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Harry Bowden papers

Creator:
Bowden, Harry, 1907-1965  Search this
Names:
American Abstract Artists  Search this
Bransom, Paul, 1885-  Search this
Campbell, Charles, 1905-  Search this
Cunningham, Imogen, 1883-1976  Search this
De Kooning, Willem, 1904-1997  Search this
Hirsch, Hy  Search this
Hobbs, Fredric  Search this
Hofmann, Hans, 1880-1966  Search this
Huxley, Aldous, 1894-1963  Search this
Johnson, Robert E. (Robert Emory), 1932-  Search this
Krasner, Lee, 1908-1984  Search this
McNeil, George, 1908-1995  Search this
Onslow-Ford, Gordon  Search this
Pollock, Jackson, 1912-1956  Search this
Post, George, 1906-1997  Search this
Reinhardt, Ad, 1913-1967  Search this
Schevill, James Erwin, 1920-  Search this
Smith, Hassel, 1915-2007  Search this
Steichen, Edward, 1879-1973  Search this
Weston, Brett  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Extent:
2 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1922-1972
Scope and Contents:
Correspondence, photographs, writings, sketches, drawings, paintings, and printed material.
REELS 1880-1882: Extensive correspondence with Bowden's wife, Lois; letters from Paul Bransom, Imogen Cunningham, Hi Hirsch, Hans Hofmann, Robert Johnson, George McNeil, George Post, James Schevill, Hassel Smith, Brett Weston, and Edward Weston; notes and writings on photography and art; sketches, drawings, and paintings; business papers and business correspondence from museum and gallery directors including Edward Steichen, Fred Hobbs, Charles Campbell, Minor White, and others; catalogs, clippings, and other printed materials.
REEL 1885: Ca. 500 photographs, mostly by Bowden, including photos of George Abend, Al and Frances Bernstein, Richard and Pat Bowman, M. Carles, Walter Chabrow, Imogen Cunningham, Willem de Kooning, Vic and Jeanne Di Suvero, Loyola and Ed Fourtane, Mrs. Gibson, Grabhorn, Robinson Jeffers, Aristodemos Kaldis, Lee Krasner, Darius Milhaud, Gordon Onslow-Ford, Phylis and Bob Pauey, Jackson Pollock's studio, Otis Oldfield, George Post, Kenneth Price, Ad Reinhardt, Kenneth Rexroth, Serge Trubach, Edward and Brett Weston, Yvor Winters, Wilfred Zogbaum, and Aldous Huxley. Also included are photographs Bowden, Bowden's family, his wife, Lois, nudes, his works, and exhibits.
Biographical / Historical:
Painter and photographer; San Francisco, California. Studied with Hans Hofmann; founding member of the American Abstract Artists and was associated with the Artists' Gallery; photography influenced by Edward Weston.
Provenance:
Lois Bowden, Harry Bowden's widow, donated the greater part of this collection to the Archives of American Art via Charles Campbell of the Charles Campbell Gallery, San Francisco, Calif. Mr. Campbell subsequently donated 28 additional photographs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Painters -- California -- San Francisco  Search this
Photographers -- California -- San Francisco  Search this
Topic:
Photography, Artistic -- California -- San Francisco  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Identifier:
AAA.bowdharr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bowdharr

Oral history interview with Lenore Chinn

Interviewee:
Chinn, Lenore, 1949-  Search this
Interviewer:
Gillespie, Benjamin, 1988-  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item (sound file (22 min.) Audio, digital, m4a)
7 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2020 July 30
Scope and Contents:
An interview with Lenore Chinn conducted 2020 July 30, by Benjamin Gillespie, for the Archives of American Art's Art Pandemic Oral History Project at Chinn's home in San Francisco, California.
Biographical / Historical:
Lenore Chinn (1949- ) is a Chinese American painter, photographer, and queer rights activist based in San Francisco, California. Chinn co-founded the Lesbians in the Visual Arts and Queer Cultural Center and has been an active member of the Asian American Women Artists Association.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information
Occupation:
Photographers -- California -- San Francisco  Search this
Painters -- California -- San Francisco  Search this
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Racism  Search this
AIDS (Disease)  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American photographers  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chinn20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chinn20
Online Media:

