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Eugen Neuhaus papers, [ca. 1906-1966]

Creator:
Neuhaus, Eugen, 1879-1963  Search this
Subject:
Sproul, Robert Gordon  Search this
Neuhaus, Robert R.  Search this
Nahl, Charles Christian  Search this
Heil, Walter  Search this
Doerner, Max  Search this
Hagemeyer, Johan  Search this
Partridge, Roi  Search this
University of California, Berkeley.Dept. of Art  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Sketchbooks
Topic:
Art  Search this
Record number:
(DSI-AAA_CollID)9576
(DSI-AAA_SIRISBib)211777
AAA_collcode_neuheuge
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211777

The art of the exposition [microform] : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition / by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
91 p., [26] p. of plates : ill. ; 23 cm
Type:
Microforms
Date:
1915
Topic:
Art--Exhibitions  Search this
Call number:
mfm 003107.169.2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_486979

Brents Carlton papers

Creator:
Carlton, Brents, 1903-1962  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
De Patta, Margaret, 1903-1964  Search this
Dean, Mallette, 1907-  Search this
Helser, Carrie Carlton  Search this
Neuhaus, Eugen, 1879-1963  Search this
Nichols, Dale, 1904-  Search this
Smith, Judson, 1880-1962  Search this
Extent:
4.7 Linear feet
0.528 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Prints
Sketches
Scrapbooks
Date:
1903-2014
Summary:
The papers of sculptor and painter Brents Carlton measure 4.7 linear feet and 0.528 GB and date from 1903 through 2014. The collection consists of biographical material, correspondence, personal business records, notes, a scrapbook, exhibition files, art work, photographs, digital photographs, and printed material.
Scope and Contents:
The papers of sculptor and painter Brents Carlton measure 4.7 linear feet and 0.528 GB and date from 1903 through 2014. The collection consists of biographical material, correspondence, personal business records, notes, a scrapbook, exhibition files, art work, photographs, digital photographs, and printed material.

Biographical materials include several autobiographical accounts, school-related materials, a student card from the Art Students' League, and other identification cards.

Correspondence consists primarily of letters from family members and colleagues, including letters from Victor Arnautoff, H. Mallette Dean, Margaret De Patta, Eugen Neuhaus, Dale Nichols, and Judson T. Smith.

Personal business records include bank passbooks, pharmacy licensing records, receipts, income tax records, and ledgers of income, expenses, and art work sold.

Notes consists of Brents Carlton's address book, notebooks, and meeting minutes, as well as notes written by his daughter Carrie Carlton Helser.

There is one scrapbook. Exhibition files include correspondence, notes, photographs, and printed material related to the Golden Gate International Exhibition and other shows. There are also sketches, drawings, and prints by Carlton in the artwork series.

Photographic material includes an album, slides, negatives, and prints depicting Brents Carlton and his artwork, friends, family, and studios.

Printed material includes magazines, brochures, catalogs, and clippings.

A 2015 addition to the Brents Carlton papers includes additional biographical material, correspondence, personal business records, photographic material, and printed material.
Arrangement:
The collection is arranged as 10 series. Series 10 consists of a 2015 addition to the papers that was not integrated into the other series, although there are similar types of materials.

Series 1: Biographical Material, 1921-1944 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1922-1987 (0.2 linear feet; Boxes 1, 6)

Series 3: Personal Business Records, 1924-1959 (0.2 linear feet; Box 1)

Series 4: Notes, circa 1923-2009 (0.1 linear feet; Boxes 1, 6, 0.013 GB; ER01)

Series 5: Scrapbook, 1928-1962 (0.2 linear feet; Box 6)

Series 6: Exhibition Files, 1927-1983 (0.3 linear feet; Box 1, OV 8)

Series 7: Art Work, 1924-1962 (0.3 linear feet; Box 1, 6, OV 8)

Series 8: Photographs, 1923-circa 1960 (0.6 linear feet; Boxes 1-2, 6-7)

Series 9: Printed Material, 1923-2012 (0.2 linear feet; Box 2)

Series 10: 2015 Addition to the Brents Carlton Papers, 1903-2014 (2.3 linear feet; Boxes 2-5, 7, 0.515 GB; ER02-ER03)
Biographical / Historical:
Brents Carlton was a sculptor and painter who worked primarily in San Francisco, California.

