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Orange Disaster (Linda Nochlin)

Artist:
Deborah Kass, born 1952  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Medium:
Silkscreen and acrylic on canvas
Dimensions:
Two panels each measuring: 304.8 × 190.5 cm (120 × 75")
Overall: 304.8 × 381 cm (120 × 150")
Type:
Painting
Place:
United States\New York\Cattaraugus\Brooklyn
Date:
1997
Topic:
Costume\Dress Accessory\Scarf  Search this
Costume\Jewelry\Watch\Wrist watch  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2019.112
Restrictions & Rights:
Usage conditions apply
Copyright:
© 1997 Deborah Kass
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b1d835f0-cc6b-48a9-ac17-06fdce683272
EDAN-URL:
edanmdm:npg_NPG.2019.112

Portrait of Linda Nochlin

Artist:
Philip Pearlstein, born 24 May 1924  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Medium:
Oil on canvas
Dimensions:
91.4 × 101.6cm (36 × 40")
Type:
Painting
Date:
2010
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
Owner: Private Collection
Object number:
PC991873
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c1216ac4-fb54-4ee1-84a6-edff12ed36ab
EDAN-URL:
edanmdm:npg_PC991873

Portrait of Mr. and Mrs. Pommer

Alternate Title:
Portrait of Linda Nochlin and Richard Pommer
Artist:
Philip Pearlstein, born 24 May 1924  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Richard Pommer  Search this
Medium:
Oil on canvas
Dimensions:
Image: 182.9 x 152.4cm (72 x 60")
Type:
Painting
Date:
1968
Topic:
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Home Furnishings\Furniture\Seating\Stool  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
EXH.FF.19
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4331126e8-e028-4c64-9248-7bf4b0cf1a78
EDAN-URL:
edanmdm:npg_EXH.FF.19

Linda Nochlin and Daisy

Artist:
Alice Neel, 28 Jan 1900 - 13 Oct 1984  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Daisy Nochlin  Search this
Medium:
Oil on canvas
Dimensions:
55 7/8 x 44 in. (141.9 x 111.8 cm)
Type:
Painting
Date:
1973
Topic:
Interior  Search this
Costume\Footwear\Shoes  Search this
Home Furnishings\Furniture\Carpet  Search this
Costume\Hair Accessory  Search this
Home Furnishings\Furniture\Seating\Couch  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Daisy Nochlin: Female  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Object number:
1983.496 MFAB
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm46bf18aed-09ae-431b-844f-9f9b7ea23069
EDAN-URL:
edanmdm:npg_1983.496_MFAB

Oral history interview with Moira Roth

Interviewee:
Roth, Moira  Search this
Interviewer:
Heinemann, Sue  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
London School of Economics and Political Science -- Students  Search this
University of California, Berkeley -- Students  Search this
University of Vienna -- Students  Search this
Women's Caucus for Art  Search this
Antin, Eleanor  Search this
Baca, Judith Francisca  Search this
Bernardi, Claudia  Search this
Chadwick, Whitney  Search this
Chicago, Judy, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Jacob, Mary Jane  Search this
Kaprow, Allan  Search this
Kozloff, Joyce  Search this
Lacy, Suzanne  Search this
Lippard, Lucy R.  Search this
Machida, Margo  Search this
Nochlin, Linda  Search this
Ringgold, Faith  Search this
Schapiro, Miriam, 1923-2015  Search this
Selz, Peter Howard, 1919-2019  Search this
Stevens, May  Search this
Extent:
5 Items (Sound recording, master: 5 memory cards (6 hr., 9 min.), secure digital, 1.25 in)
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Cornwall (England : County) -- Description and Travel
Europe -- description and travel
Date:
2011 April 22-24
Scope and Contents:
An interview of Moira Roth conducted 2011 April 22- 24, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History Project, at Roth's home, in Berkeley, California.
Roth discusses her childhood and family background; her "unconventional" mother attending the London School of Economics; her "romantic childhood" growing up in Cornwall, England; her family's move to Letchworth for her to attend St. Christopher, a Montessori school; taking in evacuees from London during the Battle of Britain in 1940; childhood colored with European culture, Jewish culture, and music; at 17 moving from England to Washington, D.C., to live with her Irish father who was working for the International Monetary Fund; her early "passion for travelling"; moving to New York City in 1952; meeting John Cage; her autobiographical writings; travels in Europe; studies at the University of Vienna and the London School of Economics; deciding to be a psychiatric social worker; majoring in sociology with a minor in art history; attending graduate school in art history; her interest in Duchamp; doctoral studies at the University of California, Berkeley; interviewing artists; her marriage to Bill Roth; teaching; early publications; performances at the Woman's Building in the late 1970s; editing the book "The Amazing Decade: Women & Performance Art in America, 1970-1980" (1983); traveling with Faith Ringgold; friendships with Linda Nochlin, May Stevens, Lucy Lippard and others; experimental theater; her interest in Noh theater; the Women's Caucus for Art at CAA; The Poor Farm contemporary art space; living in the Bay Area; "rethinking feminism in terms of Asian-American Women"; globalism; the fictional character she created, Rachel Marker; and other topics. She recalls Joyce Kozloff, Miriam Schapiro, Judy Chicago, Judy Baca, Claudia Bernardi, Eleanor Antin, Margo Machida, Mary Jane Jacob, Annika Marie, Whitney Chadwick, Suzanne Lacy, Allan Kaprow, Peter Selz, and others.
Biographical / Historical:
Moira Roth (1933- ) is an art historian and writer in Berkeley, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art historians -- California -- Interviews  Search this
Authors -- California -- Berkeley  Search this
Topic:
Art -- History -- Study and teaching  Search this
Asian American women  Search this
Britain, Battle of, Great Britain, 1940  Search this
Experimental theater  Search this
Feminism and art  Search this
Nō  Search this
Sociology -- Study and teaching  Search this
World War, 1939-1945 -- Aerial operations  Search this
World War, 1939-1945 -- Evacuation of civilians  Search this
World War, 1939-1945 -- Refugees  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.roth11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roth11
Online Media:

Oral history interview with Linda Nochlin

Interviewee:
Nochlin, Linda  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Columbia University -- Students  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
New York University. Institute of Fine Arts -- Students  Search this
Vassar College  Search this
Courbet, Gustave, 1819-1877  Search this
Jones, Wendell, 1899-1956  Search this
Lehmann, Karl, 1894-1960  Search this
Millet, Jean François, 1814-1875  Search this
Panofsky, Erwin, 1892-1968  Search this
Renoir, Auguste, 1841-1919  Search this
Schapiro, Meyer, 1904-  Search this
Warburg, Aby, 1866-1929  Search this
Extent:
3 Items (Sound recording, master: 3 memory cards (3 hr., 51 min.), secure digital, 1.25 in.)
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 Jun. 9-30
Scope and Contents:
An interview of Linda Nochlin conducted 2010 June 9-30, by James McElhinney, for the Archives of American Art's Oral History of Women in the Visual Arts project at Nochlin's home in New York, N.Y.
Nochlin speaks of her family background; growing up in Crown Heights, Brooklyn; her antireligious and intellectual home environment; her childhood as "Eden"; the influence of her uncle, Robert Heller; in high school "hanging out" in museums in New York City; her studies at Vassar, Columbia University, and the Institute of Fine Arts at New York University; her early interest in and writings about Gustave Courbet; teaching at Vassar; the "homosexual matriarchy" at Vassar; feminism; her identity as a New Yorker; Pierre-Auguste Renoir as a painter of men; teaching the first "women in art" class; her article "Why Have There Been No Great Women Artists"; pre-women's liberation artists; how she has evolved as a writer; her taste in music, movies, and television; her research on Jean François Millet's, "The Gleaners"; how the discipline of art history has changed; her emphasis on "thinking, looking, explaining, and talking" about art and "new ways of looking at old material"; her students; her preference for the essay form; her current interest in the present moment; how research has changed with the availability of online resources; and other topics. She recalls Meyer Schapiro, Erwin Panofsky, Wendell Jones, Karl Lehmann, Aby Warburg, and others.
Biographical / Historical:
Linda Nochlin (1931-) is a professor of art history in New York, N.Y. James McElhinney (1952-) is an artist, writer and educator in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and audio recording are open for research. Contact Reference Services for more information.
Occupation:
Art historians -- New York (State) -- New York -- Interviews  Search this
Topic:
College teachers  Search this
Feminism and art  Search this
Research  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nochli10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nochli10
Online Media:

Oral history interview with Joan Mitchell

Interviewee:
Mitchell, Joan, 1926-1992  Search this
Interviewer:
Nochlin, Linda  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1986 Apr. 16
Scope and Contents:
An interview of Joan Mitchell conducted 1986 April 16, by Linda Nochlin, for the Archives of American Art, at the Westburry Hotel, in New York.
Biographical / Historical:
Joan Mitchell (1925-1992) was a painter. Birth date also cited, incorrectly, as 1926.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 27 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Interviews  Search this
Topic:
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mitche86
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mitche86
Online Media:

Museum of Fine Arts, Boston sound recordings

Creator:
Museum of Fine Arts, Boston  Search this
Names:
Ackley, Clifford S.  Search this
Broderson, Morris, 1928-2011  Search this
Burback, William J.  Search this
Cooper, Paula, 1938-  Search this
Dine, Jim, 1935-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Downes, Rackstraw  Search this
Driscoll, John Paul  Search this
Fink, Alan, 1925-  Search this
Glimcher, Arnold B.  Search this
Goodyear, Frank H., III, 1967-  Search this
Katz, Alex, 1927-  Search this
Moffett, Kenworth  Search this
Nochlin, Linda  Search this
Sheeler, Charles, 1883-1965  Search this
Stebbins, Theodore E.  Search this
Extent:
8 Items (sound cassettes)
2 Items (sound tape reels, 5 in.)
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1983 May 18-1984 Feb. 8
Scope and Contents:
A panel discussssion, an interview and 5 lectures sponsored by the Museum of Fine Arts, Boston. Included are a panel discussion "Is it just paint? The Figure in Contemporary Painting," with participants Rackstraw Downes, Frank H. Goodyear, Alex Katz, Kenworth Moffett, Linda Nochlin and Neil Welliver; an interview "Drawing Confronts Modernism: A Conversation with Jim Dine," conducted by Clifford Ackley; two lectures delivered for the "American Artists & the Advant Garde" series, including Theodore Stebbins' "Arthur G. Dove: An American Master" and John Paul Driscoll's "The Art of Charles Sheeler: To Make a Poem Again"; and 3 lectures delivered by Paula Cooper, Alan Fink, and Arnold Glimcher as part of "The Dealer's Eye" lecture series, moderated by William J. Burback.
Provenance:
Donated 1983-1984 by the Museum of Fine Arts, Boston.
Restrictions:
Stebbins lecture: ACCESS RESTRICTED; written permission required.
Dine interview: ACCESS RESTRICTED written permission required.
Untranscribed; use requires an appointment.
Occupation:
Art dealers  Search this
Topic:
Art, American  Search this
Modernism (Art)  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.musefabs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-musefabs

Nochlin, Linda Weinberg

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 17, Folder 29
Type:
Archival materials
Date:
1954
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 4: Writings by Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref425

Correspondence

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Type:
Archival materials
Date:
circa 1941-1984
Scope and Contents note:
Lee Krasner's correspondence spans over forty years, but the bulk of it ranges from 1970 to her death in 1984. Found here is correspondence with galleries and gallery owners that represented her, exhibited her work, or requested her work for potential exhibitions. Krasner was friends with many artists and art professionals and her personal correspondence includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also corresponded with art historians and critics, curators, collectors, arts and social organizations, admirers, and family members. Additionally, this series includes fan mail, student inquiries, correspondence with journalists and publishers, requests for her to lecture, and business correspondence on the sale of her work. There are numerous letters and telegrams congratulating Krasner on exhibitions, such as the 1965 Whitechapel retrospective and extensive documentation of her 1958 commission to create a mural for Uris Brothers, Inc.

See Index for List of Notable Correspondents from Series 2.2
Arrangement note:
Letters are arranged chronologically and include both letters received by Krasner and handwritten or typed drafts sent by Krasner. Later in her life many of the drafts were written by her secretary.
Index: List of Notable Correspondents from Series 2.2:
List represents only a selection of correspondents.

Albright-Knox Art Gallery

American Federation of Arts

Appelhof, Ruth Ann

Asher, Elise

Australian National Gallery

Barron, Maida

Berkson, Bill

Collier, Oscar

Cooper Union

County of Nassau Office of Cultural Development

Diamonstein, Barbaralee

Dickler, Gerald

Eames, Ray

Englesmith, Tejas

Erskine, Halley

Forge, Andrew (Yale University)

Franklin Siden Gallery

Friedman, B. H.

Friedman, Sanford

Glaser, Bruce

Goodman, Naomi

Gray, Cleve

Gregory-Hood, Alex (Rowan Gallery)

Guggenheim Museum

Guild Hall

Holladay, Billie

Howard, Richard

Howell, Douglas Morse

Hubbard, E. W.

