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Mabel Alvarez papers

Creator:
Alvarez, Mabel, 1891-1985  Search this
Names:
Honolulu Academy of Arts  Search this
Otis Art Institute  Search this
San Joaquin Pioneer Museum  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Sketchbooks
Date:
1898-1987
Summary:
The Mabel Alvarez papers measure 2.3 linear feet and date from 1898 to 1987. The papers include scattered biographical information, scattered letters, unpublished prose, printed materials, sketchbooks, expense books, notebooks, diaries and journals, address books, photographs, and scrapbooks documenting the life and career of Los Angeles painter Mabel Alvarez.
Scope and Content Note:
The papers of Mabel Alvarez (1898-1985) measure 2.3 linear feet and date from 1898-1987. The collection documents both her painting career as well as her personal life through correspondence, original writings, sketches, printed material, diaries and journals, financial records, and scrapbooks.
Arrangement:
The collection is arranged into eleven series based primarily on document type and chronological order.

Missing Title

Series 1: Biographical Material, 1907-1970 (Box 1; 3 folders; reel 5672)

Series 2: Letters, 1909-1978 (Box 1; 1 folder; reel 5672)

Series 3: Writings, 1898, 1910-1935, undated (Box 1; 11 folders; reel 5672)

Series 4: Printed Material, 1917-1987, undated (Box 1; 10 folders; reel 5672)

Series 5: Sketchbooks, 1949-1950, undated (Box 1; 2 folders; reel 5672)

Series 6: Expense Books, 1914-1977 (Box 1; 1 folder; reel 5672)

Series 7: Notebooks on Exhibition and Paintings, 1921-1953 (Box 1; 1 folder; reel 5673)

Series 8: Diaries and Journals, 1909-1984 (Box 1-2; 15 folders; reel 5673-5675)

Series 9: Address Books, undated (Box 2; 2 folders; reel 5675)

Series 10: Photographs, 1905-1983, undated (Box 2; 5 folders; reel 5675)

Series 11: Scrapbooks, 1898-1984 (Box 3; 2 scrapbooks; reel 5675)
Biographical Note:
Mabel Alvarez (1891-1985) established her career as a portrait painter in California. Born in Hawaii, she moved to Los Angeles as a child and later studied with Stanton Macdonald Wright. Her early work was characterized by interests in Symbolism and Art Nouveau as well as the influences of Impressionism. Alvarez also studied with William Cahill at the School for Illustration and Painting which Cahill founded with John Hubbard Rich in 1914.

As a young woman, Alvarez was influenced by the philosophical writings of Will Levington Comfort, who espoused the principles of Theosophy and Eastern mysticism. She attended lectures and meditation sessions at Comfort's Highland Park home, experiences which fostered artistic experimentation and departure. Alvarez became part of the "Group of Eight" in 1922, a forward thinking artists collective which veered away from the predictable standards of the California Art Club. The members of the group were Henri de Kruif, Luvena and Edouard Vysekal, Donna Schuster, Roscoe Shrader, Clarence Hinkle and her former teacher, John Hubbard Rich.

Her work took a decisive turn when she met the painter Morgan Russel in 1927. At this time her paintings became more figurative rather than decorative or ambiguous, with delicate choices of color, a skill she mastered by the end of her career. Mabel Alvarez continued to paint through her sixties and seventies, and to exhibit regularly, including with the Women Painters West organization. She is noted for her important role in the emergence of Southern California Modernism and is remembered for her contribution to California Impressionism as well as to figure, still life and portrait painting.

Mabel Alvarez died on March 13, 1985 at the age of 93.
Provenance:
The Mabel Alvarez papers were donated to the Archives of American Art in 1988 by Glenn Basset, art dealer and friend of Mabel Alvarez.
Restrictions:
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Portrait painters -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Women artists  Search this
Women painters  Search this
Art, Modern  Search this
Works of art  Search this
Genre/Form:
Diaries
Photographs
Sketchbooks
Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alvamabe
See more items in:
Mabel Alvarez papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93cc7e385-5e09-43c3-9b0b-9c6617cab9a4
EDAN-URL:
ead_collection:sova-aaa-alvamabe
Online Media:

Robert Perine research material on the Chouinard Art Institute

Creator:
Perine, Robert  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Chouinard, Nelbert, 1879-1967  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
circa 1923-circa 1985
Summary:
The Robert Perine research material on the Chouinard Art Institute measures 1.8 linear feet and date from circa 1923 to circa 1985. Documents consist of research material used in Perine's book Chouinard: An Art Vision Betrayed (1985) including catalogs for the Chouinard Institute and California Institute of the Arts; notes and preliminary writings for the book, including an annotated table of contents and a bibliography; floor plans of the Institute; material concerning the lawsuit brought against the board of trustees in an attempt to prevent the closing of the school; 158 photographs of Nelbert Chouinard, classes, students and buildings; and 27 sound cassettes of interviews of 52 artists and staff, some with partial transcripts.
Scope and Contents:
The Robert Perine research material on the Chouinard Art Institute measures 1.8 linear feet and date from circa 1923 to circa 1985. Documents consist of research material used in Perine's book Chouinard: An Art Vision Betrayed (1985) including catalogs for the Chouinard Institute and California Institute of the Arts; notes and preliminary writings for the book, including an annotated table of contents and a bibliography; floor plans of the Institute; material concerning the lawsuit brought against the board of trustees in an attempt to prevent the closing of the school; 158 photographs of Nelbert Chouinard, classes, students and buildings; and 27 sound cassettes of interviews of 52 artists and staff, some with partial transcripts.
Arrangement:
The collection is arranged as four series.