Brents Carlton was born on October 31, 1903, in Roswell, New Mexico; his family later moved to Arkansas. In 1924, Carlton moved to San Francisco to attend the California School of Fine Arts for four years. From 1928 to 1929, he studied under a scholarship at the Art Students' League in New York, after which he returned to San Francisco and established his own studio at Polk Street. In order to support his family, Carlton was also employed as a pharmacist for 30 years.

In 1937, Carlton moved to a studio on Montgomery Street. In 1938, Carlton was commissioned to create four of his most notable works for the Golden Gate International Exposition (1939-1940) on Treasure Island: two large cast concrete figures for the Fountain of Western Waters at the Court of Pacifica, and two 18-foot bas-relief figures for the façade of the California State Building. He married Jessie Bosworth in 1939 and they had a daughter Carrie.

In the mid-1940s, Carlton relocated to a new studio above the pharmacy on Mission Street, where he worked. Due to failing health in the late 1950s, Carlton switched from sculpture to painting. Brents Carlton died of cancer on September 6, 1962 in San Francisco. His works have been exhibited in the California Palace of the Legion of Honor, the Oakland Art Gallery, and the San Francisco Museum.
Provenance:
The Brents Carlton papers were donated by the artist's daughter Carrie Carlton Helser in 1991 and 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Brents Carlton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- California  Search this
Sculptors -- California  Search this
Genre/Form:
Photographs
Prints
Sketches
Scrapbooks
Citation:
Brents Carlton papers, 1903-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlbren
See more items in:
Brents Carlton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlbren

Roi Partridge papers

Creator:
Partridge, Roi, 1888-1984  Search this
Names:
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
Adams, Ansel, 1902-1984  Search this
Anderson, Sherwood, 1876-1941  Search this
Arms, John Taylor, 1887-1953  Search this
Cunningham, Imogen, 1883-1976  Search this
Hunter, Dard, 1883-1966  Search this
Jacques, Bertha  Search this
Linsky, Elizabeth  Search this
Neuhaus, Eugen, 1879-1963  Search this
Partridge, Roi, 1888-1984  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Travelogs
Scrapbooks
Christmas cards
Drafts (documents)
Photographs
Notes
Date:
1909-2003
bulk 1909-1984
Summary:
The papers of California printmaker and educator Roi Partridge measure 1.0 linear foot and date from 1909-2003, with the bulk of the material dated 1909-1984. Found here are scattered correspondence, notes and writings, a scrapbook, printed material, and photographs. Several of the documents date from the time Partridge was married to photographer Imogen Cunningham, particularly family correspondence and a travel log of family car camping trips to the west. The same travel log documents one sketching trip Partridge made with Eugen Neuhaus.
Scope and Content Note:
The papers of California printmaker and educator Roi Partridge measure 1.0 linear foot and date from 1909-2003, with the bulk of the material dated 1909-1984. Found here are scattered correspondence, notes and writings, a scrapbook, printed material, and photographs. Several of the documents date from the time Partridge was married to photographer Imogen Cunningham, particularly family correspondence and a travel log of family car camping trips to the west. The same travel log documents one sketching trip Partridge made with Eugen Neuhaus.

General and family correspondence consists largely of incoming letters with some copies and drafts of outgoing letters. General correspondence is mainly professional in nature and documents exhibitions, commissions, teaching, memberships in artists' organizations, and participation in the WPA Public Works of Art Project. A small number of letters from friends concerning personal and social matters are scattered throughout. Among the correspondents are Ansel Adams, Sherwood Anderson, John Taylor Arms, Hollywood Riviera Galleries, Dard Hunter, the Estate of Bertha Jacques [Elizabeth Linsky, executor], National Academy of Design, and Print Makers Society of California. Family correspondence includes letters to Roi Partridge from family members. Letters to Gryffyd's family are from Imogen Cunningham and Roi Partridge; letters from others about family members are also included.

