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Moses and Frances Asch Collection

Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Names:
Courlander, Harold, 1908-1996  Search this
Guthrie, Woody, 1912-1967  Search this
Jenkins, Ella  Search this
Leadbelly, 1885-1949  Search this
Ramsey, Frederic, 1915-1995  Search this
Seeger, Pete, 1919-2014  Search this
Extent:
841 Cubic feet
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Date:
1926-1986
bulk 1948-1986
Summary:
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
Scope and Contents:
The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.
Arrangement note:
The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.
Biographical/Historical note:
The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.
Provenance:
Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Folk music  Search this
Folk dance music  Search this
Electronic music  Search this
Oral interpretation of poetry  Search this
Oral interpretation of fiction  Search this
Music -- 20th century  Search this
Music -- 19th century  Search this
Music -- 18th century  Search this
Jazz  Search this
Folk music -- United States  Search this
World music  Search this
Sounds  Search this
Vocal music  Search this
Popular music -- 20th century -- United States  Search this
Genre/Form:
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH
See more items in:
Moses and Frances Asch Collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-asch
Online Media:

Oral History Interview with Carol Davis

Interviewer:
Meghelli, Samir  Search this
Creator:
Anacostia Community Museum  Search this
Extent:
1 Sound recording (MP3)
Type:
Archival materials
Sound recordings
Oral histories (document genres)
Interviews
Place:
Adams Morgan (Washington, D.C.)
Date:
2016 April 21
Scope and Contents:
Interview created as part of the research for the Anacostia Community Museum's "A Right to the City" exhibition.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American music -- 20th century  Search this
Riots  Search this
Neighborhoods -- Washington, D.C. -- History  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Citation:
Interview with Carol Davis, Anacostia Community Museum Archives, Smithsonian Institution.
See more items in:
A Right to the City Exhibition Records
A Right to the City Exhibition Records / Series I: Oral History Interviews
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-119-ref19

Lee Hays papers

Creator:
Hays, Lee, 1914-1981  Search this
Names:
Almanac Singers  Search this
Baby Sitters (Musical group)  Search this
United States. Congress  Search this
Weavers (Musical group)  Search this
Gilbert, Ronnie  Search this
Guthrie, Woody, 1912-1967  Search this
Hays, Lee, 1914-1981  Search this
Houston, Cisco  Search this
Lampell, Millard, 1919-1997  Search this
Leventhal, Harold  Search this
Seeger, Pete, 1919-2014  Search this
Extent:
6.95 Cubic feet (Papers)
0.9 Cubic feet (Audiorecordings)
Type:
Collection descriptions
Archival materials
Interviews
Sheet music
Notes
Photographic prints
Business records
Audiotapes
Correspondence
Scripts (documents)
Date:
1923-1981
Summary:
The Lee Hays papers measures 7.85 cubic feet and dates from 1923 to 1981. The collection includes original writings, correspondence, and miscellaneous projects by Lee Hays; business records, interviews and features related to Lee Hays, including photographs; clippings saved by Lee Hays; and audiorecordings made by Lee Hays.
Scope and Contents:
The Lee Hays papers, which date from 1923-1981, contain personal and business correspondence; typescripts of Lee Hays' fiction, non-fiction, scripts and poetry; miscellaneous project and idea materials; business documents; and audiorecordings made by Lee Hays. The collection measures 7.85 cubic feet.
Arrangement:
The Lee Hays papers, are divided into seven series: 1) Correspondence, 2) Business, 3) Projects and Writings, 4) Collected Texts, 5) Interviews, 6) Features on Lee Hays and 7) Audio Recordings.

The Correspondence Series is divided into two subseries: 1) Personal, and 2) Business. The Projects and Writings series is divided into six subseries: 1) Songs, 2) Non-Fiction, 3) Fiction, 4) Musical Productions, 5) Radio Scripts, and 6) Cisco Houston Project.

When possible, folders are arranged within series and subseries in alphabetical order by file title, and within folders in chronological order with undated items at the top.
Biographical / Historical:
Lee Hays (1914-1981) was an influential American singer, songwriter, author, and activist. His legacy, both literary and musical, emphasizes the dynamic relationship between traditional culture and contemporary events and issues. As is clear from his essay "The Folk Song Bridge", Hays conceived of "folk music" as a living, breathing "process". Born in Arkansas in 1914 to a Methodist preacher, Hays' first experiences with music revolved around the church. His political awakening came later, when he returned to Arkansas from Ohio in 1934. Under the wing of mentors such as Claude Williams and Zilphia Horton (maiden name: Zilphia Johnson), Hays began to fight for the cause of sharecroppers and union workers. His musical ability and passion for social justice came together as he used music to represent the voice of labor, replacing the religious motifs of traditional and gospel songs with pro-union themes.

Upon moving to the North in 1940, Hays met Pete Seeger, another musician of the Folk Revival. Hays and Seeger shared the common goal of spreading political topical songs, and their collaborations with Woody Guthrie and Millard Lampell led to the creation of the Almanac Singers the same year. Later, the four band members, along with other musicians such as Burl Ives and Sis Cunningham, established the People's Songs organization and publication to create and distribute labor songs. However, interpersonal conflicts with members, including Pete Seeger, led to Hays' pressured resignation from both of these endeavors. He moved in with his mentor, Walter Lowenfels, and began to focus more on his writing. Though Hays was a prolific writer whose work spanned articles, essays, short stories, poetry, and songs, he is rarely recognized for his literary achievement. His writing often centered on the social and political themes for which he is best known—labor rights, racism, poverty and inequality—and used vernacular culture and narrative to address those problems.

Seeger and Hays eventually made amends, and in 1948 they formed The Weavers with Fred Hellerman and Ronnie Gilbert, bringing music of the Folk Revival to a national audience. However, as the Red Scare impacted the American political climate into the 1950s, the Weavers were blacklisted and ultimately had to disband. Though he was under investigation by the House Un-American Activities Committee (HUAC) and had no steady income, Hays continued to write both fiction and non-fiction during the three year blacklisting. In 1955, the Weavers finally reunited for a highly successful revival under manager Harold C. Leventhal, but as years passed, the group split up again, and Hays began to focus on other projects. It was at this time that he produced the bulk of his memoirs, began a project on Cisco Houston, and recorded folk music for children with his group The Baby Sitters. In 1980, the Weavers reunited for a concert in Carnegie Hall and Hays' last performance with them was in 1981. Hays died in 1981 as a result of diabetic cardiovascular disease.
Provenance:
The Ralph Rinzler Folklife Archives and Collections at the Center for Folklife and Cultural Heritage acquired the "Lee Hays Archives" in 1992 as a donation from Harold C. Leventhal and Doris Kaplan, who acquired the collection upon Lee Hays' death in 1981. The donation included materials produced by Lee Hays, as well as materials of interest to him that were found in his possession.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at (202) 633-7322 or rinzlerarchives@si.edu for additional information.

This collection has been digitized and a majority of its content has been made available online for research and educational purposes. Online access to select materials is not available due to privacy or rights concerns.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.

Restrictions may apply concerning the use, duplication, or publication of items in these collections. Consult the archivists for additional information.
Topic:
Political ballads and songs -- United States  Search this
Folk music -- United States  Search this
Topical songs -- United States  Search this
Popular music -- 20th century -- United States  Search this
Genre/Form:
Interviews
Sheet music
Notes
Photographic prints
Business records
Audiotapes
Correspondence
Scripts (documents)
Citation:
Lee Hays papers, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.HAYS
See more items in:
Lee Hays papers
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-hays
Online Media:

African Blues / West Indian Tunes: [sheet music]

Topic:
Ethnic Imagery Project, Archives Center
Publisher:
Edward B. Marks Music Co.  Search this
Names:
Garvey, Marcus, 1887-1940  Search this
Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
1 Item (Ink on paper.)
Container:
Box 118, Folder K Blues, Ensembles on Cover
Culture:
African Americans  Search this
Type:
Archival materials
Sheet music
Place:
Caribbean
Scope and Contents:
Introduced by Sam Manning and Fred Hall's Orchestra. Lyrics about a man's desire to return to Africa. Cover includes painting of West Indian scene with palm tree and an inset reproduction of a photograph of Fred Hall's Royal Terrace Orchestra.
Local Numbers:
040300101.tif (AC Scan No. for front and back covers.

040300102.tif (AC Scan No. for lyrics, pp. 2 and 3).

040300103.tif (AC Scan No. for lyrics, pp. 4 and 5).
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- 20th century  Search this
Blues (Music)  Search this
West Indians  Search this
Jazz  Search this
Genre/Form:
Sheet music
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 3: African-American Music
Sam DeVincent Collection of Illustrated American Sheet Music, Series 3: African-American Music / 3.7: Blues and Jazz Music / Blues, Ensembles on the Cover
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s03-ref1080

Just Blue [sheet music]

Topic:
Ethnic Imagery Project, Archives Center
Composer:
Wadsworth, F. Wheeler  Search this
Arden, Victor  Search this
Publisher:
McCarthy & Fischer, Inc.  Search this
Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
1 Item (Ink on paper.)
Container:
Box 118, Folder G, Blues Instrumental.
Type:
Archival materials
Sheet music
Date:
1918
Scope and Contents:
Instrumental fox trot; sheet music with illustrated cover, showing female figure in exotic middle-Eastern, vaguely belly-dancer attire.
Local Numbers:
040300104.tif (AC Scan No.: cover)
Publication:
New York., McCarthy & Fischer, Inc
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Belly dancers  Search this
Belly dance  Search this
Foxtrot (Dance) -- Music  Search this
Orientalism  Search this
Music -- 20th century  Search this
Genre/Form:
Sheet music
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 3: African-American Music
Sam DeVincent Collection of Illustrated American Sheet Music, Series 3: African-American Music / 3.7: Blues and Jazz Music / Blues, instrumental
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s03-ref1081

When he Plays Jazz he's Got -- HOT LIPS (A Blues Fox Trot Song) [sheet music]

Topic:
Ethnic Imagery Project, Archives Center
Composer:
Busse, Henry  Search this
Lange, Charles Henry  Search this
Davis, Lou  Search this
Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
1 Item (Ink on paper.)
Container:
Box 74, Folder D 20th Century Songs about Afro-Am
Culture:
African Americans  Search this
Type:
Archival materials
Sheet music
Date:
1922
Scope and Contents:
Stereotypical image of African American trumpet player. Lyrics about playing jazz.
Local Numbers:
040300114.tif (AC Scan No. for front and back covers).

