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Kaia Kater Discusses Inspiration Behind 'Grenades' [Interview Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-10-23T15:00:04.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_0_7lA6bvXnE

A Conversation with Chris Smither: The Influence of Folkways [Interview Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-11-30T18:19:11.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_ZKMhPwX6_I4

Our Native Daughters on Roots & the African American Banjo Tradition [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2019-04-11T14:48:43.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_jG1sRvFDnU0

FA 2431-2432 Newport Folk Festival, 1959-1960

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 5, Folder 48
Type:
Archival materials
Date:
1959-1961
Scope and Contents note:
Cover reproductions, photographic prints
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_02_005_048
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.1: Production Files
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-asch-ref4446

FA 2431-2432 Newport Folk Festival, 1959-1960

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 5, Folder 49
Type:
Archival materials
Date:
1961-1962
Scope and Contents note:
Correspondence, liner notes (final)
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_02_005_049
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.1: Production Files
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-asch-ref4448

Mississippi John Hurt

Artist:
Charmian Reading, 1930 - 2014  Search this
Sitter:
Mississippi John Hurt, 3 Jul 1893 - 2 Nov 1966  Search this
Medium:
Gelatin silver print on paper
Dimensions:
Image: 26.9 x 35 cm (10 9/16 x 13 3/4")
Sheet: 27.7 x 35.4 cm (10 7/8 x 13 15/16")
Mat: 55.9 x 71.1 cm (22 x 28")
Type:
Photograph
Place:
United States\Mississippi\Grenada
Date:
1966 (printed later)
Topic:
Costume\Headgear\Hat  Search this
Music\Musical instrument\Guitar  Search this
Mississippi John Hurt: Male  Search this
Mississippi John Hurt: Natural Resources\Agriculturist\Farmer  Search this
Mississippi John Hurt: Performing Arts\Performer\Musician\Guitarist  Search this
Mississippi John Hurt: Performing Arts\Performer\Musician\Singer\Folk  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2004.52
Restrictions & Rights:
Usage conditions apply
Copyright:
© Family of Charmian Reading
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm41b9fa610-3f2f-4ef5-af64-5b7d0d474834
EDAN-URL:
edanmdm:npg_NPG.2004.52

Joan Baez

Artist:
Ivan Massar, born 1924  Search this
Sitter:
Joan Baez, born 9 Jan 1941  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 24.2 x 16.5cm (9 1/2 x 6 1/2")
Mat: 55.9 x 40.6cm (22 x 16")
Type:
Photograph
Place:
United States\District of Columbia\Washington
Date:
1963
Topic:
Music\Musical instrument\Guitar  Search this
Costume\Jewelry\Pendant  Search this
Joan Baez: Female  Search this
Joan Baez: Performing Arts\Performer\Musician\Songwriter  Search this
Joan Baez: Performing Arts\Performer\Musician\Guitarist  Search this
Joan Baez: Performing Arts\Performer\Musician\Singer\Folk  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.94.245
Restrictions & Rights:
Usage conditions apply
Copyright:
© Massar Studios LLC
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm42738deec-4748-4570-972f-a6d540f1ceba
EDAN-URL:
edanmdm:npg_NPG.94.245

Emory Guitar played by Mississippi John Hurt at the 1963 Newport Folk Festival

User:
Hurt, Mississippi John  Search this
Physical Description:
wood (overall material)
metal (strings material)
Measurements:
overall: 38 in x 14 1/2 in x 5 in; 96.52 cm x 36.83 cm x 12.7 cm
Object Name:
guitar
Date made:
ca 1890-1895
ca 1900 - 1910
Credit Line:
Gift of Darrell Guinn
ID Number:
2018.0191.01
Accession number:
2018.0191
Catalog number:
2018.0191.01
See more items in:
Cultural and Community Life: Musical Instruments
Music & Musical Instruments
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-239a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1897285
Online Media:

Case for Emory Guitar played by Mississippi John Hurt

User:
Hurt, Mississippi John  Search this
Physical Description:
plastic (overall material)
felt (overall material)
wood (overall material)
Measurements:
overall: 41 in x 15 1/2 in x 5 in; 104.14 cm x 39.37 cm x 12.7 cm
Object Name:
case
ID Number:
2018.0191.01.01
Accession number:
2018.0191
Catalog number:
2018.0191.01.01
See more items in:
Cultural and Community Life: Musical Instruments
Music & Musical Instruments
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-e20f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1897287

