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Interview with Alice Neel conducted by Yetta and Werner Groshans

Creator:
Neel, Alice, 1900-1984  Search this
Groshans, Yetta  Search this
Neel, Alice, 1900-1984  Search this
Subject:
Groshans, Werner  Search this
Type:
Sound Recording
Date:
1979 March 20
Record number:
(DSI-AAA)19841
See more items in:
Werner and Yetta Groshans papers, 1928-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19841

Interview with Alice Neel

Creator:
Neel, Alice, 1900-1984  Search this
Neel, Alice, 1900-1984  Search this
Type:
Sound Recording
Date:
circa 1980
Record number:
(DSI-AAA)19900
See more items in:
Werner and Yetta Groshans papers, 1928-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19900

Alice Neel papers, 1933-1983

Creator:
Neel, Alice, 1900-1984  Search this
Neel, Alice, 1900-1984  Search this
Type:
Photographs
Notes
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Portrait painting -- 20th century -- United States  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7576
(DSI-AAA_SIRISBib)209737
AAA_collcode_neelalic
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209737
Online Media:

Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004 [sound recording]

Author:
Smithsonian Institution Libraries  Search this
Hirshhorn Museum and Sculpture Garden Library  Search this
Subject:
Nevelson, Louise 1899-1988  Search this
Picasso, Pablo 1881-1973  Search this
Kiesler, Frederick  Search this
Rothko, Mark 1903-1970  Search this
Arakawa, Shūsaku 1936-2010  Search this
Neutra, Dion  Search this
Schindler, R. M (Rudolph M.) 1887-1953  Search this
Sommer, Frederick 1905-1999  Search this
Soleri, Paolo 1919-2013  Search this
Bolotowsky, Ilya 1907-1981  Search this
De Looper, Willem  Search this
Lozowick, Louis 1892-1973  Search this
Levine, David 1926-2009  Search this
Sert, José Luis 1902-1983  Search this
Soyer, Raphael 1899-1987  Search this
Eakins, Thomas 1844-1916  Search this
Benton, Thomas Hart 1889-1975  Search this
Nadelman, Elie 1882-1946  Search this
Gillespie, Gregory  Search this
Noland, Kenneth 1924-2010  Search this
Louis, Morris 1912-1962  Search this
Richter, Hans 1888-1976  Search this
Appel, Karel 1921-2006  Search this
Siqueiros, David Alfaro  Search this
Orozco, José Clemente 1883-1949  Search this
Rivera, Diego 1886-1957  Search this
Warhol, Andy 1928-1987  Search this
Cavallon, Giorgio 1904-1989  Search this
Di Suvero, Mark 1933-  Search this
Moore, Henry 1898-1986  Search this
Steinberg, Saul  Search this
Estes, Richard 1932-  Search this
Botero, Fernando 1932-  Search this
Canaday, John 1907-1985  Search this
Calder, Alexander 1898-1976  Search this
Maurer, Alfred Henry 1868-1932  Search this
Rickey, George  Search this
Albers, Josef  Search this
González, Julio 1876-1942  Search this
Snelson, Kenneth 1927-2016-  Search this
Rivers, Larry 1925-2002  Search this
Hirshhorn, Joseph H  Search this
Harrison, Newton 1932-  Search this
Lassaw, Ibram 1913-2003  Search this
Grooms, Red  Search this
Burliuk, David 1882-1967  Search this
Lerner, Abram  Search this
Bunshaft, Gordon 1909-1990  Search this
Dzubas, Friedel 1915-1994  Search this
Clemente, Francesco 1952-  Search this
Motherwell, Robert  Search this
Acconci, Vito 1940-2017-  Search this
Haring, Keith  Search this
Holzer, Jenny 1950-  Search this
Salle, David 1952-  Search this
Neel, Alice 1900-1984  Search this
Nakian, Reuben 1897-1986  Search this
Bacon, Francis 1909-1992  Search this
Freud, Lucian  Search this
Giacometti, Alberto 1901-1966  Search this
Abrams, Dennis 1960-  Search this
Nasgaard, Roald  Search this
Buren, Daniel  Search this
Chin, Mel 1951-  Search this
Sonnier, Keith 1941-  Search this
Conwill, Houston 1947-2016  Search this
Kabakov, Ilʹia Iosifovich 1933-  Search this
Ireland, David 1930-2009  Search this
Oliveira, Nathan 1928-2010  Search this
Marclay, Christian  Search this
Baldessari, John 1931-2020-  Search this
Weiner, Lawrence  Search this
Piper, Adrian 1948-  Search this
Polke, Sigmar  Search this
Puryear, Martin 1941-  Search this
Struth, Thomas 1954-  Search this
Torres-García, Joaquín 1874-1949  Search this
Lam, Wifredo  Search this
Matta 1912-2002  Search this
Kosuth, Joseph  Search this
Leirner, Jac 1961-  Search this
Saar, Alison  Search this
Rothenberg, Susan 1945-  Search this
Dubuffet, Jean 1901-1985  Search this
Hill, Gary 1951-  Search this
Murray, Elizabeth 1940-2007  Search this
Gilbert & George  Search this
Physical description:
306 audio files : digital
Type:
Sound recordings
Sources
Interviews
Broadcasts
Lectures
Symposia
Ceremonies
Date:
1969
1969-2004
20th century
21st century
Topic:
Art, Modern--History  Search this
Painting, Modern--History  Search this
Sculpture, Modern--History  Search this
Architecture, Modern--History  Search this
Artists  Search this
Emigration and immigration in art  Search this
Caricatures and cartoons  Search this
Country music  Search this
Art criticism  Search this
Earthworks (Art)  Search this
Visual perception  Search this
Conceptual art  Search this
Call number:
N6447 .H584
Restrictions & Rights:
Full access copies are available through the Hirshhorn Museum and Sculpture Garden Library, Smithsonian Institution Libraries. Information on who to contact for full access is available on the Hirshhorm Museum and Sculpture Gardern Library Audio Archive website.
Copyright restrictions may apply.
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_956845

