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Peter Howard Selz papers

Creator:
Selz, Peter Howard, 1919-2019  Search this
Names:
College Art Association of America  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
Marlborough Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
University of California, Berkeley. University Art Museum  Search this
Baykam, Bedri, 1957-  Search this
Beckmann, Max, 1884-1950  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Bury, Pol, 1922-2005  Search this
Calder, Alexander, 1898-1976  Search this
Chase-Riboud, Barbara  Search this
Christo, 1935-  Search this
Christo, 1935- (Running fence)  Search this
Conner, Bruce  Search this
Dubuffet, Jean, 1901-  Search this
Feininger, Lyonel, 1871-1956  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Graves, Morris, 1910-  Search this
Guston, Philip, 1913-1980  Search this
Hadzi, Dimitri, 1921-2006  Search this
Lebrun, Rico, 1900-1964  Search this
Lindner, Richard, 1901-  Search this
Lipchitz, Jacques, 1891-1973  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Onslow-Ford, Gordon  Search this
Paris, Harold, 1925-  Search this
Petlin, Irving, 1934-  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Tinguely, Jean, 1925-  Search this
Extent:
31.5 Linear feet
0.696 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Date:
1929-2014
bulk 1950-2005
Summary:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.
Scope and Contents:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and scrapbooks.

Correspondence is with colleagues, artists, museums, and galleries concerning a wide variety of topics, including exhibitions and publications. The bulk of the correspondence consists of alphabetical files (two linear feet) that includes correspondence with artists. Notable correspondents include Pol Bury, Alexander Calder, Gordon Onslow Ford, Alberto Giacometti, Morris Graves, Philip Guston, Dimitri Hadzi, Jacques Lipchitz, Georgia O'Keeffe, Ad Reinhardt, Mark Rothko, Jean Tinguely, and others. Eight additional files of chronological correspondence is with curators, arts organizations, and publishers. Additional correspondence is found in the professional files, project files, membership files, artists' research files, and exhibition files.

The bulk of the writings series is comprised of files related to Selz's books and includes typescript drafts and galleys, printed and digital material, correspondence, and publishing contracts. Files are found for Art in Our Times, Art of Engagement, Beyond the Mainstream, and Theories of Modern Art. Other writings consist of drafts of articles, essays, notes, and lectures by Selz. Also included are writings by others, including materials related to Paul Karlstrom's biography of Selz.

Professional files document curatorial and teaching positions at the Chicago Institute of Design, Pomona College, University of California, Berkeley, and the Museum of Modern Art. The series includes contracts, recommendations, syllabi, and correspondence.

Project files document Selz's professional work on specific art projects, panels, and symposiums. There is extensive documentation of Selz's work as project director of Christo's Running Fence, as well as other environmental art work projects by Christo, the Berkeley Art Project, Disney Art Project, "Funk Art" symposium, and the "Art and Politics in the 20th Century" symposium. Project files contain a wide variety of materials, such as correspondence, printed material, financial records, reports, photographs, and other documents. There are 2 tape reels, 1 VHS, and 1 sound cassette.

Membership and association records document Selz's involvement with or membership in various art councils, trustee boards, such as the College Art Association, Art in Chicago Advisory Committee, Bay Area Rapid Transit (B.A.R.T.) Art Council, and the San Francisco Crafts and Folk Art Museum Advisory Board, among others. Materials include meeting minutes, bulletins, correspondence, and memoranda.

Artists' Research Files consist of a wide variety of research materials Selz compiled about artists for lectures, writings, projects, exhibitions, etc. Files vary and may include original and photocopied correspondence, photographic material, resumes, printed and digital material, and writings. There is also 1 sound cassette. Files are found for Bedri Baykam, Max Beckmann, Fletcher Benton, Ciel Bergman, Barbara Chase-Riboud, Bruce Conner, Jean Dubuffet, Lyonel Feininger, Leon Golub, Dimitri Hadzi, Rico Lebrun, Harold Paris, Irving Petlin, among many others.

Exhibition files include catalogs, reviews, clippings, writings, correspondence, and other material documenting exhibitions organized by Selz. Limited materials are found for the MOMA Art Nouveau exhibition. More extensive documentation is found for Seven Decades of Modern Art, 1895-1965, The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 (2000), and a Nathan Oliviera Retrospective (2002), among others. Some of the materials are in digital format.

Personal business records are related to the Mark Rothko estate and Kate Rothko's legal case against Marlborough Gallery, Inc. Also included in this series are Peter Selz's school transcripts, bequests, royalty statements, house designs, and other material.

Printed materials include clippings, prints of articles written by Peter Selz, exhibition announcements and invitations, and photocopies of artwork images.

There are nine disbound scrapbooks dating from the 1940s up through 2012 containing clippings, exhibition announcements, and photographs of art events, Selz, and artists. This series also includes materials from the 2018 addition that may have previously been compiled in binders.
Arrangement:
This collection is arranged as 10 series. When possible the original order of Peter Selz was maintained. However, multiple accessions were merged and integrated.