Janie C. Lee Gallery

Johnson, Philip

Landau, Ellen

Lauck, Anthony

Lloyd, Frank

Marlborogh Fine Art, Ltd.

Martha Jackson Gallery

Matter, Mercedes

McHenry, Barnabas (Barney)

Michael, Marjorie

Museum of Modern Art

Myers, John Bernard

Namuth, Hans

Nemser, Cindy

New York WPA Artists, Inc.

Nochlin, Linda

Novak, Barbara

O'Connor, Francis

Oppler, Ellen

Ossorio, Alfonso

Pace Gallery

Parrish Art Museum

Pavia, Philip

Pollock, Jay

Rago, Louise Elliott

Robert Miller Gallery

Robertson, Bryan

Rose, Barbara

Russell, Bertrand

Schilling, Marge

School of Visual Arts

Sidney Janis Gallery

Siegel, Adele

Smithsonian Institution

Spaeth, Elaine

Stasik, Andrew

Still, Clyfford

Stony Brook Foundation

Tate Gallery

Thaw, Eugene V.

Thayer, Jeanne

Valliere, James

Van Fossen, Ted

Whitechapel Art Gallery

Whitney, David

Whitney Museum of American Art

Wise, Howard
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.polljack, Subseries 2.2
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-polljack-ref245

Shirley Jaffe papers

Creator:
Jaffe, Shirley, 1923-  Search this
Names:
Ford, Hermine  Search this
Francis, Sam, 1923-1994  Search this
Held, Al, 1928-  Search this
Jenkins, Paul, 1923-2012  Search this
Kushner, Robert, 1949-  Search this
Mitchell, Joan, 1926-1992  Search this
Nochlin, Linda  Search this
Rivers, Larry, 1925-2002  Search this
Smith, Kimber, 1922-1981  Search this
Stone, Sylvia, 1928-  Search this
Sugarman, George, 1912-1999  Search this
Extent:
7.1 Linear feet
0.26 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Video recordings
Sketchbooks
Diaries
Photographs
Interviews
Date:
circa 1950-2011
Summary:
The papers of artist Shirley Jaffe measure 7.1 linear feet and 0.260 GB and date from circa 1950-2011. The collection documents her life and career as an American painter living in Paris through biographical material, letters, notebooks, writings, project files, printed and digital material, photographic material, and sketchbooks.
Scope and Contents:
The papers of artist Shirley Jaffe measure 7.1 linear feet and 0.260 GB and date from circa 1950-2011. The collection documents her life and career as an American painter living in Paris through biographical material, letters, notebooks, writings, project files, printed and digital material, photographic material, and sketchbooks.

Scattered biographical materials include address and appointment books, an interview with Jaffe by Jeff Perkins recorded on one videocassette, and other documents.

Letters make up a significant portion of the collection and are primarily written to Shirley from friends and family. In addition to frequent letters received from her siblings and mother, Jaffe also received letters from artists Joan Mitchell, Sam Francis, Kimber Smith, Sylvia Stone and Al Held, Hermine Ford, Robert Kushner, and George Sugarman.

The papers include eighty-four notebooks kept by Jaffe containing lists, addresses, notes, sketches and the occasional diary entry. Project files contain correspondence, gouache studies, sketches, and printed material related to commissions and collaborations, including illustrations, murals, and the design of stained glass windows in the Chapelle Saint-Jean-l'Evangéliste in Perpignan, titled Funéraria.

Printed materials include articles, published books about Jaffe, clippings, exhibition catalogs, a recorded radio broadcast, and reviews.

There are photographs, slides, transparencies, and digital photographs depicting Jaffe's paintings, exhibitions, and artists and art world figures including Larry Rivers, Kimber Smith, Linda Nochlin, Sam Francis, Paul Jenkins, and Joan Mitchell at exhibition openings in the 1960s-1970s. Eight sketchbooks contain drawings by Jaffe in ink, marker, and pen.
Arrangement:
The collection is arranged as 7 series

Missing Title

Series 1: Biographical Material, 1950s-2000s (0.3 linear feet; Box 1)

Series 2: Letters, 1950s-2000s (3 linear feet; Box 1-4)

Series 3: Notebooks and Writings, 1950s-2000s (0.9 linear feet; Box 4-5)

Series 4: Project Files, 1970s-2003 (0.6 linear feet; Box 5, 9)

Series 5: Printed Material, 1952-2011 (0.7 linear feet; Box 5-6, 9)

Series 6: Photographic Material, 1950s-circa 2010 (1.3 linear feet; Box 6-8, 0.260 GB; ER01)

Series 7: Sketchbooks, 1960s-2000s (0.3 linear feet; Box 8)
Biographical / Historical:
Shirley Jaffe (1923-2016), née Sternstein, was an American painter living and working in Paris.

