Skip to main content Smithsonian Institution

Search Results

Collections Search Center
208 documents - page 1 of 11

Fred and Edith Nagler papers

Creator:
Nagler, Fred, 1891-1983  Search this
Nagler, Edith Kroger, 1890-1986  Search this
Names:
Bishop, Isabel, 1902-1988  Search this
Cahill, Holger, 1887-1960  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Kieran, John, 1892-  Search this
Orozco, José Clemente, 1883-1949  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Sloan, John, 1871-1951  Search this
Teale, Edwin Way, 1899-  Search this
Extent:
1.6 Linear feet ((partially microfilmed on 4 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1913-1979
Scope and Contents:
Printed material, correspondence, photographs, a scrapbook, and a journal.
UNMICROFILMED: Ca. 450 letters from Edith to her friends and ca. 50 letters to Edith and Fred from family and friends; clippings and exhibition announcements; address lists; and a short priced list of Edith's paintings.
REEL 75: Letters to Edith and Fred from Louis Eilshemius, Jose Orozco, John Sloan of the Artists and Writers Dinner Club, Holger Cahill of the First Municipal Art Exposition, Edwin Way Teale and professional organizations; clippings about Edith and Fred, particularly Fred's religious paintings, exhibition catalogs and announcements; photographs of Fred; a sketch of Fred by Edith; and a letter from John Kieran, "Why I Want Willkie."
REEL 414: Correspondence, with letters from Anthony Lauck, Isabel Bishop and other friends and art institutions; Fred's journal containing ideas on religion, poems, and observations; a scrapbook, 1913-1946; clippings and articles; a photograph of Edith's portrait of her husband; and an address given by Fred.
REELS 1798 & 1799: Ca. 200 letters from Edith to her friends plus correspondence with Joseph Bates, Jr., Isabel Bishop, John Kieran, Elsie Nagler, and Homer Saint-Gaudens; clippings and exhibition invitations.
Biographical / Historical:
Painters; Massachusetts and Dallas, Tex. Fred Nagler and Edith Kroeger met while studying at the Art Students League in New York. Fred was a painter of religious subjects. Edith was a landscape painter.
Provenance:
Donated by Edith and Fred Nagler, 1968-1979.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Texas -- Dallas  Search this
Topic:
Art and religion  Search this
Landscape painting -- 20th century  Search this
Women artists  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.naglfred
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a6a3cff0-317d-43a2-81a7-bbefe5ccd589
EDAN-URL:
ead_collection:sova-aaa-naglfred

Abraham Joel Tobias papers

Creator:
Tobias, Abraham Joel, 1913-1996  Search this
Names:
Congress of Industrial Organizations (U.S.)  Search this
Fine Arts Federation of New York  Search this
United States. Work Projects Administration  Search this
Block, Irving  Search this
Brooks, James, 1906-1992  Search this
Caswell, Edward C.  Search this
Evergood, Philip, 1901-1973  Search this
Gaber, George  Search this
Gill, Brendan, 1914-1997  Search this
La Gambina, Vincent, 1909-1994  Search this
Lishinsky, Abraham  Search this
Orozco, José Clemente, 1883-1949  Search this
Spivak, Max, 1906-1981  Search this
Tobey, Alton S. (Alton Stanley), 1914-2005  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Photographs
Date:
1913-2000
Summary:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.
Scope and Content Note:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.

General correspondence regards mural proposals, exhibitions, professional activities, and museums' acquisitions of artwork by Tobias. A file of correspondence with the Fine Arts Federation of New York concerns efforts to recognize murals by Irving Block, James Brooks, Philip Evergood, Abraham Lishinsky, José Clemente Orozco, and Max Spivak as landmarks; it also includes minutes of meetings, 1988-1995, that reflect Tobias's service as a board member. Other correspondence is with friends and artists including Edward Caswell, George Gaber, Filia Holtzman, Vincent La Gambina, and Alton S. Tobey.

Project files document murals such as: The Four Freedoms, Midwood High School, Brooklyn, New York, honoring students and teachers who died in World War II (circa 1946); Birth for the maternity ward at Mount Sinai Hospital, New York City (1951-1953); and Medical Science and Medical Research, Long Island Jewish Hospital (1954). The Science and Engineering project file (1958) contains a patent certificate for striated plastic, a material Tobias used in two murals. Also of interest is correspondence with the Harman Foundation regarding a documentary film about Tobias's use of ethyl silicate for outdoor murals. Among the exhibitions documented are: "Plastics U.S.A.," "New York WPA Artists Then and Now," and "Abraham Joel Tobias: Sculptural Paintings of the 1930s."

Printed material consists of announcements, invitations, solo and group exhibition catalogs, and clippings relating to Tobias's artistic career. Also found are pamphlets he designed for the Congress of Industrial Organizations. Photographs are of Tobias's artwork and the artist with friends and family. There is a video recording of an interview with Tobias conducted by Brendan Gill in 1995.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1913-1996 (Boxes 1, 4; 0.3 linear feet)

Series 2: Correspondence, 1933-1997 (Box 1; 0.4 linear feet)

Series 3: Project and Exhibition Files, 1938-2000 (Boxes 1, 2, 4, OV 5; 1.6 linear feet)

Series 4: Writings, circa 1928-1992 (Box 2; 0.1 linear feet)

Series 5: Printed Material, 1913-1999 (Boxes 3, 4; 0.3 linear feet)

Series 6: Artwork, circa 1990s (Box 3; 1 folder)

Series 7: Photographs, 1929-1970 (Box 3; 0.1 linear feet)

Series 8: Video Recording, 1995 (Box 3, 1 folder)
Biographical Note:
Abraham Joel Tobias (1913-1996) was a painter, muralist, and educator in New York City. He was a pioneer in the use of shaped canvases.

