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Interview with Eric Orr

Creator:
Orr, Eric, 1939-1998  Search this
Butterfield, Jan, 1937-2000  Search this
Orr, Eric, 1939-1998  Search this
Type:
Sound Recording
Date:
1979 February 26
Record number:
(DSI-AAA)15956
See more items in:
Jan Butterfield papers, 1950-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15956

Oral history interview with Barbara Bloom, 2012 October 18-2013 January 31

Interviewee:
Bloom, Barbara, 1951-  Search this
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Baldessari, John  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul  Search this
Duchamp, Marcel  Search this
Fischl, Eric  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gorney, Jay  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick  Search this
Irwin, Robert  Search this
Knowles, Alison  Search this
Kappe, Ray  Search this
Kienholz, Edward  Search this
Mullican, Matt  Search this
Mulvey, Laura  Search this
Orr, Eric  Search this
Paik, Nam June  Search this
Palestine, Charlemagne  Search this
Paz, Octavio  Search this
Ruppersberg, Allen  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Sontag, Susan  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney  Search this
Trockel, Rosemarie  Search this
Wheeler, Doug  Search this
Wilde, Oscar  Search this
Young, La Monte  Search this
Bennington College  Search this
California Institute of the Arts  Search this
Biennale di Venezia  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and travel
Holland -- description and travel
Netherlands -- description and travel
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16106
(DSI-AAA_SIRISBib)362118
AAA_collcode_bloom12
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_362118
Online Media:

Merle Schipper Papers, circa 1930s-1999

Creator:
Schipper, Merle, 1922-2001  Search this
Schipper, Merle, 1922-2001  Search this
Subject:
Diebenkorn, Richard  Search this
Calder, Alexander  Search this
Guston, Philip  Search this
Smith, Kiki  Search this
Hélion, Jean  Search this
Holty, Carl  Search this
Bengston, Billy Al  Search this
Spratling, William  Search this
Biederman, Charles Joseph  Search this
De Kooning, Willem  Search this
Orr, Eric  Search this
Tworkov, Jack  Search this
Noland, Kenneth  Search this
Mullican, Matt  Search this
ArtScene (periodical)  Search this
Type:
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- photographs
Los Angeles (Calif.) -- Social life and customs
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)5984
(DSI-AAA_SIRISBib)229044
AAA_collcode_schimerl
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229044
Online Media:

Jan Butterfield papers, 1950-1997

Creator:
Butterfield, Jan, 1937-2000  Search this
Butterfield, Jan, 1937-2000  Search this
Subject:
Goode, Joe  Search this
Cage, John  Search this
Harrison, Helen Mayer  Search this
Harrison, Newton  Search this
Still, Clyfford  Search this
Dugmore, Edward  Search this
Francis, Sam  Search this
Irwin, Robert  Search this
Reinhardt, Ad  Search this
Nordman, Maria  Search this
Wheeler, Douglas  Search this
Orr, Eric  Search this
Nauman, Bruce  Search this
Shaw, Richard  Search this
Bell, Larry  Search this
Bischoff, Elmer  Search this
Hudson, Robert  Search this
Guston, Philip  Search this
Resnick, Milton  Search this
Ruscha, Edward  Search this
Rauschenberg, Robert  Search this
Greene, George  Search this
Roche, Jim  Search this
Turrell, James  Search this
Hopkins, Henry  Search this
Young, R. Joshua  Search this
Gehry, Frank O.  Search this
Wortz, E.  Search this
Kienholz, Edward  Search this
Wortz, Melinda  Search this
Karp, Michael  Search this
Pacific Enterprises  Search this
Lapis Press  Search this
Type:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Topic:
Authors -- California -- San Francisco  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Lives of American Artists  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6002
(DSI-AAA_SIRISBib)229789
AAA_collcode_buttjan
Theme:
Women
Art Theory and Historiography
Lives of American Artists
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229789
Online Media:

Merle Schipper Papers

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
ArtScene (periodical)  Search this
Bengston, Billy Al  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Calder, Alexander, 1898-1976  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Guston, Philip, 1913-1980  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Mullican, Matt, 1951-  Search this
Noland, Kenneth, 1924-2010  Search this
Orr, Eric, 1939-1998  Search this
Smith, Kiki, 1954-  Search this
Spratling, William, 1900-1967  Search this
Tworkov, Jack  Search this
Extent:
12.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- Photographs
Los Angeles (Calif.) -- Social life and customs
Date:
circa 1930s-1999
Summary:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.
Scope and Contents:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

Biographical material consists of a notebook planner and professional contact addresses, as well as Schipper's resume and bibliography. Scattered correspondence is both personal and professional with family and colleagues.

