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Oral history interview with Marilyn Levine, 2002 May 15

Interviewee:
Levine, Marilyn A., 1935-2005  Search this
Levine, Marilyn A., 1935-2005  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Melchert, Jim  Search this
Voulkos, Peter  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Ceramics -- Technique  Search this
Art -- Philosophy  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12144
(DSI-AAA_SIRISBib)237984
AAA_collcode_levine02
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237984
Online Media:

Oral history interview with Marilyn Levine

Interviewee:
Levine, Marilyn, 1935-2005  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Melchert, Jim, 1930-  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 May 15
Scope and Contents:
An interview of Marilyn Levine conducted 2002 May 15, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Oakland, California.
Levine speaks of growing up in Alberta, Canada; going to the University of Alberta for her undergraduate and graduate degrees in chemistry; being an analytical inorganic chemist; meeting her husband at the university; her husband's work at the University of Regina in Saskatchewan and how rules about nepotism prevented her from teaching; auditing a drawing and painting art class when she could not find a job; taking evening pottery classes taught by Beth Hone; teaching chemistry at Campion College during the school year and pottery during the summers at the University of Regina; meeting Jack Sures at the Western Potters' Association and his influence on her career; helping Sures get a pottery position at the University of Regina; teaching with him from 1966-1969; using a travel grant from the Canada Council to meet American artists such as Peter Voulkos, Ron Nagle, James Melchert, and Robert Arneson; applying to graduate school at the University of California at Berkeley and being rejected; a James Melchert workshop at Beth Hone's studio; getting into Berkeley's graduate program with Melchert's help; receiving an M.F.A.; separating from her husband; experimenting with Funk art; seeing a pair of worn down shoes and becoming inspired to specialize in super-realist ceramic sculptures; her work as "timeless" and not of a particular fashion; showing her art in a New York gallery and being ripped off; having her M.F.A., one person show, at the Hansen Fuller Gallery and at the University Art Museum; letting the galleries price her work; exhibiting at OK Harris in New York; the long, slow process of making pieces; her work being accepted in America, but not in Canada; teaching ceramics to non-art majors at the University of Utah; developing a studio building, The West Coast Macaroni Factory, with Peter Voulkos; her methods, techniques, and materials including her experiments with fiberglass, nylon, and Dacron; avoiding big conferences, such as the National Council on Education for the Ceramic Arts [NCECA]; her first museum retrospective in 1974 at the Norman McKenzie Art Gallery; her exhibition at the Canadian Clay and Glass Gallery in Waterloo, Ontario, in conjunction with the University of Waterloo; her exhibition, "Sharp Focus Realism," at the Sidney Janis Gallery; her involvement in the exhibition, "Clayworks: 20 Americans," at the American Craft Museum; her work in museum collections; having a commission to make ceramic sculptures of sporting gear for Pacific Enterprises; her studio assistants and feeling a lack of privacy; titling her work with human names for identification purposes but not having specific references to anyone. Levine also recalls Robert Bechtle, Ruth Braunstein, Joan Brown, Stephen DeStaebler, Ivan Karp, Bella Feldman, Duane Hanson, Clay Jensen, John Mason, Joan Mondale, and others.
Biographical / Historical:
Marilyn Levine (1935-2005) was a ceramist from Oakland, California.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Ceramicists -- California -- Oakland  Search this
Sculptors -- California -- Oakland  Search this
Topic:
Ceramics -- Technique  Search this
Art -- Philosophy  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.levine02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levine02

David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ireldavi

Installation Projects and Exhibition Files

Collection Artist:
Ireland, David, 1930-2009  Search this
Extent:
11.6 Linear feet (Boxes 7-18, OV26, OV27)
7.84 Gigabytes (ER01-ER13)
Type:
Archival materials
Gigabytes
Date:
circa 1960s-circa 2009
Scope and Contents:
Installation projects and exhibition files document the numerous projects and solo and group exhibitions undertaken by the artist, including his ongoing Capp Street House Project, Pacific Enterprises Project, and Boott Mills Project; and work with the Gallery Paule Anglim, Leah Levy Gallery, Damon Brandt Gallery, Headlands Art Center, and Walker Art Center, among many others. Researchers should note that additional materials relating to Ireland's business affairs with Gallery Paule Anglim is found in the personal business records series. Additionally, it is unclear why files were kept on other artists, but Ireland may have had some part in the projects. Materials may include correspondence, notes and lists, installation and exhibition comment books, inventory details, printed materials, exhibition and installation announcements and catalogs, contractual documents and agreements, photographs, slides, and transparencies, blueprints, and sketches. Installation and exhibition documentation for David Ireland are on thirty sound cassettes, sixteen videocassettes (thirteen VHS, one BetacamSP, one Betamax, one U-matic), four video reels (1/2 in.), digital photographs and videos, and one sound disc (one vinyl). Installation and exhibition documentation for other artists are on one sound cassette and two videocassettes (VHS). Additional installation documentation is found on one floppy disc.
Arrangement:
Files are in rough chronological order, followed alphabetically by installation project, exhibition, or location.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi, Series 4
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ireldavi-ref12

