Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.
Scope and Contents:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.
Biographical Note:
James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).
Local Call Number(s):
NAA Photo Lot 4605
Related Materials:
The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.
Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.
Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.
Pywell photographs held in National Anthropological Archives Photo Lot 4498.
O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.
Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.
Provenance:
Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.
The collection consists of plates from Portraits of Distinguished Indians from Several Tribes Who Visited Washington in 1837. Baltimore: Edward Weber &: Co., 1842. The complete work was issued in a large folio containing 5 lithographs depicting a total of 48 figures. The collection contains one complete set of all 5 plates (Plate V is in two parts) and duplicates of Plates I, III, and IV. The collection does not have the title page for the volume. The complete set of plates has been laminated.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Ferdinand Pettrich grew up in the city of Dresden, Germany, and apprenticed to his father Franz Johann Pettrich, a court sculptor for the king of Saxony. When he was twenty-one, he traveled to Rome to study with the internationally known Danish sculptor and teacher Albert B. Thorvaldsen. In 1835, Pettrich traveled to America with his wife and settled in Washington, where he modeled portrait busts of political figures and visiting Native Americans. In 1842 he was stabbed in his Washington studio and to recuperate moved to Brazil's warmer climate. He became the court sculptor for Emperor Dom Pedro II and carved monumental statues of the monarch and his court officials before returning to Europe. Pettrich settled in Rome where, after he presented his sculptures of Native Americans to the Museum of St. John Lateran, the Vatican honored him with a life-term papal pension.
Local Numbers:
NAA MS 4886
Variant Title:
Lithographs of American Indians
Related Materials:
The National Anthropological Archives holds Lantern slides of Ferdinand Pettrich sculptures related to Native Americans (Photo Lot 20).
The Smithsonian American Art Museum holds sculptures by Pettrich.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Lithographs
Citation:
MS 4886 Plates from Portraits of Distinguished Indians from Several Tribes Who Visited Washington in 1837, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southern States Search this
Type:
Archival materials
Photographs
Date:
1734
Scope and Contents:
"Oglethorpe presenting Tomo-chi-chi and the Indians to the Lord Trustees of the Colony of Georgia. Painted in 1734 by the Dutch [Flemish ?] painter, Willem Verelst. The original is in the possession of a descendant of the Earl of Shaftesbury, one of the Trustees. These are actual portraits. The key shown below has been furnished by the Georgia society of the Colonial Dames of America. [Key names the trustees but the Indians are not individually named. Oglethorpe is at center, standing, in black suit.]..." --Caption from Alice G. B. Lockwood, "Gardens of Colony and State," 1934, page 271. The woman in the picture would be Tomochichi's wife, and the young boy his nephew. See Bureau of American Ethnology Bulletin 30, Tomochichi.
Local Numbers:
OPPS NEG.1129 C
Local Note:
See also text of Bulletin 137, page 210. Swanton is of the opinion that the Yamacraw (of whom Tomo-chi-chi was chief) may have been part of the Yamassee.
Black and white copy negative
Topic:
Language and languages -- Documentation Search this
Indians of North America -- Southern States Search this
Type:
Archival materials
Photographs
Date:
Jul 1790
Local Numbers:
OPPS NEG.1169 L 1
Local Note:
This copy negative made from a "foxed" print, but find there is a clearer, cleaner one in the Original Prints file, but from which another negative might sometime be made. - MCB 1959.
Indians of North America -- Southern States Search this
Type:
Archival materials
Photographs
Date:
Jul 1790
Biographical / Historical:
May have been chief when Osceola born. (Osceola born with Talahassee band)- Josephy, American Heritage. 2/61.
Local Numbers:
OPPS NEG.1169 L 4
Local Note:
Emma Lila Fundaburk in letter to F. H. H. R., February 11, 1958, writes that she received a letter from Fordham University Library, New York 58, N. Y. which states: "The Fordham University Library owns the pencil drawing of the Indian Chief, Hopothle Mico, or the Talahassee [sic] King of the Creeks, to which you refer in your letter of January 26. It is endorsed on the back "New York, July 1790,' and is 4 7/8 x 4" in size. "There are no other pictures in any media of Southeastern Indians in the Fordham collection." E. L. Fundaburk letter of March 27, 1958 states that Frick Art Reference Library has negative of original.
The Frank C. and Clara G. Churchill collection includes photographic negatives, photo albums, lantern slides, journals, scrapbooks and other documents created and compiled by the Churchills over the course of Frank's career as a special agent and Indian Inspector for the Department of the Interior between 1899 and 1909. Initially assigned as a revenue collector to the Cherokee Nation and later as an Indian Inspector reviewing boarding schools, Frank's assignments took him all over the United States including Indian Territory (present day Oklahoma), Missouri, Texas, Nebraska, Kansas, South Dakota, Minnesota, Wisconsin, New Mexico, Arizona, Utah, California, Florida, North Carolina and Alaska. During this time the Churchills visited over 80 different Native communities shooting photographs and taking notes.
Scope and Contents:
The Frank C. and Clara G. Churchill collection includes 1430 photographic negatives, 29 photo albums containing 3710 photographic prints, 325 lantern slides, and 3 linear feet of journals, scrapbooks, and other documents created and compiled by the Churchills over the course of Frank's career as a special agent and Indian Inspector for the Department of the Interior between 1899 and 1909.
