Skip to main content Smithsonian Institution

Search Results

Collections Search Center
8 documents - page 1 of 1

Oral history interview with Narcissa Swift King, 1991 Oct. 7-1992 Jan. 20

Interviewee:
King, Narcissa Swift, 1911-1998  Search this
Interviewer:
Campbell, Suzan  Search this
Subject:
O'Keeffe, Georgia  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Record number:
(DSI-AAA_CollID)12360
(DSI-AAA_SIRISBib)215358
AAA_collcode_king91
Theme:
Women
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215358

Oral history interview with Eleanor "Brownie" Hibben, 1991 Oct. 25

Interviewee:
Hibben, Eleanor B., 1898-1992  Search this
Interviewer:
Campbell, Suzan  Search this
Subject:
O'Keeffe, Georgia  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Record number:
(DSI-AAA_CollID)12471
(DSI-AAA_SIRISBib)215359
AAA_collcode_hibben91
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215359

Albert Christ-Janer papers

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Names:
Michigan State University -- Faculty  Search this
New York University -- Faculty  Search this
Pennsylvania State University -- Faculty  Search this
Pratt Institute -- Faculty  Search this
Stephens College  Search this
University of Chicago -- Faculty  Search this
University of Georgia -- Faculty  Search this
Bingham, George Caleb, 1811-1879  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
Robinson, Boardman, 1876-1952  Search this
Saarinen, Eliel, 1873-1950  Search this
Zoller, Edwin W., 1900-1967  Search this
Extent:
56.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Date:
1915-circa 1993
bulk 1930-1981
Summary:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.
Scope and Contents:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.

Biographical material includes address books; awards, certificates and diplomas; chronologies, biographies, and resumes; material relating to Albert Christ-Janer's death, including memorial services and a sound tape reel memorial; and information and blueprints for residences, among other materials.

Correspondence includes Christmas cards from other artists and professional correspondence, much of it relating to his work at various institutions, including Michigan State University, New York University, Pennsylvania State University, Pratt Institution, and foundations. Also included is Virginia Christ-Janer's correspondence regarding Christ-Janer's artwork and career, his death in Italy, as well as general correspondence and letters between Virginia and Albert. Additional correspondence is found within the Professional Files, Project Files, and Teaching Files.

Writings by Christ-Janer include articles, book reviews, essays, notes, and eleven notebooks. There are also a few miscellaneous articles and writings about Christ-Janer written by others. There are 38 annotated appointment notebooks and five of Virginia Christ-Janer's annotated appointment books. Annotations are about meetings, travel, and general thoughts.

Albert Christ-Janer's book projects are documented in the Project Files series. There are drafts, manuscripts, research, and correspondence relating to the research, writing, and publication of five of his books, including George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962), and Modern Hymns (1980). Project files also include files regarding proposed projects.

Professional files document Christ-Janer's work at various institutions, as a consultant, on juried art exhibitions, memberships in arts associations, activities at conferences and committees, and the development of art centers in cities and educational institutions. There is significant documentation of his work planning and developing an arts center in New York City and at New York University, as well as his positions at Pennsylvania State University, Pratt Institute, University of Chicago, and University of Georgia. Also found are materials relating to professional trips taken to El Paso, Italy, Scandinavia, and other parts of Europe.

Teaching files consist of syllabi, lecture notes and course materials, class record books, and other documents for positions at New York University, Pennsylvania State University, Stephens College, University of Georgia, and other institutions. Exhibition files are comprised of lists, prizes and awards, and other scattered documentation of Christ-Janer's solo and group exhibitions.

Financial and estate records include five account books, miscellaneous bills and receipts, a will and estate taxes and financial papers, and files for gallery transactions, lists of galleries representing Christ-Janer, lists of museum and private collectors of Christ-Janer's artwork. Printed materials include exhibition catalogs and announcements, published versions of Christ-Janer's books, books written by others and annotated by Christ-Janer, clippings, magazines, reviews, and printed material relating to Pratt Institute. There is one bound scrapbook and several files of loose scrapbook materials.

The scrapbooks series consists of one completed scrapbook concerning Christ-Janer's book on George Caleb Bingham, as well as several folders of general scrapbook files.

