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Rembrandt and Harriet Peale papers, 1824-1932

Creator:
Peale, Rembrandt, 1778-1860  Search this
Peale, Harriet Cany, 1800-1869  Search this
Subject:
Peale, Rembrandt  Search this
Washington, George  Search this
Type:
Drawings
Topic:
Art  Search this
Coins, Roman  Search this
Painting, Modern  Search this
Portrait painting, American  Search this
Record number:
(DSI-AAA_CollID)8841
(DSI-AAA_SIRISBib)211026
AAA_collcode_pealremb
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211026
Online Media:

Printed material relating to Rembrandt Peale, 1830-1862

Creator:
Peale, Rembrandt, 1778-1860  Search this
Subject:
Washington, George  Search this
Church, Frederic Edwin  Search this
Winner, William E.  Search this
Rothermel, Peter Frederick  Search this
M. Thomas & Sons Auctioneers  Search this
Topic:
Painting, Modern  Search this
Portrait painting, American  Search this
Record number:
(DSI-AAA_CollID)6177
(DSI-AAA_SIRISBib)216411
AAA_collcode_pealrepm
Theme:
Publications
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216411

Edward H. Dwight Papers

Creator:
Dwight, Edward H., 1919-1981  Search this
Names:
American Museum of Natural History  Search this
Cincinnati Historical Society  Search this
Louisiana State Museum  Search this
Mohammed Center for Restricted Communications  Search this
National Audubon Society  Search this
R. Havell & Son  Search this
Peale family  Search this
Audubon, John James, 1785-1851  Search this
Audubon, Maria R. (Maria Rebecca), 1843-1925  Search this
Audubon, Victor Gifford, 1809-1860  Search this
Bachman, John  Search this
Bakewell, Benjamin  Search this
Bell, John G.  Search this
Coffin, Annie R.  Search this
Corwine, Aaron H.  Search this
Duncanson, Robert S., 1821-1872  Search this
Fries, Waldemar H., 1889-  Search this
Gifford, George Edmund  Search this
Held, John, 1947-  Search this
Laning, Paul F.  Search this
Lichtner, Ruth  Search this
Lichtner, Schomer, 1905-2006  Search this
Martin, Maria  Search this
McDermott, John Francis, 1902-  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, James, 1749-1831  Search this
Peale, James, 1789-1876  Search this
Peale, Raphaelle, 1774-1825  Search this
Peale, Rembrandt, 1778-1860  Search this
Tyler, Morris F.  Search this
Extent:
18.6 Linear feet
Type:
Collection descriptions
Archival materials
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Date:
1821-2001
bulk 1950-1979
Summary:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.
Scope and Contents:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still life painting.

Dwight's biographical material includes two address books, a calendar, a small amount of personal correspondence including letters and postcards from Schomer and Ruth Lichtner, and printed material documenting his work as a museum curator and director.

Writings and notes include correspondence about Dwight's writings, drafts and typescripts of articles on Audubon and other artists, and lecture notes.

The bulk of the collection comprises Dwight's research material on Audubon and includes correspondence related to his research with scholars, collectors, publications, museums, and libraries, including: the American Museum of Natural History, the Audubon Society, the Cincinnati Historical Society, the Louisiana State Museum, Annie R. coffin, Waldemar H. Fries, John Francis McDermott, and the collections of G. Edmund Gifford, Jr., Paul F. Laning, and Morris Tyler.

Copies of Audubon's correspondence, including letters from Audubon's father-in-law, Benjamin Bakewell, son Victor G. Audubon, and grandchildren, form a substantial portion of Dwight's research files. Notes and card files reflecting Dwight's research by categories such as life event, activity, geographical area, and subject of study, further illuminate his research and provide cross references to the Audubon letters and other material.

Data compiled and supplemented with reproductions of Audubon's artwork forms another substantial portion of Dwight's research, and provides detailed information about individual Audubon works and works attributed to him.

Dwight's subject files on Audubon house collated research on individuals, subjects, and events that intersected with Audubon's life and work, as well as Audubon research from other sources and scholars. They include copies of documents, such as the journal of Audubon collaborator John G Bell, and a scrapbook of granddaughter, Maria Audubon; documents relating to Audubon collaborators such as John Bachman and Maria Martin; material related to collections of Audubon's work; and information concerning editions of his prints, such as the Havell Edition, engraved and hand-colored by the firm of Robert Havell Sr. and Jr. in the 1830s.