Crosscurrents U.S.A. artists' statement : sound recording

Creator:
Detroit Institute of Arts  Search this
Names:
Bearden, Romare, 1911-1988  Search this
Bell, Leland  Search this
Cunningham, Ben, 1904-1975  Search this
De Kooning, Elaine  Search this
Greene, Balcomb, 1904-1990  Search this
Hirsch, Joseph, 1910-1981  Search this
Johnson, Lester, 1919-2010  Search this
Katz, Alex, 1927-  Search this
Kaupelis, Robert  Search this
Koch, John, 1909-1978  Search this
Lawrence, Jacob, 1917-2000  Search this
Neel, Alice, 1900-1984  Search this
Wilson, John, 1922-2015  Search this
Extent:
1 Sound tape (7 in.)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Date:
1969 Mar
Scope and Contents:
Statements from artists participating in the "Crosscurrents U.S.A." exhibit at the Detroit Institute of Arts, including Romare Bearden, Leland Bell, Benjamin F. Cunningham, Elaine De Kooning, Balcomb Greene, Joseph Hirsch, Lester F. Johnson, Alex Katz, Robert Kaupelis, John Koch, Jacob Lawrence, Alice Neel and John Wilson.
Provenance:
Provenance unknown.
Restrictions:
Untranscribed; use requires an appointment.
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.diacross
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-diacross

