museums -- Administration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women printmakers  Search this
Women educators  Search this
Art -- Study and teaching  Search this
Color  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Citation:
Maryette Charlton papers, circa 1890-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.charmary
See more items in:
Maryette Charlton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914a42bb1-d069-466f-8948-94f4bf257230
EDAN-URL:
ead_collection:sova-aaa-charmary
Online Media:

Bettye Lane papers

Creator:
Lane, Bettye, 1930-  Search this
Names:
Azara, Nancy J., 1939-  Search this
Colflesh, Eleanor Schurr  Search this
Dehner, Dorothy, 1901-1994  Search this
Epstein, Beatrice G.  Search this
Freund, Marjorie  Search this
Nevelson, Louise, 1899-1988  Search this
Schwarzbaum, Enid  Search this
Vero, Sandra, 1936-  Search this
Walsh, Alita  Search this
Washburn, Janey, 1933-  Search this
Wunderman, Jan Darcourt, 1921-  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1979-1980
Scope and Contents:
Photographs of women artists at work in their studios photographed by Lane. Included are Alita Walsh, Nancy Azara, Eleanor Schurr Colflesh, Dorothy Dehner, Beatrice G.Epstein, Marjorie Freund, Enid Schwarzbaum, Sandra Vero, Janey Washburn, and Jan Wunderman; photograph portrait of Louise Nevelson; resumes of the various artists photographed; resume for Lane, 1979-1980.
Biographical / Historical:
Bettye Lane (1930-2012) was a photographer in New York, N.Y.
Provenance:
Donated 1980 by Bettye Lane.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women photographers  Search this
Function:
Artists' studios
Identifier:
AAA.lanebett
See more items in:
Bettye Lane papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9efe0759c-4277-4ee8-a110-b66420179580
EDAN-URL:
ead_collection:sova-aaa-lanebett

Oral history interview with Hans Namuth, 1971 Aug. 12-Sept. 14

Interviewee:
Namuth, Hans, 1915-1990  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Pollock, Jackson  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Hans Namuth, 1971 Aug. 12-Sept. 14. Archives of American Art, Smithsonian Institution.
Topic:
Photography -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
Record number:
(DSI-AAA_CollID)13000
(DSI-AAA_SIRISBib)212024
AAA_collcode_namuth71
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212024
Online Media:

Oral history interview with Arthur Rothstein, 1964 May 25

Interviewee:
Rothstein, Arthur, 1915-1985  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Lee, Russell  Search this
Mydans, Carl  Search this
Shahn, Ben  Search this
Stryker, Roy Emerson  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Arthur Rothstein, 1964 May 25. Archives of American Art, Smithsonian Institution.
Topic:
Documentary photography -- United States  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13317
(DSI-AAA_SIRISBib)213781
AAA_collcode_rothst64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213781
Online Media:

Oral history interview with Aaron Siskind, 1982 September 28-October 2

Interviewee:
Siskind, Aaron, 1903-1991  Search this
Interviewer:
Shikler, Barbara  Search this
Subject:
Rothko, Mark  Search this
Motherwell, Robert  Search this
Solomon, Joe  Search this
Still, Clyfford  Search this
Newman, Barnett  Search this
De Kooning, Willem  Search this
Gottlieb, Adolph  Search this
Strand, Paul  Search this
Kline, Franz  Search this
Mark Rothko and His Times Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Aaron Siskind, 1982 September 28-October 2. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
Record number:
(DSI-AAA_CollID)13045
(DSI-AAA_SIRISBib)215646
AAA_collcode_siskin82
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215646
Online Media:

Oral history interview with Andres Serrano, 2009 July 29-30

Interviewee:
Serrano, Andres, 1950-  Search this
Interviewer:
Goodyear, Frank H., 1967-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Andres Serrano, 2009 July 29-30. Archives of American Art, Smithsonian Institution.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15753
(DSI-AAA_SIRISBib)287103
AAA_collcode_serran09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287103

Oral history interview with Anthony Barboza

Interviewee:
Barboza, Anthony, 1944-  Search this
Interviewer:
Shumard, Ann M.  Search this
Extent:
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 November 18-19
Scope and Contents:
An interview of Anthony Barboza conducted 2009 November 18 and 19, by Ann Shumard, for the Archives of American Art, at the Jolly Madison Towers hotel, in New York, New York.
Biographical / Historical:
Anthony Barboza (1944- ) is an American photographer and historian in Westbury, New York.
General:
Originally recorded 6 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- New York (State) -- New York  Search this
Historians -- New York (State) -- New York  Search this
Topic:
African American photographers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barboz09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b688f8db-e24e-4802-93f6-e6070de456b4
EDAN-URL:
ead_collection:sova-aaa-barboz09
Online Media:

