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July-August

Collection Creator:
Cornell, Joseph  Search this
Container:
Box 7, Folder 4
Type:
Archival materials
Date:
1957
Scope and Contents note:
Includes references to: Judy Tyler, Vermeer girl, Oswaldo box "Il Signor il Sole," Sheree North, Judy Tyler box #2 "Suzy's Sun," and Schumann.
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Joseph Cornell papers / Series 3: Diaries / 3.1: Diary Entries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a8fb9a02-dcbd-4b35-8f0f-b0cb0715a90d
EDAN-URL:
ead_component:sova-aaa-cornjose-ref374

Special Events

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The fourth annual Ralph Rinzler Memorial Concert featured the revival of interest in klezmer music, traditional instrumental music of the Jews of Eastern Europe. Heavily influenced by the existing folk genres in the area - e.g., Romanian, Russian, Polish, Ukrainian, Hungarian, Bulgarian, Gypsy - and traditional Jewish cantillation, klezmer was filtered through Jewish ears and consciousness. Immigrant klezmer musicians who came from Eastern Europe to America during the early 20th century found a ready market for their skills. Many large American cities had Jewish neighborhoods filled with large young families. Yiddish was spoken by the vast majority. The newly arrived klezmorim found work using the old repertoire at weddings, society, labor union, and synagogue functions. Those adept at reading music could also find employment in Yiddish theaters. American-born musicians began to perform klezmer music in the mid-1920s.

After 1960, however, klezmer music became dormant, awaiting rediscovery and revitalization through the efforts of the dedicated scholars and performers of the klezmer revival. Many of the revivalists, such as those who were featured in the Rinzler Concert, returned to Jewish music after serious careers in Anglo American old time music. They have redefined the old music, lending a patina of artistry to the old, once-derogatory term klezmer, that had conjured up the image of a musical simpleton only capable of playing old Yiddish tunes poorly.

The 1998 Festival also celebrated Folkways at 50 through a series of concerts. Folkways Records was a touchstone of the early folk music revival through its support of many influential artists and its participation in many events. Its founder Moses Asch housed Sing Out! magazine during its early years; he recorded at the Newport Folk Festival; he published the recordings of generations of researchers and scholars - including some such as Ralph Rinzler who would eventually have a major influence on the Smithsonian Folklife Festival. Moreover, the philosophies of Folkways and the Folklife Festival were similar: to celebrate cultural diversity and human artistry; to provide an educational framework through which to understand cultural manifestations; and to encourage people to delve as deeply as they wish into the subject matter by providing substantial supplemental material - liner notes in the case of Folkways and program books and sign panels in the case of the Folklife Festival. Three 50th anniversary concerts included:

Children's Matinee

Music for children was one of the most influential parts of Folkways Records - many people heard their first Folkways record in a classroom. Moses Asch thought children should be exposed to good, authentic music from many cultural traditions. This concert celebrated not only the contributions of musicians who perform for children but the creativity of children themselves.

Folkways Founders/U.S. Postal Service Folk Musicians Stamp Concert

In 1998 the U.S. Postal Service issued a stamp series commemorating four important figures in the folk music revival of the 1950s and 1960s: Lead Belly, Woody Guthrie, Sonny Terry, and Josh White. All four artists recorded for Moses Asch. To honor these men who played prominent roles in both Folkways and 20th-century American music, musicians whose styles have been strongly influenced by them performed at an evening concert.

Heartbeat: Voices of First Nations Women Concert

Because most traditional Native women's music is performed in private settings - in their homes or during tribal ceremonies - very little of this music has been heard outside the women's own communities. Some of the artists featured on a new Smithsonian Folkways recording of Native women's music were featured in a concert that celebrated both the release of the album (itself an outgrowth of a 1995 Festival program) and the half-century that Folkways Records and Smithsonian Folkways Recordings had been introducing wider audiences to community-based music.

Henry Sapoznik was Curator of the Ralph Rinzler Memorial Concert, and Kate Rinzler was Coordinator. For the children's matinee and Folkways Founders concerts, Anthony Seeger and Amy Horowitz were Curators and Ivy Young was Coordinator. For Heartbeat: Voices of First Nations Women, Howard Bass and Rayna Green were Curators.