040300115.tif (AC Scan No. for lyrics and music, pages 2 and 3).

040300116.tif (AC Scan No. for lyrics and music, pages 4 and 5).
General:
Sub-series 3.4, African Americans.
Publication:
New York., Leo. Feist, Inc., 1922
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Trumpet  Search this
Blues (Music)  Search this
Jazz -- 1920-1930.  Search this
Music -- 20th century -- United States  Search this
African American musicians  Search this
Genre/Form:
Sheet music -- 1920-1930
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 3: African-American Music
Sam DeVincent Collection of Illustrated American Sheet Music, Series 3: African-American Music / 3.4: Songs about African-American/Vocal Ragtime / 20th Century Songs, I - M
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s03-ref1087

Larry Zim World's Fair Collection

Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Cultural History, Division of (NMAH, SI).  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (London, England : 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition Coloniale Internationale (Paris, France: 1931)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 148 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials, 1841-1988

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials

Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

Robert Udkoff Collection of Duke Ellington Ephemera

Collector:
Udkoff, Robert, 1918- (businessman)  Search this
Names:
Swedish Music Academy  Search this
Ellington, Duke, 1899-1974  Search this
Ellington, Mercer Kennedy, 1919-1996 (musician)  Search this
Extent:
1.33 Cubic feet (4 boxes)
Type:
Collection descriptions
Archival materials
Audiotapes
Photographs
Clippings
Programs
Correspondence
Television scripts
Date:
1924-1990
Scope and Contents:
Photographs, event programs, periodicals, cassette audio tapes, correspondence, TV program scripts and pamphlets documenting Duke Ellington's career as a musician, 1924-1974, and his legacy after his death.
Arrangement:
Divided into five series.

Series 1; Photographs, 1964-1968

Series 2: Publications, 1944-1990

Series 3: Memorabilia, 1965-1981

Series 4: Correspondence and sketches, 1958-1990

Series 5; Cassette audio tapes, 1924-1933
Biographical / Historical:
Businessman and Ellington enthusiast, Robert Udkoff was born in Chicago and first heard Duke Ellington perform at Chicago's Oriental Theater in 1928. In 1932 he established a cordial relationship with Ellington that lasted until Ellington's death in 1974.
Provenance:
Collection donated by Robert Udkoff, 1991, January 29.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Periodicals  Search this
Music -- 20th century  Search this
Jazz -- 20th century -- United States  Search this
Jazz musicians -- United States  Search this
Genre/Form:
Audiotapes -- 1920-1940
Photographs -- 1960-1970
Clippings
Programs
Correspondence -- 1940-2000
Television scripts
Citation:
Robert Udkoff Collection of Duke Ellington Ephemera, 1924-1990, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0388
See more items in:
Robert Udkoff Collection of Duke Ellington Ephemera
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0388
Online Media:

Collection of Duke Ellington Ephemera and Related Audiovisual Materials

Creator:
Dimmer, Dennis  Search this
Brown, N.H.  Search this
Barkin, Stanley  Search this
Walburn, Jerry  Search this
Lasker, Steven  Search this
Ellington, Duke, 1899-1974  Search this
Names:
Duke Ellington Society  Search this
Extent:
3.2 Cubic feet (6 boxes)
Type:
Collection descriptions
Archival materials
Videotapes
Audiotapes
Broadsides
Sheet music
Programs
Video recordings
Oral history
Newsletters
Photographs
Clippings
Date:
1914-2017
Scope and Contents note:
Bulletins, programs, broadsides, newsletters, newsclippings, periodicals, photographs, published sheet music and audio and videotapes documenting the life and career of Duke Ellington and the activities of the Ellington Jazz and Music societies.
Arrangement:
The Collection is divided into six series. Series 1 is arranged alphabetically and Series 2-6 are arranged chronologically.

Series 1: Oral History Project, 1925-1989

Series 2: Newsletters, 1961-1962

Series 3: Programs, 1930-1990

Series 4; Publications, 1938-1988

Series 5; Newsclippings, 1971-1991

Series 6; Miscellaneous Ephemera, 1914-1993
Biographical/Historical note:
Collection evolved as an unexpected product of the Duke Ellington Oral History Project interviews with Ellington band members, associates, family members and friends, conducted by Marcia Greene and Patricia Willard, 1989- 1991.
Related Archival Materials:
Materials in the Archives Center

Duke Ellington Oral History Project Collection (AC036)

Duke Ellington Collection (AC0301)
Provenance:
Collection donated by Senor Alejandro Szterenfeld, 1992, March 3, and TV Company TET, through Leonid Goldshteyn, November 5, 2002.
Restrictions:
Collection is open for research. Gloves required with unprotected photographs.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Periodicals  Search this
Jazz  Search this
Music -- Societies, etc.  Search this
Music -- 20th century  Search this
Genre/Form:
Videotapes
Audiotapes
Broadsides
Sheet music
Programs
Video recordings
Oral history
Newsletters -- 20th century
Photographs -- 20th century
Clippings
Citation:
Collection of Duke Ellington Ephemera and Related Audio-visual Materials, 1914-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0386
See more items in:
Collection of Duke Ellington Ephemera and Related Audiovisual Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0386
Online Media:

Red Norvo Papers

Donor:
Corlin, Portia Norvo  Search this
Corlin, Portia Norvo  Search this
Creator:
Norvo, Red, 1908-1999  Search this
Extent:
4 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Awards
Biographies
Correspondence
Photographs
Clippings
Interviews
Date:
1932-1998
Summary:
Correspondence, transcripts of interviews, photographs, a biography, a discography, an award, printed material and other miscellany documenting the life and career of Red Norvo.
Scope and Contents:
The Red Norvo Papers consist of correspondence, transcripts of interviews with Red Norvo, miscellaneous publications (catalogues, monographs, newsletters, pamphlets, programs), periodicals, articles and clippings, photographs, and several miscellaneous documents: various advertisements, a hotel receipt, liner notes, an award from Metronome, a biography prepared by Capitol Records, a Red Norvo discography, a concert engagement advertisement in the form of a postcard, a poster (Benny Goodman), and a Red Norvo concert tour itinerary.
Arrangement:
Divided into 7 series: Series 1: Correspondence, 1939-1997; Series 2: Red Norvo Interview Transcripts, 1991-1993; Series 3: Miscellaneous Publications; Series 4: Miscellaneous Documents; Series 5: Periodicals, Series 6: Periodical Articles and News Clippings; Series 7: Photographs.
Biographical / Historical:
Along with Lionel Hampton, Red Norvo stands as one of the most celebrated and influential figures in the history of Jazz vibraphone. Norvo was born Kenneth Norville in Beardstown, Illinois on March 31, 1908. He began studying marimba at an early age and played in a rhumba band in 1925. After a brief stint as a tap dancer and conductor on the Vaudeville circuit, Norvo played xylophone with the Paul Whiteman Orchestra. He later married the band's singer, Mildred Bailey, and together they were known as Mr. and Mrs. Swing. From the late 1930's through the early 1940's Norvo lead his own orchestra (with arrangements by Eddie Sauter) and his own sextet.

In 1944 Norvo switched permanently to vibraphone and joined the Benny Goodman Sextet. In 1945 the Red Norvo Selected Sextet (featuring Charlie Parker and Dizzy Gillespie) recorded Hallelujah, Get Happy, Slam Slam Blues, and Congo Blues—an event that many critics regard as helping to commence the bebop era and the establishment of modern jazz. In 1946 Norvo played with Woody Herman's First Herd. But in Norvo's formative years it was the improvisational piano style of Teddy Wilson that most influenced his own style of play. In 1950 Norvo founded the Red Norvo Trio, which included Tal Farlow on guitar and Charles Mingus on bass. Norvo also performed and recorded with a quintet. He settled in Santa Monica, California and became a prolific recording musician with Capitol and other labels. Most of the essential singers of the period either performed or recorded with him: Frank Sinatra, Billie Holiday and Peggy Lee to name a few. Norvo notably backed Sinatra on his Australian tour in 1959 and appeared with him in the 1960 film, Ocean's Eleven. In 1961 Norvo began to suffer hearing loss, a condition which worsened throughout the remainder of his life. In the 1970's he performed mainly in Las Vegas. He died April 6, 1999 in Santa Monica.
Related Materials:
Materials in the Archives Center

Benny Carter Collection (NMAH.AC.0757)

Milt Gabler Papers (NMAH.AC.0849)

Jazz Oral History Program Collection(NMAH.AC.0808)

William Russo Music and Personal Papers(NMAH.AC.0845) Jack Siefert/Woody Herman Collection(NMAH.AC.0659) Ernie Smith Jazz Film Collection (NMAH.AC.0491)
Provenance:
The collection was donated to the Archives Center by Portia Norvo Corlin on April 1, 2004.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Periodicals  Search this
Vibraphone  Search this
Jazz  Search this
Jazz musicians -- United States  Search this
Music -- 20th century  Search this
Genre/Form:
Awards
Biographies
Correspondence -- 20th century
Photographs -- 20th century
Clippings -- 20th century
Interviews -- 1990-2000
Citation:
Red Norvo Papers, 1932-1997, Archives Center, National Museum of American History. Gift of Portia Norvo Corlin.
Identifier:
NMAH.AC.0858
See more items in:
Red Norvo Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0858