Oral history interview with Judy Chicago

Interviewee:
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Bergen, Jeffrey, 1955-  Search this
Bullard, E. John(Edgar John), 1942-  Search this
Copeland, John  Search this
Dobbins, Norman  Search this
Dobbins, Ruth  Search this
Flack, Audrey  Search this
Hopkins, Henry, 1928-2009  Search this
LaMonte, Karen, 1967-  Search this
Lemon, Jack  Search this
LewAllen, Arlene  Search this
Lu, Jie, 1958-  Search this
Lucie-Smith, Edward  Search this
Marisol, 1930-2016  Search this
McFadden, David Revere  Search this
Neel, Alice, 1900-1984  Search this
Perkins, Flo  Search this
Pruitt, Tom  Search this
Rodee, Susannah  Search this
Rosenberg, Harold, 1906-1978  Search this
Saint-Phalle, Niki de, 1930-2002  Search this
Schneemann, Carolee, 1939-  Search this
Semmel, Joan, 1932-  Search this
Taylor, Mary, 1947-  Search this
Thompson, Viki D., 1947-  Search this
Woodman, Donald  Search this
Youdelman, Nancy, 1948-  Search this
Extent:
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 August 7-8
Scope and Contents:
An interview of Judy Chicago conducted 2009 August 7 and 8, by Judith Olch Richards, for the Archives of American Art, at Chicago's home and studio, in Belen, New Mexico.
Chicago speaks of her work since the late 1980s, having previously discussed her early life and works; printmaking projects with various print studios around the country; giving archived documents to important museums; creating a foundation with her husband Donald Woodman to protect the legacy of their art; the non-profit organization she started in 1978, Through the Flower; her studio practices and her most practiced techniques; keeping a regular schedule; her interest in collaborative projects such as The Dinner Party [1974-1979], the Birth Project [1980-1985], the Holocaust Project [1985-1993] and Resolutions: A Stitch in Time [1994-2000]; working with various textile and glass artists; feeling a kin with other female artists, like Nikki de Saint Phalle and Marisol Escobar; the responsibility she feels to share underrepresented information; her enjoyment of the process of making art and the hope that she creates art that is not bound by time; her relationships with galleries though the years including the ACA Galleries in New York and LewAllen Contemporary in Santa Fe; her intention in making art was not create proactive or controversial art; various teaching positions; her interest in combining text and images in works like Song of Songs [1997-1999]; her more current interest in glass; experimenting with the techniques of casting and etching to achieve her desired images; her want to change institutional policies that underrepresent women artists in museums and the absence of images of women by women artists. Chicago also recalls Henry Hopkins, Mary Ross Taylor, Susannah Rodee, John Bullard, Jack Lemon, Alice Neel, Edward Lucie-Smith, John Copeland, Harold Rosenberg, Carolee Schneemann, Jeffery Bergen, Audrey Flack, Joan Semmel, Nancy Youdelman, David McFadden, Viki Thomson Wylder, Tom Pruitt, Arlene LewAllen, Flo Perkins, Norman and Ruth Dobbins, Karen LaMonte, Lu Jie and others.
Biographical / Historical:
Interviewee Judy Chicago (1939- ) is a feminist artist and author who lives and works in Belen, New Mexico. Interviewer Judith Olch Richards (1947- ) is former executive director of iCI in New York, New York.
General:
Originally recorded on 4 compact discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Installation artists -- California -- Los Angeles  Search this
Performance artists -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Glass artists  Search this
Topic:
Feminism and art  Search this
Art -- Technique  Search this
Women artists  Search this
Women performance artists  Search this
Women painters  Search this
Women sculptors  Search this
Women authors  Search this
Function:
Artists' studios -- New Mexico
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chicag09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chicag09
Online Media:

Patricia Hills papers

Creator:
Hills, Patricia  Search this
Names:
Women's Caucus for Art  Search this
Lawrence, Jacob, 1917-2000  Search this
Neel, Alice, 1900-1984  Search this
Sargent, John Singer, 1856-1925  Search this
Stevens, May  Search this
Extent:
39.1 Linear feet
0.113 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
circa 1900-2015
bulk 1968-2009
Summary:
The papers of art historian, curator, and educator Patricia Hills measure 39.1 linear feet and 0.113 GB and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.
Scope and Contents:
The papers of art historian, curator, and educator Patricia Hills measure 39.1 linear feet and 0.113 GB and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.
Arrangement:
The collection is arranged as 12 series.

Series 1: Correspondence, circa 1958-2019 (2.6 Linear Feet; Boxes 1-2, 25)

Series 2: Project Files, circa 1900-2011 (15.2 Linear Feet; Boxes 3-13, 25-30, OV24, 0.041 GB; ER01-ER02)

Series 3: Whitney Museum Files, circa 1900-2015, bulk 1973-1987 (4.1 Linear Feet; Boxes 13-16, 30)

Series 4: Boston University Files, circa 1974-2015 (1.3 linear feet; Boxes 30-31)

Series 5: Professional Files, circa 1959-2019 (2.4 linear feet; Boxes 17-18, 32)

Series 6: Membership and Affiliation Records, circa 1969-2013 (2 linear feet; Boxes 18-20, 32)

Series 7: Museum of Fine Arts Restructuring Files, circa 1997-2005 (1.2 linear feet; Boxes 32-33)

Series 8: Writings, circa 1962-2019 (5.4 linear feet; Boxes 20-21, 34-38, 0.068 GB; ER03, ER05)

Series 9: Teaching Files, circa 1974-2019 (0.9 linear feet; Box 39)

Series 10: Artist Files, circa 1958-2014 (0.9 Linear Feet; Box 21)

Series 11: Subject Files, circa 1961-2007 (1 Linear Feet; Box 22, 0.004 GB; ER04)

