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Emily and Jean Paul Selinger papers

Creator:
Selinger, Emily, 1848-1927  Search this
Selinger, Jean Paul, 1850-1909  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1882-1918
Summary:
The papers of painters Emily and Jean Paul Selinger measure 0.2 linear feet and date from 1882 to 1918. The collection provides scattered documentation of the lives and work of the Selingers through biographical materials, family correspondence, photographs, and printed material.
Scope and Contents:
The papers of painters Emily and Jean Paul Selinger measure 0.2 linear feet and date from 1882 to 1918. The collection provides scattered documentation of the lives and work of the Selingers through biographical materials, family correspondence, photographs, and printed material.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Emily Harris Mcgary Selinger (1848-1927) was a painter, author, and poet in Boston, Massachusetts and New Hampshire. Emily was originally from Wilmington, North Carolina, and was instrumental in establishing the Normal Art School in Louisville, Kentucky. She was known for her still-life and floral paintings.

Emily's husband, Jean Paul Selinger (1850-1909), was a landscape and portrait painter in Boston, Massachusetts and New Hampshire. He opened a summer studio in Glen House, in the White Mountains of New Hampshire in the mid-1880s.
Provenance:
A portion of the papers was donated in 1982 by Charles and Gloria Vogel when acquired through research on White Mountain artists. Additional material was donated in 1982 by Marion C. Keaney, through her grandparents, the D. H. Remingtons, who were neighbors of Emily Selinger's mother, Mrs. McGary.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire  Search this
Painters -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Authors -- New Hampshire  Search this
Landscape painters -- Massachusetts -- Boston  Search this
Landscape painters -- New Hampshire  Search this
Topic:
Women artists  Search this
Women painters  Search this
Function:
Artists' studios -- Massachusetts
Citation:
Emily and Jean Paul Selinger papers, 1882-1918. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seliemil
See more items in:
Emily and Jean Paul Selinger papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9703c0f9e-6b9f-470a-a3d0-dfb9c979beb8
EDAN-URL:
ead_collection:sova-aaa-seliemil

Sanford Schwartz papers

Creator:
Schwartz, Sanford, 1946-  Search this
Names:
Alexandre Gallery  Search this
Whitney Museum of American Art  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
King, William, 1925-2015  Search this
Stout, Myron, 1908-1987  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Date:
1948-2011
Summary:
The papers of exhibition curator Sanford Schwartz measure 0.7 linear feet and date from 1948-2011. The papers document the preparation and organization of two exhibitions curated by Schwartz, the Myron Stout retrospective at the Whitney Museum of American Art in 1980, and The Early Work of William King at Alexandre Gallery in New York City in 2007. Materials regarding Provincetown, Massachusetts painter Myron Stout (1908-1987) include correspondence with Stout and lenders to the exhibition; notes, writings, and sketches by Schwartz pertaining to the exhibition; and photographs of Stout, including one with Hans Hofmann teaching in Provincetown in 1948. Material regarding sculptor William King (1925-1990) includes correspondence between Schwartz and King, exhibition research and notes, photographs of artwork, and printed material.
Scope and Contents:
The papers of exhibition curator Sanford Schwartz measure 0.7 linear feet and date from 1948-2011. The papers document the preparation and organization of two exhibitions curated by Schwartz, the Myron Stout retrospective at the Whitney Museum of American Art in 1980, and The Early Work of William King at Alexandre Gallery in New York City in 2007. Materials regarding Provincetown, Massachusetts painter Myron Stout (1908-1987) include correspondence with Stout and lenders to the exhibition; notes, writings, and sketches by Schwartz pertaining to the exhibition; and photographs of Stout, including one with Hans Hofmann teaching in Provincetown in 1948. Material regarding sculptor William King (1925-1990) includes correspondence between Schwartz and King, exhibition research and notes, photographs of artwork, and printed material.
Arrangement:
The collection is arranged as two series.

Series 1: Research Material Regarding Myron Stout, 1948-1985 (Box 1, OV 3; 0.3 linear feet)

Series 2: Research Material Regarding William King, 1960-2011 (Boxes 1-2; 0.4 linear feet)
Biographical / Historical:
Sanford Schwartz (1946- ) is an exhibition curator in New York, New York.
Provenance:
Donated to the Archives of American art by Sanford Schwartz in 1980 and 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Art -- Exhibitions -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Painting, American  Search this
Genre/Form:
Photographs
Sketches
Citation:
Sanford Schwartz papers, 1948-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schwsanf
See more items in:
Sanford Schwartz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974d53f7e-f675-4a6c-8531-8e0e184afd4a
EDAN-URL:
ead_collection:sova-aaa-schwsanf