Ella Fitzgerald Papers

Creator:
Fitzgerald, Ella, 1917-1996  Search this
Producer:
Decca (recording company).  Search this
Verve Records (Firm)  Search this
Granz, Norman  Search this
Performer:
Jazz at the Philharmonic (Musical group)  Search this
Musician:
Betts, Keter, 1928-  Search this
Ellington, Duke, 1899-1974  Search this
Gillespie, Dizzy, 1917-1993  Search this
Pass, Joe, 1929-1994  Search this
Peterson, Oscar, 1925-  Search this
Names:
Goodman, Benny (Benjamin David), 1909-1986  Search this
Arranger:
Riddle, Nelson  Search this
Extent:
50 Cubic feet (92 boxes)
Type:
Collection descriptions
Archival materials
Awards
Videocassettes
Audiotapes
Programs
Sound recordings
Manuscripts
Phonograph records
Photographs
Posters
16mm motion picture film
Clippings
Contracts
Greeting cards
Date:
circa 1935-1996
Summary:
Ella Fitzgerald, often called the "First Lady of Song," was one of the 20th century's most important musical performers. The collection reflects her career and personal life through photographs, audio recordings, and manuscript materials.
Scope and Contents:
The Ella Fitzgerald Papers document the performing and personal life of the "First Lady of Song." The collection contains music manuscripts, sheet music, photographs, scripts, correspondence, clippings, business records, sound recordings and video. The bulk of the materials reflect Fitzgerald's career as a singer and performer. The collection comprises materials found in Ella Fitzgerald's home at the time of her death.
Arrangement:
The collection is organized into 10 series.

Series 1: Music Manuscripts and Sheet Music, 1919-1973

Suberies 1.1: Television Shows

Series 2: Photographs, 1939-1990

Subseries 2.1: Ella Fitzgerald Performing Alone

Subseries 2.2: Ella Fitzgerald Performing With Others

Subseries 2.3: Publicity

Subseries 2.4: Ella Fitzgerald With Family, Colleagues, and Friends

Subseries 2.5: Ella Fitzgerald Candid Photographs

Subseries 2.6: Performing Venues

Subseries 2.7: Photographs From Friends and Fans

Series 3: Scripts, 1957-1981

Series 4: Correspondence, circa 1960-1996

Series 5: Business Records, 1954-1990

Series 6: Honorary Degrees and Awards, 1960-1996

Series 7: Concert Programs and Announcements, 1957-1992, undated

Series 8: Clippings, 1949-1997

Subseries 8.1: Magazine Articles, 1949-1997

Subseries 8.2: Newspapers, circa 19650-circa 1990

Series 9: Emphemera, 1950-1996

Subseries 9.1: Album Jackets

Subseries 9.2: Miscellaneous

Series 10: Audiovisual, 1939-1995

Subseries 10.1: Sound Discs: Test Pressings, Transcription Discs, and Performer Copies

Subseries 10.2: Commercial Sound Recordings

Subseries 10.3: Demonstration Sound Discs: Other Artists

Subseries 10.4: Videotapes
Biographical / Historical:
Born in Newport News, Virginia on April 25th, 1918, Ella Fitzgerald was sent to an orphanage in Yonkers, New York at the age of six. In 1934, she was discovered as a singer in New York's famed Apollo Theater Amateur Contest. This led to a stint with drummer Chick Webb's Band, with whom she recorded her first big hit, "A -tisket A-tasket" in 1938.

After Webb died in 1939, Fitzgerald took over leadership of the band for three years, during which time they were featured on a live radio series. She then embarked upon a solo career, which included recording for Decca Records, and in 1946, she began a pivotal association with producer Norman Granz's Jazz at the Philharmonic series, which brought her a large international following.

In 1956, Fitzgerald left Decca Records to join Granz's newly formed Verve label. Among her notable Verve recordings were a series of "songbooks" featuring the work of major American composers such as Cole Porter, George Gershwin, and Harold Arlen as well as classic collaborations with Count Basie and Duke Ellington. Fitzgerald's toured and performed extensively and her immense popularity also led to appearances on television, in movies, and in commercials and magazine ads.

Despite increasing health problems, Fitzgerald continued to tour, perform and record into her seventies with musicians such as guitarist Joe Pass, arranger-producer Quincy Jones, and pianist Oscar Peterson. Throughout her life, Fitzgerald was active in charitable work with particular emphasis on the Juvenile Diabetes Foundation and the Ella Fitzgerald and Harriette E. Shields Child Care Centers.

Ella Fitzgerald was admired and honored world-wide. In addition to receiving more than a dozen Grammy awards, she was awarded numerous honorary degrees and many states and cities had commemorative Ella Fitzgerald days. Fitzgerald was a Kennedy Center honoree in 1979 and Harvard University's Hasty Pudding Club named her "Woman of the Year" in 1982.

The "First Lady of Song" died on June 17, 1996, of complications from diabetes.
Related Materials:
Materials at the Archives Center

Benny Carter Collection, 1928-2000 (AC0757)

Charismic Productions Records of Dizzy Gillespie, 1940s-1993 (AC0979)

Smithsonian Jazz Oral History Program Collection, 1992-2012 (AC0808)

Milt Gabler Papers, 1927-2001 (AC0849)

Tad Hershorn Collection, 1956-1991 (AC0680)

Ernie Smith Jazz Film Collection, circa 1910- circa 1970 (AC0491)
Separated Materials:
The National Museum of American History, Division of Culture ands the Arts holds Ella Fitzgerald artifacts including costumes and clothing.
Provenance:
The collection was donated by the Fitzgerald 1989 Trust, Richard Rosman, trustee on April 14, 1997. The Ella Fitzgeral Charitable Foundation is the successor to the Fitzgerald 1989 Trust.
Restrictions:
Collection is open for research. Only reference copies of audiovisual materials can be used.
Rights:
The Archives Center can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Genre/Form:
Awards
Videocassettes
Audiotapes
Programs -- 1930-2000
Sound recordings
Sound recordings -- 1930-1990
Manuscripts -- Music -- 20th century
Phonograph records
Photographs -- 20th century
Posters -- 20th century
16mm motion picture film
Clippings -- 20th century
Contracts
Greeting cards
Citation:
Ella Fitzgerald Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0584
See more items in:
Ella Fitzgerald Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0584
Online Media:

Cook Labs records

Creator:
Cook Labs  Search this
Cook, Emory, 1913-2002  Search this
Names:
Cook Labs  Search this
Extent:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Culture:
Afro-Caribbean cults  Search this
10th Naval District Steel Band  Search this
Almerico, Tony, 1905-  Search this
American Indians  Search this
Animal sounds  Search this
Audio Engineering Society  Search this
Ast, Anita  Search this
Bach, Johann Sebastian, 1685-1750  Search this
Beethoven, Ludwig van, 1770-1827  Search this
Big Shell Band  Search this
Boston Chorale  Search this
Brahms, Johannes, 1833-1897  Search this
Brokenshire, Norman, 1898-1965  Search this
Brundage, Al (Alfred)  Search this
Brute Force Band  Search this
Camp, Red  Search this
Carroll, Jimmy  Search this
Crowley, Daniel J., 1921-  Search this
Type:
Collection descriptions
Archival materials
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Place:
Cuba
West Indies -- Lesser Antilles
Caribbean Area
Antigua
Barbuda
Amazon River Region
Benítez (Venezuela)
Baja California (Mexico : Peninsula)
Brazil
Connecticut
Cuba
Haiti
Date:
1908-2002, bulk 1948-1965
Summary:
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Scope and Contents note:
There are two primary components of the Cook Labs records: the records, master tapes and other audio recordings, and the related paper files.

The Cook Labs records contains about 150 of the 200 released Cook recordings, and 739 master tapes. In addition, there are 330 unpublished tapes.

The the paper files include acquisition materials; business correspondence; recording reports; various production notes on records produced; news articles both about and by Emory Cook and Cook Labs; copyright, licensing, and trademark materials; photographs, correspondence, contracts, and other materials relating to recording artists; production materials for each Cook Labs release; and other miscellany. Many contracts are signed by both Cook Labs and the artist. Correspondence is primarily between business associates.

Two interviews were done with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer; both interviews are included in the Cook Labs records.

There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Arrangement note:
Many of the items in this list have been assigned an accession number, and like materials have been grouped together to create seven series:

Series 1: Business Papers, 1939-1990

Series 2: Recording Artists, 1949-1981, bulk 1950-1959

Series 3: Photographs, undated, 1957

Series 4: Production files, 1948-1995, bulk 1952-1963

Series 5: Objects, undated, 1908-1964

Series 6: Audio Interviews, 1990

Series 7: Audio Recordings
Biographical/Historical note:
Emory Cook (1913-2002) is widely regarded as a highly influencial audio engineer. Born and raised in Albany, New York, he joined the Army Air Corps in 1932. After his discharge in 1934 he obtained his degree from Cornell University and began working for Western Electric in the Audio Engineering Force. During World War II, while still at Western Electric, Cook supervised the creation of a fire-controlled radar "Trainer," for which he received a Commendation from the Service.

In the late 1940's, convinced he could do better than what was on the market, Cook began experimenting with making his own audio equipment. Cook Laboratories was started in 1945 when he developed a new cutting head to be used in record production. Future development of equipment brought about the discovery that he could record frequencies as high as 20,000 hertz, more than any other recording company at the time. He cut a record of piano and organ music to demonstrate this discovery, and took it to the 1949 Audio Fair in New York. When he demonstrated the record with the hopes to sell the recording equipment, he found that people were much more interested in buying the record itself. Shortly after, Sounds of Our Times, later called Cook Records, was born.