Series 12: Printed Material, circa 1970-2010 (1 Linear Feet; Box 23)
Biographical / Historical:
Patricia Hills (1936-) is an art historian, curator, and Professor Emerita of American Art and African American Art at Boston University. Hills obtained a B.A. from Stanford University in Modern European Literature, an M.A. from Hunter College in 1968, where she was advised by Leo Steinberg, and her PhD. from New York University's Institute of Fine Arts. Hills worked as Associate and later Adjunct Curator of 18th and 19th Century American Art at the Whitney Museum of American Art from 1972 until 1987. During that time she organized exhibitions including John Singer Sargent (1986) while progressively becoming more invested as an educator, with teaching positions at Hunter College and the Institute of Fine Arts. In February 2011 she received the Distinguished Teaching of Art History award from the College Art Association.

Hills served as the Director of the Boston University Art Gallery from 1980-1989, and began her tenure in the art history department as Associate Professor in 1978. She was co-founder of the Boston Chapter of the Women's Caucus for Art and was highly active in the College Art Association and American Studies Association. She has held fellowships at numerous institutions including the W.E.B. DuBois Institute for African and African American Research at Harvard University, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Gilder Lehrman Institute of American History.

As a principal author she is responsible for organizing a number of monograph and exhibition catalog publishing efforts including Painting Harlem Modern: The Art of Jacob Lawrence (2010), May Stevens (2005), Eastman Johnson: Painting America (co-authored, 1999), John Singer Sargent (1986), Alice Neel (1983), Social Concern and Urban Realism: American Painting of the 1930s (1983), Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910 (1977), The Painters' America: Rural and Urban Life, 1810-1910 (1974), and The American Frontier: Images and Myths (1973). In addition, Patricia Hills has authored numerous articles for art publications, served as reviewer for College Art Association's CAA Reviews, and has contributed greatly as a peer reviewer and editor. From 1990 to 1999, she served as series editor for six books in the Cambridge Studies in American Visual Culture series, published by Cambridge University Press.
Provenance:
Donated in 2006, 2018 and 2019 by Patricia Hills.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Occupation:
Educators -- Massachusetts -- Boston  Search this
Art historians -- Massachusetts -- Boston  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Art, American -- 19th century  Search this
Art -- Political aspects  Search this
Women artists  Search this
Women educators  Search this
Women art historians  Search this
Women museum curators  Search this
Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hillspat
See more items in:
Patricia Hills papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hillspat

The De Vegh Twins, (painting)

Painter:
Neel, Alice 1900-1984  Search this
Medium:
Oil on canvas
Type:
Paintings
Date:
1975
Topic:
Architecture interior--Domestic--House  Search this
Figure group--Female  Search this
Figure group--Family--Siblings  Search this
Figure female--Child  Search this
Control number:
IAP 8G120040
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_478537