Series 1: Writings, 1930, 1962, circa 1980-circa 1985 (0.2 linear feet; Box 1)

Series 2: Printed Material, 1931-1984 (0.5 linear feet; Box 1)

Series 3: Photographs, circa 1923-1977 (0.2 linear feet; Box 1)

Series 4: Interviews, circa 1979 (0.9 linear feet; Box 1-3)
Biographical / Historical:
Painter, educator, and author Robert Perine (1922-2004), was a student and later a professor at the Chouinard Art Institute. The Chouinard Art Institute was founded in Los Angeles, California, by Ms. Nelbert M. Chouinard in 1921. The Institute received financial support from Walt Disney who also oversaw its merger with the Los Angeles Conservatory of Music to form the Californian Institute of the Arts in 1961. The Chouinard Art Institute continued to operate as its own entity within the California Institute of the Arts until it was completely absorbed by the California Institute of the Arts in 1972.
Provenance:
The research material was donated to the Archives of American Art by Robert Perine in 1987.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
California Institute of the Arts  Search this
Art -- Study and teaching -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Robert Perine research material on the Chouinard Art Institute, circa 1923-circa 1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.perirobe
See more items in:
Robert Perine research material on the Chouinard Art Institute
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b9b36d9c-5cab-4aeb-a0b4-f14ed9d8b7ce
EDAN-URL:
ead_collection:sova-aaa-perirobe
Online Media:

Lucinda H. Gedeon research material on Charles W. White

Creator:
Gedeon, Lucinda H.  Search this
Names:
University of California, Los Angeles  Search this
White, Charles, 1918-1979  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1940-1997
bulk 1980-1981
Summary:
The Lucinda H. Gedeon research materials on Charles W. White measure 1.4 linear feet and date from 1940 to 1997, with the bulk of the materials dating from 1980 to 1981. This research material was compiled for a catalogue raisonné at UCLA and includes correspondence with collectors and institutions; a card file catalogue of works by Charles White; photographs and negatives; printed material; transcripts of interviews; bibliographic information; and writings.
Scope and Contents:
The Lucinda H. Gedeon research materials on Charles W. White measure 1.4 linear feet and date from 1940 to 1997, with the bulk of the materials dating from 1980 to 1981. This research material was compiled for a catalogue raisonné at UCLA and includes correspondence with collectors and institutions regarding Charles White works in their collections; a card file catalogue of works by White; photographs and negatives of works by White; printed material including exhibition materials and magazine and newspaper clippings; transcripts of interviews with White and other individuals; bibliographic information; and writings about White.
Arrangement:
Due to the small size of this collection, the papers are arranged in one series.

Series 1: Lucinda H. Gedeon Research Material on Charles W. White, 1940-1997, bulk 1980-1981 (Boxes1-2; 1.4 linear feet)
Biographical / Historical:
Lucinda H. Gedeon is a retired art historian in Vero Beach, Florida. Previously the director of the Neuberger Museum at the State University of New York, Purchase, and later of the Vero Beach Museum of Art, Gedeon earned both a master's degree and a doctorate at UCLA. She completed her master's thesis on the work of Charles White.

Charles W. White (1918-1979) was an African American painter. White was born in Chicago and attended the Art Institute of Chicago. He worked as an artist for the Works Progress Administration and later taught first at Dillard University, then at Otis Art Institute from 1965 until his death in 1979.

White exhibited widely and his work is held at a number of institutions. He was elected to the National Academy of design in 1972.
Related Materials:
Also found in the Archives of American Art are the Charles W. White papers, circa 1930-1982, and an oral history interview with Charles W. White conducted by Betty Hoag, March 9, 1965.
Provenance:
The Lucinda H. Gedeon research materials on Charles W. White were donated to the Archives of American Art by Lucinda H. Gedeon in 2007.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Occupation:
Art historians -- Florida  Search this
Museum directors -- Florida  Search this
Painters -- California -- Los Angeles  Search this
Muralists -- California -- Los Angeles  Search this
Topic:
Women art historians  Search this
African American artists  Search this
Women muralists  Search this
Genre/Form:
Interviews
Citation:
Lucinda H. Gedeon research material on Charles W. White, 1940-1997, bulk 1980-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gedeluci
See more items in:
Lucinda H. Gedeon research material on Charles W. White
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cfef48ad-58ac-4312-8f1f-31bf5ba4f195
EDAN-URL:
ead_collection:sova-aaa-gedeluci
Online Media:

Arnold Mesches papers

Creator:
Mesches, Arnold, 1923-  Search this
Names:
New York University  Search this
Ciment, Jill, 1953-  Search this
Danto, Arthur Coleman, 1924-  Search this
Marshall, Kerry James, 1955-  Search this
Miami Dade College  Search this
Miller, Henry, 1891-  Search this
Motherwell, Robert  Search this
Shahn, Ben, 1898-1969  Search this
Siqueiros, David Alfaro  Search this
Storr, Robert  Search this
Wayne, June, 1918-2011  Search this
Zinn, Howard, 1922-2010  Search this
Extent:
13.6 Linear feet
Type:
Collection descriptions
Archival materials
Collages
Diaries
Drawings
Sketches
Date:
1939-2015
Summary:
The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically-engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material. Project files comprise a bulk of the collection and include grant files, activism files, project notebooks, and over 100 art project files containing drawings, source material, and photographic material for individual artworks.
Scope and Contents:
The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material.