Missing Title

Series 1: Correspondence, 1942-2013 (2.3 linear feet; Box 1-3, Box 37)

Series 2: Writings, 1942- circa 2014 (8.3 linear feet; Box 3-10, OV 32, Box 37, 0.035 GB; ER01, ER12)

Series 3: Professional Files, 1949-2012 (1 linear feet; Box 11, Box 37)

Series 4: Project Files, 1962-2015 (2.8 linear feet; Box 12-14, OV 33, Box 37)

Series 5: Membership and Association Records, 1958-2014 (1.1 linear feet; Box 14-15, Box 37)

Series 6: Artists' Research Files, 1955-2014 (7.9 linear feet; Box 15-22, OV 34-35, 0.520 GB; ER02-ER08)

Series 7: Exhibition Files, 1959-2014 (5.2 linear feet; Box 23-27, Box 38, 0.093 GB; ER09-ER11)

Series 8: Personal Business Records, 1929-2014 (1.2 linear feet; Box 28-29, OV 36, Box 38)

Series 9: Printed Material, 1957-2014 (0.3 linear feet; Box 29, Box 38)

Series 10: Scrapbooks, 1947-2018 (1.4 linear feet, Box 29-31, Box 38)
Biographical / Historical:
Peter Howard Selz (1919-2019) was a pioneering historian of modern art, professor, and writer who taught at the University of California, Berkeley, from 1965-1988 and founded and directed the Berkeley Art Museum from 1965-1973.

Selz was born in 1919 in Munich, Germany to Eugene Selz and Edith Drey Selz. In 1936, the family fled Nazi Germany and immigrated to the United States. Selz attended Columbia University from 1937 to 1938 and became a naturalized citizen in 1942. During World War II, Selz served in the U.S. Army in the Office of Strategic Services. He married writer Thalia Cheronis in 1948 but they later divorced in 1965; he married several times afterwards.

After the war, Selz attended and taught at the University of Chicago where he received a Ph. D. in German Expressionism. He spent a year in Paris, 1949-1950, at the Sorbonne and École du Louvre on a Fulbright grant. He received a second Fulbright grant in 1953 to study at the Royal Museums of Art and History in Belgium. From 1953-1955, Selz also taught at the Chicago Institute of Design.

In 1955 Peter Selz accepted a position to chair the art history department at Pomona College in Claremont and relocated to California for a few years. He also became director of the college's art gallery.

In 1958 Selz moved to New York City to become curator of painting and sculpture at the Museum of Modern Art and was there through the transformative mid-1960s. While at MOMA, he organized several significant exhibitions of modern art, including the 1960 Jean Tinguely "Homage to New York," a sculpture that destroyed itself (and started a fire) in the sculpture garden of the museum; New Images of Man (1959), the Art Nouveau show (1960), and the Art of Assemblage (1961). He also launched important retrospectives, including the first Rodin retrospective in the United States and a comprehensive exhibition of Alberto Giacometti's work in 1965.

In 1965, Peter Selz returned to California to become the founding director of the Berkeley Art Museum at the University of California, Berkeley, a position he held until 1973. He organized exhibitions of Funk, film, and ceramicists like Peter Voulkos and Robert Arneson. Peter Selz later became project director for Christo's "Running Fence", the 24.5-mile long fabric fence over the Marin County hills in 1976. He also served concurrently as a professor of art history at UC until retiring in 1988.

Peter Selz was a member of the College Art Association's board of directors for two terms, 1958-1964 and 1966-1971. Selz is a prolific writer, and the author or co-author of numerous books, exhibition catalogs, and articles. Notable books include German Expressionist Painting (1957), Art in a Turbulent Era (1965), Art in Our Times (1981), and Sam Francis (1975).

In 1988 Peter Selz was named emeritus professor at University of California, Berkeley. In 1993 he was on the acquisitions committee of the Museums of Fine Arts, San Francisco. In 2012, Selz curated The Painted Word exhibition. Selz died in 2019 in Albany, California.
Related Materials:
The Archives of American Art also holds oral history interviews of Peter Selz conducted by Paul J. Karlstrom on July 28, 1982, October 12, 1982, and November 3, 1999.
Provenance:
The Peter Howard Selz papers were donated to the Archives of American Art by Peter Selz in multiple installments from 1976 through 2014. Additional papers were donated in 2018 by Gabrielle Selz, Peter Selz's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- California -- Berkeley  Search this
Art historians -- California -- Berkeley  Search this
Topic:
Realism  Search this
Political cartoons  Search this
Pop art  Search this
Environment (Art)  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art -- Germany  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Video recordings
Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.selzpete
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-selzpete
Online Media:

Leon Polk Smith : back to Oklahoma

Title:
Back to Oklahoma
Curator:
Klaric, Arlette  Search this
Artist:
Smith, Leon Polk 1906-1996  Search this
Host institution:
Oklahoma State University Museum of Art  Search this
Subject:
Smith, Leon Polk 1906-1996  Search this
Oklahoma State University Museum of Art  Search this
Physical description:
39 pages : illustrations (some color), portraits ; 26 cm
Type:
Exhibitions
Exhibition catalogs
Place:
United States
Date:
2019
Topic:
Painting, Abstract  Search this
Art, Abstract  Search this
Call number:
ND237.S62 A4 2016
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114606

