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Crehore New England Bass Viol

Maker:
Crehore, Benjamin  Search this
Physical Description:
pine (overall material)
maple (overall material)
Measurements:
overall: 48 in x 17 in x 11 in; 121.92 cm x 43.18 cm x 27.94 cm
overall: case: 50 in x 19 in x 13 1/2 in; 127 cm x 48.26 cm x 34.29 cm
Object Name:
viol
Place made:
United States: Massachusetts, Milton
Date made:
ca 1790
ID Number:
1981.0030.01
Accession number:
1981.0030
Catalog number:
1981.0030.01
See more items in:
Cultural and Community Life: Musical Instruments
Music & Musical Instruments
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a4-49a5-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_605604

The grand Mogul : imperial painting in India, 1600-1660 / by Milo Cleveland Beach ; with contributions by Stuart Cary Welch and Glenn D. Lowry

Author:
Beach, Milo Cleveland  Search this
Sterling and Francine Clark Art Institute  Search this
Author:
Welch, Stuart Cary  Search this
Lowry, Glenn D.  Search this
Physical description:
199 pages, 6 unnumbered leaves of plates : illustrations (some color) ; 30 cm
Type:
Exhibitions
Exhibition catalogues
Exhibition catalogs
Place:
India
Indien
Date:
1978
©1978
Topic:
Illumination of books and manuscripts, Mogul Empire  Search this
Islamic Illumination of books and manuscripts  Search this
Miniature painting, Mogul Empire  Search this
Islamic miniature painting  Search this
Islamic illumination of books and manuscripts  Search this
Großmogul  Search this
Malerei  Search this
Call number:
ND3247 .B38X
759.954 .B193
ND3247.B38X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_114408

The artist & the book, 1860-1960, in western Europe and the United States

Author:
Museum of Fine Arts, Boston  Search this
Harvard University Library Department of Graphic Arts  Search this
Physical description:
232 p. illus. (part col.) 29 cm
Type:
Exhibitions
Date:
1962
[1962, c1961]
Topic:
Illustrated books  Search this
Call number:
NC960 .B74 1962
NC960.B74 1962
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_157899

The Artist & the book, 1860-1960, in western Europe and the United States

Author:
Museum of Fine Arts, Boston  Search this
Harvard College Library Department of Printing and Graphic Arts  Search this
Physical description:
232 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Date:
1982
1972
Topic:
Illustrated books  Search this
Artists' books  Search this
Call number:
NC960 .B74 1982
NC960.B74 1982
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_244801

The artist & the book, 1860-1960, in western Europe and the United States

Title:
Artist and the Book, 1860-1960
Author:
Museum of Fine Arts, Boston  Search this
Harvard College Library Department of Printing and Graphic Arts  Search this
Physical description:
232 p. illus. (some col.) 29 cm
Type:
Exhibitions
Date:
1961
Topic:
Illustrated books  Search this
Artists' books  Search this
Call number:
NC960 .B74 1961
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_523962

Domains of wonder : selected masterworks of Indian painting / B.N. Goswamy, Caron Smith

Author:
Goswamy, B. N. 1933-  Search this
Smith, Caron  Search this
San Diego Museum of Art  Search this
Museum of Fine Arts, Boston  Search this
Dallas Museum of Art  Search this
Subject:
Binney, Edwin 1925- Art collections  Search this
San Diego Museum of Art  Search this
Physical description:
303 p. : col. ill., maps ; 27 cm
Type:
Exhibitions
Place:
California
San Diego
Date:
2005
Topic:
Painting, Indic  Search this
Illumination of books and manuscripts, Indic  Search this
Illumination of books and manuscripts, Mogul Empire  Search this
Art--Private collections  Search this
Painting  Search this
Call number:
ND1001 .G67 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_867649

Lucian Freud the self-portraits

Title:
Self-portraits
Author:
Freud, Lucian Works Selections  Search this
Host institution:
Royal Academy of Arts (Great Britain),)  Search this
Museum of Fine Arts, Boston  Search this
Subject:
Freud, Lucian  Search this
Physical description:
150 pages chiefly color illustrations, portraits 29 cm
Type:
Exhibitions
Self-portraits
Date:
2019
20th century
21st century
Topic:
Painting, British  Search this
Self-portraits, British  Search this
20.30 history of art: general  Search this
Selbstbildnis  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1115229

