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Fairfield Porter papers

Creator:
Porter, Fairfield  Search this
Names:
Hirschl & Adler Galleries  Search this
Tibor de Nagy Gallery  Search this
Brainard, Joe, 1942-  Search this
Burkhardt, Rudy  Search this
Button, John, 1929-1982  Search this
Day, Lucien B., 1916-  Search this
Downes, Rackstraw  Search this
Elmslie, Kenward  Search this
Evergood, Philip, 1901-1973  Search this
Frielicher, Jane  Search this
Giardelli, Arthur  Search this
Guest, Barbara  Search this
Hartl, Léon, 1889-  Search this
Hess, Thomas B.  Search this
Katz, Alex, 1927-  Search this
Koch, Kenneth, 1925-  Search this
Laning, Edward, 1906-1981  Search this
Lichtenstein, Roy, 1923-1997  Search this
Morse, Carl  Search this
Myers, John Bernard  Search this
O'Hara, Frank, 1926-1966  Search this
Padgett, Ron  Search this
Porter, Ruth W., 1875-1942  Search this
Rivers, Larry, 1925-  Search this
Schloss, Edith, 1919-  Search this
Schuyler, James  Search this
Shapiro, David, 1947-  Search this
Stankiewicz, Richard, 1922-  Search this
Vasilieff, Nicholas  Search this
Extent:
9.3 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Sketches
Sketchbooks
Photographs
Date:
1888-2001
bulk 1924-1975
Summary:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.
Scope and Content Note:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. The collection includes a biographical chronology; certificates, awards, and diplomas; letters to Fairfield and Anne Porter; scattered outgoing correspondence; and reviews, essays, notes, poems, and translations written by Porter and others. Among the writings are poetry manuscripts written by several New York School Poets including Frank O'Hara, James Schuyler, and Kenneth Koch. Also found are gallery records, inventories and appraisals, financial records, exhibition catalogs, clippings, posters, and records of Anne Porter's efforts to place his collection and document and publish his work after his death. Photographs of Porter, his homes, and his family are also present, as well as sketchbooks, loose sketches, and drawings spanning his entire career.

Significant correspondence is present from the Porters' many poet friends, including Kenneth Koch, James Schuyler, Ron Padgett, Kenward Elmslie, Barbara Guest, Carl Morse, David Shapiro, and others. Among the letters are poetry manuscripts by Koch, Morse, Schuyler, Padgett, and Shapiro. Some letters are actually written in verse, especially those from Kenneth Koch.

Artists with letters in the collection include Joe Brainard, Rudy Burkhardt, John Button, Lucien Day, Rackstraw Downes, Philip Evergood, Jane Frielicher, Arthur Giardelli, Leon Hartl, Alex Katz, Edward Laning, Roy Lichtenstein, Larry Rivers, Richard Stankiewicz, Nicolas Vasilieff, among others. Other art world figures represented include John Bernard Myers, curator at the Tibor de Nagy gallery (New York), and Tom Hess, editor of ArtNews. Artwork found within the correspondence includes an illustrated letter from Ron Padgett and an original print on a holiday card by Edith Schloss.
Arrangement:
The collection is arranged into the following nine series. See the series descriptions below for more information about the content of each series.

Missing Title

Series 1: Biographical Materials, 1916-1975 (Box 1 and 11; 0.2 linear feet)

Series 2: Correspondence, 1918-1996 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings by Fairfield Porter, 1924-1975 (Box 2; 0.6)

Series 4: Writings by Others, 1888-1992 (Boxes 2-3; 0.7 linear feet)

Series 5: Personal Business Records, 1944-1996 (Boxes 3-4; 1 linear foot)

Series 6: Anne Porter's Posthumous Projects, 1980-1988 (Box 4; 0.2 linear feet)

Series 7: Printed Materials, 1934-2001 (Boxes 4-6 and 11; 1.5 linear feet)

Series 8: Photographs, circa 1880-1990 (Boxes 6 and 11; 0.6 linear feet)

Series 9: Artwork, 1918-1975 (Boxes 7-10 and 12-17; 2.2 linear feet)
Biographical Note:
Fairfield Porter was born near Chicago in 1907, the fourth of five children of James and Ruth Furness Porter. His father was an architect, his mother a poet from a literary family, and Porter grew up in an environment where art and literature were highly valued. His father designed the family homes in Winnetka, Illinois and on Great Spruce Head Island, an island in Maine that he purchased for the family in 1912. Fairfield Porter spent summers there from the age of six, and views of the island, its structures, and neighboring towns were the subjects of many paintings.