Matsumi Kanemitsu papers

Creator:
Kanemitsu, Matsumi  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1970-1990]
Scope and Contents:
Personal and business correspondence; personal and business financial records, including gallery and museum invoices, consignment papers, loan forms; printed material, such as exhibition announcements, invitations, catalogs, clippings, and articles; curriculum vitae; and photographs.
Biographical / Historical:
Matsumi Kanemitsu (1922-1992) was a Japanese American painter based in both New York City, New York and Los Angeles, California. Also known as Mike Kanemitsu. Although born in Utah, Kanemitsu lived in Japan until he was eighteen. In 1940 he returned to the United States, joining the Army in 1941. After the war, he studied with Fernand Leger in Paris; with Kuniyoshi, Sternberg, and others at the Art Student's League in New York; and with sculptor Karl Metzler in Baltimore. A highly recognized second generation Abstract Expressionist in New York, Kanemitsu came to Los Angeles on a Ford Foundation Fellowship in 1961, and settled there permanently.
Provenance:
Donated 1994 and 1998 by Nancy Uyemura, Kanemitsu's former student, friend, and executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Abstract expressionism  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Artists -- California -- Los Angeles  Search this
Identifier:
AAA.kanemats
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kanemats

Bendor Mark papers

Creator:
Mark, Bendor, 1912-1995  Search this
Names:
Federal Art Project (N.Y.)  Search this
O'Connor, Francis V.  Search this
Extent:
0.4 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1930-1984
Scope and Contents:
Correspondence; writings; sketches; photographs; and clippings.
REEL 141: Papers, ca. 1930-1971, relating to Mark's work with the WPA-FAP, New York, including correspondence with Francis V. O'Connor, National Collection of Fine Arts; essays and notes from the late 1930's, including a recollection of other project artists; sketches and photographs of paintings from that period; and a review of the Artists' Union exhibit, A.C.A. gallery, from ART FRONT, Feb. 1936.
UNMICROFILMED: Papers, ca. 1940-1981, including: writings by Mark about influences on his art work; two essays by Mark, "A masterwork and the creative process" and "'Guernica' and 'Death to the Invader' - a personal view"; photographs of works of art; and clippings.
Biographical / Historical:
Painter; New York, N.Y. and La Jolla, Calif. Also known as Bernard Marcus.
Provenance:
Donated 1973-1982 by Bendor Mark (Bernard Marcus).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- California -- La Jolla  Search this
Topic:
Painting, American  Search this
Identifier:
AAA.markbend
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-markbend

Kenjilo Nanao papers

Creator:
Nanao, Kenjilo, 1929-2013  Search this
Extent:
11.3 Linear feet
0.706 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Date:
circa 1885-2017
bulk 1970-2000
Summary:
The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.
Scope and Contents:
The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.
Arrangement:
The collection is arranged in 7 series:

Series 1: Biographical Material, circa 1960-circa 2017 (0.3 Linear Feet, .706 GB; Box 1, ER01)

Series 2: Correspondence, circa 1951-2013 (4.9 Linear Feet; Boxes 1-6)

Series 3: Journals, circa 1949-2013 (3.9 Linear Feet; Boxes 6-9, 12)

Series 4: Professional Files, circa 1967-2011 (1.0 Linear Feet; Box 10)

Series 5: Printed Material, circa 1885-1887, circa 1960-2010 (0.6 Linear Feet; Box 11)

Series 6: Photographic Material, circa 1960-2011 (0.1 Linear Feet; Box 11)

Series 7: Artwork, circa 1976-2010 (0.4 Linear Feet; Boxes 11-12)
Biographical / Historical:
Painter and printmaker Kenjilo Nanao (1929-2013), was born in Aomori, Japan, and graduated with a degree in economics in 1953 from Nihon University before immigrating to the United States to study art in the San Francisco Bay Area. He received a bachelor's degree from the California School of Fine Arts in 1963 as well as a masters of fine arts from the San Francisco Art Institute in 1971, where he studied under Nathan Oliveira and met his wife and fellow artist, Gail Chadell Nanao.