Oral history interview with Rosalyn Drexler

Interviewee:
Drexler, Rosalyn  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Garth Greenan Gallery  Search this
Hunter College -- Students  Search this
Kornblee Gallery  Search this
Reuben Gallery  Search this
Alloway, Lawrence, 1926-1990  Search this
Baraka, Amiri, 1934-2014  Search this
Barthelme, Donald  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bruce, Lenny  Search this
Carmines, Al  Search this
Cornell, Joseph  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Dine, Jim, 1935-  Search this
Doyle, Tom  Search this
Drexler, Sherman  Search this
Geldzahler, Henry  Search this
Gilman, Richard, 1923-2006  Search this
Hess, Thomas B.  Search this
Hesse, Eva, 1936-1970  Search this
Hirshhorn, Joseph H.  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kent, Allegra  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Kroll, Jack  Search this
Marx, Chico, 1887-1961  Search this
Monroe, Marilyn, 1926-1962  Search this
Neel, Alice, 1900-1984  Search this
Newman, Barry  Search this
Perelman, S. J. (Sidney Joseph), 1904-1979  Search this
Rosenberg, Harold, 1906-1978  Search this
Samaras, Lucas, 1936-  Search this
Sontag, Susan, 1933-2004  Search this
Teer, Barbara Ann, 1937-2008  Search this
Warhol, Andy, 1928-1987  Search this
Youskevitch, Igor, 1912-1994  Search this
Extent:
82 Pages (Transcript)
5 Items (Sound recording: 5 sound files (3 hr., 26 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 17-June 2
Scope and Contents:
An interview with Rosalyn Drexler conducted 2017 May 17 and June 2 by Christopher Lyon, for the Archives of American Art, at Garth Greenan Gallery in New York, New York.
Drexler discusses her childhood in the Bronx; her experiences studying dance and music; her higher education at Hunter College; attending films and the Yiddish Theater; meeting her husband Sherman Drexler; her time as a professional wrestler; her memories of traveling to the South and encountering Jim Crow segregation; she describes learning about art from Sherman Drexler and her joint exhibition with Sherman; her early work in sculpture; participating in Happenings with Jim Dine; joining Anita Reuben's gallery; her debut as a playwright; her experience writing "I am the Beautiful Stranger;" the changing public perception of her and being classified as an artist; her decision to become a painter and appropriating images for her work; the influence of S. J. Perelman on her plays; her play about Joseph Cornell and ballerina Allegra Kent, and interviewing Allegra Kent; her recent artwork and preparing for her 2017 show at Garth Greenan Gallery; her artwork from the 1980s and 1990s; her comedy writing and sense of humor. Drexler also recalls Chico Marx, Jack Newfield, Igor Youskevitch, Ivan Karp, Anita Reuben, Lucas Samaras, Richard Gilman, Al Carmines, Amiri Baraka, Barbara Ann Teer, Franz Kline, Elaine De Kooning, Bill de Kooning, Andy Warhol, Jack Kroll, Lawrence Alloway, Tom Hess, Barney Newman, Harold Rosenberg, Susan Sontag, Joe Hirshhorn, Henry Geldzahler, Donald Barthelme, Kornblee Gallery, Eva Hesse, Tom Doyle, William Klein, Marilyn Monroe, Alex Katz, Alice Neel, Basquiat, Saturday Night Live, and Lenny Bruce, among others.
Biographical / Historical:
Rosalyn Drexler (1926- ) is a sculptor, playwright, and novelist in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- New York (State) -- New York  Search this
Playwrights -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Women wrestlers  Search this
Wrestling  Search this
Segregation -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Happenings (Art)  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drexle17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-drexle17
Online Media:

Lenore Seroka photographs

Creator:
Seroka, Lenore  Search this
Names:
Andrews, Benny, 1930-2006  Search this
Artschwager, Richard, 1923-2013  Search this
Bearden, Romare, 1911-1988  Search this
Bishop, Isabel, 1902-1988  Search this
Bourgeois, Louise, 1911-2010  Search this
Cavallon, Giorgio, 1904-1989  Search this
Chamberlain, John, 1927-2011  Search this
Christo, 1935-  Search this
Close, Chuck, 1940-  Search this
De Creeft, José, 1884-1982  Search this
Estes, Richard, 1932-  Search this
Ferber, Herbert, 1906-1991  Search this
Flavin, Dan, 1933-  Search this
Freilicher, Jane, 1924-  Search this
Gikow, Ruth, 1915-1982  Search this
Golub, Leon, 1922-2004  Search this
Goodhough, Robert, 1917-  Search this
Goulet, Lorrie, 1925-  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Greene, Balcomb, 1904-1990  Search this
Gwathmey, Robert, 1903-1988  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirschfeld, Al  Search this
Johnson, Ray, 1927-1995  Search this
Katz, Alex, 1927-  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, David, 1926-2009  Search this
Levine, Jack, 1915-2010  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lipton, Seymour, 1903-1986  Search this
Neel, Alice, 1900-1984  Search this
Nesbitt, Lowell, 1933-1993  Search this
Pearlstein, Philip, 1924-  Search this
Resika, Paul  Search this
Rivers, Larry, 1925-2002  Search this
Rockburne, Dorothea  Search this
Rosenquist, James, 1933-  Search this
Segal, George, 1924-2000  Search this
Snelson, Kenneth, 1927-2016  Search this
Solman, Joseph, 1909-2008  Search this
Soyer, Raphael, 1899-1987  Search this
Wesselmann, Tom, 1931-2004  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
0.3 Linear feet ((51 items))
Type:
Collection descriptions
Archival materials
Date:
1977-1984
Scope and Contents:
Photographs of artists taken by Seroka.
Biographical / Historical:
Photographer; Great Neck, N.Y.
Provenance:
Donated 1984 by Lenore Seroka.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Authorizatin to publish, quote or reproduce requires written permission from Lenore Seroka. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- Great Neck  Search this
Topic:
Photography, Artistic -- Photographs  Search this
Portrait photography -- Photographs  Search this
Women artists  Search this
Women photographers  Search this
Identifier:
AAA.seroleno
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seroleno