Newport Folk Festival

Referenced:
Sweet Honey In The Rock  Search this
Measurements:
overall: 11 in x 8 1/2 in; 27.94 cm x 21.59 cm
Object Name:
Program
Date made:
1993
Subject:
Blacks  Search this
African American  Search this
Credit Line:
Gift of Sweet Honey in the Rock through Bernice Johnson Reagon
ID Number:
2003.3091.138
Nonaccession number:
2003.3091
See more items in:
Cultural and Community Life: Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-6577-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1276261

Transcript- Panel Discussion Newport Folk Festival 1959

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 1
Type:
Archival materials
Date:
1959
Scope and Contents note:
File consists of transcripts.
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 6: Biographical Materials / General
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-asch-ref14249

Interview Transcript- Silber, Irwin

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 6
Type:
Archival materials
Date:
1960-1961, 1983, 1992
Scope and Contents note:
File consists of liner notes from Newport Folk Festival and "Songs of the Civil War" albums; transcript from interview w/Irwin Silber, 8/7/1992; hand written notes and manuscript materials referring to biographical information pertaining to Moe; and correspondence between Silber and Peter Goldsmith regarding a tape, 7/9/1992.
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 6: Biographical Materials / Gary Kenton
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-asch-ref14603

FA 2431 and 2432 - The Folk Music of the Newport Folk Festival 1959 - 60 / Vol. 1 & 2

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 2000 - 9, Folder 13
Type:
Archival materials
Graphic Materials
Date:
1961
Scope and Contents:
11 slicks, mechanical with 2 overlays and detached original photograph, mechanical with 3 overlays and attached photograph.

Photographer: David Gahr

Cover Design: Interdesign
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.2: Album Cover Mechanicals
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-asch-ref10885

Covers his early life, education, life-long work in folklore, career at the Smithsonian, and the development of the Festival of American Folklife, c. 1934-1993, including: Early life and schooling at Swarthmore College; introduction to folk music, incl...

Collection Creator::
Rinzler, Ralph, interviewee  Search this
Container:
Interviews
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 9569, Ralph Rinzler Oral History Interview
See more items in:
Ralph Rinzler Oral History Interview
Ralph Rinzler Oral History Interview / Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9569-refidd1e317

Smithsonian Folklife Festival records: 1967 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Audiotapes
Contracts
Photographic prints
Audiocassettes
Negatives
Video recordings
Notes
Sound recordings
Plans (drawings)
Business records
Slides (photographs)
Memorandums
Correspondence
Videotapes
Digital images
Date:
July 1-4, 1967
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1967 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Fieldwork

Series 3: Photographs

Series 4: Audio

Series 5: Video
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1967 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts.

For more information, see Smithsonian Folklife Festival records.
Introduction:
In 1966, Smithsonian Secretary S. Dillon Ripley engaged James R. Morris to serve as Director of Museum Services, soon to become a new Division of Performing Arts. Ripley charged Morris to develop a full program of performances on the National Mall - sound and light show, readings and concerts, films, live demonstrations, and special exhibitions. Morris, who had previously organized the American Folk Festival in Asheville, North Carolina, in 1963, proposed that the Smithsonian host a folk festival as the centerpiece of the outdoors activities. Through the Asheville festival, Morris had come into contact with key people involved in the Newport Folk Festival, among them Alan Lomax. It was Lomax who suggested that the Smithsonian hire Newport's then-director of field programs, Ralph C. Rinzler, to help plan a Smithsonian festival. The term "folklife", drawn from Scandinavian usage, was chosen over "folk" as the name of the new Festival.

The first Festival of American Folklife was held July 1-4, 1967 in two tents - one for crafts and one for sales - a music stage, and a performance area on the terrace of the Museum of History and Technology (later, the National Museum of American History). Fifty-eight traditional craftspeople and thirty-two musical and dance groups from throughout the United States demonstrated and performed at the first open-air event. Mountain banjo-pickers and ballad singers, Chinese lion dancers, Indian sand painters, basket and rug weavers, New Orleans jazz bands and a Bohemian hammer dulcimer band from east Texas combined with the host of participants from many rural and urban areas of the U.S. The entire event was free to the public, the expense of the production having been borne by the Smithsonian aided by numerous civic and cultural organizations, business enterprises and State Arts Councils.