Biographical material includes addresses, family papers, interview transcripts, life documents, identification cards, a residency file, resumes, biographical statements, and travel records. Correspondence is both personal and professional in nature and is with wife, novelist Jill Ciment, family, friends, artists, museums, galleries, and magazines. Notable correspondents include Arthur Danto, Robert Storr, June Wayne, and Howard Zinn. Single items of correspondence are from Kerry James Marshall, Henry Miller, Robert Motherwell, and Ben Shahn.

Writings include manuscripts of unpublished novels and short stories, autobiographical writings, recordings of dreams, introductions to artists, a journal, memorials, project proposals, statements on art and politics, notes from Mesches' psychotherapy sessions, as well as numerous outlines, fragments, and notes.

Gallery and exhibition files document dozens of Mesches' gallery and museum exhibitions, including his 2013 retrospective at Miami Dade College, Arnold Mesches: A Life's Work.

Project files consist of grant files, activism files, project notebooks, and art projects. Activism files pertain to the Los Angeles Peace Tower, Arts Coalition for Freedom of Expression, and the pardon of muralist David Alfaro Siqueiros. Project notebooks contain preliminary sketches, technical notes including color palette and paint formulas, Polaroids of in-process works, and source material. Over 100 art project files further detail individual works, and include preliminary drawings in pen, pencil and charcoal, as well as collages, source material, and Polaroids. Several of Mesches' serial works are well represented here, including Anomie, Comings Attractions, and The FBI Files.

Subject files consist of a sequence of alphabetical files maintained by Mesches as reference material. Teaching files document posts at New York University and other institutions and include course descriptions, lists of materials, course notes, newsletters, reference articles, and correspondence.

Personal business records include documentation related to donations, Mesches' estate, gallery representation, inventories, properties, artwork shipment, supplies, and website design.

Printed material documents Mesches' career as both political illustrator and fine artist. Found here are brochures, leaflets, and Frontier and The Nation magazines featuring illustrations by Mesches. Calendars, newsletters, clippings, announcements, exhibition catalogs, and press releases document Mesches' gallery and museum exhibitions.

Photographic material includes hundreds of photographic prints, contact sheets, slides, and negatives of Arnold Mesches, Mesches' family and friends, studio, and artworks from his seven decade long career.
Arrangement:
The collection is arranged as ten series.

Missing Title

Series 1: Biographical Material, 1960s-2012 (0.2 linear feet, Box 1)

Series 2: Correspondence, 1949-2014 (0.8 linear feet, Box 1)

Series 3: Writings, 1958-2013 (1.1 linear feet, Box 2-3)

Series 4: Gallery and Exhibition Files, 1979-2015 (0.8 linear feet, Box 3)

Series 5: Project Files, 1950s-2014 (5.3 linear feet, Box 3-8, 15, OV 16-19)

Series 6: Subject Files, 1939-2000s (1.3 linear feet, Box 8-9)

Series 7: Teaching Files, 1992-2004 (0.2 linear feet, Box 9-10)

Series 8: Personal Business Records, 1983-2015 (0.5 linear feet, Box 10)

Series 9: Printed Material, 1950s-2000s (1.5 linear feet, Box 10-11, 15, OV 20)

Series 10: Photographic Material, 1940s-2010s (1.9 linear feet, Box 12-15)
Biographical / Historical:
Arnold Mesches (1923-2016) was a painter in New York, New York and Gainesville, Florida. Born in the Bronx and raised in upstate Dunkirk, New York, Mesches studied advertising design in high school before moving to Los Angeles in 1943 to study art at the Jepson Art Institute and Chouinard Art Institute.

Mesches began his career as a scenic painter for Hollywood while honing his own style as a fine artist and illustrator influenced by the political landscape and social realism. As a result of his political activity and involvement in the Communist Party, the FBI opened a file on Mesches in the 1950s, and began tracking his activities. The file, obtained by Mesches through a Freedom of Information Act request in 1999, became the basis for one of his most famous series, The FBI Files.

Throughout his life, Mesches was a socially-oriented figurative painter working in an expressionist style, mining the daily news and the current political landscape for subject matter, including the Cold War, the trial of Julius and Ethel Rosenberg, and the Vietnam War. Mesches was also one of the organizers of the 1966 Peace Tower artwork in Los Angeles and contributed illustrations to Frontier magazine throughout the 1950s, and The Nation magazine from 1960s-1980s.

In the early 1980s, Mesches relocated to New York City with wife, novelist Jill Ciment.

