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Oral history interview with Sidney Goodman, 1990 November 1

Interviewee:
Goodman, Sidney, 1936-2013  Search this
Goodman, Sidney, 1936-2013  Search this
Interviewer:
Pacini, Marina  Search this
Subject:
Berd, Morris  Search this
Landau, Jacob  Search this
Day, Larry  Search this
Philadelphia College of Art  Search this
Pennsylvania Academy of the Fine Arts  Search this
Terry Dintenfass, Inc.  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Record number:
(DSI-AAA_CollID)12532
(DSI-AAA_SIRISBib)214376
AAA_collcode_goodma90
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214376

Oral history interview with Elizabeth Osborne, 1991 May 24

Interviewee:
Osborne, Elizabeth, 1936-  Search this
Osborne, Elizabeth, 1936-  Search this
Interviewer:
Veloric, Cynthia  Search this
Subject:
Watkins, Franklin Chenault  Search this
Pittman, Hobson Lafayette  Search this
Pennsylvania Academy of the Fine Arts  Search this
Marian Locks Gallery  Search this
Fischbach Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists -- Pennsylvania -- Philadelphia -- Interviews  Search this
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)11696
(DSI-AAA_SIRISBib)214384
AAA_collcode_osborn91
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214384

Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986

Creator:
Carlen Galleries  Search this
Carlen Galleries  Search this
Subject:
Gainsborough, Lee  Search this
Feuillate, Raymond  Search this
Davies, Albert Webster  Search this
Prendergast, Maurice Brazil  Search this
Hicks, Edward  Search this
Pippin, Horace  Search this
Kollwitz, Käthe  Search this
Peale family  Search this
Type:
Photographs
Scrapbooks
Topic:
Decorative arts -- United States  Search this
African American artists  Search this
Folk art  Search this
Art -- Collectors and collecting  Search this
Art -- Exhibitions  Search this
Theme:
African American  Search this
Art Market  Search this
Lives of American Artists  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)9611
(DSI-AAA_SIRISBib)211818
AAA_collcode_carlgall
Theme:
African American
Art Market
Lives of American Artists
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211818
Online Media:

Pennsylvania Academy of the Fine Arts

Collection Creator:
Parsons, Betty  Search this
Container:
Box 22, Folder 40
Type:
Archival materials
Date:
1950-1969
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 3: Correspondence Files / 3.1: Institutions and Dealers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parsbett-ref886

Carlen Galleries, Inc., records

Creator:
Carlen Galleries  Search this
Names:
Peale family  Search this
Davies, Albert Webster, 1889-1967  Search this
Feuillate, Raymond, 1901-1971  Search this
Gainsborough, Lee  Search this
Hicks, Edward, 1780-1849  Search this
Kollwitz, Käthe, 1867-1945  Search this
Pippin, Horace, 1888-1946  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Extent:
10.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1775-1997
bulk 1940-1986
Summary:
The Carlen Galleries, Inc., records measure 10.4 linear feet (gift portions) and date from 1775 to 1997 (bulk 1940-1986). Correspondence, business records, subject files, a scrapbook, printed matter, and photographs document the operation and activities of Carlen Galleries, Inc., and its founder Robert Carlen.
Scope and Content Note:
The Carlen Galleries, Inc., records measure 10.4 linear feet (gift portions, Parts 1 and 3) and date from 1775-1998 (bulk 1940-1986). Correspondence, business records, subject files, a scrapbook, printed matter, and photographs document the operation and activities of Carlen Galleries, Inc., and its founder Robert Carlen.

Part 1: Received in 1986 as a gift from Robert Carlen, these records document the activities of Carlen Galleries and its founder, 1937-1986. Correspondence mainly concerns the sale and purchase of works of art. Also included are artist files containing correspondence, receipts, and printed matter regarding Albert Davies, Edward Hicks, Käthe Kollwitz, Horace Pippin, and Maurice Prendergast. Subject files concern African American artists, Raphael Peale, Raymond Feuillate, and the French Moderns. Business records consist of loan forms, documentation of exhibitions at Carlen Galleries, inventories, a scrapbook and clippings concerning the gallery, conservation reports, appraisals (not microfilmed), and financial records.