Born in New Jersey and raised in Brooklyn, Shirley Jaffe completed her studies at the Cooper Union in 1945. In 1949 she and husband Irving Jaffe moved to Washington, D.C. where she attended the Phillips Art School. Later that same year, they moved to Paris. The Jaffes returned to New York briefly in the early 1950s, but moved back to Paris in 1953, where Shirley Jaffe has been living and working ever since. She was married to Irving Jaffe until 1962.

Jaffe started her career as an abstract expressionist but began to work in a flat and geometric style in the late 1960s. She was part of the American expatriate art scene in Paris and associated with Joan Mitchell, Jean-Paul Riopelle, Sam Francis, Kimber Smith, and others. In 1963, Jaffe received a grant from the Ford Foundation to spend a year working in Berlin.

Jaffe took on several commissions in France including illustrations, murals, and notably, the design of stained glass windows in the Chapelle Saint-Jean-l'Evangéliste in Perpignan, titled Funéraria. Her paintings have been exhibited in New York at the Holly Solomon Gallery and the Tibor de Nagy Gallery, and at galleries and museums throughout France.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Shirley Jaffe conducted by Avis Berman, September 27-28, 2010.
Provenance:
The Shirley Jaffe papers were donated to the Archives of American Art by Shirley Jaffe in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- France -- Paris  Search this
Women artists  Search this
Expatriate artists -- France -- Paris  Search this
Genre/Form:
Sketches
Video recordings
Sketchbooks
Diaries
Photographs
Interviews
Citation:
Shirley Jaffe papers, 1950s-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jaffshir
See more items in:
Shirley Jaffe papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jaffshir
Online Media:

Linda Nochlin papers

Creator:
Nochlin, Linda  Search this
Names:
Courbet, Gustave, 1819-1877  Search this
Lajer-Burcharth, Ewa  Search this
Mitchell, Joan, 1926-1992  Search this
Pearlstein, Philip, 1924-  Search this
Zuka  Search this
Extent:
31.2 Linear feet
3.9 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Date:
circa 1876
1937-2017
Summary:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.
Scope and Contents:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

Biographical materials include two address books; awards and prizes; certificates and diplomas; childhood writings and notes, assignments, and school newsletters; course work at Vassar College and NYU's Institute of Fine Arts; honors; and one sound recording and three transcripts of Nochlin interviews with Alain Veinstein, Dan Karlholm, Jon Weiner, and Moira Roth.

Over 150 date books and notebooks spanning nearly 60 years contain appointments, reminders, travel plans, thoughts on art, journal entries, daily activities, to-do lists, contact information, fiction writing, and other small notations. Correspondence is with family; close colleagues and artists Ewa Lajer-Burcharth, Zuka Mitelberg, Joan Mitchell, and Philip Pearlstein; and professional contacts regarding speaking engagements, publishing projects, exhibitions, artists' work, conferences, and events.

The bulk of the collection documents Nochlin's prolific writing career that includes her lifelong research and work on Gustave Courbet, realism, bathers and the body, as well as numerous essays and lectures, research and writings on artists, and various other writing projects.

Files for professional activities contain material for conferences and symposiums that include 11 sound and video recordings, grants, fellowships, and travel arrangements and expenses. Teaching files consist of documentation for courses taught by Nochlin at New York University Institute of Fine Arts, Vassar College, Yale University, and other academic institutions.

Publications and other printed materials include annotated books, booklets, clippings, exhibition catalogs, journals and magazines, newsletters, offprints, five video recordings of broadcasts and documentary material, flyers, invitations, posters, and postcards. Artwork includes sketches in ink, charcoal, paint, and pencil created during Nochlin's childhood into her early 20s, along with artwork by children, and one video art recording by Zoulikha Bouabdellah.