Printed material used by Dwight in his research includes original American newspapers, from states including New England, New York, and Pennsylvania, dating from 1821 to the 1870s, which include articles on Audubon, as well as later magazines, journals, catalogs, and news clippings on Audubon. A small number of photographs, slide transparencies, and negatives of Audubon's artwork can be found at the end of the series.

Dwight's research material on Raphaelle Peale, Charles Willson Peale, Rembrandt Peale, James Peale, and other Peale family members, includes correspondence requesting and responding to requests for information; material collated by subject on Peale collectors, family history, miniatures, portraits, silhouettes, still lifes, and other subjects; and photographs of artwork.

Other research files document Dwight's interest in other artists such as Aaron H. Corwine, Robert S. Duncanson, and artists from the Cincinnati area in general. They include catalogs of data compiled on individual works of art, subject files, notes and index card files, printed material, and photographs of artwork. Of special note are eleven issues of John Held, Jr.'s, mail art correspondence sent to Dwight by the Mohammed Center for Restricted Communications.
Arrangement:
This collection is arranged as five series.

Series 1: Biographical Material, 1944-1980 (8 folders; Box 1, OV 20)

Series 2: Writings and Notes, 1954-circa 1979 (0.9 linear feet; Box 1)

Series 3: Audubon Research Material, 1821-circa 1979 (13 linear feet; Boxes 1-14, OVs 20-23)

Series 4: Peale Research Material, circa 1930-2001 (1.9 linear feet; Boxes 14-16)

Series 5: Other Research, 1881-1980 (2.7 linear feet; Boxes 16-19)
Biographical / Historical:
Cincinnati art historian and museum director, Edward H. Dwight (1919-1981), conducted extensive research on American painting, in particular the works of John James Audubon, Charles Willson Peale, and Raphaelle Peale. He was also credited with rediscovering the Cincinnati artist, Aaron H. Corwine.

Dwight attended Yale and Cornell Universities, and studied art at the Cincinnati Art Academy and the School of Fine Arts of Washington University, St. Louis. From 1946 he held posts, including curator of American Art, at the Cincinnati Art Museum, until becoming director of the Milwaukee Art Center in 1955. In 1962 he left Milwaukee to direct the Munson-Williams-Proctor Art Institute Museum of Art, where he remained until the end of his career. He was the author of numerous articles for publications including Antiques, Audubon, Art in America, The Art Gallery, The Art Quarterly, and Canadian Art, and lectured widely on contemporary art, Spanish painting, and American painting.

In 1955 Dwight published the article "Aaron Houghton Corwine: Cincinnati Artist" in Antiques magazine. With this, and the exhibition, Rediscoveries in American Painting (1955), which he launched at the Cincinnati Art Museum, Dwight revived interest in this all but forgotten painter.

Dwight wrote many scholarly articles on Audubon's life and work throughout his career, in addition to writing catalogs for, and curating, exhibitions of Audubon's work. In 1960 he was awarded a $7,500 fellowship from the Ford foundation to pursue a reevaluation of Audubon, and to reexamine some long-held assumptions and exagerrations about Audubon's life and personality. He focused primarily on the artist-naturalist's original drawings and paintings, especially portraits and pictures of birds, animal life, and insects. Dwight was awarded an additional fellowship by the National Endowment for the Arts in 1973, to continue his research on Audubon.

Dwight's scholarly interest also extended to Raphaelle Peale and the Peale family of artists. In the 1960s and 1970s he wrote and published several articles about Raphaelle Peale, his father, Charles Willson Peale, and his brothers, Rembrandt and James. Dwight was working on a book about the family, and a catalog raisonné of Raphaelle Peale, when he died.

Dwight was an accomplished photographer and his work was included in at least eight exhibitions from 1951 to 1972, including two one-man exhibitions at Louisiana State University (1952), and Weyhe Gallery (1972).
Provenance:
The Audubon materials were donated to the Archives of American Art by Dwight's widow, Ruth R. White, in 1982-1983. The Peale material was donated in 2002 by the Barra Foundation, Inc., which had received them from Ruth R. Dwight as they relate to the Foundation's mission to support scholarship in cultural history in the Philadelphia area. In 1983, the Barra Foundation loaned the documents to Dr. William H. Gerdts, an art historian, who was to continue Dwight's work on a catalog raisonné of Raphaelle Peale. Dr. Gerdts made limited use of the materials and the Barra Foundation then transferred them to the Archives of American Art in 2002.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information
Rights:
The Edward H. Dwight papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Museum curators -- Ohio -- Cincinnati  Search this
Artists -- Ohio -- Cincinnati  Search this
Art historians -- Ohio -- Cincinnati  Search this
Painters  Search this
Museum directors -- Ohio -- Cincinnati  Search this
Topic:
Still-life painting  Search this
Mail art  Search this
Art, American  Search this
Painting, American  Search this
Portrait painting  Search this
Genre/Form:
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Citation:
Edward H. Dwight papers, 1821-2001, bulk 1950-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwigedwa
See more items in:
Edward H. Dwight Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dwigedwa
Online Media:

In pursuit of fame : Rembrandt Peale, 1778-1860 / Lillian B. Miller ; with an essay on the Paintings of Rembrandt Peale, character and conventions by Carol Eaton Hevner ; research assistant, Ellen Hickey Grayson

Author:
Miller, Lillian B  Search this
Hevner, Carol Eaton 1947-  Search this
Grayson, Ellen Hickey  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Subject:
Peale, Rembrandt 1778-1860 Exhibitions  Search this
Physical description:
320 p. : ill. (some col.) ; 28 cm
Type:
Biography
Place:
United States
Date:
1992
Topic:
Portrait painters  Search this
Call number:
N40.1.P352 M6 1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_431842

Records of the Robert Mills Papers Project,[xerographic and photographic copies]

Director:
Evelyn, Douglas E.  Search this
Names:
Adams, John Quincy, 1767-1848  Search this
Alexander, Robert L.  Search this
Bache, A. D. (Alexander Dallas), 1806-1867  Search this
Bryan, John  Search this
Calhoun, John C. (John Caldwell), 1782-1850  Search this
Clay, Henry  Search this
Clinton, DeWitt  Search this
Corcoran, W. W. (William Wilson), 1798-1888  Search this
Davis, Jefferson  Search this
Hoban, James  Search this
Jefferson, Thomas, 1743-1826  Search this
Lafayette  Search this
Latrobe, Benjamin (architect)  Search this
Mills, Robert, 1781-1855  Search this
Peale, Rembrandt, 1778-1860  Search this
Pierce, Franklin  Search this
Renwick, James, Sr.  Search this
Scott, Pamela  Search this
Trumbull, John, 1756-1843  Search this
Extent:
23.3 Cubic feet (50 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Construction records
Plans (drawings)
Date:
circa 1800-1860s, 1984-1989
Scope and Contents:
This collection is composed entirely of xerographic and photographic reproductions made for the Robert Mills Papers Project. The copies include correspondence, plans, federal legislation regarding proposed government construction projects, construction records, and material regarding people with a relation to Mills or one of his projects.

The material is organized into three series. The first is information relating to Mills' various projects, such as payroll lists; it is organized by state. The second consists of subject files on 163 individuals, all of whom have some relation to Mills. The last series is composed of reference and research materials from the project, including correspondence with various libraries and archives seeking material on Mills, ten reels of microfilm, and 46 diskettes containing typed transcriptions of the illegible documents included in the microfilm publication.

The documents included in this collection relate to the construction of Mills's buildings, but do not mention him specifically. Of all the papers collected for this project, this collection consists of copies of those documents that were not selected for microfilming. They are, therefore, not included in the microfilm publication.
Arrangement:
The collection is divided into four series.

Series 1: Projects by state

Series 2: Individuals

Series 3: Reference Materials

Series 4: Camera Ready Copy
Biographical / Historical:
Robert Mills (1781 1855) was born in August, 1781, in Charleston, South Carolina. After completing grammar school he took classes under architect James Hoban.

Hoban left in 1792 to supervise construction of the President's House in Washington (which he designed). About 1799 Mills moved to Washington and began work as a draftsman of plans for the Capitol under Hoban. For about a year, Mills presumably lived with Thomas Jefferson, studying architecture from his library.

In 1802 Mills entered his first professional design competition for the design of South Carolina College, but did not win. From 1802 1809, Mills worked (with sporadic interuptions from assorted commissions) with Benjamin Latrobe, who was at the time the acting federal engineer of the Chesapeake and Delaware region. Under Latrobe he worked as a draftsman on the design of the U.S. Capitol and the Baltimore Cathedral.

In 1814 Mills received national recognition when he won the competition for the design of Baltimore's Washington Monument. He supervised its construction until 1820, when he moved back to South Carolina to become the civil architect for the state, designing several courthouses and jails throughout the area.