The 1967 Festival drew a huge crowd - estimated at more than 400,000 - and strong interest from the press, Members of Congress, and Smithsonian leadership. In the Smithsonian's annual report for 1967, Ripley reflected on the success of the Festival:

Within - in the Museum - the tools, the products of craft work, the musical instruments hang suspended in cases, caught in beautifully petrified isolation. Without, for the space of a few hours they came alive in the hands of specialists from all over America.... It was a moving spectacle and one that underscored the principle that a museum, to be a museum in the best sense of the word, must live and breathe both within and without.

The 1967 Festival marked the inception of a fresh attempt at the evaluation, documentation and celebration of a hitherto unrecognized area of vigorous American expression. Concurrent with the first Festival, an American Folklife Conference was organized (with assistance from Henry Glassie) to address topics of American and international folklife studies, the relationship between folklife and history, applied folklife, and folklife in schools, museums, communities, and government agencies.

The Festival was organized by the Division of Performing Arts, under the direction of James R. Morris. Ralph Rinzler was the Applied Folklore Consultant and Festival Artistic Director, and Marian A. Hope was Project Assistant. No program book or schedule was published, but news articles, congressional remarks, letters from the public, and a list of participants were later compiled in lieu of a program book. That document can be viewed in Series 1.
Participants:
Crafts

Harry Belone, 1912-1986, Navajo sand painter, Arizona

Herman Benton, 1914-1994, scoop maker, New York

Mary Bowers, 1922-2002, Seminole patchwork, needlework, Florida

Marie Z. Chino, 1907-1982, Acoma pottery, New Mexico

Mildred Cleghorn, 1910-1997, Indian cloth dolls, Oklahoma

Maisy Coburn, apple face and corncob dolls, Arkansas

Margaret Coochwytewa, 1923-1995, Hopi, coil and yucca leaves basket maker, Arizona

Victor Coochwytewa, 1922-2011, Hopi silversmith, Arizona

Freedom Quilting Bee, Alabama

Taft Greer, 1908-1986, weaver, Tennessee

Joseph Grismayer, 1888-1970, willow basket maker, Pennsylvania

Dewey Harmon, 1900-1972, whittler, North Carolina

Bea Hensley, 1919-2013, blacksmith, North Carolina

Louise Jones, 1910-1973, coil basket making, South Carolina

Robert Keith, chair maker, North Carolina

Mrs. Robert Keith, chair maker, North Carolina

Norman Kennedy, 1934-, carder, spinner, weaver, Massachusetts

Clifford Lucas, Indian dolls, New Mexico

Lila Suzanne Marshall, 1908-1994, corn shuck dolls, North Carolina

Charles Mayac, 1906-1971, ivory carver, Alaska

Leo J. Meyer, scrimshaw carver, Maryland

Alice Merryman, 1906-2007, corn shuck dolls, Arkansas

Norman Miller, 1905-1972, southern pottery, Alabama

Mrs. Norman Miller, southern pottery, Alabama

Hazel Miracle, 1915-2001, apple face, corn shuck dolls, Kentucky

Homer Miracle, 1910-1980, hand-hewn bowls, carver, Kentucky

Ann Mitchell, corn shuck dolls, Maryland

Golda Porter, spinner, North Carolina

Edd Presnell, 1916-1994, dulcimer maker, North Carolina

Ambrose Roanhorse, 1904-1982, Navajo silversmith, Arizona

Garnet Claw Roanhorse, 1911-1999, Navajo rug weaver, Arizona

Georgianne Robinson, 1917-1985, Osage ribbon work, needlework, Oklahoma

Lou Sesher, 1915-1989, model boat builder, Pennsylvania

Genevieve Tomey, Osage ribbon work, needlework, Oklahoma

Elisia Trivett, rug hooker, North Carolina

Ora Watson, 1909-2004, quilting, North Carolina

Willard Watson, 1905-1994, toy maker, North Carolina

Music

The Baca Family Band, Czech-American polka music, Texas

Libba Cotten, Country guitarist, North Carolina, Washington, D.C.