Kenjilo's primary artistic medium was lithography in which he became known for Surrealist minimal figurative compositions. Eventually he immersed himself in painting in an Abstract Expressionist style that became his main form of artistic production from the 1980s on. Nanao taught lithography and painting at California State University at Hayward from 1971-1990, and lectured at various other schools in the San Francisco Bay Area. His work is included in the collections of the Museum of Modern Art, in New York City, City of San Francisco, Pasadena Art Museum, Los Angeles County Museum, Cincinnati Museum of Art, Honolulu Academy of Art, Gruenwald (University of California, Los Angeles), the Achenbach Foundation, and others.

Kenjilo Nanao died in Berkeley, CA in 2013 and is survived by his wife and son Max.
Provenance:
The Kenjilo Nanao papers were donated to the Archives of American Art in 2016 and 2018 by Gail Nanao, Kenjilo Nanao's widow.
Restrictions:
This collection is being processed and digitized and is CLOSED to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Lithographers -- California  Search this
Painters -- California -- San Francisco Bay Area  Search this
Educators -- California  Search this
Lithographers -- California  Search this
Topic:
Japanese Americans  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Asian American educators  Search this
Genre/Form:
Sketchbooks
Citation:
Kenjilo Nanao papers, circa 1885-1887, circa 1949-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nanakenj
See more items in:
Kenjilo Nanao papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nanakenj

Oral history interview with Carlos Villa

Interviewee:
Villa, Carlos, 1936-2013  Search this
Interviewer:
Roth, Moira  Search this
Extent:
6 Items (5 videocassettes (U-matic); 1 VHS)
5 Items (video files (1 hrs., 38 min.), digital, mov)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1989 July 11
Scope and Contents:
An interview with Carlos Villa conducted 1989 July 11, by Moira Roth, for the Archives of American Art, at Villa's studio in Oakland, California.
Biographical / Historical:
Carlos Villa (1936- 2013) was a Filipino American painter, curator, and educator based in San Francisco, California. Moira Roth (1933- ) is an art historian and writer in Berkeley, California.
General:
Originally recorded on 5 U-matic videocasettes.
Related Materials:
The Archives of American Art also holds an oral history interview with Carlos Villa, 1995 June 20-July 10.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is not transcribed. The video recording is open for research. Contact Reference Services for more information.
Occupation:
Painters -- California -- San Francisco  Search this
Art teachers -- California -- San Francisco  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American curators  Search this
Asian American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.villa89
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-villa89