Among the notes and writings are a travel log that documents car camping trips through California and New Mexico taken by Roi Partridge, Imogen Cunningham, and their three sons between 1924 and 1926. The volume also includes Roi's account of a 1926 sketching trip taken with Eugen Neuhaus along the California coast.

A scrapbook contains clippings and feature articles about Roi Partridge, along with exhibition announcements and reproductions. Additional printed material is about or mentions Roi Partridge and his family, Ansel Adams, and Imogen Cunningham. There are also family Christmas cards with reproductions of etchings and drawings by Roi Partridge.

Photographs are of people and art work, including photographs of Roi and May Ellen Partridge, and Donald Bear, the first Director of the Santa Barbara Museum of Art (Janet Lineberger - later Mrs. Gryffyd Partridge - served as his assistant in the early 1940s). There are numerous photographs and negatives of art work by Roi Partridge (with appraisal and catalog information), and a photograph of Peter Blos' portrait of Partridge.
Arrangement:
The collection is arranged into 5 series:

Series 1: Correspondence, circa 1909-1993 (Box 1; 0.3 linear ft.; reel 5028)

Series 2: Notes and Writings, 1924-1964 (Box 1; 5 folders.; reel 5028)

Series 3: Scrapbook, 1922-1977 (Box 1; 0.1 linear ft.)

Series 4: Printed Material, 1913-2003 (Box 1; 0.25 linear ft.; reel 5028)

Series 5: Photographs, 1940-1987 (Box 1; 0.3 linear ft.; reel 5028)
Biographical Note:
Roy George Partridge (later known as Roi) was born in Centralia, Washington, in 1888, the son of a newspaper publisher and a pianist mother who accompanied silent films in Seattle movie houses. His mother enrolled him in a drawing and painting course at age 10. By 1907, the family had moved to Kansas where Partridge enrolled in studio courses at the newly established Fine Arts Institute of Kansas City. From there he then went to New York City to study at the school of the National Academy of Design during 1909 and 1910.

In 1910, with an art student friend from Seattle and enough cash to last a month, Partridge traveled to Europe and through a severe economy and by selling his etchings, managed to stay for four years. Between 1910 and 1914, he studied etching with Brockhoff in Munich, and rented a studio in Paris from 1911-1914. Once he had produced a sufficient number of prints, his friends John Butler and Clare Shepard arranged for an exhibition of his work in Seattle. They were assisted by Imogen Cunningham who sent her photo to Partridge and began corresponding with him.

The outbreak of World War I forced Partridge's return to Seattle where he and Imogen Cunningham finally met face to face. They were married within a matter of months. In their early years together, Roi managed to earn a living selling his prints and Imogen worked for Edward S. Curtis, whose photographs of American Indians had not yet achieved recognition. The couple soon produced three sons, Gryffyd and twins Padraic and Rondal. The family soon moved to San Francisco where Partridge worked as an artist in an advertising agency that also employed Maynard Dixon. During this time, he became friendly with the young Dorothea Lange who worked at the shop where Partridge had his film developed. After their marriage, Dixon and Lange established a close, long term friendship with the Partridge family.

In 1920, Partridge joined the faculty of Mills College as an art instructor, teaching design, painting, printmaking, lettering, and photography for 26 years. Partridge was such a popular teacher that the number of art students rose sharply and, for a time, art became the institution's most popular major. He was named chairman of the Art Department in 1923, and served as the first director of the college's art gallery from 1925 through 1935.

While teaching, Partridge remained an active artist and participated in exhibitions throughout the country at venues such as the Honolulu Art Academy, de Young Museum, Smithsonian Institution, Toronto Art Gallery, and the Museum of Modern Art. Among the prizes and medals awarded him were: Alaska-Yukon-Pacific Exposition, Seattle (1909), National Academy of Design (1910), Panama Pacific Exposition (1915), Art Institute of Chicago (191), Brooklyn Museum (1921), San Francisco Museum (1921), Los Angeles Museum of Art (1922, 1925, 1929), California Society of Print Makers (1929), and Library of Congress (1943). Partridge is represented in the permanent collections of many museums, colleges, and libraries, among them: Walker Art Gallery, Honolulu Academy of Art, San Diego Fine Arts Society, Milwaukee Art Gallery, Mills College, Scripps College, New York Public Library, and Library of Congress. Partridge also illustrated several books, and The Graphic Art of Roi Partridge: a Catalogue Raisonné by Anthony R. White was published in 1988.