Dejan's Olympia Brass Brand, New Orleans marching band, Louisiana

Jimmie Driftwood, Ozark ballad singer, Arkansas

First Maryland Regiment Fife and Drum Corps, martial music, Maryland

John Jackson, Songster and blues singer, Virginia

Bessie Jones (1902-1984) and the Georgia Sea Island Singers, shouts, jubilees, spirituals, and ring games, Georgia

Norman Kennedy, Scots ballad singer, Massachusetts

Clark Kessinger, 1896-1975, mountain fiddler, West Virginia

Vinice Lejeune (1919-1993) Group, Cajun band, Louisiana

The McGee Brothers with Sid Harkreader, String band, Tennessee

Sam McGee, 1894-1975

Kirk McGee, 1899-1983

Gene Meade, West Virginia

The Moving Star Hall Singers, shouts, jubilees, spirituals, and ring games, South Carolina

Glenn Ohrlin, cowboy singer, Arkansas

Grace Papakee, 1907-1982, Mesquakie Indian music, Iowa

John Papakee, 1895-1981, Mesquakie Indian music, Iowa

Billie Pierce (1907-1974) and De De Pierce (1904-1973) and the Preservation Hall Jazz Band, New Orleans jazz, Louisiana

Almeda Riddle, Ozark ballad singer, Arkansas

Scottish Pipe Band, highland marching music, Washington, D.C.

Wade Ward (1892-1971) and the Buck Mountain Band, mountain string band, Virginia

Yomo Toro Band, Puerto Rican music, New York

Ed Young (1910-1972), G.D. Young and Lonnie Young (1903-1976), African American fife and drum group, Mississippi

Young People's Chorus from the Scripture of Church of Christ, gospel, Virginia

Dance

Blue Ridge Mountain Dancers, cloggers, North Carolina

Chinese Lion Group, Washington, D.C.

Maurice Flowers, square dance caller, Maryland

Los Gallegos d'Espana, Galician dance, New York

Glinka Dancers, Russian dance group, New Jersey

Jochim Koyuk, King Island Eskimo dancer, Alaska

Mrs. Jochim Koyuk, King Island Eskimo dancer, Alaska

McNeff Dancers, Irish dancing with Ceilidh band, New York

Henry Paterick, square dance caller, Virginia

St. Andrews Society Group, Scottish dancing, Washington, D.C.
Forms Part Of:
Smithsonian Folklife Festival records: 1967 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folklore  Search this
Folk art  Search this
Folk festivals  Search this
Food habits  Search this
arts and crafts  Search this
Folk music  Search this
World music  Search this
Genre/Form:
Audiotapes
Contracts
Photographic prints
Audiocassettes
Negatives
Video recordings
Notes
Sound recordings
Plans (drawings)
Business records
Slides (photographs)
Memorandums
Correspondence
Videotapes
Digital images
Citation:
Smithsonian Folklife Festival records: 1967 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.
Identifier:
CFCH.SFF.1967
See more items in:
Smithsonian Folklife Festival records: 1967 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1967

Diana Davies photographs

Photographer:
Davies, Diana, 1938-  Search this
Gahr, David  Search this
Performer:
Bread and Puppet Theater  Search this
Everly Brothers  Search this
New Lost City Ramblers  Search this
Pentangle (Musical group)  Search this
The Pennywhistlers (Musical group)  Search this
The Young Tradition (Musical group)  Search this
Andersen, Eric  Search this
Bikel, Theodore  Search this
Brand, Oscar  Search this
Cameron, John A.  Search this
Chandler, Len  Search this
Collier, Jimmy  Search this
Collins, Judy, 1939-  Search this
Fuller, Jesse  Search this
Gerrard, Alice, 1934-  Search this
Guthrie, Arlo  Search this
Hartford, John  Search this
Hjorth, Ole  Search this
Joplin, Janis  Search this
Kennedy, Norman, 1934-  Search this
Kershaw, Doug  Search this
Killen, Louis  Search this
Kirkpatrick, Frederick Douglass  Search this
Koerner, John  Search this
McGhee, Brownie, 1915-1996  Search this
Mitchell, Joni  Search this
Monroe, Bill, 1911-1996  Search this
Ochs, Phil  Search this
Perkins, Carl  Search this
Proffitt, Frank, Jr., 1946-2005  Search this
Rachell, Yank  Search this
Raim, Ethel  Search this
Ramsey, Frederic, 1915-1995  Search this
Reagon, Bernice Johnson, 1942-  Search this
Rinzler, Ralph  Search this
Sainte-Marie, Buffy  Search this
Seeger, Mike, 1933-2009  Search this
Stabi, Björn  Search this
Sykes, Roosevelt, 1906-1983  Search this
Taylor, James  Search this
Traum, Artie  Search this
Traum, Happy  Search this
Waters, Muddy, 1915-1983  Search this
Watson, Doc  Search this
Watson, Merle  Search this
White, Elaine, (Vocalist)  Search this
Wiseman, Mac  Search this
Names:
Newport Folk Festival  Search this
Philadelphia Folk Festival  Search this
Asch, Moses  Search this
Chandler, Nancy  Search this
Dunson, Josh, 1941-  Search this
King, Coretta Scott, 1927-2006  Search this
Silber, Irwin, 1925-2010  Search this
Young, Izzy, 1928-  Search this
Musician:
Bosco, John  Search this
Extent:
3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.

Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.

Arranged in 14 series:

Series 1: Newport Folk Festival

Series 2: Philadelphia Folk Festival

Series 3: Broadside Magazine

Series 4: -- Sing Out! -- Magazine Concerts

Series 5: Miscellaneous Concerts and People

Series 6: Festival of American Folklife

Series 7: Recording Sessions

Series 8: Instruction Book Shots

Series 9: Jazz, Blues, and Salsa Musicians

Series 10: Georgia Sea Islands

Series 11: Social Justice

Series 12: New York City Scenes

Series 13: Miscellaneous Papers and Correspondence

Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.

Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.

Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections.
Rights:
Copyright restrictions apply. Please contact the archives staff for further information.
Topic:
Peace movements  Search this
March on Washington for Jobs and Freedom, Washington, D.C., 1963  Search this
Civil rights -- United States  Search this
Genre/Form:
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Citation:
Diana Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.DAVIE
See more items in:
Diana Davies photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-davie
Online Media:

Joan Baez

Artist:
Russell Hoban, 4 Feb 1925 - 13 Dec 2011  Search this
Sitter:
Joan Baez, born 9 Jan 1941  Search this
Medium:
Casein on board
Dimensions:
Sight: 73.7 x 52.1cm (29 x 20 1/2")
Frame: 86.4 x 64.8cm (34 x 25 1/2")
Type:
Painting
Date:
1962
Topic:
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Interior\Domestic  Search this
Music\Musical instrument\Guitar  Search this
Joan Baez: Female  Search this
Joan Baez: Performing Arts\Performer\Musician\Songwriter  Search this
Joan Baez: Performing Arts\Performer\Musician\Guitarist  Search this
Joan Baez: Performing Arts\Performer\Musician\Singer\Folk  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC215
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Exhibition:
Bravo!
On View:
NPG, South Gallery 322 Mezzanine
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46a778a46-d4a2-4132-9346-b1fcde971353
EDAN-URL:
edanmdm:npg_NPG.78.TC215

Smithsonian Folklife Festival records

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1,948 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Audiocassettes
Slides (photographs)
Digital images
Photographic prints
Audiotapes
Notes
Business records
Memorandums
Contracts
Negatives
Sound recordings
Video recordings
Plans (drawings)
Videotapes
Date:
1967-2016
Summary:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. This collection documents the planning, production, and execution of the annual Smithsonian Folklife Festival. These Festival records include administrative papers and the audiovisual documentation of annual Festivals (1967-ongoing). Finding aids are available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the annual Smithsonian Folklife Festival. Materials include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. In earlier years these materials were all created as paper records or analog media; ongoing retrospective digitization efforts aim to preserve those and make them more widely accessible. Increasingly, the Festival records are now born as digital media or electronic documents.

Staff and contractors of the Center for Folklife and Cultural Heritage collaborate with Smithsonian staff photographers to document the Festival in images. The Center's videographer, contract crews, volunteers, and interns video-record Festival performances and demonstrations. Volunteers trained by the Center's archivists record and log audiotapes at every Festival stage and discussion area. In recent years, the average documentation of a Festival may consist of some 10,000 images, several hundred audio recordings, and 5+ terabytes of video; this audiovisual documentation is complemented by thousands of pages of administrative and planning documents. In addition to the documentation of the Festival on the National Mall, the collection includes field research conducted by Smithsonian researchers or, increasingly, by researchers drawn from the community, state, or nation featured.