Mills moved back to Washington in 1829. In 1836 he won the competition for the design of the Treasury and began a long career as an architect for the Federal Government. It was during this time that Mills designed the buildings he is most widely known for: the Post Office and the Washington National Monument. He also supervised construction of the Patent Office and submitted preliminary designs for the Capitol extension and the Smithsonian Institution. He served under seven Presidents, retiring in 1851.
Provenance:
The colletion was donated by Douglas Evelyn.
Restrictions:
Collection stored off-site at Iron Mountain, Pennsylvania. Special arrangements are necessary to use this collection. Call 202-633-3270 for more information.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architects -- 19th century  Search this
Architecture -- United States  Search this
Architectural drawing  Search this
Genre/Form:
Correspondence -- Copies -- 19th century
Construction Records
Plans (drawings)
Citation:
Records of the Robert Mills Papers Project, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0344
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0344

Albert Duveen collection of artists' letters and ephemera

Creator:
Duveen, Albert  Search this
Names:
Bierstadt, Albert, 1830-1902  Search this
Church, Frederic Edwin, 1826-1900  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Inman, Henry, 1801-1846  Search this
Mayer, Constant, 1829-1911  Search this
McEntee, Jervis, 1828-1891  Search this
Mosler, Henry, 1841-1920  Search this
Olmsted, Frederick Law, 1822-1903  Search this
Peale, Rembrandt, 1778-1860  Search this
Rosenthal, Albert, 1863-1939  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1807-1946
Summary:
The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.
Scope and Contents:
The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.

Found are letters from artists Albert Bierstadt, Frederic E. Church, Frederick S. Church, Henry Inman, Constant Mayer, Jervis McEntee, Henry Mosler, Frederick Law Olmstead, Rembrandt Peale, Albert Rosenthal, and many others. Printed materials include catalog inventories of public and private art collections. There are also brochure booklets on New England historical houses and towns. Photographs are duplicate copies of early American artwork from Duveen's personal reference files.
Arrangement:
The collection is arranged as 3 series.

Series 1: Letters, 1808-1910 (0.8 linear feet; Box 1)

Series 2: Printed material, circa 1909-1946 (4 folders; Box 1, OV 2)

Series 3: Photographs, circa 1808-1910 (3 folders; Box 1)
Biographical / Historical:
Art critic, collector, and dealer Albert Duveen (1892-1965) lived and worked in New York City, New York. He is known for his expertise in early American art and was a cousin to Joseph Duveen, president of Duveen Brothers art dealers.
Related Materials:
The Archives holds a microfilm copy of the Albert Duveen art reference files and a lecture, "An Art Dealer is Intrigued by American Folk Art," delivered by Albert Duveen, March 4, 1961.
Provenance:
The Albert Duveen collection of artists' letters and ephemera was purchased from Duveen by the Archives of American Art in February 1956.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Albert Duveen collection of artists' letters and ephemera are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Collectors and collecting  Search this
Artists -- United States  Search this
Citation:
Albert Duveen collection of artists' letters and ephemera, 1807-1946. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.duvealbe
See more items in:
Albert Duveen collection of artists' letters and ephemera
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvealbe

Robert C. Graham collection of artists' letters

Creator:
Graham, Robert Claverhouse, 1913-1994  Search this
Names:
Doughty, Thomas, 1793-1856  Search this
Healy, G.P.A. (George Peter Alexander), 1813-1894  Search this
Huntington, Daniel, 1816-1906  Search this
Inman, Henry, 1801-1846  Search this
Leutze, Emanuel, 1816-1868  Search this
Morse, Samuel Finley, 1791-1872  Search this
Peale, Rembrandt, 1778-1860  Search this
Sargent, John Singer, 1856-1925  Search this
Sully, Thomas, 1783-1872  Search this
Trumbull, John, 1756-1843  Search this
West, Benjamin, 1738-1820  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Letters
Date:
1783-1935
bulk 1804-1877
Summary:
The Robert C. Graham collection of artists' letters measure 0.2 linear feet and dates from 1783 to 1935, with the bulk of the letters dating from 1804 to 1877. Graham, an art dealer and collector, compiled the unrelated letters of several late eighteenth-century and nineteenth-century painters such as Thomas Biddle, Thomas Doughty, G. P. A. Healy, Daniel Huntington, Henry Inman, Emanuel Leutze, Samuel F. B. Morse, Rembrandt Peale, John Singer Sargent, Thomas Sully, John Trumbull, Benjamin West, and others.
Scope and Content Note:
The Robert C. Graham collection of artists' letters measure 0.2 linear feet dates from 1783 to 1935, with the bulk of the letters dating from 1804 to 1877. Graham, an art dealer and collector, compiled the unrelated letters of several late eighteenth-century and nineteenth-century painters such as Thomas Doughty, G. P. A. Healy, Daniel Huntington, Henry Inman, Emanuel Leutze, Samuel F. B. Morse, Rembrandt Peale, John Singer Sargent, Thomas Sully, John Trumbull, Benjamin West, and others.
Arrangement:
Folders are arranged alphabetically by the author of the letter. Multiple letters within folders are arranged chronologically.
Biographical Note:
Robert Claverhouse Graham (1913-1994) was the director of the Graham Gallery in New York City. He and his brother James were fourth generation owners of the gallery which specialized in nineteenth- and twentieth-century American art.
Related Material:
Related material found in the Archives includes the recording and transcript of a 1976 interview of Robert Claverhouse Graham conducted by Paul Cummings for the Archives of American Art. The Archives also holds numerous collections of papers related to or created by the artists who wrote these letters.
Provenance:
The collection was donated in 1961 by Robert C. Graham.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Robert C. Graham collection of artists' letters are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' writings  Search this
Painters -- 19th century  Search this
Art -- Collectors and collecting  Search this
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Letters
Citation:
Robert C. Graham collection of artists' letters, 1783-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grahrobe
See more items in:
Robert C. Graham collection of artists' letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grahrobe
Online Media:

Exhibition Records, 1989-1992

Creator:
National Portrait Gallery (U.S.) Department of Design and Production  Search this
Subject:
Newman, Arnold 1918-2006  Search this
Peale, Charles Willson 1741-1827  Search this
Peale, Rembrandt 1778-1860  Search this
Penn, Irving  Search this
Reiss, Winold 1886-1953  Search this
Washington, George 1732-1799  Search this
West, Benjamin 1738-1820  Search this
Fern, Alan Maxwell 1930-  Search this
Jenkins, Suzanne C  Search this
Marconi, Nello R  Search this
di Girolamo, Stephen  Search this
Cox, Beverly J  Search this
Reaves, Wendy Wick 1950-  Search this
Washington Print Club  Search this
American Portraiture in the Grand Manner: 1720-1920 (Exhibition) (1982: Washington, D.C.)  Search this
Annie Liebovitz Photographs 1970-1990 (Exhibition) (1991: Washington, D.C.)  Search this
Arnold Newman's Americans (Exhibition) (1992: Washington, D.C.)  Search this
Benjamin West and His American Students (Exhibition) (1980: Washington, D.C.)  Search this
Camera Portraits: Photographs from the National Portrait Gallery, London 1839-1989 (Exhibition) (1990: Washington, D.C.)  Search this
Charles Willson Peale and His World (Exhibition) (1982: Washington, D.C.)  Search this
Facing the Light: Historic American Portrait Daguerreotypes (Exhibition) (1978: Washington, D.C.)  Search this
Five of Hearts: Henry Adams and His Washington Circle (Exhibition) (1990: Washington, D.C.)  Search this
Great Crash (Exhibition) (1979: Washington, D.C.)  Search this
Icons of Invention: American Patent Models (Exhibition) (1990: Washington, D.C.)  Search this
In Pursuit of Fame: Rembrandt Peale, 1778-1860 (Exhibition) (1992-1993: Washington, D.C.)  Search this
Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)  Search this
Isamu Noguchi Portrait Sculpture (Exhibition) (1989: Washington, D.C.)  Search this
Lincoln and His Contemporaries: Photographs by Mathew Brady from the National Portrait Gallery's F. H. Meserve Collection (Exhibition) (1991: Washington, D.C.)  Search this
Magical Mixtures: Marisol Portrait Sculpture (Exhibition) (1991: Washington, D.C.)  Search this
Noble Heritage: Five Centuries of Portraiture from the Hosokawa Family (Exhibition) (1992: Washington, D.C.)  Search this
Oliphant's Presidents: Twenty-five Years of Caricature (Exhibition) (1990: Washington, D.C.)  Search this
Peace and Friendship: Indian Peace Medals in the United States (Exhibition) (1985: Washington, D.C.)  Search this
Portrait Posters (Exhibition) (1992: Washington, D.C.)  Search this
Portraits by George Bellows (Exhibition) (1981-1982: Washington, D.C.)  Search this
Portraits of the American Law (Exhibition) (1989-1990: Washington, D.C.)  Search this
Ralph Earl: The Face of the Young Republic (Exhibition) (1991: Washington, D.C.)  Search this
Return to Albion: Americans in England 1776-1940 (Exhibition) (1979: Washington, D.C.)  Search this
Spirit of the Party: Hamilton and Jefferson at Odds (Exhibition) (1992: Washington, D.C.)  Search this
"The Family 1976": Richard Avedon's Photographs for Rolling Stone (Exhibition) (1993: Washington, D.C.)  Search this
Time Covers the War: Personalities from World War II (Exhibition) (1991: Washington, D.C.)  Search this
To Color America: Portraits by Winold Reiss (Exhibition) (1989: Washington, D.C.)  Search this
Working for Time: The Covers of Robert Vickrey (Exhibition) (1990: Washington, D.C.)  Search this
Physical description:
3.43 cu. ft. (3 record storage boxes) (1 12x17 box)
Type:
Brochures
Collection descriptions
Clippings
Manuscripts
Architectural drawings
Drawings
Black-and-white photographs
Color photographs
Date:
1989
1989-1992
Topic:
Art museums  Search this
Museum exhibits  Search this
Local number:
SIA Acc. 94-093
See more items in:
Exhibition Records 1977-2002 [National Portrait Gallery (U.S.) Department of Design and Production]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_252436