Cook Records collected many different sounds and was mostly aimed at the devoted high-fidelity listener. Cook believed that hearing was a sense often overlooked by people, and he wanted listeners of his albums to be able to hear things they might otherwise miss. In a New Yorker profile by Daniel Lang in 1956, Cook claimed that hearing was "always being kicked aside in favor of sight… There's a time and a place for everything, and that includes sound." In order to encourage listening, he put out many albums full of everyday sounds, such as Voice of the Sea, an album of noises of the ocean and Eye of the Storm, recorded during a thunderstorm. One of the most successful albums was Rail Dynamics, an album of steam trains pulling in and out of a station.

Cook Records also produced traditional music albums from its plant in Stamford, Connecticut. The label produced everything from organ music to folk, flamenco guitar, calypso and steel band. Cook had little interest in name musicians and instead searched high and low for anything he thought might be an interesting contribution to his label. He even invited listeners to send in their favorite sounds, some of which he eventually recorded.

Cook had such a large interest in Calypso music that he set up a second pressing plant in Port-of-Spain, Trinidad. There he pressed calypso and steel band music for both a Trinidadian and American audience, and most albums sold well in both countries.

In addition to the wide range of music Cook recorded, he was also an inventor. It was Cook who first came up with the idea of pressing records with powdered, rather than solid, vinyl, a technique he dubbed "microfusion." This technique not only saved money, but cut out many of the traditional crackles and pops associated with records.

He also developed the binaural system of recording and playing records, which he thought was superior to the more commonly used stereo method. Binaural was more precise than stereo, and it required placing two microphones six inches apart, approximately the space between two ears, during the recording. It was then played back with a special two-needle playing arm. Binaural recordings were thought by Cook to best duplicate the original sound.

Emory Cook died at the age of 89 in 2002 after a long hospitalization.
COOK RECORDINGS - NUMERICAL LISTING:
001 20,000 Cycle Demo (1949) COOK00001

002 Night Rain and Surf COOK00002

003 Specimen Heart Beats COOK00003

004 Katydids, Frogs and Forrest Birds

E101 Grenada Stories and Songs (1957-58) COOK00101

E102 Amazon Sound: Yacu River Tribes (Rituals and Rites) (1954) COOK00102

E103 Music of St. Lucia (1953) COOK00103

E104 Rada (1958) COOK00104

E105 JOSE RAMON FORTUNE AND OLGA MAYNARD Nancy Stories (1956) COOK00105

106 Afro-West Indian Cultural Practices (1957-58) COOK00106

107 ESCOLA DE SAMBA DE BRAZIL The Boli, The Cocolute, and Brazil (1957-58) COOK00107

901 Steelband Jump Up Boys Town, Tropical Harmony, Silvertone COOK00901

904 THE ESSO STEEL BAND Esso Steelband of Bermuda (1958) COOK0904

906 LORD MELODY Lord Melody Sings Calypso (1958-59) COOK00906

911 TOM CHARLES AND HIS SYNCOPATER ORCHESTRA Fete for So! (1959) COOK00911

914 LORD MELODY Again! Lord Melody Sings Calypso (1957-58) COOK00914

916 Calypso Cross Section Young Killer, The Mighty Bomber, Small Island Pride, The Mighty Wrangler (1957-58) COOK00916

920 THE MIGHTY SPARROW King Sparrow's Calypso Carnival (1959) COOK00920

927 LORD MELODY Calypso through the Looking Glass (1959) COOK00927

928 CLARENCE CURVAN His Drums, His Orchestra COOK00928

930 Belly to Belly Clarence Curvan, Johnny Gomez, Tom Charles, Fitz Vaughn Bryan (1960-61) COOK00930

931 LORD MELODY Lord Melody, 1962 COOK0931

1000 TITUS MOODY DDDs of Binaural (1952) COOK01000

1011 The Christmas Music Box (1950) COOK01011

1012 Music Boxes of Long Ago (1950) COOK01012

1013 CHARLIE MAGNANTE Accordion Pops Concert (1954-55) COOK01013

1014 CHARLIE MAGNANTE AND LaVERGNE SMITH His and Hers (1954-55) COOK01014

1020 SAM ESKIN Sam Eskin's Songs of All Time COOK01020

1021 GROUPE MI-O Un Ti Bo (1958) COOK01021

1022 LAVINIA WILLIAMS' GROUPE FOLKLORIQUE Haiti Confidential (1958) COOK01022

1023 The Ramayana (Hindu Ceremony) (1961) COOK01023

1024 GUSTAVO ZEPOLI Concert Guitar (1954) COOK01024

1025 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (1950) COOK01025

1026 ANITA AST AND THE VIENNA KONZERTSCHRAMMEREIN Inside Vienna (1952) COOK01026

1027 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (1952) COOK01027

1028 CARLOS MONTOYA Montoya (1952) COOK01028

1030 EDWARD VITO The Harp (1951) COOK01030

1031 EDWARD AND JOSEPH VITO Dual Harp (1951) COOK01031

1032 RUTH WELCOME AND DICK MARTA Zither and Cimbalom (1951) COOK01032

1035 Barrelhouse Piano (1950) COOK01035

1036 FRANK GLAZER Liszt's Paganini Variations (1952) COOK01036

1037 GRETA AND JOSEF DICHLER Two Famous European Pianos (1952) COOK01037

1038 SAMUEL SORIN Piano: The Romantic Fabric (1953) COOK01038

1039 LEONID HAMBRO A Perspective of Beethoven (1953) COOK01039

1040 Steel Band Clash Brute Force Steel Band, Big Shell Band, and Hell Gate Band (1955)

1041 JIMMY CARROLL PERCUSSION EMSEMBLE WITH RED CAMP Speed the Parting Guest (1953) and The Hot Tempered Clavichord (1957) COOK01041

1042 BRUTE FORCE STEEL BAND Brute Force Steel Band of Antigua with Big Shell Band (1955) COOK01042

1043 Three Rituals (1955) COOK01043

1044 The Compleat In Fidelytie: Sounds Natural and Unnatural (1956) COOK01044

1045 Drums of Trinidad (1956) COOK01045

1046 Champion Steel Bands of Trinidad The Highlanders, Southern All Stars, The Katzenjammers, others (1957) COOK01046

1047 THE KATZENJAMMERS The Enchanted Steelband (1957) COOK01047

1048 BRUTE FORCE STEEL BAND Music to Awaken the Ballroom Beast (1957) COOK01048

1049 BRUTE FORCE STEEL BAND Beauty and the Brute Force (1957) COOK01049

1050 MICHAEL CHESHIRE The Pipe Organ, volume 1 (1952) COOK01050

1051 MICHAEL CHESHIRE The Pipe Organ, volume 2 (1952) COOK01051

1052 REGINALD FOORT Percussion and Pedal, volume 3 (1952) COOK01052

1053 REGINALD FOORT Reginald Foort at the Mosque, volume 4 (1952) COOK01053

1054 REGINALD FOORT Organ in Symphony Hall, volume 1 (1954) COOK01054

1055 REGINALD FOORT Organ in Symphony Hall, volume 2 (1954) COOK01055

1056 ALFONSO VEGA NUÑEZ Morelia Cathedral Organ (1954) COOK01056

1057 REGINALD FOORT Foort Pops (1956) COOK01057

1058 REGINALD FOORT Waltz and Ballet: The Mosque Organ (1956) COOK01058

1059 REGINALD FOORT Intermission at the Mosque (1956) COOK01059

1060 NEW ORCHESTRAL SOCIETY OF BOSTON Brahms First Symphony (1954) COOK01060

1061 FESTIVAL CASALS ORCHESTRA Hector Campos Parsi (1958) COOK01061

1062 NEW ORCHESTRAL SOCIETY OF BOSTON Stravinsky, Villa Lobos, and Bach (1955) COOK01062

1063 NEW ORCHESTRAL SOCIETY OF BOSTON Debussy (1955) COOK01063

1064 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance (1955) COOK01064

1065 NEW ORCHESTRAL SOCIETY OF BOSTON Mozart Symphony No. 40 (1955) COOK01065

1066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Theater (1955) COOK01066

1067 NEW ORCHESTRAL SOCIETY OF BOSTON Beethoven Symphony No. 5 (1955) COOK01067

1068 NEW ORCHESTRAL SOCIETY OF BOSTON New Orchestral Society of Boston (1966) COOK01068

1069 NEW ORCHESTRAL SOCIETY OF BOSTON Haydn Symphony No. 100: Military (1966) COOK01069

1070 Rail Dynamics: Steam Locomotives and Train Sounds (1950-54) COOK01070

1071 Burlesque Uncensored (1954) COOK01071

1072 Jump-up Carnival: Calypso Tent (1956) COOK01072

1073 Holy Week: Malaga (Spain) (1961) COOK01073

1074 Benevolent Society for the Preservation of Ancient Rhymes and Limerix Limerick Party COOK01074

1075 Voices of the Sky: Propellers and Jets (1957) COOK01075

1077 Voice of the Storm (1957-58) COOK01077

1078 A Double Barrel Blast: High Cost of Dying and Computer Conversations (1962) COOK01078

1079 Tour of High Fidelity (1965) COOK01079

1080 TRIO LEONES Trio Leones of Cabrito (1954) COOK01080

1081 LaVERGNE SMITH LaVergne Smith (01014B plus) (1954) COOK01081

1082 Le Jazz Primitif from Trinidad Rupert Clemendore and John Buddy Williams (1961) COOK01082

1083 Jawbone of an Ass: Musica de Cuba (1955) COOK01083

1084 SID DAVILLA AND FREDDIE KOHLMAN'S BAND WITH RED CAMP Blowout at Mardi Gras (1955) COOK01084

1085 TONY ALMERICO'S PARISIAN ROOM BAND Clambake on Bourbon Street (1954-55) COOK01085

1086 WILLIE RODRIGUEZ The Drums of Rodriguez (1953) COOK01086

1087 RED CAMP Camp Inventions: Jazz Piano and Zither Music (1955) COOK01087

1088 RED CAMP Red Camp Horizontal (1954) COOK01088

1089 RED CAMP Red Camp Upright (1954) COOK01089

1090 ARTHUR BILLINGS HUNT Arthur Billings Hunt Sings Hymns (1950) COOK01090

1091 ARTHUR BILLINGS HUNT Hunt Sings Old Favorites (1950) COOK01091

1092 HUFSTADER SINGERS Hufstader Singers (1953) COOK01092

1094 REGINALD FOORT AND THE BOSTON CHORALE The Seven Last Words of Christ (1954) COOK01094

1095 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Christmas (Spring Valley, New York) (1961) COOK01095

