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Agency history, 1957-

Creator:
National Museum of Natural History (U.S.)  Search this
Subject:
Risser, Paul G  Search this
Mello, James F. 1936-  Search this
Pawson, David L (David Leo) 1938-  Search this
Ortner, Donald J  Search this
Tyler, James C. 1935-  Search this
Fri, Robert W  Search this
Hoffmann, Robert S  Search this
Fiske, Richard S  Search this
Kier, Porter M  Search this
Cowan, Richard S. 1921-1997  Search this
Smith, Albert C (Albert Charles) 1906-1999  Search this
Stewart, T. D (Thomas Dale) 1901-1997  Search this
Kellogg, Remington 1892-1969  Search this
Baird, Spencer Fullerton 1823-1887  Search this
Talbot, Frank  Search this
O'Connor, J. Dennis  Search this
Samper, Cristián  Search this
Johnson, Kirk R  Search this
United States National Museum  Search this
Type:
Mixed archival materials
Date:
1957
1957-
Topic:
Natural history museums  Search this
Local number:
SIA AH00004
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_217898

Demolition of Roads on the National Mall

Creator:
Wallace, Jim (James H.)  Search this
Subject:
Smithsonian Institution Office of Printing and Photographic Services  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Hirshhorn Museum and Sculpture Garden  Search this
National Museum of Natural History (U.S.)  Search this
United States Capitol (Washington, D.C.)  Search this
Physical description:
35mm;
Type:
Black-and-white negatives
Place:
Mall, The (Washington, D.C.)
Date:
1975
October 28, 1975
Topic:
Washington Monument (Washington, D.C.)  Search this
Local number:
SIA Acc. 11-009 [75-13713]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_398136

Porter M. Kier with Unidentified Marine Specimen

Creator:
Smithsonian Institution  Search this
Subject:
Kier, Porter M  Search this
Smithsonian Institution Office of Public Affairs  Search this
National Museum of Natural History (U.S.)  Search this
National Museum of Natural History (U.S.) Department of Paleobiology  Search this
Physical description:
35mm;
Type:
Black-and-white negatives
Date:
1965
Between 1965 and 1971
Topic:
Smithsonian Institution--Employees  Search this
Marine biology  Search this
Local number:
SIA Acc. 11-008 [OPA-29]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_371611

Correspondence 1956-1965

Creator:
Smithsonian Institution National Museum of Natural History Smithsonian Office of Anthropology  Search this
National Museum of Natural History (U.S.) Department of Anthropology  Search this
Physical description:
2 inches
Type:
Letters
Memoranda
Notes
Date:
1956-1965
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_87146

Website Records, 2018

Creator:
Smithsonian Institution  Search this
Uniform title:
Facebook (Electronic resource)  Search this
Subject:
National Portrait Gallery (Smithsonian Institution)  Search this
National Air and Space Museum (U.S.)  Search this
National Museum of American History (U.S.)  Search this
Lemelson Center Spark!Lab  Search this
Smithsonian Institution Global Volcanism Program  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Institution Center for Folklife and Cultural Heritage  Search this
Smithsonian Enterprises  Search this
Smithsonian Institution Traveling Exhibition Service Museum on Main Street  Search this
Smithsonian Magazine  Search this
Smithsonian/Folkways Recordings  Search this
Smithsonian Institution Office of Advancement Smithsonian Women's Committee  Search this
United States Agency for International Development  Search this
My Armenia Program  Search this
Smithsonian Affiliations (Program)  Search this
George Washington University  Search this
Smithsonian Center for Learning and Digital Access  Search this
Smithsonian Craft2Wear (Craft show)  Search this
Type:
Electronic records
Collection descriptions
Web sites
Date:
2018
Topic:
Museums--Public relations  Search this
Web sites  Search this
Online social networks  Search this
Social media  Search this
Local number:
SIA Acc. 20-051
See more items in:
Website Records 1995-2020 [Smithsonian Institution]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404485

Website Records, 2018

Creator:
National Museum of Natural History (U.S.)  Search this
Subject:
Dinosaurs in Our Backyard (Online exhibition)  Search this
Losing Paradise?: Endangered Plants Here and Around the World (Online exhibition)  Search this
Type:
Electronic records
Collection descriptions
Web sites
Date:
2018
Topic:
Natural history museums  Search this
Web sites  Search this
Museums--Public relations  Search this
Museum exhibits  Search this
Local number:
SIA Acc. 20-052
See more items in:
Website Records 1994-2020 [National Museum of Natural History (U.S.)]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404486

Recordings for Case 11 African Music

Subject:
National Museum of Natural History (U.S.) Exhibitions  Search this
Physical description:
2 sound tape reels : analog; 5 inches
Type:
Two-dimensional graphics
Local number:
Gibson Sound Recording 138
Gibson Sound Recording 139
See more items in:
Gordon D. Gibson Sound Recordings 1953-1981
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_282071
Online Media:

African Voices records, 1993-1999

Creator:
National Museum of Natural History (U.S.)  Search this
Subject:
National Museum of Natural History (U.S.)  Search this
Physical description:
41.25 linear feet (33 boxes)
Culture:
Africans  Search this
Type:
Purchase orders
Collection descriptions
Exhibit scripts
Drafts (documents)
Interviews
Correspondence
Memorandums
Press releases
Notes
Budgets
Drawings
Floor plans
Requisitions
Place:
Africa
Date:
1993
1993-1999
Topic:
Museum exhibits  Search this
Museum techniques  Search this
African diaspora  Search this
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_286776

Kurtze Betrachtung derer versteinerten Höltzer worinnen diese natürlichen Cörper sowohl nach ihrem Ursprunge, als auch nach ihrem eigenthümlichen Unterschiede und übrigen Eigenschafften in Erwegung gezogen werden von Christian Friedrich Schultzen, M.B. ; mit Kupfer

Author:
Schulze, Christian Friedrich 1730-1775  Search this
Former owner:
National Museum of Natural History (U.S.) Department of Paleobiology DSI  Search this
U.S. Geological Survey Library DSI  Search this
Physical description:
32 pages, [1] folded leaf of plates illustrations 22 cm (4to)
Type:
Early works to 1800
Early works
Date:
1770
Topic:
Paleobotany  Search this
Plants, Fossil  Search this
Call number:
QE905 .S38 1770
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_935894

Website Records, 2019

Creator:
Smithsonian Institution  Search this
Uniform title:
Smithsonian Magazine  Search this
Air and Space Magazine  Search this
Subject:
Instagram (Firm)  Search this
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Freer Gallery of Art  Search this
Arthur M. Sackler Gallery (Smithsonian Institution)  Search this
Smithsonian Associates  Search this
Smithsonian Institution Office of International Relations  Search this
National Museum of the American Indian (U.S.)  Search this
National Museum of African Art (U.S.)  Search this
Archives of American Art  Search this
National Museum of African American History and Culture (U.S.)  Search this
Chandra X-ray Observatory (U.S.)  Search this
Smithsonian Astrophysical Observatory  Search this
Hirshhorn Museum and Sculpture Garden ArtLab+  Search this
National Museum of Natural History (U.S.)  Search this
Cooper Hewitt, Smithsonian Design Museum Education Department  Search this
National Postal Museum (U.S.)  Search this
Smithsonian Asian Pacific American Center  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Cooper Hewitt, Smithsonian Design Museum  Search this
Smithsonian American Art Museum  Search this
Smithsonian Institution Center for Folklife and Cultural Heritage  Search this
Lemelson Center  Search this
National Museum of American History (U.S.)  Search this
National Museum of Natural History (U.S.) Smithsonian Marine Station at Fort Pierce  Search this
Smithsonian Enterprises  Search this
Smithsonian/Folkways Recordings  Search this
Smithsonian Gardens  Search this
Smithsonian Facilities  Search this
National Museum of Natural History (U.S.) Marine Conservation Program  Search this
National Zoological Park (U.S.)  Search this
United States National Aeronautics and Space Administration  Search this
Smithsonian Institution Traveling Exhibition Service  Search this
Smithsonian Affiliations (Program)  Search this
Smithsonian Libraries  Search this
Renwick Gallery  Search this
Anacostia Community Museum  Search this
Smithsonian Institution Office of the Chief Information Officer Digitization Program Office  Search this
Smithsonian Institution Office of Advancement Smithsonian Women's Committee  Search this
United States Agency for International Development  Search this
My Armenia Program  Search this
Smithsonian Institution Scientific Diving Program  Search this
Smithsonian Books (Publisher)  Search this
Smithsonian Craft Show  Search this
Type:
Electronic records
Collection descriptions
Web sites
Place:
Carrie Bow Cay (Belize)
Date:
2019
Topic:
Web sites  Search this
Museums--Public relations  Search this
Photographs  Search this
Social media  Search this
Local number:
SIA Acc. 20-187
See more items in:
Website Records 1995-2020 [Smithsonian Institution]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_401557