Oral history interview with Joseph Solman

Topic:
Art front
Interviewee:
Solman, Joseph, 1909-2008  Search this
Interviewer:
Berman, Avis  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Gallery Secession (New York, N.Y.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 May 6-8
Scope and Contents:
An interview of Joseph Solman conducted 1981 May 6-8, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
Solman recalls his youth in Jamaica, Long Island, and his studies at the National Academy of Design. He talks about the art world of the 1930s and 1940s, including the camaraderies formed by participating in the WPA and the activities of various galleries, including Gallery Secession. Solmon remembers Mark Rothko and the members, meetings and exhibitions of The Ten. He speaks of his work on Art Front magazine, his own art work and teaching, and his personal art collection. He recalls Byron Browne, Ilya Bolotowsky, Herman Rose, Milton Avery, Adolf Gottlieb, Arshile Gorky, De Hirsch Margules, Eugene Atget, Elizabeth McCausland, Berenice Abbott, John Graham, Earl Kerkam, Ralph Rosenborg, Yankel Kufeld, Ben Zion, Hans Mueller, Eric Esenberger, Boris Aronson, Lou Harris, Karl Knaths, Lou Schanker, Stuart Davis, Alice Neel, Dorothy Koppelman, Joan Miro, Pat Codyre, Joseph Brummer, Jacob Kainen, Jack Tworkov, and many others.
Biographical / Historical:
Joseph Solman (1909-2008) was a painter and educator from New York, N.Y.
General:
Originally recorded 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 3 hr., 41 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Abstract expressionism  Search this
Philadelphia Ten (Group of artists)  Search this
Painters -- Massachusetts -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.solman81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95bfbda07-5fd1-4465-8a8b-c73f67919d9a
EDAN-URL:
ead_collection:sova-aaa-solman81
Online Media:

National Academy Museum and School of Fine Arts oral histories of artists

Creator:
National Academy Museum and School of Fine Arts  Search this
Interviewer:
Berman, Avis  Search this
Interviewee:
Barnet, Will, 1911-2012  Search this
Lanyon, Ellen  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
2002-2003
Scope and Contents:
Interviews conducted by Avis Berman for the National Academy Museum and School of Fine Arts with artists Ellen Lanyon (April 2003; four cassettes; 214p. transcript) and Will Barnet (two audio cassettes, 124 p. transcript).
Biographical / Historical:
Fine arts museum, art school; New York, NY Founded 1825.
Provenance:
Donated 2005 by the National Academy Museum and School of Fine Arts, formerly the National Academy of Design, via Annette Blaugrund, Director.
Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Painters -- Massachusetts -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.natiacam
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99752af4a-bb82-4fb7-8e13-dfd049b0037a
EDAN-URL:
ead_collection:sova-aaa-natiacam

Gretchen W. Rogers papers

Creator:
Rogers, Gretchen W., 1881-1967  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1901-1986
Summary:
The papers of still-life painter Gretchen W. Rogers measure 0.6 linear feet and date from 1901 to 1986. Found are biographical materials, correspondence, hand-drawn paper dolls and an illustrated unpublished children's book, photographs, printed material, and a scrapbook.
Scope and Contents:
The papers of still-life painter Gretchen W. Rogers measure 0.6 linear feet and date from 1901 to 1986. Found are biographical materials, correspondence, hand-drawn paper dolls and an illustrated unpublished children's book, photographs, printed material, and a scrapbook.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Gretchen W. Rogers (1881-1967) was a still-life and portrait painter in Boston, Massachusetts. Rogers studied at the School of the Museum of Fine Arts, Boston, with Edmund C. Tarbell and Philip Hale.
Provenance:
Donated 1994, 1995 and 1997 by Anne Winslow, niece of Gretchen Rogers.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Still-life painters -- Massachusetts -- Boston  Search this
Portrait painters -- Massachusetts -- Boston  Search this
Topic:
Women artists  Search this
Women painters  Search this
Citation:
Gretchen W. Rogers papers, 1901-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rogegret
See more items in:
Gretchen W. Rogers papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94baec5fa-1c0b-4d17-a434-253e30d78532
EDAN-URL:
ead_collection:sova-aaa-rogegret

Florence V. Robinson papers and the Hapgood family collection relating to Florence V. Robinson

Creator:
Robinson, Florence V., 1874-1937  Search this
Names:
Hapgood, Elizabeth Reynolds  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1890-1990
Summary:
The scattered papers of painter Florence V. Reynolds and the Hapgood Family research material regarding Reynolds measure 0.2 linear feet and date from circa 1890 to 1990. Found are biographical materials on Reynolds and three photographs. Research materials includes correspondence between the Hapgood family and institutions and museums, lists of works of art, and exhibition material. A thesis by Janet Silverman is on Robinson.
Scope and Contents:
The scattered papers of painter Florence V. Reynolds and the Hapgood Family research material regarding Reynolds measure 0.2 linear feet and date from circa 1890 to 1990. Found are biographical materials on Reynolds and three photographs. Research materials includes correspondence between the Hapgood family and institutions and museums, lists of works of art, and exhibition material. A thesis by Janet Silverman is on Robinson.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Florence V. Robinson (1874-1937) was a painter, primarily a watercolorist, in New York City, New York and Petersham, Massachusetts.