Series 1: Photographs in Indian Territory (Oklahoma): Muskogee, Tahlequah, Sulphur Springs and Other Assignments, 1899-1903, includes 11 photo albums and 357 negatives from Frank Churchill's original assignment as revenue collector to the Cherokee Nation. Locations include Indian Territory (Oklahoma) [bulk], Kansas, Nebraska, Iowa, South Dakota, Arkansas, and Missouri. The Native communities visited and photographed in this series include— Oklahoma Cherokee, Oklahoma Muskogee (Creek), Quapaw, Osage, Miami, Wyandotte [Oklahoma], Tsitsistas/Suhtai (Cheyenne), Winnebago [Nebraska], Eastern Shawnee [Quapaw Agency, Oklahoma], Ponca, Chaticks Si Chaticks (Pawnee), Oto, Sioux [Crow Creek], Kaw (Kansa), Chickasaw, Modoc, Kiowa, Choctaw.
Series 2: Photographs in the Southwest and Midwest: Arizona, New Mexico, Califonia, Minnesota and Wisconsin, 1903-1907, includes 9 photo albums and 832 negatives from Frank Churchill's assignment as an Indian Inspector. Because the Churchills visited some of the same locations on multiple occasions, it has been hard to date some of the negatives. For that reason, all the negatives made in the Southwest have been included in this series, though there are two photo albums with Southwest photographs included in Series 4. Locations in this series includes Arizona, New Mexico, California, Minnesota and Wisconsin. The Native Communities visited and photographed in this series include—A:shiwi (Zuni), Diné (Navajo), Acoma Pueblo, Akimel O'odham (Pima), Cahuilla, Chemehuevi, Cochiti Pueblo, Hopi Pueblo, Isleta Pueblo, K'apovi (Santa Clara Pueblo), Kumeyaay (Diegueño), Laguna Pueblo, Luiseño (Luiseno), Mescalero Apache, Mojave (Mohave), Ohkay Owingeh (San Juan Pueblo), Picuris Pueblo, Piipaash (Maricopa), Puye Pueblo, Quechan (Yuma/Cuchan), San Carlos Apache, Taos Pueblo, Tohono O'odham (Papago).
Series 3: Photographs in Alaska and Oregon, 1905-1910 (bulk 1905), includes four photograph albums and 71 negatives from Frank Churchill's appointment as special agent, by President Roosevelt, to investigate the condition of the school & reindeer service and other affairs in Alaska in the summer and fall of 1905. Two of the albums were not made by the Churchills. The first of these (Box 20) includes photographs by William Hamilton and the second (Box 21) includes photographs by W. T. Lopp. Locations in Alaska include St. Lawrence Island, Nuwukmiut/Point Barrow, Teller, Diomedes Islands, Nome, Kotzebue, Wrangell, Port Clarence Bay, Unalaska Island and Baranof Island. There are a number of photographs aboard the U.S. Cutter "Bear" and aboard the mailboat "Georgia." Native communities photographed include—Yuit (Siberian Yup'ik), Inupiaq (Alaskan Inupiat Eskimo), Bering Strait Inupiaq [Diomedes], Alutiiq (Pacific Eskimo), Tlingit.
Series 4: Photographs in Arizona, Utah, North Carolina, Montana, North Dakota, Florida and Miscellaneous, 1907-1909, includes five photograph albums and 163 negatives from Frank Churchill's assignment at Indian Inspector. Because the Churchills visited some of the same locations in the Southwest (Arizona and Utah) on multiple occasions, it has been hard to date some of the negatives. For that reason, all the negatives made in the Southwest have been included in Series 3. Locations include Arizona, Utah, North Carolina, Montana, North Dakota and Florida. Native communities visited and photographed include-Diné (Navajo), Hopi Pueblo, Kaibab Paiute, Quechan (Yuma/Cuchan), Eastern Band of Cherokee, Pikuni Blackfeet (Piegan), Wahpetonwan Dakota [Sisseton-Wahpeton Sioux Tribe], Turtle Mountain Chippewa, Seminole. There is restricted material in Box 23 (Album P23380).
Series 5: Non-Native Photographs: Colorado Vacation, Lebanon, New Hampshire, and other Materials, 1898-1913, includes four photograph albums from vacations and other visits made by the Churchills unrelated to Frank's activities as Indian Inspector.
Series 6: Manuscripts: Journals, Documents and Scrapbooks, 1880-1928 (bulk 1899-1909), includes three linear feet of materials arranged in three subseries. Subseries 6.1, Clara Churchill, includes 16 journals, 12 scrapbooks and various other manuscript materials written and accumulated by Clara Churchill during their travels. Many of the journals include personal writings as well as several photographs that are duplicated in the photograph albums. The journals and scrapbooks encompass the full range of the Churchills' travels and include notes from Indian Territory, Southwest, Midwest, Southeast, Plains and Alaska. Subseries 6.2, Colonel Frank C. Churchill, includes official documents around Churchill's assignments as well as the reports Frank submitted back to the Secretary of the Interior (Box 41 and 42). Subseries 6.3, Churchill Museum and Miscellaneous, includes catalogs and other notes related to the large collection of Native American objects amassed by Frank and Clara. Clara also collected other items such as shells, minerals, and sand.
Series 7: Lantern Slides for Lectures, 1899-1909, includes 325 hand colored glass lantern slides. These were made by the Churchills from existing negatives and used for lectures. Lantern slides #1-#121 include views photographed in Alaska in 1905. Sldes #122-#325 include an assortment of views from Oklahoma (Indian Territory), Nebraska, Montana, Minnesota, California, Arizona and New Mexico photographed between 1900 and 1909.