Over one-half of the collection consists of Schipper's writing, research, project, and exhibition files. There are drafts, essays, manuscripts, notes, and research documentation about California art and artists, an exhibition of craftsman William Spratling curated by Schipper, Schipper's dissertation and additional projects on Jean Helion, the exhibition Americans in Paris in the 1950s (1997), additional exhibitions, as well as transcripts of interviews with artists. The research files on Helion include an interview transcript with Willem de Kooning about Helion and correspondence with artists about Helion, including Charles Biederman, Alexander Calder, Philip Guston, Carl Holty, Jack Tworkov, and others. Additional exhibition files are found for Visions of Inner Space (1988) and Marmo: The New Italian Stone Age (1989). Artists interviewed by Schipper include Billy Al Bengston, Willem de Kooning, Richard Diebenkorn, Laddie John Dill, Kenneth Noland, Eric Orr, and others.

Extensive printed materials include clippings and copies of journals and periodicals containing Schipper's writings.

There are a few scattered writings by others about art and artists. Photographs are of Schipper, artists, artwork, and places, including Paris. Artwork includes one original poster print by Kiki Smith and one drawing by Matt Mullican.
Arrangement:
This collection is arranged as 7 series.

Series 1: Biographical Material, circa 1970s-1998 (5 folders; Box 1)

Series 2: General Correspondence, 1944-circa 1998 (0.3 linear feet; Box 1)

Series 3: Writing and Research Project Files, circa 1930s-1999 (7.8 linear feet; Boxes 1-9)

Series 4: Printed Material, 1933-1997 (3.1 linear feet; Boxes 9-12, OV14-16)

Series 5: Writings By Others, circa 1944-1991 (0.2 linear feet; Box 12)

Series 6: Photographs, circa 1960s-circa 1992 (0.6 linear feet; Boxes 12-13)

Series 7: Artwork, 1982-1992 (0.1 linear feet; Box 13, OV16)
Biographical / Historical:
Merle Schipper (1922-2001) was an art historian, writer, and art critic active in Los Angeles, California.

Born in Toronto, Canada, Merle Solway Schipper was naturalized in Los Angeles in 1950 and received a PhD in art history from the University of California, Los Angeles in 1974. Schipper was a familiar figure on the Los Angeles art scene. Her primary scholarly focus grew out of her dissertation research on Jean Helion, but much of her writing attention was devoted to Los Angeles artists and art world events. She was a regular contributor to many art periodicals, including ArtScene, Images and Issues, Artweek, ARTnews, and the Los Angeles Daily News.

As an independent curator, Schipper's research interests led to several exhibitions, including Americans in Paris: the 50s (1979) at California State University, Northridge, Visions of Inner Space (1988) co-curated with Lee Mullican at UCLA's Frederick S. Wight Art Gallery, Marmo: the New Italian Stone Age (1989), Being There/Being Here: Nine Perspectives in New Italian Art (1991), traveling exhibition sponsored by the Italian Cultural Institute, and an exhibition of William Spratling for the Craft and Folk Art Museum in 1997. Schipper also taught and lectured at UCLA, USC, CSU Northridge, and Claremont Graduate School.

Merle Schipper died in 2001.
Provenance:
The Merle Schipper papers were donated to the Archives of American Art in 2002 by the Merle Schipper Estate via Schipper's daughter Amy Schipper Howe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Photographs
Prints
Transcripts
Drawings
Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schimerl
See more items in:
Merle Schipper Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schimerl

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloom12

Orr, Eric

Collection Creator:
Danieli, Fidel  Search this
Extent:
2 Sound cassettes
Container:
Box 6, Folder 10
Type:
Archival materials
Sound cassettes
Date:
1974 June 6
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fidel Danieli papers, 1962-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Fidel Danieli papers
Fidel Danieli papers / Series 2: Los Angeles Artist Interviews and Performances
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-danifide-ref156