Clemens Kalischer papers

Creator:
Kalischer, Clemens, 1921-  Search this
Names:
Bennington College  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
MacDowell Colony  Search this
Abate, Peter  Search this
Abe, Kongō, 1900-1968  Search this
Abel, Cora-Beth  Search this
Adler, Samuel, 1898-  Search this
Albers, Josef  Search this
Aschenbach, Paul, 1921-  Search this
Bengtz, Ture, 1907-1973  Search this
Borowski, Wiesław  Search this
Coonhan, Ms  Search this
Cox, Jan, 1919-1980  Search this
Cunningham, Merce  Search this
De Kooning, Elaine  Search this
Dehner, Dorothy, 1901-1994  Search this
Der Hovanesian, Garabed  Search this
Dombek, Blanche, 1914-  Search this
Doubrova, Jan, 1912-  Search this
Epping, Franc, 1910-  Search this
Fimple, Vernon  Search this
Forst, Miles, 1923-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gil, David  Search this
Glickman, Maurice, 1906-  Search this
Granda, Julio  Search this
Grausman, Philip, 1935-  Search this
Gray, Cleve  Search this
Hayter, Stanley William, 1901-1988  Search this
Kilbourn, Victoria  Search this
Lieberman, Alexander  Search this
Mazur, Michael, 1935-2009  Search this
Meštrović, Ivan, 1883-1962  Search this
Morris, George L. K., 1905-1975  Search this
Motherwell, Robert  Search this
Neel, Alice, 1900-1984  Search this
Noland, Kenneth, 1924-2010  Search this
Okubo, Miné  Search this
Prestopino, Gregorio  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenberg, Jakob, 1893-  Search this
Smith, David, 1906-1965  Search this
Torres, John, 1939-  Search this
Tsʻai, Wen-ying, 1928-  Search this
Voulis, Asapia  Search this
Whitecross, Iain  Search this
Wildenhain, Marguerite  Search this
Extent:
276 Items ((on one microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
ca.1946-1966
Scope and Contents:
276 photographs, ca. 1946-1966, taken by Kalisher of artists teaching at Bennington College, Bennington, Vermont, Black Mountain College, North Carolina, and the MacDowell Colony, Peterborough, New Hampshire.
Artists include: Peter Abate, Kongo Abe, Cora-Beth Abel, Samuel M. Adler, Paul Aschenbach, Josef Albers, Ture Bengtz, Wieslaw Borowski, Ms. Coonhan, Jan Cox, Merce Cunningham, Dorothy Dehner, Elaine de Kooning, Garabed der Hovanesian, Blanche Dombek, Jan Doubrova, Franc Epping, Vernon Fimple, Miles Forst, Helen Frankenthaler, Buckminster Fuller, David Gil, Maurice Glickman, Julio Granda, Philip Grausman, Cleve Gray, Stanley William Hayter, Victoria Kilbourn, Oskar Kokoschka, Alexander Lieberman, Michael Mazur, ? McKenzie, Ivan Mestrovic, George L. K. Morris, Robert Motherwell, Alice Neel, Kenneth Noland, Mine Okubo, Gregorio Prestopino, Norman Rockwell, Jakob Rosenberg, David Smith, John Torres, Wen Ying Tsai, Asapia Voulis, Iain Whitecross, Marguerite Wildenhain, and ? Zhermansky.
Biographical / Historical:
Photographer.
Provenance:
Lent for microfilming 1982 by Clemens Kalischer.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Photographers  Search this
Topic:
Artists -- United States -- Photographs  Search this
Artist colonies -- Photographs  Search this
Function:
Artist colonies
Identifier:
AAA.kaliclem
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kaliclem

Learning from performers : sound recordings

Creator:
Harvard University  Search this
Names:
Estes, Richard, 1932-  Search this
Levy, Julien  Search this
Motherwell, Robert  Search this
Neel, Alice, 1900-1984  Search this
Nevelson, Louise, 1899-1988  Search this
Extent:
8 Sound tapes ((partially transcribed on 72p.), 7 & 5 in.)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Date:
1977 Mar. 31-1979 June 4
Scope and Contents:
Lectures by artists delivered for the "Learning from Performers" series at Harvard University, Cambridge, Massachusetts. Artists include Richard Estes(21 p.), Julien Levy, Robert Motherwell, Alice Neel(51 p.) and Louise Nevelson.
Restrictions:
Patrons must use transcript. Use of untranscribed lectures requires an appointment.
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.harvau
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harvau