Arrangement:
The Frank C. and Clara G. Churchill collection has been arranged in seven series by material type and then chronologically. The first five series are then divided into subseries by "Photo Albums" and "Negatives." These include--Series 1: Photographs in Indian Territory (Oklahoma): Muskogee, Tahlequah, Sulphur Springs and Other Assignments, 1899-1903; Series 2: Photographs in the Southwest and Midwest: Arizona, New Mexico, California, Minnesota and Wisconsin, 1907-1907; Series 3: Photographs in Alaska and Oregon, 1905-1910 (bulk 1905-1905); Series 4: Photographs in Arizona, Utah, North Carolina, Montana, North Dakota, Florida and Miscellaneous, 1907-1909; Series 5: Non-Native Photographs: Colorado Vaction, Lebanon, New Hampshire, and other Materials.
Series 6: Manuscripts: Journals, Documents and Scrapbooks, 1880-1928, is arranged in three subseries. Subseries 6.1: Clara G. Churchill, Subseries 6.2: Frank C. Churchill, and Subseries 6.3: Churchill Museum and Miscellaneous. Series 7: Lantern Slides for Lectures, 1899-1909, is arranged in orginal number order from the Hood Museum at Dartmouth College.
Biographical / Historical:
Frank Carroll Churchill was born August 2, 1850 to Benjamin P. Churchill and Susanna Thompson in West Fairlee, Vermont. Frank was educated at Thetford Academy in Thetford, VT and worked as a clerk for D.C. Churchill & Co. in Lyme, NH between 1869-1870. Between 1870 and 1877, Churchill was employed by H.W. Carter as a wholesale merchant in Lebanon, New Hampshire. During this time, Churchill met Clara Corser Turner and they were married on June 11, 1874.
Clara G. (Turner) Churchill was born December 16, 1851, to Colonel Francis H. Corser and Sarah Hook (Perkins) Corser. Colonel Corser and his wife died young, and Clara was adopted by George and Abby H. Turner of Concord, New Hampshire.
In 1877, in association with William S. Carter, Frank Churchill opened the business "Carter & Churchill" which was in this business for 21 years. Churchill held various political offices from 1879-91. He served as chairman of the Republican town committee of Lebanon and of the Republican State committee in 1890 and 1891. He served on the staff of Governor Natt Head in 1879 and 1880, with the rank of Colonel. He was chairman of the New Hampshire delegation at the Republican National Convention which nominated President Harrison and represented the Fourth District in the Executive Council in 1889-1890 during the administration of Governor David. H. Goodell.
In 1899 Frank was appointed revenue inspector for the Cherokee Nation in Indian Territory and was later appointed a special agent for the Interior Department to formulate a system of public schools in Indian Territory (Oklahoma) and across the Southwest. In 1905, he was appointed special agent, by President Roosevelt, to investigate the condition of the school & reindeer service and other affairs in Alaska and was reappointed Indian Inspector between 1905-1909. In 1909, Churchill resigned due to failing health and died November 5, 1912. Clara accompanied Frank on all his travels between 1899 and 1909 (see below chronology for full details) maintaining journals and writing articles for publication in "WHAT." Clara was also a painter, producing watercolors and hand-painting many of the photographs she and Frank made on their travels. Following Frank's death, Clara maintained their collection of Native artifacts and photographs in their home in Lebanon, New Hampshire. Clara died April 16, 1945, bequeathing the full collection to Dartmouth College.
Frank Churchill's assignments as Special agent and Indian Inspector from 1899-1909 took him all over the United States including Indian Territory (present day Oklahoma), Missouri, Texas, Nebraska, Kansas, South Dakota, Minnesota, Wisconsin, New Mexico, Arizona, Utah, California, Florida, North Carolina and Alaska. During this time the Churchills visited over 80 different Native communities. For more details, see the chronology below.
Travels in Indian Territory (Oklahoma) and other assignments, 1899-1903
1899, June 29 -- Churchills arrive in Muskogee, Indian Territory (Oklahoma).
1899, July-October -- Visit to Fort Gibson, Tahlequah, Sallisaw, and Vinita (Indian Territory/Oklahoma). Visit to Noel and South west City, Missouri. Visit to Chelsea and Coffeyville, Kansas. Visit to Fort Smith, Arkansas.
1899, November -- Visit Tahlequah while the Cherokee Nation legislature was in session.
1899, December -- Travel in Colorado.
1900, March -- Return to Muskogee and Fort Gibson.
1900, Sept 17-Oct 5 -- Dawes Commission in Vinita.
1901, Mar-Apr 3 -- Visit to the Quapaw Agency, Wyandotte Reservation and school, Modoc reservation and the town of Miami.
1901, April -- Visit to Denison, Texas. Visit to Checotah, Eufaula, South McAlester (Choctaw nation).
1901, Summer -- Visit to Pawhuska, Osage Nation.
1901, October -- Visit to Tishomingo, seat of government of the Chickasaws.
1902, January -- Trip to the Chickasaw Nation Visit to Anadarko, Indian Agency of the Kiowa, Comanche and Apache, Fort Sill, Wichita Mountains, and Lawton.
1902, May -- Frank is dispatched to Sioux City, Iowa.
1902, July -- Visit to St. Paul, Minnesota and Eau Claire, Wisconsin, (Chippewa Falls). Frank is sent to Sulphur Springs, Texas, to author a report.
1902, August -- Churchills return to Muskogee, IT.
1902, September-October -- Trip to White Eagle, Ponca Agency for a month. Visit to Otoe school, Pawnee School, Shawnee, Sac and Fox reservations.
1902, November-December -- Visit to Crow Creek Agency.
1903, January -- Return to Sulpher Springs, Texas.
1903, March -- Visit to Pawhuska, Osage Nation.
1903, April -- Visit to Colorado.