Department of Anthropology collection of photographs of anthropologists

Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Names:
H. B. Hall & Sons, engraver  Search this
Wilcox, John Angel James, 1835- (engraver)  Search this
Depicted:
Baird, Spencer Fullerton, 1823-1887  Search this
Berendt, C. Hermann (Carl Hermann), 1817-1878  Search this
Birtwell, Francis Joseph  Search this
Boban, E.  Search this
Bohmersheim, August Bohn von  Search this
Bolles, T. Dix (Timothy Dix), -1892  Search this
Casanowicz, Immanuel M.  Search this
Craddock, Charles Egbert, 1850-1922  Search this
Cushing, Frank Hamilton, 1857-1900  Search this
Daniel, Z. T.  Search this
Dedrick, Thomas S.  Search this
Eames, Moses  Search this
Evans, Sir John  Search this
Fisk, Clinton Brown  Search this
Golovneen, D.  Search this
Goode, G. Brown (George Brown), 1851-1896  Search this
Hawley, Edwin H.  Search this
Hayden, F. V. (Ferdinand Vandeveer), 1829-1887  Search this
Hooton, Earnest Albert, 1887-1954  Search this
Hrdlička, Aleš, 1869-1943  Search this
Johnston, T. C.  Search this
Knowlton, Frank Hall, 1860-1926  Search this
Langley, S. P. (Samuel Pierpont), 1834-1906  Search this
LeConte, Joseph N. (Joseph Nisbet), 1870-1950  Search this
Lesley, J. P. (J. Peter), 1819-1903  Search this
Matthews, Washington, 1843-1905  Search this
McCartee, Divie Bethune, 1820-1900  Search this
Millner, Isaac B.  Search this
Montgomery, Henry  Search this
Morse, Edward Sylvester, 1838-1925  Search this
Murfree, Mary Noailles, 1850-1922  Search this
Palmer, Edward, 1829-1911  Search this
Putnam, F. W. (Frederic Ward), 1839-1915  Search this
Rathbun, Richard, 1852-1918  Search this
Renshawe, John H.  Search this
Scott, Hugh Lenox, 1853-1934  Search this
Simpson, Charles Torrey, 1846-1932  Search this
Slocum, Joshua, 1844-1909  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Stevenson, James, 1840-1888  Search this
Stevenson, Matilda Coxe, 1850-1915  Search this
Volk, Ernest  Search this
Walker, Francis Amasa, 1840-1897  Search this
Ward, Herbert, 1863-1919  Search this
Winson, Justin  Search this
Photographer:
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Dumble, A. E.  Search this
Gill, De Lancey, 1859-1940  Search this
Herman, Mme de (of Paris)  Search this
Holland (of Trenton, New Jersey)  Search this
Lainer, Charles  Search this
Macnabb Studio  Search this
Notman, J.  Search this
Parker, Charles  Search this
Parker, Joseph C.  Search this
Prince, George  Search this
Rice, Moses P.  Search this
Sarony, Napoleon, 1821-1896  Search this
Teel, S. S.  Search this
Yasvoin, A. (of St. Petersburg, Russia)  Search this
Collector:
Holmes, William Henry, 1846-1933  Search this
Hough, Walter, 1859-1935  Search this
Mason, Otis T., 1838-1908  Search this
Extent:
4 Copy prints
4 Engravings
2 Prints (woodburytype)
42 Prints (albumen, silver gelatin, and platinum)
18 Prints (halftone)
Type:
Collection descriptions
Archival materials
Copy prints
Engravings
Prints
Photographs
Date:
circa 1864-1921
Scope and Contents note:
The collection consists of studio portraits and expedition photographs of anthropologists, administrators, scholars, and others. It includes some photographs of an Native American demonstrating sign language, possibly made during W J McGee's Seriland expedition.

Photographers represented in the collection are Charles Milton Bell, A. E. Dumbie; De Lancey W. Gill, Mme de Hermann, of Paris; Holland, of Trenton, New Jersey; Charles Lainer, J. Notman; Parker, George Prince, Macnabb, of New York; Moses P. Rice; Napolean Sarony; S. S. Teel; and A. Yasvoin, of St. Petersburg, Russia.
Local Call Number(s):
NAA Photo Lot 70
Location of Other Archival Materials:
Additional photograph collections of anthropologists held in the National Anthropological Archives are Photo Lot 4822, Photo Lot 33, Photo Lot 39, and Photo Lot 77-80.
See others in:
Department of Anthropology photograph collection of anthropologists, circa 1864-1921
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 70, Department of Anthropology collection of photographs of anthropologists, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.70
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-70

Ivan Karp papers

Creator:
Karp, Ivan  Search this
Names:
Emory University  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Institution  Search this
Kratz, Corinne Ann, 1953-  Search this
Masolo, D.A.  Search this
Extent:
16.24 Linear feet (43 boxes and 2 sets of rolled maps)
0.21 Gigabytes
19 Sound recordings
Culture:
Teso (African people)  Search this
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Manuscripts
Field recordings
Photographs
Field notes
Correspondence
Electronic records
Place:
Busia District (Kenya)
Date:
circa 1945-2012
bulk 1969-2012
Summary:
Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He was also a professor at Emory University from 1993 to 2011. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, social theory, museum studies, and public scholarship. His collection contains his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.
Scope and Contents:
This collection contains the professional papers of Ivan Karp, documenting his work as an anthropologist, professor, and museum curator. The materials include his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.