Oral History interview with Carlos Villa

Interviewee:
Villa, Carlos, 1936-2013  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Park Place Gallery Art Research, Inc.  Search this
University of California, San Francisco. School of Fine Arts  Search this
Berman, Wallace, 1926-1976  Search this
Bischoff, Elmer, 1916-1991  Search this
Brown, Joan, 1938-1990  Search this
Diebenkorn, Richard, 1922-1993  Search this
Garcia, Rupert, 1941-  Search this
Hudson, Robert, 1938-  Search this
Neri, Manuel, 1930-  Search this
Valledor, Leo, 1936-1989  Search this
Wiley, William T., 1937-  Search this
Extent:
134 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1995 June 20-July 10
Scope and Contents:
An interview of Carlos Villa conducted 1995 June 20-July 10, by Paul Karlstrom, for the Archives of American Art.
Villa discusses his "progress" from Filipino background to his art world identity; the phenomena and individuals who contributed to the new awareness in the mid-1970s: "El Movimiento," Chicano "Rasquache," Rupert Garcia, Amalia Mesa-Baines; the idea of "recuperation," and the sense of Asian-American identity and community as a basis for his art. Villa recalls growing up in San Francisco; his early life; living in the Tenderloin district and his exposure to racism; the influence of his cousin, artist Leo Valledor; growing up Filipino in California and the difficulties that accompanied it. Villa discusses popular (black) culture, jazz "guapo," zoot-suit style as role models and basis for aesthetic/art; his admiration for black self-esteem; his aesthetics; viewing art as a way out of the ghetto and an escape from racism.
Villa discusses his introduction to the California School of Fine Arts (soon thereafter the San Francisco Art Institute); his need to be part of the artist community; CSFA and other students and teachers; and his self-conception as a modernist. He discusses the technical aspects of his art; the influence of various Bay Area artists on his work; his investigation of Filipino art history and his role models; the role of the women at the CSFA and women as role models. Villa recalls his first show at Pointdexter in New York; his associations with minimalists and the Park Place Gallery group; his New York minimalist phase and his need to escape the New York environment after six years. He discusses his return to the Bay Area and his use of identity/politics as subjects for his art.
Villa recalls or mentions Rupert Garcia, Leo Valledor, Manuel Neri, Joan Brown, Bill Morehouse, David Stone Martin, Wallace Berman, William Wiley, Bob and Dona Hudson, Bill Allen, Elmer Bischoff, Richard Diebenkorn, Ralph DuCass, Walter Kuhlman, Wally Hedrick, Bruce Conner, Alvin Light, Claire Falkenstein, Bob McFarlane, Hayter, Tapies, Fred Martin, Nathan Oliveira, Jennifer Bartlett, Dick Maclean, Elizabeth Murray, Alfred Neumeyer, Mark Rothko, Kenneth Noland, Sol Lewitt, Mark di Suvero, Robert Grovesnor, Tom Seligman, Kurt Schwitters, Robert Rauschenberg, Angela Davis, and Moira Roth.
Biographical / Historical:
Carlos Villa (1936-2013) was a Filipino American painter, curator, and educator in San Francisco, California.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 7 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Topic:
Modernism (Art)  Search this
Latino and Latin American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American curators  Search this
Asian American educators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.villa95
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-villa95
Online Media:

Oral history interview with Tyrus Wong

Interviewee:
Wong, Tyrus  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Buck, Frank E. (Frank Eugene), 1889 or 90-1959  Search this
Jeakins, Dorothy  Search this
Jones, Joe, 1909-1963  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Murry, Jerre, 1904-1973  Search this
Newell, Gordon  Search this
O'Hara, Eliot, 1890-1969  Search this
Stanley, George M., 1903-  Search this
Winter, Carl, 1906 Jan. 10-  Search this
Extent:
28 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 January 30
Scope and Contents:
An interview of Tyrus Wong conducted 1965 January 30, by Betty Hoag, for the Archives of American Art.
Wong discusses making a film for grade schools and UCLA, which was produced by Eliot O'Hara, where he demonstrated Oriental painting techniques and Joe Jones demonstrated American techniques; working as an illustrator for Republic Studio; designing pottery plates for Greenfield Pottery, Gabriel Pottery in Pasadena; illustrations for the Western Art Review magazine; covers for the Los Angeles Times Home Section 1954 & 1955; text and illustrations for Watercolor Portraits, 1949; designing ads for various magazines; and doing watercolors, lithographs, and murals for the WPA, including the Santa Monica Library. Wong recalls Surasawa, Dorothy Jeakins, Nick Berganti, Hideo Dati, Benjy Ocobo, Carl Winter, Stanton Macdonald-Wright, Jerre Murry, Steven LaVerne Dunwell, George Stanley, Gordon Newell, and Frank Buck.
Biographical / Historical:
Tyrus Wong (1910-2016) was a Chinese American painter, designer, illustrator, and printmaker based in California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 48 min.
Only the second half of this interview was successfully recorded.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Designers -- California  Search this
Printmakers -- California  Search this
Topic:
Federal aid to the arts  Search this
Painting, Asian  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wong65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wong65
Online Media:

Tyrus Wong papers

Creator:
Wong, Tyrus  Search this
Extent:
1 Reel (ca. 50 items (on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Reels
Date:
1932-1963
Scope and Contents:
Photographs and illustrations of Wong's work, 1932-1964, and a few catalogs.
Biographical / Historical:
Tyrus Wong (1910-2016) was a Chinese American painter, designer, illustrator, and printmaker based in California.
Provenance:
Lent for microfilming 1964 by Tyrus Wong.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- California  Search this
Designers -- California  Search this
Sculptors -- California  Search this
Printmakers -- California  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American printmakers  Search this
Identifier:
AAA.wongtyru
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wongtyru