Porter attended Harvard from 1924 to 1928, studying fine art with Arthur Pope and philosophy with Alfred North Whitehead. After graduating from Harvard, Porter moved to New York City and took studio classes at the Art Students League from 1928 until 1930, studying with Boardman Robinson and Thomas Hart Benton, and immersing himself in the art and radical politics of Greenwich Village. In the 1940s, he studied at Parson's School of Design with art restorer Jacques Maroger, adopting the Maroger recipe for an oil medium in his own painting.

To further his education as an artist, Porter traveled to Europe in 1931, where he spent time with expatriate art theorist Bernard Berenson and his circle. When he returned to New York, he allied himself with progressive, socialist organizations, and like many of his contemporaries, worked at creating socially relevant art. He did artwork for the John Reed Club, a communist group; taught drawing classes for Rebel Arts, a socialist arts organization; wrote for their magazine, Arise!; and created a mural for the Queens branch of the Socialist Party. Living in the Chicago area for several years in the 1930s, he illustrated chapbooks for the socialist poet John Wheelwright's Poems for a Dime and Poems for Two Bits series. Porter's financial contributions to the radical Chicago publication Living Marxism kept it afloat for several years.

In 1932, Porter married Anne Channing, a poet from Boston, and they settled in New York. The Porters had five children, and their first son, born in 1934, suffered from a severe form of autism. In the next decade, they had two more sons, and spent three years in Porter's hometown of Winnetka, where he had his first solo exhibition of paintings. When they returned to New York in 1939, the Porters became friends with Edwin Denby, Rudy Burkhardt, and Elaine and Willem de Kooning. Porter became an earnest admirer of Willem de Kooning's artwork and was among the first to review and purchase it.

In 1949, the Porters moved to the small, seaside town of Southampton, New York. Their two daughters were born in 1950 and 1956. Like the family home on Great Spruce Head Island, Southampton became the setting of many of Porter's paintings. In fact, almost all of his mature paintings depict family homes, surrounding landscapes, family members, and friends. Porter was an individualistic painter who embraced figurative art in the late 1940s and 1950s, when abstract expressionism was the prevailing aesthetic trend. Porter once made a comment that his commitment to figurative painting was made just to spite art critic Clement Greenberg, a respected critic and ideologue who had championed abstract expressionism and denigrated realism as passé.

Porter established his reputation as a painter and as a writer in the 1950s. John Bernard Myers of the vanguard Tibor de Nagy gallery gave Porter his first New York exhibition in 1951 and represented him for the next twenty years. That same year Tom Hess, editor of ArtNews, hired Porter to write art features and reviews. Porter went on to contribute to ArtNews until 1967 and also became art editor for The Nation beginning in 1959, the same year his article on Willem de Kooning won the Longview Foundation Award in art criticism. As a critic, Porter visited countless galleries and studios, and he gained a reputation for writing about art with the understanding and vested interest of an artist, and with the same independence from fashionable ideas that he demonstrated in his artwork.

The 1950s and 1960s were prolific years for Porter's writing and art, and saw the development of his critical ideas and the maturation of his painting. Porter enjoyed an elder status among a circle of younger artists such as Jane Freilicher, Larry Rivers, and Alex Katz, and their many poet friends, now known as the New York School of Poetry: Frank O'Hara, John Ashbery, James Schuyler, Kenneth Koch, Barbara Guest, and others. Porter himself wrote poetry and was published in the 1950s, sometimes alongside poems by his wife, who had been publishing poetry since the 1930s (twice in the vanguard Chicago journal, Poetry). The Porters' correspondence is laced with poems they and their friends sent back and forth, often about and dedicated to each other.

Besides his annual exhibitions at Tibor de Nagy and later Hirschl and Adler Galleries, Porter exhibited regularly at the Whitney, and had one-man exhibitions at many museums including the Rhode Island School of Design (1959), The University of Alabama (1963), Cleveland Museum of Art (his first retrospective, 1966), Trinity College (1967), the Parrish Art Museum (1971), the Maryland Institute of Art (1973), and the 1968 Venice Biennale. He also had residencies at the Skowhegan School of Painting and Sculpture (1964) and Amherst College (1969). Porter died in 1975 at age 68. A full-scale retrospective of his artwork was held at the Boston Museum of Fine Art, Boston in 1983, and a study center and permanent home for his artwork was established at the Parrish Art Museum in Southampton through a donation made by Anne Porter. A posthumous collection of his poems was published by Tibor de Nagy Editions in 1985, and a catalogue raisonnée, edited by Joan Ludman, was published in 2001.