Part 2: Additional records documenting the activities of Carlen Galleries and its founder, 1937-1986, were loaned by Robert Carlen for microfilming in 1988. Included are letters about Horace Pippin and rare letters from the artist. Other correspondence concerns Carlen's search for paintings by Edward Hicks, and there is also a small selection of letters regarding more routine gallery business. Among the business records are and account book and receipts. Printed matter consists of exhibition catalogs, announcements, and clippings; a scrapbook contains printed matter about Horace Pippin. Photographs are of Allan Freelon and works of art.

Part 3: Received in 2002 as a gift from Robert Carlen's daughter Nancy Carlen, this portion of the Carlen Galleries, Inc., Records consists of two letters, business records, photographs, and selections from the galleries' library. Letters are from Joan Baez, circa 1960 and Charles M. Mount, 1968. Previously sealed letters from Charles M. Mount, undated, and 1962-1975, relating to John Singer Sargent have been integrated into this portion.

Part 4: Additional records borrowed for microfilming from Nancy Carlen in 2002 include documents dated 1775-1997 (bulk 1940s-1990). Correspondence concerns gallery business, but a small amount of personal correspondence is also included. Business records consist of appraisal reports, receipts for sales and purchases, and the contract and program for the 1964 University [of Pennsylvania] Hospital Antiques Show in which Carlen Galleries exhibited. Subject files document Edward Hicks, Anatol Jal, the Captain James Lawrence Goblet, Horace Pippin, and Antoine Roux. Five notebooks, containing material similar to that in the subject files, are about Horace Pippin (vols. 1-3), Edward Hicks (vol. 4), and chronicle the career of Robert Carlen (vol. 5).

Printed matter consists of clippings and other items concerning art and antiques, Robert Carlen and Carlen Galleries, Inc., and the Diplomatic Reception Rooms of the State Department where two Hicks paintings owned by Carlen were on extended loan. Among the miscellaneous records are biographical documents, personal financial records, business and research notes (including original documents and photocopies of archival materials), and four prints. Photographs are mostly of antiques and art work; also included are a few pictures of people, places, and miscellaneous subjects.
Arrangement:
The collection is arranged into four parts, representing gift and loan accessions received and microfilmed at various times. The two loans for microfilming (Parts 2 and 4) overlap and partially duplicate one another-particularly records relating to Horace Pippin and Edward Hicks-but are far from identical. Some of the Pippin and Hicks material was significantly rearranged in the interim between the first loan (1988) and the second (2002).

Part 1: Gift (1986), 1906-1986 (Boxes 1-7; 7.0 linear feet; Reels 4166-4175)

Part 2: Loan (1988), 1937-1986 (Reel 4175)

Part 3: Gift (2002), 1835-1992 (Boxes 8-12; 3.4 linear feet; Reel 5745)

Part 4: Loan (2002), 1775-1997 (Reels 5746-5748)
Historical Note:
Robert Carlen (1906-1990) worked as a secretary and attended evening classes at the Graphic Sketch Club in Philadelphia right after graduating from high school. He studied painting full-time at the Pennsylvania Academy of the Fine Arts during the academic year 1928/29, and from 1929-1936 he continued to study painting in the evenings while employed at a brokerage firm.

Since he wanted to be associated with the art world and needed to earn a living, Carlen decided to establish an art gallery that would show the works of young artists. In 1937, he opened in Carlen Galleries in his home at 323 South 16th Street, Philadelphia; the galleries operated in the same location for the remainder of Carlen's life. In its earliest years, Carlen Galleries housed exhibitions of the Associated American Artists' Group and featured prints by Wanda Gag, Käthe Kollwitz, Louis Lozowick, Lynd Ward, and other print makers.

In 1941, paintings by Horace Pippin were exhibited at Carlen Galleries. Carlen soon befriended the artist and began providing him with art supplies. He remained Pippin's agent for many years following the artist's death in 1946, and was a sought-after authority on the artist's work and life.

By the mid-1940s, Carlen had discovered a painting by Edward Hicks in Bucks County, Pa. He began researching the then-obscure Quaker artist. Through contacting descendants of Hicks's patrons, Carlen was able to acquire many of Hicks's paintings and Carlen Galleries became known for handling important early American folk paintings and antiques. Among his clients were Edward W. and Bernice Chrysler Garbisch, Winterthur Museum, Winterthur, Del., Abby Aldrich Rockefeller Folk Art Museum, Williamsburg, Va., and the Shelburne Museum, Shelburne, Vt.