Unearthing Ancient Nubia : Photographs from the Harvard University-Boston Museum of Fine Arts expedition / Lawrence M. Berman

Author:
Berman, Lawrence Michael 1952-  Search this
Author:
Museum of Fine Arts, Boston Department of Egyptian and Ancient Near Eastern Art  Search this
Harvard University  Search this
Physical description:
143 pages ; 74 illustrations ; 23 x 30 cm
Type:
Pictorial works
Place:
Nubia
Sudan
Date:
2018
Topic:
Excavations (Archaeology)  Search this
Art, Ancient  Search this
Antiquities  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1107949

Collecting and collectors from antiquity to modernity / edited by Alexandra Carpino, Tiziana D'Angelo, Maya Muratov, and David Saunders

Author:
Archaeological Institute of America Annual Meeting (118th : 2017 : Toronto, Ont.)  Search this
Editor:
Carpino, Alexandra Ann  Search this
Physical description:
viii, 252 pages : illustrations ; 23 cm
Type:
Congresses
Conference papers and proceedings
Place:
United States
Date:
2018
Topic:
Art, Etruscan--Collectors and collecting  Search this
Gems, Ancient--Collectors and collecting  Search this
Art objects--Collectors and collecting  Search this
Art patrons  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1110122

The Graf collectioin of Greek portraits by J. Walter Fewkes

Author:
Fewkes, Jesse Walter 1850-1930  Search this
Subject:
Graf, Theodor Art collections  Search this
Museum of Fine Arts, Boston Archaeological collections  Search this
Physical description:
pages 612-625 illustrations 25 cm
Type:
Books
Place:
Egypt
Date:
1894
Topic:
Art, Hellenistic  Search this
Portraits, Hellenistic  Search this
Archaeology--Private collections  Search this
Art--Private collections  Search this
Call number:
N7586 .F49 1894
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_965565

Harold Tovish, Gift to Museum of Fine Arts, Boston

Collection Creator:
Pineda, Marianna, 1925-1996  Search this
Container:
Box 3, Folder 30
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marianna Pineda papers, 1947-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Marianna Pineda papers
Marianna Pineda papers / Series 4: Personal Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pinemari-ref88

Folder 2 Bishop, Carl W., correspondence, 1921-1924. Bishop was an associate curator at the Freer and led a collecting expedition to China in 1923 in collaboration with the Museum of Fine Arts, Boston.

Collection Creator::
Smithsonian Institution. Office of the Secretary  Search this
Container:
Box 80 of 112
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 45, Smithsonian Institution, Office of the Secretary, Records
See more items in:
Records
Records / Series 2: SMITHSONIAN ADMINISTRATIVE OFFICES, 1894-1926. / Box 80
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0045-refidd1e11878

The Chimneys collection

Owner:
Weems, Katharine Lane, 1899-  Search this
Lane, Emma Gildersleeve  Search this
Lane, Gardiner Martin  Search this
Landscape architect:
Olmsted Brothers  Search this
Olmsted, Frederick Law, Jr., 1870-1957  Search this
Whiting, Edward Clark  Search this
Creator:
Massachusetts Horticultural Society  Search this
North Shore Horticultural Society  Search this
New York Florists Club  Search this
Names:
Dana, Rich H.  Search this
Mullen, James X.  Search this
Watson, B. M. (gardener)  Search this
Architect:
Gildersleeve, Raleigh C.  Search this
Extent:
15 Cubic feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Photocopies
Plans (drawings)
Books
Medals
Negatives
Correspondence
Trade catalogs
Place:
Massachusetts -- Manchester
The Chimneys (Manchester, Massachusetts)
Date:
1903-1985
Summary:
Correspondence, invoices, nursery and seed catalogs, estimates, planting plans, photocopies of blueprints, photographs, negatives, autochromes, and drawings relating to the gardens of The Chimneys, the home of Emma and Gardiner Martin Lane and their daughter Katharine Lane Weems in Manchester, Massachusetts. Also included are four garden journals (1903-1928), garden-related medals awarded to Emma Lane, index files of plant materials, photocopies of garden related library cards belonging to Gardiner M. Lane, a diascope and nursery and seed catalogs. The collection also includes architectural plans, invoices and specifications from, and a framed photograph of, Raleigh C. Gildersleeve, architect of The Chimneys and brother of Emma Lane.
Scope and Contents Note:
The Chimneys Collection includes extensive documentation relating to the gardens and grounds of "The Chimneys" estate in Manchester, Massachusetts, the home of Katharine Lane Weems and her parents in Manchester, Massachusetts. There is also some documentation on the residence designed by Raleigh Gildersleeve. The collection includes photographs, negatives, autochromes, a stereograph viewer, plant lists and index files of plant materials, garden journals, correspondence, nursery and seed catalogs, estimates, invoices, design specifications and plans and drawings. There are also three horticultural medals. The images focus primarily on the gardens at The Chimneys, though there are also numerous images showing the beachfront adjoining the property and images of family, friends, Weems' studio, the vicinity around Manchester, Massachusetts, and interiors of Beverwyck Manor in Rensselaer, New York. A copy of Katharine Lane Weems' autobiography, Odds Were Against Me, is also included in the collection.
Arrangement Note:
The collection is arranged into 6 series:

1) Design and Planting Records 2) Photographic images 3) Correspondence 4) Garden Journals 5) Printed Matter 6) Artifacts
Biographical/Historical note:
The property on which this estate in Manchester, Massachusetts sits was originally owned by the father of Richard Henry Dana, Jr., the author of Two Years Before the Mast. The estate was subdivided after the elder Dana's death in 1879. Gardiner Martin Lane purchased the land and had his brother-in-law, Raleigh Gildersleeve, design a large Georgian Colonial Revival summer house for him known as "The Chimneys." The Olmsted Brothers landscape architecture firm was hired in 1902 to help with the overall siting of the house and to plan a number of garden areas. During the next ten years, the Olmsted firm designed a number of areas including an approach road, formal terraced gardens, a water garden, and a variety of outdoor structures such as an arbor, tea house, and greenhouse.

Katharine Lane Weems (1899-1989), the daughter of Emma and Gardiner M. Lane, spent her childhood summers at "The Chimneys." She later attended the School of the Museum of Fine Arts, Boston and went on to specialize in sculpting animals. "The Chimneys" served as her principal studio after the stable was remodeled in 1930; later it became her primary residence. She married F. Carrington Weems in 1947 and published an autobiography, Odds Were Against Me, in 1985. She died at her family estate in 1989.
Related Archival Materials Note:
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 00273 Gardiner M. Lane / Richard H. Dana Estate.

The Arthur and Elizabeth Schlesinger Library on the History of Women in America at Radcliffe College in Cambridge, Massachusetts has the Papers of Katharine Lane Weems (MC406) which include various files and images relating to The Chimneys.

The Smithsonian Institution's Archives of American Art in Washington, D.C. has the Katharine Lane Weems Papers, 1865-1989 which include images of The Chimneys.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Sculptors -- United States  Search this
Gardens -- Massachusetts -- Manchester  Search this
Water gardens  Search this
Women sculptors  Search this
Genre/Form:
Photographs
Diaries
Photocopies
Plans (drawings)
Books
Medals
Negatives
Correspondence
Trade catalogs
Citation:
Smithsonian Institution, Archives of American Gardens, The Chimneys collection.
Identifier:
AAG.CHM
See more items in:
The Chimneys collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-chm
Online Media:

42c "Valley of the Yosemite" single

Title:
Scott Catalogue USA 4346
Medium:
paper; ink / lithographed
Type:
Postage Stamps
Place:
United States of America
Date:
August 14, 2008
Topic:
Art & Photography  Search this
U.S. Stamps  Search this
Credit line:
Copyright United States Postal Service. All rights reserved.
Object number:
2009.2001.131
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm89e7e668a-4331-406a-baed-803ef4f493c8
EDAN-URL:
edanmdm:npm_2009.2001.131

Study for Portrait V

Artist:
Francis Bacon, British, b. Dublin, Ireland, 1909–1992  Search this
Medium:
Oil on canvas
Dimensions:
60 1/8 × 46 1/8 in. (152.7 × 117.1 cm)
Type:
Painting
Date:
(1953)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.183
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
School of London
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2d11141bb-0379-42d9-95ff-02e8bc80289b
EDAN-URL:
edanmdm:hmsg_66.183

Papers relating to the restructuring of the Museum of Fine Arts, Boston, 1997-1999