A native of Rochester, New York, Tobias came to New York City to study at the Cooper Union School of Art, 1930-1931, and at the Art Students League, 1930-1933. He worked for the Federal Arts Project,1938-1940, where he continued his training as a muralist, working with artist and technicians.

During World War II, Tobias served in the armed forces. He was an art director with the Intelligence Division, Army Air Force, and in 1945 was employed as a graphic designer for the Office of Strategic Services (OSS). Tobias was artist-in-residence and served as instructor in painting and drawing at Adelphia College, Garden City, Long Island, 1947-1957. He also was was a visiting lecturer at various schools including Howard University, Brooklyn Museum Art School, Pratt Institute Art School, as well as at colleges in Illinois and Kansas.

Tobias completed over ten mural commissions for governmental agencies and educational institutions, including: United States Post Office, Clarendon, Arkansas; Howard University, Washington, D.C.; James Madison High School, Brooklyn, New York; Beth Israel Hospital, New York City; Domestic Relations Court Building, Brooklyn, New York; and Adelphi College, Garden City, New York. In 1962, Tobias began The History of Science mural for the lobby of the Polytechnic Institute of Brooklyn; it was never completed.

Tobias experimented with diverse materials such as terrazzo and mosaic for mural application. He also broke new ground with the use of ethyl silicate paint as a permanent medium for outdoor murals. In 1958, he patented striated plastic, a pliable material used to achieve an effect similar to stained glass.

He participated in many solo and group exhibitions. In 1935, Tobias presented his shaped canvas painting in the "Sculptural Painting" exhibition at Delphic Studios in New York City. In 1987, Tobias was recognized for his earlier pioneering work with a retrospective exhibition, "Abraham Joel Tobias: Sculptural Paintings" at The Jane Voorhees Zimmerli Art Museum of Rutgers University. Other exhibitions included: "Plastics U.S.A.," the United States Information Service's exhibition in Moscow (1961); "New York City WPA Art," Parsons School of Design, New York City (1977); "For a Permanent Public Art," Tweed Gallery, New York City (1989); and "The Technological Muse," Katonah Museum of Art, New York (1991).

Tobias's professional memberships included the Architectural League of New York, National Society of Mural Painters, and New York Artists Equity Association. He served on the Board of Directors for the Fine Arts Federation of New York from 1988-1996. He won the Architectural League Award in 1952. The Art Commission of the City of New York recognized Tobias, posthumously, for distinguished service to public art.

Abraham Joel Tobias married Carolyn Pratt in 1949; the couple had one daughter. Abraham Joel Tobias died in Rego Park, New York, in 1996 at the age of 82.
Provenance:
The papers were donated in 2001 by Carolyn Tobias, the widow of Abraham Joel Tobias.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Mural painting and decoration  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Video recordings
Photographs
Citation:
Abraham Joel Tobias papers, 1913-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tobijoel
See more items in:
Abraham Joel Tobias papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98be0c478-da69-4155-9f53-1ac5d5ac617b
EDAN-URL:
ead_collection:sova-aaa-tobijoel

Oral history interview with Harold Lehman

Creator:
Lehman, Harold, 1913-2006  Search this
Interviewer:
Polcari, Stephen  Search this
Names:
Public Works of Art Project  Search this
Arenal, Luis  Search this
Armiduke, Merle  Search this
Blanch, Arnold, 1896-1968  Search this
Feitelson, Lorser, 1898-1978  Search this
Greenberg, Clement, 1909-1994  Search this
Guston, Philip, 1913-1980  Search this
Horr, Axel  Search this
Kadish, Reuben, 1913-1992  Search this
Katz, Leo, 1887-1982  Search this
Lundeberg, Helen, 1908-1999  Search this
Mahl, Carla  Search this
Maikowski, Max  Search this
McCoy, Stanley  Search this
Orozco, José Clemente, 1883-1949  Search this
Pollock, Jackson, 1912-1956  Search this
Rivera, Diego, 1886-1957  Search this
Rosenberg, Harold, 1906-1978  Search this
Schwankovsky, Frederick John, 1885-1974  Search this
Serstadt, Louie  Search this
Siqueiros, David Alfaro  Search this
Stanley, George M., 1903-  Search this
de Laffiere, Jean  Search this
Extent:
144 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 Mar. 28
Scope and Contents:
An interview of Harold Lehman conducted 1997 Mar. 28, by Stephen Polcari, for the Archives of American Art. Lehman speaks of his early educational and artistic experiences in New York; taking sculpture classes; moving to California; going to school at Manual Arts; going to Ojai and learning the religious philosophy of Krishnamurti; participating in literary discussion groups and the books he read; his years at Otis Art Institute; working with Sisqueiros, and how the frescoes they created were destroyed by the Red Squad; when he became interested in painting; working with Lorser Feitelson; working with the Public Works of Art Project; moving back to New York and working with the Federal Arts Project; his experiences with Sisqueiros and the artist workshop they set up; his thoughts on the Molotov-Ribbentrop Pact, Stalin and Trotsky; his thoughts on social realism; the project he did on Rikers Island; doing mural art; breaking both his arms two months before the attack on Pearl Harbor and how he managed to stay out of the army; working on his mural in Woodstock; working on war bond painting for the government; his art work during the war years; recollections of Jackson Pollack and his interest in Indian Art; going to see the Picasso show; his artistic influences; his thoughts on America's involvement in World War II; his life after the war and what inspired him; his memories of Phil Guston; thoughts on Harold Rosenberg and Clement Greenberg; his life after the war, and other recollections about his life and friends. He recalls Max Maikowski, Jean de Laffiere, Rutolo, Frederick J. Schwankovsky, Phil Guston, Jackson Pollack, Manuel Tolegian, Rueben Kadish, George Stanley, Roger Noble Vernon, D.A. Siqueiros, Luis Arenal, Lorser Feitelson, Helen Lundberg, Leo Katz, Merle Armiduke, Stanley McCoy, Axel Horr (Horn), Carla Mahl (Clara Moore), Louie Serstadt, Diego Rivera, Jose Orozco, Arnold Blanch, Harold Rosenberg, Clement Greenberg, Arnold Blanch, and many others.
Biographical / Historical:
Harold Lehman (1913-2006) was a painter, lithographer, designer, and sculptor from New York, N.Y.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 8 hrs., 39 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Communism  Search this
Mural painting and decoration  Search this
Social realism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lehman97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4e9efd8-1e65-4972-bd49-6e277168e3f2
EDAN-URL:
ead_collection:sova-aaa-lehman97
Online Media:

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-1985  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-1997  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-1979  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Illinois -- Chicago  Search this
Art historians -- Illinois -- Chicago  Search this
Art dealers -- Illinois -- Chicago  Search this
Art critics -- Illinois -- Chicago  Search this
Curators -- Illinois -- Chicago  Search this
Art consultants -- Illinois -- Chicago  Search this
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Women art dealers  Search this
Women art historians  Search this
Women museum curators  Search this
Women authors  Search this
Women art critics  Search this
Function:
Art festivals
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a
EDAN-URL:
ead_collection:sova-aaa-kuhkath
Online Media:

Alfredo Valente papers

Creator:
Valente, Alfredo  Search this
Names:
Alfredo Valente Gallery  Search this
Aronson, Boris, 1900-1980  Search this
Avery, Milton, 1885-1965  Search this
Benton, Thomas Hart, 1889-1975  Search this
Blatas, Arbit  Search this
Burliuk, David, 1882-1967  Search this
Carreño, Mario  Search this
Dalí, Salvador, 1904-1989  Search this
DeMartini, Joseph, 1896-1984  Search this
Dobkin, Alexander, 1908-  Search this
Evergood, Philip, 1901-1973  Search this
Gottlieb, Adolph, 1903-1974  Search this
Greenwood, Marion, 1909-1970  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Grosz, George, 1893-1959  Search this
Gwathmey, Robert, 1903-1988  Search this
Harmon, Lily, 1912-  Search this
Hartley, Marsden, 1877-1943  Search this
Haucke, Frederick, 1908-  Search this
Kelekian, Dikran, 1868-1951  Search this
Kleinholz, Frank, 1901-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lassen, Ben, d. 1968  Search this
Lawrence, Jacob, 1917-2000  Search this
Lax, David, 1910-  Search this
Lebduska, Lawrence, 1894-1966  Search this
Liberte, Jean, 1896-1965  Search this
Marsh, Reginald, 1898-1954  Search this
Masson, André, 1896-1987  Search this
Menkes, Sigmund, 1896-1986  Search this
Miller, Henry, 1891-1980  Search this
Ormandy, Eugene, 1899-1985  Search this
Orozco, José Clemente, 1883-1949  Search this
Rome, Harold, 1908-  Search this
Rose, Iver, 1899-1972  Search this
Ryan, Sally, 1916-1968  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Stark, Margaret, 1915-1988  Search this
Teichman, Sabina  Search this
Toney, Anthony  Search this
Tschacbasov, Nahum, 1899-  Search this
Walkowitz, Abraham, 1880-1965  Search this
Weber, Max, 1881-1961  Search this
Wilson, Ben, 1913-  Search this
Extent:
1 Linear foot ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Video recordings
Date:
1941-1978
Scope and Contents:
Photographs of artists; letters; printed material; and a motion picture film.
REEL D284: Exhibition catalogs, 1941-1952, from the Valente Gallery, and clippings; a letter and a sketch from Henry Miller; and a scrapbook containing photographs by Valente of 41 artists, their art work and clippings. Photographs of artists include Boris Aronson, Milton Avery, Arbit Blatas, David Burliuk, Mario Carreño, Joseph DeMartini, Alexander Dobkin, Philip Evergood, Jose Ferrer, Adolph Gottlieb, Marion Greenwood, William Gropper, Chaim Gross, George Grosz, Robert Gwathmey, Lily Harmon, Marsden Hartley, Frederick Haucke, Frank Kleinholz, Yasuo Kuniyoshi, Ben Lassen,Sigmund Menkes, Jose Clemente Orozco, Abraham Rattner, Iver Rose, Sally Ryan, Moses Soyer, Raphael Soyer, Margaret Stark, Sabina Teichman, Anthony Toney, Nahum Tschacbasov, Abraham Walkowitz and Ben Wilson.
REEL 2802: A letter from the National Gallery of Art regarding Valente's film "Art Discovers America"; exhibition catalogs on and written by Valente; clippings; and 30 photographs by Valente of 20 artists.
REEL 3480: Two letters from Henry Miller, dated 1943 and 1945. The letters refer to a "watercolor pad and brushes", and Miller also thanks Valente for a portrait of Abe Rattner.
UNMICROFILMED: Photographs by Valente of artists, each accompanied with the artists' self-portrait. Included are Milton Avery, Arbit Blatas, David Burliuk, Mario Carreño, Alexander Dobkin, Philip Evergood, Chaim Gross, Lily Harmon, Frank Kleinholz, Ben Lassen, David Lax, Lawrence H. Lebduska, Jean Liberte, Jose Orozco, Harold Rome, Moses Soyer, Raphael Soyer, Margaret Stark, Sabina Teichman, Anthony Toney, Nahum Tschacbasov, Abraham Walkowitz, and Ben Wilson and 4 photographs of composer Eugene Ormandy which are on the back of the Blatas portraits.
UNMICROFILMED: "Art Discovers America" (MGM shorts), ca. 1945, a 16mm b&w, 400 ft. film regarding the "new public interest" in American art. The film traces the trend back to the exhibition of The Eight, and shows various artists at work, including John Sloan, Thomas Hart Benton, Reginald Marsh, and Abraham Walkowitz. The film was produced by Regency Pictures. Valente was the photographer and co-director along with Hal Frater.
REEL 439-441 AND SCANNED Photos of artists, previously microfilmed under Photos of Artists I, have subsequently been scanned and returned to the Valente papers.
Biographical / Historical:
Photographer; New York City.
Provenance:
Material on reel D284 lent for microfilming by Valente, 1966; Mrs. Valente subsequently donated the scrapbook, 1979. Material on reels 2802, and 3480 donated by Mr. & Mrs. Valente, 1966 through 1979. Unmicrofilmed material donated by Harold Rome, 1988. An additional 35 photos of artists were donated by Valente ca. 1966, and microfilmed on reels 439-441 with AAA's Photographs of Artists Collection I; search under Valente for more information. Many of the photographs are duplicates.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Art and photography -- New York (State) -- New York  Search this
Artists -- United States -- Photographs  Search this
Portrait photography -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Video recordings
Identifier:
AAA.valealfr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96dd15bae-a22b-4d09-8845-ff5fe98139a0
EDAN-URL:
ead_collection:sova-aaa-valealfr