During the course of his long career, Robert Carlen served as an advisor to many Philadelphia collectors and developed an extensive knowledge of the genealogies and heirlooms of the city's prominent families. Because of his extensive experience and expertise, Carlen's opinion was widely valued and his services as an appraiser of art and antiques were in great demand.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 4175 and 5746-5748) including material relating to Horace Pippin. Loaned material was returned to the lender and is described in the collection container inventory.
Provenance:
The collection was acquired in various accessions of gifts and loans. Part 1: gift of Robert Carlen, 1986; Part 2: loaned by Robert Carlen for microfilming, 1988; Part 3: gift of Nancy Carlen, 2002 (previously sealed letters and appraisals received with Part 1 are housed with Part 3 and integrated for microfilming); Part 4: loaned by Nancy Carlen for microfilming, 2002.
Restrictions:
Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Decorative arts -- United States  Search this
African American artists  Search this
Folk art  Search this
Art -- Collectors and collecting  Search this
Art -- Exhibitions  Search this
Function:
Art galleries, Commercial -- Pennsylvania
Genre/Form:
Photographs
Scrapbooks
Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlgall
See more items in:
Carlen Galleries, Inc., records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlgall
Online Media:

Eakins, Susan Macdowell (Susan Macdowell Eakins 1851-1938, Pennsylvania Academy of the Fine Arts, Philadelphia)

Collection Creator:
Carlen Galleries  Search this
Container:
Box 9, Folder 35
Type:
Archival materials
Date:
1973
Collection Restrictions:
Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Carlen Galleries, Inc., records
Carlen Galleries, Inc., records / Series 3: Gift (2002) / 3.4: Selections from Library of Carlen Galleries, Inc.
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlgall-ref235

Eichholz, Jacob (Jacob Eichholz, 1776-1842, Pennsylvania Painter, A Retrospective Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia)

Collection Creator:
Carlen Galleries  Search this
Container:
Box 9, Folder 37
Type:
Archival materials
Date:
1969
Collection Restrictions:
Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Carlen Galleries, Inc., records
Carlen Galleries, Inc., records / Series 3: Gift (2002) / 3.4: Selections from Library of Carlen Galleries, Inc.
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlgall-ref237

Pennsylvania Academy of the Fine Arts, Philadelphia

Collection Creator:
Carlen Galleries  Search this
Container:
Box 10, Folder 15
Type:
Archival materials
Date:
1946-1964
Collection Restrictions:
Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Carlen Galleries, Inc., records
Carlen Galleries, Inc., records / Series 3: Gift (2002) / 3.4: Selections from Library of Carlen Galleries, Inc.
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlgall-ref283

Pennsylvania Academy of the Fine Arts Pippin Exhibition

Collection Creator:
Carlen Galleries  Search this
Container:
Box NA, Reel 5747
Type:
Archival materials
Date:
1992-1994
Collection Restrictions:
Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Carlen Galleries, Inc., records
Carlen Galleries, Inc., records / Series 4: Loan (2002) / 4.3: Subject Files / Pippin, Horace
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlgall-ref493

Pennsylvania Academy of the Fine Arts Pippin Exhibition

Collection Creator:
Carlen Galleries  Search this
Container:
Box NA, Reel 5747
Type:
Archival materials
Date:
1992-1994
Collection Restrictions:
Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Carlen Galleries, Inc., records
Carlen Galleries, Inc., records / Series 4: Loan (2002) / 4.3: Subject Files / Pippin, Horace
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlgall-ref494

Notebooks

Collection Creator:
Carlen Galleries  Search this
Type:
Archival materials
Date:
1928-1994
Scope and Contents note:
Five volumes of notebooks concerning Horace Pippin, Edward Hicks, and Robert Carlen. Three Horace Pippin notebooks contain correspondence with and about Pippin, photographs of Pippin and his works of art, exhibition catalogs and brochures, printed material, receipts, and cancelled checks. One notebook concerns Edward Hicks and contains correspondence about Hicks' paintings, photographs of his work, and printed matter. One notebook concerns Robert Carlen and contains photographs of Carlen, newsclippings, a small number of letters to Carlen, and a photocopy of Carlen's student record from the Pennsylvania Academy of the Fine Arts.