Photographs and negatives are of Nochlin with artists Nancy Graves, Sebastian Horsley, and Shirley Jaffe; childhood classmates; friends and colleagues; students; and travels to Europe. Also included are photographs of works of art, personal photographs of family members, and portraits and snapshots of Nochlin.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Materials, circa 1940-2012 (1.0 linear feet; Box 1, OV 35 / 0.003 GB; ER01-ER03)

Series 2: Datebooks and Notebooks, 1959-2017 (2.5 linear feet; Boxes 2-5, OV 35 / 0.001 GB; ER004)

Series 3: Correspondence, 1946-2014 (2.0 linear feet; Boxes 5-7, OV 35 / 0.158 GB; ER005-ER011)

Series 4: Writing Project Files, circa 1876, 1953-2016 (17.0 linear feet; Boxes 7-21, 30-31, 33-34, OVs 36-37 / 3.72 GB; ER012-ER102)

Series 5: Professional Files, 1957-2012 (1.0 linear feet; Boxes 22-23 / 0.001 GB; ER103)

Series 6: Teaching Files, 1953-2012 (2.5 linear feet; Boxes 23-25, OV 36 / 0.016 GB; ER104-ER119)

Series 7: Printed Materials, 1939-2017 (3.0 linear feet; Boxes 26-28, 32, 34, OVs 39-40)

Series 8: Artwork, circa 1940-2004 (1.0 linear feet; Boxes 28, 34, OV 38)

Series 9: Photographic Materials, circa 1935-circa 2010 (1.0 linear feet; Boxes 28-29, 34)
Biographical / Historical:
Linda Nochlin (1931-2017) was a feminist art historian and professor at New York University Institute of Fine Arts in New York, New York. She is widely known for her essay first published in 1971, "Why Have There Been No Great Women Artists?," that explored the institutional systems in place for analyzing art history and their impacts on women artists. In 1976, Nochlin co-curated Women Artists: 1550-1950 alongside Ann Sutherland Harris at the Los Angeles County Museum of Art, and in 2007 she co-curated with Maura Reilly the Global Feminisms Exhibition at the Brooklyn Museum. Both exhibitions are considered landmark exhibitions of women artists.

Nochlin was born in Brooklyn, New York. She attended the Brooklyn Ethical Culture School and Midwood High School before enrolling in Vassar College where she majored in philosophy with minors in Greek and art history. After graduating in 1951, she went on to earn a master's degree in English from Columbia University in 1952. In 1963, she earned her PhD in art history from the Institute of Fine Arts. Nochlin's PhD dissertation, "Gustave Courbet: A Study of Style and Society," marked the beginning of her lifelong study of the 19th-Century French artist Gustave Courbet.

Nochlin taught at Yale University, the Graduate Center at the City University of New York, and Vassar College. She was also a visiting professor at Columbia University, Hunter College, Stanford University, Williams College, and Yale University, and later became the Lila Acheson Wallace Professor Emerita of Modern Art at the Institute of Fine Arts.

Nochlin authored numerous art history books including Realism (1971), The Politics of Vision: Essays on Nineteenth-Century Art and Society (1989), Representing Women (1999), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), Bathers, Bodies, Beauty: The Visceral Eye (2006), Courbet (2007), and Misère: The Visual Representation of Misery in the 19th Century (2018).
Related Materials:
Also found at the Archives of American Art is an oral history interview of Linda Nochlin conducted on June 9-30, 2010 by James McElhinney, for the Archives of American Art's Oral History of Women in the Visual Arts project at Nochlin's home in New York, N.Y.
Provenance:
The collection was donated in 2018 by Daisy Pommer, Linda Nochlin's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Feminists  Search this
Women art historians  Search this
Realism  Search this
Women artists  Search this
Genre/Form:
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nochlind
See more items in:
Linda Nochlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nochlind
Online Media:

"Art and the Conditions of Exile: Men/Women, Emigration/Expatriation"

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 1
Type:
Archival materials
Date:
circa 2005
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.3: Essays
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1000

Baronio, Joyce

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 1
Type:
Archival materials
Date:
1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.5: Files on Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1001

"Géricault, or the Absence of Women" at Louvre Museum

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 2
Type:
Archival materials
Date:
1991
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.4: Lectures
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1002

"Girodet Talk" at Louvre Museum

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 2
Type:
Archival materials
Date:
2006
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.4: Lectures
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1003

Book, The Jew in Text - Research Material

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 2
Type:
Archival materials
Date:
1995
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.6: Other Writing Projects
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1004

Book, Misère: The Visual Representation of Misery in the 19th Century - Research

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 2
Type:
Archival materials
Date:
2013
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.6: Other Writing Projects
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1005

Book, Representing Women - Proofs

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 2
Type:
Archival materials
Date:
1998
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.6: Other Writing Projects
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1006

Research on Orientalism

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 2
Type:
Archival materials
Date:
1984
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.6: Other Writing Projects
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1007

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