1903, May-October -- Visit to 23 towns in Oklahoma (IT) with the Secretary of the Interior.
Travels in New Mexico, Arizona and California, 1903-1905
1903, November -- Frank receives orders to proceed to Zuni Pueblo, New Mexico.
1903, December 9 -- Visit to Zuni, followed by Canyon de Chelly, Hubbell's Ranch, Keams Canyon.
1903, December 21 -- Visit to Hopi Pueblo. Walpi, Polacca Day School, Oraibi, Shumopavi (Shungopavi/Songoopavi), Shipaulovi (Supawlavi) and Mishongnovi (Musungnuvi).
1903, December 28 -- Visit to Fort Defiance.
1904, January -- Travel in New Mexico. Visit to Gallup, Laguna Pueblo, Acomita, Paraje, Acoma, Albuquerque, Isleta Pueblo, Santa Fe, Ohkay Owingeh (San Juan Pueblo), K'apovi (Santa Clara Pueblo).
1904, February -- Visit to Sacaton, Akimel O'odham (Pima) Reservation and Casa Grande ruins in Arizona.
1904, March -- Visit to Lehi Day School, Salt River Day School, Phoenix Indian School, Gila River Crossing Day School and Maricopa Day School, Arizona.
1904, March 10-26 -- Visit to Fort Mojave and Chemehuevi.
1904, March 30-April -- Visit to Riverside, California, Sherman Institute and Perris School. Side trip to Yuma, Arizona.
1905, January-February -- Visit to Sulphur, IT.
1905, March -- Visit to Mescalero Apache Agency, San Carlos Apache Agency, Geronimo Settlement, Rice Station School at Talkalai.
1905, April 10-20 -- Return to Sherman Institute in Riverside, California. Visit to San Jacinto, Perris, Saboba, Cahuilla, San Manuella (Band of Mission Indians), Coachella, Torres Reservation, Martinez Reservation Day School, Cabazon Reservation, Protrero Reservation and Day School.
1905, April 22-May -- Visit to Temecula, Pechanga Day School, Pala Mission, Campo Reservation, Mission of San Luis Rey, Rincon Day School, Mesa Grande School, Santa Ysabel (Diegueno), Volcan Mountain Day School.
Travels in Alaska, 1905
1905, June -- Frank receives an assignment in Alaska.
1905, July -- Board the U.S. Revenue Cutter "Bear" in Nome. Visit to Reindeer Station in Teller, Cape Prince of Wales, Kotzebue Sound, Cape Thompson, Point Hope and Point Barrow.
1905, August -- Visit to Wainwright Inlet, return to Nome. Visit to Anvil Creek, Gologin (Golovin) Bay, St. Lawrence Island, Pribilof Islands (Seal Islands), St. George, Dutch Harbor and Unalaska.
1905, September -- Board the "Dora" anchored near Belkofski, Cold Bay, Karluk, Afgonak, and Kodiak. Stop in Homer, Seldovia and Seward. Visit to Sitka.
1905, September 28 -- Board the steamer "Georgia" to Juneau and Skagway via Hoonah.
1905, October -- Return to Lebanon, NH.
Travels in Arizona, New Mexico, Minnesota, Wisconsin, California and Utah, 1906-1907
1906, March-April -- Re-assigned to Southwest and arrive in Tucson, Arizona. Visit to San Xavier Mission, Tohono O'odham (Papago) reservation, Casa Grande, Sacaton, Maricopa, Gila Crossing, Salt River and Phoenix schools.
1906, May -- Return to New Mexico to visit Gallup and Zuni Day School.
1906, June -- Visit to St, Paul, Minnesota and the White Earth (Ojibwe) reservation and Wild Rice River School in Boliere.
1906, July -- Visit to Ashland, Wisconsin, Lac Courte Oreilles, Hayward, and Lac de Flambeau (La Pointe Agency.
1906, July-September -- Return to Lebanon, New Hampshire.
1906, September -- Visit to Fond du Lac (Winnebago Lake), Wabeno, and Carter, Wisconsin.
1906, October -- Visit to Phlox, Wausau, Minocqua, Star Lake, Bark River and Wausaukee, Wisconsin.
1906, November-December -- Visit to Keshena (Green Bay Indian School), Menominee Reservation and Ashland, Wisconsin.
1906, December-January -- Stay in Washington, DC.
1907, February -- Return to Albuquerque, New Mexico.
1907, March -- Visit to Santa Fe and various Pueblos (Cochiti, Tesuque, San Ildefonso, Ohkay Owingeh [San Juan], Toas and Picuris).
1907, April -- Return to Albuquerque, visit to Pueblos (Isleta, Laguna, Mesita, Acomita, Paraje, Acoma, Seama).
1907, April -- Visit to Phoenix, Arizona (Phoenix Indian School), Fort McDowell and Salt River Day School.
1907, May -- Visit to Sacaton, Maricopa, Casa Grande, and Yuma, Arizona.
1907, June -- Visit to Riverside (Sherman Institute), and Pomona, California.
1907, June-July -- Travel to Salt Lake City, Utah. Visit Panguitch, Orton, Kanab, Escalante and Marysvale, Utah.
1907, July-August -- Return to Arizona. Visit Flagstaff, Tuba Indian School, as well as Hopi Pueblo (Walpi, Moencopi, and Oraibi).
1907, September-October -- Return to Lebanon, NH.
Travels in North Carolina, Montana and Florida, 1907-1909
1907, October 22 -- Assigned to Cherokee, North Carolina, to make a new roll of the Eastern Band of Cherokee.
1907, November -- Arrive in Cherokee, North Caolina.