Orr, Eric

Collection Creator:
Danieli, Fidel  Search this
Container:
Box 1, Folder 34
Type:
Archival materials
Date:
1976-1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fidel Danieli papers, 1962-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Fidel Danieli papers
Fidel Danieli papers / Series 1: Writing and Research Files / 1.1: Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-danifide-ref52

Orr, Eric - Correspondence

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 30
Type:
Archival materials
Date:
1993-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3047

Orr, Eric: California, 1992 September

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 224, Folder 27
Type:
Archival materials
Date:
1992
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 16: Photographic Materials / 16.3: Installations
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref7870

Orr, Eric

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 231, Folder 7
Type:
Archival materials
Date:
1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 16: Photographic Materials / 16.5: Sculpture at Top Gallant Farm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref8160

Orr, Eric: Missing Photograph

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 270, Folder 27
Type:
Archival materials
Date:
circa 1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 16: Photographic Materials / 16.10: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref9252

Artist Inventory Cards

Collection Creator:
André Emmerich Gallery  Search this
Type:
Archival materials
Date:
circa 1954-1998
Scope and Contents note:
Inventory cards track artwork entering and leaving the gallery. Each card lists a work's artist, title, date, media, and measurements. Most cards include a photograph of the artwork, and most cards further list the ultimate action taken regarding the work (sold, returned to artist or gallery, consigned, etc.), the list price or paid price, exhibition and catalog history, and the history of price quotes given for the work. The gallery used a number of abbreviations for the transactions on the inventory cards:

NFS - Not For Sale

RTA - Returned to Artist

o/c - On Consignment (from)

o/a - On Approval

OOG - Out of Gallery

O/L - On Loan (from)

TGF - Top Gallant Farm

There are no inventory cards tracking pre-Columbian art and artifacts in the collection. The cards represent works from both the New York gallery and Zurich gallery.

The cards are arranged into ten overlapping groups established by the gallery representing transactions, such as sales and consignments, loans, returns, and other general art movement. Within each category, most of the cards are alphabetized by artist and thereafter by title, but occasionally an artist's work is divided into categories (for example by media) before being arranged alphabetically by title:

Returned to Artist

Sold (pre-1993)

Sold

Sold and/or Returned to Artist

Returned to Artist

Sold

Old Top Gallant Farm Sculptures

Emmerich Private Sold

Last Active Inventory and Sales

Additional Cards

See Appendix for a list of artists' names represented by the Artist Inventory Cards in Series 8.1.
Appendix: Artists' Names Represented in Artist Inventory Cards in Series 8.1.:
Aakre, Richard

Abbott, Berenice

Abercrombie, Douglas

Adams, Ansel

Adams, Robert

Africano, Nicholas

Albers, Josef

Alechinsky, Pierre

Altoon, John

Amerine, Wayne

Andre, Carl

Annesley, David

Appel, Karel

Arakawa

Arbus, Diane

Arman

Arp, Jean (Hans)

Ashbaugh, Dennis

Atget, Eugene

Atkins, Anna

Audubon, J.J.

Avery, Milton

Bacon, Francis

Bailey, William

Baldus, Edouard

Ball, Lillian

Balthus

Bannard, Walter Darby

Barlett, Jennifer

Barth, Frances

Barth, Wolf

Bartolini, Luciano

Basquiat, Jean-Michel

Baziotes, William

Beasley, Barth

Bireline, George

Bleckner, Ross

Blossfeldt, Karl

Bocklin, Arnold

Boisseu

Boisson, L.

Bolotowsky, Ilya

Bolus, Michael

Bonnard, Pierre

Bonnet, Phi

Bradley, Peter

Beasley, Bruce

Becher, Bernd and Hillar

Bellocq, E.J.

Benazzi, Raffael

Benton, Fletcher

Best, Mary Ellen

Beuys, Joseph

Bill, Max

Boepple, Willard

Bogart, Bram

Borofsky, John

Boxer, Stanley

Botero, Fernardo

Boudin, Eugene

Bourke-White, Margaret

Brach, Paul

Brancusi, Constantin

Braque, George

Brassaï

Breed, Charles

Brui

Brush, Daniel

Buchwald, Howard

Buckley, Stephen

Bucklow, Christopher

Bush, Jack

Butterfield, Deborah

Calder, Alexander

Callahan, Harry

Cascella, Andrea

Caracciolo, Roberto

Caro, Anthony

Cezanne, Paul

Chadwick, Lynn

Chagall, Marc

Chamberlain, John

Chase, Louisa

Chillida, Eduardo

Christensen, Dan

Christo

Clifford, Charles

Close, Chuck

Cohen, Elaine Lustig

Conlon, William

Contino, Leonard

Crile, Susan

cummings, e.e.