Rembrandt and Harriet Peale collection

Creator:
Peale, Rembrandt, 1778-1860  Search this
Names:
Peale, Harriet Cany, ca. 1800-1869  Search this
Peale, Rembrandt, 1778-1860 (Court of death)  Search this
Washington, George, 1732-1799  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Date:
circa 1820-1932
Summary:
This collection of papers measures 0.2 linear feet, dates from circa 1820-1932, and provides scattered documentation of the lives of painter Rembrandt Peale and his wife Harriet. There are seven letters from Peale which discuss his Patriae Pater portrait of George Washington and his subsequent attempts to gain a commission from Congress for his equestrian portrait of the first president, as well as illuminating his opinion on patronage for the arts. The collection also contains a copy of Peale's lecture on "Washington and his Portraits," a page with drawings of Roman coins by Peale, two codicils to Harriet Peale's will, printed material including a pamphlet for Peale's The Court of Death and a catalog of sale for Harriet Peale's estate, and photographs of Rembrandt and Harriet Peale.
Scope and Content Note:
This collection of papers measures 0.2 linear feet, dates from circa 1820-1932, and provides scattered documentation of the lives of painter Rembrandt Peale and his wife Harriet. The papers contain seven letters from Peale to various individuals, including Massachusetts senator Elijah Hunt Mills, that document his attempts to seek recognition and recompense from Congress for his portraits of George Washington and illuminate his opinions on patronage of the arts. Also found here is a copy of Peale's lecture on "Washington and his Portraits," and legal papers consisting of two codicils to Harriet Peale's will which list the disposition of Rembrandt Peale paintings in her possession. There is a page with drawings of Roman coins by Peale, printed material including a pamphlet for Peale's popular allegorical painting The Court of Death, and a catalog of sale for Harriet Peale's estate. Photographs picture Rembrandt and Harriet Peale respectively, circa 1850.
Arrangement:
The collection is arranged as one series.
Biographical Note:
Rembrandt Peale (1778-1860) was born in Bucks County, Pennsylvania, and was the second son of painter Charles Willson Peale. He was known primarily for his historical paintings and portraits, particularly those of George Washington. Peale painted his first Washington portrait in 1795 at the age of 17, in a sitting arranged by his father. From 1795-1800 he traveled in Maryland and the South painting portraits, and from 1801-1803 studied with Benjamin West in London.

Peale returned to Europe from l808 to l8l0, and spent most of his time in Paris where he was inspired to take up historical painting. From 1813-1822 he lived in Baltimore where, in 1814, he established a museum for paintings and natural history that later became known as the Peale Museum. Peale's most famous allegorical painting, Court of Death, was completed in 1820 and was one of the most popular paintings of the decade.

In 1822 Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "Standard likeness" of Washington. In the process he reviewed portraits by other artists including John Trumbull, Gilbert Stuart and his father, as well as his own 1795 picture which had never truly satisfied him. His resulting Patriae Pater, completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalise on the success of what quickly became known as his "Porthole" picture, collecting tesimonials praising the portrait from people who had known the president, and lobbying Congress, in vain, for a commission to paint an equestrian portrait of Washington. Despite his failure to gain such a commission, "Patriae Pater" was purchased by Congress in 1832 and still hangs in the U.S. Capitol.