The Ralph Rinzler Memorial Concert was made possible with support from The Recording Industries Music Performance Trust Funds, the Ruth Mott Fund, Friends of the Festival, and Kate Rinzler. Support for Folkways at 50 came from BMI (the American performance rights organization), the United States Postal Service, M.A.C.E. (Mississippi Action for Community Education), Global Arts/Media Foundation, P.A.C.E.R.S. (Program for Academic and Cultural Enhancement of Rural Schools) Small Schools Cooperative & Community Celebration of Place Project, KOCH International, Smithsonian Magazine, Smithsonian Institution National Museum of American History, TRO, The Richmond Organization, Columbia Records and Sony Music Entertainment, Michael Asch, Walter Beebe and the New York Open Center, Andrew Dapuzzo and Disctronics, David Glasser, Charlie Pilzer, and Airshow Mastering, Inc., Judith DeMaris Hearn, Ella Jenkins, Richard Kurin, Mark Miller and Queens Group, Inc., Microsoft Corporation/Media Acquisitions Department, Arnold L. Polinger, Razor & Tie Entertainment, and The Recording Industries Music Performance Trust Funds.
Participants:
Folkways at 50 Anniversary Concerts

Children's Matinee

Ella Jenkins, Chicago, Illinois

Larry Long, Minneapolis, Minnesota

Slater Huff, Packers Bend, Alabama

CHILDREN FROM MONROE HIGH SCHOOL, PACKERS BEND, ALABAMA -- CHILDREN FROM MONROE HIGH SCHOOL, PACKERS BEND, ALABAMAAngel Carstarphen, Packers Bend, AlabamaLaKecia Carstarphen, Packers Bend, AlabamaPaulette Carstarphen, Packers Bend, AlabamaAdrienn Cheeseboro, Packers Bend, AlabamaKimberly Cheeseboro, Packers Bend, AlabamaLatonya Cheeseboro, Packers Bend, AlabamaYshika Cheeseboro, Packers Bend, AlabamaRapheal Davis, Packers Bend, AlabamaDomoneek McCoy, Packers Bend, AlabamaTromesha Packer, Packers Bend, AlabamaBryant Timmons, Packers Bend, AlabamaPatricia Tunstall, Packers Bend, Alabama

CHILDREN FROM T.W. MARTIN HIGH SCHOOL, GOODSPRINGS, ALABAMA -- CHILDREN FROM T.W. MARTIN HIGH SCHOOL, GOODSPRINGS, ALABAMAShawn Bromley, Goodsprings, AlabamaCourtney Dotson, Goodsprings, AlabamaJon Dotson, Goodsprings, AlabamaStephanie Hicks, Goodsprings, AlabamaRyan Logan, Goodsprings, AlabamaBrandon Morris, Goodsprings, AlabamaJada Parker, Goodsprings, AlabamaCameo Raney, Goodsprings, AlabamaBrandon Reynolds, Goodsprings, AlabamaJosh Salter, Goodsprings, AlabamaLandon Waid, Goodsprings, AlabamaSabrina Williams, Goodsprings, Alabama

Folkways Founders, U.S. Postal Service Folk Musicians Stamp Concert

Arlo Guthrie, Housatonic, Massachusetts

Abe Guthrie, Housatonic, Massachusetts

Annie Guthrie, Housatonic, Massachusetts

Cathy Guthrie, Housatonic, Massachusetts

Sarah Guthrie, Housatonic, Massachusetts

Toshi Reagon, Brooklyn, New York

Josh White, Jr., Detroit, Michigan

THE WILLIE FOSTER BLUES BAND -- THE WILLIE FOSTER BLUES BANDWillie Foster, 1922-, Greenville, MississippiJohn Horton, III, Greenville, MississippiRoosevelt Rogers, Greenville, MississippiRichard E. Taliaferro, Greenville, MississippiLarry Wright, Leland, Mississippi

Heartbeat: Voices of First Nations Women Concert

Sharon Burch, Santa Rosa, California

Cedric Goodhouse, Fort Yates, North Dakota

Sissy Goodhouse, Fort Yates, North Dakota

Christina Gonzalez, Schurz, Nevada

Delgadina Gonzalez, Schurz, Nevada

JOY HARJO AND POETIC JUSTICE -- JOY HARJO AND POETIC JUSTICECharlie Baca, Albuquerque, New MexicoRichard Carbajal, Phoenix, ArizonaJoy Harjo, Hollywood, CaliforniaDerek James, Los Angeles, CaliforniaJohn Williams, Albuquerque, New MexicoSusan Williams, Albuquerque, New Mexico