Oral history interview with Arthur Rothstein

Interviewee:
Rothstein, Arthur, 1915-1985  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
Evans, Walker, 1903-1975  Search this
Lee, Russell, 1903-1986  Search this
Mydans, Carl  Search this
Shahn, Ben, 1898-1969  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1964 May 25
Scope and Contents:
An interview of Arthur Rothstein conducted in New York, N.Y., 1964 May 25, by Richard Doud, for the Archives of American Art.
Rothstein speaks of the development of his interest in photography as a hobby while in pre-medical school during the Depression; meeting Roy Stryker and his early impressions of Stryker; the Resettlement Administration and its growth into the Farm Security Administration (FSA); the educational experience of working under Stryker's guidance; the influence of Ben Shahn and Walker Evans; the traveling experience and its influence on him; early assignments; developing as a photographer; documenting the Dust Bowl; the "skull" series and the controversy surrounding it; usage of the FSA works; the FSA's contribution to Rothstein's life and personal development; and going to work for LOOK magazine. He recalls Carl Mydans and Russell Lee.
Biographical / Historical:
Arthur Rothstein (1915-1985) was a photographer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 11 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Documentary photography -- United States  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.rothst64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bf7545fb-dd5d-44c4-953c-274df0133fea
EDAN-URL:
ead_collection:sova-aaa-rothst64
Online Media:

Oral history interview with Andres Serrano

Interviewee:
Serrano, Andres, 1950-  Search this
Interviewer:
Goodyear, Frank H., III, 1967-  Search this
Extent:
53 Pages (Transcript)
8 Items (Sound recording: 8 sound files (5 hr., 13 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 July 29-30
Scope and Contents:
An interview with Andre Serrano conducted 2009 July 29 and 30, by Frank H. Goodyear, for the Archives of American Art, at Serrano's home, in New York, New York.
Biographical / Historical:
Andres Serrano (1950- ) is a photographer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.serran09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw942b2d35c-004c-4210-acd8-53430634384e
EDAN-URL:
ead_collection:sova-aaa-serran09
Online Media:

Oral history interview with Dorothy Norman

Interviewee:
Norman, Dorothy, 1905-1997  Search this
Interviewer:
McNaught, William  Search this
Extent:
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1979 May 31-1979 June
Scope and Contents:
An interview of Dorothy Norman conducted 1979 May 31-June, by William McNaught for the Archives of American Art.
Biographical / Historical:
Dorothy Norman (1905-1997) was a photographer from New York, N.Y.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 5 hrs., 30 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women photographers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.norman79
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974a893d6-c661-4892-b8e7-a99d6efaf081
EDAN-URL:
ead_collection:sova-aaa-norman79
Online Media:

Oral history interview with Aaron Siskind

Interviewee:
Siskind, Aaron  Search this
Interviewer:
Shikler, Barbara  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Mark Rothko and His Times Oral History Project  Search this
De Kooning, Willem, 1904-1997  Search this
Gottlieb, Adolph, 1903-1974  Search this
Kline, Franz, 1910-1962  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Rothko, Mark, 1903-1970  Search this
Solomon, Joe  Search this
Still, Clyfford, 1904-1980  Search this
Strand, Paul, 1890-1976  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 September 28-October 2
Scope and Contents:
An interview of Aaron Siskind conducted 1982 September 28-October 2, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
Siskind recalls his childhood in New York and his early interest in poetry and later photography. He describes the evolution of his own work, the role of various influences upon his work, and the meanings that can be assigned to his work. He discusses the abstract expressionist elements of his photographs and recalls his involvement with painters, including Mark Rothko. He speaks of photographing Rothko's paintings, and describes Rothko's personality. He recalls Barney Newman, Adolph Gottlieb, Paul Strand, Franz Kline, Willem de Kooning, Joe Solomon, Robert Motherwell, Clyfford Still, and others.
Biographical / Historical:
Aaron Siskind (1903-1991) was a photographer from New York, N.Y.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 7 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Abstract expressionism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.siskin82
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93b4bbb41-b11b-467e-93b5-df9352eb486d
EDAN-URL:
ead_collection:sova-aaa-siskin82
Online Media:

Eighteenth / Annual Dinner / American Irish / Historical Society / January 8th 1916 / Waldorf-Astoria. [Souvenir menu for the eighteenth annual dinner of the American Irish Historical Society : booklet,]