Oral history interview with Viola Patterson, 1982 Oct. 22-29

Interviewee:
Patterson, Viola, 1898-1984  Search this
Interviewer:
Kingsbury, Martha, 1941-  Search this
Subject:
Archipenko, Alexander  Search this
Orozco, José Clemente  Search this
Patterson, Ambrose  Search this
Rivera, Diego  Search this
Group of Twelve (Seattle, Wash.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Viola Patterson, 1982 Oct. 22-29. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Northwestern States -- Interviews  Search this
Art, Modern -- Northwestern States  Search this
Art, American -- Northwestern States  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12618
(DSI-AAA_SIRISBib)212443
AAA_collcode_patter82
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212443
Online Media:

Oral history interview with Edward Biberman, 1964 April 15

Interviewee:
Biberman, Edward, 1904-1986  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Orozco, José Clemente  Search this
Rivera, Diego  Search this
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Edward Biberman, 1964 April 15. Archives of American Art, Smithsonian Institution.
Topic:
Art and state  Search this
Federal aid to the arts  Search this
Mural painting and decoration -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- California -- Los Angeles -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12807
(DSI-AAA_SIRISBib)213268
AAA_collcode_biberm64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213268
Online Media:

Oral history interview with Harold Lehman, 1997 Mar. 28

Interviewee:
Lehman, Harold, 1913-2006  Search this
Interviewer:
Polcari, Stephen  Search this
Subject:
Horr, Axel  Search this
Katz, Leo  Search this
Schwankovsky, Frederick John  Search this
Arenal, Luis  Search this
Rivera, Diego  Search this
Rosenberg, Harold  Search this
Guston, Philip  Search this
Stanley, George M.  Search this
Pollock, Jackson  Search this
Feitelson, Lorser  Search this
Lundeberg, Helen  Search this
Orozco, José Clemente  Search this
Siqueiros, David Alfaro  Search this
Greenberg, Clement  Search this
Blanch, Arnold  Search this
Kadish, Reuben  Search this
Maikowski, Max  Search this
de Laffiere, Jean  Search this
Armiduke, Merle  Search this
McCoy, Stanley  Search this
Mahl, Carla  Search this
Serstadt, Louie  Search this
Public Works of Art Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Harold Lehman, 1997 Mar. 28. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Communism  Search this
Mural painting and decoration  Search this
Social realism  Search this
Record number:
(DSI-AAA_CollID)12894
(DSI-AAA_SIRISBib)216498
AAA_collcode_lehman97
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216498
Online Media:

Oral history interview with Val Laigo, 1989 July 12

Interviewee:
Laigo, Val M., 1930-1992  Search this
Interviewer:
Lau, Alan Chong  Search this
Subject:
Nakane, Kazuko  Search this
Bennett, Doug  Search this
Callahan, Kenneth  Search this
Chong, Fay  Search this
Dusanne, Zoe  Search this
Horiuchi, Paul  Search this
Jones, Quincy  Search this
Katayama, Mits  Search this
Nordness, Lee  Search this
Okada, Frank S. (Frank Sumio)  Search this
Orozco, José Clemente  Search this
Picasso, Pablo  Search this
Ritchie, Bill  Search this
Rivera, Diego  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino  Search this
Voorhees, Clark G. (Clark Greenwood)  Search this
Washington, James W.  Search this
Charles and Emma Frye Art Museum  Search this
Foster/White Gallery  Search this
Mexico City College  Search this
Seattle University  Search this
University of Washington  Search this
Northwest Asian American Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Val Laigo, 1989 July 12. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Computer Art  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American muralists  Search this
Muralists -- Mexico  Search this
Theme:
Asian American  Search this
Record number:
(DSI-AAA_CollID)12747
(DSI-AAA_SIRISBib)224926
AAA_collcode_laigo89
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_224926
Online Media:

Oral history interview with Alberto Mijangos, 2003 Dec. 5-12

Interviewee:
Mijangos, Alberto, 1925-2007  Search this
Interviewer:
Cordova, Cary  Search this
Subject:
Rivera, Diego  Search this
Tamayo, Olga  Search this
Goitia, Francisco  Search this
Tamayo, Rufino  Search this
Orozco, José Clemente  Search this
Siqueiros, David Alfaro  Search this
Casas, Mel  Search this
Rothko, Mark  Search this
Gamboa, Raul  Search this
Sanchez, Gabriel  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Alberto Mijangos, 2003 Dec. 5-12. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- Texas -- San Antonio -- Interviews  Search this
Mexican American artists  Search this
Mexican American art  Search this
Painting -- Technique  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)12561
(DSI-AAA_SIRISBib)246985
AAA_collcode_mijang03
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_246985
Online Media:

Oral history interview with Viola Patterson

Interviewee:
Patterson, Viola, 1898-1984  Search this
Interviewer:
Kingsbury, Martha, 1941-  Search this
Names:
Group of Twelve (Seattle, Wash.)  Search this
Archipenko, Alexander, 1887-1964  Search this
Orozco, José Clemente, 1883-1949  Search this
Patterson, Ambrose, 1877-1966  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
57 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 Oct. 22-29
Scope and Contents:
An interview of Viola Patterson conducted 1982 Oct. 22-29, by Martha Kingsbury, for the Archives of American Art's Northwest Oral History Project, in the artist's home in Seattle, Wash.
Patterson speaks of her education; family background; her early interest in art; studying at the University of Washington art department; the influence of Japanese artists; teaching art to children; her husband, Ambrose Patterson, and his life and career; and working on murals with Jose Clement Orozco and Diego Rivera. She recalls Alexander Archipenko. Patterson was a member of the Seattle area progressive artists' collective known as the "Group of Twelve."
Biographical / Historical:
Viola Patterson (1898-1984) was a painter from Seattle, Wash.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hrs., 33 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
Artists -- Northwestern States -- Interviews  Search this
Art, Modern -- Northwestern States  Search this
Art, American -- Northwestern States  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.patter82
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90149e58a-5439-4922-aadb-4c5546e44592
EDAN-URL:
ead_collection:sova-aaa-patter82
Online Media:

Oral history interview with Edward Biberman

Interviewee:
Biberman, Edward  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Orozco, José Clemente, 1883-1949  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 April 15
Scope and Contents:
An interview of Edward Biberman conducted 1964 April 15, by Betty Hoag, for the Archives of American Art New Deal and the Arts Project.
Biberman speaks of his background and education; his early painting career; the influence of the Mexican muralists, especially Jose Clemente Orozco, upon him; coming to California; teaching at the Art Center School; murals he painted for the Los Angeles Post Office; serving on the jury to select a mural design for the Social Security Administration Building in Washington; his work methods, and how he researched the subject matter for his murals; the Federal Art Project's contribution to art in California and art in general; his opinions about government support for the arts. He recalls Diego Rivera.
Biographical / Historical:
Edward Biberman (1904-1986) was a painter, printmaker, and mural painter from Los Angeles, California.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 53 min.
Interviews of Stanton Macdonald-Wright, and Charles Rogers are also on this tape.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Art and state  Search this
Federal aid to the arts  Search this
Mural painting and decoration -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.biberm64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92ce9cc67-c01f-4f5a-ac20-45e4b28ec239
EDAN-URL:
ead_collection:sova-aaa-biberm64
Online Media:

Oral history interview with Val Laigo

Interviewee:
Laigo, Val M., 1930-1992  Search this
Interviewer:
Lau, Alan Chong  Search this
Nakane, Kazuko  Search this
Names:
Charles and Emma Frye Art Museum  Search this
Foster/White Gallery  Search this
Mexico City College -- Students  Search this
Northwest Asian American Project  Search this
Seattle University -- Students  Search this
University of Washington -- Students  Search this
Bennett, Doug  Search this
Callahan, Kenneth, 1905-1986  Search this
Chong, Fay  Search this
Dusanne, Zoe, 1884-1977  Search this
Horiuchi, Paul, 1906-  Search this
Jones, Quincy, 1933-  Search this
Katayama, Mits  Search this
Nordness, Lee  Search this
Okada, Frank S. (Frank Sumio), 1931-2000  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Ritchie, Bill  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Voorhees, Clark G. (Clark Greenwood), 1871-1933  Search this
Washington, James W., 1911-2000  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 July 12
Scope and Contents:
An interview of Val Laigo conducted 1989 July 12, by Alan Lau and Kazuko Nakane, for the Archives of American Art Northwest Asian American Project, in Laigo's home, Seattle, Wash.
Laigo speaks of learning how to paint at age eleven with watercolors; growing up with a heart condition known as Eisenmenger's Complex; teaching at Highline High School and creating a wolverine as the school's mascot; the inclusion of his life story in a Filipino oral history project; singing for an orchestra called the Gentlemen of Rhythm, at the Filipino Catholic Youth Activities events and other venues; Doug Bennett as an influence in composition and design; being a student at Seattle University and joining Art Equity in approximately 1951; remembering his painting, "Madonna" being shown at the Seattle Art Museum; his first show at the People's Furniture Store and later with Fay Chong at the Hathaway House; Zoe Dusanne became his agent; his introduction to the MacPaint software program and his first piece of computer art; his desire to study Mexican muralists, Diego Rivera, Jose Orozco, David Siqueiros, and Rufino Tamayo and becoming at student at Mexico City College; his life in Mexico with the woman who would become his wife; the strong influence of Nick Damascus on his painting; how his palette changed to brighter colors after living in Mexico; his health crisis there that lead him to abandon his work towards a master's degree and return to Seattle in 1959; having to start over from the beginning at the University of Washington; Tommy Kwazume hiring him at Boing as an artist in 1960; Lee Nordness and the RCA Victor album cover; his negative experience with Margaret Reed while showing at the Panaca Gallery; his exhibit at the Frye Art Museum in 1969 and criticism by Clark Voorhees; his Mexican experience having influenced his vigor and scale; the Lost Generation series; his comment about Picasso not being able to paint; encouragement from his family to pursue art training; the murder of his father in 1936; his mother's success as a new painter; and his work, "Dilemma of the Atom" featured on the cover of an RCA Victor record album. Laigo also recalls Perry Acker, Foster White Gallery, David Mendoza, Fred Mendoza, Tom Tooley, Ray Sadirius, Quincy Jones, Oscar Holden's Orchestra, Fred Cordova, Mits Katayama, Rudy Bundis, Kal Chin, Paul Horiuchi, James Washington, Dick Kirsten, Frank Okada, John Matsudaira, Walter Froelich, Bill Ritchie, John Counts, Don Fenton, Kenneth Callahan, Fred Run, Barry Ferrell, Ken Harms, Andrew Chin, Ben Dar, Ruth Mora, and others.
Biographical / Historical:
Val Laigo (1930-1992) was a Filipino American painter based in Seattle, Washington. Val Laigo was born in Naguilian, La Union, in the Phillipines. His family moved to the United States in 1931 and to Seattle in 1941. Laigo's full name Valeriano Emerenciano Montante Laigo.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Computer Art  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American muralists  Search this
Muralists -- Mexico  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.laigo89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a8fb211-d3b2-4e6d-9727-b2bc260466e6
EDAN-URL:
ead_collection:sova-aaa-laigo89
Online Media:

Oral history interview with Alberto Mijangos

Interviewee:
Mijangos, Alberto, 1925-  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Casas, Mel, 1929-2014  Search this
Gamboa, Raul  Search this
Goitia, Francisco, 1882-1960  Search this
Orozco, José Clemente, 1883-1949  Search this
Rivera, Diego, 1886-1957  Search this
Rothko, Mark, 1903-1970  Search this
Sanchez, Gabriel  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Olga  Search this
Tamayo, Rufino, 1899-  Search this
Extent:
65 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 Dec. 5-12
Scope and Contents:
An interview of Alberto Mijangos conducted 2003 Dec. 5- 12, by Cary Cordova, for the Archives of American Art, in San Antonio, Tex.
Mijangos speaks of his family background, early childhood memories and early art education at San Carlos Academy of Art; the Air Force in Mexico; Los Tres Grandes, Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros; coming to the United States; painting bull fighters; leaving Texas for Chicago; favorite paintings at the Art Institute of Chicago; moving to San Antonio; suspicion of being a communist; becoming a Mexican diplomat; working with Mel Casas who led Mijangos to abstraction; Con Safo; difficulty in achieving respect from Americans; moving to Oaxaca, working there and trying to fit in; returning to San Antonio, changing his lifestyle; changing inspiration, Mark Rothko and Mijangos new use for color; tee-shirt paintings; his relationship with galleries; the artistic community of San Antonio; his use of numbers and fabric in his paintings; interest and use of photography in his artwork. Mijangos also recalls Raul Gamboa, Rufino and Olga Tamayo, Gabriel Sanchez, Francisco Goitia and others.
Biographical / Historical:
Alberto Mijangos (1925-2007) was a Mexican born artist from San Antonio, Tex. Cary Cordova (1970- ) is an art historian from Austin, Tex.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hrs., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- Texas -- San Antonio -- Interviews  Search this
Mexican American artists  Search this
Mexican American art  Search this
Painting -- Technique  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mijang03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98362e110-d323-49d3-a529-849282ea1ff6
EDAN-URL:
ead_collection:sova-aaa-mijang03
Online Media:

Oral history interview with Sylvia Orozco, 2004 Jan. 26-Feb. 2

Interviewee:
Orozco, Syliva, 1954-  Search this
Interviewer:
Cordova, Cary  Search this
Subject:
Alvarez Bravo, Manuel  Search this
Barraza, Santa  Search this
Rivera, Diego  Search this
Trevino, Barbina Modesta  Search this
Dodson, Nora Gonzales  Search this
Starpattern, Rita  Search this
Pace, Linda  Search this
Cardenas, Gilberto  Search this
Fearing, Kelly  Search this
Orozco, José Clemente  Search this
Siqueiros, David Alfaro  Search this
Frary, Michael  Search this
Pulido, Piu  Search this
Coronado, Sam  Search this
League of United Chicano Artists  Search this
Mexic-Arte Museum (Austin, Tex.)  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Sylvia Orozco, 2004 Jan. 26-Feb. 2. Archives of American Art, Smithsonian Institution.
Topic:
Mexican American artists  Search this
Curators -- Texas -- Interviews  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11950
(DSI-AAA_SIRISBib)247226
AAA_collcode_orozco04
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247226
Online Media:

Oral history interview with Sylvia Orozco

Interviewee:
Orozco, Sylvia, 1954-  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
League of United Chicano Artists  Search this
Mexic-Arte Museum (Austin, Tex.)  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Alvarez Bravo, Manuel, 1902-  Search this
Barraza, Santa  Search this
Cardenas, Gilberto  Search this
Coronado, Sam  Search this
Dodson, Nora Gonzales  Search this
Fearing, Kelly  Search this
Frary, Michael, 1918-  Search this
Orozco, José Clemente, 1883-1949  Search this
Pace, Linda  Search this
Pulido, Piu  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Starpattern, Rita  Search this
Trevino, Barbina Modesta  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 Jan. 26-Feb. 2
Scope and Contents:
An interview of Sylvia Orozco conducted 2004 Jan. 26-Feb. 2, by Cary Cordova, for the Archives of American Art, in Mexic-Arte Gallery, Austin, Tex.
Orozco speaks of her family history, having the best drawing in second grade, the earliest recollection of being an artist; Camp Fire Girls; painting for high school pep squad and protest signs; growing up in Cuero, Tex.; integration in high school; Texas A and I; the Raza Unida movement; University of Texas; the Conferencia del Plastica Chicana, held September 13-16, 1979 in Austin, Tex.; MECha, the Movimiento Estudiantil Chicano de Aztlan; the effect of her work as a curator on her ability to do her own artwork; CONACYT, National Council of Arts and Technology; her passion for Jose Clemente Orozco, Diego Rivera and David Alfaro Siqueiros; meeting Pio Pulido; LUChA, the League of United Chicano Artists; organizing an exhibition on Manuel Alvarez Bravo at the Texas Memorial Museum; the beginnings of Mexic-Arte Gallery; the group Women and Their Work; the installation "Counter Colon-ialismo"; alternative spaces and museums; and future plans for Mexic-Arte Gallery. Orozco also recalls Santa Barraza, Kelly Fearing, Mike Frary, Sam Coronado, Barbina Modesta Treviño, Nora Gonzalez-Dodson, Linda Pace, Rita Starpattern, Gilbert Cardenas, and others.
Biographical / Historical:
Sylvia Orozco (1954- ) is an artist from Austin, Tex. Cary Cordova (1970-) is an art historian from Austin, Tex.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 3 hrs., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Museum directors -- Texas  Search this
Topic:
Mexican American artists  Search this
Curators -- Texas -- Interviews  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Chicano artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.orozco04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995bf7858-7160-4b56-9bde-5be575c8cf47
EDAN-URL:
ead_collection:sova-aaa-orozco04
Online Media:

Stendahl Art Galleries records

Creator:
Stendahl Art Galleries  Search this
Names:
Couvoisier Galleries  Search this
Demotte, inc. (New York, N.Y.)  Search this
Thomas Gilcrease Institute of American History and Art  Search this
Wildenstein and Company (New York, N.Y.)  Search this
Archipenko, Alexander, 1887-1964  Search this
Beltrán-Masses, Federico, 1885-1949  Search this
Calder, Alexander, 1898-1976  Search this
Cantú, Federico, 1908-1989  Search this
Charlot, Jean, 1898-1979  Search this
De Creeft, José, 1884-1982  Search this
Eddy, Jerome  Search this
Feshin, Nikolaĭ Ivanovich, 1881-1955  Search this
Gelhaar, Emil  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Gilbert, Arthur Hill, 1894-1970  Search this
Guthrie, George B.  Search this
Hansen, Armin C. (Armin-Carl), 1886-1957  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kent, Rockwell, 1882-1971  Search this
Kleitsch, Joseph, 1885-1931  Search this
Knight, Aston, 1873-1948  Search this
Kronberg, Louis, 1872-1965  Search this
Laurence, Sydney, 1868-1940  Search this
Loeffler, Gisella, 1900-  Search this
Montenegro, Roberto, 1887-1968  Search this
Mérida, Carlos, 1891-1984  Search this
Noguchi, Isamu, 1904-1988  Search this
Orozco, José Clemente, 1883-1949  Search this
Pach, Walter, 1883-1958  Search this
Payne, Edgar A. (Edgar Alwin), 1882-1947  Search this
Pearson, Ralph M., 1883-1958  Search this
Picasso, Pablo, 1881-1973  Search this
Ritschel, William, 1864-1949  Search this
Rivera, Diego, 1886-1957  Search this
Rose, Ethel Boardman, 1871-1946  Search this
Rose, Guy, 1867-1925  Search this
Schofield, Walter Elmer, 1867-1944  Search this
Siqueiros, David Alfaro  Search this
Stendahl, Earl L.  Search this
Szecsi, Ladislas  Search this
Wendt, William, 1865-1946  Search this
Zuloaga, Ignacio, 1870-1945  Search this
Extent:
7.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Scrapbooks
Date:
1907-1971
Summary:
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.
Scope and Contents:
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.

Administrative and financial files concern advertising, publicity, consignments, inventory, purchases, sales, leases, and biographical information on Earl Stendahl.

The bulk of the correspondence is pre-World War II and is fairly extensive. It is with artists, organizations, collectors, art historians,and galleries. Signicant correspondents include Alexander Archipenko, Federico Beltran-Masses, Alexander Calder, Federico Cantú, Jean Charlot, Couvoisier Galleries, José de Creeft, Demotte Inc., Jerome Eddy, Lillian Genthe, Arthur Hill Gilbert, George B. Guthrie, Rockwell Kent, Louis Kronberg, Gisella Loeffler, Carlos Mérida, Isamu Noguchi, Walter Pach, Diego Rivera, Waler Elmer Schofield, David Alfaro Siquieros, Ladislas Szecsi, Wildenstein & Company, and many others.

Files are found for about ten exhibitions, including Etching and Engravings by the Old Masters (1921), Airview Paintings (1930), American Landscape Art (1930), Arts of New Guinea (1964), and for exhibitions of Emil Gelhaar, Wassily Kandinsky, Sydney Laurence, and Roberto Montenegro.

Subject files are found for numerous artists, art topics, galleries, and foundations. Most of the files consist of printed materials, but there is correspondence and additional primary source material found in files for Nicolai Ivanovich Feshin, the Thomas Gilcrease Foundation, Armin Hansen, Joseph Kleitsch, Aston Knight, José Clemente Orozco, Edgar Payne, Ralph M. Pearson, Pablo Picasso, William Ritschel, Diego Rivera, Ethel B. Rose, Guy Rose, Walter Elmer Schofield, David Alfaro Siquieros, Ladislas Szecsi, William Wendt, and Ignacio Zuloaga.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative and Financial Files, 1923-1957 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1923-1968 (2.0 linear feet; Box 1-3)

Series 3: Exhibition Files, circa 1921-1967 (0.4 linear feet; Box 3)

Series 4: Subject Files, 1907-1971 (4.6 linear feet; Box 3-8, OV 9)
Biographical / Historical:
Earl Stendahl established Stendahl Art Galleries in 1911 in Los Angeles, California.