Some of the Horace Pippin and Edward Hicks material in vols. 1-4 was microfilmed with Part 4 is partially duplicated in Part 2, but was significantly rearranged in the interim.
Collection Restrictions:
Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlgall, Subseries 4.4
See more items in:
Carlen Galleries, Inc., records
Carlen Galleries, Inc., records / Series 4: Loan (2002)
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlgall-ref500

Oral history interview with Elizabeth Osborne

Interviewee:
Osborne, Elizabeth, 1936-  Search this
Interviewer:
Veloric, Cynthia  Search this
Names:
Fischbach Gallery  Search this
Marian Locks Gallery  Search this
Pennsylvania Academy of the Fine Arts  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
126 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 May 24
Scope and Contents:
An interview of Elizabeth Osborne conducted 1991 May 24, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
Osborne discusses her family and early life; studies at the Pennsylvania Academy of the Fine Arts including her teachers Franklin Watkins and Hobson Pittman; going to France on a Fulbright in 1963; teaching at the Academy and changes over the years; exhibiting at the Perakis, Makler, Marian Locks, Gimpel & Weitzenhoffer, and Fischbach galleries, and a general discussion of the Philadelphia gallery scene, sales and collectors; the various media she works in including watercolor, acrylic, oil, and prints; changes in subject matter including the Nava series, landscapes and still lifes; and being a woman artist.
Biographical / Historical:
Elizabeth Osborne (1936- ) is a painter and printmaker from Philadelphia, Pa.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 58 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Printmakers -- Pennsylvania -- Philadelphia  Search this
Topic:
Women artists -- Pennsylvania -- Philadelphia -- Interviews  Search this
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.osborn91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-osborn91

Oral history interview with Sidney Goodman

Interviewee:
Goodman, Sidney  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia College of Art  Search this
Terry Dintenfass, Inc.  Search this
Berd, Morris, 1914-  Search this
Day, Larry, 1921-  Search this
Landau, Jacob, 1917-  Search this
Extent:
5 Sound cassettes (Sound recording)
270 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1990 November 1
Scope and Contents:
An interview of Sidney Goodman conducted 1990 November 1, by Marina Pacini, for the Archives of American Art Philadelphia Project. Goodman discusses his family and early life in Philadelphia; his studies at the Philadelphia College of Art with Morris Berd, Jacob Landau, and Larry Day; military service; traveling to Europe and the art collections he visited; teaching at the PCA and the Pennsylvania Academy of the Fine Arts, and his students; his 30 year relationship with the Terry Dintenfass Gallery; sales and exhibitions; and a lengthy discussion of his paintings, drawings and sculpture, including the importance of photography, the stylistic changes in his art, subject matter including his interest in portraiture, nudes and landscapes, and his most recent work.
Biographical / Historical:
Sidney Goodman (1936-2013) is a painter and sculptor from Philadelphia, Pennsylvania.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Sculptors -- Pennsylvania -- Philadelphia  Search this
Topic:
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.goodma90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goodma90

Pennsylvania Academy of the Fine Arts; Philadelphia, Pa.

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 17, Folder 4
Type:
Archival materials
Date:
1961-1968
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref8915

Walter Tandy Murch papers

Creator:
Murch, Walter  Search this
Names:
Betty Parsons Gallery  Search this
Brooklyn Museum  Search this
Rhode Island School of Design  Search this
Bishop, Isabel, 1902-1988  Search this
Bocour, Leonard, 1910-1993  Search this
Bonnard, Pierre, 1867-1947  Search this
Dubuffet, Jean, 1901-  Search this
Gonzalez, Xavier, 1898-1993  Search this
Kepes, Gyorgy, 1906-2001  Search this
Murch, Katherine  Search this
Murch, Walter Scott  Search this
Scott, Katharine  Search this
Extent:
8.2 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Awards
Woodcuts
Resumes
Lecture notes
Drawings
Photographs
Notebooks
Sketches
Notes
Sketchbooks
Date:
1880-1970
Summary:
The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.
Scope and Content Note:
The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.

Biographical material includes registration documents for births, marriages, and naturalization of Murch family members, biographical accounts, resumes, school and award certificates, passports, Selective Service records, and address books.

One diary by Walter Murch and three diaries by Katharine Murch contain sporadic entries briefly describing daily activities.

Correspondence primarily consists of letters exchanged between Murch, art schools and universities, arts organizations, galleries including the Betty Parsons Gallery, miscellaneous companies and publishers that commissioned commercial art work, and students. There are scattered letters from Isabel Bishop, Leonard Bocour, Xavier Gonzales, and Gyorgy Kepes. There is also correspondence with miscellaneous family members and letters to Katharine Scott.