Karp's Iteso research files span from the late 1960s to the 1990s. These materials consist of his field notes, in both paper and digital form; household surveys; photographs; sound recordings; maps; grant proposals; bibliographic research; correspondence; notes and drafts of his dissertation; and his other writings. A great deal of the field materials was collected by his field assistants, particularly Steven Omuse. Some field materials were also collected by Karp's first wife, Patricia.

His Smithsonian files are electronic and contain little documentation regarding his administrative work. There are, however, some materials relating to the planning of exhibits at NMNH and a proposal to establish a program focusing on the African continent and the African Diaspora. There is also a memo with Karp's response to questions from a House Subcommittee regarding the National African American Museum and complaints about the NMNH Africa Hall. Other associated materials include his research and papers on museums and exhibits. While there are no files pertaining to the first two museum conferences he organized, a folder titled "Bellagio" contains documentation for the conference and associated workshops on museums and globalization that he organized while at Emory.

Karp's files from Emory are also in digital form and more substantive than his Smithsonian materials. They document his work on the different committees he chaired and programs he directed and founded, including the Center for the Study of Public Scholarship. His Emory files also include his comments on students' dissertations, papers, and proposals.

The digital files also document Karp's other areas of interests, particularly African philosophy; concepts of identity, personhood, and agency; and the relationships between international development and personhood. His work on African philosophy largely consists of files from a number of collaborative projects with Kenyan philosopher Dismas Masolo, including the 1993 conference in Nairobi they organized and the associated volume they edited, African Philosophy as Cultural Inquiry (2000). There are a few files of research on the Luo people. His research on development and personhood focuses on Africa, particularly on Kenya, and includes his papers, notes, and reference sources, which also exist in paper form. There are also files of obituaries and memorials of Karp from numerous publications and events.

Other materials in Karp's collection include his doctorate diploma, his Master's thesis, family photos, and a wedding album from his first marriage.
Arrangement:
This collection is organized into 6 series: 1) Iteso Research; 2) Development Discourse; 3) Personal; 4) Photographs; 5) Sound Recordings; 6) Born Digital Files.
Biographical / Historical:
Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, museum studies, and public scholarship.

Karp was born on August 27, 1943 in Stamford, Connecticut. He attended the University of Vermont as an undergraduate, majoring in Sociology and Anthropology (1961-1965), and pursued graduate studies in Social Anthroplogy at the University of Rochester (1967-1969). Karp received his M.A. (1969) and Ph.D. (1974) from University of Virginia. As a doctoral student he conducted research among the Iteso from 1969 to 1971. His dissertation, titled Fields of Change Among the Iteso of Kenya, was published in 1978. Karp continued his research on the Iteso into the 1990s and published various papers including "Beer Drinking and Social Experience in African Society" (1980) and "Laughter at Marriage: Subversion in Performance" (1987).

Before his employment at the Smithsonian, Karp held a teaching appointment at Colgate University from 1972 to 1975 and was a professor at Indiana University from 1976 to 1984. At Indiana University, he coedited with Charles S. Bird Explorations in African Systems of Thought (1980), the first of a 34-volume series published under his editorship.

He left Indiana University in 1984 to become the Curator of African Ethnology at the National Museum of Natural History. While at the Smithsonian, he served as Chair of the Ethnology Division and established with William Merrill the Smithsonian Series in Ethnographic Inquiry. It was also during this period that Karp began to critically examine museum practice, concepts of identity and agency, and systems of representation in relation to museum exhibits. He and Steven Lavine organized two major conferences on museums and co-edited the resulting conference proceedings: Exhibiting Cultures: The Poetics and Politics of Museum Display (1991) and Museums and Communities: The Politics of Public Culture (1992).

In 1993, Karp left the Smithsonian to direct the Graduate Institute of Liberal Arts (1993-1996) at Emory University. He also served as director of the university's Institute of African Studies (1996-1999) and the Emory Center for International Studies (1996-1999). In addition, he cofounded and codirected with Corinne Kratz, his second wife, the Center for the Study of Public Scholarship (CSPS) from 1994 to 2009 and the Grant Writing Program from 1992 to 2011. Through the CSPS, he and Kratz also established and codirected the Institutions of Public Culture program, a collaboration with South African colleagues that brought together scholars of public culture from universities, museums, NGOs, political and arts organizations and related institutions (2000-2008). Karp also continued to facilitate discussions on museums, working with Kratz and his colleagues at the Rockefeller Foundation to organize a series of international workshops and a conference in 2002 on museums and globalization. He coedited Museum Frictions: Public Cultures/Global Transformations (2006), a collection of papers presented at the conference.

Karp retired from teaching at Emory University in May 2011 but planned to continue working with the Laney Graduate School's Grant Writing Program until full retirement in August 2013. Not long after finishing his last graduate seminar, Ivan Karp died at the age of 68 on September 17, 2011 in New Mexico.

1943 -- Born on August 27 in Stamford, Connecticut.