1908, February -- Visit to Robbinsville and Big Cove
1908, April -- Cherokee council meeting regarding Churchill's new roll.
1908, May -- Completes assignment in North Carolina.
1908, June-September -- Return to Washington, DC and Lebanon, New Hampshire.
1908, September-October -- Trip to Montana. Visit to Browning, Blackfeet Reservation, Harlem, Fort Belknap and Fort Peck.
1908, November -- Visit to Spirit Lake (Devil's Lake) and Wahpeton, and Fort Totten, North Dakota.
1908, December -- Visit to Morris, Minnesota.
1909, January -- Trip to Washington, DC for the inauguration of President Taft.
1909, February -- Visit to Carlisle, Pennsylvania.
1909, March-April -- Trip to Florida. Visit to Miami, Fort Lauderdale, Fort Myers, Tampa Bay, St. Petersburg, Gainesville, and St. Augustine.
1909, May -- Visit to Soco Creek and Cherokee, North Carolina.
1909, July -- Return to Lebanon, New Hampshire.
1909, August -- Resignation as Indian Inspector.
Related Materials:
A large collection of Native American cultural objects and archaeology bequeathed by Clara Churchill can still be found at the Hood Museum at Dartmouth College.
Provenance:
Frederick Dockstader, former director of the Museum of the American Indian (MAI), Heye Foundation, illegally removed the majority of the photographs (photo albums, negatives) and manuscript material (journals, reports) from the Hood Museum of Art at Dartmouth College in 1955, before depositing them at the MAI. Those materials were officially gifted to NMAI in 2018 by the Hood Museum. Additional materials from the Churchill collection that remained at the Hood Museum (lantern slides, photographs, scrapbooks, journals) were donated in 2020. These materials have been noted in the finding aid.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiarchives@si.edu.
Identification of specific item; Date (if known); Frank C. and Clara G. Churchill collection, NMAI.AC.058, National Museum of the American Indian Archives Center, Smithsonian Institution.
This collection contains all 20 original folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs. The folios were published and sent to subscribers between 1836-1844 and include 120 hand-colored lithographic plates. As Superintendent of Indian Affairs from 1824-1830, McKenney commissioned and collected portraits of Native American leaders, the majority painted by Charles Bird King. These portraits, along with biographical text by James Hall, form the basis of History of the Indian Tribes of North America.
Scope and Contents:
This collection includes all 20 folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs in their original wrappers. Each folio includes six hand-colored lithographic plates along with biographical essays on Native American leaders, both men and women, from the early 19th century.
Native Communities represented in these volumes include—Sauk, Meskwaki (Fox), Shawnee, Osage, Anishinaabe (Chippewa/Ojibwa), Mississippi Choctaw, Mdewakantonwan Dakota (Mdewakanton Sioux), Eastern Band of Cherokee, Ho-Chunk (Winnebago), Oto, Seneca, Chaticks Si Chaticks (Pawnee), Yanktonnai Nakota, Muskogee (Creek), Omaha, Iowa, Sac and Fox (Sauk and Fox), Oklahoma Cherokee, Lenape (Delaware), Numakiki (Mandan), Euchee (Yuchi), Potawatomi, Seminole, Mohawk, Menominee (Menomini), Quatsino Kwakwaka'wakw, Odawa (Ottawa), Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Powhatan, Kaw (Kansa).
The lithographs were cataloged individually with P (print) numbers P27694-P27813, though not physically separated from their volumes.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.
Arrangement:
Arranged by foilio number.
Biographical / Historical:
Thomas Loraine McKenney was born in 1785 to a family of Quakers in Hopewell, Maryland. Following the abolition of the U.S. Indian Trade program in 1822, McKenney (1785-1859) was appointed to the new position of Superintendent of Indian Affairs, which he held from 1824-1830. During his time as Superintendent of Indian trade in Georgetown, McKenney hired the painter Charles Bird King and began developing a governmental collection of portraits of prominent Native chiefs and elders who visited Washington. Between 1821-1842, King painted over 100 portraits with some assistance from friend and student George Cook.
Following his dismissal from the War Department by President Andrew Jackson in 1830, McKenney moved to Philadelphia to begin the process of getting his collection of portraits reproduced as lithographs with original hand coloring. The publication would document the extensive collection of King paints, many of which were later lost in a fire that destroyed part of the Smithsonian castle in January 1865.
This process was aided by Edward C. Biddle, a Philadelphia printer, who published the first volume (parts 1-6) in 1836 of what would be a three-volume set of 20 folios. James Hall (1793-1868), a judge and known writer, was hired to write text based on McKenney's research. Later parts were published between 1836-1844 by Frederick W. Greenough (parts 7-13), J.T. Bowen (part 14), and by Daniel Rice and James G. Clark (15-20). Several octavo editions were later published.
Provenance:
Provenance is unknown, part of the Museum of the American Indian, Heye Foundation collection when the MAI became the NMAI in 1989.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Identification of specific item; Date (if known); McKenney and Hall's History of the Indian Tribes of North America folios and lithographs image #, NMAI.AC.115; National Museum of the American Indian Archives Center, Smithsonian Institution.
This collection contains 382 videocassettes and 4 linear feet of notes and production bibles from the Indians of North American television series collection. This 20-part critically acclaimed educational video series designed for middle school students produced and distributed nationally by InVision Communications and Schlessinger Media in 1994 and 1996.