Richard Dempsey papers

Creator:
Dempsey, Richard W., 1909-  Search this
Names:
Art in Embassies Program (U.S.)  Search this
Clark Atlanta University Art Gallery  Search this
Corcoran Gallery of Art  Search this
Franz Bader Gallery  Search this
Howard University  Search this
United States. Embassy (Colombia)  Search this
United States. Embassy (Jamaica)  Search this
Brooks, Vonja Kirkland  Search this
Lawrence, Jacob, 1917-2000  Search this
Perlmutter, Jack, 1920-2006  Search this
Waters, Ethel, 1896-1977  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Poetry
Sketches
Place:
Colombia -- Description and Travel
Date:
1929-1989
bulk 1960s-1980s
Summary:
The papers of painter Richard W. Dempsey measure 2.9 linear feet and date from 1929 to 1989, with the bulk of the papers dating from the 1960s to the 1980s. The papers contain biographcial material, correspondence, writings, project and exhibition files, printed material, photographs, and artwork and notes related to planning artwork.
Scope and Contents:
The papers of painter Richard W. Dempsey measure 2.9 linear feet and date from 1929 to 1989, with the bulk of the papers dating from the 1960s to the 1980s. The papers contain biographical material, correspondence, writings, project and exhibition files, printed material, photographs, and artwork and notes related to planning artwork.

Biographical material consists of employment records; resumes, chronologies, and biographies; and compiled personal papers that may have once been part of scrapbooks. These materials are not bound, but have remained together and in the order in which they were received. This series also includes a folder of material related to Dempsey's wife, Vonja Kirkland Brooks.

Correspondence includes letters both sent, and received by the artist, primarily concerning the exhibition of Dempsey's paintings at the Franz Bader Gallery, the Atlanta University Gallery, Howard University, the Corcoran Gallery of Art, the U.S. Embassies in Colombia and Jamaica, and with the Art in Embassies Program. Notable correspondents include Jack Perlmutter, Ethel Waters, and Jacob Lawrence. Personal and professional correspondence are intermingled throughout.

Writings include notes and drafts of lectures and other course materials, as well as excerpts and quotes from reviews of exhibitions of Dempsey's work. These excerpts, usually titled "comments," are frequently copied out by hand. Also included in this series are two folders of poetry.

Project and exhibition files include photographs; correspondence; lists; sketches and other plans; and printed material including clippings and exhibition announcements. Materials related to his Rosenwald Fellowship, his participation in the Art in Embassies program, his many exhibitions at Franz Bader Gallery, and his international exhibitions in Colombia and Jamaica are featured. Some files in this series may only include photographs or sketches.

Photographs are primarily of Dempsey's work and of exhibitions. There are some of the artist and of his Takoma Park, MD home and studio (designed by Harry Ormston of McLean, VA and occasionally featured in architecture articles).

Artwork is primarily composed of sketches, often with detailed planning notes for the completion of paintings.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, 1930-1987 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1938-1985, undated (Box 1; 0.2 linear feet)

Series 3: Writings, 1981, undated (Box 1; 3 folders)

Series 4: Project and Exhibition Files, 1929-1986 (Boxes 1-2; 1.2 linear feet)

Series 5: Printed Material, 1930s-1989, undated (Boxes 2-3; 0.4 linear feet, OV 5)

Series 6: Photographic Material, 1932-1981, undated (Boxes 3-4; 0.5 linear feet)

Series 7: Artwork, 1965-1981, undated, (Box 4; 5 folders, OV 5)
Biographical / Historical:
Richard W. Dempsey (1909-1987) was a painter known primarily for his abstract works and his portraits of prominent African American individuals including Ethel Waters, Duke Ellington, Thurgood Marshall, and Adam Clayton Powell. He was born in Ogden, Utah, but spent the majority of his youth in Oakland, California. He studied art at Sacramento Junior College, the California School of Arts and Crafts, and the Student Arts Center. Dempsey had four exhibitions in California before moving to Washington, D.C. to begin work as an engineering draftsman with the Federal Power Commission in 1941. He later transferred to a position as an illustrator with the General Services Administration (GSA), where he would spend the rest of his nearly 30-year government career.

In addition to his work with the GSA, Dempsey participated in the Art in Embassies program for decades, and his work was chosen by Congressman Adam Clayton Powell to hang in the Education Labor Committee rooms.

Dempsey was awarded a Julius Rosenwald Fellowship in 1946 to paint 100 portriats of "Outstanding American Negros." He taught art courses at the Corcoran School of Art and at Glen Echo and received invitations to exhibit around the world in places like Haiti, Colombia, and Jamaica. He exhibited frequently in the U.S., most often with Franz Bader Gallery in Washington, D.C.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4368) including a photograph album chronicling Dempsey's 1951 trip to Haiti and other photographic material. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Richard Dempsey papers were initially lent for microfilming in 1990 by Vonja Kirkland Dempsey, Richard Dempsey's widow. After the collection was microfilmed, Vonja Kirkland Dempsey donated the bulk of the collection, excluding some photographic material, in 1990.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Educators -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Portrait painters -- Washington (D.C.)  Search this
Topic:
Artists' studios -- Photographs  Search this
Painting, Abstract -- Washington (D.C.)  Search this
Jamaica -- Description and Travel  Search this
African American artists  Search this
Genre/Form:
Photographs
Poetry
Sketches
Citation:
Richard Dempsey papers, 1929-1989, bulk 1960s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.demprich
See more items in:
Richard Dempsey papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-demprich

Ed Clark papers

Creator:
Clark, Edward, 1926-2019  Search this
Names:
Cinque Gallery  Search this
Gentry, Herbert, 1919-2003  Search this
Hutson, Bill, 1936-  Search this
Joans, Ted  Search this
Extent:
8.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1923-2017
Summary:
The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.
Scope and Contents:
The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.
Arrangement:
The collection is arranged as eight series.