1961-1965 -- Undergraduate studies at University of Vermont with major in Sociology and Anthropology.

1965-1967 -- Graduate studies in Social Anthropology at the University of Rochester.

1969 -- Earns M.A. from University of Virginia. Begins conducting fieldwork among the Southern Iteso in Busia District, Kenya.

1972-1975 -- Instructor and Assistant Professor of Anthropology at Colgate University.

1974 -- Earns Ph.D. from University of Virginia.

1976-1984 -- Professor of Anthropology at Indiana University.

1984-1993 -- Curator of African Ethnology, National Museum of Natural History, Smithsonian Insitution.

1987 -- Organizes conference on "The Poetics and Politics of Exhibiting Other Cultures."

1988 -- Organizes conference on "Museums and their Communities."

1993-1996 -- Director of Graduate Institute of Liberal Arts, Emory University.

1994-2009 -- Director of Center for the Study of Public Scholarship, Emory University.

1996-1999 -- Director of Emory Center for International Studies, Emory University. Director of Institute of African Studies, Emory University

2000-2008 -- Director of Institutions of Public Culture program through CSPS.

2002 -- Organizes conference on " Museums and Global Public Spheres" held in Italy at Bellagio Conference Center of the Rockefeller Foundation.

2009 -- Moves to Santa Fe, NM where he had bought a home in 2003.

2011 -- Retires from teaching at Emory University. Dies on September 17 at the age of 68.
Related Materials:
Artifacts collected by Ivan Karp can be found in the National Museum of Natural History's Department of Anthropology Collections (Accession #390893 and 416181). Indiana University Archives of Traditional Music holds some of Karp's original Iteso sound recordings.
Separated Materials:
Four DVDs and a videotape were separated from the collection and transferred to the Human Studies Film Archives. One of the recordings is an interview with Karp that Robert Lavenda and Emily Schultz conducted in 1989 to accompany their introductory anthropology textbook, Cultural Anthropology: A Perspective on the Human Condition. The rest of the recordings are of Karp giving presentations.
Provenance:
This collection was donated to the National Anthropological Archives by Corinne Kratz in 2014.
Restrictions:
Recommendations that Karp wrote for his colleagues and students are restricted until 2061.

Access to the Ivan Karp papers requires an appointment.
Topic:
Museum techniques  Search this
Luo (African people)  Search this
Social sciences -- Philosophy  Search this
Philosophy, African  Search this
Language and languages -- Documentation  Search this
Teso language  Search this
Genre/Form:
Sound recordings
Manuscripts
Field recordings
Photographs
Field notes
Correspondence
Electronic records
Citation:
Ivan Karp papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2013-30
See more items in:
Ivan Karp papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2013-30

Smithsonian Institution Office of Printing and Photographic Services photographs of reception for repatriation of Henry Lookout's manuscripts

Creator:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Names:
National Museum of American History (U.S.)  Search this
National Museum of Natural History (U.S.)  Search this
Evelyn, Douglas E., 1941-  Search this
Glenn, James R.  Search this
Goddard, Ives, 1941-  Search this
Smith, Bruce D. (Bruce David), 1946-  Search this
Zeder, Melinda A.  Search this
Extent:
33 Contact prints (33 contact prints (contact sheets))
Culture:
Osage  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Photographs
Date:
1990
Scope and Contents note:
Photographs documenting presentation of Henry Lookout's manuscripts to his descendants, made in the Director's office of the National Museum of Natural History on September 27, 1990. Depicted individuals include George Big Eagle, Olivia Mashunkashey Bristow (daughter of Henry Lookout), Tom E. Fugate, Michele Easley, Anita West, Frank Talbot, Ives Goddard, Douglas Evelyn (Deputy Director, NMAH), Peggy Anderson (Talbot's assistant), Melinda Zeder (Deputy Chairman, Anthropology), James R. Glenn (National Anthropological Archives), Cory Gilliland (Numismatics, NMAH), Elvira Stefanelli (Director, National Numismatics Center), and Bruce Smith (Acting Chairman, Anthropology).
Biographical/Historical note:
Henry Lookout (Osage), made an indefinite loan of documents (NAA MS 4405 and 4406) and a Jefferson Peace Medal (NAA MS 4407) to the Bureau of American Ethnology in 1952. His descendents later requested the return of the material and all items except the peace medal were repatriated in the Director's office of the National Museum of Natural History on September 27, 1990. The medal was purchased by the National Museum of American History and remains in its collection.
Local Call Number(s):
NAA Photo Lot 93-9
Location of Other Archival Materials:
A photograph of Lookout holding Jefferson Peace Medal held in National Anthropological Archives Photo Lot 24.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Cultural property -- Repatriation  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 93-9, Smithsonian Institution Office of Printing and Photographic Services photographs of reception for repatriation of Henry Lookout's manuscripts, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.93-9
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-93-9

Division of Physical Anthropology photographs of Albert Attocknie and other Native Americans