Imogen Cunningham and Roi Partridge, both strong-willed and not given to compromise, divorced in 1934. They reconciled in the 1960s and remained on friendly terms until her death in 1976. Partridge's second wife, Marian Lyman, died in 1940. The following year, he married May Ellen Fisher, a teacher, who survived him.

In addition to his professional activities, Partridge pursued a wide variety of other interests. During the 1920s, he, Imogen, and their boys took numerous camping trips throughout California and New Mexico. With his third wife, May Ellen, he became an avid folk dancer and enthusiastic gardener, raised chickens and chinchillas, and kept bees. They had the opportunity to travel to Hawaii and Japan. In Japan, Partridge expanded his Japanese print collection which was eventually donated to the Mills College Art Gallery.

Roi Partridge died in Walnut Creek, California, on January 25, 1984.
Related Material:
The Archives of American Art holds the papers of Imogen Cunningham, Partridge's first wife, which contain additional Partridge family correspondence and photographs. An untranscribed oral history interview of Roi Partridge conducted by Steve Steinberg in 1980 is also available.
Separated Material:
A portion of the gifts received from Gryffyd Partridge were separated and filed with the Imogen Cunningham papers, some of which had been earlier donated by Gryffyd.
Provenance:
Gryffyd Partridge donated his father's papers to the Archives of American art in 1992 and 1995. A final gift was received from Janet [Mrs. Gryffyd] Partridge in 2003.
Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment.
Rights:
The Roi Partridge papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Printmakers -- California -- San Francisco  Search this
Etchers -- California -- San Francisco  Search this
Genre/Form:
Travelogs
Scrapbooks
Christmas cards
Drafts (documents)
Photographs
Notes
Citation:
Roi Partridge papers, 1909-2003 (bulk 1909-1984). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.partroi
See more items in:
Roi Partridge papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-partroi

The galleries of the exposition : a critical review of the paintings, statuary and the graphic arts in the Palace of Fine Arts at the Panama-Pacific International Exposition / by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
3 p. leaves, v-xii, 98, [2] p. mounted front., ill. (plan) mounted plates ; 23 cm
Type:
Exhibitions
Date:
1915
[c1915]
Topic:
Art  Search this
Call number:
N4874 .N48 1915c
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_776036

The art of the exposition; personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition, by Eugen Neuhaus ..

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
4 p. l., vii-x, 89 p., 1 l. mounted front., plates (part mounted) 23 cm
Type:
Electronic resources
Date:
1915
[c1915]
Topic:
Art--Exhibitions  Search this
Call number:
N4874.N4x
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_178063

The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific International Exposition / by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
x, 91 p., [32] leaves of mounted plates : ill., plan ; 23 cm
Type:
Electronic resources
Date:
1915
C1915
Topic:
Art--Exhibitions  Search this
Call number:
N4874 .N48 1915
N4874.N48 1915
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_67532

The San Diego garden fair; personal impressions of the architecture, sculpture, horticulture, color scheme & other aesthetic aspects of the Panama California International Exposition, by Eugen Neuhaus ..

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Physical description:
4 p. l., vii-xiii, 79 p., 1 l. mounted front., mounted plates, plan. 23 cm
Type:
Books
Date:
1916
[1916]
Call number:
T872.B1N5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_814424

The galleries of the exposition; a critical review of the paintings, statuary and the graphic arts in the Palace of Fine Arts at the Panama-Pacific International Exposition, by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
xii, 96 p. mounted front., illus. (plan) mounted plates. 23 cm
Type:
Exhibitions
Date:
1915
[c1915]
Topic:
Art  Search this
Call number:
N4874 .N48 1915
N4874.N48 1915
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_776216