Pacific Enterprises Project

Collection Artist:
Ireland, David, 1930-2009  Search this
Extent:
1 Videocassettes (VHS) (Tape label reads: "The Art of Pacific Enterprises")
Container:
Box 13, Folder 16-21
Type:
Archival materials
Moving Images [31027000796959]
Videocassettes (vhs)
Date:
circa 1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
See more items in:
David Ireland Papers
David Ireland Papers / Series 4: Installation Projects and Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ireldavi-ref151

Pacific Enterprises Audit

Collection Artist:
Ireland, David, 1930-2009  Search this
Container:
Box 21, Folder 16-17
Type:
Archival materials
Date:
circa 1992-circa 1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
See more items in:
David Ireland Papers
David Ireland Papers / Series 7: Personal Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ireldavi-ref268

Jan Butterfield papers, 1950-1997

Creator:
Butterfield, Jan, 1937-2000  Search this
Butterfield, Jan, 1937-2000  Search this
Subject:
Goode, Joe  Search this
Cage, John  Search this
Harrison, Helen Mayer  Search this
Harrison, Newton  Search this
Still, Clyfford  Search this
Dugmore, Edward  Search this
Francis, Sam  Search this
Irwin, Robert  Search this
Reinhardt, Ad  Search this
Nordman, Maria  Search this
Wheeler, Douglas  Search this
Orr, Eric  Search this
Nauman, Bruce  Search this
Shaw, Richard  Search this
Bell, Larry  Search this
Bischoff, Elmer  Search this
Hudson, Robert  Search this
Guston, Philip  Search this
Resnick, Milton  Search this
Ruscha, Edward  Search this
Rauschenberg, Robert  Search this
Greene, George  Search this
Roche, Jim  Search this
Turrell, James  Search this
Hopkins, Henry  Search this
Young, R. Joshua  Search this
Gehry, Frank O.  Search this
Wortz, E.  Search this
Kienholz, Edward  Search this
Wortz, Melinda  Search this
Karp, Michael  Search this
Pacific Enterprises  Search this
Lapis Press  Search this
Type:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Topic:
Authors -- California -- San Francisco  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Lives of American Artists  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6002
(DSI-AAA_SIRISBib)229789
AAA_collcode_buttjan
Theme:
Women
Art Theory and Historiography
Lives of American Artists
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229789
Online Media:

The Art Collection of Pacific Enterprises Artist Files and Interviews

Collection Creator:
Butterfield, Jan  Search this
Extent:
1 Linear foot
Container:
Box 8
Type:
Archival materials
Date:
circa 1990
Scope and Contents:
Records related to a published catalog of the corporate art collection of Pacific Enterprises include galleys of artist biographies as they appeared in the book, a typescript glossary of terms related to artworks in the collection, and nine sound cassettes (microcassettes) containing artist interviews conducted by Michael Karp. Microcassettes have poor sound quality, and the artists being interviewed are not named or consistently identified in cassette labels. Those who have been identified are listed in the folder listing, below, in the order in which their interviews occur on the cassette. Interviews tend to be around 20 minutes in duration.

Artist files generally contain typescript artist biographies, resumes obtained from galleries or from the artist, photocopies of clippings and articles related to the artist, and sometimes contain exhibition printed material and photographs of artwork. Most of the biographies were written by Micahel Karp, but a few were written by Butterfield, including biographies for Arleo, Breschi, Ruth Duckworth, Kenneth Ferguson, David Gilhooly, Tom Marioni, Richard Shaw, Inez Storer, and Peter Voulkos. Note that files do not exist for every artist that was included in the Pacific Enterprises Catalog.
Arrangement:
Additional artist files maintained by Jan Butterfield can be found in the writings series under Publicity Writings when they contain writings produced by Butterfield for the artist, in the Personal Business Records series under Correspondence when they contain correspondence between Butterfield and the artist. Additional artist files containing only reproductions of artwork are found in the Photographs series.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan, Subseries 3.1
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref10

Interviews and Lectures

Collection Creator:
Butterfield, Jan  Search this
Extent:
4.2 Linear feet (Boxes 1-5)
Type:
Archival materials
Date:
1959-1997
Scope and Contents:
Recordings in this series are mostly interviews of artists conducted by Butterfield between 1971 and 1987. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Artists of the United States who are associated with the Light and Space movement in sculpture are highly represented, as well as artists of the new crafts movement and contemporary West Coast artists in particular. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene.