Series 1: Biographical Material, 1943-2016 (Boxes 1, 10; 0.5 linear feet)

Series 2: Correspondence, 1926, circa 1943-2016 (Boxes 1-3; 2.1 linear feet)

Series 3: Writings, 1955, 1980-2006, 2015, undated (Boxes 3-4, 10; 0.7 linear feet)

Series 4: Personal Business Records, 1953, 1966-2015 (Boxes 4, 10; 0.9 linear feet)

Series 5: Professional Activities, circa 1954-2016 (Boxes 4-5, 10; 0.7 linear feet)

Series 6: Printed Material, 1923-1926, 1950-2017, undated (Boxes 5-8, 10, OV 11-14; 3.3 linear feet)

Series 7: Photographic Material, 1928, 1952-2014, undated (Boxes 8-9, 10; 0.6 linear feet)

Series 8: Artwork, 1977-1997, undated (Boxes 9-10, OV 14; 0.1 linear feet)
Biographical / Historical:
Ed Clark (1926- ) is an abstract expressionist painter who worked in Paris, France and New York. Clark was born in New Orleans, Louisiana in 1926. He studied at the Art Institute of Chicago from 1946 to 1951 and enrolled at the Académie de la Grande Chaumièré in Paris after his arrival there in 1952. After his return to the United States, Clark became a charter member of the Brata Gallery. In 1957 he premiered his shaped canvas at the Brata Gallery Christmas group show. This shaped canvas is generally considered to be the first of its kind. In 1958, he began using a push broom to apply broad strokes of color to canvases on his studio floor.

Ed Clark has received multiple awards and honors including the National Endowment for the Arts' Master Award (1972), the United States Congressional Achievement Award (1994), and the Art Institute of Chicago's Legends and Legacy Award (2013). He has exhibited widely and his work is held in many collections including the Art Institute of Chicago, the California Afro-American Museum, the Centro de Arté Moderno in Guadalajara, Mexico, the Detroit Institute of the Arts, Louisiana State University, the Smithsonian National Museum of African American History and Culture, and the New York Public Library Schomburg Center.
Related Materials:
A 30-minute documentary recording, Ed Clark: a brush with success (2007) produced by Mark Hammond and Charles Martin is available at the Anacostia Community Museum Library.
Provenance:
The Ed Clark papers were donated to the Archives of American Art by Melanca Clark, Ed Clark's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- France -- Paris  Search this
Topic:
African American artists  Search this
Abstract expressionism  Search this
Painting, Abstract  Search this
Shaped canvas  Search this
Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clarked
See more items in:
Ed Clark papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-clarked
Online Media:

Oral history interview with Buffie Johnson, 1982 Nov. 13

Interviewee:
Johnson, Buffie, 1912-2006  Search this
Johnson, Buffie, 1912-2006  Search this
Interviewer:
Shikler, Barbara  Search this
Subject:
Rothko, Mark  Search this
Putzel, Howard  Search this
Guggenheim, Peggy  Search this
Newman, Barnett  Search this
Goossen, E. C.  Search this
Smith, Tony  Search this
Gottlieb, Adolph  Search this
Krasner, Lee  Search this
Rothko Chapel (Houston, Tex.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Painting, Abstract  Search this
Mural painting and decoration  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13177
(DSI-AAA_SIRISBib)215633
AAA_collcode_johnso82
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215633
Online Media:

Jeffrey Gibson : this is the day / curated by Tracy L. Adler, Johnson-Pote Director, Ruth and Elmer Wellin Museum of Art

Title:
This is the day
Interviewee:
Gibson, Jeffrey 1972-  Search this
Interviewer:
Adler, Tracy L.,  Search this
Author:
Sims, Lowery Stokes  Search this
Panetta, Jane  Search this
Host institution:
Ruth and Elmer Wellin Museum of Art  Search this
Subject:
Gibson, Jeffrey 1972-  Search this
Gibson, Jeffrey 1972-  Search this
Physical description:
214 pages : color illustrations, portraits 36 cm
Type:
Exhibitions
Interviews
Exhibition catalogs
Essays
Illustrated works
Place:
United States
Date:
2018
21st century
Topic:
Indian art  Search this
Art, Modern  Search this
Fashion and art  Search this
Textile crafts  Search this
Painting, Abstract  Search this
Pottery, American  Search this
Indian artists  Search this
Gay artists  Search this
Call number:
N6537.G444 A4 2018
N40.1.G4483 R98 2018 folio
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1107735

Carles, Arthur Beecher, 3922CY: Study for Last Painting, Abstract Still Life

Collection Creator:
Richard York Gallery  Search this
Container:
Box 13, Folder 39
Type:
Archival materials
Date:
1993
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 2: Artists' Artwork Files / 2.1: General
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref777