Creator:
Hills, Patricia, 1936-  Search this
Record number:
(DSI-AAA_CollID)13409
(DSI-AAA_SIRISBib)258447
AAA_collcode_hillpatr
Theme:
Communities, Organizations, Museums
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_258447

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Karin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the estate of Charles Lang Freer.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a-01
Online Media:

The Zorach Family papers

Creator:
Zorach Family  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Ipcar, Dahlov Zorach, 1917-  Search this
Newman, Arnold, 1918-2006  Search this
Partridge, Roi, 1888-1984  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, Tessim  Search this
Zorach, William, 1887-1966  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Date:
1900-1987
Summary:
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.
Scope and Content Note:
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

The majority of correspondence is between Tessim Zorach and various museums and galleries concerning exhibitions and donations of his parents' works of art. There are scattered letters to William Zorach among the correspondence. Business records consist of materials relating to the Collection of the Zorach Children, including lists of works of art by the Zorach's, a file relating to an exhibition of Zorach artwork at the Brooklyn Museum, and photographs of works of art considered for donation.

Writings and Notes include a typescript of an article written by Marguerite Zorach, writings by William Zorach, a typescript of Young Poems by William and Marguerite, as well as articles written by others about the Zorachs. Artwork by Marguerite Zorach includes two prints and a tracing. Also found is one sketchbook, and additional drawings by William Zorach. There is one unsigned lithograph.

The majority of exhibition announcements, catalogs, and clippings concern William and Marguerite Zorach although there are two announcements for Dahlov Ipcar. There is one scrapbook of clippings about Marguerite.

The papers include photographs of Marguerite and William Zorach, their parents, baby photos of Tessim and Dahlov, family pictures of the Zorachs, and of Marguerite and William in their studios. There are several folders of William Zorach working in his studios and additional photos of him carving a relief sculpture and a sculpture for the Southwest Bank. Most of these photographs contain detailed annotations written by William Zorach about the work. There is one folder of photographs of William in France in 1910-1911, including one of Zorach in Roi Partridge's studio. There is one photograph of Zorach taken by Ansel Adams in Yosemite, a photo of Zorach working by Arnold Newman, and several taken by Imogen Cunnigham.

Other photographs are of works of art, most of which depict William's works.

Artifacts include Marguerite's batik tools and approximately fifty commercially made printing blocks.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Information, circa 1907-1969 (Box 1, 6; 3 folders)

Series 2: Correspondence, 1922-1982 (Box 1-2; 1.75 linear feet)

Series 3: Business Records, 1967-1971, circa 1960s-1970s (Box 2-3; 0.3 linear feet)

Series 4: Writings and Notes, circa 1930s-1973, 1987 (Box 3; 8 folders)

Series 5: Artworks, 1900-circa 1920s (Box 3, 6; 12 folders)

Series 6: Scrapbooks, 1922-1953 (Box 3; 1 folder)

Series 7: Printed Material, 1912-1982 (Box 3; 0.25 linear feet)

Series 8: Photographs, 1908-1966 (Box 3-5; 1.0 linear feet)

Series 9: Artifacts, circa 1910s, circa 1950s (Box 4; 0.5 linear feet)
Biographical Note:
William Zorach (1887-1966) was a modernist painter and sculptor working primarily in New York city, along with his wife Marguerite (1887-1968) who worked as a fauvist painter, printmaker, and textile artist. Their children were painter Dahlov Ipcar (1917-) and art collector Tessim Zorach (1915-1995.)

Born in Lithuania, William Zorach immigrated to the United States where his family settled in Cleveland, Ohio. An early interest in art led to a printmaking apprenticeship. He then moved to New York City and enrolled in the National Academy of Design where he studied painting and drawing. In 1910, Zorach traveled to Paris to study and where he met his wife Marguerite Thompson at the La Palette art school. Marguerite grew up in Fresno, California and studied art at Stanford University. Both artists were heavily influenced by the fauvist and cubist art movements.

Returning to America, Marguerite and William married and both continued to create and experiment with varied media. Their paintings were featured in the 1913 New York City Armory Show and they are credited with being among the first artists to introduce European modernist styles to American modernism. The Zorachs were very close both as a couple and as working active artists.

In the 1920s, Marguerite began to experiment with textiles and created large, fine art tapestries and hooked rugs. Also, she used batik dying techniques on fabrics. William also expanded his genre by creating direct sculpture in 1918, which would become his primary medium.