Elizabeth Reynolds Hapgood is the daughter of Robinson's longtime companion, Margaret Reynolds.
Provenance:
The collection was donated in 2003 by David Hapgood, the son of Elizabeth Reynolds Hapgood. The papers were compiled by Robinson as well as her executor, Elizabeth Reynolds Hapgood, Hapgood's daughter, Elizabeth Hapgood Backman, and son, David Hapgood.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- Massachusetts -- Petersham  Search this
Watercolorists -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Citation:
Florence V. Robinson papers and the Hapgood family collection relating to Florence V. Robinson, circa 1890-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robiflor
See more items in:
Florence V. Robinson papers and the Hapgood family collection relating to Florence V. Robinson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98767c368-d657-4acc-9538-742982f2f748
EDAN-URL:
ead_collection:sova-aaa-robiflor

William Bradford papers

Creator:
Bradford, William, 1823-1892  Search this
Extent:
7 Volumes ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1860-1893
Scope and Contents:
Sketchbooks and a scrapbook.
REEL 2674: Five sketchbooks, primarily seascapes from Canada, Nova Scotia, and Newfoundland.
REEL 3605: One annotated sketchbook, undated, containing mostly pencil sketches of seascapes; and a scrapbook, containing a letter, a program, a photograph, and clippings of stories, poetry, articles about Bradford's work and obituaries of family members.
Biographical / Historical:
Marine and arctic painter, photographer, and lecturer; Fairhaven, Mass. Studied under Van Beest. Made annual trips to Labrador to paint. Was an associate of the National Academy.
Provenance:
Materials on reel 2674 lent 1982 by Mrs. William Hovey, a distant relative of Bradford. Materials on reel 3605 lent by the Kendall Whaling Museum, 1985.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Reel 3605: Authorization to publish, quote or reproduce requires written permission from Director, Kendall Whaling Museum. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Marine painters -- Massachusetts  Search this
Topic:
Marine painting, American -- Northeastern States  Search this
Marine painting -- 19th century -- Northeastern States  Search this
Identifier:
AAA.bradwilp
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d1d4de08-76d4-4053-85b8-4b8a55f6e320
EDAN-URL:
ead_collection:sova-aaa-bradwilp

Hannes Beckmann papers

Creator:
Beckmann, Hannes, 1909-1977  Search this
Names:
Albers, Josef  Search this
Guggenheim, Solomon R. (Solomon Robert), 1861-1949  Search this
Rebay, Hilla, 1890-1967  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
300 Items (on 1 microfilm reel)
Type:
Collection descriptions
Archival materials
Date:
1930-1980
Scope and Contents:
Biographical sketches and resumes; a list of lectures; correspondence; illustrated notes, typescripts of lectures and other unpublished writings; 21 photographs of Josef Albers; exhibition catalogs; printed material; a subject file on Hilla Rebay containing memos and notes; papers concerning the Museum of Non-Objective Painting, NYC; a photograph of Frank Lloyd Wright, Rebay, and Solomon R. Guggenheim with a model of the Guggenheim Museum; "Hostess Reports"; catalogs, clippings, and other miscellaneous printed material.
Biographical / Historical:
Painter and lecturer; Boston, Mass. and Hanover, N.H. Born in Germany. Taught at the Bauhaus.
Provenance:
Lent 1981-1982 by Elsa Beckmann, widow of Hannes Beckmann. Typescripts of lectures were subsequently given by Mrs. Beckmann in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Boston  Search this
Identifier:
AAA.beckhann
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950a0f49e-0223-4569-8721-faeaad8f0572
EDAN-URL:
ead_collection:sova-aaa-beckhann

Nelly Littlehale Murphy papers

Creator:
Murphy, Nelly Littlehale  Search this
Names:
Murphy, Hermann Dudley, 1867-1945  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1846-1945
Summary:
The scattered papers of painter, etcher, and illustrator Nelly Littlehale Murphy, measure 0.2 linear feet and date from 1846 to 1945. Biographical materials, printed materials, and photographs document Murphy's work as a painter and illustrator in the Massachusetts area.
Scope and Contents:
The scattered papers of painter, etcher, and illustrator Nelly Littlehale Murphy, measure 0.2 linear feet and date from 1846 to 1945. Biographical materials, printed materials, and photographs document Murphy's work as a painter and illustrator in the Massachusetts area.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
California-born Nelly Littlehale Murphy (1867-1942) was a painter, illustrator, and etcher active in Massachusetts. She was noted for her watercolor paintings of landscapes and flowers.