Esphyr Slobodkina papers, circa 1925-1995

Creator:
Slobodkina, Esphyr, 1908-2002  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Slobodkina, Esphyr, 1908-2002  Search this
Subject:
Morris, George L. K.  Search this
Eckstein, Ruth  Search this
Kelpe, Paul  Search this
Rabkin, Leo  Search this
Tedlie, Harry  Search this
American Abstract Artists  Search this
Type:
Photographs
Topic:
Sculptors -- New York (State)  Search this
Women artists  Search this
Authors -- New York  Search this
Illustrators -- New York (State)  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Women painters  Search this
Women illustrators  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9411
(DSI-AAA_SIRISBib)211609
AAA_collcode_slobesph
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211609
Online Media:

Esphyr Slobodkina papers

Creator:
Slobodkina, Esphyr, 1908-2002  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Names:
American Abstract Artists  Search this
Eckstein, Ruth, 1916-  Search this
Kelpe, Paul, 1902-1985  Search this
Morris, George L. K., 1905-1975  Search this
Rabkin, Leo  Search this
Tedlie, Harry  Search this
Extent:
1.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1925-1995
Summary:
The papers of painter, sculptor, author, and illustrator Esphyr Slobodkina measure 1.9 linear feet and date from circa 1925 to 1995. Found within the papers are personal and professional correspondence, including letters from Ilya Bolotowsky, George L.K. Morris, and Paul Kelpe; writings, including a copy of the autobiography Notes for a Biographer (vol. 1); printed materials; photographs; and material on the American Abstract Artists, including administrative records, business correspondence, and publications.
Scope and Contents:
The papers of painter, sculptor, author, and illustrator Esphyr Slobodkina measure 1.9 linear feet and date from circa 1925 to 1995. Found within the papers are personal and professional correspondence, including letters from Ilya Bolotowsky, George L.K. Morris, and Paul Kelpe; writings, including a copy of the autobiography Notes for a Biographer (vol. 1); printed materials; photographs; and material on the American Abstract Artists, including administrative records, business correspondence, and publications.

Correspondence is primarily with Slobodkina's family, friends, and business associates. The series includes significant correspondence from her first husband, Ilya Bolotowsky, as well as abstract artists George L.K. Morris, Paul Kelpe, Ruth Eckstein, Leo Rabkin, and Harry Tedlie. The series also includes correspondence regarding her published works.

Writings consist of 3 essays by Slobodkina on abstract art, the autobiography Notes for a Biographer (vol. 1), the edited folio Ilya Bolotowsky, and a small notebook kept by Ilya Bolotowsky during the 1920s-30s.

Printed material includes clippings; samples of announcements and cards designed by Slobodkina; exhibition announcements and catalogs; and press releases.

Photographs are of Slobodkina and her paintings and sculptures, as well as photographs of artwork by other abstract artists.

American Abstract Artists' records includes administrative material, correspondence, writings, selected exhibitions, and printed material dating from 1936 to 1996.
Arrangement:
The collection is arranged as 5 series.

Missing Title

Series 1: Correspondence, 1934-1992 (0.4 linear feet; Box 1)

Series 2: Writings, circa 1920-1985 (6 folders; Box 1)

Series 3: Printed material, circa 1939-1994 (7 folders; Box 1, OV 4)

Series 4: Photographs, circa 1925-1970 (3 folders; Box 1)

Series 5: American Abstract Artists, circa 1936-1995 (0.9 linear feet, Box 1-3, OV 4)
Biographical / Historical:
Painter, sculptor, author, and illustrator Esphyr Slobodkina (1908-2002) lived and worked in New York City, Great Neck, and Long Island, New York and was known for her abstract art and her children's books, including the seminal Caps For Sale.

Slobodkina was born in Chelyabinsk, Siberia to Solomon Slobodkin and his wife, Itta Agranovich. After the Russian Revolution and Civil War of 1917-1918, her family immigrated to Harbin, Manchuria where her father found work with Standard Oil and her mother contributed to the family's finances by working as a dressmaker. After graduating from high school in 1927, Slobodkina immigrated to the United States to join her brother in New York City where she enrolled at the National Academy of Design.

At the Academy, Slobodkina met her future husband, the artist and fellow Russian émigré Ilya Bolotowsky. In 1936, they became founding members of the American Abstract Artists, an artist run organization that worked to advance abstract art at a time when few opportunities to exhibit their works existed. She served as the organization's first secretary and later served as treasurer, president, and institutional bibliographer.

In 1937, Slobodkina met the children's author Margaret Wise Brown. After seeing her work, Brown invited Slobodkina to illustrate The Little Fireman, the first of their many collaborations together. In 1940, Slobodkina's first published book, Caps For Sale, was released and has remained in print for over 70 years. It won the Lewis Carroll Shelf Award in 1958 and is considered a classic of children's literature.

Slobodkina and Bolotowsky divorced in 1938, after which she continued to produce abstract mixed media paintings and sculptures. Her first major one-person show was organized by the gallery owner A.E. Gallatin in 1940. Through the 1940s and into 1970s, Slobodkina regularly contributed to group exhibitions and her works are owned by numerous institutions, including the Metropolitan Museum of Art, Whitney Museum, Boston Museum of Fine Arts, and Hillwood Art Museum.