Collector:
National Museum of Natural History (U.S.). Division of Physical Anthropology  Search this
Fletcher, Alice C. (Alice Cunningham), 1838-1923  Search this
Names:
Foch, Ferdinand, 1851-1929  Search this
Plenty Coups Chief of the Crows, 1848-1932  Search this
Photographer:
Gill, De Lancey, 1859-1940  Search this
Extent:
12 Copy prints
Culture:
Indians of North America -- Great Plains  Search this
French  Search this
Indians of North America -- Plateau  Search this
Umatilla  Search this
Apsáalooke (Crow/Absaroke)  Search this
Niuam (Comanche)  Search this
Type:
Collection descriptions
Archival materials
Copy prints
Photographs
Date:
circa 1920-1929
Scope and Contents note:
Mostly portraits of Albert Attocknie (Lone Tipi) and William H. Egberts made by De Lancey Gill and collected by Alice Cunningham Fletcher. The collection also includes a photograph depicting Smithsonian employee Paul C. Natta measuring Native Americans, a portrait of Charlie Saplish (Doctor or Chief Whirlwind), and another photograph of French Marshal Ferdinand Foch with Plenty Coups in 1921.
Local Call Number(s):
NAA Photo Lot 81-7
Location of Other Archival Materials:
Additional photographs collected by the Division of Physical Anthropology can be found in the National Anthropological Archives in the Division of Physical Anthropology Photograph Collection 1850s-1960s (Photo Lot 8).
Additional photographs of Attocknie and Egberts made by Gill, including original negatives, can be found in the National Anthropological Archives in Photo Lot 24 and the BAE historical negatives.
Additional photographs of Charlie Saplish can be found in the National Anthropological Archives in Photo Lot 24.
Additional photographs of Plenty Coups can be found in the National Anthropological Archives in MS 4423, Photo Lot 78-41, Photo Lot 86-46, Photo Lot 87-2, Photo Lot 90-1, and Photo Lot 89-8.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Physical anthropology  Search this
anthropometry  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 81-7, Division of Physical Anthropology photographs of Albert Attocknie and other Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.81-7
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-81-7

Department of Anthropology photographs of specimens and exhibits

Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
River Basin Surveys  Search this
Smithsonian Institution. Bureau of American Ethnology  Search this
Krieger, Herbert W. (Herbert William), 1889-1970  Search this
Phebus, George E.  Search this
Solecki, Ralph S.  Search this
Washakie, approximately 1804-1900  Search this
Extent:
400 Prints (circa, silver gelatin (including contact prints))
Culture:
Yanktonnai Nakota (Yankton Sioux)  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Great Plains  Search this
Shoshone  Search this
Type:
Collection descriptions
Archival materials
Prints
Place:
United States -- Antiquities
Date:
undated
Scope and Contents note:
The collection largely consists of photographs of specimens and artifacts, some of which were once in the collections of the Department of Anthropology, as well as images of anthropological exhibits in the National Museum of Natural History, circa 1950s and 1960s. Specimens and artifacts that are depicted include the Waverly Tablet from Waverly, Ohio; Richardson Tablet from near Wilmington, Ohio; Grave Creek Tablet from West Virginia; and Cincinnati Tablet from Cincinnati, Ohio; a Tuxtla statuette; artifacts from the Cascades area of Oregon and Washington collected by Herbert W. Krieger and George E. Phebus; bone and stone artifacts from River Basin Survey and BAE archeological sites in the Great Plains; and artifacts from Bluestone Reservoir, West Virginia, recovered by Ralph Solecki in 1948 together with a manuscript on the Round Bottom site.

The collection also includes images of items not in the department's collections but used for BAE or Smithsonian publications and those sent to the Smithsonian for examination. These include a copy of the winter count of the Yanktonai Long Dog; a war record by Shoshoni Chief Washakie; Folsom-like points from various parts of the United States, and various Hebrew, Italian, and other manuscripts.
Local Call Number(s):
NAA Photo Lot 88-35, NAA Photo Lot 88-18
Location of Other Archival Materials:
Photo Lot 88-18 has been relocated and merged with Photo Lot 88-35. These are also Processing Lab photographs of artifacts and form part of this collection.
The Department of Anthropology holds many of the artifacts shown in these images.
The National Anthropological Archives holds the River Basin Surveys records and Herbert William Krieger papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Folsom points  Search this
Citation:
Photo Lot 88-35, Department of Anthropology photographs of specimens and exhibits, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.88-35
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-88-35

Native American Public Programs photograph collection relating to Native American artists and art