1096 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Easter Midnight Service (Spring Valley, New York) (1961) COOK01096

1097 ST. JOHN'S RUSSIAN ORTHODOX CHOIR St. John's Russian Orthodox Choir (1961) COOK01097

1101 THE INVADERS FROM ST. CROIX Steel Band in San Juan (1964) COOK01101

1102 10TH NAVAL DISTRICT STEEL BAND New Paths for Steel Band (1965) COOK01102

1120 BENITEZ-VALENCIA TRIO Ecuador (1958) COOK01120

1121 Island in the Moonlight Trio Los Rubies, Grupo Paquito Lopez Cruz, Las Hermanas Colón, Martita Cuadrado (1958) COOK01121

1122 Hellish Calypso King Fighter, The Mighty Bomber, others (1962) COOK01122

1123 Calypso Atrocities King Fighter, The Mighty Bomber, others COOK01123

1124 HAYWIRE MAC McCook LabsINTOCK Haywire Mac (1951) COOK01124

1125 LORD MYRTLE, CECIL MITCHEL, AND JAMES CONVERY Calypso Jamaica (1960) COOK01125

1126 THE MIGHTY SPARROW Sparrow in Hi-Fi (1963) COOK01126

1127 STEVE CAMACHO Folk and Other Songs (1962) COOK01127

1131 BRUCE PRINCE-JOSEPH The Pedal Harpsichord (1953) COOK01131

1132 SHINCHI YUIZE The Japanese Koto (1955) COOK01132

1133 RED CAMP The New Clavichord (1957) COOK01133

1134 LUIS BONFA Guitar in Brazil (1959) COOK01134

1140 Steelband Promenade Brute Force Steel Band, The Merrymakers, Southern All Stars (1958) COOK01140

1150 BILL FLOYD The King of Organs (1957) COOK01150

1151 REGINALD FOORT The Theatre Organ, volume 2 COOK01151

1152 REGINALD FOORT The Theatre Organ, volume 3 COOK01152

1154 REGINALD FOORT The Theatre Organ, volume 5 COOK01154

1155 REGINALD FOORT The Theatre Organ, volume 6 COOK01155

1156 REGINALD FOORT The Baroque Organ, volume 1 COOK01156

1157 REGINALD FOORT The Baroque Organ, volume 2 COOK01157

1169 NEW ORCHESTRAL SOCIETY OF BOSTON Tchaikovsky: Romeo and Juliet, Serenade for Strings (1962) COOK01169

1180 Dance Calypso Johnny Gomez Band, Small Island Pride, Dictator, others (1956) COOK01180

1181 LIZZIE MILES Lizzie Miles Buglin' Sam DeKemel and the Parisian All Stars (1954-55) COOK01181

1182 LIZZIE MILES Moans and Blues Red Camp and Tony Almerico's All Stars (1956) COOK01182

1183 LIZZIE MILES Hot Songs My Mother Taught Me Red Camp, Tony Almerico's All Stars, Albert French (1956) COOK01183

1184 LIZZIE MILES Torchy Lullabies My Mother Sang Me Red Camp and Tony Almerico's All Stars (1956) COOK01184

1185 Calypso Kings and Pink Gin: Trinidad Carnival Tent Lord Melody, The Might Sparrow, others (1957) COOK01185

1186 ENSEMBLE AUX CALEBASSES Meringue (1958) COOK01186

1187 A Night at the Tropicoro Juan Luis, Oswaldo Seda, and Lito Peña Band (1959) COOK01187

1188 Dirty Jazz from Down South: Trinidadian Instrumentals (1958) COOK01188

1189 Calypso Exposed Lord Melody, Brute Force Steel Band, King Sparrow, The Mighty Cypher, and Skipper (1961) COOK01189

1280 Caribbean Limbo Music Rupert Clemendore Orchestra, Cyril Diaz Orchestra, others COOK01280

1281 Songs from the Garden of Love Jefferson-Jones' Orchestra COOK01281

1282 Italian Moom Jefferson-Jones' Orchestra COOK01282

2004 Tour of Stereo (1958) COOK02004

2066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance, volume 3 COOK02066

2070 Aboard a Fast Express / Jet Dynamics COOK02070

4057 REGINALD FOORT The Theater Organ COOK04057

4069 NEW ORCHESTRAL SOCIETY OF BOSTON Hayden Military Symphony COOK04069

5001 American Storytellers, Volume 1 Harry Wass, Master Marriner's Association (1952) COOK05001

5002 K.C. DOUGLAS K.C. Douglas (1952) COOK05002

5003 Caribeana: Hidden Music from the Caribbean (1949) COOK05003

5004 TIRORO Tiroro: Haitian Drummer (1948) COOK05004

5005 RED CAMP Camp Has a Ball (1954) COOK05005

5006 AL BRUNDAGE Square Dance (1951) COOK05006

5007 Mexican Marimba Band (1954) COOK05007

5008 American Storytellers, Volume 2 John Hawley Cook (1954) COOK05008

5009 American Storytellers, Volume 3 Captain Charles A. Chace, Matthew Richards (1954) COOK05009

5010 Calliope, Carousel, and Hand Organ (1953) COOK05010

5011 Voice of the Sea (1954) COOK05011

5012 Earthquake (1953) COOK05012

5013 Ionosphere (1955) COOK05013

5014 Mariachi Music of Mexico (1954) COOK05014

5015 Mexican Firecrackers (1951) COOK05015

5016 Calypso Lore and Legend (1956) COOK05016

5017 Bamboo-tamboo, Bongo, and Belair (1956) COOK05017

5018 East Indian Drums of Tunapuna, Trinidad (1956) COOK05018

5019 ALONZO CRUZ Blind Troubadour of Oaxaca (1956) COOK05019

5020 Epilogue to the String Band Tradition (1956) COOK05020

5022 ABCs of Hi Fi COOK05022

5025 BUCKMINSTER FULLER Buckminster Fuller Speaks His Mind COOK05025

5050 NORMAN BROKENSHIRE Radio Moscow and the Western Hemisphere COOK05050

5051 FRANKLIN D. ROOSEVELT The Four Inaugural Addresses COOK05051

6061 BUCKMINSTER FULLER The Clock Is Stopping COOK06061

8374 BUCKMINSTER FULLER Dymaxion Ditties: Buckminster Fuller Sings COOK08374

10001 Sound Effects, volume 1 COOK10001

10002 Sound Effects, volume 2 COOK10002

10003 Sound Effects, volume 3 COOK10003

10120 Music Boxes, Carousels, and Hand Organs (01012 and 05010) (1950-53) COOK10120

10248 The Voice of Mexico Gustavo Zepoli, Trio Leones (01024 and 01080) (1954) COOK10248

10251 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (01025 plus solos) (1950-53) COOK10251

10271 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (selections from 01027 and 01028) (1952) COOK10271

10289 CARLOS MONTOYA Montoya (selections from 01028 plus) (1952) COOK10289

10301 EDWARD AND JOSEPH VITO The Harp (selections from 01030 and 01031 plus) (1951-54) COOK10301

10326 Cafe Continental Ruth Welcome, Dick Marta, and Anita Ast (selections from 01026 and 01032) (1951-52) COOK10326

10350 Nickelodion and Calliope (selections from 01035 and 05010) (1950-53) COOK10350

10500 REGINALD FOORT The Theater Organ COOK10500

10501 MICHAEL CHESHIRE Pipe Organ in the Mosque (selections from 01050 and 01051) (1952) COOK10501

10523 REGINALD FOORT Percussion and Pedal (selections from 01052 and 01053) (1952) COOK10523

10545 REGINALD FOORT The Organ at Symphony Hall (01054 plus) (1954) COOK10545

10579 REGINALD FOORT Foort Pops (selections from 01057 and 01058) (1956) COOK10579

10646 NEW ORCHESTRAL SOCIETY OF BOSTON Tempo Vivace: Symphonic Masterpieces of Dance & Theater (selections from 01064 and 01066) (1955-56) COOK010646

10657 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Beethoven Symphony No. 5 (01065 and 01067) (1955) COOK10657

10659 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Haydn Symphony No. 100 (01065 and 01069) (1955-56) COOK10659

10683 NEW ORCHESTRAL SOCIETY OF BOSTON Modern Orchestral Textures (01068 and 01063) (1955) COOK10683

10850 RUPERT Cook LabsEMENDORE BAND Le Jazz Trinidad COOK10850

10867 Before and After Willie Rodriguez (selections from 01086 and 05007) (1953-54) COOK010867

10889 RED CAMP Horizontal & Upright & Downright & Dunright (01088 and 01089) (1954) COOK10889

10890 The Castiliane Johnny Gomez Band, John Buddy Williams Band, Girl Pat Steel Band, And Grand Curacaye String Orchestra (1956) COOK10890

11312 BRUCE PRINCE-JOSEPH AND HUFSTADER SINGERS The Forgotten Pedal Harpsichord and Hufstader Singers (01131 and 01092) (1953) COOK11312