Peale subsequently produced over 70 replicas of the "porthole" picture and in the late 1850s delivered a series of lecture entitled "Washington and his Portraits" along the East coast. He was also an accomplished writer and lecturer on natural history, and was among the founders of the Pennsylvania Academy of the Fine Arts, a president of the American Academy, and a founder of the National Academy.
Related Material:
Also found in the Archives of American Art are the following collections relating to Rembrandt Peale: the Albert Duveen collection of artists' letters and ephemera, 1808-1910, includes an 1855 September 8 letter from Rembrandt Peale to an unidentifed person, available on 35 mm microfilm reel D9 (frames 848-850); Printed material relating to Rembrandt Peale, 1830-1862, lent for microfilming by the Historical Society of Pennsylvania in 1855, is available on microfilm reel P29; and the Charles Henry Hart autograph collection, 1731-1912, contains a lithograph by Peale available on 35mm microfilm reel D5 (frame 103).
Provenance:
In 1960, Lawrence A. Fleischman donated one letter. Six items were donated by Charles E. Feinberg in 1962. An additional 35 items were transferred from the National Collection of Fine Arts Library to the Archives in 1979.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Rembrandt and Harriet Peale collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Economic aspects  Search this
Painting, Modern -- 19th century  Search this
Portrait painting, American  Search this
Coins, Roman  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Portrait painters -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Photographs
Drawings
Citation:
Rembrandt and Harriet Peale collection, circa 1820-1932. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pealremb
See more items in:
Rembrandt and Harriet Peale collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pealremb
Online Media:

Charles Henry Hart autograph collection

Creator:
Hart, Charles Henry, 1847-1918  Search this
Names:
Anshutz, Thomas Pollock, 1851-1912  Search this
Audubon, John James, 1785-1851  Search this
Chase, William Merritt, 1846-1916  Search this
Church, Frederic Edwin, 1826-1900  Search this
Copley, John Singleton, 1738-1815  Search this
Cox, Kenyon, 1856-1919  Search this
Eakins, Thomas, 1844-1916  Search this
James McNeill Whistler, 1834-1903  Search this
McEntee, Jervis, 1828-1891  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, Raphaelle, 1774-1825  Search this
Peale, Rembrandt, 1778-1860  Search this
Peale, Rubens, 1784-1865  Search this
Peale, Titian Ramsay, 1799-1885  Search this
Smillie, James David, 1833-1909  Search this
Stuart, Gilbert, 1755-1828  Search this
Sully, Thomas, 1783-1872  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vanderlyn, John, 1775-1852  Search this
Vedder, Elihu, 1836-1923  Search this
Ward, John Quincy Adams, 1830-1910  Search this
West, Benjamin, 1738-1820  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1731-1918
Summary:
The Charles Henry Hart autograph collection dates from 1731-1917 and measures 1.7 linear feet comprised of 226 letters, portrait prints, and other documents signed by American artists.
Scope and Contents:
The Charles Henry Hart autograph collection dates from 1731-1917 and measures 1.7 linear feet comprised of 226 letters, portrait prints, and other documents signed by American artists.

Originally titled by Hart as "The History of Art in America as Told in a Remarkable Collection of Autograph Letters and Documents of Celebrated American Artists of the Eighteenth, Nineteenth, and Twentieth Century," the collection includes letters and other items signed by Thomas Anshutz, John J. Audubon, William Merritt Chase, Frederic Edwin Church, John Singleton Copley, Kenyon Cox, Thomas Eakins, Jervis McEntee, Samuel F.B. Morse, Charles Willson Peale, Raphaelle Peale, Rembrandt Peale, Rubens Peale, Titian Peale, James Daivd Smillie, Gilbert Stuart, Thomas Sully, Abbott Handerson Thayer, John Vanderlyn, Elihu Vedder, John Quincy Adams Ward, Benjamin West, James Abbott McNeill Whistler, and many others.
Arrangement:
The collection is arranged as 1 series.

Series 1: Charles Henry Hart autograph collection, 1731-1917 (226 items; Box 1-5)
Biographical / Historical:
Charles Henry Hart (1847-1918) was a historian, lawyer, writer, and director, Pennsylvania Academy of the Fine Arts, 1882-1904. Widely, he published on the subject of 18th and 19th century portraiture in the United States.
Related Materials:
The Archives of American Art also holds the personal papers of Charles Henry Hart, dating from 1774-1930, bulk 1888-1918.
Provenance:
The Charles Henry Hart autograph collection was donated to the Archives of American Art in 1954 as an anonymous gift. It is assumed that Hart assembled the letters. Original collation was two letterbooks entitled "The History of Art in America as Tolk in a Remarkable Collection of Autograph Letters and Documents of Celebrated American Artists of the Eighteenth, Nineteenth, and Twentieth Century."
Restrictions:
Use of original papers requires an appointment.
Rights:
The Charles Henry Hart autograph collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Autographs -- Collections  Search this
Artists -- United States -- Portraits  Search this
Autographs -- Collectors and collecting  Search this
Artists -- United States -- Autographs  Search this
Citation:
Charles Henry Hart autograph collection, 1731-1918. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hartchar
See more items in:
Charles Henry Hart autograph collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hartchar