Mesches held several teaching posts over the course of his career, including at the New School, New York University, and the University of Florida.
Provenance:
Donated to the Archives of American Art in 2017 by Jill Ciment, Mesches' widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Painters -- Florida  Search this
Topic:
Art -- Political aspects  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Politics in art  Search this
Interviews  Search this
Photographs  Search this
Transcripts  Search this
Genre/Form:
Collages
Diaries
Drawings
Sketches
Citation:
Arnold Mesches papers, 1939-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mescarno
See more items in:
Arnold Mesches papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9415d73fe-0b7a-41fc-a1a6-7ac35ec38ac6
EDAN-URL:
ead_collection:sova-aaa-mescarno
Online Media:

Peter and Rose Krasnow papers

Creator:
Krasnow, Peter, 1886-1979  Search this
Names:
Peter Krasnow Arts Foundation  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Blades, Harriet  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Clements, Grace, 1905-1969  Search this
Cocker, Conrad  Search this
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Drake, Alfred S.  Search this
Howe, Dudley  Search this
Krasnow, Rose, 1885-1984  Search this
Morley, Grace, 1900-1985  Search this
Noer, Philip  Search this
Owen, Dale  Search this
Owen, Elaine  Search this
Price, Aimée Brown, 1939-  Search this
Raboff, Ernest Lloyd  Search this
Raboff, Ina  Search this
Stone, Irving, 1903-  Search this
Weston, Edward, 1886-1958  Search this
Weston, Edward, 1886-1958 -- Photographs  Search this
Weston, Flora -- Photographs  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Date:
1914-1984
Summary:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.
Scope and Content Note:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.

Biographical materials include documentation of Rose Krasnow's service as a member of the Army Air Forces Ground Observer Corps, programs and other materials from various memorial services, a sound recording with commentary on a Peter Krasnow exhibition, and documentation of a project to publish Rose Krasnow's poetry.

Correspondence consists of Peter and Rose Krasnow's personal and professional correspondence as well as a small amount of third party correspondence. Personal correspondence with friends and family involves health, work, daily events, and other life updates. Professional correspondence with art dealers, curators, gallery and museum directors, collectors, and colleges and universities concerns exhibitions, sales, loans, and donations of artwork. Primary correspondents include Leslie Burton and Harriet Blades, Dan Budnik, Grace Clements, Conrad Crocker, Dudley Howe, Lilly Weil Jaffe, Grace L. McCann Morley, Dale and Elaine Owen, Aimée Brown Price, Ernest and Ina Raboff, Irving Stone, and Edward Weston. There are also numerous scattered letters from artists, writers, curators, critics, museums, arts associations, and Jewish organizations.

Writings and notes are by Peter Krasnow, Rose Krasnow, and others. Writings by Peter Krasnow include a draft autobiography, essays, lectures on wood sculpture, typescripts, notes, and writings on art. Writings by Rose Krasnow include essays, plays, poetry, and short stories. Writings by others consist of essays, lectures, notes, plays, poetry, short stories, and typescripts. Other writers include Grace Clements, Fidel Danieli, Robert DeLuce, Alfred S. Drake, and Philip Noer. There are also five handwritten personal diaries by Peter Krasnow.

Personal business records include Rose Krasnow's bank book from 1980, Peter Krasnow's naturalization certificate and passport, an inventory of paintings on index cards, tax applications for the Peter Krasnow Arts Foundation, materials relating to Peter Krasnow's estate and the purchase of his artwork, and various receipts.

Printed materials include exhibition catalogs and announcements, clippings, bound books, magazines and journals, a Chicago Society of Artists block print calendar, and two printed posters from Peter Krasnow's exhibit at the Galerie Pierre in 1934.

Artwork is mostly by Peter Krasnow, and includes five sketchbooks, sketches and drawings, watercolors, preliminary studies in oil, and prints.

Photographs include personal photographs, photographs of major sculpture projects in progress, and artwork. Personal photographs are of Peter and Rose, family members, and friends, as well as a few scattered images of landscapes and architecture, possibly travel photographs. There are also photographs of Edward and Flora Weston. There are three photograph albums, one contains images of Krasnow's relief sculptures for the Sinai Temple's Kohn Chapel. Two photograph albums were compliled by Susan Ehrlich for Peter and Rose Krasnow. Also found are photographs of works of art. Some of the photographs in the papers were taken by Dan Budnik.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, circa 1942-1983 (Boxes 1, 6; 7 folders)

Series 2: Correspondence, circa 1930-1984 (Box 1; 0.4 linear feet)

Series 3: Writings and Notes, circa 1916-1980 (Boxes 1-2; 1.3 linear feet)

Series 4: Diaries, circa 1955-1968 (Box 2-3; 5 folders)

Series 5: Personal Business Records, circa 1914-1982 (Box 3; 0.4 linear feet)

Series 6: Printed Materials, circa 1922-1981 (Boxes 3-4 and OV 9; 1.1 linear feet)

Series 7: Artwork, circa 1918-1980 (Boxes 4-6 and OV 7-8, 10; 1.5 linear feet)

Series 8: Sketchbooks, circa 1918-1973 (Box 5; 5 folders)

Series 9: Photographs, circa 1914-1981 (Boxes 5-6; 0.6 linear feet)
Biographical Note:
Peter Krasnow (1886-1979) was a painter, sculptor, and printmaker who lived and worked primarily in Southern California. His wife, Rose Krasnow (1885-1984), was a prolific writer of poems, short stories, and plays.

Peter Krasnow was born on August 20, 1886 in the Ukraine, Russia to Jewish parents. His father's work as an interior designer inspired Krasnow's interest in art.

In 1907, Krasnow emigrated to the United States, first living in Boston. He moved to Chicago in 1908 to attend the Art Institute of Chicago, where he met his future wife, Rose Bloom. To support himself during his studies, Krasnow worked as a security officer and performed other manual jobs. He graduated from the Art Institute of Chicago in 1916 and married Rose that same year.

The Krasnows moved to New York in 1919. In New York, Krasnow experienced some artistic success, participating in group and solo exhibitions at the Whitney Studio Club. During this time period, Krasnow often painted city scenes using a dark color palette.