This biography relies heavily on information found in Justin Spring's biography of Porter, Fairfield Porter: A Life in Art (Yale University Press, 2000).
Related Material:
The Archives of American Art holds an oral history of Fairfield Porter conducted by Paul Cummings in 1968.
Provenance:
The papers of Fairfield Porter were given to the Archives of American Art by the artist's wife, Anne Porter, in five separate accessions between 1977 and 1997.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- Southampton  Search this
Topic:
Works of art  Search this
Painters -- New York (State) -- Southampton  Search this
Painting, Modern -- 20th century  Search this
Poets  Search this
Lithographers -- New York (State)  Search this
Genre/Form:
Travel diaries
Sketches
Sketchbooks
Photographs
Citation:
Fairfield Porter papers, 1888-2001 (bulk 1924-1975). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.portfair
See more items in:
Fairfield Porter papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c9535998-330e-4c23-9f84-9c4dff3569e5
EDAN-URL:
ead_collection:sova-aaa-portfair
Online Media:

Fairfield Porter papers, 1888-2001, bulk 1924-1975

Creator:
Porter, Fairfield, 1907-1975  Search this
Subject:
Schuyler, James  Search this
Schloss, Edith  Search this
Rivers, Larry  Search this
Porter, Ruth W.  Search this
Padgett, Ron  Search this
O'Hara, Frank  Search this
Myers, John Bernard  Search this
Vasilieff, Nicholas  Search this
Stankiewicz, Richard  Search this
Shapiro, David  Search this
Lichtenstein, Roy  Search this
Giardelli, Arthur  Search this
Guest, Barbara  Search this
Evergood, Philip  Search this
Frielicher, Jane  Search this
Downes, Rackstraw  Search this
Elmslie, Kenward  Search this
Button, John  Search this
Day, Lucien B.  Search this
Morse, Carl  Search this
Koch, Kenneth  Search this
Laning, Edward  Search this
Katz, Alex  Search this
Hartl, Léon  Search this
Hess, Thomas B.  Search this
Burkhardt, Rudy  Search this
Brainard, Joe  Search this
Tibor de Nagy Gallery  Search this
Hirschl & Adler Galleries  Search this
Type:
Travel diaries
Sketches
Sketchbooks
Photographs
Citation:
Fairfield Porter papers, 1888-2001, bulk 1924-1975. Archives of American Art, Smithsonian Institution.
Topic:
Works of art  Search this
Painters -- New York (State) -- Southampton  Search this
Painting, Modern -- 20th century  Search this
Poets  Search this
Lithographers -- New York (State)  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8946
(DSI-AAA_SIRISBib)211133
AAA_collcode_portfair
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211133
Online Media:

Larry Rivers interviews, 1960 Mar. 5 & Apr. 16

Creator:
Rivers, Larry, 1925-2002  Search this
Type:
Sound recordings
Interviews
Citation:
Larry Rivers interviews, 1960 Mar. 5 & Apr. 16. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- New York (State) -- Southampton -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10680
(DSI-AAA_SIRISBib)214279
AAA_collcode_rivelarr
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214279

Howard Kanovitz papers

Creator:
Kanovitz, Howard  Search this
Names:
Friedman, B. H. (Bernard Harper), 1926-2011  Search this
O'Hara, Frank, 1926-1966  Search this
Rivers, Larry, 1925-2002  Search this
Extent:
8 Linear feet
1 Gigabyte
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
1953-2017
bulk 1963-1999
Summary:
The papers of painter Howard Kanovitz measure 8.0 linear feet and 1 GB and date from 1953-2017. The collection documents Kanovitz's work as a professional artist through biographical material; personal and professional correspondence; writings; interviews; personal business records; gallery, exhibition and project files; photographic and printed material; sound and video recordings; and preliminary drawings and studies for artworks.
Scope and Contents:
The papers of painter Howard Kanovitz measure 8.00 linear feet and 1 GB and date from 1953-2017. The collection documents Kanovitz's work as a professional artist through biographical material; personal and professional correspondence; writings; interviews; personal business records; gallery, exhibition and project files; photographic and printed material; sound and video recordings; and preliminary drawings and studies for artworks.