In addition to publishing children's books, Slobodkina authored three volumes of her autobiography, Notes for a Biographer (1976-1983) and edited American Abstract Artists: Its Publications, Catalogs, and Membership (1979) and the folio Ilya Bolotwosky (1985). Active until the end of her life, she oversaw the production of musical audio recordings for her 20 children's books well into her 80s, and at the age of 90, designed a museum financed through the Slobodkina Foundation. She died at her home in Glen Head, Long Island in 2002.
Related Materials:
The Archives also holds the American Abstract Artists records.
Separated Materials:
The Archives of American Art also holds materials lent for microfilming (N70-61) including a travel album, printed material, notes, McDowell colony correspondence, and an American Abstract Artists financial ledger. Lents materials were returned to the lender and are not described in the collection container inventory.

Additionally, 69 rolled drawings on tracing paper were transferred to Hillwood Art Museum in 2006.
Provenance:
Esphyr Slobodkina loaned a portion of her papers for microfilming and donated material in 1970. She gave additional papers between 1995 and 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Sculptors -- New York (State)  Search this
Women artists  Search this
Authors -- New York  Search this
Illustrators -- New York (State)  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Women painters  Search this
Women illustrators  Search this
Genre/Form:
Photographs
Citation:
Esphyr Slobodkina papers, circa 1925-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.slobesph
See more items in:
Esphyr Slobodkina papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-slobesph

Josef Albers

Artist:
Yousuf Karsh, 23 Dec 1908 - 13 Jul 2002  Search this
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 49.8 x 39.7 cm (19 5/8 x 15 5/8")
Sheet: 50.3 x 40.4 cm (19 13/16 x 15 7/8")
Mount: 56 x 45.8 cm (22 1/16 x 18 1/16")
Type:
Photograph
Place:
United States\Connecticut\New Haven\New Haven
Date:
1966
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Artwork  Search this
Interior\Domestic  Search this
Artwork\Painting\Abstract  Search this
Josef Albers: Male  Search this
Josef Albers: Visual Arts\Artist\Painter  Search this
Josef Albers: Education\Educator\Professor\University  Search this
Josef Albers: Visual Arts\Art Instructor  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh
Object number:
NPG.2012.77.2
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Yousuf Karsh
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm48ad07115-31eb-4b7f-a75d-8860385101a2
EDAN-URL:
edanmdm:npg_NPG.2012.77.2

Bella Fishko

Alternate Title:
Portrait of Bella in the Studio
Artist:
Gregory Gillespie, 1936 - 2000  Search this
Sitter:
Bella Fishko, 1913 - 1995  Search this
Medium:
Oil on panel
Dimensions:
Stretcher: 121.3 x 96.5cm (47 3/4 x 38")
Frame: 132.9 x 107.6cm (52 5/16 x 42 3/8")
Type:
Painting
Place:
United States\New York\Kings\New York\Manhattan Island
Date:
1987
Topic:
Artist's Effects\Drawing board  Search this
Interior\Studio\Art  Search this
Artwork\Painting\Landscape  Search this
Allegorical  Search this
Commemorative  Search this
Artwork\Painting\Abstract  Search this
Bella Fishko: Female  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Robert and Cheryl Fishko
Object number:
S/NPG.2012.86
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Gregory Gillespie. Courtesy of George Adams Gallery, New York.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4bcedcb94-f0f8-4bd7-aa02-a048c8cd1b1c
EDAN-URL:
edanmdm:npg_S_NPG.2012.86

Study for Poster Portrait: Marsden Hartley

Artist:
Charles Henry Demuth, 8 Nov 1883 - 23 Oct 1935  Search this
Sitter:
Marsden Hartley, 4 Jan 1877 - 2 Sep 1943  Search this
Medium:
Watercolor and graphite on paper
Dimensions:
Sheet: 25.7 x 20.6cm (10 1/8 x 8 1/8")
Frame: 50.8 x 43.2 x 1.6cm (20 x 17 x 5/8")
Type:
Painting
Date:
c. 1923-1924
Topic:
Marsden Hartley: Male  Search this
Marsden Hartley: Literature\Writer  Search this
Marsden Hartley: Visual Arts\Artist\Painter  Search this
Marsden Hartley: Literature\Writer\Poet  Search this
Portrait  Search this
Credit Line:
Owner: Yale University Art Gallery
Object number:
EXH.HS.183
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4e0839e23-b250-4f5f-8b79-4366c308fedd
EDAN-URL:
edanmdm:npg_EXH.HS.183

Picasso in His Studio on the rue de La Boëtie. Paris

Artist:
Man Ray, 27 Aug 1890 - 18 Nov 1976  Search this
Sitter:
Pablo Picasso, 25 Oct 1881 - 8 Apr 1973  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 21.6 x 16.5cm (8 1/2 x 6 1/2")
Sheet: 36.8 x 27.8cm (14 1/2 x 10 15/16")
Type:
Photograph
Date:
1922
Topic:
Interior\Studio\Art  Search this
Artwork\Painting\Abstract  Search this
Pablo Picasso: Male  Search this
Pablo Picasso: Visual Arts\Artist\Sculptor  Search this
Pablo Picasso: Visual Arts\Artist\Printmaker  Search this
Pablo Picasso: Visual Arts\Artist\Painter  Search this
Pablo Picasso: Performing Arts\Costume Designer  Search this
Pablo Picasso: Visual Arts\Artist\Printmaker\Lithographer  Search this
Pablo Picasso: Literature\Writer\Playwright  Search this
Pablo Picasso: Crafts and Trades\Craftsman\Ceramicist  Search this
Portrait  Search this
Credit Line:
Owner: Philadelphia Museum of Art
Object number:
1952.61.128 PMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4ff7f6fea-d101-428d-82a1-28ab93099982
EDAN-URL:
edanmdm:npg_1952.61.128_PMA