Littlehale was married to Herman Daniel Umbstaetter from 1893-1913, and provided illustrations for The Black Cat magazine which her husband edited. Her second marriage, in 1916, was to painter Hermann Dudley Murphy.
Related Materials:
The Archives of American Art also holds the Hermann Dudley Murphy papers, circa 1878-1982.
Provenance:
The collection was donated in 1985 by Alexander B. Samoiloff and Dudley D. B. Samoiloff, sons of Nelly Littlehale Murphy's stepdaughter, Caroline Bowles Murphy Samoiloff.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Illustrators -- Massachusetts  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women illustrators  Search this
Citation:
Nelly Littlehale Murphy papers, 1846-1945. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murpnell
See more items in:
Nelly Littlehale Murphy papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e53bad4e-b2d1-4b6f-ab3e-09b4478efa6d
EDAN-URL:
ead_collection:sova-aaa-murpnell

Haynes Ownby papers

Creator:
Ownby, Haynes, 1929-  Search this
Names:
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
Hofmann, Hans, 1880-1966  Search this
Stout, Myron, 1908-1987  Search this
Extent:
10.1 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Videorecordings
Date:
circa 1946-2008
Scope and Contents:
The papers of painter Hanes Ownby (1929-2001) measure 10.1 linear feet and date from circa 1946-2008. Included are project, grant and exhibition files; material regarding the Hofmann school; material regarding Myron Stout; personal and professional letters to Ownby; drafts of letters; writings by Ownby and others; journals, notebooks and trip logs; calendars; photographs and slides of works of art, places, people (including a photo album) and events; interviews with Ownby on VHS; audio cassettes of interviews and talks; biographical material; printed material; and few sketches.
Biographical / Historical:
Haynes Ownby (1929-2001) was a painter and writer in Provincetown, Massachusetts and was a student of Hans Hofmann. In addition to being a painter, Haynes invented a game, wrote and produced a play, and edited writings of artist Myron Stout.
Provenance:
Donated in 2022 by JoAnn Heiser, Executor, Haynes Ownby estate.
Restrictions:
This collection is closed for processing. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Authors -- Massachusetts -- Provincetown  Search this
Genre/Form:
Sound recordings
Videorecordings
Identifier:
AAA.ownbhayn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a6282dcb-b8d9-414e-ab9e-60c6367b4fe8
EDAN-URL:
ead_collection:sova-aaa-ownbhayn

John Wilson papers

Creator:
Wilson, John, 1922-2015  Search this
Interviewer:
Trachtenberg, Alan  Search this
Extent:
5 Microfilm reels
1 Cassette (Sound recording, analog)
Type:
Collection descriptions
Archival materials
Microfilm reels
Cassettes
Drawings
Interviews
Scrapbooks
Sound recordings
Date:
circa 1939-1993
Scope and Contents:
This microfilm collection of the papers of African American painter, sculptor, illustrator, printmaker, and educator John Woodrow Wilson contains biographical material such as autobiographical notes, school records, personal documents, and a bibliography; personal and business correspondence, undated and 1938-1993; files on the New York City Board of Education, 1959-1965, regarding his teaching; and project files, including Wilson's submission for the competition for a Frederick Douglass statue, Eternal Presence, Father and Child Reading, and Wilson's monuments and bust of Martin Luther King, Jr. Correspondents represented include the Albany Institute of History and Art, Atlanta University, Carnegie Institute, Ebony, David Porter of the G Place Gallery, the Institute of Modern Art, Alain Locke, Gloria May, the Museum of Modern Art, Frederick G. Rice, and Hale Woodruff.

Also included in the collection are files on exhibitions; notebooks, 1958-1960; lesson plans, 1959, 1963; notes, writings, and lectures, circa 1945-1993; transcripts of interviews of Wilson and related correspondence, 1978-1987; legal material, 1978; financial records 1944-1991, including a notebook of sales and expenses 1945-1950; photographs, 1940-1990, of Wilson, his work, sculpture, and exhibition installations; a scrapbook, 1939-1967; artwork, including sketchbooks, 1970-1992, life studies completed as a student, 1939-1947, and miscellaneous art work, 1939-1992; and printed material, 1939-1993, including exhibition catalogs, illustrated books and book jackets, and ephemera. The collection also includes a copy of a sound recording of an interview of Wilson conducted by Alan Trachtenberg, circa 1979 (untranscribed).
Biographical / Historical:
John Woodrow Wilson (1922-2015) was an African American painter, sculptor, illustrator, printmaker, and educator in Boston, Massachusetts. Wilson studied at the School of the Museum of Fine Arts, Boston under Ture Bengtz and Karl Zerbe, graduating in 1945. He lived in Paris through the MFA fellowship and studied with modern artist Fernand Leger. He then attended Tufts University, graduating in 1947. Wilson received a John Hay Whitney fellowship and lived in Mexico for five years with his wife, Julie Kowtich. After his return from Mexico in 1956, Wilson made artwork for Chicago labor unions and taught in New York City before returning to teach at Boston University in 1964. During his career, Wilson won competitions to execute statues of Martin Luther King, Jr. for the city of Buffalo, New York and for the Capitol Rotunda in Washington, D.C.
Provenance:
Lent for microfilming 1993 by John W. Wilson, except for the 1979 sound recording which he lent for copying.
Restrictions:
Microfilm portion must be consulted on microfilm. Use of untranscribed interview requires an appointment.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American sculptors  Search this
Genre/Form:
Drawings
Interviews
Scrapbooks
Sound recordings
Identifier:
AAA.wilsjohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea018d94-6ec4-4d8f-9d56-9428d4c92e78
EDAN-URL:
ead_collection:sova-aaa-wilsjohn