Dahl-Wolfe, Louise

David, Michael

Davis, Gerald

Davis, Lynn

Davis, Ronald

de Amaral, Olga

de Chirico, Giorgio

de Clercq, Louis

de Kooning, Willem

Degas, Edgar

Dehner, Edgar

Delaunay, Robert

Delaunay, Sonia

Dembiczak, J.G.

de Valdivia, Marco

di Suvero, Mark

Diebenkorn, Richard

Dill, Guy

Dill, Lesley

Diller, Burgoyne

Dine, Jim

Disderi

Dorazio, Piero

Downes, Rackstraw

Drapell, Joseph

Drentwett

Dubuffet, Jean

Duchamp, Marcel

Duck-Hyun, Cho

Dufy, Raoul

Du Maine, H.

Durandelle, Louis-Emille

Durrant, Jennifer

Dzubas, Friedel

Edgerton, Dr. Harold

Egger, Marc

Eggleston, William

Embry, Norris

Ellis, Stephen

Emmerich, Tobias

Ernst, Max

Evans, Walker

Fautrier, Jean

Feeley, Paul

Feist, Harold

Ferber, Herbert

Ferrara, Jackie

Fessler, Cristina

Fischl, Eric

Flavin, Dan

Fleming, Linda

Fontana, Corsin

Fontana, Lucio

Ford, Hermine

Fornier, Paul

Foster, John

Fournier, Paul

Francis, Sam

Francis, Sherron

Franck

Frank, Robert

Frankenthaler, Helen

Freud, Lucian

Friedberg, Richard

Freres, Henry

Friedlander, Lee

Fuger

Funakoshi, Katsura

Fuss, Adam

Galanin, Igor

Giacometti, Alberto

Gibbons, Arthur

Gilliam, Sam

Ginnever, Charles

Giordani, Patrice

Glarner, Fritz

Gliko, Carl

Gonzalez, Julio

Goodnough, Robert

Gorchov, Ron

Gordon, Harry

Gorky, Arshile

Gossweiler, Christoph

Gottlieb, Adolph

Graffin, Daniel

Graham, John

Graubner, Gotthard

Graves, Nancy

Green, June

Greenleaf, Ken

Griefen, John Adams

Grill

Gris, Juan

Groover, Jan

Guston, Philip

Gutman, John

Hacklin, Alan/Allan

Hagemeyer, Johan

Hall, Lee

Hantai, Simon

Haring, Keith

Harman, Maryann

Hartley, Marsden

Hartung, Hans

Hatcher, Brower

Held, Al

Hendler, Raymond

Hennessy, Richard

Hepworth, Barbara

Herdeg, Christian

Hide, Peter

Highstein, Jene

Hirschfeld

Hitch, Stewart

Hockney, David

Hodgkin, Howard

Hoenigsberg, Helga

Hofmann, Hans

Hollega, Wolfgang

Honegger, Gottfried

Hope, Polly

Hopper, Edward

Horne, Bernard Shea

Hosiasson, Philippe

Hoyland, John

Hoyningen-Heune, George

Hughto, Darryl

Hughto, Margie/Marjorie

Humphrey, Ralph

Hutchinson, Jay

Hutchinson, Jaqueth

Indiana, Robert

Isherwood, Jon

Jenkins, Paul

Jensen, Bill

Johns, Jasper

Johnson, Meredith

Jorn, Asger

Kandinsky, Wassily

Kelly, Ellsworth

Kertesz, Andre

Keskeny, George

Kiesler, Frederick

Kisling

Klee, Paul

Klein, Yves

Klett, Mark

Kline, Franz

Knoop, Guitou

Koekoek, B.C.

Krasner, Lee

Kupka, Frantisek

Kuwayama, Tadaaki

Lack, Stephen

Landfield, Ronnie

Lange, Dorothea

Langlois and Martens

La Noue, Terence

Laurens, Henri

Leger, Fernand

Le Gray, Gustave

Lehman, Wendy

LeRoy, Jeanette

Letellier, B.