In 1922, the Krasnows moved to Los Angeles, California. Krasnow built a studio near Glendale in 1923, on land purchased from photographer and friend Edward Weston. The studio also served as the Krasnows' main residence for the rest of their lives. In 1923 in Los Angeles, Krasnow exhibited with the Group of Independent Artists, which included Stanton Macdonald-Wright, Boris Deutsch, Nick Brigante, Ben Berlin, and other noteworthy artists. During his first years in California, Krasnow mostly created watercolor paintings, including a series of landscapes, using a lighter color palette than his earlier works. In the 1920s, Krasnow also accepted commissions for carved wood reliefs at the Temple Emmanu-El in San Francisco and the Sinai Temple in Los Angeles.

Krasnow received a grant in 1931, and he and Rose temporarily relocated to the Dordogne region of France, where they lived until 1934. During this time, Krasnow painted a series of watercolors and paintings of the French landscape. Before returning to the United States, Krasnow exhibited these landscapes at the Galerie Pierre.

After returning to California, Krasnow began creating carved wood sculptures, which he named 'demountables,' often using wood from trees on his property. Krasnow created these sculptures to celebrate the organic shapes inherent in wood.

In 1934, Krasnow returned to painting, this time creating bright, colorful, geometric designs which often incorporated symbolism from his Jewish heritage. Krasnow focused on these paintings through the remaining years of his life. In 1977, Krasnow received a fellowship from the National Endowment for the Arts.

Peter Krasnow died on October 30, 1979 in Los Angeles. Rose Krasnow died five years later, in 1984.
Provenance:
The Peter and Rose Krasnow papers were donated in several increments between 1976 and 1998 by Peter Krasnow, the Estate of Peter Krasnow, and the Peter and Rose Krasnow Foundation.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Wood sculpture  Search this
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kraspete
See more items in:
Peter and Rose Krasnow papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed81e16a-9b16-46be-912e-4e7c0b6db0c6
EDAN-URL:
ead_collection:sova-aaa-kraspete
Online Media:

Eugene Berman papers

Creator:
Berman, Eugene, 1899-1972  Search this
Names:
Berman, Leonid, 1896-1976  Search this
Lynes, Russell, 1910-1991  Search this
Ray, Man, 1890-1976  Search this
Photographer:
Galdi, Vincenzo  Search this
Gloeden, Wilhelm von, Baron, 1856-1931  Search this
Extent:
6.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Postcards
Notes
Place:
Italy -- Description and travel, Photographs
Mexico -- Description and travel, Photographs
Date:
1926-1975
Summary:
The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.
Scope and Content Note:
The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.

Notes include a booklet of photocopies of notes in Italian conerning miscellaneous art work, including prices. There are also scattered notes in French concerning miscellaneous topics.

Art work consists of miscellaneous sketches, primarily on the reverse sides of postcards, depicting human figures and architectural details, sometimes annotated in Russian and Italian.

Printed material includes clippings concerning Eugene and Leonid Berman's art work, exhibition announcements and catalogs, reproductions of art work by Berman, picture postcards, a ballet program, and a guide book for Grado, Italy.

Photographs comprise the largest series in this collection. Photographs of Eugene Berman include two by Russell Lynes. Photographs are also of Berman's wife, Ona Munson, unidentified colleagues, exhibition installations, art work executed by Berman between 1937 and 1948, and miscellaneous photographs of Italy including images by Vincenzo Galdi and Wilhelm von Gloeden. There are ten portfolios of photographs of Mexico, primarily taken by Berman, but Portfolios 1, 6, 9, and 10 include images photographed by Hugo Brehme. There are also commercially produced photographs of various scenes and art work primarily in Italy and Mexico, publicity photographs of ballet and opera performers, and two stereographs of novelty subjects.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Letters, 1926-1970 (Box 1, 8; 12 folders)

Series 2: Notes, 1944 (Box 1; 2 folders)

Series 3: Art Work, 1947 (Box 1; 2 folders)

Series 4: Printed Material, 1941-1975 (Box 1, 8; 1.5 linear feet)

Series 5: Photographs, 1933-1956 (Box, 2-9; 4.9 linear feet)
Biographical Note:
Eugene Berman (1899-1972) worked in New York City, Los Angeles, California, and Rome, Italy as a Neo-Romantic painter and designer of theatrical sets and costumes for opera and ballet productions.

Eugene Berman was born on November 4, 1899 in St. Petersburg, Russia, the son of Lydia and Gustav Berman, who died when Eugene was seven years old. His stepfather was a wealthy banker who paid for his education in Germany, Switzerland, and France. In 1918, the family fled to Paris to escape the Bolshevik Revolution.

While in Paris, Berman studied at the Academie Ranson from 1920 to 1922, under Pierre Bonnard, Edouard Vuillard, and Félix Valloton. With his brother Leonid, Berman joined a group of painters who became known as Neo-Romantics whose paintings were of melancholy dreamlike scenes with mournful figures, defying the prevalent abstract movements in art. By the late 1920s, Berman was beginning to successfully sell his paintings and after meeting American gallery owner Julian Levy, he was offered an exhibition in New York. Berman continued to exhibit at the Julian Levy Gallery from 1929 to 1947.

In 1935, Eugene and Leonid Berman became war refugees and came to New York City. Eugene Berman designed covers for fashionable publications and by 1937, he was painting murals in private residences and designing sets and costumes for opera and ballet performances including those at the Metropolitan Opera.