Oral history interview with Dana Chandler

Interviewee:
Chandler, Dana, 1941-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
African-American Master Artists in Residence Program  Search this
Massachusetts College of Art -- Students  Search this
Museum of Fine Arts, Boston  Search this
Northeastern University (Boston, Mass.) -- Faculty  Search this
Simmons College. Art and Music Dept. -- Faculty  Search this
Andrews, Benny, 1930-2006  Search this
Bearden, Romare, 1911-1988  Search this
Catlett, Elizabeth, 1915-2012  Search this
Mazur, Michael, 1935-2009  Search this
Tovish, Harold, 1921-2008  Search this
Extent:
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-May 5
Scope and Contents:
An interview of Dana Chandler conducted 1993 March 11-May 5, by Robert F. Brown, for the Archives of American Art.
Chandler remembers his childhood in the Black community of Roxbury, Massachussets, with numerous siblings, pugnacious, hard-drinking longshoreman father, and mother who was the linchpin of the family; precocity as a reader and child artist; attendance at Saturday morning children's art classes at Museum of Fine Arts, Boston, and at Boston Educational High School where needed discipline was instilled in him by its all-white faculty; and as an assistant at school after graduation (1959-61).
Chandler talks about his awareness of budding civil rights movement; his attendance (1962-67) at Massachusetts College of Art while supporting his new, young family and working for the Jamaica Plain Area Planning Action Council which was funded by the federal Model Cities program; his first exhibitions (1967), in a liberal local church and a black businessmen's club; the exhibition (1969) "Twelve Black Artists from Boston," at the Rose Art Museum, Brandeis University; and his involvement, along with Harold Tovish and Michael Mazur, in the group, Artists Against the War.
He recalls his initiation of the exhibition, "Afro-American Artists/New York and Boston," at the Museum of Fine Arts, Boston, 1970, for which he was given no credit; his position as an unpaid cultural commentator for a Black newspaper and radio station; his politically-charged paintings and prints from the late 1960s onward; his meetings with senior Black artists, such as Romare Bearden, Elizabeth Catlett Mora, and Benny Andrews; and his steady espousal of confrontation.
Chandler discusses teaching at Simmons College, Boston, 1971 to present; his creation in 1974 of the African-American Master Artists-in-Residence Program (AMARP), Northeastern University, Boston, and his direction of it until 1993, when he was relieved of the position by the University.
Chandler discusses his exhibition at Northeastern University in 1976, "If the Shoe Fits, Hear It!" under the name Akin Duro, and its evidence of the respect in which he was held; the loss of much of his work in a studio fire; and his current large-scale graphic work.
Biographical / Historical:
Dana Chandler (1941- ) is an African American painter, printmaker, and educator from Boston, Massachussets.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 51 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American educators  Search this
African American printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chandl93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96808788d-bda2-48a7-a3c2-5372ecb30aed
EDAN-URL:
ead_collection:sova-aaa-chandl93
Online Media:

Roslyn A. Walker material relating to Allan R. Crite

Creator:
Walker, Roslyn A.  Search this
Names:
Crite, Allan Rohan, 1910-2007  Search this
Extent:
6 Items
Type:
Collection descriptions
Archival materials
Date:
1938-1972
Summary:
This collection contains letters and printed material relating to African American artist Allan R. Crite. Included are an illustrated letter from Crite to Roslyn Walker, February 27, 1972; an illustrated New Year's greeting, 1972; three pamphlets by Crite, "Towards a Rediscovery of the Cultural Heritage of the United States" (1968), "The Nativity of Jesus Christ La Natividad de Jesucristo," illustrated and hand-colored (1969), and "Is it Nothing to You?" (1948) illustrated and signed by Crite 1980. There is also a copy of an article by Crite, "Why I Illustrate the Spirituals," World Horizons magazine, May 1938.
Scope and Contents:
This collection contains letters and printed material relating to African American artist Allan R. Crite. Included are an illustrated letter from Crite to Roslyn Walker, February 27, 1972; an illustrated New Year's greeting, 1972; three pamphlets by Crite, "Towards a Rediscovery of the Cultural Heritage of the United States" (1968), "The Nativity of Jesus Christ La Natividad de Jesucristo," illustrated and hand-colored (1969), and "Is it Nothing to You?" (1948) illustrated and signed by Crite 1980. There is also a copy of an article by Crite, "Why I Illustrate the Spirituals," World Horizons magazine, May 1938.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Roslyn A. Walker was director of the National Museum of African Art, Smithsonian Institution from 1997-2002. Walker collected material relating to painter and printmaker Allan Rohan Crite (1910- 2007). Crite was an African American painter and printmaker in Boston, Massachusetts. He is best known for his religious illustrations, but also chronicled African American life in Boston in the 1930s-1940s. During the Depression, Crite developed a series of "neighborhood paintings" inspired by Boston's African American community.
Provenance:
Donated 2016 by Roslyn A. Walker.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information
Occupation:
Museum directors -- Washington (D.C.)  Search this
Printmakers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Topic:
African American artists  Search this
Citation:
Roslyn A. Walker material relating to Allan R. Crite, 1938-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walkros
See more items in:
Roslyn A. Walker material relating to Allan R. Crite
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94013d324-43f5-470e-a012-02f056836d10
EDAN-URL:
ead_collection:sova-aaa-walkros