Scope and Contents:
The Indians of North America television series collection contains video and papers related to the production of the 20-part critically acclaimed educational video series designed for middle school students produced and distributed nationally by InVision Communications and Schlessinger Media in 1994 and 1996. This landmark series focused on individual tribes with the mission to tell the origin and history of American Indian cultures in North America to young student audiences; dispel stereotypes of popular culture; highlight contributions made by American Indians towards the development of the United States; educate about the genocide and cultural assimilation efforts of the U.S. government; highlight facets of contemporary Native lives; and tell the various stories and histories from American Indian perspectives.
The bulk of the materials in this collection was created in 1993 to 1994. The video assets include an average 10 hours of recordings per community recorded on BetaSP format analog videotape, with a total of 382 tapes. The footage includes interviews with many tribal elders, including Presidential Medal of Honor recipient Chief Joseph Medicine Crow and Senator Ben Nighthorse Campbell. Native communities documented in the footage include Apache, Apsáalooke (Crow/Absaroke), Cherokee, Chinook, Diné (Navajo), Haudenosaunee (Iroquois- Seneca), Lenape (Delaware), Maya, Menominee (Menomini), Muskogee (Creek), Nahua (Aztec), Nakota (Yankton Sioux), Narragansett, Niuam (Comanche), Potawatomi, Pueblo, Seminole, Stockbridge-Munsee, Taos Pueblo, Tsitsistas/Suhtai (Cheyenne), and Wendat (Huron).
The collection also includes 4 cubic feet of 'production bibles.'
Arrangement:
Collection is arranged by community.
Biographical / Historical:
In 1988, Henry Nevison and Jacqui Neulinger, founded InVision Communications. In 1994 and 1996, InVision Communications along with Schlessinger Media produced a 20-part series of 35-minute segments exploring various Native American cultures. These tapes were distributed to schools nationwide for educational purposes. The series won the Silver Medal at the New York Festivals.
Provenance:
Gift of Henry Nevison, 2017.
Restrictions:
Due to the fragile nature of the materials, this collection is currently closed to researchers until it has been digitized.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Indians of North America television series collection, NMAI.AC.124; National Museum of the American Indian Archives Center, Smithsonian Institution.
This album contains 170 photographic prints taken by Frank Churchill between 1899 and 1900 and later compiled by Clara Churchill. Most of the photographs were taken in Indian Territory (present day Oklahoma) with many shot in and around Muskogee where Churchill was living during his time as a revenue collector to the Cherokee Nation. There are also images from Kansas and Arkansas. The photographs are not arranged in chronological order (see the chronology for a timeline). Locations (Indian Territory unless otherwise indicated) represented in this album include—Vinita, Muskogee, Tahlequah, Fort Gibson, Fort Smith (AR), Wagoner, Caney (KS), Claremore, Chelsea, Coffeyville (KS), Fairland, Dawson.
Photographs most likely taken in and around Muskogee include—1899 horse races with Feers, Porter, Spalding and Severs; US Judge W.T. Hutchings; Mrs. Shoenfelt, Miss Feers and Miss Oppenheimer; The Rullison House and Mrs. Tipton (landlady); Muskogee jail, prisoners and freight depot; Gus Lubbes (jailor) with guards and Nancy Brown; various houses and buildings; Col. Dew M. Wisdom; the circus; Indian University, Bacone College; Dr. Fite and A.P. McKellop. Other photographs of note include—Cherokee policeman, John C. West; Cherokee Chief T.M. Buffington, Cherokee Police Captain J.W. Ellis, J. Fentress Wisdom (clerk) and Murchison in Tahlequah; City Marshall "Bud" Ledbetter in Vinita; J.C. Early and his family in Darwin; and Pecan Mission (Muskogee Creek). Additional views in Indian Territory include—cotton fields, farms, tenements, an unknown Indian School, the Arkansas and Grand Rivers and the boundary post of the Cherokee and Creek Nations.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Frank C. and Clara G. Churchill collection, NMAI.AC.058, National Museum of the American Indian Archives Center, Smithsonian Institution.
MS 3941 Materials assembled by Hewitt for preparation of articles in Bureau of American Ethnology Bulletin 30 and for replies to inquires from the public
Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937 Search this
Indians of North America -- Southern States Search this
Type:
Collection descriptions
Archival materials
Calendars
Date:
undated
Scope and Contents:
Contents: Adirondack tribe (St Lawrence River) Old Manuscript Number 3553. Adoption Old Manuscript Number 4007. Refers to Algonquian method of counting -only; see Haas note 2/18/72; Old Manuscript Number 3864. "Alligewi"; Animism Old Manuscript Number 3867 and 2842-c, box 6. Blood Indians, origin of name; Brant, Joseph Old Manuscript Number 3874. Chippewa, origin of name Old Manuscript Number 3646. Chiefs, function and significance of Old Manuscript Number 2842-c, box 6. Delaware tribe, New Jersey area claimed by Old Manuscript Number 3866. Detroit River, tribes near; Ekaentoton Island-- see Ste. Marie Island Environment (Bulletin 30 draft by O. T. Mason) Old Manuscript Number 4007. Erie, origin of name Old Manuscript Number 3646. Erie and Black Mincqua tribes Old Manuscript Number 3586. [Eskimo] Arctic tribes, leaving elderly and sick people to die Old Manuscript Number 3668. Family, Bulletin 30 draft and notes Old Manuscript Number 4011 and 2842-c, box 6. Grand River (Tinaatoua), name of; Hebrew calendar; Hewitt, list of Bulletin 30 articles by Old Manuscript Number 4066. Hoboken, origin of name; Iroquois, "On the Northern and Eastern Territorial Limits of the Iroquoian people, in the 16th Century," and Algonquian tribes, at Chaleur Bay. Iroquois at Gulf of St Lawrence and Bay of Gaspe Old Manuscript Number 3625.