Judy Trejo, Wadsworth, Nevada

TZO'KAM -- TZO'KAMJoyce Fossella, Vancouver, British Columbia, CanadaJudy Lemke, North Vancouver, British Columbia, CanadaIrma Rabang, Sumner, WashingtonMaria Stiglich, Langley, British Columbia, CanadaFreda Wallace, Vancouver, British Columbia, CanadaFlora Wallace, Vancouver, British Columbia, CanadaRussell Wallace, North Vancouver, British Columbia, Canada

Mary Youngblood, Sacramento, California

Ralph Rinzler Memorial Concert

Sid Beckerman, clarinet

Lauren Brody, accordion, piano, vocals

Steven Greenman, violin

Margot Leverett, clarinet, saxophone

Paul Pincus, tenor saxophone

Mark Rubin, bass, tuba

Henry Sapoznik, banjo, vocal, producer, director

Peter Sokolow, keyboard, vocal, musical director

Michael Spielzinger, drums

Steven Weintraub, dance instructor
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1998, Series 5
See more items in:
Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53d2039c2-0605-4994-b705-d53a980428a9
EDAN-URL:
ead_component:sova-cfch-sff-1998-ref45

Oral history interview with Paul Marioni, 2006 September 18-19

Interviewee:
Marioni, Paul, 1941-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Ben Tré, Howard  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence)  Search this
Brychtová, Jaroslava  Search this
Chihuly, Dale  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav  Search this
Lipofsky, Marvin  Search this
Marioni, Dante  Search this
Marquis, Richard  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy  Search this
Signoretto, Pino  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil  Search this
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts  Search this
College of Marin  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Francisco State University  Search this
Spectrum Glass Co.  Search this
University of Cincinnati  Search this
University of Dayton  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Topic:
Art -- Political aspects  Search this
Decorative arts  Search this
Glass art  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13577
(DSI-AAA_SIRISBib)265439
AAA_collcode_marion06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_265439
Online Media:

Oral history interview with Paul Marioni

Interviewee:
Marioni, Paul  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts -- Faculty  Search this
College of Marin -- Faculty  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
San Francisco State University -- Students  Search this
Spectrum Glass Co.  Search this
University of Cincinnati -- Students  Search this
University of Dayton -- Students  Search this
Ben Tré, Howard, 1949-2020  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence), 1930-  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Marioni, Dante, 1964-  Search this
Marquis, Richard, 1945-  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy, 1937-  Search this
Signoretto, Pino, 1944-  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil, 1938-  Search this
Extent:
11 Items (Sound recording: 11 sound files (8 hrs., 18 min.), digital, wav)
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Date:
2006 September 18-19
Scope and Contents:
An interview of Paul Marioni conducted 2006 September 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, Seattle, Washington. Marioni speaks of his childhood in Ohio; excelling in math as a young student; being labeled a troublemaker in high school; his interest and skill in fixing cars and motorcycles; attending the University of Dayton, the University of Cincinnati, and San Francisco State University; receiving bachelor's degrees in English and philosophy; an interest in filmmaking; the joys and struggles of raising two children by himself; his unorthodox parenting philosophy; learning glass techniques from Judy Raffeal North; teaching experiences at College of Marin, California College of Arts and Crafts, Pilchuck Glass School, and Penland School of Crafts, among others; the importance of fostering idea formation and creativity in educational institutions; his experiences as Artist-in-Residence at A.C. Fischer Glashutte and Spectrum Glass Co.; the development of his process for producing cast glass; the great number of public architectural commissions that resulted from the ability to work with cast glass; the more than 85 commissions he has completed alone and in collaboration with Ann Troutner; the difference between his gallery work and commission work; the pleasure he gets from working in the studio; travels throughout Europe, South America, Japan, Thailand, Mexico; his use of ambient light; strong responses received from his political artwork; his dislike of art critics; the vital role Glass Art Society played in supporting the studio glass art movement; the emphasis of human nature in his art; and plans for the future. Marioni also recalls Robert Nelson, Gunvar Nelson, John Bolles, Cecile McCann, Marvin Lipofsky, Dale Chihuly, Tom Bosworth, Fritz Dreisbach, Richard Marquis, Howard Ben Tré, Bertil Vallien, Jaroslava Brychtová, Stanislav Libenský, Randy Milhoan, Dante Marioni, Pino Signoretto, Sandy Blaine, Allan and Lenore Sindler, and others.
Biographical / Historical:
Paul Marioni (1941- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics  Search this
Topic:
Art -- Political aspects  Search this
Decorative arts  Search this
Glass art  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.marion06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac0607d8-2b3a-4e70-aba4-a0417d9af9c0
EDAN-URL:
ead_collection:sova-aaa-marion06
Online Media:

Judy Raffael papers, 1966-1981

Creator:
North, Judy, 1937-  Search this
Subject:
Collins, Robert B.  Search this
Prisbrey, Tressa  Search this
Raffael, Joseph  Search this
Topic:
Quilts  Search this
Women artists  Search this
Decorative arts  Search this
Women painters  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)9182
(DSI-AAA_SIRISBib)211377
AAA_collcode_raffjudy
Theme:
Diaries
Women
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211377

Judy Raffael papers

Creator:
North, Judy, 1937-  Search this
Names:
Collins, Robert B.  Search this
Prisbrey, Tressa  Search this
Raffael, Joseph, 1933-  Search this
Extent:
0.01 Linear feet (ca. 900 items (on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1966-1981
Scope and Contents:
Correspondence, photographs, journals, printed material, and exhibition material.
REEL 1647: Correspondence with Eduardo Carrillo, Nancy Hoffman, Stan Picher, Joseph Raffael, Cornelia Schulz, and William Wiley; poetry, journals describing her dreams, and a statement on her art; personal photographs and photographs of Grandma (Tressa) Prisbrey's Bottle Village, Santa Susana, California; exhibition files on "Four Quilts by 70 Women"; a collage by William Wiley; a Hong Kong travel diary kept by Raffael's husband and friends; a book compiled by Raffael containing sketches and correspondence from her father, Robert B. Collins; and printed material.
REEL 3470: Letters, photographs, and printed material relating to Grandma Tressa Prisbrey's Bottle Village.
Biographical / Historical:
Painter and stained glass artist; San Geronimo, Calif.
Provenance:
Material on reel 1647 was lent for microfilming by Raffael, 1979. Material on reel 3470 donated by Raffael, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- California -- San Geronimo  Search this
Stained glass artists -- California -- San Geronimo  Search this
Topic:
Quilts  Search this
Women artists  Search this
Decorative arts  Search this
Women painters  Search this
Identifier:
AAA.raffjudy
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fb9b98a5-c2a9-41f3-8f66-ad6e303fef7a
EDAN-URL:
ead_collection:sova-aaa-raffjudy

Judy North, 1937- [Folder]

Alternate name:
Judy Raffael  Search this
Additional name:
Raffael, Judy  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_51032

Discovery Bay Marine Laboratory (Jamaica): Judy Lang Photographs, 1971-1972

Collection Creator::
National Museum of Natural History. Department of Paleobiology  Search this
Container:
Box 5 of 21
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 17-300, National Museum of Natural History. Department of Paleobiology, Curatorial Correspondence and Memoranda
See more items in:
Curatorial Correspondence and Memoranda
Curatorial Correspondence and Memoranda / Box 5
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa17-300-refidd1e1509

Judy Chicago Retrospective to Look Beyond ‘The Dinner Party’

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 22 Jul 2019 20:51:12 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_20e8ecaba733587e8e06315e781e7f3b

Turismo : La Habana, Cuba / Judi Werthein & Leandro Erlich

Author:
Werthein, Judi  Search this
Erlich, Leandro 1973-  Search this
Kent Gallery  Search this
Bienal de La Habana (7th : 2000 : Havana, Cuba)  Search this
Subject:
Werthein, Judi  Search this
Erlich, Leandro 1973-  Search this
Physical description:
64 p. : col. ill. ; 19 cm
Type:
Exhibitions
Place:
Cuba
Havana
Date:
2001
Topic:
Photography, Artistic  Search this
Installations (Art)  Search this
Tourism in art  Search this
Call number:
TR647 .W43 2001
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_733801

Weaving on a backstrap loom : pattern designs from Guatemala / Judy Ziek de Rodriguez and Nona M. Ziek ; photos. by Roberta Forest ; drawings and figures by Kathy Ryan ; graphs by Judith Ziek de Rodriguez

Author:
De Rodriguez, Judy Ziek  Search this
Ziek, Nona  Search this
Physical description:
xii, 188 p., [4] leaves of plates : ill. (some col.) ; 29 cm
Type:
Books
Place:
Guatemala
Date:
1978
C1978
Topic:
Hand weaving  Search this
Weaving--Patterns  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_526807

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