Gertrude Stein Wearing Balmain Suit

Artist:
Horst P. Horst, 14 Aug 1906 - 18 Nov 1999  Search this
Sitter:
Gertrude Stein, 3 Feb 1874 - 27 Jul 1946  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 19.4 x 19cm (7 5/8 x 7 1/2")
Sheet: 25.1 x 20.2cm (9 7/8 x 7 15/16")
Mat: 45.7 x 35.6cm (18 x 14")
Frame (CJM): 42.2 x 37.1cm (16 5/8 x 14 5/8")
Type:
Photograph
Date:
1946
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Architecture\Window  Search this
Nature & Environment\Plant\Flower\Bouquet  Search this
Container\Vase  Search this
Interior\Domestic  Search this
Artwork\Portrait  Search this
Architecture\Door  Search this
Artwork\Painting\Abstract  Search this
Gertrude Stein: Female  Search this
Gertrude Stein: Literature\Writer\Poet  Search this
Gertrude Stein: Literature\Writer\Librettist  Search this
Gertrude Stein: Visual Arts\Art Collector  Search this
Gertrude Stein: Literature\Writer\Novelist  Search this
Gertrude Stein: Visual Arts\Art Patron  Search this
Portrait  Search this
Credit Line:
Owner: Horst P. Horst Archive
Object number:
EXH.GS.19
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm45ab1c51c-4a33-462e-a6fc-aa493447a354
EDAN-URL:
edanmdm:npg_EXH.GS.19

Stanton MacDonald-Wright

Artist:
Thomas Hart Benton, 15 Apr 1889 - 9 Jan 1975  Search this
Sitter:
Stanton MacDonald-Wright, 8 Jul 1890 - 22 Aug 1973  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher (Accurate): 102 x 98.4cm (40 3/16 x 38 3/4")
Type:
Painting
Date:
1961-1962
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Home Furnishings\Drinking vessel\Glass  Search this
Artist's Effects\Paintbrush  Search this
Artwork\Painting\Abstract  Search this
Stanton MacDonald-Wright: Male  Search this
Stanton MacDonald-Wright: Visual Arts\Artist\Painter  Search this
Stanton MacDonald-Wright: Education\Educator\Professor\University  Search this
Stanton MacDonald-Wright: Visual Arts\Art Instructor  Search this
Stanton MacDonald-Wright: Literature\Writer\Playwright  Search this
Stanton MacDonald-Wright: Performing Arts\Scenographer  Search this
Portrait  Search this
Credit Line:
Owner: Estate of Thomas Hart Benton
Object number:
8 THB
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4b666df90-2109-4616-b1ea-a9fa064bf9ac
EDAN-URL:
edanmdm:npg_8_THB

Wyndham Lewis

Artist:
Alvin Langdon Coburn, 11 Jun 1882 - 23 Nov 1966  Search this
Sitter:
Wyndham Lewis, 1884? - 7 Mar 1957  Search this
Medium:
Collotype
Dimensions:
Image: 20.8 x 15.7 cm (8 3/16 x 6 3/16")
Sheet: 22.7 × 17.1 cm (8 15/16 × 6 3/4")
Mount: 30.5 × 22.7 cm (12 × 8 15/16")
Type:
Photograph
Date:
1916
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Dress Accessory\Tie  Search this
Equipment\Smoking Implements\Cigarette  Search this
Artwork\Painting\Abstract  Search this
Wyndham Lewis: Male  Search this
Wyndham Lewis: Visual Arts\Artist\Painter  Search this
Wyndham Lewis: Literature\Writer\Magazine article  Search this
Wyndham Lewis: Literature\Writer\Novelist  Search this
Wyndham Lewis: Literature\Editor\Journal  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
S/NPG.78.6
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4aa128cd7-4ca3-4d9a-a46a-6c83aca9ee35
EDAN-URL:
edanmdm:npg_S_NPG.78.6