Edward Mitchell Bannister scrapbook

Creator:
Bannister, Edward Mitchell, 1828-1901  Search this
Names:
Providence Art Club  Search this
Whittaker, George W.  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1866-1901
Summary:
The Edward Mitchell Bannister scrapbook measures 0.6 linear feet and dates from 1866-1901. The scrapbook contains approximately 102 pencil, charcoal, and watercolor drawings by Bannister, newspaper clippings and writings about Bannister and his exhibitions, a poem, and an exhibition catalog.
Scope and Contents:
The Edward Mitchell Bannister scrapbook measures 0.6 linear feet and dates from 1866-1901. The scrapbook contains approximately 102 pencil, charcoal, and watercolor drawings depicting landscapes with cattle, trees, brambles, rolling clouds, a few figure studies, seascapes, and Bibical scenes, by Bannister. The scrapbook also includes newspaper clippings and writings about Bannister including reviews of his exhibitions and tributes by George W. Whitaker, John Nelson Arnold, and T. Thomas Fortune; a 1901 poem about Bannister written by William E. Smith; and an exhibition catalog of the Edward Mitchell Bannister Memorial exhibition held at the Providence Art Club in May 1901.
Arrangement:
The collection is arranged as one series. The scrapbook has been disbound but contents remain in their original order and are arranged in three parts.
Biographical / Historical:
Edward Mitchell Bannister (1828-1901) was a Canadian-born African American landscape and portrait painter in Boston, Massachusetts and Providence, Rhode Island. He was among Providence's leading painters during the 1870s and 1880s and was one of the few African American painters of the nineteenth century to win significant recognition.

Bannister moved to Boston in 1848 where he enrolled in evening classes at the Lowell Institute and learned to paint. He settled in Rhode Island with his wife in 1870 and in 1876 won the first-prize bronze medal at the Philadelphia Centennial Exposition. Subsequently his growing reputation resulted in many commissions which allowed him to devote himself full-time to painting.

Bannister was an original board member of the Rhode Island School of Design and a respected art critic. Following his death in 1901 the Providence Art Club, of which he was a founding member, held a memorial exhibition of his paintings owned by Providence collectors.
Provenance:
The scrapbook was donated to the Archives of America Art in 1984 by Alan and Melvin S. Frank. The scrapbook was previously on loan to the National Museum of American Art.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Landscape painters -- Rhode Island -- Providence  Search this
Portrait painters -- Rhode Island -- Providence  Search this
Landscape painters -- Massachusetts -- Boston  Search this
Portrait painters -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American painters  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.bannedwa
See more items in:
Edward Mitchell Bannister scrapbook
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cb721c3-9a05-400e-b3e1-6b45e4dadfda
EDAN-URL:
ead_collection:sova-aaa-bannedwa
Online Media:

Oral history interview with Allan Rohan Crite

Interviewee:
Crite, Allan Rohan, 1910-2007  Search this
Thompson, Susan  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Museum of Fine Arts, Boston. School  Search this
Rambusch (Firm)  Search this
Rambusch Glass and Decorating Company  Search this
Society of Independent Artists (New York, N.Y.)  Search this
Extent:
179 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1979 January 16-1980 October 22
Scope and Contents:
An interview of Allan Rohan Crite conducted 1979 January 16-1980 October 22, by Robert F. Brown for the Archives of American Art. Also participating in the interview is Crite's assistant, Susan Thompson.
Crite describes his family background and his youth in Boston. He gives great detail about his childhood interest in art and the art classes he took as a child, sharing drawings he did then with the interviewer. He remembers his art education at the Museum of Fine Arts School and involvement with the Society of Independent Artists. Crite discusses his ideas about the Episcopal church, his religious beliefs, and his interest in the liturgy and spirituals in his artwork. He recounts his engagement in the Navy, participation in the WPA, and work with the Rambusch Company. Crite describes paintings he did of street life in Black communities of Boston in the 1930s, a series of portraits, and paintings he did to illustrate spirituals and the Episcopal liturgy. He speaks about race relations and explains his motivations for an educational project in progress entitled, "The Cultural Heritage of the United States: a Rediscovery," promoting a multicultural view of American history. The last segment of the interview includes Susan Thompson, a fabric artist and close friend collaborating with Crite on projects mostly of a religious nature, including vestments and altar cloths.
Biographical / Historical:
Allan Rohan Crite (1910-2007) was a painter and illustrator from Boston, Massachusetts.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 7 hr., 8 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Illustrators -- Massachusetts -- Boston  Search this
Topic:
Art, American  Search this
Christian art and symbolism  Search this
African American artists  Search this
African American painters  Search this
African American military personnel  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.crite79
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98829e1dc-d779-4202-84eb-a2a2e306175f
EDAN-URL:
ead_collection:sova-aaa-crite79
Online Media:

Oral history interview with John Wilson

Interviewee:
Wilson, John, 1922-2015  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston University. School of Fine and Applied Arts  Search this
Museum of Fine Arts, Boston. School  Search this
Aronson, David, 1923-2015  Search this
Bengtz, Ture, 1907-1973  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney, 1932-  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Lewis, Elma  Search this
Léger, Fernand, 1881-1955  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
497 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-1994 August 16
Scope and Contents:
An interview of John Woodrow Wilson conducted 1993 March-1994 August, by Robert F. Brown, for the Archives of American Art.
Wilson discusses his childhood as a member of a family of middle class blacks from British Guiana (now Guyana); his father's grave disappointments in the face of racial discrimination; his parents' push for their children to succeed; early urge to read and draw; encouragement by School of the Museum of Fine Arts, Boston students who taught at the Roxbury Boys Club; his secondary education; and friends.
He talks about his education at the MFA School, Boston, and comments on such teachers as Ture Bengtz and Karl Zerbe and compares their exacting methods with those of Fernand Leger, his teacher in Paris.
His work of the 1940s prior to going to Paris; the importance of early awards and sales received while still a student at the MFA School; the excitement of sharing a studio with fellow students, Francesco Carbone and Leo Prince; and encouragement to stay in school during WW II with the promise of a European study fellowship after the war.
The great impact of his years in Paris (1948-49); the lack of racial prejudice; the liberating effect of Leger's teaching; his awe of the work of Masaccio and Piero della Francesca during a trip to Italy; and the deep impression made on him by seeing tribal art in the Musee de l'Homme, Paris.
Continued discussion of Leger; his teaching methods; and influences on his work.
His first teaching position at the MFA School; his involvement in civil rights in Boston; his gregariousness and the use of his studio as a meeting place for artists and political activists; his involvement with socialism in Boston and New York; and working in a socialist children's camp. He remembers meeting Paul Robeson, Charles White, Elizabeth Catlett, and Bob Blackburn, who was then setting up his printmaking atelier in New York; marriage to a fellow socialist (June 1950); move to Mexico on a fellowship to study with Jose Orozco on the advice of Leger, only to find that Orozco had died; terrors of travel as an interracial couple through the U.S.; and different racial attitudes in Mexico and the U.S.
Living in Mexico (1950-56) and anecdotes of David Alfaro Siqueiros and Diego Rivera; his wife's meeting with Frieda Kahlo and seeing her collection of folk art; their free and cosmopolitan, if impoverished, life in Mexico; his work in a printmaking atelier and on the production of frescoes, and a lengthy aside about his brilliant brother, Freddie, who because he was black was not allowed to pursue his first love, geology, for many years.
Continued discussion of his experiences in Mexico; the dreary year (1957) he spent doing commercial art for a meatpackers' union in Chicago, a city he disliked; his move to New York in 1958, taking on commercial work to support his family, and teaching anatomy at the Pratt Institute.
Teaching art at a junior high school in the Bronx, and his gaining respect of students through special projects; teaching drawing at Boston University (1965-86), his approach to teaching including his demanding standards, the seriousness of the students, his opposing rigid attendance and grading rules, and colleagues, such as David Aronson who had created the School, Reed Kay, Jack Kramer, Sidney Hurwitz, and the University president, John Silber.
Working with the black arts entrepreneur, Elma Lewis, in setting up a visual arts program for the Boston black community (late 1960s-1970s), including the selection of a curator, Edmund Barry Gaither, a young art historian, who eventually established a museum of African-American art; his participation in various black art exhibitions, despite his belief that art should be seen regardless of the ethnic origins of artists; his move toward sculpture, beginning in the early 1960s, as a medium most expressive of black persons, culminating in the 1980s in a series of colossal heads and a statue of Martin Luther King, Jr. for the U.S. Capitol (1985-86); and why he makes art and will so long as he is able.
Biographical / Historical:
John Wilson (1922- ) is an African American painter, sculptor, illustrator, printmaker, and educator from Boston, Massachusetts. Full name John Woodrow Wilson.
General:
Originally recorded on 11 sound cassettes. Reformatted in 2010 as 22 digital wav files. Duration is 16 hr., 2 min.
Uneven transcription reflects Wilson's unusual speech pattern.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription and microfilming of the interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
African American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wilson93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f3601751-82e4-488d-b246-deda68bea613
EDAN-URL:
ead_collection:sova-aaa-wilson93
Online Media:

Dana Chandler papers

Creator:
Chandler, Dana, 1941-  Search this
Names:
Northeastern University (Boston, Mass.)  Search this
Extent:
0.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1968-1993
Summary:
The papers of painter and educator Dana Chandler (1941-) date from 1968-1993 and measure 0.9 linear feet. The papers consist of biographical material, correspondence, printed material, professional records, and reproductions of works of art, and relate primarily to Chandler's founding of the African American Master Artists in Residency Program (AAMARP) at Northeastern University.
Scope and Contents:
The papers of painter and educator Dana Chandler (1941-) date from 1968-1993 and measure 0.9 linear feet. The papers consist of biographical material, correspondence, printed material, professional records, and reproductions of works of art, and relate primarily to Chandler's founding of the African American Master Artists in Residency Program (AAMARP) at Northeastern University.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Dana Chandler (1941-), also known as Akin Duro, is an African American painter, printmaker, and educator in Boston, Massachusetts. Chandler is an activist known for his work with the Black integrationist movement in Boston, and Professor Emeritus at Simmons College. Chandler founded the African American Master Artists in Residency Program (AAMARP) at Northeastern University.
Related Materials:
Also found in the Archives of American Art is an interview of Dana Chandler conducted 1993 March 11-May 5, by Robert F. Brown, for the Archives of American Art
Provenance:
Donated 1993 by Dana Chandler.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Authorization to publish, quote or reproduce requires written permission of Dana Chandler. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
Citation:
Dana Chandler papers, 1968-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chandana
See more items in:
Dana Chandler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c33978c1-ef7b-4c17-a577-92e40cdec497
EDAN-URL:
ead_collection:sova-aaa-chandana

Allan Rohan Crite papers

Creator:
Crite, Allan Rohan, 1910-2007  Search this
Extent:
2 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1930-1982
Scope and Contents:
This microfilm of the papers of African American painter Allan Rohan Crite consists of correspondence; biographical material; writings, including lecture transcripts; photocopies of print series with explanatory matter; clippings; photographs; and All Glory, a publication by Crite.
Biographical / Historical:
Allan Rohan Crite (1910-2007) was an African American painter and printmaker in Boston, Massachusetts. He studied at Boston University, the Massachusetts School of Art, the Boston Museum of Fine Arts School, and Harvard University. Crite is best known for his religious illustrations, but also chronicled African American life in Boston in the 1930s-1940s. During the Depression, Crite developed a series of "neighborhood paintings" insprired by Boston's African American community.
Provenance:
Lent for microfilming, 1986, by the Afro-American Cultural Museum, Philadelpia, Pa, which received the papers from Crite.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Topic:
Genre painting -- 20th century -- United States  Search this
Christian art and symbolism  Search this
African American artists  Search this
Identifier:
AAA.critalla
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a8e48d22-d345-414d-b3a6-e9d4ac2d9e77
EDAN-URL:
ead_collection:sova-aaa-critalla

Oral history interview with Calvin Burnett

Interviewee:
Burnett, Calvin, 1921-2007  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 June 13-1981 January 6
Scope and Contents:
An interview of Calvin Burnett conducted 1980 June 13-1981 January 6, by Robert Brown, for the Archives of American Art.
Burnett speaks of his education at the Massachusetts College of Art, Boston; freelancing in commercial art; his career as a Black artist; teaching methods; recent paintings; and his civil rights activities.
Biographical / Historical:
Calvin Burnett (1921-2007) was a graphic artist, illustrator, painter, and designer from Cambridge, Massachusetts. Full name Calvin W. Burnett.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 19 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Massachusetts -- Cambridge  Search this
Educators -- Massachusetts  Search this
Illustrators -- Massachusetts  Search this
Designers -- Massachusetts -- Cambridge  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.burnet80
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ec4d0fc-2093-4c7d-815e-f66adda86991
EDAN-URL:
ead_collection:sova-aaa-burnet80
Online Media:

A visit with Edwin Dickinson [videorecording] / produced by Dorothea Weeden ; filmed and edited by Don Kendall, 1970

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Subject:
Dickinson, Edwin Walter  Search this
Weeden, Dorothea  Search this
Kendall, Don  Search this
Type:
Video recordings
Interviews
Citation:
A visit with Edwin Dickinson [videorecording] / produced by Dorothea Weeden ; filmed and edited by Don Kendall, 1970. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- Massachusetts -- Wellfleet -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7285
(DSI-AAA_SIRISBib)209436
AAA_collcode_dickin70a
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209436

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