Biographical material includes Kanovitz's address and appointment books, artist statements, CVs, genealogical research, a Guggenheim fellowship application, and United States passports. Correspondence files reflect relationships with friends and colleagues, including Frank O'Hara, Larry Rivers, Gregory Corso, B.H. Friedman, and others, as well as curators, museums, and galleries in the United States and Europe. Writings include Kanovitz's notes and notebooks; essays, poetry, and prose by Kanovitz; lists of artworks; poems by others; manuscripts; graduate student papers; and lectures given by Kanovitz. Exhibition and gallery files include checklists, mailing lists, inventories, correspondence, contracts, commission files, invoices, sales records, and proposals related to installations that included Kanovitz's work. Project files include correspondence, artist bios, contracts, invoices, press releases, interview transcripts, notes, source material, and photographs related to film, theater, and other projects. Personal business records include bills of sale, consignment memos, invoices, price lists, and leases for art studios and apartments. Printed material includes publications; clippings; exhibition announcements and catalogs; event programs; source material; posters; and a scrapbook of digital prints. Artwork includes preliminary sketches and source material for Kanovitz's photo-based paintings and set design materials for a circa 1977 play entitled, "The Party." Photographic material includes color and black and white prints, slides, negatives, transparencies, digital prints, and contact sheets that document exhibition installations, friends, artworks, commissions, and various studies and source material. Sound and video recordings include interviews, films, BBC broadcasts, documentaries, and performances that document Kanovitz's set design.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1971-2007 (0.35 linear feet; Box 4-5, 8)

Series 2: Correspondence, 1953-2007 (0.50 linear feet; Box 1)

Series 3: Writings, circa 1954-2007 (0.60 linear feet; Box 1-2)

Series 4: Exhibition Files, 1965-2008 (0.40 linear feet; Box 2)

Series 5: Gallery Files, 1969-2007 (0.70 linear feet; Box 2, 3)

Series 6: Project Files, 1974-2008 (0.40 linear feet, Box 3)

Series 7: Personal Business Records, 1936-2000 (0.30 linear feet; Box 3)

Series 8: Printed Material, 1960-2017 (1.95 linear feet; Box 4-5, 8; OV 14)

Series 9: Artwork, circa 1960s-circa1990s (0.70 linear feet; Box 5, 8, 10; OV 11-13; OV 15-18)

Series 10: Photographic Material, 1954-2008 (1.40 linear feet; Box 6-7)

Series 11: Sound Recordings and Video Recordings, 1967-2008 (0.70 linear feet; Box 7, 9)
Biographical / Historical:
Howard Kanovitz (1929-2009) was a painter based in New York City and Southampton, NY. After an early career as a jazz trombonist, Kanovitz began painting in 1949 and studied at The Rhode Island School of Design and The Art Students League in Woodstock with Yasuo Kuniyoshi. He moved to New York City and apprenticed with Franz Kline. Although he began his painting career as an abstract expressionist, Kanovitz became one of the early practitioners of photorealism in the 1960s. He also taught at the Salzburger Summer Art School and the School of Visual Arts and took on set design projects in both America and Germany. Kanovitz had more than fifty one-person gallery shows, with his last in 2008, one year before he died.
Provenance:
Donated in 2021 by Carolyn Oldenbusch, Kanovitz's widow and Director of the Howard Kanovitz Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- Southampton  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Photo-realism  Search this
Genre/Form:
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Howard Kanovitz papers, 1953-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kanohowa
See more items in:
Howard Kanovitz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4193052-2e54-42c6-910e-0f674f66b4fa
EDAN-URL:
ead_collection:sova-aaa-kanohowa
Online Media:

Larry Rivers interviews

Creator:
Rivers, Larry, 1925-2002  Search this
Extent:
1 sound tape ; (16 p. transcript) (7 in.)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1960 Mar. 5 & Apr. 16
Scope and Contents:
An interview of Larry Rivers conducted by an unknown interviewer in connection with his exhibition at the Gres Gallery, Washington, D.C., March 15 to April 16, 1960.
Biographical / Historical:
Painter; Southampton, New York.
Provenance:
Donated 1960 by the Voice of America.
Topic:
Art, American  Search this
Painters -- New York (State) -- Southampton -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rivelarr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901536a66-7215-45f8-8fdb-e834eb6a3b4b
EDAN-URL:
ead_collection:sova-aaa-rivelarr

Prescott D. Schutz research files on Fairfield Porter

Creator:
Schutz, Prescott D.  Search this
Names:
Porter, Fairfield  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1955-1990
Scope and Contents:
Research files on painter Fairfield Porter consisting of: correspondence, 1978-1990; exhibition catalogs, clippings, and articles, 1955-1988; a scrapbook containing printed material, 1983-1984; notes compiled by Schutz, and published and unpublished writings on Porter by others.
Biographical / Historical:
Schutz: art dealer; New York, N.Y. Born 1948. Porter: painter and critic; born 1907 and died 1975.
Provenance:
Donated 1995 by Herbert Schutz, father of Prescott D. Schutz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- Southampton  Search this
Art dealers -- New York (State) -- New York  Search this
Identifier:
AAA.schupres
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e9c47bad-9a3a-4d88-932a-34d13b3b9435
EDAN-URL:
ead_collection:sova-aaa-schupres

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