Werner and Yetta Groshans papers

Creator:
Groshans, Werner, 1913-1986  Search this
Groshans, Yetta  Search this
Interviewee:
Neel, Alice, 1900-1984  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Video recordings
Date:
1928-1997
Summary:
The papers of Werner and Yetta Groshans measure 2.0 linear feet and date from 1928 to 1997. The papers document Werner Groshans career as a painter through correspondence, professional files, printed material, and photographs. Correspondence is with friends and colleagues, as well as art collectors, art organizations, and galleries. Also included is a file of correspondence in regards to Groshans jurying exhibitions. Professional material consists of awards and certificates, a statement on art written by Groshans, interviews with Alice Neel on three audio cassettes, a video retrospective on Groshans, and videos documenting Groshans artwork, one recorded just before his death. Printed material consists of magazine and newspaper clippings, exhibition catalogs, artist biographies and reports from the National Academy of Design, and Groshans' obituary. Also found are photographs of Groshans and photographs and slides of his artwork.
Scope and Contents:
The papers of Werner and Yetta Groshans measure 2.0 linear feet and date from 1928 to 1997. The papers document Werner Groshans career as a painter through correspondence, professional files, printed material, and photographs. Correspondence is with friends and colleagues, as well as art collectors, art organizations, and galleries. Also included is a file of correspondence in regards to Groshans jurying exhibitions. Professional material consists of awards and certificates, a statement on art written by Groshans, interviews with Alice Neel on three audio cassettes, a video retrospective on Groshans, and videos documenting Groshans artwork, one recorded just before his death. Printed material consists of magazine and newspaper clippings, exhibition catalogs, artist biographies and reports from the National Academy of Design, and Groshans' obituary. Also found are photographs of Groshans and photographs and slides of his artwork.
Arrangement:
The collection is arranged into four series.

Series 1: Correspondence,1928-1997 (1.0 linear feet; Box 1)

Series 2: Professional Activity Files, 1948-1987 (0.2 linear feet; Box 2)

Series 3: Printed Material, 1948-1994 (0.6 linear feet; Box 2)

Series 4: Photographic Material, 1966-1980 (0.2 linear feet; Box 2)
Biographical / Historical:
Werner Groshans (1913-1986) was a painter in New Jersey and New York. He married Yetta Abromovitz in 1944.

Groshans was born in Germany and moved with his family to the United States at the age of thirteen. He began his studies at the Newark School of Fine and Industrial Art a year later. As a young adult during the Great Depression, he participated in the Works Progress Administration Easel Project for two years, allowing him to develop as an artist without the worry of finding full-time work. By the early 1960s, his artwork began to gain recognition, and in 1965 he was elected to the National Academy of Design. Groshans often worked from his memory of real places seen in nature, but his strange juxtapositions of objects and figures led William Gerdts, a graduate professor at the City University of New York, to describe his style as "Mysterious Realism."
Provenance:
The Werner Groshans papers were donated to the archives between 1992 and 1997 by Yetta Groshans, widow of Werner Groshans.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Jersey  Search this
Painters -- New York (State)  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Werner and Yetta Groshans papers, 1928-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.groswern
See more items in:
Werner and Yetta Groshans papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-groswern