Personal business records include organizational membership records, family legal documents, insurance records, leases, loan and consignment records, contracts and invoices for art work sold by the Betty Parsons Gallery, expense notebooks, and other routine financial documents.

Exhibition files include documentation of miscellaneous exhibitions of Murch's art work and of exhibitions juried and organized by Murch, including the Jean Dubuffet exhibition organized by Murch and retrospectives of Murch's art work at the Rhode island School of Design and at the Brooklyn Museum.

Notes and writings include the funeral register for Murch, miscellaneous address lists, travel notebooks of Murchs' 1934 trip to Mexico, miscellaneous notebooks concerning various art-related topics, classroom lectures and notes, and miscellaneous writings by others.

Art work includes two sketchbooks, drawings and sketches, woodcuts, sketches for "Novel in Woodcut," an oil portrait of a woman, a mock-up for book Notes on the Hound of Heaven, and art work by others including a sketchbook by Murch's son, Walter Scott Murch.

Printed material includes clippings, a copy of a handmade Collegiate School magazine The New Thinker, and exhibition announcements and catalogs. for Murch and others, press releases, prospectuses, reproductions of art work and book jackets designed by Murch, programs, brochures, a book about Pierre Bonnard, and miscellaneous printed material.

Photographs are of Murch, family members, travel, buildings, Murch's studio, Murch with colleagues, And art work by Murch and others. There are also photographs of various resource subjects.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1924-1968 (Box 1, 10; 24 folders)

Series 2: Diaries, 1941-1965 (Box 1; 3 folders)

Series 3: Correspondence, 1880-1969 (Box 1-3, 10; 1.8 linear feet)

Series 4: Personal Business Records, 1928-1970 (Box 3-5; 2.9 linear feet)

Series 5: Exhibition Files, 1953-1968 (Box 6; 17 folders)

Series 6: Notes and Writings, 1907-1968 (Box 6-7, 10, OV 11; 1.5 linear feet)

Series 7: Art Work, 1891-1967 (Box 7, 10, OV 11; 33 folders)

Series 8: Printed Material, 1926-1968 (Box 7-8, 10, OV 11; 50 folders)

Series 9: Photographs, 1908-1967 (Box 9-10; 41 folders)
Biographical Note:
Walter Tandy Murch (1907-1967) of Toronto, Canada, was a painter and art teacher. His painting were primarily of still life subjects including machine parts, tools, broken dolls, and scientific equipment mingled with fruit, bread and fragments of rock as if seen through frosted glass.

Walter Tandy Murch was born on August 17, 1907, in Toronto, Canada, the son of Clara Louise Tandy and jeweller Walter Murch. Following his studies of architectural drafting and woodworking at the Technical High School in Toronto, he studied at the Ontario College of Art in Toronto with Arthur Lismer from 1924 to 1927. During the following year, Murch studied at the Grand Central School of Art in New York City with Arshile Gorky. From 1927 to 1929, he studied with Von Schlegel and K. H. Miller at the Art Students League. In 1930, Murch married Katharine Louise Scott.

From 1930 to 1933, Murch designed stained glass windows for Montague Castle, Inc., in New York City. Following a lengthy painting trip to Mexico in 1934, Murch returned to New York City and earned a living painting murals, designing department store windows, and creating illustrations for various magazines including Fortune and Scientific American.

Murch had his first solo exhibition at Betty Parsons' Wakefield Gallery in New York in 1941, and for many years Parsons was his principal dealer. Murch became a United States citizen in 1947.

Beginning in the 1950s, Murch taught at Pratt Institute, Columbia University, New York University, and at Boston University, and attended summer sessions at Yaddo and Skowhegan. In 1966, the Rhode Island School of Design organized Murch's first major retrospective.

Murch's work is in the collections of the Barnes Foundation, Brooklyn Museum, Corcoran Gallery of Art, Metropolitan Museum of Art, Pennsylvania Academy of the Fine Arts, Smithsonian American Art Museum, and the Whitney Museum of American Art.