Iroquois, location of Six Nations tribes reservations Old Manuscript Number 3763. Iroquois false face; Iroquois preparation of corn ("as food") Old Manuscript Number 4009. Iroquoian early dress Old Manuscript Number 3660. Iroquoian "Gachoi" tribe, identity of (Correspondence with F. Bogaskie.) Old Manuscript Number 3816. Iroquoian moon names and concept of time; Iroquoian social organization, and place name-name origins; "Man," Iroquoian term for Old Manuscript Number 3781. Iroquoian towns Old Manuscript Number 4006. Kentucky, meaning of the word; Kentucky, origin of name Old Manuscript Number 3840. Lenni Lenape, meaning of the word; Logstown-- see Shenango Old Manuscript Number 3773. Lost Ten Tribes as American Indians Old Manuscript Number 3670. Mayan linguistic family and other Mayan linguistic notes including Quiche and Tepehuanan notes Old Manuscript Number 3473. Mexico: idols, sacrifices, etc. Old Manuscript Number 3807. Mexico: Indian languages. Letter from Captain W.E.W. MacKinley Old Manuscript Number 3778. Missouri, Indian village, location of Old Manuscript Number 3944. Mohawk land near Lake Champlain; Mohawk grammar; Montour family, notes for Bulletin 30 Old Manuscript Number 3812. Muskhogean social organization. Letter from J. J. Harrison. Old Manuscript Number 3891. New England tribes Old Manuscript Number 3513.
Niagara, origin of name; "Old Smoke"-- see Sayenqueraghta Old Manuscript Number 3949. Onondaga tribe, text of memorial inscription to, and correspondence Old Manuscript 4391 and 4271- box 1 (part.) Ontwaganha or Toaganha, origin and meaning of name Old Manuscript Number 3864. Owego, meaning of town's name; Pekwanoket tribe (Cape Cod); Pemaquid, Abnaki word and its origin Old Manuscript Number 89. Piasa bird- pictograph formerly near present Alton, Illinois. Article is similar to that by Cyrus Thomas, Bureau of American Ethnology Bulletin 30. Old Manuscript Number 3981. Potawatomi, notes on the name Old Manuscript Number 4034. Potawatomi Green Corn Dance; Roanoke, origin of name Old Manuscript Number 3998. Sacagawea, spelling of; St Ignace, 3 settlements (Michigan); St Marie Island or Ekaentoton Island; Sauk, Bulletin 30 article and galley proof, notes Old Manuscript Number 3764. Sayenqueraghta or "Old Smoke" (correspondence with Alanson Skinner) Old Manuscript Number 3949. Scalping Old Manuscript Number 4025. Shenango and Logstown Old Manuscript Number 3773. Sioux, origin of name Old Manuscript Number 3624. Society of American Indians, resolutions by thanking General Hugh L. Scott, Fr. Anselm Webber and others Old Manuscript Number 3868. Susquehanna, origin of name Old Manuscript Number 3707. Tacoma, origin of name Old Manuscript Number 3470.
Thunderbird, notes on Old Manuscript Number 3552. Tinaatoa-- see Grand River; Toronto, origin of name; Tuscarora villages Old Manuscript Number 3998. Wampum Old Manuscript Number 3998. War club with inscription; West Virginia panhandle tribes Old Manuscript Number 3945. Williams, Eleazer Old Manuscript Number 3998. Women, status of Old Manuscript Number 3566. Wyandots (Huron) List of tribes of which Wyandots of today are constituted. Old Manuscript Number 3774.
Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.
Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by Native American artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Photo Lot 91-26, Native American Public Programs photograph collection relating to Native American artists and art, National Anthropological Archives, Smithsonian Institution
Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.
Scope and Contents:
This collection reflects the life and work of Acee Blue Eagle, internationally famed Indian artist of Oklahoma. Identified for his brilliant paintings of tribal ceremonies, legend and dance, Blue Eagle's work is represented in numerous private collections and museums both in this country and abroad.
A portion of the papers contains correspondence. Fan mail written by school children to Chief Blue Eagle of the Chief Blue Eagle television program is included. Letters regarding Blue Eagle's participation in Indian festivals and events, art shows and exhibitions, speaking engagements on Indian life and culture are found in the collection. Personal correspondence is included; most frequent correspondents are Devi Dja, Mae Abbott, and Charles E. Pond. There are approximately 100 letters from Devi Dja, approximately 90 to or from Mae Abbott, and approximately 36 from Charles E. Pond. Some letters addressed to these individuals from other friends and acquaintances are also within this collection.
Photographs comprise a large portion of the Blue Eagle collection. Included are not only portraits of the artist himself and photographs of his art work, but a large number of prints of Blue Eagle in full costume and other Indians engaged in tribal ceremonies, identified by tribe, whenever possible. Photographs of Mae Abbott, Devi Dja and the latter's Balinese dance troupe are identified. A file of negatives is arranged in the same subject order as the prints. Newspaper and magazine clippings regarding Blue Eagle's work and activities are also included in the collection. These clippings have not been arranged. In addition, Mae Abbott's recipes and notes for her cookbook, wood blocks, greeting cards and other miscellaneous publications can be found in the collection. These items have been sorted but not arranged.
Within the collection are also over 600 pieces of artwork. A good number are by Blue Eagle while most are by other Native artists. Artists whose are work are represented in the collection include Fred Beaver, Harrison Begay, Archie Blackowl, Woodrow Crumbo, Allan Houser, Ruthe Blalock Jones, Quicy Tahoma, Pablita Verde, and members of the Kiowa Five (Spencer Asah, James Auchiah, Stephen Mopope, Monroe Tsatoke).