Photographs and slides depict Albert Christ-Janer, family, friends, artists, colleagues, exhibitions, and also include photographs compiled for published books.

Artwork includes numerous drawings, sketches, one sketchbook, and 111 lithographs by Albert Christ-Janer. There are also sketches and drawings by Charles Massey, John D. Whiting, Edwin Zoller, and others. Miscellaneous artifacts include a business card die, exhibition medals and trophy, handmade paperweight, a block-printed piece of fabric, and three graduation hoods.
Arrangement:
This collection is arranged as 14 series:

Series 1: Biographical Material, circa 1930-circa 1986 (Boxes 1-2, 51, 53, 67, OV 54, OV 57; 2.1 linear feet)

Series 2: Correspondence, circa 1937-1990 (Boxes 2-16, 51, 67, OV 55; 15.1 linear feet)

Series 3: Writings, circa 1930s-1972 (Boxes 16-18, 51; 1.5 linear feet)

Series 4: Appointment Books, 1939-1973 (Boxes 18-21; 2.9 linear feet)

Series 5: Professional Files, circa 1933-circa 1986 (Boxes 21-28, 51-52, 67-69; 10 linear feet)

Series 6: Project Files, 1937-circa 1981 (Boxes 28-34, 51, 69; 6.1 linear feet)

Series 7: Teaching Files, circa 1939-circa 1973 (Boxes 34-35; 0.6 linear feet)

Series 8: Exhibition Files, circa 1938-circa 1992 (Boxes 35-38; 2.7 linear feet)

Series 9: Financial and Estate Records, circa 1947-1992 (Boxes 38-40; 2.4 linear feet)

Series 10: Printed Material, 1915-circa 1993 (Boxes 40-49, 51-52, 69; 8.7 linear feet)

Series 11: Scrapbooks, circa 1936-circa 1952 (Boxes 49, 51; 0.5 linear feet)

Series 12: Photographs, circa 1937-circa 1986 (Boxes 49-51, OV 56; 0.7 linear feet)

Series 13: Artwork, circa 1933-circa 1970s (Boxes 50-52, 69, OV 58-66; 1.1 linear feet)

Series 14: Artifacts, 1923-circa 1986 (Boxes 50, 53; 0.9 linear feet)
Biographical / Historical:
Albert Christ-Janer (1910-1973) was a painter, printmaker, art historian, writer, and educator active at colleges and universities across the U.S.

Albert Christ-Janer was born in Appleton, Minnesota in 1910 and studied at the Art Institute of Chicago, Yale University, and Harvard University. Christ-Janer wrote about American artists Boardman Robinson and John Caleb Bingham, and taught at a variety of institutions, including Stephens College, Cranbrook Academy, Pratt Institute Art School, and the University of Georgia. He was also an artist-in-residence at Tamarind Lithography Workshop in 1972.

Christ-Janer began his teaching career at Stephens College in Columbia, Missouri in 1934, and soon became head of the art department. He moved to Michigan to accept the position of head of the art department and professor of art at Michigan State University in 1942. In 1945, he began working for the Cranbrook Academy in Bloomfield Hills, Michigan, serving as director of the educational program, director of the museum and library, and professor of art history.

In 1947, Christ-Janer moved to Chicago and worked at the University of Chicago and the Arts Center Association, Inc. In the 1950s, he served as director of Arts Center Development at New York University, director of the School of Arts at Pennsylvania State University, and on the Lake Erie College Board of Trustees. In 1958, he moved to New York and become dean of the School of Art and Design at the Pratt Institute in Brooklyn, later becoming director. He left Pratt in 1970 to accept the position of Fuller E. Callaway Professor of Art at the University of Georgia, where he remained until his tragic death in 1973.

Christ-Janer was the author of several books: Art in Child Life (University of Iowa Press, 1938), George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962).

Albert Christ-Janer was a Guggenheim Fellow in 1950, awarded the Rockefeller Award in 1954, and the Guggenheim Award in 1960. He was also awarded multiple grants from the American Philosophical Society and the J. M. Kaplan Fund for research and work in lithography, as well as multiple Arthur Judson grants. In 1972 Christ-Janer was the Tamarind artist-in-residence at the University of New Mexico in Albuquerque.