Festival papers

The Smithsonian Folklife Festival papers include the correspondence, memoranda, notes, planning documents, and various other records associated with the Festival as a whole or with one or more of its years or programs. This includes, among others, administrative records such as planning documents, contracts, agreements, and memoranda of understanding, correspondence, meeting materials, etc.; programmatic records pertaining to the development and curation of the Festival or one of its programs such as correspondence, reports, proposals, concepts, notes, other planning documents, etc.; participant records such as participant handbooks, participant invitation and contract letters, release/voucher forms, participant questionnaires, staffing and payment schedules, and related materials; and artwork and graphic design files used in publications, signage, and other media as well as associated release forms. It does not such categories of papers as finance and administration records, personnel records, development records, publicity files, or technical project files.

For any given Festival, materials within the collection typically include:

Program books, publications, and ephemera

Program books were published from 1968 through 2011 and again in 2013, and typically included introductory essays and keynote essays on each program, as well as a list of Festival participants, schedule of activities, site map, and staff list. Occasionally, the schedule and lists were published separately from the essays. Beginning in 2012, a shorter guide provided an overview of each program, its participants, and schedule. Beginning in 2014, an annual review reported on the activities of the Center for Folklife and Cultural Heritage, including the Festival. Digital versions of these materials, as well as site maps for each Festival except the first, are found as the first series within each annual collection. In addition, the Rinzler Archives houses one or more copies of the original printed versions of each publication. In later years, web resources were often published to enhance the Festival experience. Digitally archived copies of these resources are accessible through this finding aid.

For many Festivals, one or more posters were published. Cookbooks were occasionally published in connection with a Festival program, particularly in the case of a foreign country's participation. Materials aimed toward children or families, typically suggesting activities they could engage in during the Festival or before and after their visit, were published for many Festivals or programs. Original printed copies of such publications and ephemera are housed within the Rinzler Archives; as these are digitized over time they will be made available through this finding aid.

Fieldwork

Fieldwork may take the form of photographs, audio or video recordings, notes, transcripts, reports, correspondence, and other documents. Where these are clearly associated with a single Festival program, they are identified as such, housed discretely within the Rinzler Archive, and inventoried as part of that program. In some cases, fieldwork notes and reports may also be found among the Smithsonian Folklife Festival Papers, so the inventories within each program here may not always be comprehensive. As materials are processed over time, these inventories will be updated and enhanced.

Photographs

Photographs may include digital photographs, photographic prints, negatives, and slides, both black-and-white and color. These depict events and activities on the National Mall during the Festival, as well as informal activities of Festival participants at the hotel or while visiting Washington. Ongoing digitization efforts aim to preserve earlier analog photographs and make them more readily accessible. The Smithsonian's Digital Asset Management System (DAMS) stores all of the digital images, whether born digital (19XX-present) or digitized from analog originals. The present finding aid seeks to provide direct access to a sample of such photographs, although in most cases numerous other photographs also exist in the Rinzler Archives.

Audio

Throughout its history, the Festival has endeavored to create a comprehensive audio record of the performances, discussions, and other activities on all of its stages and performance venues, typically by taking a feed from that stage's sound reinforcement system. Occasionally, audio recordings also included interviews with craftspeople or Festival visitors who were not on stage, as well as evening rehearsals and informal interactions at the Festival hotel. Given the nature of the Festival as an outdoor event and the inevitable interference of airplanes flying overhead and traffic noises from adjacent streets, and given that the requirements of live sound reinforcement are not identical with those of audio recording, the resulting recordings are sometimes subject to interruption and technical shortcomings. In certain years, special arrangements were made for high-quality, multi-track recording, even if the vast majority of recordings are done at lower quality. At the time of recording, volunteers create logs or track sheets describing the content of each recording; in some cases these have been revised and corrected and in other cases the simultaneous logs have not been verified or revised. Retrospective digitization efforts aim to preserve older recordings and make them more widely accessible.