In 1915, William and Marguerite started a family with their son, Tessim. Two years later, their daughter Dahlov was born. The Zorachs divided the year and lived in New York City, New Hampshire, and Massachusetts. In 1923, the family bought a farm on Georgetown Island, Maine where they lived, worked, and entertained friends.

Dahlov and Tessim were exposed to art from an early age. Dahlov showed artistic promise as a child and her parents supported her creativity by allowing her to express herself without formal training. Dahlov pursued painting and later became an illustrator for children's books. Additionally, she wrote fantasy novels and short stories. Dahlov married Adolf Ipcar in 1936. Like the rest of his family, Tessim Zorach developed an interest of art and along with his wife Peggy, he amassed a large private collection of ancient to modern art.

William and Marguerite continued to sculpt and paint until their deaths in 1966 and 1968, respectively.

Together, Dahlov and Tessim established the Collection of the Zorach Children which coordinated donations of their parents' art to many museums throughout the United States and the world. The artwork of both artists is found in the collections of the Metropolitan Museum of Art, Brooklyn Museum, Whitney Museum of American Art, Delaware Art Museum, Museum of Fine Arts, Boston, Farnsworth Art Museum, Portland Museum of Art, National Gallery of Art, National Portrait Gallery and the Smithsonian American Art Museum, The Philips Collection, and educational institutions such as Colby College, University of Vermont, Williams College, Bowdoin College, and the University of Virginia. In addition William has works associated with many public buildings, among them: Radio City Music Hall, New York City Municipal Court, the U.S. Post Office in Washington D.C. as well as Farleigh Dickinson University.
Related Material:
The Archives of American Art holds the Dahlov Ipcar papers, 1906-1997. Also found is one oral history interview with William Zorach conducted by by John D. Morse on April 2, 1959 and an oral history interview with Dahlov Ipcar conducted by Robert F. Brown on November 13, 1979.

The bulk of William Zorach's papers are held by the Library of Congress.
Separated Material:
The Archives of American Art also holds material lent for microfilming on reels NY59-1-NY59-4 and NY59-19. Loaned materials were returned to the lender and are now held by the Library of Congress, Manuscript Division. This material is not described in the collection container inventory or finding aid.
Provenance:
William Zorach lent papers for microfilming to the Archives of American Art in 1959. Tessim Zorach donated materials between 1976-1987.
Restrictions:
Use of originals requires an appointment.
Rights:
The Zorach Family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, American  Search this
Art dealers -- New York (State) -- New York  Search this
Artist couples  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Weavers  Search this
Works of art  Search this
Genre/Form:
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Citation:
The Zorach Family papers, 1900-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zorazora
See more items in:
The Zorach Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zorazora

De Hirsh Margules papers

Creator:
Margules, De Hirsh, 1899-1965  Search this
Names:
Babcock Galleries  Search this
Brooklyn Museum  Search this
Buffalo Fine Arts Academy  Search this
Feigl Gallery  Search this
Ferargil Galleries  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Niveau Gallery (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Walker Art Center  Search this
Whitney Museum of American Art  Search this
Worcester Art Museum  Search this
Beaudoin, Kenneth Lawrence, 1913-  Search this
Connick, Charles J., 1875-1945  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Frankel, Aaron  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gillespie, Al Lincoln, Jr.  Search this
Gilman, Esther  Search this
Grady, James  Search this
Higgins, Dick, 1938-  Search this
Horblit, Harrison D.  Search this
Horblit, Jean  Search this
Jensen, Alfred, 1903-1981  Search this
King, Alex  Search this
Kolin, Sacha, 1911-1981  Search this
Lechay, Myron, 1898-1972  Search this
Lehman, Herbert H. (Herbert Henry), 1878-1963  Search this
Lindsay, John V.  Search this
Mandel, Marieli Kailin  Search this
Margules, Blanche London  Search this
Marin, John, 1870-1953  Search this
Miller, Henry, 1891-  Search this
O'Brien, Lawrence F.  Search this
Schnitzler, Max, 1903-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weber, David A.  Search this
Extent:
5.5 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Photographs
Notebooks
Sketchbooks
Sound recordings
Poems
Scrapbooks
Oil paintings
Collages
Date:
1888-2001
bulk 1923-1965
Summary:
The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.
Scope and Content Note:
The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.