Art and Alice Neel [videorecording] / WGTV, University of Georgia Television

Creator:
Georgia Museum of Art  Search this
Names:
WGTV (Television station : Athens, Ga.)  Search this
Neel, Alice, 1900-1984  Search this
Paul, William D., 1934-  Search this
Extent:
1 Videocassettes (U-matic) (Master (30 min.), sd., col., 3/4 in.)
1 Videocassettes (VHS) (Reference copy (30 min.), sd., col., 1/2 in.)
1 DVD (Reference copy (30 min.), digital)
Type:
Collection descriptions
Archival materials
Videocassettes (u-matic)
Videocassettes (vhs)
Dvd
Video recordings
Interviews
Date:
undated
Scope and Contents:
A video interview of Alice Neel conducted October 1975 in Athens, Georgia, for University of Georgia Television station WGTV's "Forum" program on the occasion of Neel's retrospective exhibition at the University of Georgia, Georgia Museum of Art. Moderating is Bill Hale. Also present is the Museum's director William D. Paul, Jr.
Biographical / Historical:
Alice Neel (1900-1984) was a portrait painter and craftsperson of New York, N.Y. Neel studied painting at the Philadelphia School of Design for Women (now the Moore College of Art) from 1921-1925. After living briefly in Havana, Cuba, she settled in New York City in 1927. She participated in various Federal Art Projects during the 1930s, painting scenes of urban poverty and developing her distinctive portrait style.
Provenance:
Donated 1976 by the Georgia Museum of Art through William D. Paul, Jr., Director.
Occupation:
Portrait painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Video recordings
Interviews
Identifier:
AAA.geormusa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-geormusa

Alice Neel papers

Creator:
Neel, Alice, 1900-1984  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Photographs
Notes
Date:
1933-1983
Summary:
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
Scope and Content Note:
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
Arrangement:
The collection is arranged as # series:

Missing Title

Series 1: Letters, circa 1968-1983 (Box 1; 0.2 linear feet)

Series 2: Writings and Notes, circa 1960-1979 (Box 1; 2 folders)

Series 3: Printed Material, 1933-1983 (Box 1; 0.6 linear feet)

Series 4: Photographs, 1940-1983 (Box 1; 6 folders)
Biographical Note:
Alice Neel (1900-1984) was a painter in New York, NY. She was known for her portraits of New York artists and intellectuals. Neel studied painting at the Philadelphia School of Design for Women (now the Moore College of Art and Design) from 1921-1925. She married Cuban artist Carlos Enríquez, and they briefly lived in Havana, Cuba. After the break-up of their marriage, she settled in New York City. During the 1930s she worked for the Public Works of Art Project and the Works Progress Administration, painting scenes of urban poverty and developing her distinctive portrait style. She pursued a career as a figurative painter during a period when abstraction was favored, and she did not begin to gain critical praise for her work until the 1960s. Neel received an honorary doctorate from the Moore College of Art and Design in 1971 and a retrospective of her work was held at the Whitney Museum in 1974. During the last decade of her life she finally received extensive national recoginition for her paintings. Neel was also a notable public speaker and often spoke on the topic of women artists.
Related Material:
Also found in the Archives of American Art are printed material on Romare Bearden, Alice Neel, and Howard Newman, 1975-1990, compiled by Dennis Florio, and a videorecording of "Art and Alice Neel," 1975, recorded as part of University of Georgia Television station WGTV's "Forum" program.
Provenance:
The collection was donated from 1974 to 1983 by Alice Neel.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Portrait painting -- 20th century -- United States  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Notes
Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neelalic
See more items in:
Alice Neel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neelalic
Online Media:

Letters

Collection Creator:
Neel, Alice, 1900-1984  Search this
Extent:
(Box 1; 0.2 linear feet)
Type:
Archival materials
Date:
circa 1968-1983
Scope and Contents note:
Letters are from galleries, museums, and art organizations and primarily concern Neel's work and art related activities. Also found are holiday and birthday cards from friends as well as fan mail. Included among the letters from 1977 are two color snapshots of Neel.
Arrangement note:
Letters are arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neelalic, Series 1
See more items in:
Alice Neel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neelalic-ref15

Letters

Collection Creator:
Neel, Alice, 1900-1984  Search this
Extent:
(3 folders)
Container:
Box 1, Folder 1-3
Type:
Archival materials
Date:
1968-1976
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Alice Neel papers
Alice Neel papers / Series 1: Letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neelalic-ref16

Letters

Collection Creator:
Neel, Alice, 1900-1984  Search this
Extent:
(4 folders)
Container:
Box 1, Folder 4-7
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Alice Neel papers
Alice Neel papers / Series 1: Letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neelalic-ref17

Letters

Collection Creator:
Neel, Alice, 1900-1984  Search this
Extent:
(3 folders)
Container:
Box 1, Folder 8-10
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Alice Neel papers
Alice Neel papers / Series 1: Letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neelalic-ref18

Letters

Collection Creator:
Neel, Alice, 1900-1984  Search this
Extent:
(4 folders)
Container:
Box 1, Folder 11-14
Type:
Archival materials
Date:
1979
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Alice Neel papers
Alice Neel papers / Series 1: Letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neelalic-ref19

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