Christ-Janer traveled often. In 1962 he was a guest of the Bonn government for two months to visit museums and schools of design in Germany. And in 1964, he was a guest of the governments of Denmark, Norway, Finland, and Sweden for two months to study schools, museums, and cultural centers. In July of 1973, Christ-Janer was the official NASA artist for the Skylab III launch, and in October of 1973, he was the studio guest of the Norway-America Association and the Norwegian government in Oslo. From November to December of 1973, Christ-Janer was the scholar-in-residence at the Study and Conference Center of the Rockefeller Foundation (Centro Culturale delle Fondazione Rockefeller), at the Villa Serbelloni in Bellagio (Como), Italy.

Albert Christ-Janer was killed in an automobile accident in Bellagio (Como), Italy on December 12, 1973.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Albert Christ-Janer conducted by Dorothy Seckler, March 21, 1964.

Albert Christ-Janer's research materials for his book American Hymns Old and New (1980) are found at the St Olaf College in Northfield, Minnesota, a center for the study of hymns.
Provenance:
The Albert Christ-Janer papers were donated by Virginia Christ-Janer in 1980-1981 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Albert Christ-Janer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Printmakers -- Georgia  Search this
Painters -- Georgia  Search this
Art historians -- Georgia  Search this
Topic:
Art -- Study and teaching  Search this
Genre/Form:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chrialbe

Cady Wells papers

Creator:
Wells, Cady, 1904-1954  Search this
Names:
Adams, Ansel, 1902-1984  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Extent:
4.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Date:
1913-1968
Summary:
The papers of painter Cady Wells measure 4.3 linear feet and date from 1913 to 1968. The collection provides a range of documentation of Wells' life and career, namely as a landscape artist in New Mexico and as a servicemember of the United States Army during World War II. Among these materials are twenty-two personal journals; correspondence with friends, family, and art organizations; preliminary sketches and watercolors; fourteen sketchbooks; photographs; printed material; biographical material; and documents related to his professional affiliations.
Scope and Contents:
The papers of painter Cady Wells measure 4.3 linear feet and date from 1913 to 1968. The collection provides a range of documentation of Wells' life and career, namely as a landscape artist in New Mexico and as a servicemember of the United States Army during World War II. Among these materials are twenty-two personal journals; correspondence with friends, family, and art organizations; preliminary sketches and watercolors; fourteen sketchbooks; photographs; printed material; biographical material; and documents related to his professional affiliations.

Biographical material consists largely of documents and awards pertaining to Wells' military service in the 1940s. A large collection of correspondence provides a broader perspective of Wells' personal and professional affiliations, including a number of letters from his friend and painter Georgia O'Keeffe. Writings feature twenty-two nearly uninterrupted personal journals from the age of thirteen to his death at age 49, providing candid insight to Wells' upbringing, family and friends, creative pursuits, and life during wartime. A variety of printed material includes exhibition announcements and brochures, art periodicals, and news clippings from his lifetime. A small amount of documents outline his professional affiliations, highlighting his support of both established and emerging art organizations of the 1930s-1950s. Fourteen sketchbooks and a variety of loose preliminary drawings and watercolors trace Wells' development as an artist during his time in New Mexico. Photographs feature images of Wells throughout his life, along with his personal photos of family and friends, including one photo each of Ansel Adams and Georgia O'Keeffe. A scrapbook provides additional printed material pertaining to Wells' exhibitions and the greater Sante Fe arts community.
Arrangement:
This collection is arranged as eight series.