11815 TONY ALMERICO'S PARISIAN ROOM BAND AND LIZZIE MILES Clambake on Bourbon Street (1954-55) COOK11815

50130 Tour of Cook Labs COOK50130

70889 RED CAMP Popular Piano and Combo COOK70889

80134 LUIZ BONFA Waterfall: Guitar COOK80134

80417 MARIMBA ORCHESTRA Waterfall: Children's Music COOK80417

80680 NEW ORCHESTRAL SOCIETY OF BOSTON Waterfall: Symphonic COOK80680

XX1 Audio Follies Sampler COOK00XX1

XX2 Calypso Jazz Sampler COOK00XX2

Series 10 Cook Series 10 COOK_Series10

Series 30 Cook Series 30 COOK_Series30

Series 60 Cook Series 60 COOK_Series60

Series 70 Cook Series 70 COOK_Series70

Series 80 Cook Series 80 COOK_Series80

Series 90 Cook Series 90 COOK_Series90

Series 100 Cook Series 100 COOK_Series100

Series 300 Cook Series 300 COOK_Series300

Series 301 Cook Series 301 COOK_Series301

Series 302 Cook Series 302 COOK_Series302

Series 303 Cook Series 303 COOK_Series303
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Cook Labs Records in 1990, when Emory and Martha Cook donated their company records to the Center for Folklife and Cultural Heritage. Anthony Seeger, then Director of Smithsonian Folkways Records, received a call from Mr. Cook in the summer of 1989 offering to donate the Cook label to the Smithsonian. Dr. Seeger visited him in August of that year to view the contents of the collection, and the Smithsonian received custody of the collection in May 1990. In return for the donation from Mr. Cook, the Center for Folklife and Cultural Heritage agreed to keep the record titles available and to store the papers in the archives.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at (202) 633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Popular music -- 20th century -- United States  Search this
Wit and humor  Search this
Calypso (Music)  Search this
Folk music -- Caribbean Area  Search this
Folk music  Search this
Sounds  Search this
Music -- 18th century  Search this
Folk music -- United States  Search this
Jazz -- Louisiana -- New Orleans  Search this
Jazz  Search this
Accordion music  Search this
Airplane sounds  Search this
Audio equipment industry  Search this
Blues (Music)  Search this
Bonfá, Luiz  Search this
Calypso (Music)  Search this
Burlesque (Theater)  Search this
Calliope music  Search this
Calypso (Music)--Trinidad and Tobago  Search this
Campos Parsi, Héctor, 1922-  Search this
Catholicism  Search this
Christianity  Search this
Christmas  Search this
Cimbalom and zither music  Search this
Clavichord  Search this
Clemendore, Rupert  Search this
Drum  Search this
Genre/Form:
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Citation:
Cook Labs records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.COOK
See more items in:
Cook Labs records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-cook
Online Media:

Stephanie Myers Jazz Photographs

Donor:
Myers, Stephanie  Search this
Names:
Grande Parade du Jazz (Nice, France)  Search this
Adderly, Nat, 1931-  Search this
Auld, Georgie, 1919-  Search this
Berg, Bob, 1951-  Search this
Bryant, Ray, 1931-  Search this
Carter, Benny, 1907-2003  Search this
Carter, Ron, 1937-  Search this
Chambers, Joe, 1942-  Search this
Cheatham, Doc, 1905-1997  Search this
Cobb, Arnette, 1918-  Search this
Cobb, Jimmy, 1929-  Search this
Davis, Miles  Search this
Davis, Richard, 1930-  Search this
Duvivier, George, 1920-  Search this
Edison, Harry, 1915-  Search this
Faddis, Jon, 1953-  Search this
Freeman, Bud, 1906-  Search this
Gillespie, Dizzy, 1917-  Search this
Green, Freddie, 1911-  Search this
Grey, Al, 1925-  Search this
Haggart, Bob, 1914-  Search this
Hampton, Lionel  Search this
Hampton, Slide  Search this
Hancock, Herbie  Search this
Hart, Billy, 1940-  Search this
Heath, Percy, 1923-2005  Search this
Henderson, Joe, 1937-  Search this
Hopkins, Linda, 1925-  Search this
Hubbard, Freddie, 1938-  Search this
Jackson, Oliver  Search this
Jacquet, Illinois  Search this
Johnson, J.J., 1924-  Search this
Jones, Eddie, 1929-  Search this
Jordan, Stanley, 1959-  Search this
Kelly, George, 1915-  Search this
King, B. B.  Search this
Marsalis, Branford, 1960-  Search this
Masso, George, 1926-  Search this
McCurdy, Roy, 1936-  Search this
McLean, Jackie, 1931-  Search this
McLean, Rene, 1947-  Search this
McShann, Jay  Search this
Miles, Butch, 1944-  Search this
Mince, Johnny, 1912-  Search this
Mitchell, Billy, 1926-  Search this
Moody, James, 1925-  Search this
Newman, Joe, 1922-  Search this
Owens, Jimmy, 1943-  Search this
Petrucciani, Michel  Search this
Royal, Marshall, 1912-  Search this
Ruiz, Hilton, 1952-  Search this
Scofield, John, 1951-  Search this
Tate, Buddy, 1915-  Search this
Terry, Clark  Search this
Vinson, Eddie  Search this
Walton, Cedar, 1934-  Search this
Wein, George  Search this
Williams, Joe, 1918-  Search this
Woode, Jimmy  Search this
Extent:
0.6 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Photographs
Contact sheets
Date:
1984-1987
Summary:
This is a collection of 20 eight by ten inch black and white photographs taken by Stephanie Myers at Le Grande Parade du Jazz, a jazz festival held in Nice, France.
Scope and Contents:
This is a collection of 20 eight by ten inch black and white photographs taken by Stephanie Myers at Le Grande Parade du Jazz, a jazz festival held in Nice, France. They feature numerous well-known jazz artists and date from 1984, 1985, 1986 and 1987. These are arranged in folders 1-6 alphabetically by the artists' names. The contact sheet number from which each was selected is indicated.

The contact sheets portray many additional jazz artists of note. Their names are listed on the back of the sheets and they are filed by year in folders 7-10. In addition, a list of these contact sheets, naming the artists appearing on them, has been provided by Ms. Myers. Twenty-four black-and-white photoprints (enlargements) of jazz musicians in concert, and twenty contact sheets of scenes from the same performances.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Photographer.
Provenance:
Donated by Stephanie Myers in 2005.
Restrictions:
Unrestricted research access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Jazz  Search this
Music -- 20th century  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Contact sheets -- 1980-1990
Citation:
Stephanie Myers Jazz Photographs, 1984-1987, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0887
See more items in:
Stephanie Myers Jazz Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0887
Online Media:

Ruth Ellington Collection of Duke Ellington Materials

Creator:
Boatwright, Ruth Ellington, 1914-2004  Search this
Names:
Tempo Music, Inc.  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
33 Cubic feet (77 boxes, 3 oversize folders)
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Audiotapes
Music
Photographs
Date:
1923–1992
Summary:
The collection consists of correspondence, appointment books, business records, music manuscripts, sound recordings, photographs, and ephemera documenting the activities of Duke Ellington and the management of Tempo Music, Incorporated. There is a small amount of material relating to the Ellingotn family.
Scope and Contents:
The Ruth Ellington Collection of Duke Ellington Materials includes music manuscripts (circa 1930-1981), sound recordings, Duke and Ruth Ellington's business and personal correspondence (1942-1991), business records covering the years 1923-1988, performances and programs covering the years 1951-1989, numerous awards and honors to Ellington and the orchestra, and personal papers relating to the Ellington family. Also among the materials are minutes of business meetings, letters, and newspaper clippings relating to the Duke Ellington Society in New York city, the certificate of incorporation and invitations for the Ellington Cancer Center, and slides, film, and home videos. The collection is arranged into eleven series.
Arrangement:
Divided into eleven series:

Series 1: Music Manuscripts, Scripts and Compositional Materials, 1930-1981, undated

Subseries 1.1: Music Manuscripts, undated

Subseries 1.2: Published Books, 1943-1986, undated

Subseries 1.3: Oversize Materials, undated

Subseries 1.4: Music Manuscript Notebooks and Untitled Music, undated

Subseries 1.5: Tempo Music, Incorporated Copyright Sheets of Non-Ellington Material, undated

Subseries 1.6: Uncopyrighted Submissions, 1958-2002, undated

Subseries 1.7: Notes, Scripts and Compositions, 1958-1969, undated

Series 2: Business Records, 1923-1988, undated

Series 3: Performance Materials, 1951-1989, undated

Series 4: Publicity, 1935-1992, undated

Series 5: Awards and Recognition, 1936-1989, undated

Series 6: Correspondence, 1942-1991, undated

Series 7: Photographs, 1937-1990, undated

Series 8: Family Papers, 1911-1981, undated

Series 9: Other Artists, 1955-1986, undated

Series 10: Harry Carney Materials, 1938-1959

Series 11: Audiovisual Materials, circa 1946-1970

Subseries 11.1: Sound Recordings, circa 1946-1970

Sub-subseries 11.1.1: Duke Ellington Concerts

Sub-subseries 11.1.2: Duke Ellington Volumes 1 through 58

Sub-subseries 11.1.3: Duke Ellington and His Orchestra

Sub-subseries 11.1.4: Duke Ellington Jazz Society Guest Talks

Sub-subseries 11.1.5: Interviews

Sub-subseries 11.1.6: Miscellaneous

Sub-subseries 11.1.7: Non-Ellington Materials

Sub-subseries 11.1.8: 16" Transcription Discs

Subseries 11.2: Moving Images, 1929 - 1970
Biographical / Historical:
Born in 1915, Ruth Dorothea Ellington Boatwright was the sister and only sibling of Edward Kennedy "Duke" Ellington. Sheltered and doted upon, she was almost sixteen years younger than her brother. She attended elementary and junior high schools in the Washington Metropolitan area and finished her basic schooling in New York City where the family moved in the early 1930s. Her mother, Daisy, died there in 1935, followed by her father, J. E. in 1937. Sometime after those life altering events, Ms. Ellington graduated from the New College program at Columbia University with a degree in biology.