Biographical material consists of Margules' curriculum vitae, address books, war ration books, press credentials, passports, naturalization documents, membership and social security cards, and memorial material on De Hirsh and Blanche Margules.

Correspondence of De Hirsh Margules covers both personal and business matters. Family correspondents include his wife Blanche London, her parents, De Hirsh's mother Rosa and his sister Sam. There is correspondence with Jean and Harrison Horblit, friends and business associates of the Margules, as well as correspondence with his girlfriend, Marieli Kailin Mandel. Other correspondents include Alfred Stieglitz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, Myron Lechay, and two letters from New York Governor Herbert H. Lehman. There are single letters from Sasha Kolin; New York City Mayor John V. Lindsay; Lawrence F. O'Brien, special assistant to President John F. Kennedy; Buckminster Fuller. This last letter was not addressed exclusively to Margules. Other personal correspondence includes letters, postcards and greeting cards from family members and friends. Other business correspondents include galleries and museums such as Babcock Galleries, Museum of Modern Art, Whitney Museum of American Art, Niveau Gallery, Museum of Fine Arts Boston, Brooklyn Museum, Buffalo Fine Arts Academy, Ferargil Gallery, Feigl Gallery, Guggenheim Museum, Worcester Art Museum and Walker Art Center.

Writings consist mostly of poems by De Hirsh Margules, sometimes appearing in multiple draft forms, as well as a longer work titled "Mulberry Bend." Also included within the series are notebooks filled with poems and works of prose, the latter expounding upon his theories and ideas. Writings by other authors range from poetry to works of prose, criticism and biography, including A. Lincoln Gillespie, Jr., Kenneth Lawrence Beaudoin, David Weber, Aaron Frankel, James Grady, Dick Higgins, and Esther Gilman, among others. There are three illustrated writings by Alfred Jensen. Audio recordings contain a sound tape reel of De Hirsh Margules reciting his poems Rainbow and Mulberry Bend.

Printed material includes newspaper and magazine clippings, press releases, exhibition announcements, catalogues and books. Scrapbooks include printed material, newspaper and magazine clippings, and exhibition announcements on the career of De Hirsh Margules. Also included are two scrapbooks by Blanche London Margules, representing newspaper clippings of her writing, among others.

Works of Art include an oil painting on wood and sketchbooks by Margules. Also included are six collages in a series by Kenneth Lawrence Beaudoin titled "Eye Poems"; and text-based drawings/writings by A. Lincoln Gillespie, Jr.

Photographs, transparencies and slides include works of art by De Hirsh and Blanche London Margules. Also included are personal photographs of the Margules', their friends, family and students, and two folders of photographs of Marieli Kailin Mandel.
Arrangement:
The De Hirsh Margules papers are organized into 8 series:

Series 1: Biographical Material, 1888-1978, undated (Box 1, 6; 0.2 linear feet)

Series 2: Correspondence, 1923-2000, undated (Box 1-3; 2.8 linear feet)

Series 3: Writings, 1936-1965, undated (Box 4; 1.0 linear feet)

Series 4: Printed Material, 1933-2001, undated (Box 5; 0.2 linear feet)

Series 5: Scrapbooks, 1922-1957, undated (Box 5, 7; 0.2 linear feet)

Series 6: Photographs, 1926-1992, undated (Box 5, 7; 0.8 linear feet)

Series 7: Works of Art, 1948, undated (Box 6, 7; 0.4 linear feet)

Series 8: Audio Recordings, undated (Box 6; 1 folder)
Biographical Note:
De Hirsh Margules (1899-1965) was a painter in New York, NY. Margules was born in Jasse, Romania and arrived in New York City at only ten months of age. His parents were in the Yiddish Theater; his father, Edouard was a playwright/director, and his mother, Rosa, was an actress. Margules received much of his art education outside of the conventional art institutional framework. Early on, he studied with Edwin Randby in Pennsylvania from 1917-1918, but it was really his neighbor, the painter Benno Greenstein, who encouraged Margules to pursue a career in the arts. From 1919-1921 he studied period architecture, design and decoration at the New York Evening School of Art and Design.

By 1922, Margules began working nights as a police reporter for the City News Association of New York, a job he would hold until 1942. However, he continued to study and paint during the day, this time working with Myron Lechay.