Video

Motion picture films and video recordings of Festival activities were created beginning in 1968 (for film) and 1973 (for video). In contrast with the audio recordings that sought to document primarily the activities on stage, the film and video efforts were typically both more inclusive (by covering crafts, occupational demonstrations, foodways, rehearsals, and non-stage events) and more selective (focusing on a sampling of each day's activities or on a single program, rather than beginning-to-end coverage of the entire Festival). As with the audio recordings, simultaneous written logs note what was recorded. Digital video is stored on the Smithsonian DAMS, with ongoing efforts to digitize older analog materials, whether born as motion picture film or as video.
Arrangement note:
The Smithsonian Folklife Festival records include one collection of papers and administrative documents and annual collections of the audiovisual documentation associated with each year's Festival.

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. It is produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and by its predecessors: the Center for Folklife Programs and Cultural Studies (1991-1999), Office of Folklife Programs (1979-1991), Folklife Program of the Office of American and Folklife Studies (1977-1979), and Division of Performing Arts (1967-1976). Beginning with the 1973 Festival, the National Park Service of the U.S. Department of the Interior became cosponsor of the Festival.

The Festival is organized to increase and diffuse knowledge about grassroots culture. It is a research-based, curated event, drawing on the efforts of Smithsonian staff, academic and lay scholars from the featured cultures, and people who know a great deal about their own cultures. The most distinctive feature of the Festival is its attempt to foreground the voices of tradition bearers as they demonstrate, discuss, and present their folklife and cultural heritage. Since its founding the Festival has always navigated between the various axes of art (as entertainment), cultural rights (as advocacy), education (as public service), and knowledge (as scholarship).

Since its founding, the Festival has featured exemplary tradition bearers from more than 50 nations, every region of the United States, scores of ethnic communities, more than 100 American Indian groups, and some 50 occupations. Each year's Festival typically includes several programs, each focusing on a state or region of the United States, a foreign country, an occupation, or a theme.

The Festival was born in 1967 during the tenure of Smithsonian Secretary S. Dillon Ripley, part of a larger effort to make the National Mall more accessible to the American public and to make the Smithsonian's programs more exciting and engaging. James Morris, director of Museum Services and then of the Division of Performing Arts, proposed that the Smithsonian host a folk festival as the centerpiece of the outdoors activities on the National Mall. Ralph C. Rinzler, then-director of field programs for the Newport Folk Festival, was engaged to help plan the 1967 Festival, serving as Festival Director from 1968-1982.

The Festival's growth and evolution over subsequent decades can be traced through introductory notes for each annual Festival. Those notes seek to provide an overview of that year's Festival and of each of its programs, as they were conceived by their organizers at the time. In certain cases, geographic names or other terms are retained that may not reflect current usage. Those notes also include detailed information on the institutional arrangements, key personnel, and major donors and partners for each annual Festival.
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 for additional information.

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright restrictions apply. Contact archives staff for information.

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives; please submit this form. Licensing fees may apply in addition to any processing fees.
Topic:
Food habits  Search this
Publications  Search this
Language and languages  Search this
Folklore  Search this
arts and crafts  Search this
Folk music  Search this
World music  Search this
Folk festivals  Search this
Folk art  Search this
Genre/Form:
Correspondence
Audiocassettes
Slides (photographs)
Digital images
Photographic prints
Audiotapes
Notes
Business records
Memorandums
Contracts
Negatives
Sound recordings
Video recordings
Plans (drawings)
Videotapes
Citation:
Smithsonian Folklife Festival records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff

Newport Folk Festival: Jesse Fuller

Collection Photographer:
Davies, Diana, 1938-  Search this
Extent:
1 Color slide
Type:
Archival materials
Color slides
Date:
1966
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections.
Collection Rights:
Copyright restrictions apply. Please contact the archives staff for further information.
Collection Citation:
Diana Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.DAVIE, File FP-DAVI-COSL-0478-2
See more items in:
Diana Davies photographs
Diana Davies photographs / Series 1: Newport Folk Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-davie-ref100

Newport Folk Festival: Jesse Fuller

Collection Photographer:
Davies, Diana, 1938-  Search this
Extent:
1 Color slide
Type:
Archival materials
Color slides
Date:
1966
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections.
Collection Rights:
Copyright restrictions apply. Please contact the archives staff for further information.
Collection Citation:
Diana Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.DAVIE, File FP-DAVI-COSL-0478-3
See more items in:
Diana Davies photographs
Diana Davies photographs / Series 1: Newport Folk Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-davie-ref101

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