In 1941, Duke Ellington established Tempo Music, and surprised his sister Ruth, by installing her as president of the company. He had a strong desire to maintain control of his own publishing, television, and recording rights, and after his sister's graduation, Duke felt that she could assist in accomplishing this goal.

Ruth's duties at Tempo included signing contracts, arranging some travel at Duke's request, and, most importantly, keeping Duke's music copyrighted. According to her own interview statement, she never arranged bookings. Other interests included hosting a Sunday salon for musicians, appearing at and listening to recording studio sessions once or twice a year, and keeping in touch with the older band members' wives. The older band members (i. e., Johnny Hodges, Harry Carney, Otto Hardwick, and Arthur Wetsol) along with the earlier singers (Ivie Anderson, Joya Sherrill, Marie Cole, and Kay Davis) were like family to Ruth.

In the 1950's, she was host of a radio program on WLIB in New York on which she interviewed guests including the writer Ralph Ellison.

Ruth Ellington's first marriage to Daniel James, a journalist and political scientist, produced two sons Michael and Stephen James. This marriage ended in divorce and she later married McHenry Boatwright, an operatic baritone. Boatright died in 1994.

Ruth was active in the National Association for the Advancement of Colored People. She was a founder of the jazz ministry of St. Peter's Lutheran Church in Manhattan and a friend of the first designated jazz pastor, the Reverend John Garcia Gensel.

After Duke's death in 1974, Ruth maintained Tempo until 1995 when she sold fifty one percent of the company to a New York publishing firm, Music Sales. Ruth Dorothea Ellington Boatwright died in 2004 at the age of 88 in Manhattan. She was survived by her two sons.
Provenance:
The collection was donated to the National Museum of American History in 1991. A second set of materials was received from Ruth Ellington Boatwright in 1993.
Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Jazz  Search this
Music -- 20th century  Search this
Musicians -- United States  Search this
Genre/Form:
Business records -- 20th century
Correspondence -- 1930-1950
Audiotapes
Music
Photographs -- 20th century
Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0415
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0415
Online Media:

Satin doll [music]

Composer:
Ellington, Duke, 1899-1974  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Lyricist:
Mercer, Johnny, 1909-1976  Search this
Arranger:
Nelson, Oliver  Search this
Jackson, J. Calvin  Search this
Collection Creator:
Boatwright, Ruth Ellington, 1914-2004  Search this
Extent:
1 Item (photocopy, 37 cm.)
74 Items (photocopies, 33 cm.)
1 Item (holograph, 32 cm.)
81 Items (copy scores, 32 cm.)
11 Items (manuscripts, 32 cm.)
27 Items (photocopies, 32 cm.)
1 Item (copy score, 32 cm.)
2 Items (holographs, 29 cm.)
13 Items (photocopies, 28 cm.)
29 Items (published sheet music, 28 cm.)
Type:
Archival materials
Parts (musical)
Piano vocal scores
Short scores
Lead sheet
Conductor scores
Piano conductor scores
Manuscripts
Date:
1964
Scope and Contents:
Satin doll is contained in sixteen folders consisting of 1 part in G Major concert, 2 seven-page conductor scores, 1 fourteen-page conductor score, 1 one-page conductor score, 1 three-page short score, 1 one-page short score, 1 four-page score, 2 published four-page piano conductor scores, 1 two-page piano conductor score, 1 published three-page piano vocal score, 2 published two-page piano vocal scores, 1 two-page piano vocal score, 1 published one-page piano vocal score, 1 lead sheet, 25 published parts and 183 parts in C Major concert, 6 parts in F Major concert, 10 parts in Bb Major concert -- in ink, pencil and photocopy -- in unidentified hands (DE, BS, ME, Whaley, Sanders, Jones, Tizol, Moten, Henderson, others?)
Folder A contains parts in C Major for 2 violins - A (2), B (2); 2 cellos - 1, 2.
Folder B contains parts in C Major for 15 reeds - flute 1, flute 2, flute 3, flute 4, oboe 1, oboe 2, oboe 3, oboe 4, clarinet 1, clarinet 2, clarinet 3, bass clarinet, basson 1, basson 2, contrabassoon; 5 horns -, 2, 3, 4, 5; 4 trumpets - 1, 2, 3, 4; 3 trombones - 1, 2, 3; tuba; drums; vibes (4); harp (2); piano (2).
Folder C contains parts in C Major for 3 violins - A (8), B (8), C (8); viola (6); cello (9); bass (7).
Folder D contains items in 3 trombones - 1, 2, (2), 3 (2); bass. -- (ii) Parts in c Major for 2 reeds - tenor, baritone (2); 2 trumpets - 92), 3 92); trombone. Parts appear to reflect different arrangements of the peice. -- (iii) One page piano vocall score in C major, lead sheet in C Major, parts in Bb mMajor and part in g Major. Piano vocal score lyrics begin "Cigarette holder which wigs me ...". Score appears incomplete. Lead sheet for unidentified treble instrument. Parts in Bb Major for 3 trumpets - 1 (2), 2, 3. Part in G Major for 1 trumpet - 1.
Folder E contains Three page short score and part in C Major. Short score indicates part for bass. Part for 1 trumpet - Herb.
Folder F contains parts in C Major for 5 reeds - alto 1 (2), alto 2 (2), tenor 1 (2), tenor 2, Baritone (2); 2 trumpets - 2 (2), 4; 4 trombones - 1 (2), 2, 3 (2), 4 (2).
Folder G contains parts in f Major for 5 reeds - alto 1, clarinet, tenor , tenor 4, baritone; 1 trumpet - 1. A full set of parts in f Major was apparently intended. This folder contains severalsheets marked with instrumentation and key signatures, but no music is notated.
Folder H contains 2 seven page conductor scores in C Major. Scores indicated parts for voices - soprano, alto, tennor, baritone, bass. Lyrics begin as above. Scores appear incomplete.
Folder I contains three page piano vocal score in Db Major and one page short score in C Major. Piano vocal score lyrics begin as above. Short score does not indicate instrumentation and appears incomplete.
Folder J contains fourteen page conductor score in C Major. Score indicates parts for 3 flutes, 3 oboes, 4 clarinets, 3 bassoons, 5 horns, 4 trumpets, 3 oboes, 4 clarinets, 3 bassons, 5 horns, 4 trumpets, 3 trombones, tuba, vibes, harp, piano, 3 violins, viola, cello, bass.
Folder K contains parts in 3 groupings --(i) Parts in C Major for trumpet; 1 trombone - 1. -- (ii) part in C Major (?) for drums. -- (iii) Parts in Bb Major for 2 reeds - alto, baritone; 3 trombones - 1, 2, 3; bass.
Folder L contains parts in C Major for a trombone - 1; bass.
Folder M contains parts in C Major in 9 groupings -- (i) Part for unidenfified bass instrument (trombone?). -- (ii) Parts for 5 reeds - Pro, Rick, Hamilton, paul, Carney; 3 trumpets - Terry, unidentified, Nance; 1 trombone - 1. -- (iii) Parts for 2 trombones - Butter, Tizol. -- (iv) Part for 1 reed - baritone. -- (v) Parts for 1 reed - Carnet; 2 trumpets - trumpet, Cat; 2 trombones - 1, Tizol. --(vi) Part for 1 trumpet - Nat. -- (vii) Pats for 2 reeds - alto (2), tenor; 2 trumpets - trumpet, bass trumpet; trombone. -- (viii) Parts for 2 reed - alto (2), tenor, baritone (2); 2 trumpets - trumpet, bass trumpet; bass. -- (ix) parts for unidentified Bb transposing instrument (trumpet?) - 1,2; 2 trombones - Britt, Butter.
Folder N contains one page conductor score in C Major and published piano vocal scores. Conductor score indicates parts for 5 reeds - alto 1, alto 3, tenor 2, tenor 4, baritone; 4 trumpets - 1, 2, 3, 4; 3 trombones - 1, 2, 3; bass. Score appears incomplete. Piano vocal score lyrics begin as above.
Folder O contains published piano conductor scores and published parts in C Major. Piano conductor scores do not indicate instrumentation. Scores include lyrics. Lyrics begin as above. Parts for 5 reeds - alto 1, also3/tenor 4 (2), tenor 2, baritone, baritone/trombone 3; 4 trumpets - 1, 2, 3/4, 4; 2 trombones - 2 (2), 3; 2 violins - A/B (2), C; bass (2); drums; guitar. Some parts are noted 2 parts per sheet. -- (ii) Parts for 2 reeds - also 1, tenor 2; 1 trumpet - 1; 1 trombone - 1 (2).
Folder P contains two-page piano conductor score, two-page piano vocal score, four-page short score and part in C Major concert. Piano conductor score does not indicate instrumentation. Piano vocal score lyrics begin as above. Piano vocal score appears incomplete. Short score indicates part for trumpet. Short score appears incomplete. Part for drums. All items except Folder D, folder F, piano vocal score in folder I, folder L, and Folder M, grouping viii from the Duke Ellington library.
Biographical / Historical:
Piano vocal score in Folder I from the Presentation Album, Vol. F. Remaining items from the Marcer Ellington Library. There appear to be numbers from the Duke Ellington Band Book: 20, 75.
General:
One-page conductor score in Folder N (photocopy) is originally noted on the verso of "Come Sunday." A part for "in the mellow tone" is noted on the verso of a part in folder D, grouping ii. A lead sheet for "s'bout time" is noted on the bottom of the lead sheet in folder D, grouping iii. handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore hudson, Walter van de Leur, and Dr. Mark Tucker.
Publication:
New York, N.Y., Tempo Music, Inc., 1964
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music  Search this
Genre/Form:
Parts (musical)
Piano vocal scores
Short scores
Lead sheet
Conductor scores
Piano conductor scores
Manuscripts -- Music -- 20th century
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 1: Music Manuscripts, Scripts, and Compositional Materials / 1.1: Music Manuscripts / Satin Doll
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref3829

April in Paris [music]