Arrangement note:
The collection is arranged into six series: 1) Personal; 2) Collections; 3) Artwork; 4) Television; 5) Correspondence; 6) Photographs.
Biographical / Historical:
Acee Blue Eagle was an artist, poet, dancer, teacher, and celebrity. Born Alex C. McIntosh in 1907, Blue Eagle attended Indian schools in Anadarko, Nuyaka, and Euchee, Oklahoma, and the Haskell and Chilocco Indian schools. Advanced study came at Bacone Indian College and the University of Oklahoma. At the latter, he studied with Oscar B. Jacobson. Privately he studied with Winold Reiss. Discrepancies exist in the records regarding his early life: born in either Anadarko or Hitchita, Oklahoma; he's cited as both Pawnee-Creek and 5/8 Creek without any Pawnee blood; his mother is either Mattie Odom, the first wife of Solomon McIntosh or Ella Starr, McIntosh's second wife.
A prolific painter who, for the sake of authenticity, carried out research in libraries and museums, Blue Eagle was an outstanding American Indian artist of the 1930s-1950s. His paintings hung in many exhibits, including the Exposition of Indian Tribal Arts, 1932-1933; International Art Exhibition of Sport Subjects at Los Angeles, 1932; Chicago Century of Progress Exposition, 1934; a one-man show at the Young Galleries in Chicago; National Exhibition of Art at the Rockefeller Center in New York, 1936; a one-man show at the Washington, D.C., Arts Club, 1936; Museum of Modern Art, 1941; Northwest Art Exhibition at Spokane, Washington, 1944; a one-man show at the Gilcrease Institute in Tulsa, Oklahoma, 1953; An Exposition of American Indian Painters in New York, 1955; and a one-man show at the Philbrook Art Center in Tulsa, 1957. Between 1946 and 1965, over fifty galleries hung his paintings. Some pieces are among the permanent holdings of many institutions.
In 1934, Blue Eagle joined the Work Projects Administration (WPA) Public Works of Art Project, painting murals in public buildings. In 1935 at Oxford University, he participated in a program of the International Federation of Education and lectured on Indian art. A tour of Europe followed. He taught at Bacone Indian College from 1935-1938 where he founded the art program and became Director of Art. He also taught at the University of Kansas extension division in 1949 and Oklahoma State Technical College beginning in 1956. During World War II, he served in the United States Army Air Force; and, following the war, he spent a few years attempting to get into the movies. During 1946-1952, he was married to his second wife, a famous Balinese dancer, Devi Dja, and became involved in her career, an involvement that was briefly reflected in his art. However, Dja and Blue Eagle divorced and Blue Eagle lived with Mae Wadley Abbott for the last years of his life. During the 1950s, he had a television show for children on a Tulsa-Muskogee station. Acee Blue Eagle died on June 18, 1959 of a liver infection.
Sources Consulted
Martindale, Rob. Muskogee Paying Tribute to Blue Eagle. Biographical/Genealogical data, Box 1, Acee Blue Eagle Collection, National Anthropological Archives, Smithsonian Institution.
West, Juanita W. 1967. Acee Blue Eagle: A.C. McIntosh. Biographical/Genealogical data, Box 1, Acee Blue Eagle Collection, National Anthropological Archives, Smithsonian Institution.
1907 -- Born August 17, 1907 on the Wichita Reservation, north of Anadarko, Oklahoma
1928 -- Graduated Chilocco High School
1929-1934 -- Attended Bacone College, University of Oklahoma, Oklahoma State Tech
1935 -- Toured United States and Europe giving lecture-exhibition program, "Life and Character of the American Indian"
1935-1938 -- Established and headed art department at Bacone College at Muskogee
1936 -- Exhibited at the National Exhibition of Art, Rockefeller Center, New York
1942-1945 -- World War II, U.S. Air Force (Army)
1947-49 -- Free-lance work in New York and Chicago
1951-52 -- Artist-in-residence at Oklahoma Tech
1950-54 -- Conducted TV program, Muskogee, OklahomaToured U.S. West Coast exhibiting and lecturing about ways to improve TV programs for children
1958 -- Named Indian-of-the-Year by the American Indian Expostion at Anadarko, Oklahoma
1959 -- Died June 18, 1959
Related Materials:
Other materials relating to Acee Blue Eagle at the National Anthropological Archives include correspondence in the Solomon McCombs papers, 1914-1972, and correspondence with Betty Meilink under Manuscript 2011-20.
Provenance:
Acee Blue Eagle's private papers and collection of paintings were donated to the National Anthropological Archives by Mrs. Mae Abbott of Tulsa, Oklahoma.
Restrictions:
There are no restrictions on access.
Rights:
Literary property rights to unpublished material in the collection in the National Anthropological Archives has been given to the public.
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Date:
circa 1877
Scope and Contents note:
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.
The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
Photographs depicting tribal delegates, probably made by Robert M. Farring during tribal group visits to the Bureau of Indian Affairs Washington office. Many of the photographs were originally mounted in notebooks with identification of pictured individuals and their affiliations.
Biographical/Historical note:
Robert M. Farring, Jr. is an employee in the Tribal Operations office of the Bureau of Indian Affairs in Washington, DC.
Local Call Number(s):
NAA Photo Lot 85-21
Location of Other Archival Materials:
Additional photographs of Native American delegations can be found in the National Anthropological Archives in Photo Lot 4286, MS 4638, Photo Lot 87-2P, Photo Lot 90-1, and the BAE historical negatives.