The art of Treasure Island; first-hand impressions of the architecture, sculpture, landscape design, color effects, mural decorations, illumination, and other artistic aspects of the Golden Gate International Exposition of 1939

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Physical description:
xviii, 185 p. plates, diagrs. 26 cm
Type:
Books
Date:
1939
Call number:
N4875 .N4 1939
N4875.N4 1939X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_798670

Drawn from memory, a self portrait. by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Neuhaus, Eugen 1879-1963  Search this
Physical description:
208 p., [7] leaves of plates ill. 22 cm
Type:
Biography
Place:
California
Date:
1964
[1964]
Topic:
Painters  Search this
Call number:
N40.1.N481 A1 1964
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_552828

The San Diego garden fair [microform] : personal impressions of the architecture, sculpture, horticulture, color scheme & other aesthetic aspects of the Panama California International Exposition / by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Panama-California International Exposition (1915-1916 : San Diego, Calif.)  Search this
Physical description:
xiii, 79 p. : ill., plan ; 23 cm
Type:
Microforms
Date:
1916
Call number:
mfm 003107.174.7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_486684

The galleries of the exposition [microform] : a critical review of the paintings, statuary and the graphic arts in the Palace of Fine Arts at the Panama-Pacific International Exposition / by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
xii, 96 p., [31] p. of plates : ill., plan ; 23 cm
Type:
Microforms
Exhibitions
Date:
1915
Topic:
Art  Search this
Call number:
mfm 003107.170.13
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_486998

Art of Treasure Island; first-hand impressions of the architecture, sculpture, landscape design, color effects, mural decorations, illumination, and other artistic aspects of the Golden Gate International Exposition of 1939

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Physical description:
xviii, 185 p. plates, diagrs. 26 cm
Type:
Books
Date:
1939
Call number:
N4875 .N4 1939X
N4875.N4 1939X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_380639

William Keith, the man and the artist, by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Keith, William 1838-1911  Search this
Physical description:
xi p., 2 l., 95 p. incl. col. front., plates. 28 cm
Type:
Books
Date:
1938
Call number:
N40.1.K2713 N4
N40.1.K2713N4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_289201

The art of the exposition : personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific international exposition / by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
x, 91 p., [32] leaves of mounted plates : ill., plan ; 23 cm
Type:
Books
Date:
1915
C1915
Topic:
Art--Exhibitions  Search this
Call number:
N4874 .N48 1915b
N4874 .N48 1915
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_122431

The appreciation of art, by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Physical description:
xvi, 250 p. incl. front., illus. 22 cm
Type:
Books
Date:
1924
[c1924]
Topic:
Art appreciation  Search this
Aesthetics  Search this
Call number:
N7477 .N48
N7477.N48
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_38258

The history & ideals of American art, by Eugen Neuhaus ..

Author:
Neuhaus, Eugen 1879-1963  Search this
Physical description:
xv, 444 p., 1 l. incl. front., plates, ports. 27 cm
Type:
Books
Place:
United States
Date:
1931
Topic:
Art--History  Search this
Painting--History  Search this
Art, American  Search this
Call number:
N6505 .N48
N6505.N48
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_42613

The materials of the artist and their use in painting, with notes on the techniques of the old masters, by Max Doerner... translated by Eugen Neuhaus

Author:
Doerner, Max 1870-1939  Search this
Neuhaus, Eugen 1879-1963  Search this
Physical description:
xiv p., 2 l., 3-432 p. : front., plates, ports. ; 22 cm
Type:
Books
Date:
1934
[c1934]
Topic:
Painting--Technique  Search this
Artists' materials  Search this
Call number:
ND1500 .D65
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_62660

The art of the exposition; personal impressions of the architecture, sculpture, mural decorations, color scheme & other aesthetic aspects of the Panama-Pacific international exposition, by Eugen Neuhaus

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Physical description:
x, 91 p. mounted front., plates (part mounted) map. 23 cm
Type:
Books
Date:
1915
[c1915]
Topic:
Art--Exhibitions  Search this
Call number:
N4874 .N48 3d ed. 1915
N4874.N48 3d ed. 1915
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_71953

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