Collector:
National Museum of Natural History (U.S.). Native American Public Programs  Search this
Ringlero, Aleta Pima  Search this
Photographer:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Clark, Chip, 1947-2010  Search this
Hansen, Carl C.  Search this
Hart, Alan  Search this
Long, Eric  Search this
Minor-Penland, Laurie  Search this
Penland, Dane  Search this
Strauss, Richard  Search this
Taccone, Christina  Search this
Vargas, Rick  Search this
Names:
Lewis, Lucy M.  Search this
Extent:
5,750 Prints (circa, silver gelatin (including contact prints))
12 Color transparencies
10 Color negatives
3,500 Color slides (circa)
67 Color prints
4 Negatives (acetate)
Culture:
Indians of North America -- California  Search this
Paiute  Search this
Jemez Pueblo  Search this
Mewuk (Miwok)  Search this
Yurok  Search this
Cherokee  Search this
Tewa Pueblos  Search this
Indians of North America -- Southern States  Search this
Tlingit  Search this
A:shiwi (Zuni)  Search this
Assiniboine (Stoney)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Kwakwaka'wakw (Kwakiutl)  Search this
Lenape (Delaware)  Search this
Indians of North America -- Great Plains  Search this
Tohono O'odham (Papago)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Indians of North America -- Great Basin  Search this
Akimel O'odham (Pima)  Search this
Hopi Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Onondaga  Search this
Muskogee (Creek)  Search this
Kutzadika'a (Mono Paiute)  Search this
Pomo  Search this
Laguna Indians  Search this
Makah  Search this
White Mountain Apache  Search this
Seneca  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Sioux  Search this
Numakiki (Mandan)  Search this
Pueblo Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Minitari (Hidatsa)  Search this
Diné (Navajo)  Search this
Kiowa  Search this
Apsáalooke (Crow/Absaroke)  Search this
Indians of North America -- Plateau  Search this
Niimíipuu (Nez Perce)  Search this
Cayuse  Search this
Acoma Pueblo  Search this
Payómkawichum (Luiseño)  Search this
Indians of North America -- Northeast  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Mohawk  Search this
Type:
Collection descriptions
Archival materials
Prints
Color transparencies
Color negatives
Color slides
Color prints
Negatives
Date:
1989-1993
Scope and Contents note:
Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.

Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by Native American artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Art  Search this
Handicraft  Search this
Citation:
Photo Lot 91-26, Native American Public Programs photograph collection relating to Native American artists and art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.91-26
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-91-26

Joseph C. Farber photographs of Native American life

Creator:
Farber, Joseph C., 1903-  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Gorman, R. C. (Rudolph Carl), 1932-  Search this
Extent:
6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Culture:
Arctic peoples  Search this
Pikuni Blackfeet (Piegan)  Search this
Onondaga  Search this
Taos Indians  Search this
Quinault  Search this
Tlingit  Search this
Akimel O'odham (Pima)  Search this
Tewa Pueblos  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southwest, New  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Diné (Navajo)  Search this
Eskimos  Search this
Sioux  Search this
Lummi  Search this
Haida  Search this
Indians of North America -- Plateau  Search this
Kootenai (Kutenai)  Search this
Kiowa  Search this
Mojave (Mohave)  Search this
Miccosukee Seminole (Mikasuki)  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Northeast  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Chehalis  Search this
Apache  Search this
Athapascan Indians  Search this
Cocopa  Search this
Niuam (Comanche)  Search this
Cherokee  Search this
Indians of North America -- Southern States  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Pueblo Indians  Search this
Acoma Pueblo  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Acetate negatives
Color transparencies
Photographs
Place:
North Carolina
New York
New Mexico
Montana
South Dakota
Oklahoma
Arizona
California
Florida
Minnesota
Alaska
Alberta
Washington (State)
Barrow, Point (Alaska)
Yuma County (Ariz.)
Taos (N.M.)
Date:
circa 1970-1975
Scope and Contents note:
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).
Biographical/Historical note:
Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Native communities throughout the United States to document modern Native American life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.
Local Call Number(s):
NAA Photo Lot 78-1, NAA ACC 95-3
Location of Other Archival Materials:
Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.
The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.
Topic:
Dwellings  Search this
Vocational education  Search this
Canoes and canoeing  Search this
Boats and boating  Search this
Dance  Search this
Powwows  Search this
Rodeos  Search this
Building  Search this
handicrafts  Search this
Totem poles  Search this
Agriculture  Search this
Livestock  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 78-1, Joseph C. Farber photographs of Native American life, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.78-1
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-78-1