Oral history interview with Dennis Pinette

Interviewee:
Pinette, Dennis, 1951-  Search this
Interviewer:
Larsen, Susan C.  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 Aug. 30-Sept. 1
Scope and Contents:
An interview of Dennis Pinette conducted 2005 Aug. 30 and Sept. 1, by Susan C. Larsen, art historian, for the Archives of American Art, at the artist's home and studio, in Belfast, Me.
Pinette discusses his childhood in Williamstown, Mass., and Morristown, N.J., and his early fascination with industrial scenes and railroad sightings; his family and artistic bloodline from his maternal grandparents, Harold and Frances McMennamin; his education at Mount Greylock Regional High School in Williamstown; his first influential art teacher, John D. Maziarz; his secondary education at Hartford Art School where he studied with Rudolph Zallinger; his first job out of college for a picture framer in West Hartford, Conn., while at the same time continuing to paint at night; his marriage to Megan Pinette (née Smith) in 1975, and how they first met; the couple's easel-backed picture frame business in Westerly, R.I., in the early 1980s, which they gave up to move to Maine and paint; their move to Belfast, Me., in the summer of 1983, when they bought the house in which they still live; the Artfellows art cooperative, started in Belfast in 1980; his shift back to realism from abstraction in the early 1980s; his wanderings in and around industrial parks in Maine, including the Maine Yankee Nuclear Power Plant in Wiscasset, to find inspiration for his canvases; his total refusal of the idea that his paintings have social or political messages to convey; his continuing fascination with the visceral quality of industrial scenes; his artistic influences, including American artists of the early twentieth century, such as Edward Hopper, John Sloan, William Glackens, Charles Sheeler, and Charles Burchfield, as well as later American artists such as Agnes Martin and Jackson Pollock; the influence and inspiration of Maine's varied landscape; his preferences for working, especially plein-air painting during the spring and fall; and his most recent series of works, which focus on fire and on water. Pinette also recalls Vito Acconci, Sol LeWitt, Bruce Brown, Stewart Henderson, Richard Norton, Yvonne Jacquette, Alex Katz, Linden Frederick, Stephen Pasterhoff, Neil Welliver, Dudley Zopp, and others.
Biographical / Historical:
Dennis Pinette (1951- ) is a painter from Belfast, Me. Interviewer Susan C. Larsen is an art historian, from St. George, Me.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 20 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- Maine -- Interviews  Search this
Topic:
Painting, Abstract  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pinett05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pinett05
Online Media:

Oral history interview with Thomas Nozkowski

Interviewee:
Nozkowski, Thomas, 1944-2019  Search this
Creator:
Goncharov, Kathy  Search this
Extent:
5 Items (wav files (2 hr., 16 min.), digital)
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 June 11
Scope and Contents:
An interview of Thomas Nozkowski conducted 2009 June 11, by Kathy Goncharov, for the Archives of American Art, at Nozkowski's home and studio, in High Falls, N.Y.
Biographical / Historical:
Thomas Nozkowski (1944- 2019) was an abstract painter who lives and works in High Falls, N.Y.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 16 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Painting, Abstract  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nozkow09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nozkow09
Online Media:

Oral history interview with Robert S. Neuman

Interviewee:
Neuman, Robert S.  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
106 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 May 1-June 19
Scope and Contents:
An interview of Robert S. Neuman conducted 1991 May 1-1991 June 19, by Robert Brown, for the Archives of American Art.
Neuman discusses his childhood in Idaho; art training in Idaho and San Francisco; California artists Clyfford Still, Richard Diebenkorn, Hassel Smith, and Nathan Oliveira; WWII service; the School of the Pacific vs. Euro-centric New York; studying in Germany on a Fulbright scholarship; the influence of work by Willi Baumeister and Wolfgang Wols; moving to Boston and the art community there in the 1950s and 1960s; studying in Barcelona on a Guggenheim fellowship; the evolution of his painting in overlapping phases; and his preference for being outside the mainstream art world.
Biographical / Historical:
Robert S. Neuman (1926- ) is an abstract painter and art instructor from San Francisco, Germany, Spain, and Boston.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 6 hrs., 41 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Massachusetts -- Interviews  Search this
Topic:
Painting, Abstract -- Massachusetts  Search this
Painting, Modern -- 20th century  Search this
Painters -- Massachusetts -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.neuman91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neuman91
Online Media:

Oral history interview with Jimmy C. Lueders

Interviewee:
Lueders, Jimmy C., 1927-1994  Search this
Interviewer:
Veloric, Cynthia  Search this
Names:
Dubin Gallery, (Philadelphia, Pa.)  Search this
Gallery 1015  Search this
Pennsylvania Academy of the Fine Arts  Search this
Kamihira, Ben, 1925-  Search this
Potamkin, Meyer, 1909-2001  Search this
Potamkin, Vivian, 1915-2002  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
98 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 Nov. 14
Scope and Contents:
An interview of Jimmy C. Lueders conducted 1990 Nov. 14, by Cynthia Veloric, for the Archives of American Art Philadelphia Project. Lueders speaks about his childhood in Florida, his art studies in high school and at the Pennsylvania Academy of the Fine Arts, instructor Franklin Watkins and fellow student Ben Kamihira; teaching at PAFA, the Cheltenham Art Center, and the Philadelphia Museum of Art; the development of his painting including the shift from figurative to abstract and back to figurative; exhibitions at the Dubin Gallery and Gallery 1015 in Philadelphia; sales; and collectors who supported him such as Meyer and Vivian Potamkin and Max Robb.
Biographical / Historical:
Jimmy C. Lueders (1927-1994) was a painter from Philadelphia, Pa.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 1 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Painting, Abstract -- Pennsylvania -- Philadelphia  Search this
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Art -- Study and teaching -- Pennsylvania -- Philadelphia  Search this
Figurative art  Search this
Painters -- Pennsylvania -- Philadelphia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lueder90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lueder90
Online Media:

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