Lettron, J.

Levee, John

Levinson, Moss

Levitt, Helen

Lewitt, Sol

Liberman, Alexander

Lichtenstein, Roy

Lindner, Richard

Lipschitz, Jacques

Lipski, Donald

Lipsky, Pat

Lissitsky, El

Lipsky, Pat

Lohse, Richard Paul

Long, Richard

Longobardi, Nino

Louis, Morris

Lüthi, Bernhard

Lüthi, Urs

Lutz

Lydis, Mariette

MacWhinnie, John

Maillol, Aristide

Mairwöger, Gottfried

Mapplethorpe, Robert

Marden, Brice

Maril, Herman

Marin, John

On Consignment from Peter Marks

Martin, Agnes

Martins, Maria

Marx, G.L.

Maryan

Masullo, Andrew

Mathieu, Georges

Matisse, Henri

Matta, Roberto

McDermott & McGough, Messrs.

McDonnell, Joseph Anthony

McLaughlin, John

McLean, John

Meadmore, Clement

Megert, Christian

Miller, Robert

Milton, Peter

Miró, Joan

Misrach, Richard

Mitchell, Joan

Model, Lisette

Moholy-Nagy, Laszlo

Monet, Claude

Moore, Henry

Morandi, Giorgio

Moses, Ed

Motherwell, Robert

Mulder, George

Muller-Brittnau, Willy

Murray, Elizabeth

Muybridge, Eadweard

Nadar, (Felix Tournachon)

Nadelman, Elie

Nakian, Reuben

Natkin, Robert

Nemont, G.

Neugass, Fritz

Nevelson, Louise

Newman, Arnold

Newman, Barnett

Nezhdanov, Alexander

Nicholson, Ben

Nickson, Graham

Nixon, Nicholas

Noel, Georges

Noguchi, Isamu

Noland, Kenneth

Nolde, Emil

Offord, J. Milton

Oldenburg, Claes

Olitski, Jules

Olmec

Ono, Yoko

Orr, Eric

O'Sullivan, Timothy

Otterness, Tom

Outerbridge, Paul

Paik, Nam June

Parodi, Filippo

Penn, Irving

Pepper, Beverly

Perless, Robert

Perlman, Joel

Pettet, William

Pfaff, Judy

Picabia, Francis

Picasso, Pablo

Pissarro, Camille

Pollock, Jackson

Pomodoro, Arnaldo

Poons, Lawrence

Porter, Fairfield

Porter, Katherine

Poulos, Basilios

Press, Naomi

Quaytman, Harvey

Quigley, Edward

Quisgard, Liz Whitney

Rainer, Arnulf

Raush, Mark

Rauschenberg, Robert

Ray, Man

Recanati, Dina

Reddinger

Reinhardt, Ad

Richter, Gerhard

Rickey, George

Ridenhour, William

Rivers, Larry

Robb, Charles

Robbins, Bruce

Robert, Louis

Rockburne, Dorothea

Rodin, Auguste

Rosan, Larry

Rosen, Felix

Rosenthal, Tony

Rosenquist, James

Rossi, Rosalie

Rothko, Mark

Row, David

Rozen, Feliz

Rutherford, Louis M.