Berman moved to California in 1938, settling in Los Angeles, and continued to paint murals and design for the theater. He became an American citizen in 1944. Between 1947 and 1949, he received Guggenheim Fellowships to obtain background images from the Southwest United States and Mexico for use in his art work. Berman married actress Ona Munson in 1949.

Two years after his wife's suicide in 1955, Berman moved to Rome, Italy where he continued to paint and design sets for the theater.

Eugene Berman died on December 14, 1972 in Rome, Italy.
Provenance:
The Eugene Berman papers were donated by the artist's sister-in-law, Sylvia Marlowe Berman, in 1978.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Painters -- Italy -- Rome  Search this
Painters -- New York (State) -- New York  Search this
Set Designers  Search this
Graphic artists  Search this
Genre/Form:
Sketches
Postcards
Notes
Citation:
Eugene Berman papers, 1926-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bermeuge
See more items in:
Eugene Berman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw946e567d0-f447-484c-a3c1-689ae12ff3d9
EDAN-URL:
ead_collection:sova-aaa-bermeuge
Online Media:

Oral history interview with David Rose, 1965 March 28

Interviewee:
Rose, David, 1910-2006  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with David Rose, 1965 March 28. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Illustrators -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)11889
(DSI-AAA_SIRISBib)213753
AAA_collcode_rose65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213753

Oral history interview with Donald Totten, 1964 May 28

Interviewee:
Totten, Donald Cecil, 1903-1967  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Donald Totten, 1964 May 28. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Painting, Modern -- 20th century  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12977
(DSI-AAA_SIRISBib)213951
AAA_collcode_totten64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213951
Online Media:

Oral history interview with Allan Kaprow, 1981 Feb. 5-18

Interviewee:
Kaprow, Allan, 1927-2006  Search this
Interviewer:
Roth, Moira, 1933-2021  Search this
Subject:
Callahan, Harry M.  Search this
Schapiro, Meyer  Search this
Segal, George  Search this
Pollock, Jackson  Search this
Hofmann, Hans  Search this
Ono, Yōko  Search this
Samaras, Lucas  Search this
Cage, John  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Allan Kaprow, 1981 Feb. 5-18. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Educators -- California -- Los Angeles -- Interviews  Search this
Happenings (Art)  Search this
Record number:
(DSI-AAA_CollID)12195
(DSI-AAA_SIRISBib)211956
AAA_collcode_kaprow81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211956
Online Media:

Oral history interview with Hans Burkhardt, 1974 November 25

Interviewee:
Burkhardt, Hans Gustav, 1904-1994  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Bordeaux, Jean-Luc  Search this
Burkhardt, Thordis W., 1908-1993  Search this
Gorky, Arshile  Search this
Tobey, Mark  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Hans Burkhardt, 1974 November 25. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles -- Interviews  Search this
Educators -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12117
(DSI-AAA_SIRISBib)212077
AAA_collcode_burkha74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212077
Online Media:

Oral history interview with Anton Blazek, 1965 April 13

Interviewee:
Blazek, Anton James, 1902-1974  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Ebstrom, David  Search this
Feitelson, Lorser  Search this
Macdonald-Wright, Stanton  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Anton Blazek, 1965 April 13. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Art and state  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Sculptors -- California -- Los Angeles -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13218
(DSI-AAA_SIRISBib)213312
AAA_collcode_blazek65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213312
Online Media:

Palmer Schoppe papers

Creator:
Schoppe, Palmer, 1912-2001  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
University of California, Los Angeles  Search this
Extent:
7.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1920]-2001
Scope and Contents:
Exhibition catalogs which include Schoppe from the E. Weyhe Galleries, 1936, Los Angeles Art Association, 1941 and the Denver Art Museum 49th annual, 1943; printed material on the Chouinard Art Institute, including a summer bulletin, 1940, 3 catalogs, ca. 1940s, and 1 for the Chouinard School of Motion Picture Arts;a publicity book, published material, professional and personal correspondence, lecture notes, personal photographs and photographs of works of art, printed material, notes on the conservation of paintings, art gallery correspondence and invoices, and sketches for murals.
Biographical / Historical:
Painter, art instructor; Los Angeles, Calif. Palmer Schoppe (1912-2001) was a prominent Southern California figurative painter who taught at Chouinard Art Institute in Los Angeles from 1935 to 1942.
Provenance:
Donated 1990 by Palmer Schoppe and 2001 by Marie Schoppe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California -- Los Angeles  Search this
Art teachers -- California -- Los Angeles  Search this
Function:
Art Schools -- California
Identifier:
AAA.schopalm
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92a7b5e54-eba2-4ec9-a974-9ed426556e90
EDAN-URL:
ead_collection:sova-aaa-schopalm