Topic:
Ethnic Imagery Project, Archives Center
Sponsor:
American-Irish Historical Society  Search this
Photographer:
Levins, Anna Frances  Search this
Collection Creator:
Crimmins, John Daniel, 1844-1917 (contractor)  Search this
Extent:
2 Items (7 leaves plus cover, 11 x 8-1/2".)
Container:
Box 1, Folder 5
Culture:
Irish Americans  Search this
Type:
Archival materials
Menus
Place:
Waldorf-Astoria Hotel (New York, N.Y.)
Date:
1916
Scope and Contents:
Menu honoring Thomas Addis Emmet, M.D. Event held at the Waldorf Astoria on January 8, 1916. Cover illustration: frontal and profile portraits, apparently depicting Thomas Addis and Robert Emmet, surrounded by emblems of his accomplishments, including medals awarded. Inside is a photogravure reproduction of a photograph of Thomas Addis Emmet (with a reproduction of his signature) by Anna Frances Levins, who is listed as the official photographer on the officers' page. The last page contains the text of the song "America." Menu tied with red, white, and blue ribbon. 2 copies, one containing seating chart.
Local Numbers:
AC0398-0000007.tif (AC Scan No.: cover)
General:
In Box 1, Folder 5.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Patriotism  Search this
Women photographers -- New York (State) -- New York  Search this
Genre/Form:
Menus
Collection Citation:
John D. Crimmins Collection, Archives Center, National Museum of American History.
See more items in:
John D. Crimmins Collection
John D. Crimmins Collection / The American Irish Historical Society
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ed396e0c-4ef6-4787-a504-dd91510379d8
EDAN-URL:
ead_component:sova-nmah-ac-0398-ref716

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Designers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Women artists  Search this
Women photographers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e966c1f9-880c-46de-a7ab-b3eb08c8d2cc
EDAN-URL:
ead_collection:sova-aaa-bloom12
Online Media:

Oral history interview with Hans Namuth

Interviewee:
Namuth, Hans  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Pollock, Jackson, 1912-1956  Search this
Extent:
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 Aug. 12-Sept. 14
Scope and Contents:
An interview of Hans Namuth conducted 1971 Aug. 12-Sept. 8, by Paul Cummings, at the artist's studio in New York, N.Y., for the Archives of American Art. Namuth speaks of his youth in Germany; the effects of Nazism on him and his family; living in Paris and Spain after leaving Germany; his first involvement with photography; living in a refugee camp; moving to New York in 1941 and working as a photographer; his activities in military intelligence during World War II; meeting Jackson Pollock in 1949 and making a film about him; and working in architectural photography.
Biographical / Historical:
Hans Namuth (1915 -1990) was a photographer and a filmmaker from New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hrs., 5 min.
Partially transcribed. August 12 and September 8 sessions are transcribed; September 14 session is not transcribed.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photography -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.namuth71
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95af4b2d0-3c89-401f-8af9-3911031bb456
EDAN-URL:
ead_collection:sova-aaa-namuth71
Online Media:

Oral history interview with Fong Chow

Interviewee:
Chow, Fong  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Glidden Pottery (Alfred, N.Y.)  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parker, Glidden, 1913-1980  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2002 February 6
Scope and Contents:
An interview of Fong Chow conducted February 6, 2002, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Chow's home, in New York, N.Y.
Chow speaks of his family, specifically, his grandfather who was sent to Hartford, Connecticutt, in 1874, for schooling, then studied at Columbia University and returned to China, working as general manager of one of the earliest railroads in north China; the schools Chow attended in Hong Kong; working in different media, including painting and photography; attending the Boston Museum School and then Alfred University; his relationship with Charles Harder, the head of the ceramic design department at Alfred; the "wonderful" teachers at Alfred in the early 1950s, including Katharine Nelson in painting, Marion Fosdick in sculpture, Daniel Rhodes and Ted Randall; learning production methods, as well as "studio potters work"; developing forms, new glazes, and decorations at Glidden Pottery; his "famous" pieces for Glidden Pottery, such as "New Equations" and "Charcoal and Rice"; how he became involved with the Metropolitan Museum of Art and his relationship with Alan Priest, curator of Far Eastern art; working at the Met as a curator for more than 20 years; changes at the Met during his tenure there; and his hiatus from making ceramics while working at the Met. He discusses his return to clay in 1983 and his studio near Cooper Union; he describes visiting his best friend from childhood, Pan He, a sculptor in China. He also discusses his health; his wife Chao-Ling and how they met; his current focus on photography. Chow also recalls Glidden Parker, James Romer, Bo Gyllensvard, Sergio Dello Strologo, Theodore Hobby, Paul Bollardo, Norman Arsenault, and others.
Biographical / Historical:
Fong Chow (1923- ) is a Chinese American ceramicist, curator, and photographer from New York, N.Y. Margaret Carney (1949- ) is the director of the Schein Joseph International Museum of Ceramic Art in Alfred, N.Y.
General:
Originally recorded 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Ceramicists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Art -- Technique  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Decorative arts  Search this
Asian American photographers  Search this
Asian American ceramicists  Search this
Asian American curators  Search this
Ceramics  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.chow02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f01edc96-bb0b-4ce0-bb04-22e0907cd4c7
EDAN-URL:
ead_collection:sova-aaa-chow02
Online Media:

Oral history interview with Rudy Burckhardt, 1993 January 14

Interviewee:
Burckhardt, Rudy  Search this
Interviewer:
Sawin, Martica  Search this
Subject:
Cornell, Joseph  Search this
De Kooning, Willem  Search this
Denby, Edwin Hooper  Search this
Gorky, Arshile  Search this
Grooms, Red  Search this
Kline, Franz  Search this
Rivers, Larry  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Rudy Burckhardt, 1993 January 14. Archives of American Art, Smithsonian Institution.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Filmmakers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
Record number:
(DSI-AAA_CollID)12098
(DSI-AAA_SIRISBib)215325
AAA_collcode_burckh93
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215325
Online Media:

Oral history interview with Rudy Burckhardt

Interviewee:
Burckhardt, Rudy, 1914-1999  Search this
Interviewer:
Sawin, Martica  Search this
Names:
Cornell, Joseph  Search this
De Kooning, Willem, 1904-1997  Search this
Denby, Edwin Hooper, 1873-  Search this
Gorky, Arshile, 1904-1948  Search this
Grooms, Red  Search this
Kline, Franz, 1910-1962  Search this
Rivers, Larry, 1925-2002  Search this
Extent:
25 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 January 14
Scope and Contents:
An interview of Rudy Burckhardt conducted 1993 January 14, by Martica Sawin, for the Archives of American Art.
Burckhardt speaks about life in the New York art world of the 1930s and 1940s, especially of his friendship with Willem De Kooning and Edwin Denby. He talks briefly about his own films, including collaborations with Joseph Cornell and Red Grooms. He also remembers the artists Larry Rivers, Arshile Gorky, and Franz Kline.
Biographical / Historical:
Rudy Burckhardt (1914-1999) was a photographer and filmmaker from New York, New York.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by John W. Payson.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Filmmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.burckh93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d60ac32-0f58-4eb0-bcef-dee67b70dbb0
EDAN-URL:
ead_collection:sova-aaa-burckh93
Online Media:

Oral history interview with Harry M. Callahan, 1975 February 13

Interviewee:
Callahan, Harry M. (Harry Morey)  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Harry M. Callahan, 1975 February 13. Archives of American Art, Smithsonian Institution.
Topic:
Photography -- United States  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
Record number:
(DSI-AAA_CollID)11869
(DSI-AAA_SIRISBib)212571
AAA_collcode_callah75
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212571
Online Media:

Oral history interview with John Vachon, 1964 April 28

Interviewee:
Vachon, John, 1914-1975  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Stryker, Roy Emerson  Search this
United States. Farm Security Administration. Historical Section  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Vachon, 1964 April 28. Archives of American Art, Smithsonian Institution.
Topic:
Documentary photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)11830
(DSI-AAA_SIRISBib)213956
AAA_collcode_vachon64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213956
Online Media:

Oral history interview with Harry M. Callahan

Interviewee:
Callahan, Harry M.  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 February 13
Scope and Contents:
An interview of Harry M. Callahan conducted 1975 February 13, by Robert Brown, for the Archives of American Art.
Callahan discusses his childhood and family. He talks about his informal training in photography and meeting his good friend, Todd Webb. He remembers meeting Ansel Adams and the great impression Adams made on him and and his photography. He remembers meeting Alfred Stieglitz. Callahan talks about his job in the General Motor's photo lab. He remembers a disappointing first trip to New York. He talks about getting a teaching position at the Chicago Institute of Design with the assistance of Arthur Siegel. He recalls Lazlo Maholy-Nagy (then, Director) who was very impressed by Callahan's photographs. Callahan remembers meeting Aaron Siskind. He talks about the impact his daughter's birth had on him. He discusses starting the photography department at the Rhode Island School of Design. He talks about photographing during his travels to France, Germany, Puerto Rico, and South America.
Biographical / Historical:
Harry M. Callahan (1912-1999) was a photographer of New York, New York. Callahan taught at the Institute of Design at the Illinois Institute of Technology in Chicago, 1946-1961. Chair of photography department, Rhode Island School of Design, 1961-1977.
General:
The quality of the tapes is uneven due to mechanical difficulties.
Originally recorded as 1 sound tape reel. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 27 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photography -- United States  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.callah75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3253cf5-60e4-4ddd-af51-0c03dd14f657
EDAN-URL:
ead_collection:sova-aaa-callah75
Online Media:

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