John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Massachusetts -- Faculty  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The John Davis Hatch papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art historians -- Massachusetts  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatcjohn

Rembrandt Peale lecture Washington and his portraits

Creator:
Peale, Rembrandt, 1778-1860  Search this
Subject:
Washington, George  Search this
Type:
Writings
Date:
not before 1857
Topic:
Portraits  Search this
Presidents  Search this
Record number:
(DSI-AAA)16607
See more items in:
Rembrandt and Harriet Peale papers, 1824-1932
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16607

Rembrandt Peale

Photographer:
Peale, Rembrandt, 1778-1860  Search this
Subject:
Peale, Rembrandt  Search this
Type:
Photographs
Date:
ca. 1846
Topic:
Portrait painters  Search this
Record number:
(DSI-AAA)543
See more items in:
Charles Henry Hart autograph collection, 1731-1918
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_543

Rembrandt Peale, Philadelphia, Pa. letter to Charles Willson Peale, New York, N.Y.

Creator:
Peale, Rembrandt, 1778-1860  Search this
Peale, Charles Willson, 1741-1827  Search this
Type:
Correspondence
Date:
1793 Nov. 25
Record number:
(DSI-AAA)6961
See more items in:
Charles Henry Hart autograph collection, 1731-1918
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6961
Online Media:

Rembrandt Peale, Philadelphia, Pa. letter to C. Edwards (Charles Edwards) Lester, New York, N.Y.

Creator:
Peale, Rembrandt, 1778-1860  Search this
Lester, C. Edwards (Charles Edwards), 1815-1890  Search this
Type:
Correspondence
Date:
1846 Mar. 16
Record number:
(DSI-AAA)6963
See more items in:
Charles Henry Hart autograph collection, 1731-1918
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6963
Online Media:

Washington, from the original portrait painted by Rembrandt Peale

Creator:
Peale, Rembrandt, 1778-1860  Search this
Subject:
Washington, George  Search this
Type:
Artworks
Date:
179-?
Topic:
Portraits  Search this
Presidents  Search this
Record number:
(DSI-AAA)6964
See more items in:
Charles Henry Hart autograph collection, 1731-1918
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6964

Rembrandt Peale letter to unidentified recipient

Creator:
Peale, Rembrandt, 1778-1860  Search this
Subject:
Dunlap, William  Search this
Type:
Correspondence
Date:
1855 Sept. 8
Record number:
(DSI-AAA)14473
See more items in:
Albert Duveen collection of artists' letters and ephemera, 1807-1946
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14473
Online Media:

Receipts for paintings of Thomas Badaraque, 1806

Creator:
Peale, Rembrandt, 1778-1860  Search this
Subject:
Badaraque, Thomas  Search this
Topic:
Portraits  Search this
Record number:
(DSI-AAA_CollID)10886
(DSI-AAA_SIRISBib)214663
AAA_collcode_pealremr
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214663

Letters from Rembrandt Peale

Collection Creator:
Peale, Rembrandt, 1778-1860  Search this
Container:
Box 1
Type:
Archival materials
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Rembrandt and Harriet Peale collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Rembrandt and Harriet Peale collection, circa 1820-1932. Archives of American Art, Smithsonian Institution.
See more items in:
Rembrandt and Harriet Peale collection
Rembrandt and Harriet Peale collection / Series 1: Rembrandt and Harriet Peale Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pealremb-ref13

Letter to General Mercer

Collection Creator:
Peale, Rembrandt, 1778-1860  Search this
Extent:
(transcribed)
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1824, March 31
Scope and Contents note:
Peale mentions gathering testimonials on the the merits of Patriae Pater and discusses the resolution in Congress relating to his hoped for commission; appeals to Mercer to be in favor of an act extending copyright to paintings and drawings.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Rembrandt and Harriet Peale collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Rembrandt and Harriet Peale collection, circa 1820-1932. Archives of American Art, Smithsonian Institution.
See more items in:
Rembrandt and Harriet Peale collection
Rembrandt and Harriet Peale collection / Series 1: Rembrandt and Harriet Peale Papers / Letters from Rembrandt Peale
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pealremb-ref14

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