Walter Tandy Murch died on December 11, 1967 in New York City.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reels N707, N708, N713, and N68-5) including correspondence, notes, sketchbooks, clippings, exhibition catalogs, and photographs. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1967-1968, Walter Tandy Murch loaned the Archives of American Art material for microfilming. The artist's widow, Katharine Scott Murch, donated papers 1969.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Diaries
Awards
Woodcuts
Resumes
Lecture notes
Drawings
Photographs
Notebooks
Sketches
Notes
Sketchbooks
Citation:
Walter Tandy Murch papers, 1880-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murcwalt
See more items in:
Walter Tandy Murch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-murcwalt

Jamie Wyeth, Pennsylvania Academy of the Fine Arts (Sept. 19 - Dec. 14, 1980)

Collection Creator:
James Graham & Sons  Search this
Container:
Box 80, Folder 5
Type:
Archival materials
Date:
1980
Scope and Contents note:
Oversized material housed in Box 97, Folder 1
Collection Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 7: Coe Kerr Gallery Records Regarding Wyeths / Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamegras-ref1767

Oversized Scrapbook, Jamie Wyeth Exhibition at Pennsylvania Academy of the Fine Arts (Sept. 19 - Dec. 14, 1980)

Collection Creator:
James Graham & Sons  Search this
Container:
Box 97, Folder 1
Type:
Archival materials
Date:
1980
Scope and Contents note:
Oversized material from Box 80, Folder 5
Collection Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 7: Coe Kerr Gallery Records Regarding Wyeths
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamegras-ref1793

Pennsylvania Academy of the Fine Arts

Collection Creator:
James Graham & Sons  Search this
Container:
Box 11, Folder 36-37
Type:
Archival materials
Date:
1957-1968
Collection Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamegras-ref389

Pennsylvania Academy of the Fine Arts

Collection Creator:
Frank K. M. Rehn Galleries  Search this
Container:
Box 10
Reel 5862, Frame 292-500
Type:
Archival materials
Date:
1919-1966
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Frank K. M. Rehn Galleries records
Frank K. M. Rehn Galleries records / Series 1: Correspondence, A-Z
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franrehg-ref342

E.P. (Edgar Preston) and Constance Richardson papers, 1814-1996, bulk 1921-1996

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance Coleman, 1905-2002  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Subject:
Rutledge, Anna Wells  Search this
Simper, Fred  Search this
McDermott, John Francis  Search this
Speck, Walter  Search this
Stevens, William B.  Search this
Fredericks, Marshall M.  Search this
Castano, Giovanni  Search this
Soria, Regina  Search this
Lynes, Russell  Search this
Frankenstein, Alfred V. (Alfred Victor)  Search this
Hardy, Jeremiah Pearson  Search this
Pleasants, J. Hall (Jacob Hall)  Search this
Garrison, Eve Josephson  Search this
Bishop, Isabel  Search this
Allston, Washington  Search this
Woolfenden, William E. (William Edward)  Search this
Ripley, Sidney Dillon  Search this
Morse, John D.  Search this
Watkins, Franklin Chenault  Search this
Lewis, W. S. (Wilmarth Sheldon)  Search this
Marsh, Reginald  Search this
Sheeler, Charles  Search this
Kuniyoshi, Yasuo  Search this
Bostick, William A.  Search this
Jungwirth, Irene G. (Irene Gayas)  Search this
Oliver, Andrew  Search this
Simpson, Corelli C. W.  Search this
Andrews, Wayne  Search this
Valentiner, Wilhelm Reinhold  Search this
Middeldorf, Ulrich Alexander  Search this
Spark, Victor D. (Victor David)  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Sellers, Charles Coleman  Search this
Heil, Walter  Search this
Lee-Smith, Hughie  Search this
Bouché, Louis  Search this
Moser, Liselotte  Search this
Flexner, James Thomas  Search this
Vose, Robert C. (Robert Churchill)  Search this
Cohn, Harold  Search this
Aram, Siegfried F.  Search this
Mast, Gerald  Search this
Krentzin, Earl  Search this
Groce, George C.  Search this
Peale, Charles Willson  Search this
Culver, Charles B. (Charles Beach)  Search this
Wedda, John  Search this
Boyd, Julian P. (Julian Parks)  Search this
O'Keeffe, Georgia  Search this
Wyeth, Andrew  Search this
Hopper, Edward  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rockefeller, John D.  Search this
Copeland, Lammot du Pont  Search this
Freeman, Michael W.  Search this
Allen, Joseph  Search this
Peale family  Search this
Castano Galleries (Boston, Mass.)  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
Archives of American Art  Search this
Philadelphia Museum of Art  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
White House (Washington, D.C.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Type:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10104
(DSI-AAA_SIRISBib)212990
AAA_collcode_richedga
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212990
Online Media:

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