In 1927 Margules took a leave of absence from the City News Association to travel to Paris. He studied at the Musée du Louvre, and painted landscapes in Montmartre, Paris; Fontenay-près-Vézelay, Burgundy; and Tunis, Africa. In 1929 Margules returned to New York and met artist/dealer Alfred Stieglitz, who quickly became his most trusted friend and advisor. It was through Stieglitz that Margules was introduced to John Marin, Georgia O'Keeffe, Paul Rosenfeld, Stuart Davis and Jan Matulka. While Margules would benefit from his relations with all of these artists, it was John Marin who would become his most important mentor. He felt that Marin was the only one who could help him with the formal problems he was having with painting.

Margules lived most of his life in Greenwich Village and was a well-known member of the colorful and vivacious arts community. He was commonly recognized by his affable demeanor, but mostly it was his attire, particularly the dark blue beret that he was rarely seen without. To his friends he was known simply as "the Baron."

De Hirsh Margules has been called an abstract realist. He used saturated colors and bold textures in the construction of his abstract landscapes, but more specifically it was his interest in the concept of "time painting" or "time perspective" that propelled his work. It was through the physical rendering and representation of his subject matter that he explored the psychological concepts of time. From 1936-1937 Margules established "Another Place," an exhibition space set up in his New York City apartment at 43 West 8th Street. Over a two year period there were fourteen solo-exhibitions by Margules and other artists.

He taught painting in 1951 at Ball State College in Muncie, Indiana, and at the New York Equity Workshop in 1952. In 1951 Elaine de Kooning wrote a piece about his working methods in the December edition of Art News.

De Hirsh Margules died from a heart attack in 1965. He was 65 years old.
Provenance:
The papers were donated to the Archives in 2005 by Elita Agee.
Restrictions:
The De Hirsh Margules papers are open for research. Use requires an appointment.
Rights:
The De Hirsh Margules papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Poets -- New York (State) -- New York  Search this
Works of art  Search this
Genre/Form:
Writings
Photographs
Notebooks
Sketchbooks
Sound recordings
Poems
Scrapbooks
Oil paintings
Collages
Citation:
De Hirsh Margules papers, 1888-2001, bulk 1923-1965. Archives of America Art, Smithsonian Institution.
Identifier:
AAA.margde
See more items in:
De Hirsh Margules papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-margde

George Deem papers

Creator:
Deem, George, 1932-2008  Search this
Names:
Allan Stone Gallery  Search this
Nancy Hoffman Gallery  Search this
New Britain Museum of American Art  Search this
Pavel Zoubok Gallery  Search this
Andrews, Benny, 1930-2006  Search this
Bal, Mieke, 1946-  Search this
Copy, Richard  Search this
Dydo, Ulla E., 1925-  Search this
Evans, John, 1932-  Search this
Fattal, Simone  Search this
Guilliatt, Lee  Search this
Johnson, Ray, 1927-  Search this
Komar, Vitaly  Search this
Lazlo, Jean-Noel  Search this
Liedtke, Walter A.  Search this
Molesworth, Charles, 1941-  Search this
Rosenblum, Robert  Search this
Sassu, Antonio  Search this
Tanning, Dorothea, 1910-2012  Search this
Vermeer, Johannes, 1632-1675  Search this
Wheeler, Arthur K.  Search this
Wiener, Sam  Search this
William, Patricia  Search this
Extent:
18.2 Linear feet
10.71 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Date:
1904-2015
bulk 1960-2008
Summary:
The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.
Scope and Contents:
The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

Biographical materials include resumes, an address book, appointment books, birth and death certificates, obituaries and memorial tributes, passports, family histories, jury summons, grant applications, military and educational records.

Correspondence is with family, friends, colleagues, curators, and art dealers. Much of the professional correspondence concerns commissions and reproduction permission requests. Among the correspondents are: Benny Andrews, Mieke Bal, Ulla Dydo, John Evans, Simone Fattal, Lee Guilliat, Vitaly Komar, and Dorothea Tanning. Correspondence with Walter Liedtke, Charles Molesworth, Robert Rosenblum, Arthur K. Wheeler, and Patricia William discusses proposed exhibitions and writings by Deem and others about his work.

Writings include some of Deem's classroom lectures, poems, and short pieces that appeared in independent literary arts publications.