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Tamarind Institute  Search this
Tamarind Lithography Workshop  Search this
University of California, Los Angeles -- Faculty  Search this
Altoon, John, 1925-  Search this
Delano, Annita, 1894-  Search this
Edmondson, Leonard, 1916-  Search this
Feitelson, Lorser, 1898-1978  Search this
Johnston, Ynez, 1920-  Search this
Kistler, Lynton R., , 1897-1993  Search this
Langsner, Jules, 1911-1967  Search this
Lebrun, Rico, 1900-1964  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Price, Vincent, 1911-1993  Search this
Scholder, Fritz, 1937-2005  Search this
Extent:
149 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1995 August 2-3
Scope and Contents:
An interview of Clinton Adams conducted 1995 August 2-3, by Paul Karlstrom, for the Archives of American Art, at his home, in Albuquerque, New Mexico.
Adams discusses his family background; involvement in Hollywood "industry"; teaching at University of California, Los Angeles; service during WWII; first contact with New York's Museum of Modern Art; his decision to return to California; teaching painting at UCLA from 1946-1954, and friends and colleagues at that time including Lorser Feitelson, Stanton Macdonald-Wright, Lynton R. Kistler and Annita Delano; the difficult political situation at UCLA and the "modernist" conflicts; his views on modernist and conservative groups; Stanton Macdonald-Wright; Adams' own work; his relationship to the ideas and nature of modernism; the Sanity in Art group and other art groups in Los Angeles; his opinion on which artists should have been included in the exhibition/catalogue "Turning the Tide: Early Los Angeles Modernists"; his observations on art historical constructs; the history of New Mexican art; the idea of regionalism; the mythology of Santa Fe, New Mexico.; Southwestern art; the Tamarind Lithography Workshop during its New Mexico phase, its background and changes after the move from Los Angeles to the University of New Mexico, his fifteen years as director, major artists involved, and his desire to publish overlooked artists. Adams recalls Fritz Scholder, John Altoon, Leonard Edmondson, Ynez Johnston, Vincent Price, Jules Langsner, and Rico Lebrun.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator of Los Angeles, California and Albuquerque, New Mexico.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 16 digital wav files. Duration is 3 hrs., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the transcription provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Modernism (Art)  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4f3f80a-765d-4b7d-a804-2a859e14d459
EDAN-URL:
ead_collection:sova-aaa-adams95
Online Media:

Oral history interview with Barbara Carrasco

Interviewee:
Carrasco, Barbara, 1955-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
University of California, Los Angeles -- Faculty  Search this
University of California, Los Angeles -- Students  Search this
University of California, San Francisco. School of Fine Arts -- Students  Search this
Almaraz, Carlos  Search this
Chavez, Cesar, 1927-  Search this
Gamboa, Harry  Search this
Garza, Carmen Lomas  Search this
Valadez, John, 1951-  Search this
Extent:
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 April 13-26
Scope and Contents:
An interview of Barbara Carrasco conducted 1999 April 13 and 26, by Jeffrey Rangel, in two sessions, for the Archives of American Art.
Carrasco speaks of the roles played by her parents in her career as an artist, her experiences as a light-skinned Chicana, and the marginalization of women artists within the Chicano art movement; her relationship and marriage to fellow artist, Harry Gamboa, Jr., who has supported women artists; and her perception of Asco ("nausea" in Spanish), a group of artists and performers who joined together during the Chicano civil rights movement. She also discusses the influence of the art professors at UCLA and the quality of the training she received there; working with Carlos Almaraz and John Valadez on the "Zoot Suit" mural in Hollywood; meeting César Chávez and how he in part shaped her identity as a cultural worker; attending California School of Fine Arts, Valencia, California, and receiving her MFA there; other Chicana artists such as Carmen Lomas Garza; and the changes in her most recent work.
Biographical / Historical:
Barbara Carrasco (1955-) is a painter and muralist from Los Angeles, California. Carrasco was born in El Paso, Texas, and a resident of the Los Angeles area since 1956. She is best known for her work inspired by the United Farm Workers Union, by her experiences as a Chicana, by historical events, and by personal issues.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview and transcription provided by the Smithsonian Institution Latino Initiatives Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California -- Los Angeles  Search this
Muralists -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Chicano artists  Search this
Women artists  Search this
Women painters  Search this
Women muralists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.carras99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw917c77382-fd4a-4068-80f2-782f9c331c1c
EDAN-URL:
ead_collection:sova-aaa-carras99
Online Media:

Oral history interview with Stanton Macdonald-Wright, 1964 Apr. 13-Sept. 16

Interviewee:
Macdonald-Wright, Stanton, 1890-1973  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Stanton Macdonald-Wright, 1964 Apr. 13-Sept. 16. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Painting, American  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)11673
(DSI-AAA_SIRISBib)213786
AAA_collcode_macdon64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213786
Online Media:

Oral history interview with Allan Kaprow

Interviewee:
Kaprow, Allan  Search this
Interviewer:
Roth, Moira  Search this
Names:
Cage, John, 1912-1992  Search this
Callahan, Harry M.  Search this
Hofmann, Hans, 1880-1966  Search this
Ono, Yōko  Search this
Pollock, Jackson, 1912-1956  Search this
Samaras, Lucas, 1936-  Search this
Schapiro, Meyer, 1904-  Search this
Segal, George, 1924-2000  Search this
Extent:
1 Item (Sound recording: 4 hrs. 11 mins. sound cassettes)
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 Feb. 5-18
Scope and Contents:
An interview of Allan Kaprow conducted 1981 Feb. 5-18, by Moira Roth, for the Archives of American Art.
Kaprow speaks of his family background and the early development of his interest in art; his education at New York University; meeting Meyer Schapiro; his friendship with George Segal; the development of his personal style and of his performance art and Happenings; his teaching career; his views on education; his personal philosophies.
Biographical / Historical:
Allen Kaprow (1927-2006) was a painter and educator from Los Angeles, Calif.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Educators -- California -- Los Angeles -- Interviews  Search this
Happenings (Art)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kaprow81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw918ea1f0a-5128-4d2c-b1c7-1232b10ade83
EDAN-URL:
ead_collection:sova-aaa-kaprow81
Online Media:

Oral history interview with Judy Chicago

Interviewee:
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Bergen, Jeffrey, 1955-  Search this
Bullard, E. John (Edgar John), 1942-  Search this
Copeland, John  Search this
Dobbins, Norman  Search this
Dobbins, Ruth  Search this
Flack, Audrey  Search this
Hopkins, Henry, 1928-2009  Search this
LaMonte, Karen, 1967-  Search this
Lemon, Jack  Search this
LewAllen, Arlene  Search this
Lu, Jie, 1958-  Search this
Lucie-Smith, Edward  Search this
Marisol, 1930-2016  Search this
McFadden, David Revere  Search this
Neel, Alice, 1900-1984  Search this
Perkins, Flo  Search this
Pruitt, Tom  Search this
Rodee, Susannah  Search this
Rosenberg, Harold, 1906-1978  Search this
Saint-Phalle, Niki de, 1930-2002  Search this
Schneemann, Carolee, 1939-  Search this
Semmel, Joan, 1932-  Search this
Taylor, Mary, 1947-  Search this
Thompson, Viki D., 1947-  Search this
Woodman, Donald  Search this
Youdelman, Nancy, 1948-  Search this
Extent:
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 August 7-8
Scope and Contents:
An interview of Judy Chicago conducted 2009 August 7 and 8, by Judith Olch Richards, for the Archives of American Art, at Chicago's home and studio, in Belen, New Mexico.
Chicago speaks of her work since the late 1980s, having previously discussed her early life and works; printmaking projects with various print studios around the country; giving archived documents to important museums; creating a foundation with her husband Donald Woodman to protect the legacy of their art; the non-profit organization she started in 1978, Through the Flower; her studio practices and her most practiced techniques; keeping a regular schedule; her interest in collaborative projects such as The Dinner Party [1974-1979], the Birth Project [1980-1985], the Holocaust Project [1985-1993] and Resolutions: A Stitch in Time [1994-2000]; working with various textile and glass artists; feeling a kin with other female artists, like Nikki de Saint Phalle and Marisol Escobar; the responsibility she feels to share underrepresented information; her enjoyment of the process of making art and the hope that she creates art that is not bound by time; her relationships with galleries though the years including the ACA Galleries in New York and LewAllen Contemporary in Santa Fe; her intention in making art was not create proactive or controversial art; various teaching positions; her interest in combining text and images in works like Song of Songs [1997-1999]; her more current interest in glass; experimenting with the techniques of casting and etching to achieve her desired images; her want to change institutional policies that underrepresent women artists in museums and the absence of images of women by women artists. Chicago also recalls Henry Hopkins, Mary Ross Taylor, Susannah Rodee, John Bullard, Jack Lemon, Alice Neel, Edward Lucie-Smith, John Copeland, Harold Rosenberg, Carolee Schneemann, Jeffery Bergen, Audrey Flack, Joan Semmel, Nancy Youdelman, David McFadden, Viki Thomson Wylder, Tom Pruitt, Arlene LewAllen, Flo Perkins, Norman and Ruth Dobbins, Karen LaMonte, Lu Jie and others.
Biographical / Historical:
Interviewee Judy Chicago (1939- ) is a feminist artist and author who lives and works in Belen, New Mexico. Interviewer Judith Olch Richards (1947- ) is former executive director of iCI in New York, New York.
General:
Originally recorded on 4 compact discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Installation artists -- California -- Los Angeles  Search this
Performance artists -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Glass artists  Search this
Topic:
Feminism and art  Search this
Art -- Technique  Search this
Women artists  Search this
Women performance artists  Search this
Women painters  Search this
Women sculptors  Search this
Women authors  Search this
Function:
Artists' studios -- New Mexico
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chicag09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928399961-f9b0-4d50-8a17-8cf441459e13
EDAN-URL:
ead_collection:sova-aaa-chicag09
Online Media:

Oral history interview with Kenny Scharf, 2017 February 22-23

Interviewee:
Scharf, Kenny, 1958-  Search this
Interviewer:
Kerr, Theodore, 1979-  Search this
Subject:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Kenny Scharf, 2017 February 22-23. Archives of American Art, Smithsonian Institution.
Topic:
AIDS (Disease) and the arts  Search this
Installations (Art)  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Sculptors -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17437
(DSI-AAA_SIRISBib)386085
AAA_collcode_scharf17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_386085

Oral history interview with Samuel Clayberger, 1981 November 4

Interviewee:
Clayberger, Samuel R. (Samuel Robert), 1926-2018  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Samuel Clayberger, 1981 November 4. Archives of American Art, Smithsonian Institution.
Topic:
Educators -- California -- Los Angeles -- Interviews  Search this
Illustrators -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12886
(DSI-AAA_SIRISBib)212319
AAA_collcode_claybe81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212319

Oral history interview with Helen Lundeberg, 1980 July 19-Aug. 29

Interviewee:
Lundeberg, Helen, 1908-1999  Search this
Interviewer:
Butterfield, Jan, 1937-2000  Search this
Subject:
Feitelson, Lorser  Search this
Langsner, Jules  Search this
Murphy, Lawrence M.  Search this
United States. Work Projects Administration  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Helen Lundeberg, 1980 July 19-Aug. 29. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Art -- Philosophy  Search this
Painting -- Technique  Search this
Mural painting and decoration  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12910
(DSI-AAA_SIRISBib)216591
AAA_collcode_lundeb80
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216591
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