John Canfield Ewers Papers

Correspondent:
Hanson, James A.  Search this
Conner, Stuart W.  Search this
Dempsey, Hugh A.  Search this
Brasser, Ted J.  Search this
DeMallie, Raymond  Search this
Schaeffer, Claude E.  Search this
Taylor, Colin F.  Search this
Creator:
Ewers, John C. (John Canfield), 1909-1997  Search this
Names:
National Museum of American History (U.S.)  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Institution  Search this
United States. National Park Service  Search this
Catlin, George, 1796-1872  Search this
Denig, Edwin Thompson, 1812-1858  Search this
Taylor, James E. (Artist)  Search this
Extent:
97 Linear feet
Culture:
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Northeast  Search this
Cree  Search this
Assiniboine (Stoney)  Search this
Kiowa  Search this
Indians of North America -- Subarctic  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Type:
Collection descriptions
Archival materials
Date:
1945-1993
Scope and Contents:
The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes materials relating to his numerous research projects and publications such as his books on plains sculpture and Jean Louis Berlandier as well as his field research among the Assiniboin and Blackfoot tribes. Ewers' career as an ethnologist based in a museum is amply documented through correspondence, exhibit plans and scripts, notes, and reports showcasing his work for the National Park Service and his fifty plus years at the Smithsonian. The voluminous correspondence file highlights his close collaboration with individuals such as Stu Conner, Hugh Dempsey, Claude Schaeffer, and Colin Taylor. Ewers' graduate studies and his family are featured in Series XI. One special category of materials in this collection is Series XIV, the card files. Ewers pulled information from his field notes and other sources, classified them, and typed or wrote them up on 3x5 or 5x7 inch index cards. He then organized these files alphabetically by subject within large categories such as "Collecting Alpha by Collectors Name" or "Fur Trade and Trade Goods." The card files include correspondence and photographs and closely relate to materials throughout the rest of the collection. Though Ewers' papers are primarily textual in nature, there are graphic materials throughout his files. Series XIII features the graphic materials that Ewers kept separate from his files such as the contents of his slide cabinets. There is overlap within this series as Ewers kept multiple copies of his slides in various locations. This series also includes audiotapes of conferences and symposia at which Ewers spoke and three scrapbooks. Of note are original pencil and ink drawings from his book, The Horse in Blackfoot Culture, in Series XV. Transcripts of oral history interviews with John Canfield Ewers are also available at the Smithsonian Institution Archives.
Arrangement note:
This collection was organized into 15 series - Correspondence, Research & Subject Files, Research Projects, Trips and Presentations, Artists of the Old West, North American Indian Art, Plains Sculpture Book, Berlandier Project, Smithsonian Institution, National Park Service, Personal, Writings by Ewers, Audiovisual Materials, Card Files, and Art Work.
Biographical/Historical note:
John Canfield Ewers (1909-1997) earned a B.A. from Dartmouth College in 1931 and an M.A. in Anthropology from Yale University in 1934. Ewers began his career in museums as a Field Curator for the National Park Service. He helped design exhibits at Vicksburg National Battlefield and Ocmulgee National Monument among others. In 1941, the Bureau of Indian Affairs hired Ewers to design and establish the Museum of the Plains Indian in Browning, Montana. After a short stint in the Navy during World War II, Ewers joined the Department of Anthropology at the Smithsonian Institution. He worked at the Smithsonian for over fifty years in numerous capacities including Director of the National Museum of History and Technology (now called the National Museum of American History). Ewers' research dealt with the Plains Indians and the Blackfoot tribe in particular. Ewers wrote several books on a wide variety of topics including White artists depictions of Native Americans, Plains Indian sculpture, and the horse in Blackfoot Indian culture.
Restrictions:
The John Canfield Ewers papers are open for research.
Rights:
Contact repository for terms of use.
Occupation:
Artists  Search this
Topic:
Ethnohistory  Search this
Carving  Search this
American Indians -- Plains  Search this
Artists -- United States -- West -- Biography  Search this
American Indians -- Clothing  Search this
American Indians -- arts and crafts  Search this
Museums -- History -- Exhibitions  Search this
Museums -- Collection management  Search this
Museum exhibits  Search this
Repatriation  Search this
Citation:
John Canfield Ewers papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1998-35
See more items in:
John Canfield Ewers Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1998-35

Photographs of American Indians and Other Subjects 1840s-1960s

Creator:
Smithsonian Institution Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.) Department of Anthropology  Search this
Physical description:
ca. 22,000 items
Type:
Photographs
Collection descriptions
Negatives
Prints
Works of art
Printed material
Date:
1840s-1960s
See more items in:
Photographs of American Indians and Other Subjects 1840s-1960s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_1543

Bruce D. Smith papers, 1970s-2012

Creator:
Smith, Bruce David  Search this
Subject:
National Museum of Natural History (U.S.) Department of Anthropology  Search this
Bureau of American Ethnology Mounds Division  Search this
Lower Mississippi Survey  Search this
Physical description:
12.3 linear feet (22 boxes) plus 1 map folder and 2 paintings
Type:
Works of art
Collection descriptions
Photographs
Administrative records
Field notes
Date:
1970
1970-2012
1970s-2012
Topic:
Archaeology  Search this
Agriculture, Prehistoric  Search this
Agriculture--Origin  Search this
Plants, Cultivated--Origin  Search this
Restrictions & Rights:
A portion of the collection is stored off-site. Advance notice must be given to view off-site materials
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_87841

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