Subject files document Deem's dealings with art consultants and galleries regarding placement of his work, participation in benefit auctions, and gifts of his artwork to the New Britain Museum of American Art. There is extensive correspondence with Allan Stone Gallery, Nancy Hoffman Gallery, and Pavel Zoubok Gallery. Deem's participation in mail art exhibitions is documented by exhibition announcements and correspondence. Also found is mail art correspondence from Richard Copy, Ray Johnson, Jean-Noel Lazlo, Antonio Sassu, Sam Wiener and others: some pieces are copies. The bulk of the project files chronicle Deem's artistic output. Information sheets and photographic materials provide provenance and source references for over 500 works. Files also document commissions undertaken by Deem including book projects, and set designs for dance and theater workshops. Exhibition files document solo and group exhibitions in the United States and abroad.

Printed material includes books by Deem, exhibition catalogs, reviews, and reproductions. In addition, there are articles and academic papers about Deem and his work. Photographic materials include photographs, digital prints and transparencies; subjects include Deem, family, friends, travels, studio, exhibition installations, and his artwork.

The addition to the George Deem papers consists of scattered biographical materials, correspondence, project and subject files, printed and digital material, and photographic materials. The bulk consists of writings, including a memoir of his early days in New York. Twenty-three notebooks include notes and drafts of writings about his artwork; activities and meetings with colleagues and friends are also recorded. Among the photographic materials are five photograph albums - four are devoted to George Deem, his family, and friends; the fifth houses photographs of Deem's artwork.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1938-circa 2013 (Boxes 1-2; 1.8 linear feet)

Series 2: Correspondence, 1954-2013 (Boxes 2-6; 4.8 linear feet)

Series 3: Writings, 1978-2012 (Box 6; 0.2 linear feet)

Series 4: Subject Files, circa 1960-circa 2013 (Boxes 6-8; 1 linear feet)

Series 5: Project Files, 1952-circa 2013 (Boxes 8-13, Box 20; 5.0 linear feet, ER01-ER02; 3.60 GB)

Series 6: Exhibition Files, 1960-circa 2013 (Boxes 13-15; 1.4 linear feet)

Series 7: Printed Material, 1966-circa 2013 (Boxes 15-16, OV 21; 1.1 linear feet)

Series 8: Photographic Materials, 1904-circa 2013 (Boxes 16-17, Box 20; 1.1 linear feet)

Series 9: Addition to the George Deem Papers, 1957-2015 (Boxes 17-19; 1.8 linear feet, ER03-ER04; 7.12 GB)
Biographical / Historical:
George Deem (1932-2008), a New York City based painter was best known for his original reinterpretations of the works of master painters. Raised on an Indiana farm, Deem showed an early interest in art and after graduating from Vincennes University in 1952 enrolled at the School of the Art Institute of Chicago. His studies were interrupted by service in the U.S. Army. He completed his program at the Art Institute of Chicago in 1955.

After moving to New York City in 1958, Deem worked in the display department of the Metropolitan Museum of Art while continuing to paint original works after hours. His work was first exhibited at Barnard College, and in 1963 he had his first one man show at the Allan Stone Gallery, which represented him throughout his career. Later he also was affilated with Nancy Hoffman Gallery and Pavel Zoubok Gallery.

Deem travelled abroad, spending considerable time in Italy where he was influenced by classical art and architecture and began painting realistic figural images. He was interested in reinventing and reconstructing the art of the past, borrowing from artists such as Vermeer, Caravaggio, Goya and Millet. Deem produced a series of paintings relating to Vermeer's work, finally writing a book about this endeavor, Art School and How to Paint a Vermeer. Deem also wrote poetry, was involved in set design, and danced at Bennington College and other venues.

Deem's work was acknowledged in the academic world and he served as artist in residence or visiting artist at MacDowell Colony, Illinois State University, and other institutions. His work appeared in museum exhibitions in the United States and abroad, and is included in the permanent collections of museums including the Museum of Fine Arts Boston, New Britain Museum of American Art, and Herbert F. Johnson Museum at Cornell University, as well as in private collections.

George Deem died in 2008 of lung cancer in New York City.
Provenance:
The George Deem papers were donated to the Archives of American Art in 2013 and 2015 by Ronald Vance, executor of the George Deem estate.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The George Deem papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Dancers -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Mail art  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
George Deem papers, 1904-2015, bulk 1960-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.deemgeor
See more items in:
George Deem papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-deemgeor

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