Ryan, Anne

Ryan, Kevin

Ryman, Robert

Saba, Richard

de Saint Phalle, Niki

Saito, Kikuo

Salemme, Attilio

Samaras, Lucas

Sander, August

Sander, Ludwig

Sanders, John

Santomaso, Giuseppe

Schapiro, Miriam

Schlemmer, Oskar

Schlesinger, Mark

Schumacher, Emil

Scott, Robert

Scott, Tim

Scott, William

Seery, John

Segal, George

Seligmann, Kurt

Sellers, Daniel

Serra, Richard

Shapiro, Joel

Shields, Alan

Signac, Paul

Simpson, David

Sisley, Alfred

Slone, Sandi

Smith, David

Smith, Hassel

Smith, Kimber

Smith, Tony

Sohanievich, Oleg

Sommer, Frederick

Sommer, Giorgio

Southall, Derek

Spence, Andrew

Stamos, Theodoros

Stankiewicz, Richard

Steichen, Edward

Steiner, Michael

Stella, Frank

Stephan, Gary

Stettheimer, Florine

Stevens, Peter

Still, Clyfford

Stoltz, David

Stone, Sylvia

Strand, Paul

Sugarman, George

Sugimoto, Hiroshi

Sultan, Donald

Sutton, Carol

Sutton, Pat Lipsky

Tajiri, Shinkichi

Talbot, William Henry Fox

Tanger, Susanna

Tatafiore, Ernesto

Thiebaud, Wayne

Thorne, Joan

Tillyer, William

Torres-Garcia, Joaquin

Truitt, Anne

Twombly, Cy

Tworkov, Jack

Unger, Mary Ann

Upton, Ann

Wagner, Merrill

Van Dongen, Kees

Van Gogh Manuscript

Van Stalbent, Adrien

Van Velde, Bram

Vasarely, Victor

Venet, Bernar

Verna, Germaine

Vicente, Esteban

Vuillard, Edouard

Waid, Mary Joan

Walsh, James

Ward, Cora Kelly

Warhol, Andy

Warren, Catharine

Wells, Lynton

Watkins, Charlton E.

Wegman, William

Wessel, Henry

Wesselman, Tom

Westfall, Stephen

Wiegmann, Jenny

Willette, Adolph

Williams, Neil

Williams, Roger

Willis, Thornton

Wilmarth, Christopher

Winogrand, Garry

Witkin, Isaac

Witkin, Joel-Peter

Woelfli, Adolf

Wofford, Philip

Wolfe, James

Wols, Alfred Otto Wolfgang

Wonner, Paul

Woodman, Betty

Woolf, Paul

Wotruba, Fritz

Yokoi, Teruko

Youngerman, Jack

Yunkers, Adja

Zerbe, Karl

Zimmerman, Daniel

Zox, Larry
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg, Subseries 8.1
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 8: Inventory Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3791

Orr, Eric

Collection Creator:
Rubin, David S., 1949-  Search this
Container:
Box 15, Folder 37
Type:
Archival materials
Date:
1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
See more items in:
David S. Rubin papers
David S. Rubin papers / Series 5: Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-rubidavi-ref626

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- California  Search this
Art critics -- California -- San Francisco  Search this
Topic:
Authors -- California -- San Francisco  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-buttjan

Emit, (sculpture)

Title:
Time, (sculpture)
Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Sculpture: bronze; Foundation: concrete and rock
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by State of California Employment Development Department 1416 9th Street, Room 105 Sacramento California 95814
Located State of California Employment Development Department Annex 8th & O Streets Sculpture terrace, on roof of subterranean building Sacramento California
Date:
Commissioned 1982. 1986
Topic:
Abstract--Geometric  Search this
Allegory--Time  Search this
Allegory--Other--Nature  Search this
Allegory--Element--Water  Search this
Control number:
IAS CA000084
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_315026

Galleria Fountain, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Fabricator:
Wet Design  Search this
Medium:
Italian marble in black, gray, and white with sound, light and water
Type:
Sculptures-Fountain
Sculptures
Owner/Location:
Scottsdale Galleria Ltd Partnership 4343 North Scottsdale Road Atrium Scottsdale Arizona 85251
Date:
Completed 1992
Topic:
Abstract  Search this
Control number:
IAS AZ000204
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318695

L. A. Prime Matter, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Architect:
Martin, David C.  Search this
Architectural firm:
Albert C. Martin and Associates  Search this
Medium:
Sculpture: bronze; Base: ceramic
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Figueroa at Wilshire Inc Property Management 601 South Figueroa Los Angeles California 90017
Located Sanwa Bank Plaza Figueroa & Wilshire Boulevard Los Angeles California
Date:
Commissioned 1987-1988. Design approved Dec. 5, 1988. 1991. Dedicated May 9, 1991
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA000324
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318879

Untitled, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Black Andes granite
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
John Douglas Realtors 11900 Olympic Santa Monica California
Date:
1989 or 1990
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA000327
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318882

MacArthur Park Singularity, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Sculpture: copper; Base: concrete
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of Los Angeles Public Art Division 433 South Spring Street, 10th floor Los Angeles California 90013
Located MacArthur Park Los Angeles California
Lent by Orr, Eric
Topic:
Architecture--Detail--Column  Search this
Abstract--Geometric  Search this
Control number:
IAS CA000365
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318931

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