Earl Stendahl (1887-1966) came to Southern California from a small town in Wisconsin. He began showing young Los Angeles artists at his downtown restaurant, The Black Cat Café. He opened his gallery in The Ambassador Hotel on Wilshire Boulevard and organized shows focusing primarily on California Impressionists of the early twentieth century, including Edgar Payne, Guy Rose, William Wendt, Nicolai Fechin, and Joseph Kleitsch.

Stendahl Art Galleries also began to sell European and Latin American modern art. In 1939, Stendahl hosted one of only two non-museum exhibitions of Pablo Picasso's masterwork, Guernica, to benefit Spanish War orphans.

As early as 1935 Stendahl began promoting ancient artifacts from Mexico and Central America. Stendahl's first client for pre-Columbian art and artifacts was noted collector Walter Arensberg. Stendahl and the Arensburgs became friends and Stendahl helped the Arensburgs build one of the most significant collections in the U.S.

The galleries are currently owned by Ronald W. Dammann, Stendahl's grandson.
Provenance:
The Stendahl Art Galleries records were donated by Alfred Stendahl in 1976. An album of clippings was donated by Stendahl in 1995 via Nancy Moure.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- New Guinea  Search this
Latino and Latin American artists  Search this
Landscape painting  Search this
Prints  Search this
Art, American  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Gallery records
Scrapbooks
Citation:
Stendahl Art Galleries Records, 1907-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stenartg
See more items in:
Stendahl Art Galleries records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c32bcaf5-5f80-49c8-b1c3-5b09a2ad6c9b
EDAN-URL:
ead_collection:sova-aaa-stenartg
Online Media:

Chester Dale papers

Creator:
Dale, Chester, b. 1883  Search this
Names:
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges, 1882-1963  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary, 1844-1926  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Cézanne, Paul, 1839-1906  Search this
Dale, Mary Towar Bullard, 1892-1984  Search this
Dale, Maud, 1875-1953  Search this
Dallas Museum of Art  Search this
Dalí, Gala  Search this
Dalí, Salvador, 1904-1989  Search this
Dmitri, Ivan, 1900-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Frost, Robert, 1874-1963  Search this
Hamilton, Edith, 1867-1963  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Rivera, Diego, 1886-1957  Search this
Salles, Georges  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, Nicholas  Search this
Extent:
8.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sound recordings
Travel diaries
Place:
Europe -- description and travel
Date:
circa 1883-2003
bulk 1920-1970
Summary:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Scope and Contents:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)
Biographical / Historical:
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Related Materials:
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
Provenance:
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- France -- Paris  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Citation:
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.daleches
See more items in:
Chester Dale papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b399200-a24e-48c3-83e9-5cfd2ec5892c
EDAN-URL:
ead_collection:sova-aaa-daleches
Online Media:

Orozco, Jose Clemente

Collection Creator:
Bulliet, C. J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 18, Folder 84
Type:
Archival materials
Date:
1931
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
C. J. (Clarence Joseph) Bulliet papers / Series 4: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b0629c8f-7197-48c6-bfe9-31ff6ebd635e
EDAN-URL:
ead_component:sova-aaa-bullclar-ref2360

Stendahl Art Galleries records, 1907-1971

Creator:
Stendahl Art Galleries  Search this
Subject:
Siqueiros, David Alfaro  Search this
Picasso, Pablo  Search this
Kent, Rockwell  Search this
Gilbert, Arthur Hill  Search this
Rose, Ethel Boardman  Search this
Rivera, Diego  Search this
Pearson, Ralph M.  Search this
Rose, Guy  Search this
Montenegro, Roberto  Search this
Pach, Walter  Search this
De Creeft, José  Search this
Noguchi, Isamu  Search this
Loeffler, Gisella  Search this
Stendahl, Earl L.  Search this
Laurence, Sydney  Search this
Kandinsky, Wassily  Search this
Calder, Alexander  Search this
Cantú, Federico  Search this
Guthrie, George B.  Search this
Archipenko, Alexander  Search this
Beltrán-Masses, Federico  Search this
Genth, Lillian Mathilde  Search this
Wendt, William  Search this
Ritschel, William  Search this
Hansen, Armin C. (Armin-Carl)  Search this
Payne, Edgar A. (Edgar Alwin)  Search this
Knight, Aston  Search this
Kronberg, Louis  Search this
Gelhaar, Emil  Search this
Feshin, Nikolaĭ Ivanovich  Search this
Szecsi, Ladislas  Search this
Schofield, Walter Elmer  Search this
Charlot, Jean  Search this
Kleitsch, Joseph  Search this
Zuloaga, Ignacio  Search this
Orozco, José Clemente  Search this
Mérida, Carlos  Search this
Eddy, Jerome  Search this
Thomas Gilcrease Institute of American History and Art  Search this
Demotte, inc. (New York, N.Y.)  Search this
Couvoisier Galleries  Search this
Wildenstein and Company (New York, N.Y.)  Search this
Type:
Gallery records
Scrapbooks
Citation:
Stendahl Art Galleries records, 1907-1971. Archives of American Art, Smithsonian Institution.
Topic:
Art -- New Guinea  Search this
Latino and Latin American artists  Search this
Landscape painting  Search this
Prints  Search this
Art, American  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Theme:
Latino and Latin American  Search this
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)5550
(DSI-AAA_SIRISBib)210940
AAA_collcode_stenartg
Theme:
Latino and Latin American
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210940
Online Media:

Modify Your Search







or


Narrow By