Composer:
Duke, Vernon, 1903-1969  Search this
Creator:
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Lyricist:
Harburg, E.Y. (Edgar Yipsel)  Search this
Collection Creator:
Boatwright, Ruth Ellington, 1914-2004  Search this
Extent:
1 Item (copy score, 32 cm.)
Type:
Archival materials
Copy scores
Music
Parts (musical)
Manuscripts
Scope and Contents:
1 part.
April in Paris is contained in one folder consisting of 1 part in Db Major concert -- in ink -- in unidentified hand (Whaley?).
Part for 1 reed - baritone. Part is noted on the verso of a short score for "Swing low." -- from the Ruth Ellington Collection.
Biographical / Historical:
Statement of responsibility taken from Popular Music, 1920-1979, ed. Nat Shapiro.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, Wayne Shirley, and Dr. Mark Tucker.
Unsigned Strayhorn composition.
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Music
Parts (musical)
Manuscripts -- Music -- 20th century
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 1: Music Manuscripts, Scripts, and Compositional Materials / 1.1: Music Manuscripts / Swing Low (Coming for to Carry Me Home), April in Paris, and Heavenly Choir
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref3958

Herman Leonard Photographic Collection

Creator:
Leonard, Herman, 1923-2010  Search this
Source:
Musical History, Division of (NMAH, SI)  Search this
Former owner:
Musical History, Division of (NMAH, SI)  Search this
Names:
Armstrong, Louis, 1901-1971  Search this
Baker, Chet  Search this
Bennett, Tony, 1926-  Search this
Blakey, Art, 1919-1990  Search this
Brown, Clifford Mr  Search this
Camero, Candido, 1921-  Search this
Cole, Nat King, 1917-1965  Search this
Cole, Nat King, 1917-1965  Search this
Davis, Miles  Search this
Davis, Miles  Search this
Eckstine, Billy  Search this
Ellington, Duke, 1899-1974  Search this
Fitzgerald, Ella, 1917-1996  Search this
Garner, Erroll  Search this
Getz, Stan, 1927-1991  Search this
Gillespie, Dizzy, 1917-  Search this
Gordon, Dexter, 1923-1990  Search this
Haig, Al, 1924-1982  Search this
Heath, Percy, 1923-2005  Search this
Holiday, Billie, 1915-1959  Search this
Horne, Lena  Search this
Marsalis, Wynton, 1961-  Search this
Monk, Thelonious  Search this
Mulligan, Gerry  Search this
Parker, Charlie, 1920-1955  Search this
Pettiford, Oscar, 1922-1960  Search this
Roach, Max  Search this
Russell, Curly  Search this
Sims, Zoot  Search this
Sinatra, Frank, 1915-1998  Search this
Stitt, Sonny  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Terry, Clark  Search this
Washington, Dinah, 1924-1963  Search this
Webster, Ben  Search this
Young, Lester, 1909-1959  Search this
Extent:
5.6 Cubic feet (10 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Date:
1948-1993
Scope and Contents:
This collection consists of 110 black-and-white photographic prints depicting musicians performing at various American and European jazz clubs between 1948 and 1991. The collection contains mounted and unmounted 11" x 14" and 16" x 20" prints made by Leonard. Artists represented among these photographs are Billie Holiday, Charlie Parker, Dizzy Gillespie, Duke Ellington, Frank Sinatra, Lester Young, Louis Armstrong, Miles Davis, and Thelonious Monk. The photographs are organized into three series: Series 1: 11"x 14" prints, Series 2: 16" x 20" prints, and Series 3: Addenda. The series are arranged alphabetically by performer's last name. Unmatted 16" x 20" prints can be found in box 2 but are listed alphabetically by performer.
Biographical / Historical:
Herman Leonard (1923‑ ) was born in Allentown, Pennsylvania and served as a military photographer in Burma during World War II. He earned his Bachelor of Fine Arts Degree in photography from Ohio University and began working with Yousuf Karsh, a Canadian portraitist. Settling in New York in 1949, Leonard began photographing jazz musicians at various jazz clubs on Broadway and Fifty‑Second Streets, and in Harlem for such publications as Cosmopolitan, Esquire, Life, Look, Playboy, and Time. He later to Paris to begin a fashion and advertising business. He also continued photographing jazz musicians. In 1988 Leonard presented his first exhibition, "Images of Jazz," in London. This show established his reputation as a leading photographer of jazz and sparked further shows and publications.
Provenance:
The Herman Leonard Photographs were donated to the National Museum of American History by Mr. Leonard on December 17, 1991 and in 2006.
Restrictions:
Collection is open for research.
Rights:
The Archives Center does not own the rights to the Leonard photographs. All requests for permission to use these photographs for non‑museum purposes must be addressed directly to Herman Leonard at (504) 286‑2444.
Topic:
Jazz musicians -- United States  Search this
Jazz  Search this
Music -- 20th century  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
Herman Leonard Photographic Collection, 1948-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0445
See more items in:
Herman Leonard Photographic Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0445
Online Media:

Jazz Oral History Collection about Duke ellington

Interviewer:
Hasse, John Edward, 1948-  Search this
Willard, Patricia  Search this
Names:
Ellington, Duke, 1899-1974  Search this
Ellington, Mercer Kennedy, 1919-1996 (musician)  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Interviewee:
Feather, Leonard, 1914-1994  Search this
Woodyard, Sam, 1925-1988  Search this
Extent:
0.4 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Audiotapes
Date:
1988-1990
Summary:
Collection consists of original cassettes, open-reel master, and reference cassette audiotapes of two oral history interviews about the life and career of Duke Ellington. Leonard Feather's oral history interview has a transcript.

In separate interviews jazz critic Leonard Feather and Sam Woodyard discuss their relationships with and knowledge of Ellington and his music.
Scope and Contents:
Audiotape interviews with jazz critic Leonard Feather and drummer Sam Woodyard about their relationships with Duke Ellington and the Ellington Orchestra. John Hasse interviewed Leonard Feather on June 10, 1990. Patricia Willard interviewed Sam Woodyeard on May 30, 1998 and May 31, 1988. The interviews were recorded on audio cassette.
Arrangement:
Collection organized into one series.

Series 1, Jazz Oral History Collection, 1988-1990

Subseries 1.1: Leonard Feather

Subseries 1.2: Sam Woodyard
Biographical / Historical:
The Jazz Oral History Collection comprises two oral history interviews about Duke Ellington and his Orchestra.

One interview is with Leonard Feather (1914-1994), noted jazz critic, record producer, and composer. Born in England, Feather became an ardent fan of jazz by listening to recordings. The first time he saw Ellington perform live was in 1933 at the Palladium in London. Feather made his first trip to the United States in 1935 and through music critic and record producer John Hammond he met many of the leading musicians, producers, and concert promoters active in the American jazz scene. Feather was hired by Ellington in 1942 to do publicity and became part of what Feather referred to as "the Ellington family." Feather worked with Mercer Ellington as well and throughout the years he maintained an active involvement and friendship with Ellington.

A shorter interview with drummer Sam Woodyard (1925-1988) is poorly recorded and consequently it is difficult to hear and understand Woodyard's responses to the questions. Sam Woodyard was a drummer with the Ellington Orchestra from 1955 through 1966.
Provenance:
Made for the National Museum of American History, Smithsonian Institution.
Restrictions:
The collection is open for research.
Rights:
No release forms exist. Collection items are available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply.
Topic:
Jazz musicians -- United States  Search this
Jazz -- 20th century -- United States  Search this
Music -- 20th century -- United States  Search this
Genre/Form:
Audiotapes
Citation:
Jazz Oral History Collection about Duke Ellington, 1988-1990, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0431
See more items in:
Jazz Oral History Collection about Duke ellington
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0431

Ken Rattenbury Collection

Composer:
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Collector:
Rattenbury, Ken, 1920-  Search this
Interviewee:
Anderson, William "Cat", 1916-1981 ((musician))  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
0.16 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Transcriptions
Audiotapes
Theses
Date:
1967-1991
Scope and Contents:
Five cassette audiotapes, master's degree thesis, and Billy Strayhorn music transcription to Duke Ellington's "Lotus Blossom.",Material documents the career and compositional techniques of Duke Ellington, and interviews with Duke Ellington and Cat Anderson.
Arrangement:
1 series. Unarranged.
Biographical / Historical:
Professional musician, author of "Duke Ellington Jazz Composer", editor of "Crescendo International", and member/organizer of the music group "Jazz Five."
Provenance:
Collection donated by Ken Rattenbury, June 15, 1991.
Restrictions:
Collection is open for research.
Rights:
Copyright restrictions. Contact staff for information.
Topic:
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Music -- 20th century -- United States  Search this
Jazz -- 20th century -- United States  Search this
Genre/Form:
Transcriptions
Audiotapes
Theses
Citation:
Ken Rattenbury Collection, 1967-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0432
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0432

Archives Center Collection of Music Transcriptions of Duke Ellington Compositions

Creator:
Ellington, Duke, 1899-1974  Search this
Mandel, Roberta  Search this
Berger, David, 1920-1966  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Schirmer, G., Inc.  Search this
Extent:
0.12 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Transcriptions
Music
Date:
undated and 1988-1989.
Scope and Contents note:
Two transcriptions by Roberta Mandel of Billy Strayhorn's composition, "Blood Count"; five transcriptions by David Berger: "Harlem Airshaft", "Ko-Ko", "Subtle Lament", "Flaming Sword", "Mainstem", and "Jack the Bear", all composed by Duke Ellington; and two G. Schirmer transcriptions of Ellington's "Come Sunday".
Arrangement:
1 series.
Provenance:
Donated by Roberta Mandel in 1991 (part of collection only).
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- 20th century -- United States  Search this
Genre/Form:
Transcriptions
Music -- Manuscripts
Citation:
Archives Center Collection of Music Transcriptions of Duke Ellington Compositions, undated and 1988-1989, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0430
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0430

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