Butterfield's interviews were mainly conducted for specific writing projects, either for articles, reviews, published artist interviews, catalog essays, or books Butterfield was writing. Some interviews were conducted over the phone. Some recordings are editing sessions in which Butterfield consults with her subjects during the editing process for a specific article or interview to be published. Multiple, extensive interviews are found with artists Sam Francis and Robert Irwin. A few interviews conducted by others are found, including a radio interview of Henry Hopkins regarding the Clyfford Still bequest to SF Moma, interviews by Henry Hopkins of Joe Goode, Philip Guston (in a recording of a public Q&A), Walter Hopps (with Jan Butterfield), and possibly Milton Resnick, and an interview with Ursula Schneider conducted by Lorri Surrihan. A transcript is found for the interview by Henry Hopkins with Walter Hopps. Additional transcripts, usually highly edited from the recorded version, are found among the published interviews in the Writings series. Most of the lectures found in this series take place in Texas and California, including multiple lectures that took place at the Berkeley Art Museum, the Northwood Experimental Artists Institute in Dallas, Texas, and the San Francisco Art Institute. In all, the series contains 107 sound tape reels, 97 cassettes, and 1 videoreel.

Panel discussions include two notable recordings that Butterfield seems to have acquired from Milton Resnick during his solo exhibition at the Fort Worth Art Center in 1971. These include a 1959 appearance of Edward Dugmore and Milton Resnick at Southern Illinois State University, and a 1961 debate between Ad Reinhardt and Milton Resnick which later became known as "The Attack," held at "The Club" in New York City. Also found are recordings of a 1976 conference at UCLA entitled "Space and Place" which included talks by Lloyd Hamrol, Richard Serra, Robert Irwin, and others.
Arrangement:
Interviews, lectures, and performances are filed in alphabetical order by their subject's name, and multiple recordings for a single subject are filed chronologically under his or her name. Recordings listed in this series are interviews conducted by Jan Butterfield unless otherwise indicated in the folder listing. Often physical tapes contained multiple recordings, and where an additional recording of a different subject is found on a single physical tape, it is noted with the main entry for that tape, and cross referenced under the additional artist's name alphabetically in the item list. Panel discussions are arranged chronologically at the end of the series.

Additional artist interviews conducted by Michael Karp in the early 1990s are found in the Pacific Enterprises files of series 3, Project files. Additional sound recordings are also found in the Waterfront Project files of series 3, the Lapis Press files of series 3, and in series 7, sound and video recordings.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan, Series 1
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref3

Artist Biogrpahies, Galley Proof

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 21-22
Type:
Archival materials
Date:
circa 1991
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref415

Glossary, Typescript

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 23
Type:
Archival materials
Date:
1991
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref416

Interviews

Collection Creator:
Butterfield, Jan  Search this
Extent:
9 Sound cassettes (microcassette)
Container:
Box 8, Folder 24-26
Type:
Archival materials
Sound cassettes (microcassette)
Date:
circa 1990
Scope and Contents:
Microcassette 1 of 9

John Millei

Sam Maloof

David Ireland

Ron Cooper

Microcassette 2 of 9

Ron Cooper -- (continued)

Lita Albuquerque

Gus Foster

David Kimball Anderson

Robert Arneson

Unidentified sculptor

David Pearson

Louis Pearson

Microcassette 3 of 9

Louis Pearson -- (continued)

Guy Dill

Laddie Dill

Microcassette 4 of 9

James Morris

Howard Buchwald

Dean Johnson

Ann Adair

Microcassette 5 of 9

Add Adair -- (continued)

Tom Marioni

James Linnehan

Annette McCormick

Tim Mather

Microcassette 6 of 9

Gillian Theobald -- (Note with Theobald's name indicates this may be part 2 of this interview, but no part 1 is extant.)

Keith Milow

Norma Pechansky Glasser

Zizi Raymond

Rosaline Delisle

Marilyn Levine

Nelson Valentine

Frank Romero

Peter Alexander

Yoshio Taylor

Microcassette 7 of 9

Gretchen Ewart -- (Note by Ewart's name indicates this is part 2 of the interview, but no part 1 is extant.)

Skip Miller

Buelbo (?)

Richard Deutsch

Tom Ashcraft

Microcassette 8 of 9

Inez Storer

Jean Lowe

Eleane Grove

Andrew Ginzel

Kristen Jones

Charles Arnoldi

Microcassette 9 of 9

Charles Arnoldi -- (continued)

Fran Martin

Paul Sarkisian

Carol Sarkisian

Steven Beye
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref417

Artist Files

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref419

Mark Abildgaard

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 27
Type:
Archival materials
Date:
1990
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews / Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref420

Ann Adair

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 28
Type:
Archival materials
Date:
1990
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews / Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref421

Edward Allington

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 29
Type:
Archival materials
Date:
1987-1989
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews / Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref422

David Anderson

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 30
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews / Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref423

Adrian Arleo

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 31
Type:
Archival materials
Date:
1987-1988
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews / Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref424

Richard Artschwager

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 32
Type:
Archival materials
Date:
1986-1988
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews / Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref425

Bill Barrell

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 8, Folder 33
Type:
Archival materials
Date:
1982-1985
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 3: Project Files / 3.1: The Art Collection of Pacific Enterprises Artist Files and Interviews / Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref426

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