Series 1: Biographical Material, 1940-1945 (4 folders; Box 1)

Series 2: Correspondence, 1913-1968 (14 folders; Box 1)

Series 3: Writings, 1918-1954 (24 folders; Boxes 2-3)

Series 4: Printed Material, circa 1910s-1950s (8 folders; Boxes 3-4)

Series 5: Professional Affiliations, circa 1930s-1950s (1 folder; Box 4)

Series 6: Artworks, circa 1930s-1950s (10 folders; Box 4)

Series 7: Photographs, circa 1920s-1950s (9 folders; Box 4)

Series 8: Scrapbook, circa 1920s=1950s (4 folders; Box 5)
Biographical / Historical:
Cady Wells (1904-1954) was a painter and a patron of the arts, most associated with the Santa Fe, New Mexico, landscape artists of the 1930s and 1940s. Born in Southbridge, Massachusetts, Wells was raised in an affluent family, and pursued music as a concert pianist before discovering his passion for painting. Upon moving to New Mexico in 1932, Wells quickly gained rapport with regional modernist painters Andrew Dasburg and Georgia O'Keeffe. His artistic career was interrupted in the first half of the 1940s while he served in the United States Army during World War II. Returning to New Mexico in the mid-1940s, his innovative command of pattern and color earned him a reputation as a significant landscape painter of the American Southwest. Along with his original contributions, Wells was an avid supporter of his local arts community, assisting in the development of the Spanish Colonial Arts Society and the Museum of New Mexico.
Provenance:
The papers were donated in 1975 by Mason B. Wells, brother of Cady Wells.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonians's Terms of Use for additional information.
Topic:
Painters -- New Mexico -- Santa Fe  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Citation:
Cady Wells papers, 1913-1968. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wellcady
See more items in:
Cady Wells papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wellcady

Beverly Buchanan papers

Creator:
Buchanan, Beverly, 1940-  Search this
Names:
Bernice Steinbaum Gallery (New York, N.Y.)  Search this
Steinbaum Krauss Gallery (New York, N.Y.)  Search this
Lippard, Lucy R.  Search this
Scott, Arden  Search this
Sims, Lowery Stokes  Search this
Extent:
18.3 Linear feet
1.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sketchbooks
Photograph albums
Motion picture film
Date:
1912-2017
bulk 1970s-1990s
Summary:
The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18.3 linear feet and 1.07 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.
Scope and Contents:
The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18.3 linear feet and 1.07 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.

The Beverly Buchanan papers contain biographical material including address books, calendars, awards and education certificates, identification documents, family history research material, and a recorded interview with Marcia Yerman for Women in Art; correspondence with friends and colleagues including Lucy Lippard and Lowery Stokes Sims, and with galleries and museums such as Bernice Steinbaum Gallery/Steinbaum Krauss Gallery, the Georgia Museum of Art, and the High Museum of Art. Also included are writings such as artist's statements, journals and notebooks, notes, and writings by others about Beverly Buchanan; exhibition and project files including audiovisual documentation from Bernice Steinbaum Gallery and Steinbaum Krauss Gallery of various exhibitions; material related to professional activities including teaching files and grant and fellowship applications; personal business records such as sales and consignment records; printed material including clippings, exhibition and event announcements and catalogs, magazines, posters, a video recording of A World of Art profile, and other published material; and scrapbooks, including one documenting Buchanan's City Walls series, containing primarily photographs and artwork with some printed material. The collection also contains photographic material including photographs, snapshots, negatives, and photograph albums; and artwork including sketchbooks, drawings, folded cardboard artwork, and illustrated cards.
Arrangement:
This collection is arranged as ten series.

Series 1: Biographical Material, 1917-2015 (Box 1, Boxes 19-20; 0.6 linear feet)

Series 2: Correspondence, 1919-1954, 1967-2017 (Boxes 1-2; 0.9 linear feet; ER01, 0.017 GB)

Series 3: Writings, 1960-circa 2009 (Boxes 2-3; 0.7 linear feet)

Series 4: Exhibition and Project Files, 1974-2001, 2010-2017 (Boxes 3-4, OV 21, FCs 22-23; 1.9 linear feet; ER02, 0.020 GB)

Series 5: Professional Activities, 1962, 1979-2005 (Box 4, Box 19; 0.3 linear feet)

Series 6: Personal Business Records, 1966-2010 (Box 4; 0.3 linear feet)

Series 7: Printed Material, 1912, 1923-2014 (Boxes 4-7, Box 19, OV 21; 3.6 linear feet)

Series 8: Scrapbooks, 1970-circa 1977 (Box 7, Box 20; 0.3 linear feet)

Series 9: Photographic Material, circa 1920s-2013 (Boxes 7-13, Boxes 16-18, Box 20; 8.8 linear feet; ER03, 1.03 GB)