Oral history interview with Joyce Wahl Treiman, 1981 October 3

Interviewee:
Treiman, Joyce Wahl, 1922-1991  Search this
Treiman, Joyce Wahl, 1922-1991  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Painters -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12682
(DSI-AAA_SIRISBib)212121
AAA_collcode_treima81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212121

Oral history interview with Farwell Taylor, 1964 August 14

Interviewee:
Taylor, Farwell, 1905-1977  Search this
Taylor, Farwell, 1905-1977  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mural painting and decoration -- California -- Mill Valley  Search this
Painters -- California -- Mill Valley -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12863
(DSI-AAA_SIRISBib)213903
AAA_collcode_taylor64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213903

Oral history interview with Victor Thall, 1965 June 8

Interviewee:
Thall, Victor, 1902-1983  Search this
Thall, Victor, 1902-1983  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12979
(DSI-AAA_SIRISBib)213904
AAA_collcode_thall65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213904

Oral history interview with Manuel J. Tolegian, 1965 February 12

Interviewee:
Tolegian, Manuel J. (Manuel Jerair), 1911-1983  Search this
Tolegian, Manuel J. (Manuel Jerair), 1911-1983  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- California -- Sherman Oaks -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13155
(DSI-AAA_SIRISBib)213906
AAA_collcode_tolegi65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213906

Oral history interview with Donald Totten, 1964 May 28

Interviewee:
Totten, Donald Cecil, 1903-1967  Search this
Totten, Donald Cecil, 1903-1967  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painting, Modern -- 20th century  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12977
(DSI-AAA_SIRISBib)213951
AAA_collcode_totten64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213951

Oral history interview with Serge Trubach, 1964 December 5

Interviewee:
Trubach, Serge, 1907-1979  Search this
Trubach, Serge, 1907-1979  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painting, American  Search this
Painters -- New York (State) -- Interviews  Search this
Painters -- California -- Sausalito -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)11622
(DSI-AAA_SIRISBib)213954
AAA_collcode_trubac64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213954
Online Media:

Oral history interview with Herman Volz, 1964 June 27

Interviewee:
Volz, Herman, 1904-1990  Search this
Volz, Herman, 1904-1990  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- California -- San Jose -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12509
(DSI-AAA_SIRISBib)213962
AAA_collcode_volz64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213962
Online Media:

Oral history interview with Glenn Anthony Wessels, 1964 February 14

Interviewee:
Wessels, Glenn A. (Glenn Anthony), 1895-1982  Search this
Wessels, Glenn A. (Glenn Anthony), 1895-1982  Search this
Interviewer:
Ferbraché, Lewis  Search this
Subject:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- California -- San Francisco Bay Area -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)11880
(DSI-AAA_SIRISBib)213972
AAA_collcode_wessel64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213972

Oral history interview with James Couper Wright, 1965 June 11

Interviewee:
Wright, James Couper, 1906-1969  Search this
Wright, James Couper, 1906-1969  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- California -- Pasadena -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12041
(DSI-AAA_SIRISBib)213981
AAA_collcode_wright65
Theme:
Craft
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213981

Oral history interview with Bernard B. Zakheim, 1964

Interviewee:
Zakheim, Bernard Baruch, 1896-1985  Search this
Zakheim, Bernard Baruch, 1896-1985  Search this
Interviewer:
Ferbraché, Lewis  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painting, American  Search this
Muralists -- California -- Sebastopol -- Interviews  Search this
Painters -- California -- Sebastopol -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)11708
(DSI-AAA_SIRISBib)213984
AAA_collcode_zakhei64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213984

Oral history interview with Jirayr Zorthian, 1997 January 28-July 9

Interviewee:
Zorthian, Jirayr, 1912-2004  Search this
Zorthian, Jirayr, 1912-2004  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12635
(DSI-AAA_SIRISBib)216033
AAA_collcode_zorthi97
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216033
Online Media:

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