Series 10: Artwork, 1956-2013, undated (Boxes 13-15, Box 20; 0.7 linear feet)
Biographical / Historical:
Beverly Buchanan (1940-2015) was an African American sculptor, painter, and land artist in Macon, Georgia. Born in Fuquay, North Carolina and raised in Orangeburg, South Carolina, Buchanan studied medical technology at Bennett College before going on to earn two master's degrees in parasitology and public health from Columbia University in 1968 and 1969. Her artistic career began in 1971 when she enrolled in a class at the Art Students League in New York City taught by Norman Lewis. She moved to Georgia in 1977.

Buchanan is most well known for her "shack" sculptures and paintings, depictions of houses tied to Southern identity and memory.

Buchanan has been included in exhibitions at institutions such as Cinque Gallery, Truman Gallery, the Museum of Arts and Sciences in Macon, GA, the Chrysler Museum, and a traveling retrospective exhibition organized by the Montclair Art Museum. Her work is included in the permanent collections of institutions such as the Whitney Museum of American Art, High Museum of Art, Metropolitan Museum of Art, and the Pennsylvania Academy of the Fine Arts. Beverly Buchanan has received a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, the Anonymous Was a Woman Award, and the Women's Caucus for Art lifetime achievement award, among others. She died in 2015 in Ann Arbor, Michigan.
Provenance:
The Beverly Buchanan papers were donated to the Archives of American Art in 2018 by Jane Bridges, Buchanan's friend and executor.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Georgia  Search this
Painters -- Georgia  Search this
Topic:
Environmental art  Search this
African American artists  Search this
Women artists  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photograph albums
Motion picture film
Citation:
Beverly Buchanan papers, 1912-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buchbeve
See more items in:
Beverly Buchanan papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-buchbeve

Georgia O'Keeffe's New Mexico

Creator:
Smithsonian Channel  Search this
Type:
Youtube videos
Uploaded:
2012-12-03T00:00:26.000Z
Youtube Category:
Entertainment  Search this
See more by:
smithsonianchannel
YouTube Channel:
smithsonianchannel
Data Source:
Smithsonian Channel
EDAN-URL:
edanmdm:yt_2P_rCxbEcVI

Georgia O'Keeffe with Magritte Sculpture at Hirshhorn Museum and Sculpture Garden

Creator:
Farrar, Richard  Search this
Subject:
O'Keeffe, Georgia 1887-1986  Search this
Magritte, René 1898-1967  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Smithsonian Institution Office of Public Affairs  Search this
Physical description:
Gelatin silver prints; 8 x 10;
Type:
Black-and-white photographs
Date:
1977
November 11, 1977
Topic:
Art--Exhibitions  Search this
Artists  Search this
Sculpture  Search this
Local number:
SIA RU000371 [92-1789]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Known Copyright
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_397474

Correspondence

Collection Creator:
Wells, Cady, 1904-1954  Search this
Extent:
14 Folders (Box 1)
Type:
Archival materials
Date:
1913-1968
Scope and Contents:
Personal and professional correspondence span most of Wells' life, from his upbringing in Massachusetts, to his time spent in the military, and to his middle-aged years in New Mexico. There is much correspondence with his father, Channing Wells, particularly regarding his schooling and work prospects in the 1920s. His friendship with painter Georgia O'Keeffe is evident in a number of letters from the mid-1930s to the early 1940s. Other notable correspondents include Merle Armitage, Craig Barton, Elizabeth Boyd, Myron Brinig, Andrew Dasburg, Martha Graham, Erick Hawkins, Una Jeffers, Mabel Dodge Luhan, Georgia O'Keeffe, Anne Parrish, Olive Rush, Alfred Stieglitz, Edith Warner, Mason Wells, and Edward Weston.
Arrangement:
The correspondence series begins with three folders of undated letters arranged alphabetically, followed by folders arranged in chronological order.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonians's Terms of Use for additional information.
Collection Citation:
Cady Wells papers, 1913-1968. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wellcady, Series 2
See more items in:
Cady Wells papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wellcady-ref2

Modify Your Search







or


Narrow By